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tags:
  - sentence-transformers
  - sentence-similarity
  - feature-extraction
  - generated_from_trainer
  - dataset_size:5776
  - loss:MultipleNegativesRankingLoss
base_model: BAAI/bge-base-en
widget:
  - source_sentence: >-
      Explain the importance of specifying VST search locations in Minihost
      Modular and how it affects the loading of plugins and .gra files.
    sentences:
      - >-
        Document_title: Minihost Modular (DEPRECIATED)

        File_name: plugins/Minihost Modular.htm

        Heading_hierarchy: [Minihost Modular (DEPRECIATED) -> Registering
        Plugins]

        Anchor_id: [none]

        Before MiniHost can find your plugins you need to specify their location
        and scan them. The fastest way is to use Scan (no verify), but we
        recommend Scan & Verify as it will tell you what plugins might cause
        problems (you will get crash reports in the lis), and give more
        information such as

        manufacturer, number of I/Os etc. Select File > Preferences > Plugins >
        Scan & Verify NOTES: • Scanning - Without scanning your plugins, you
        won't be able to add any plugins in MiniHost Modular and .gra files from
        other users won't load correctly. • Enter up to 4 VST search locations -
        These

        are in ADDITION to the standard VST locations that will also be scanned.
        • Bridging - Minihost Modular will only run 32 or 64 Bit plugins
        equivalent to the version you are using (32 or 64 Bit).
      - >-
        Document_title: FL Keys

        File_name: plugins/FL Keys.htm

        Heading_hierarchy: [FL Keys]

        Anchor_id: [none]

        FL Keys With the help of several additional modules included in FL
        Studio, FL Keys can also operate as Rhodes & Roto Organ.
      - >-
        Document_title: Sawer - Modulation

        File_name: plugins/Sawer_Modulation.htm

        Heading_hierarchy: [Sawer - Modulation -> LFO Controls]

        Anchor_id: [none]

        LFO is a 'Low Frequency Oscillator' that creates an oscillating control
        output, the rate of which can be adjusted between 0 and 10 Hz. This
        generator is used to control parameters inside Sawer to add motion
              or variability to sounds in order to make them more interesting. • SPEED - LFO speed, between 0 and 10 Hz. • ATTACK - Fade-in for the LFO, ramps up the LFO amount. This is linked to a note-on event. • RELEASE - Fade-out for the LFO, ramps down the LFO amount. This is linked to a
        note-release event. • AMPLITUDE - A multiplier or amount of LFO to be
        applied to the Destination control. • RETRIG (Retrigger) - Restarts the
        LFO cycle at the start of each note. • TMP SYNC (Tempo Sync) -
        Synchronizes the LFO speed to the host tempo. When selected the SPEED
        knob now

        controls the tempo sync from 1/16th to 32/4. • INV (Invert) - Inverts
        the phase of the LFO waveform. • SHAPE - Select the LFO shape (TRIANGLE,
        SAW, SQUARE, RANDOM). • LFO DESTINATION LFO Destination, select from - ➤
        CUTOFF - [Filter cutoff

        frequency](https://www.image-line.com/fl-studio-learning/fl-studio-online-manual/html/Sawer_Filter.htm)
        . ➤ SYNC FRQ (Frequency) - [Main oscillator synchronization
        frequency](https://www.image-line.com/fl-studio-learning/fl-studio-online-manual/html/Sawer_Oscillators.htm)
        . ➤ PHASE - [Sub-o

        scillator
        phase](https://www.image-line.com/fl-studio-learning/fl-studio-online-manual/html/Sawer_Oscillators.htm)
        . ➤ FREQ (Frequency) - [Master tuning
        frequency](https://www.image-line.com/fl-studio-learning/fl-studio-online-manual/html/Sawer_Master.htm)
        . ➤ NOISE - Controls the [Oscillato

        r noise
        level](https://www.image-line.com/fl-studio-learning/fl-studio-online-manual/html/Sawer_Oscillators.htm)
        . ➤ LEVEL - [Master
        volume](https://www.image-line.com/fl-studio-learning/fl-studio-online-manual/html/Sawer_Master.htm)
        . ➤ PAN - [Master

        panning](https://www.image-line.com/fl-studio-learning/fl-studio-online-manual/html/Sawer_Master.htm)
        .
  - source_sentence: >-
      What steps should a user take to change the name on their FL Studio
      account after a legal name change, and why is it important to have a
      verifiable user ID in their account?
    sentences:
      - >-
        Title: Legal name change

        Answer: If you are looking to hide your name to protect your online
        privacy when using FL Studio in public, see - [How can I change the name
        displayed in the Title
        Bar?](https://support.image-line.com/action/knowledgebase/?ans=524)To
        change the name on your Account after a legal name change: Please create
        a [Support Ticket
        here](https://support.image-line.com/action/ticketing/add-issue), attach
        your documentation and request a name change for your license or
        account. NOTE: Always ensure you have a verifiable user ID in your
        account. With FL Studio's Lifetime Free Updates,

        it's crucial for us to identify you as the rightful owner. If you lose
        access to your account and we cannot verify your identity, we cannot
        grant access due to [GDPR](https://gdpr-info.eu/) privacy regulations.
        Image-Line Support Team
      - >-
        Document_title: FLEX

        File_name: plugins/FLEX.htm

        Heading_hierarchy: [FLEX -> Online Packs]

        Anchor_id: [none]

        You can download free, subscribed and purchased Packs from the
        integrated FLEX Store so there is no need to leave FLEX to install
        expansion content. There are two categories according to the Tabs: • GET
        - Free, subscribed and purchased packs that are ready to download. Click
        the

