text stringlengths 2 268 | label stringclasses 2
values | idx int64 0 67.3k |
|---|---|---|
told in scattered fashion | negative | 200 |
takes chances that are bold by studio standards | positive | 201 |
believe it or not , jason actually takes a backseat in his own film to special effects | negative | 202 |
only thing to fear about `` fear dot com '' | negative | 203 |
whole mess | negative | 204 |
manages to infuse the rocky path to sibling reconciliation with flashes of warmth and gentle humor | positive | 205 |
working from a surprisingly sensitive script co-written by gianni romoli ... ozpetek avoids most of the pitfalls you 'd expect in such a potentially sudsy set-up . | positive | 206 |
a résumé loaded with credits like `` girl in bar # 3 | negative | 207 |
enjoy the ride | positive | 208 |
very little to add beyond the dark visions already relayed by superb recent predecessors | negative | 209 |
the , yes , snail-like pacing | negative | 210 |
an extremely unpleasant film . | negative | 211 |
if it is n't entirely persuasive , it does give exposure to some talented performers | positive | 212 |
the whole affair , true story or not , feels incredibly hokey ... | negative | 213 |
are all things we 've seen before | negative | 214 |
poignant and leavened | positive | 215 |
breathless anticipation | positive | 216 |
significantly better | positive | 217 |
as predictable as the tides | negative | 218 |
bewilderingly brilliant and entertaining | positive | 219 |
it 's smooth and professional | positive | 220 |
, unassuming , subordinate | negative | 221 |
the horror | negative | 222 |
a technically superb film | positive | 223 |
the positive change in tone here seems to have recharged him . | positive | 224 |
pays earnest homage to turntablists and beat jugglers , old schoolers and current innovators | positive | 225 |
a dim | negative | 226 |
, vicious and absurd | negative | 227 |
because he acts so goofy all the time | negative | 228 |
to a kinetic life so teeming that even cranky adults may rediscover the quivering kid inside | positive | 229 |
's at once laughable and compulsively watchable , | positive | 230 |
merit its 103-minute length | positive | 231 |
the value and respect for the term epic cinema | positive | 232 |
as a dentist 's waiting room | negative | 233 |
showing honest emotions | positive | 234 |
amazingly lame . | negative | 235 |
confessions may not be a straightforward bio | negative | 236 |
seems a disappointingly thin slice of lower-class london life ; despite the title ... amounts to surprisingly little | negative | 237 |
the story is bogus and | negative | 238 |
this comic gem is as delightful as it is derivative . | positive | 239 |
to spare wildlife | positive | 240 |
ugly as the shabby digital photography | negative | 241 |
understand the difference between dumb fun and just plain dumb | negative | 242 |
traditionally structured | positive | 243 |
frida is n't that much different from many a hollywood romance . | negative | 244 |
does point the way for adventurous indian filmmakers toward a crossover into nonethnic markets . | positive | 245 |
are worth the price of admission ... if `` gory mayhem '' is your idea of a good time | positive | 246 |
was produced by jerry bruckheimer and directed by joel schumacher , and reflects the worst of their shallow styles : wildly overproduced , inadequately motivated every step of the way and demographically targeted to please every one ( and no one ) | negative | 247 |
carnage and | negative | 248 |
degraded , handheld blair witch video-cam footage | negative | 249 |
second fiddle | negative | 250 |
about the folly of superficiality that is itself | negative | 251 |
serves as auto-critique , and its clumsiness as its own most damning censure . | negative | 252 |
tedious norwegian offering which somehow snagged an oscar nomination . | negative | 253 |
, esther kahn is unusual but unfortunately also irritating . | negative | 254 |
a stylish exercise | positive | 255 |
halfway through this picture i was beginning to hate it | negative | 256 |
a setup so easy it borders on facile | negative | 257 |
a thoroughly awful movie | negative | 258 |
takes hold and grips hard | positive | 259 |
look smeary and blurry , to the point of distraction | negative | 260 |
the picture 's fascinating byways | positive | 261 |
guns , cheatfully filmed martial arts , disintegrating bloodsucker computer effects and jagged camera moves | negative | 262 |
breezy , distracted rhythms | negative | 263 |
than this mess | negative | 264 |
evanescent , seamless and sumptuous stream | positive | 265 |
slick and manufactured to claim street credibility . | positive | 266 |
take care is nicely performed by a quintet of actresses , | positive | 267 |
valuable messages | positive | 268 |
in no small part thanks to lau | positive | 269 |
two guys who desperately want to be quentin tarantino when they grow up | negative | 270 |
no new plot conceptions | negative | 271 |
essentially a collection of bits -- | negative | 272 |
does n't bode well for the rest of it | negative | 273 |
elevated by it -- the kind of movie | positive | 274 |
usual worst | negative | 275 |
hugh grant , who has a good line in charm | positive | 276 |
arrive early and stay late | positive | 277 |
is a pan-american movie , with moments of genuine insight into the urban heart . | positive | 278 |
i could have used my two hours better watching being john malkovich again . | negative | 279 |
shot in artful , watery tones of blue , green and brown | positive | 280 |
an unorthodox little film noir organized crime story that includes one of the strangest | positive | 281 |
considerable aplomb | positive | 282 |
acted by diane lane and richard gere . | positive | 283 |
scant | negative | 284 |
an admittedly middling film | positive | 285 |
too ludicrous | negative | 286 |
the rock 's fighting skills are more in line with steven seagal | positive | 287 |
rich and full | positive | 288 |
warm water under a red bridge is a celebration of feminine energy , a tribute to the power of women to heal . | positive | 289 |
that uses a sensational , real-life 19th-century crime as a metaphor for | positive | 290 |
, home movie will leave you wanting more , not to mention leaving you with some laughs and a smile on your face . | positive | 291 |
, the film retains ambiguities that make it well worth watching . | positive | 292 |
ultra-cheesy dialogue | negative | 293 |
added depth and resonance | positive | 294 |
the sensational | positive | 295 |
huge-screen format to make an old-fashioned nature film that educates viewers with words and pictures while entertaining them | positive | 296 |
handsome but unfulfilling suspense drama | negative | 297 |
's not very good either . | negative | 298 |
in her most charmless | negative | 299 |
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