book_id stringlengths 2 6 | title stringclasses 1
value | author stringclasses 1
value | conversations listlengths 1 5.07k |
|---|---|---|---|
35721 | Unknown Title | Unknown Author | [
{
"from": "human",
"value": "Where the Bee Sucks and"
},
{
"from": "gpt",
"value": "Full Fathom Five"
}
] |
35721 | Unknown Title | Unknown Author | [
{
"from": "human",
"value": "method--that is, to play _The Tempest_, say, with the precocious Johnson's two songs only. Another way, not so"
},
{
"from": "gpt",
"value": "would be to use the precocious one's two songs, and also use contemporary music not written originally for the words, but ada... |
35721 | Unknown Title | Unknown Author | [
{
"from": "human",
"value": "Epicedium, or funeral dirge, for the end of the play, for the production at Covent Garden; but though no author's name save Shakespeare's appears on the title-page, I can trace no text of Shakespeare's in this"
},
{
"from": "gpt",
"value": "Epicedium. It was produced... |
35721 | Unknown Title | Unknown Author | [
{
"from": "human",
"value": "Prix de Rome,"
},
{
"from": "gpt",
"value": "Grand Historic Ballet"
}
] |
35721 | Unknown Title | Unknown Author | [
{
"from": "human",
"value": "The subject was, Cleopatra after Actium; dying in convulsions, she invokes the spirit of the Pharaohs, demanding, criminal though she be, whether she dare claim a place beside them in their mighty tombs. It was a magnificent theme, and I had often pondered over Juliet's 'But if,... |
35721 | Unknown Title | Unknown Author | [
{
"from": "human",
"value": "In regal martial style"
}
] |
35721 | Unknown Title | Unknown Author | [
{
"from": "human",
"value": "Marche Funèbre,"
}
] |
35721 | Unknown Title | Unknown Author | [
{
"from": "human",
"value": "Ethel Smyth's genius lies in the direction of strong and even virile work; her overture 'Antony and Cleopatra,' given at the Crystal Palace and the London Symphony concerts, showed that she understood all the resources of the orchestra, and that she was no amateur."
},
{
... |
35721 | Unknown Title | Unknown Author | [
{
"from": "human",
"value": "Rose Procession for the last"
},
{
"from": "gpt",
"value": "Gaudy Night"
}
] |
35721 | Unknown Title | Unknown Author | [
{
"from": "human",
"value": "Cup us till the world goes round"
},
{
"from": "gpt",
"value": "Scena ; the text chiefly from Shakespeare, the words of the aria by Thomas S. Collier. It is supposed to be the death scene of Cleopatra, and the words are a sad jumble of odd lines taken from here and t... |
35721 | Unknown Title | Unknown Author | [
{
"from": "human",
"value": "Whilst inconstant fortune smiled, words freely adapted from _The Passionate Pilgrim_. There is nothing much to say about it: it seems quite innocuous, but very dull. Rosalind's song, which she sings after having fallen in love with Orlando, is a setting of the 148th Sonnet, minu... |
35721 | Unknown Title | Unknown Author | [
{
"from": "human",
"value": "The overture, songs, two duets, and glees in Shakespeare's _Comedy of Errors_, performed at the Theatre Royal, Covent Garden; the words selected entirely from Shakespeare's Plays, Poems, and Sonnets. The music composed and the whole adapted and compressed from the score for the ... |
35721 | Unknown Title | Unknown Author | [
{
"from": "human",
"value": "as this kind of opera is called, because it presents strange points of interest. The persistent way in which no single line from _The Comedy of Errors_ was set to music for this production is only equalled by the manner in which Purcell did not set a line of Shakespeare in his _... |
35721 | Unknown Title | Unknown Author | [
{
"from": "human",
"value": "Les traducteurs de Shakespeare en musique, says:"
},
{
"from": "gpt",
"value": "Among symphonic works it is not possible to avoid mentioning Beethoven's 'Coriolan Overture,' and we should have placed it in the front rank if a scruple did not require us to refer only ... |
35721 | Unknown Title | Unknown Author | [
{
"from": "human",
"value": "Prelude,"
}
] |
35721 | Unknown Title | Unknown Author | [
{
"from": "human",
"value": "Voces Populi,"
}
] |
35721 | Unknown Title | Unknown Author | [
{
"from": "human",
"value": "Scenery designed by Sir Laurence Alma Tadema; music composed by Sir Alexander Mackenzie; produced by Sir Henry Irving--three knights. About all it will ---- well run."