        Download Icon after the pack name to download and install it. • STORE -
        Packs that have not been purchased. After purchase they will move to the
        'GET' Tab.
      - >-
        Document_title: Installing Plugins    

        File_name: basics_externalplugins.htm

        Heading_hierarchy: [Installing Plugins -> Related Links:]

        Anchor_id: [none]

        ➤ [Installed
        instruments](https://www.image-line.com/fl-studio-learning/fl-studio-online-manual/html/generator_plugins.htm)
        - Learn more about instruments (generators) pre-installed in FL Studio.
        ➤ [Installed

        effects](https://www.image-line.com/fl-studio-learning/fl-studio-online-manual/html/effects_plugins.htm)
        - Learn more about the effects pre-installed in FL Studio. ➤ [Plugin
        standards](https://www.image-line.com/fl-studio-learning/fl-studio-online-manual/html/plugins_supported.htm)
        - Learn

        more about the plugin standards supported by FL Studio.
  - source_sentence: >-
      Explain the role of the Self Oscillating Filter (SOF) in the Drumpad
      percussion modeling instrument and describe how it contributes to the
      creation of kick and snare sounds.
    sentences:
      - >-
        Document_title: Drumpad - Percussion Modeling Instrument

        File_name: plugins/Drumpad.htm

        Heading_hierarchy: [Drumpad - Percussion Modeling Instrument -> Self
        Oscillating Filter (SOF)]

        Anchor_id: [none]

        The SOF is an 'allpass' filter with a narrow frequency-peak exhibiting
        high levels of self-oscillation. When the frequency-peak is swept
        quickly downwards, it is useful to make kicks and snares. • Freq -
        Down-sweep starting frequency. The frequency will sweep down to ~20 Hz
        (fixed). • Decay -

        Down-sweep time. Fast sweeps produce the most realistic 'kick' sounds. •
        Level - SOF mix level. The SOF sweep is added before other filters in
        the modeling engine, immediately after the Membrane sound is generated.
      - >-
        Title: Does iOS version matter?

        Answer: FL Studio Mobile runs on every device with iOS 5.1 and higher.
        If your iOS device can not run iOS 5.1 or higher, it is not possible to
        reinstall your FL Studio Mobile app. A hardware update is needed in that
        case. As soon as you have new hardware, and the iOS can be updated to
        5.1 or higher, you regain access to your earlier purchased app in your
        iTunes account.The soon to be released FL Studio Mobile update (expected
        in September 2014) will be optimized for iOS 8.
      - >-
        Document_title: Audio Myths & DAW Wars       

        File_name: app_audio.htm

        Heading_hierarchy: [Audio Myths & DAW Wars -> Audio quality, the eternal
        quest]

        Anchor_id: [none]

        Spend time on any forum devoted to any Digital Audio Workstation (DAW)
        software or music production and you are guaranteed to see users making
        claims about the superior audio quality of this or that DAW application.
        Protagonists will say a given program is clearly and audibly superior to

        another. To be frank, that's just nonsense . Any DAW application that
        uses, at least , 32 Bit floating point calculations (and today, that's
        all software), will process audio without introducing unwanted
        distortions, frequency response alterations or any other effect that
        would be ' clearly audible '

        so as to influence opinion. This ability to process audio without making
        unintended, audible changes is called ' transparency '. From a
        transparency perspective all DAW software is created equal .
  - source_sentence: >-
      Explain how the four key parameters—Tension, Phase, Material, and
      Shape—affect the tonal character of the drum membrane in the Drumaxx
      Percussion Modeling Instrument. How should these parameters be adjusted to
      achieve a natural drum sound?
    sentences:
      - >-
        Document_title: ZGameEditor Visualizer

        File_name: plugins/ZGameEditor Visualizer.htm

        Heading_hierarchy: [ZGameEditor Visualizer -> Add Content]

        Anchor_id: zge_addcontent

        Custom content you can add here includes Pictures, HTML, Text, Meshes
        and Video. The content is then available from the Image Src and Mesh
        selectors at the top of the Effect interface for each layer. NOTE: You
        can drag and drop video and images directly on the main Layer Window and
        it

        will also be listed here. • Images - Most image and video formats are
        supported. If an effect can use images, select them from the Image Src
        field at the top of the Effect column.  Click the button and browse to
        the location of the content. The location will then be listed in the
        field below. Use

        the sub-tabs here to load: ➤ Add Pictures - Images in popular formats
        are supported (.bmp, .gif, .jpg, .png etc). ➤ Add Videos - Any video
        format, supported by your computer, should work. ➤ Add WebCam - Any
        webcam/s connected to your computer will appear here. ➤ Add Window -
        Choose

        from FL Studio Windows such as the Playlist or Mixer as source video. ➤
        Add Preset - Use ZGameEditor presets (projects) as source video. ➤ Add
        URL - A link to any streamable video file on the web. ➤ Find online
        media - Browse copyright free, high quality images and videos from
        [Pexels.com](

        https://www.pexels.com/) . ➤ Filtering - Choose how images are blended
        with the background when the Alpha controls are used. ➤ Video preloading
        - Options associated with preloading video to RAM. ◆ Enable video
        preloading -  Preload video to RAM. This will significantly reduce CPU
        load and

        responsiveness when using CUE points to jump around or automation to
        animate the video playback position. ◆ Compress - Reduces the amount of
        RAM needed with a small increase in CPU load. ◆ With audio - Preload the
        video's audio and also by extension, include the audio in the video in

        playback. • Sync video with song position - Will start any video
        playback with the start of the project. When this is disabled, the video
        will play continuously as a loop. • Lower controls: ➤ Select all -
        Selects all content. ➤ Remove - Removes selected content. ➤ Remove all -
        Removes all content. 

