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BlinAI
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Dataset card Data Studio Files
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So I try it, match my breath to her heaving bosom. She's still panting from her trek up the stairs and fifteen breaths go by in a quick pause. The silence stretches, and I try to remember what I'm supposed to do next. Lead the subject, that's it. I slow my breathing down gradually and, amazingly, her breath slows down ...
"Caitlin," I say calmly, making it part of an exhalation.
"Yes," she says, still wary.
"Have you got a comm?"
"I do, yes."
"Can you please call downstairs and ask them to send up a stretcher crew? I've hurt my back and I won't be able to handle the stairs."
"I can do that, yes."
"Thank you, Caitlin."
It feels like cheating. I didn't have to browbeat her or puncture her bad reasoning -- all it took was a little rapport, a little putting myself in her shoes. I can't believe it worked, but Caitlin flips a ruggedized comm off her hip and speaks into it in a calm, efficient manner.
"Thank you, Caitlin," I say again. I start to ease myself to a sitting position, and my back gives way, so that I crash to the rooftop, mewling, hands clutched to my spasming lumbar. And then Caitlin's at my side, pushing my hands away from my back, strong thumbs digging into the spasming muscles around my iliac crests...
"My old man used to get that," she said. "All us kids had to take turns working it out for him." I'm on my back, staring up over her curves and rolls and into her earnest, freckled face.
"Oh, God, that feels good," I say.
"That's what the old man used to say. You're too young to have a bad back."
"I have to agree," I say.
"All right, I'm going to prop your knees up and lay your head down. I need to have a look at that ventilator."
I grimace. "I'm afraid I did a real number on it," I say. "Sorry about that."
She waves a chubby pish-tosh at me with her freckled hand and walks over to the chimney, leaving me staring at the sky, knees bent, waiting for the stretcher crew.
When they arrive, Caitlin watches as they strap me onto the board, tying me tighter than is strictly necessary for my safety, and I realize that I'm not being tied *down*, I'm being tied *up*.
"Thanks, Caitlin," I say.
"You're welcome, Art."
"Good luck with the ventilator -- sorry again."
"That's all right, kid. It's my job, after all."
18.
Virgin Upper's hot tubs were more theoretically soothing than actually so. They had rather high walls and a rather low water level, both for modesty's sake and to prevent spills. Art passed through the miniature sauna/shower and into the tub after his massage, somewhere over Newfoundland, and just as the plane hit turb...
He landed at JFK still smelling of chlorine and sandalwood massage oil and the cantaloupe-scented lotion in the fancy toilets. Tension melted away from him as he meandered to the shuttle stop. The air had an indefinable character of homeliness, or maybe it was the sunlight. Amateur Tribal anthropologists were always th...
The light or the air, the latitude or the smog, it felt like home. The women walked with a reassuring, confident *clack clack clack* of heel on hard tile; the men talked louder than was necessary to one another or to their comms. The people were a riot of ethnicities and their speech was a riotous babel of accents, idi...
By the time he boarded his connection to Logan he was joggling his knees uncontrollably in his seat, his delight barely contained. He got an undrinkable can of watery Budweiser and propped it up on his tray table alongside his inedible pretzel and arranged them in a kind of symbolic tableau of all things ESTian.
He commed Fede from the guts of the tunnels that honeycombed Boston, realizing with a thrill as Fede picked up that it was two in the morning in London, at the nominal GMT+0, while here at GMT-5 -- at the default, plus-zero time zone of his life, livelihood and lifestyle -- it was only 9PM.
"Fede!" Art said into the comm.
"Hey, Art!" Fede said, with a false air of chipperness that Art recognized from any number of middle-of-the-night calls.
There was a cheap Malaysian comm that he'd once bought because of its hyped up de-hibernate feature -- its ability to go from its deepest power-saving sleepmode to full waking glory without the customary thirty seconds of drive-churning housekeeping as it reestablished its network connection, verified its file system a...
When Art actually laid hands on it, after it meandered its way across the world by slow boat, corrupt GMT+8 Posts and Telegraphs authorities, over-engineered courier services and Revenue Canada's Customs agents, he was enchanted by this feature. He could put the device into deep sleep, close it up, and pop its cover op...
And here was Fede, throwing up a verbal screenshot of wakefulness while he churned in the background, housekeeping himself into real alertness. "Fede, I'm here, I'm in Boston!"
"Good Art, good. How was the trip?"
"Wonderful. Virgin Upper was fantastic -- dancing girls, midget wrestling, hash brownies..."
"Good, very good."
"And now I'm driving around under Boston through a land-yacht regatta. The boats are mambo, but I think that banana patch the hotel soon."
"Glad to hear it." Art heard water running dimly, realized that Fede was taking a leak.
"Meeting with the Jersey boys tomorrow. We're having brunch at a strip club."
"OK, OK, very funny," Fede said. "I'm awake. What's up?"
"Nothing. I just wanted to check in with you and let you know I arrived safe and sound. How're things in London?"
"Your girlfriend called me."
"Linda?"
"You got another girlfriend?"
"What did she want?"
"She wanted to chew me out for sending you overseas with your 'crippling back injury.' She told me she'd hold me responsible if you got into trouble over there."
"God, Fede, I'm sorry. I didn't put her up to it or anything --"
"Don't worry about it. I'm glad that there's someone out there who cares about you. We're getting together for dinner tonight."
"Fede, you know, I think Linda's terrific, but she's a little, you know, volatile."
"Art, everyone in O'Malley House knows just how volatile she is. 'I won't tell you again, Art. Moderate your tone. I won't be shouted at.'"