}
] |
35721 | Unknown Title | Unknown Author | [
{
"from": "human",
"value": "Hark, hark, the lark, beautifully set to music by +Schubert+, very little attention has been paid by important composers to the songs in _Cymbeline_. True, more than a dozen composers, dating from 1750 to the present day, have set those words, and also the exquisite lyric"
},
... |
35721 | Unknown Title | Unknown Author | [
{
"from": "human",
"value": "Danish March, and I take Sir George Henschel's word for it that it is one. It is very long, and serves to bring the King, Queen, and court on and off whenever necessary. The prelude to Act ii. is called"
},
{
"from": "gpt",
"value": "Ophelia,"
},
{
"from": "h... |
35721 | Unknown Title | Unknown Author | [
{
"from": "human",
"value": "Marche Funèbre"
}
] |
35721 | Unknown Title | Unknown Author | [
{
"from": "human",
"value": "Prelude, _Hamlet_. The prelude for the first act is sombre, quiet, and brooding, with a very curious cuckoo effect at the end, which is repeated in the subsequent Ghost music. Of course, I do not know the habits of the Danish cuckoo, but obviously, according to Mr O'Neill, he is... |
35721 | Unknown Title | Unknown Author | [
{
"from": "human",
"value": "So much for the libretto. For the music, there is an overture, ending in a jig; but whether the curtain rises on the last note of this dance for the"
},
{
"from": "gpt",
"value": "Rampart scene, is not shown in the score. Dr Burney {29} seems to like the music even l... |
35721 | Unknown Title | Unknown Author | [
{
"from": "human",
"value": "This _Hamlet_ is remarkable in more than name. In it one finds much music of a real and high inspiration; in the numbers it is necessary to mention, the Platform scenes are treated very dramatically; the beautiful septuor which follows the Play scene, and particularly the music ... |
35721 | Unknown Title | Unknown Author | [
{
"from": "human",
"value": "Dubita pur che brillino (sortita d'Ophelia)"
}
] |
35721 | Unknown Title | Unknown Author | [
{
"from": "human",
"value": "Requie ai defunti, and immediately afterwards in a most lively style,"
},
{
"from": "gpt",
"value": "Then slowly and solemnly again,"
},
{
"from": "human",
"value": "Oriam per essi, and quickly,"
},
{
"from": "gpt",
"value": "The song now cont... |
35721 | Unknown Title | Unknown Author | [
{
"from": "human",
"value": "The Madness of Ophelia. She sings a touching, sad little song, sometimes quite frivolous, but always pathetic, Laertes and the King joining in now and again. This is broken in upon by the populace, who have revolted, and wander about singing songs of pillage and sacking. Ophelia... |
35721 | Unknown Title | Unknown Author | [
{
"from": "human",
"value": "in the score. Then comes the principal theme, a quick, passionate subject, given out by the violins, and presently taken up by the rest of the orchestra. This is quickly followed by a strongly marked theme, allotted to the full strings in unison, and these subjects are developed... |
35721 | Unknown Title | Unknown Author | [
{
"from": "human",
"value": "La mort d'Ophélie, done into English by the Rev. J. Troutbeck under the title"
},
{
"from": "gpt",
"value": "Ophelia"
}
] |
35721 | Unknown Title | Unknown Author | [
{
"from": "human",
"value": "Marche Funèbre"
}
] |
35721 | Unknown Title | Unknown Author | [
{
"from": "human",
"value": "In this symphonic poem the composer has endeavoured to depict the character of Hamlet as stern and relentless, yet in this mood alternately hesitating and impetuous. The influence of this character may be said to dominate the entire work. Hamlet's love for Ophelia is overpowered... |
35721 | Unknown Title | Unknown Author | [
{
"from": "human",
"value": "To be, or not to be, for bass voice, viol de gamba, and lute. Pepys is supposed to have had the music specially composed for him, but, unfortunately, the composer's name is still unknown."