        ➤ Replace - Replaces selected content so that presets using the original
        content work with the new content. ➤ Remove unused - Removes any content
        that is not used in the project. • HTML - HTML code entered here works
        in conjunction with the Text > TextTrueType effect. The code

        determines the appearance of the text in accordance with HTML text
        formatting. There is some example HTML options on the HTML tab itself
        (right side) or your can [watch this
        video](https://www.youtube.com/watch?v=yrm2SAfXav0) . ➤ Example code:
        [textline] • How to use: Enter the exact

        code above on the HTML tab. Select the Text > TrueTypeText effect.
        Switch on SingleLineMode and automate the line shown with the Text Line
        control. You can use additional HTML formatting (bold, italics,
        text-size etc) as desired. • Text - Enter the text to be displayed by
        the Text > TextTrue

        Type , MeshText and TextDraw effects. From these effects, use the Text
        Line control to step through lines entered on the Text tab. • Meshes -
        Include [.3ds format](https://en.wikipedia.org/wiki/.3ds) 3D meshes that
        can be loaded and used as objects by some effects. • Video cue points -
        Set up

        to 70 cue points in the video by entering a list of time-offsets in
        seconds (including decimals if needed). The simplest way to add a video
        is by selecting ' Image Effects > Image ' from the list and choosing the
        Video from the Img Src menu. ➤ Setup - Match the MIDI IN Port on the
        Settings tab to

        a [MIDI
        Out](https://www.image-line.com/fl-studio-learning/fl-studio-online-manual/html/MIDI%20Out.htm)
        Port (and Channel). ➤ Trigger cue points - Notes played on the MIDI Out
        Channel will trigger playback from the set cue points. Cue-points start
        from note C5 (C5 = the first cue-point in the

        list) and are mapped progressively to each cue-point down the list as
        you progress up the keyboard. ➤ Special functions - You can put the cue
        points play and stop anywhere in the list.
      - >-
        Document_title: Harmor 

        File_name: plugins/Harmor.htm

        Heading_hierarchy: [Harmor -> Filter]

        Anchor_id: [none]

        The filter functions control the type of filtering and cutoff frequency.
        • ENV - Envelope modulation amount. The knob is bi-directional from -100
        to +100%. ➤ adapt - Adaptive envelope mode. The bandwidth of the filter
        changes width as a function of the notes frequency, so that the duration
        of

        envelopes applied to low vs high notes sound similar in duration. Set by
        ear. • oct / Hz - Sets the shape of the resonance frequency peak to an
        Octave or Hertz scale. Set by ear. • kb track - Keyboard tracking.
        Applies an offset to the filter cutoff value depending on pitch. The
        offset-value can be

        positive or negative depending on the direction of the knob. For 
        example, keyboard tracking is useful to make a sound brighter,
            by raising the cutoff frequency of a low-pass filter, as higher keys are played. • width - Filter bandwidth, equivalent to 'dB/Octave' setting on traditional filters. Narrower widths create a more clearly defined 'center frequency' or 'cut' frequency. • FREQ - Filter cutoff frequency. This is the
        target for all controls in green to the left of the knob. • Filter type
        menu - Choose from cutoff slope variations, Crude & Hill being the
        steepest: ➤ Low pass - Filters frequencies above the cutoff frequency. ➤
        Band pass - Filters frequencies either side of a central band. ➤ Band
        stop - Filters

        frequencies inside a central band. ➤ High pass - Filters frequencies
        below the cutoff frequency. ➤ Phaser - 'Comb filtering', a series of
        stacked band-stop filers. ➤ Custom shape 1 & 2 - Define your own filter
        shape with ENV 'Filter shape 1 & 2' envelopes. • Filter 1 & 2 mix -
        Filter resonance

        sections can operate in parallel or series depending on the position of
        the knob (see below). Consider the percentage like the mix between
        Filter 1 and 2. When parallel it's the mix of both filters to the
        output. When serial its the mix of Filter 1 directly to the output or
        into Filter 2. ➤ Left of 12

        O'Clock = (1-Mix) * F1 + Mix * F2 ➤ Right of 12 O'Clock = (1-Mix) * F1 +
        Mix * (F1⇒F2) Where: ◆ F1 is the output of Filter 1 ◆ F2 is the output
        of Filter 2 ◆ F1⇒F2 is the output of F1 processed by F2 ◆ Mix is the
        value of the Filter 1 & 2 mix knob TIP: If
        [Units](https://www.image-line.com/fl-studio

        -learning/fl-studio-online-manual/html/Harmor.htm#harmor_adv) are placed
        after F1, then F1 becomes  F1 + following units. • RES - Filter
        resonance. This boosts frequencies around the cutoff value (depending on
        the offset value ). Resonance accentuates the cutoff frequency position
        making

        a familiar 'resonant' sound. • Resonance type menu - Choose from
        resonance type variations: ➤ Classic - Single narrow resonance peak. ➤
        Cuberdon, Pedestal, Sedge hat, Wide bump, Double cone - Various
        resonance peak shapes, named according to their approximate shape. ➤
        Well &

