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not to grace me. Believe then, if you please, that I can do |
strange things. I have, since I was three year old, convers'd |
with a magician, most profound in his art and yet not damnable. |
If you do love Rosalind so near the heart as your gesture cries |
it out, when your brother marries Aliena shall you marry her. I |
know into what straits of fortune she is driven; and it is not |
impossible to me, if it appear not inconvenient to you, to set |
her before your eyes to-morrow, human as she is, and without any |
danger. |
ORLANDO. Speak'st thou in sober meanings? |
ROSALIND. By my life, I do; which I tender dearly, though I say I |
am a magician. Therefore put you in your best array, bid your |
friends; for if you will be married to-morrow, you shall; and to |
Rosalind, if you will. |
Enter SILVIUS and PHEBE |
Look, here comes a lover of mine, and a lover of hers. |
PHEBE. Youth, you have done me much ungentleness |
To show the letter that I writ to you. |
ROSALIND. I care not if I have. It is my study |
To seem despiteful and ungentle to you. |
You are there follow'd by a faithful shepherd; |
Look upon him, love him; he worships you. |
PHEBE. Good shepherd, tell this youth what 'tis to love. |
SILVIUS. It is to be all made of sighs and tears; |
And so am I for Phebe. |
PHEBE. And I for Ganymede. |
ORLANDO. And I for Rosalind. |
ROSALIND. And I for no woman. |
SILVIUS. It is to be all made of faith and service; |
And so am I for Phebe. |
PHEBE. And I for Ganymede. |
ORLANDO. And I for Rosalind. |
ROSALIND. And I for no woman. |
SILVIUS. It is to be all made of fantasy, |
All made of passion, and all made of wishes; |
All adoration, duty, and observance, |
All humbleness, all patience, and impatience, |
All purity, all trial, all obedience; |
And so am I for Phebe. |
PHEBE. And so am I for Ganymede. |
ORLANDO. And so am I for Rosalind. |
ROSALIND. And so am I for no woman. |
PHEBE. If this be so, why blame you me to love you? |
SILVIUS. If this be so, why blame you me to love you? |
ORLANDO. If this be so, why blame you me to love you? |
ROSALIND. Why do you speak too, 'Why blame you me to love you?' |
ORLANDO. To her that is not here, nor doth not hear. |
ROSALIND. Pray you, no more of this; 'tis like the howling of Irish |
wolves against the moon. [To SILVIUS] I will help you if I can. |
[To PHEBE] I would love you if I could.- To-morrow meet me all |
together. [ To PHEBE ] I will marry you if ever I marry woman, |
and I'll be married to-morrow. [To ORLANDO] I will satisfy you if |
ever I satisfied man, and you shall be married to-morrow. [To |
Silvius] I will content you if what pleases you contents you, and |
you shall be married to-morrow. [To ORLANDO] As you love |
Rosalind, meet. [To SILVIUS] As you love Phebe, meet;- and as I |
love no woman, I'll meet. So, fare you well; I have left you |
commands. |
SILVIUS. I'll not fail, if I live. |
PHEBE. Nor I. |
ORLANDO. Nor I. Exeunt |
SCENE III. |
The forest |
Enter TOUCHSTONE and AUDREY |
TOUCHSTONE. To-morrow is the joyful day, Audre'y; to-morrow will we |
be married. |
AUDREY. I do desire it with all my heart; and I hope it is no |
dishonest desire to desire to be a woman of the world. Here come |
two of the banish'd Duke's pages. |
Enter two PAGES |
FIRST PAGE. Well met, honest gentleman. |
TOUCHSTONE. By my troth, well met. Come sit, sit, and a song. |
SECOND PAGE. We are for you; sit i' th' middle. |
FIRST PAGE. Shall we clap into't roundly, without hawking, or |
spitting, or saying we are hoarse, which are the only prologues |
to a bad voice? |
SECOND PAGE. I'faith, i'faith; and both in a tune, like two gipsies |
on a horse. |
SONG. |
It was a lover and his lass, |
With a hey, and a ho, and a hey nonino, |
That o'er the green corn-field did pass |
In the spring time, the only pretty ring time, |
When birds do sing, hey ding a ding, ding. |
Sweet lovers love the spring. |
Between the acres of the rye, |
With a hey, and a ho, and a hey nonino, |
These pretty country folks would lie, |
In the spring time, &c. |
This carol they began that hour, |
With a hey, and a ho, and a hey nonino, |
How that a life was but a flower, |
In the spring time, &c. |
And therefore take the present time, |
With a hey, and a ho, and a hey nonino, |
For love is crowned with the prime, |
In the spring time, &c. |
TOUCHSTONE. Truly, young gentlemen, though there was no great |
matter in the ditty, yet the note was very untuneable. |
FIRST PAGE. YOU are deceiv'd, sir; we kept time, we lost not our |
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