},
{
"from": "gpt",
"value": "It is a broad, declamatory {39} setting (says _T... |
35721 | Unknown Title | Unknown Author | [
{
"from": "human",
"value": "The work is dedicated to Landon Ronald, was composed for the Leeds Musical Festival, and was produced there, the composer conducting, on October 2, 1913. Sir Edward, in a foreword, says:"
},
{
"from": "gpt",
"value": "We must dismiss from our minds the Falstaff of _T... |
35721 | Unknown Title | Unknown Author | [
{
"from": "human",
"value": "A Maske-dance, interrupted at intervals by Henry's love-song to Anne Boleyn. The dance part has a strange likeness to a number by Edward German, but the trio episodes representing Henry's love-making are quite sad and sentimental. The number ends with the dance music. The next s... |
35721 | Unknown Title | Unknown Author | [
{
"from": "human",
"value": "Orpheus with his lute is interesting. It is written for soprano and contralto; it was first sung by the Misses Broughton, two celebrated artists. The composer, in the phrasing of the first two lines, actually makes sense of them--a very rare thing to happen to the musician setti... |
35721 | Unknown Title | Unknown Author | [
{
"from": "human",
"value": "Henry VIII. _motif_, the music getting faster and faster until the end. The prelude to the second act is called"
},
{
"from": "gpt",
"value": "Intermezzo Funèbre,"
}
] |
35721 | Unknown Title | Unknown Author | [
{
"from": "human",
"value": "Thanksgiving Hymn for the birth of Princess, afterwards Queen, Elizabeth, and is good, stirring patriotic English music; the melodies broad and flowing and the harmonies diatonic--a perfect"
},
{
"from": "gpt",
"value": "Thanksgiving Hymn, in fact. There is a very de... |
35721 | Unknown Title | Unknown Author | [
{
"from": "human",
"value": "so far from the word"
}
] |
35721 | Unknown Title | Unknown Author | [
{
"from": "human",
"value": "Shakespearian Operas, says concerning Julius Cæsar:"
},
{
"from": "gpt",
"value": "There are innumerable operas, mostly of the eighteenth century, on Julius Cæsar, as to which Riemann and Clément and Larousse may be consulted; but it is very doubtful whether any of t... |
35721 | Unknown Title | Unknown Author | [
{
"from": "human",
"value": "March Motive, and here is shown an absolute freedom from Wardour Street Roman music: it is quite as modern as Mr Rôze {48} could be. The next episode appears to be the Conspirators' Music; it is _agitato_, but of a curious Mendelssohnian simplicity, and leads to a naïve Wagneria... |
35721 | Unknown Title | Unknown Author | [
{
"from": "human",
"value": "You wander about with a book in your hands; are you making plans?"
},
{
"from": "gpt",
"value": "Yes, the plan of an overture to _King Lear_."
},
{
"from": "human",
"value": "Who is this King Lear?"
},
{
"from": "gpt",
"value": "A wretched old... |
35721 | Unknown Title | Unknown Author | [
{
"from": "human",
"value": "According to _Le Ménestrel_, a complete libretto of _King Lear_ in +Verdi's+ handwriting has been discovered among his papers. This confirms the report that he had intended to write an opera on the subject."
},
{
"from": "gpt",
"value": "Ronde des Lutins"
}
] |
35721 | Unknown Title | Unknown Author | [
{
"from": "human",
"value": "The celebrated music introduced into the tragedy of _Macbeth_, commonly attributed to +Matthew Locke+,"
}
] |
35721 | Unknown Title | Unknown Author | [
{
"from": "human",
"value": "The Roast Beef of Old England (a song which should be popular if revived now) and"
},
{
"from": "gpt",
"value": "All in the Downs,"
}
] |
35721 | Unknown Title | Unknown Author | [
{
"from": "human",
"value": "Mingle, mingle."
}
] |
35721 | Unknown Title | Unknown Author | [
{
"from": "human",
"value": "Marseillaise,"
}
] |
35721 | Unknown Title | Unknown Author | [
{
"from": "human",
"value": "You may know there is a French opera of _Macbeth_, by Chelard. This was being played at the Dublin theatre--Viardot, I think, the heroine. However that may be, the curtain drew up for the Sleep-walking scene; Doctor and Nurse were there, while a long mysterious symphony went on-... |
35721 | Unknown Title | Unknown Author | [
{
"from": "human",
"value": "Hail, Macbeth, hail!"
