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with work. The life of an assistant schoolmistress is sometimes trying. |
I am longing to be with you, and by the sea, where we can talk together |
freely and build our castles in the air. I have been working very hard |
lately, because I want to keep up with Jonathan's studies, and I have |
been practising shorthand very assiduously. When we are married I shall |
be able to be useful to Jonathan, and if I can stenograph well enough I |
can take down what he wants to say in this way and write it out for |
him on the typewriter, at which also I am practising very hard. He |
and I sometimes write letters in shorthand, and he is keeping a |
stenographic journal of his travels abroad. When I am with you I |
shall keep a diary in the same way. I don't mean one of those |
two-pages-to-the-week-with-Sunday-squeezed-in-a-corner diaries, but a |
sort of journal which I can write in whenever I feel inclined. I do not |
suppose there will be much of interest to other people; but it is not |
intended for them. I may show it to Jonathan some day if there is in it |
anything worth sharing, but it is really an exercise book. I shall try |
to do what I see lady journalists do: interviewing and writing |
descriptions and trying to remember conversations. I am told that, with |
a little practice, one can remember all that goes on or that one hears |
said during a day. However, we shall see. I will tell you of my little |
plans when we meet. I have just had a few hurried lines from Jonathan |
from Transylvania. He is well, and will be returning in about a week. I |
am longing to hear all his news. It must be so nice to see strange |
countries. I wonder if we--I mean Jonathan and I--shall ever see them |
together. There is the ten o'clock bell ringing. Good-bye. |
"Your loving |
"MINA. |
"Tell me all the news when you write. You have not told me anything for |
a long time. I hear rumours, and especially of a tall, handsome, |
curly-haired man???" |
_Letter, Lucy Westenra to Mina Murray_. |
"_17, Chatham Street_, |
"_Wednesday_. |
"My dearest Mina,-- |
"I must say you tax me _very_ unfairly with being a bad correspondent. I |
wrote to you _twice_ since we parted, and your last letter was only your |
_second_. Besides, I have nothing to tell you. There is really nothing |
to interest you. Town is very pleasant just now, and we go a good deal |
to picture-galleries and for walks and rides in the park. As to the |
tall, curly-haired man, I suppose it was the one who was with me at the |
last Pop. Some one has evidently been telling tales. That was Mr. |
Holmwood. He often comes to see us, and he and mamma get on very well |
together; they have so many things to talk about in common. We met some |
time ago a man that would just _do for you_, if you were not already |
engaged to Jonathan. He is an excellent _parti_, being handsome, well |
off, and of good birth. He is a doctor and really clever. Just fancy! He |
is only nine-and-twenty, and he has an immense lunatic asylum all under |
his own care. Mr. Holmwood introduced him to me, and he called here to |
see us, and often comes now. I think he is one of the most resolute men |
I ever saw, and yet the most calm. He seems absolutely imperturbable. I |
can fancy what a wonderful power he must have over his patients. He has |
a curious habit of looking one straight in the face, as if trying to |
read one's thoughts. He tries this on very much with me, but I flatter |
myself he has got a tough nut to crack. I know that from my glass. Do |
you ever try to read your own face? _I do_, and I can tell you it is not |
a bad study, and gives you more trouble than you can well fancy if you |
have never tried it. He says that I afford him a curious psychological |
study, and I humbly think I do. I do not, as you know, take sufficient |
interest in dress to be able to describe the new fashions. Dress is a |
bore. That is slang again, but never mind; Arthur says that every day. |
There, it is all out. Mina, we have told all our secrets to each other |
since we were _children_; we have slept together and eaten together, and |
laughed and cried together; and now, though I have spoken, I would like |
to speak more. Oh, Mina, couldn't you guess? I love him. I am blushing |
as I write, for although I _think_ he loves me, he has not told me so in |
words. But oh, Mina, I love him; I love him; I love him! There, that |
does me good. I wish I were with you, dear, sitting by the fire |
undressing, as we used to sit; and I would try to tell you what I feel. |
I do not know how I am writing this even to you. I am afraid to stop, |
or I should tear up the letter, and I don't want to stop, for I _do_ so |
want to tell you all. Let me hear from you _at once_, and tell me all |
that you think about it. Mina, I must stop. Good-night. Bless me in your |
prayers; and, Mina, pray for my happiness. |
"LUCY. |
"P.S.--I need not tell you this is a secret. Good-night again. |
"L." |
_Letter, Lucy Westenra to Mina Murray_. |
"_24 May_. |
"My dearest Mina,-- |
"Thanks, and thanks, and thanks again for your sweet letter. It was so |
nice to be able to tell you and to have your sympathy. |
"My dear, it never rains but it pours. How true the old proverbs are. |
Here am I, who shall be twenty in September, and yet I never had a |
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