        Wormhole - Cut frequencies at the cutoff frequency with resonant peaks
        either side of the hole. These settings are designed to be used with the
        self-oscillation,
                to avoid annoying interferences and overly loud  ringing when the resonance peak passes harmonic frequencies. ➤ Noise - Special effect. Harmonics are sounded randomly. Use the RES to control the amount of randomness, width controls the length/duration of changes in harmonics. ➤ C
        ustom shape 1 & 2 - Define your own resonance filter shape with  'Filter
        (resonance) shape 1 & 2' envelopes. ➤ Low pass - Provides a resonance
        peak followed by a dip, this makes it an 'extra lowpass', so that the
        slope of the lowpass filter effectively becomes steeper as the resonance

        increases. • width - Resonance peak width, left = narrow, right = wide.
        ➤ adapt - Adaptive envelope mode. The bandwidth of the filter changes
        width as a function of the notes frequency, so that the resonance sounds
        similar regardless of the note pitch. Set by ear.
      - >-
        Document_title: Drumaxx - Percussion Modeling Instrument 

        File_name: plugins/Drumaxx.htm

        Heading_hierarchy: [Drumaxx - Percussion Modeling Instrument ->
        Membrane]

        Anchor_id: [none]

        The drum membrane (skin) has a significant impact on the tonal character
        of the final sound. There are 4 key parameters - Tension , Phase ,
        Material and Shape .
            When the right balance between these four controls is achieved, the sound will be most natural. We recommend adjusting Tension and Phase first, so that the pitch is close to
            what you need. Then adjust Material and Shape to fine-tune the tonal qualities. If the balance is right, the Drum Pad will sound like a drum, and if not, the Drum Pad can sound 'blurry' and 'loose'. • Decay - Decay time for the membrane response and reflections. • Tension - Membrane
        tension (how tightly stretched the drum is). • Material - This control
        moves the membrane material through a range of possible characteristics
        and types. Generally left are heavier slower materials and right are 
              lighter more reflective materials. Set by ear. • Cutoff - High frequency cutoff. • Phase - Relates to the impact-point on the drum-head. Set by ear. • Size - Drum-head size. • Shape - The shape can be varied from square (left) to round (right). Most drum-heads are round, but experimentation
        is always rewarded!
  - source_sentence: >-
      Explain how the "Time mul" and "PAN" controls in the Riff Machine options
      can affect a musical progression. Provide examples of scenarios where
      these controls would be particularly useful.
    sentences:
      - >-
        Document_title: Layer Settings

        File_name: chansettings_layer.htm

        Heading_hierarchy: [Layer Settings -> Options]

        Anchor_id: [none]

        • Levels Adjustment - This section contains controls for the volume
        (VOL) , panning (PAN) and Pitch of the linked layers. NOTE: The levels
        you set in the Layer Channel apply ONLY to the notes played through that
        layer. If you play a child of this Channel through 
                its own [Step Sequencer](https://www.image-line.com/fl-studio-learning/fl-studio-online-manual/html/channelrack.htm) dots or [Piano roll](https://www.image-line.com/fl-studio-learning/fl-studio-online-manual/html/pianoroll.htm) , these settings will not be applied. • Layering section ➤ Set
        children - Assigns all selected Channels in the [Step
        Sequencer](https://www.image-line.com/fl-studio-learning/fl-studio-online-manual/html/channelrack.htm)
        as children in this Layer Channel. When you
                  play a note on the Layer Channel, all the children play along. To unassign a Channel from the Layer Channel, select all the Channels you want to remain 
                  as children and press the Set children button again (all unselected Channels become unassigned for this Layer Channel). ➤ Show children - Selects all Channels that are children of this Layer Channel in the Step Sequencer, and deselects all other Channels. ➤ Random - OFF: All children of
        the Layer Channel will sound on each note. ON: A single, random, Channel
        in the Layer will play. Use the 'Random' feature
                  to make more interesting percussion sounds, for example, by assigning many similar samples to each Channel in the Layer. This will give subtle variations on
                  each repeated note. ➤ Crossfade - ON: The Fade knob (below) will crossfade between two or more Channels in the Layer. ◆ Fade knob - Used to set the crossfade level in crossfade mode. For example; If you have 3 Layer Channels turning the Fade knob from left to right will 
                  sound: Child 1 > Child 1 + Child 2 > Child 2 > Child 2 + Child 3 > Child 3 . Channels are faded from top (knob left) to bottom (knob right) in the Channel Rack. NOTE: Crossfading only works with
                  FL Studio native format plugins, it does not work with VST/AU  plugins. • Sequential - ON: Each Channel will play in turn (round-robbin style) starting with the highest Channel working to the lowest when the ' Set children ' function was used. NOTE: The system remembers the Channel
        order when 'Set children' was used. To re-order the sequence, rearrange
        your Channels and reapply 'Set children'. • Layering menu - Click on the
        small arrow at the top left of this panel you can access some additional
        commands: ➤ Split children - Splits the children of the Layer Channel
        across

        the keyboard (starting with the root key of the Layer Channel),
        assigning each layer to a single key. The root keys of the children are
        automatically adjusted, so that the correct pitch is played through the
        Layer Channel. This feature is useful for creating drum kits or
        instruments where each

        note has different sample. ➤ Reset children - Resets the range and root
        notes for all Child Channels of a layer. Basically undoes the ' Split
        children ' actions. ➤ Group children - Adds all children of the Layer
        Channel to a group (a popup window will appear to enter the name of the
        group). For

        more information see the Channel Filtering section in the [Step
        Sequencer](https://www.image-line.com/fl-studio-learning/fl-studio-online-manual/html/channelrack.htm)
        page. ➤ Delete children - Removes selected children from the layer. •
        Preview Keyboard - The preview keyboard allows you

        to preview the Channel instrument (Left-clicking on the piano-keyboard),
        set the root key (Right-Click a key), and set key region (Left-click and
        drag on the ruler). See the [Miscellaneous Channel

        Settings](https://www.image-line.com/fl-studio-learning/fl-studio-online-manual/html/chansettings_misc.htm)
        page for more information on using the Preview Keyboard.
      - >-
        Document_title: Maximus Flow Diagram & Tutorials