}
] |
35721 | Unknown Title | Unknown Author | [
{
"from": "human",
"value": "O Scotland, poor fatherland, how has fate treated you! It is a very sentimental bit of work, and must often draw tears; but I don't think real Scotsmen would be caring about it. After this sad opening we are prepared for Macduff's entrance. He is full of the news of the murder o... |
35721 | Unknown Title | Unknown Author | [
{
"from": "human",
"value": "Glamis, and thane of Cawdor! The greatest is behind, the orchestra plays a solemn theme curiously reminiscent of the Valhalla _motif_ in Wagner's _Ring_. So ends the prologue; the orchestra conveys one to Macbeth's castle, and the curtain rises just as he has finished telling La... |
35721 | Unknown Title | Unknown Author | [
{
"from": "human",
"value": "Macbeth,"
}
] |
35721 | Unknown Title | Unknown Author | [
{
"from": "human",
"value": "Novelette, op. 21, No. 3, is headed with these words from _Macbeth_:"
},
{
"from": "gpt",
"value": "When shall we three meet again?"
}
] |
35721 | Unknown Title | Unknown Author | [
{
"from": "human",
"value": "Macbeth"
}
] |
35721 | Unknown Title | Unknown Author | [
{
"from": "human",
"value": "Macbeth, op. 51, was once performed at the Crystal Palace concerts, but has been very thoroughly neglected since. It is real modern programme music, and scored for a very large orchestra, including a solo part for the cornet-à-pistons and a military drum. The symphonic poem open... |
35721 | Unknown Title | Unknown Author | [
{
"from": "human",
"value": "All hail speeches. The orchestration is full of sinister mystery here; but, on Macbeth's words,"
},
{
"from": "gpt",
"value": "Two truths are told As happy prologue to the swelling act Of the imperial theme, the music becomes, for a time, triumphant, though very wild... |
35721 | Unknown Title | Unknown Author | [
{
"from": "human",
"value": "Blow, wind, come, wrack! At least we'll die with harness on our back,"
}
] |
35721 | Unknown Title | Unknown Author | [
{
"from": "human",
"value": "Hie thee hither, that I may pour My spirits in thine ear; And chastise with the valour of my tongue All that impedes thee from the golden round. In the score the music here is marked"
}
] |
35721 | Unknown Title | Unknown Author | [
{
"from": "human",
"value": "In spite of a royal subsidy and the intervention of a theatre committee, our worthy director was in a perennial state of bankruptcy, says Wagner,"
},
{
"from": "gpt",
"value": "Wagner modestly says:"
},
{
"from": "human",
"value": "It was only through my ... |
35721 | Unknown Title | Unknown Author | [
{
"from": "human",
"value": "Everyone decides to go in full carnival attire to greet the beloved prince, who surely will be pleased to see how ill the sour puritanism of the Germans becomes the heat of Sicily. The word goes round! Gay festivals delight him more than all the gloomy edicts. Frederick, with hi... |
35721 | Unknown Title | Unknown Author | [
{
"from": "human",
"value": "Carnival scene for pianoforte, founded on motives from the opera, by Geo. Kirchner. Unfortunately, the first half of this fantasia is the song I have just noticed, with elaborate bravura passages for the piano, but the middle episode is much more like the real man. It is a fairl... |
35721 | Unknown Title | Unknown Author | [
{
"from": "human",
"value": "Enter the Prince, Leonato, Claudio, and Jacke Wilson. This particular song is published in Playford's _Select Ayres and Dialogues_, published in 1659 for one, two, or three voices, to the theorbo-lute or bass-viol. The words are beautifully set to a quaint and pathetic air, and ... |
35721 | Unknown Title | Unknown Author | [
{
"from": "human",
"value": "But never doubt I love,"
}
] |
35721 | Unknown Title | Unknown Author | [
{
"from": "human",
"value": "Marcia Nuziale,"
}
] |
35721 | Unknown Title | Unknown Author | [
{
"from": "human",
"value": "C'était le soir,"
}
] |
35721 | Unknown Title | Unknown Author | [
{
"from": "human",
"value": "Tell me where is fancy bred"
}
] |
35721 | Unknown Title | Unknown Author | [
{
"from": "human",
"value": "Tell me where is fancy bred"
}
] |
35721 | Unknown Title | Unknown Author | [
{
"from": "human",
"value": "Portia ; an Oriental march for Morocco (evidently the Prince brought his own band for this production); a second prelude, rather sickly sentimental; a good stirring march for the Doge; and a pretty setting of"
},
{
"from": "gpt",
"value": "Tell me where is fancy bred... |
35721 | Unknown Title | Unknown Author | [
{
