text stringlengths 0 4k |
|---|
curved. And characters may be wide or narrow. |
o The weight, or heaviness of characters can vary. Serifs can make |
them look heavier. Often effected by weight inconsistencies are |
symbols like: # $ @ |
o Shapes can vary too: |
The more consistent shapes are: - / \ |
The more inconsistent shapes are: ~ ^ * & | ' [ ] < > 0 l y |
o Fonts from different countries may have different characters in them. |
Characters that may not appear in a font are: ^ ` # | { } ~ \ [ ] $ @ |
o Different systems display text differently. If you look at a |
picture on a terminal at a Unix site, and then bring it home and |
view it on a Mac, it will look different. On the Mac, it will be |
displayed shorter top to bottom. In other words, it will have a |
greater aspect ratio. Even though it contains the same number of |
lines. |
See ASCII Art Resources and ASCII Art Reference (the Web version |
of the FAQ) for an aspect ratio chart. |
6 How can I learn to make ASCII art? |
Unfortunately, there aren't many text books on the subject. :-) A |
good way to learn is to study how an artist has made a picture. |
What characters are chosen. How are the characters laid out? How |
is a texture made? |
You can also modify existing art. Take a piece of art you think |
could be improved. Make a copy. Now work on it. When you are good |
at that, try to improve a really good pic. Diddle a GIF conversion. |
Then see if you can fix a damaged file. Now take some small pics |
and put them together into a big composite image. |
If you're working from scratch, the following may help you: |
o Decide what you want. Block out the sizes ond shapes of things so |
you can get the proportions right. Do it now, not later, you'll |
save work. |
o Add detail. Concentrate on the focal point and important parts of |
your drawing. ASCII art is low definition, so you'll have to make |
the pic big if you want detail or real smoothness. Take a tip |
from master cartoonists, just try to suggest things, don't try to |
replicate them. Too much detail can end up looking confusing. |
o One of the biggest helps is knowing how to shape things. For |
example, you can curve a horizontal line with just: _ - " |
_____-------"""""""--------_____-------""""""" |
o Slanting vertical lines is easy. These four line are all made |
with a few characters, like: / , _ - ' " |
/ ,' ,-' ,_-'" |
/ ,' ,-' ,_-'" |
/ ,' ,-' ,_-'" |
/ ,' ,-' ,_-'" |
/ ,' ,-' ,_-'" |
/ ,' ,-' ,_-'" |
o Then there's smoothing, also called "anti-aliasing". This is |
where special care is taken to use characters for their shapes. |
With this technique, you can smooth out a font, or an object like |
the one below. Notice how the sides on the object are curved |
using: d b ( ) Y |
XXXX d88b |
XXXXXXXX <- Turn this d888888b |
XXXXXXXXXX (88888888) |
XXXXXXXX Into this -> Y888888Y |
XXXX Y88Y |
Popular fills are: 8 M H |
o Use areas of characters for patterns, tones, and contrast. For |
example, in this flower, notice the density of the letters |
subtlely change to form the petals. I would like to see this |
colorized. |
. |
.@. . |
@m@,. .@ |
.@m%nm@,. .@m@ |
.@nvv%vnmm@,. .@mn%n@ |
.@mnvvv%vvnnmm@,. .@mmnv%vn@, |
@mmnnvvv%vvvvvnnmm@,. .@mmnnvvv%vvnm@ |
@mmnnvvvvv%vvvvvvnnmm@, ;;;@mmnnvvvvv%vvvnm@, |
`@mmnnvvvvvv%vvvvvnnmmm;;@mmnnvvvvvv%vvvvnmm@ |
`@mmmnnvvvvvv%vvvnnmmm;%mmnnvvvvvv%vvvvnnmm@ |
`@m%v%v%v%v%v;%;%;%;%;%;%;%%%vv%vvvvnnnmm@ |
.,mm@@@@@mm%;;@@m@m@@m@@m@mm;;%%vvvnnnmm@;@,. |
.,@mmmmmmvv%%;;@@vmvvvvvvvvvmvm@@;;%%vvnnm@;%mmm@, |
.,@mmnnvvvvv%%;;@@vvvvv%%%%%%%vvvvmm@@;;%%mm@;%%nnnnm@, |
.,@mnnvv%v%v%v%%;;@mmvvvv%%;*;*;%%vvvvmmm@;;%m;%%v%v%v%vmm@,. |
Subsets and Splits
No community queries yet
The top public SQL queries from the community will appear here once available.