        File_name: plugins/Maximus_Tutorials.htm

        Heading_hierarchy: [Maximus Flow Diagram & Tutorials -> Inversion]

        Anchor_id: [none]

        Inversion flips the volume, loud signals become quiet, and quiet signals
        become loud.
      - >-
        Document_title: Riff Machine  

        File_name: pianoroll_riff_prog.htm

        Heading_hierarchy: [Riff Machine -> Options]

        Anchor_id: [none]

        These controls augment/modify the selected progression. Note that some
        controls will only have an effect if the original progression includes
        some variation in that parameter (PAN for example). • Time mul - Time
        multiplier, change the length of the notes. • PAN - Note panning
        multiplier. • VO

        L (Volume) - Note velocity multiplier. • MODX - Modulation X multiplier.
        • MODY - Modulation Y multiplier. • PITCH - Note pitch multiplier. •
        Absolute Pattern - On: any note slicing is based on the Piano roll grid.
        Off: Each note is sliced relative to its own start time. • Group notes -
        Groups any

        chopped-up notes, use the
        [grouping](https://www.image-line.com/fl-studio-learning/fl-studio-online-manual/html/toolbar_panels.htm#panel_shortcuticons_group)
        function on the [Toobar shortcut

        icons](https://www.image-line.com/fl-studio-learning/fl-studio-online-manual/html/toolbar_panels.htm#panel_shortcuticons)
        to activate note grouping. [Step 2. Chord
        Progression](https://www.image-line.com/fl-studio-learning/fl-studio-online-manual/html/pianoroll_riff_chord.htm#Riff_Chord)
        [St

        ep 3.
        Arpeggiation](https://www.image-line.com/fl-studio-learning/fl-studio-online-manual/html/pianoroll_riff_arp.htm#Riff_Arp)
        [Step 4. Mirroring
        Notes](https://www.image-line.com/fl-studio-learning/fl-studio-online-manual/html/pianoroll_riff_mirror.htm#Riff_Mirror)
        [Step 5. Levels &

        Panning](https://www.image-line.com/fl-studio-learning/fl-studio-online-manual/html/pianoroll_riff_levels.htm#Riff_Levels)
        [Step 6. Articulation (note
        length)](https://www.image-line.com/fl-studio-learning/fl-studio-online-manual/html/pianoroll_riff_art.htm#Riff_Art)
        [Step 7. Groove (note

        timing)](https://www.image-line.com/fl-studio-learning/fl-studio-online-manual/html/pianoroll_riff_groove.htm#Riff_Groove)
        [Step 8. Fit (note
        range)](https://www.image-line.com/fl-studio-learning/fl-studio-online-manual/html/pianoroll_riff_fit.htm#Riff_Fit)
pipeline_tag: sentence-similarity
library_name: sentence-transformers
metrics:
  - cosine_accuracy@1
  - cosine_accuracy@3
  - cosine_accuracy@5
  - cosine_accuracy@10
  - cosine_precision@1
  - cosine_precision@3
  - cosine_precision@5
  - cosine_precision@10
  - cosine_recall@1
  - cosine_recall@3
  - cosine_recall@5
  - cosine_recall@10
  - cosine_ndcg@10
  - cosine_mrr@10
  - cosine_map@100
model-index:
  - name: SentenceTransformer based on BAAI/bge-base-en
    results:
      - task:
          type: information-retrieval
          name: Information Retrieval
        dataset:
          name: Unknown
          type: unknown
        metrics:
          - type: cosine_accuracy@1
            value: 0.8474930362116991
            name: Cosine Accuracy@1
          - type: cosine_accuracy@3
            value: 0.9498607242339833
            name: Cosine Accuracy@3
          - type: cosine_accuracy@5
            value: 0.9707520891364902
            name: Cosine Accuracy@5
          - type: cosine_accuracy@10
            value: 0.9832869080779945
            name: Cosine Accuracy@10
          - type: cosine_precision@1
            value: 0.8474930362116991
            name: Cosine Precision@1
          - type: cosine_precision@3
            value: 0.3166202414113278
            name: Cosine Precision@3
          - type: cosine_precision@5
            value: 0.19415041782729803
            name: Cosine Precision@5
          - type: cosine_precision@10
            value: 0.09832869080779943
            name: Cosine Precision@10
          - type: cosine_recall@1
            value: 0.8474930362116991
            name: Cosine Recall@1
          - type: cosine_recall@3
            value: 0.9498607242339833
            name: Cosine Recall@3
          - type: cosine_recall@5
            value: 0.9707520891364902
            name: Cosine Recall@5
          - type: cosine_recall@10
            value: 0.9832869080779945
            name: Cosine Recall@10
          - type: cosine_ndcg@10
            value: 0.9211483862525699
            name: Cosine Ndcg@10
          - type: cosine_mrr@10
            value: 0.9005573794048727
            name: Cosine Mrr@10
          - type: cosine_map@100
            value: 0.9013471154221424
            name: Cosine Map@100

SentenceTransformer based on BAAI/bge-base-en

This is a sentence-transformers model finetuned from BAAI/bge-base-en. It maps sentences & paragraphs to a 768-dimensional dense vector space and can be used for semantic textual similarity, semantic search, paraphrase mining, text classification, clustering, and more.