"from": "human",
"value": "Oh les filles, venez les filles aux voix douces. The first _entr'acte_, in march time, opens with trumpets. There is a flowing trio founded on the same subject, and then back to the beginning for the close--a very pleasant little interlude. Now comes a so-called madrigal, not in... |
35721 | Unknown Title | Unknown Author | [
{
"from": "human",
"value": "all over the place. The opera is only in two acts, so a good deal of plot is omitted; still, the work is interesting, if merely from the fact that Balfe is the only British composer who has written an opera, _The Bohemian Girl_, which has been played, and is being played, all ov... |
35721 | Unknown Title | Unknown Author | [
{
"from": "human",
"value": "When that I was and a little tiny boy"
},
{
"from": "gpt",
"value": "Reich (Ford). It is a very weird and effective song, and in excellent contrast to the music which has preceded it. Sweet Anne Page also has much more to do in this version of the story than in Shake... |
35721 | Unknown Title | Unknown Author | [
{
"from": "human",
"value": "You have beaten my men"
}
] |
35721 | Unknown Title | Unknown Author | [
{
"from": "human",
"value": "Preis"
}
] |
35721 | Unknown Title | Unknown Author | [
{
"from": "human",
"value": "Once I was page to the Duke of Norfolk."
}
] |
35721 | Unknown Title | Unknown Author | [
{
"from": "human",
"value": "How sweet it is to drink good wine while basking in the sunshine."
}
] |
35721 | Unknown Title | Unknown Author | [
{
"from": "human",
"value": "Jesting is man's vocation, etc. Fenton takes the answer, then Dame Quickly, then Mistress Ford. At first the orchestration is very light, but as the rest join in it grows heavier. Mistress Page then enters with the subject, followed by Sweet Anne in _stretto_, Pistol meanwhile s... |
35721 | Unknown Title | Unknown Author | [
{
"from": "human",
"value": "Jupiter Symphony, the"
},
{
"from": "gpt",
"value": "Cum Sancto Spiritu"
}
] |
35721 | Unknown Title | Unknown Author | [
{
"from": "human",
"value": "Falstaff's Song: Give me a cup of sack, boy."
}
] |
35721 | Unknown Title | Unknown Author | [
{
"from": "human",
"value": "Simon the Cellarer"
}
] |
35721 | Unknown Title | Unknown Author | [
{
"from": "human",
"value": "Over hill, over dale, for the first singing fairy, and a duet,"
},
{
"from": "gpt",
"value": "I know a bank, by Horn, for first and second singing fairies: the latter a very boring work and quite out of keeping with the rest of the music. There is no reason why these... |
35721 | Unknown Title | Unknown Author | [
{
"from": "human",
"value": "Mendelssohned, as Kipling has it, out of church once in their lives, and I daresay that is why many people talk sniffily about the"
},
{
"from": "gpt",
"value": "Wedding March."
}
] |
35721 | Unknown Title | Unknown Author | [
{
"from": "human",
"value": "but not by whom. Also, unfortunately, as was the manner at the time, the name of the singer is printed, but not that of the character; however, it is usually possible to get a fairly shrewd idea, from the gist of the words, who is singing. This music is strictly Handelian, thoug... |
35721 | Unknown Title | Unknown Author | [
{
"from": "human",
"value": "seventeen times, making fun of the Italian method of the time somewhat heavily but amusingly. Pyramus (tenor) has a mock-dignified entrance, and sings an elaborate burlesque song on Shakespeare's words,"
},
{
"from": "gpt",
"value": "And thou, O wall, O sweet and lov... |
35721 | Unknown Title | Unknown Author | [
{
"from": "human",
"value": "By the simplicity of Venus' doves. The next number is a trio and chorus for the {94} Clowns, beginning"
},
{
"from": "gpt",
"value": "Most noble Duke. Quince, Snout, and Bottom all have little solos, but I can't trace the words--I think they were by some contemporary... |
35721 | Unknown Title | Unknown Author | [
{
"from": "human",
"value": "By using folk-music in the Shakespeare play we shall then be mating like with like, the drama which is for all time with the music which is for all time. Whether the result at the Savoy was successful or not I leave to the judgment of the many people who saw the production. Unfo... |
35721 | Unknown Title | Unknown Author | [
{
"from": "human",
"value": "I am getting on with a one-act opera for Baden written round Shakespeare's _Much Ado About Nothing_. It is called _Béatrice et Bénédict_; I promise there shall not be 'much ado' in the shape of noise in it. Benayet, the King of Baden, wants it next year."