Model Details

Model Description

Model Type: Sentence Transformer
Base model: BAAI/bge-base-en
Maximum Sequence Length: 512 tokens
Output Dimensionality: 768 dimensions
Similarity Function: Cosine Similarity

Model Sources

Documentation: Sentence Transformers Documentation
Repository: Sentence Transformers on GitHub
Hugging Face: Sentence Transformers on Hugging Face

Full Model Architecture

SentenceTransformer(
  (0): Transformer({'max_seq_length': 512, 'do_lower_case': True}) with Transformer model: BertModel 
  (1): Pooling({'word_embedding_dimension': 768, 'pooling_mode_cls_token': True, 'pooling_mode_mean_tokens': False, 'pooling_mode_max_tokens': False, 'pooling_mode_mean_sqrt_len_tokens': False, 'pooling_mode_weightedmean_tokens': False, 'pooling_mode_lasttoken': False, 'include_prompt': True})
  (2): Normalize()
)

Usage

Direct Usage (Sentence Transformers)

First install the Sentence Transformers library:

pip install -U sentence-transformers

Then you can load this model and run inference.

from sentence_transformers import SentenceTransformer

# Download from the 🤗 Hub
model = SentenceTransformer("sentence_transformers_model_id")
# Run inference
sentences = [
    'Explain how the "Time mul" and "PAN" controls in the Riff Machine options can affect a musical progression. Provide examples of scenarios where these controls would be particularly useful.',
    'Document_title: Riff Machine  \nFile_name: pianoroll_riff_prog.htm\nHeading_hierarchy: [Riff Machine -> Options]\nAnchor_id: [none]\nThese controls augment/modify the selected progression. Note that some controls will only have an effect if the original progression includes some variation in that parameter (PAN for example). • Time mul - Time multiplier, change the length of the notes. • PAN - Note panning multiplier. • VO\nL (Volume) - Note velocity multiplier. • MODX - Modulation X multiplier. • MODY - Modulation Y multiplier. • PITCH - Note pitch multiplier. • Absolute Pattern - On: any note slicing is based on the Piano roll grid. Off: Each note is sliced relative to its own start time. • Group notes - Groups any\nchopped-up notes, use the [grouping](https://www.image-line.com/fl-studio-learning/fl-studio-online-manual/html/toolbar_panels.htm#panel_shortcuticons_group) function on the [Toobar shortcut\nicons](https://www.image-line.com/fl-studio-learning/fl-studio-online-manual/html/toolbar_panels.htm#panel_shortcuticons) to activate note grouping. [Step 2. Chord Progression](https://www.image-line.com/fl-studio-learning/fl-studio-online-manual/html/pianoroll_riff_chord.htm#Riff_Chord) [St\nep 3. Arpeggiation](https://www.image-line.com/fl-studio-learning/fl-studio-online-manual/html/pianoroll_riff_arp.htm#Riff_Arp) [Step 4. Mirroring Notes](https://www.image-line.com/fl-studio-learning/fl-studio-online-manual/html/pianoroll_riff_mirror.htm#Riff_Mirror) [Step 5. Levels &\nPanning](https://www.image-line.com/fl-studio-learning/fl-studio-online-manual/html/pianoroll_riff_levels.htm#Riff_Levels) [Step 6. Articulation (note length)](https://www.image-line.com/fl-studio-learning/fl-studio-online-manual/html/pianoroll_riff_art.htm#Riff_Art) [Step 7. Groove (note\ntiming)](https://www.image-line.com/fl-studio-learning/fl-studio-online-manual/html/pianoroll_riff_groove.htm#Riff_Groove) [Step 8. Fit (note range)](https://www.image-line.com/fl-studio-learning/fl-studio-online-manual/html/pianoroll_riff_fit.htm#Riff_Fit)',
    "Document_title: Layer Settings\nFile_name: chansettings_layer.htm\nHeading_hierarchy: [Layer Settings -> Options]\nAnchor_id: [none]\n• Levels Adjustment - This section contains controls for the volume (VOL) , panning (PAN) and Pitch of the linked layers. NOTE: The levels you set in the Layer Channel apply ONLY to the notes played through that layer. If you play a child of this Channel through \n        its own [Step Sequencer](https://www.image-line.com/fl-studio-learning/fl-studio-online-manual/html/channelrack.htm) dots or [Piano roll](https://www.image-line.com/fl-studio-learning/fl-studio-online-manual/html/pianoroll.htm) , these settings will not be applied. • Layering section ➤ Set\nchildren - Assigns all selected Channels in the [Step Sequencer](https://www.image-line.com/fl-studio-learning/fl-studio-online-manual/html/channelrack.htm) as children in this Layer Channel. When you\n          play a note on the Layer Channel, all the children play along. To unassign a Channel from the Layer Channel, select all the Channels you want to remain \n          as children and press the Set children button again (all unselected Channels become unassigned for this Layer Channel). ➤ Show children - Selects all Channels that are children of this Layer Channel in the Step Sequencer, and deselects all other Channels. ➤ Random - OFF: All children of\nthe Layer Channel will sound on each note. ON: A single, random, Channel in the Layer will play. Use the 'Random' feature\n          to make more interesting percussion sounds, for example, by assigning many similar samples to each Channel in the Layer. This will give subtle variations on\n          each repeated note. ➤ Crossfade - ON: The Fade knob (below) will crossfade between two or more Channels in the Layer. ◆ Fade knob - Used to set the crossfade level in crossfade mode. For example; If you have 3 Layer Channels turning the Fade knob from left to right will \n          sound: Child 1 > Child 1 + Child 2 > Child 2 > Child 2 + Child 3 > Child 3 . Channels are faded from top (knob left) to bottom (knob right) in the Channel Rack. NOTE: Crossfading only works with\n          FL Studio native format plugins, it does not work with VST/AU  plugins. • Sequential - ON: Each Channel will play in turn (round-robbin style) starting with the highest Channel working to the lowest when the ' Set children ' function was used. NOTE: The system remembers the Channel\norder when 'Set children' was used. To re-order the sequence, rearrange your Channels and reapply 'Set children'. • Layering menu - Click on the small arrow at the top left of this panel you can access some additional commands: ➤ Split children - Splits the children of the Layer Channel across\nthe keyboard (starting with the root key of the Layer Channel), assigning each layer to a single key. The root keys of the children are automatically adjusted, so that the correct pitch is played through the Layer Channel. This feature is useful for creating drum kits or instruments where each\nnote has different sample. ➤ Reset children - Resets the range and root notes for all Child Channels of a layer. Basically undoes the ' Split children ' actions. ➤ Group children - Adds all children of the Layer Channel to a group (a popup window will appear to enter the name of the group). For\nmore information see the Channel Filtering section in the [Step Sequencer](https://www.image-line.com/fl-studio-learning/fl-studio-online-manual/html/channelrack.htm) page. ➤ Delete children - Removes selected children from the layer. • Preview Keyboard - The preview keyboard allows you\nto preview the Channel instrument (Left-clicking on the piano-keyboard), set the root key (Right-Click a key), and set key region (Left-click and drag on the ruler). See the [Miscellaneous Channel\nSettings](https://www.image-line.com/fl-studio-learning/fl-studio-online-manual/html/chansettings_misc.htm) page for more information on using the Preview Keyboard.",
]
embeddings = model.encode(sentences)
print(embeddings.shape)
# [3, 768]