},
{
"from": "g... |
35721 | Unknown Title | Unknown Author | [
{
"from": "human",
"value": "Siciliana,"
},
{
"from": "gpt",
"value": "Maidens' Duet became a very popular number. In this work are two four-part choruses called"
},
{
"from": "human",
"value": "Épithalme grotesque,"
}
] |
35721 | Unknown Title | Unknown Author | [
{
"from": "human",
"value": "Beatrice and Benedick."
}
] |
35721 | Unknown Title | Unknown Author | [
{
"from": "human",
"value": "Sigh no more, ladies"
},
{
"from": "gpt",
"value": "Enter a pomp of clowns and country girls, who dance a morris-dance, while the chorus sings about spring and maying. The masque ends with Hero, crowned Queen of Summer, singing a very graceful welcome to the princes.... |
35721 | Unknown Title | Unknown Author | [
{
"from": "human",
"value": "Don John says he will cross the wedding, and in a few words tells Borachio to meet Hero's gentlewoman, Margaret, that night, and he will bring the Prince and Claudio. The doors of the supper-room are thrown open and a procession of guests comes out, with Hero and Claudio in the ... |
35721 | Unknown Title | Unknown Author | [
{
"from": "human",
"value": "Mater dulce carmen lenis, the bells going right through the hymn with excellent effect. Then comes Claudio's denunciation of Hero and his refusal to marry her; she swoons, and everyone leaves the church except Hero, Beatrice, Benedick, Leonato, and the friar. The friar, in a fin... |
35721 | Unknown Title | Unknown Author | [
{
"from": "human",
"value": "Leonato's Garden"
}
] |
35721 | Unknown Title | Unknown Author | [
{
"from": "human",
"value": "Willow Song, sung by Desdemona; but, as Shakespeare did not even write the words of the said song, merely quoting a few lines from a long poem given in its entirety by Bishop Percy in his invaluable _Reliques_, this setting, even if contemporary, has not much to do with our subj... |
35721 | Unknown Title | Unknown Author | [
{
"from": "human",
"value": "Othello"
}
] |
35721 | Unknown Title | Unknown Author | [
{
"from": "human",
"value": "Nessun maggior do lore."
}
] |
35721 | Unknown Title | Unknown Author | [
{
"from": "human",
"value": "Vorrei che il tuo pensiero, is strikingly lovely; and the quintet in the finale of the first act is a fine piece of writing, the insistently-recurring ascending scale of Brabantio to the words"
},
{
"from": "gpt",
"value": "having a terrific effect. The duet, Othello... |
35721 | Unknown Title | Unknown Author | [
{
"from": "human",
"value": "And let me the canakin clink,"
},
{
"from": "gpt",
"value": "Lay down your arms."
}
] |
35721 | Unknown Title | Unknown Author | [
{
"from": "human",
"value": "lines are impressively set. At the close of the scene a chorus is heard singing softly,"
},
{
"from": "gpt",
"value": "accompanied by two notes (tonic and dominant) on {110} the cornamusa, or"
},
{
"from": "human",
"value": "Grove is silent on the subject... |
35721 | Unknown Title | Unknown Author | [
{
"from": "human",
"value": "I mistook you ... for that strumpet of Venice who has married Othello. Desdemona is overwhelmed with horror, and Othello pushes her out of the room. There is great trumpeting from all sides of the stage, and, to a chorus of welcome by the Cypriotes, the Venetian ambassadors ente... |
35721 | Unknown Title | Unknown Author | [
{
"from": "human",
"value": "He has got a score of _Othello_ to play to me; says it is Wagner and water; would seem to say it is Verdi-gris of Wagner"
}
] |
35721 | Unknown Title | Unknown Author | [
{
"from": "human",
"value": "Young Czech"
}
] |
35721 | Unknown Title | Unknown Author | [
{
"from": "human",
"value": "I saw Othello's visage in his mind; And to his honours and his valiant parts Did I my soul and fortunes consecrate. Presently comes Iago with his"
},
{
"from": "gpt",
"value": "_motif_, which struggles for a long time with Desdemona's"
},
{
"from": "human",
... |
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