# Get the similarity scores for the embeddings
similarities = model.similarity(embeddings, embeddings)
print(similarities.shape)
# [3, 3]

Evaluation

Metrics

Information Retrieval

Evaluated with InformationRetrievalEvaluator

Metric	Value
cosine_accuracy@1	0.8475
cosine_accuracy@3	0.9499
cosine_accuracy@5	0.9708
cosine_accuracy@10	0.9833
cosine_precision@1	0.8475
cosine_precision@3	0.3166
cosine_precision@5	0.1942
cosine_precision@10	0.0983
cosine_recall@1	0.8475
cosine_recall@3	0.9499
cosine_recall@5	0.9708
cosine_recall@10	0.9833
cosine_ndcg@10	0.9211
cosine_mrr@10	0.9006
cosine_map@100	0.9013

Training Details

Training Dataset

Unnamed Dataset

Size: 5,776 training samples
Columns: sentence_0 and sentence_1
Approximate statistics based on the first 1000 samples:
sentence_0 sentence_1
type string string
details
min: 12 tokens
mean: 33.33 tokens
max: 66 tokens

min: 37 tokens
mean: 278.56 tokens
max: 512 tokens

	sentence_0	sentence_1
type	string	string
details	min: 12 tokens mean: 33.33 tokens max: 66 tokens	min: 37 tokens mean: 278.56 tokens max: 512 tokens

Samples:

sentence_0	sentence_1
`Explain the issue that arises with project names in FL Studio 20 when using non-English characters, and describe the steps needed to resolve this issue on a Windows 10 system.`	Title: Projects names are not showing correctly. Names in non-english characters (Cyrillic Korean, Japanese, Chinese, Hindi, Thai, etc.). Answer: FL Studio 20 works in unicode and displays in Windows 10 automatically your local character set. However, for projects moved from older FL Studio program versions, FL Studio does not know the character set it needs to display. Language not set up correctly: Your FL Studio 20 program will look like this: Solution: correct language set up instructions: A. Please check this Windows support article: Follow the steps below to set up non-unicode language in windows 10 1. In search tab type "Region" and press enter. 2. In new window select "Administrative" 3. then click on "change system locale" 4. Select the language. B. Import your old projects again into FL Studio 20. The names will now show u...
`Discuss the importance of setting the correct language settings in FL Studio 20 for displaying project names accurately, especially when importing projects from older versions of the software.`	Title: Projects names are not showing correctly. Names in non-english characters (Cyrillic Korean, Japanese, Chinese, Hindi, Thai, etc.). Answer: FL Studio 20 works in unicode and displays in Windows 10 automatically your local character set. However, for projects moved from older FL Studio program versions, FL Studio does not know the character set it needs to display. Language not set up correctly: Your FL Studio 20 program will look like this: Solution: correct language set up instructions: A. Please check this Windows support article: Follow the steps below to set up non-unicode language in windows 10 1. In search tab type "Region" and press enter. 2. In new window select "Administrative" 3. then click on "change system locale" 4. Select the language. B. Import your old projects again into FL Studio 20. The names will now show u...
`How can you toggle the visibility of the FL Studio window when using it as a ReWire client within Cubase SX™?`	Document_title: Using FL Studio ReWire with Cubase SX™ File_name: rewire_client_cubase.htm Heading_hierarchy: [Using FL Studio ReWire with Cubase SX™ -> 5. Toggle the FL Studio window visibility] Anchor_id: [none] Clicking the FL Studio icon toggles the visibility of the FL Studio window inside Cubase™. If you need to hide the FL Studio window, use the close button in the FL Studio window (this will not terminate the current session) or click the icon button on the FL Studio ReWire panel. To display the window later, click the icon button again.

Loss: MultipleNegativesRankingLoss with these parameters:

{
    "scale": 20.0,
    "similarity_fct": "cos_sim"
}

Training Hyperparameters

Non-Default Hyperparameters

eval_strategy: steps
per_device_train_batch_size: 10
per_device_eval_batch_size: 10
num_train_epochs: 2
multi_dataset_batch_sampler: round_robin

All Hyperparameters

Click to expand

overwrite_output_dir: False
do_predict: False
eval_strategy: steps
prediction_loss_only: True
per_device_train_batch_size: 10
per_device_eval_batch_size: 10
per_gpu_train_batch_size: None
per_gpu_eval_batch_size: None
gradient_accumulation_steps: 1
eval_accumulation_steps: None
torch_empty_cache_steps: None
learning_rate: 5e-05
weight_decay: 0.0
adam_beta1: 0.9
adam_beta2: 0.999
adam_epsilon: 1e-08
max_grad_norm: 1
num_train_epochs: 2
max_steps: -1
lr_scheduler_type: linear
lr_scheduler_kwargs: {}
warmup_ratio: 0.0
warmup_steps: 0
log_level: passive
log_level_replica: warning
log_on_each_node: True
logging_nan_inf_filter: True
save_safetensors: True
save_on_each_node: False
save_only_model: False
restore_callback_states_from_checkpoint: False
no_cuda: False
use_cpu: False
use_mps_device: False
seed: 42
data_seed: None
jit_mode_eval: False
use_ipex: False
bf16: False
fp16: False
fp16_opt_level: O1
half_precision_backend: auto
bf16_full_eval: False
fp16_full_eval: False
tf32: None
local_rank: 0
ddp_backend: None
tpu_num_cores: None
tpu_metrics_debug: False
debug: []
dataloader_drop_last: False
dataloader_num_workers: 0
dataloader_prefetch_factor: None
past_index: -1
disable_tqdm: False
remove_unused_columns: True
label_names: None
load_best_model_at_end: False
ignore_data_skip: False
fsdp: []
fsdp_min_num_params: 0
fsdp_config: {'min_num_params': 0, 'xla': False, 'xla_fsdp_v2': False, 'xla_fsdp_grad_ckpt': False}
fsdp_transformer_layer_cls_to_wrap: None
accelerator_config: {'split_batches': False, 'dispatch_batches': None, 'even_batches': True, 'use_seedable_sampler': True, 'non_blocking': False, 'gradient_accumulation_kwargs': None}
deepspeed: None
label_smoothing_factor: 0.0
optim: adamw_torch
optim_args: None
adafactor: False
group_by_length: False
length_column_name: length
ddp_find_unused_parameters: None
ddp_bucket_cap_mb: None
ddp_broadcast_buffers: False
dataloader_pin_memory: True
dataloader_persistent_workers: False
skip_memory_metrics: True
use_legacy_prediction_loop: False
push_to_hub: False
resume_from_checkpoint: None
hub_model_id: None
hub_strategy: every_save
hub_private_repo: None
hub_always_push: False
gradient_checkpointing: False
gradient_checkpointing_kwargs: None
include_inputs_for_metrics: False
include_for_metrics: []
eval_do_concat_batches: True
fp16_backend: auto
push_to_hub_model_id: None
push_to_hub_organization: None
mp_parameters:
auto_find_batch_size: False
full_determinism: False
torchdynamo: None
ray_scope: last
ddp_timeout: 1800
torch_compile: False
torch_compile_backend: None
torch_compile_mode: None
dispatch_batches: None
split_batches: None
include_tokens_per_second: False
include_num_input_tokens_seen: False
neftune_noise_alpha: None
optim_target_modules: None
batch_eval_metrics: False
eval_on_start: False
use_liger_kernel: False
eval_use_gather_object: False
average_tokens_across_devices: False
prompts: None
batch_sampler: batch_sampler
multi_dataset_batch_sampler: round_robin

Training Logs

Epoch	Step	Training Loss	cosine_ndcg@10
0.0865	50	-	0.9006
0.1730	100	-	0.8944
0.2595	150	-	0.8924
0.3460	200	-	0.8996
0.4325	250	-	0.9016
0.5190	300	-	0.9021
0.6055	350	-	0.9071
0.6920	400	-	0.9112
0.7785	450	-	0.9132
0.8651	500	0.1068	0.9139
0.9516	550	-	0.9181
1.0	578	-	0.9153
1.0381	600	-	0.9126
1.1246	650	-	0.9156
1.2111	700	-	0.9150
1.2976	750	-	0.9161
1.3841	800	-	0.9159
1.4706	850	-	0.9189
1.5571	900	-	0.9174
1.6436	950	-	0.9206
1.7301	1000	0.0144	0.9185
1.8166	1050	-	0.9197
1.9031	1100	-	0.9211

Framework Versions

Python: 3.10.12
Sentence Transformers: 3.3.1
Transformers: 4.47.1
PyTorch: 2.5.1+cu121
Accelerate: 1.2.1
Datasets: 3.2.0
Tokenizers: 0.21.0

Citation

BibTeX

Sentence Transformers

@inproceedings{reimers-2019-sentence-bert,
    title = "Sentence-BERT: Sentence Embeddings using Siamese BERT-Networks",
    author = "Reimers, Nils and Gurevych, Iryna",
    booktitle = "Proceedings of the 2019 Conference on Empirical Methods in Natural Language Processing",
    month = "11",
    year = "2019",
    publisher = "Association for Computational Linguistics",
    url = "https://arxiv.org/abs/1908.10084",
}

MultipleNegativesRankingLoss

@misc{henderson2017efficient,
    title={Efficient Natural Language Response Suggestion for Smart Reply},
    author={Matthew Henderson and Rami Al-Rfou and Brian Strope and Yun-hsuan Sung and Laszlo Lukacs and Ruiqi Guo and Sanjiv Kumar and Balint Miklos and Ray Kurzweil},
    year={2017},
    eprint={1705.00652},
    archivePrefix={arXiv},
    primaryClass={cs.CL}
}