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The picture is quite boring so far, with just one layer of 3D being |
created, so the next thing to do is to add another layer or two. |
The "tried and tested" approach is to add a "pole" in front of him, |
and since we want it -in front- of the existing layer, each pole |
should be 9 chars apart: |
_ _ _ _ _ _ _ _ |
(_) (_) (_) (_) (_) (_) (_) (_) |
H___ H ___ H ___ H ___ H ___ H ___H __H |
{H._.~} H~._.~} H{~._.~} H {~._.~}H {~._.~H {~._.H} {~._H~} |
H Y ) H( Y ) H ( Y ) H ( Y ) H ( Y )H ( Y H ( YH) |
(H~*~() H)~*~() H()~*~() H ()~*~()H ()~*~(H ()~*~H) ()~*H() |
(H)-(_) H_)-(_) H(_)-(_) H (_)-(_)H (_)-(_H (_)-(H) (_)-H_) |
H H H H H H H H |
~"~~~~~~~~"~~~~~~~~"~~~~~~~~"~~~~~~~~"~~~~~~~~"~~~~~~~~"~~~~~~~~"~~ |
Notice that since the pole is to appear in front of the koala, it |
actually replaces the koala where they overlap. Here's the same pic |
except the pole appears behind the koala: |
_ _ _ _ _ _ |
(_) (_) (_) (_) (_) (_) |
___ H ___ H ___ H ___ H ___ H ___ H___ |
{~._.~} {~._.~}H {~._.~} H {~._.~} H{~._.~} {~._.~} {~._.~} |
( Y )H ( Y ) H ( Y ) H ( Y ) H ( Y ) H( Y ) ( Y ) |
()~*~() ()~*~()H ()~*~() H ()~*~() H()~*~() ()~*~() ()~*~() |
(_)-(_) (_)-(_)H (_)-(_) H (_)-(_) H(_)-(_) (_)-(_) (_)-(_) |
H H H H H H |
~~~~~~"~~~~~~~~~~"~~~~~~~~~~"~~~~~~~~~~"~~~~~~~~~~"~~~~~~~~~~"~~~~~ |
Now, since the pole is to appear behind the koala, its chars do not |
write over the koala where they overlap. The poles here are 11 chars |
apart, so appear one "step" behind the koala. All layers are built like |
this, and of course I could have the poles both behind and in front of |
the koala in the same picture. Here's a multi-layer example: |
_ _ |
.-~ \ .-~ \ |
/ \ _ / \ _ |
~x .-~_)_ ~x .-~_)_ This picture has 3 distinct layers: |
~>x".-~ ~-. ~x".-~ ~-. the hat, head and face. There are |
( / \ ( / \ many other examples of 3D ascii |
T o o Y T o o Y around, plus there are programs |
l < ! l < ! available for the easy creation |
\ .__/ / \ ._/ / of SIRDS. |
"-.___.-' "-.___.-' |
A quick examination of the above picture shows that the head (circle), |
part of the hat and a part of the mouth are all 15 characters apart. |
The rest of the face is just 14 chars apart, and the top section of |
the hat is 16 chars apart. |
Note that all this information is from pure observation, so it may not |
be 100% accurate. |
Back to Contents |
6. Conclusion |
Perhaps there's more to ascii art than |
meets the eye? Before writing this, I . |
had no idea just how much thought goes /\ /l |
into creating ascii pictures, and I ((.Y(! |
imagine that I haven't even begun to \ |/ |
cover it all. / 6~6, |
\ _ +-. |
Analyzing the work of other people is \`-=--^-' |
a great way to learn what works, and \ \ |
what doesn't. Analyzing "art" may seem _/ \ |
like a strange concept, but it does ( . Y |
open your awareness to the art form, and /"\ `--^--v--. |
it's a great way to learn the various / _ `--"T~\/~\/ |
techniques. I hope that you have found / " ~\. ! |
my ideas about ascii interesting. _ Y Y./' |
Y^| | |~~7 |
In the end however, it's up to the | l | / ./' |
individual artist to work the way they | `L | Y .^/~T |
want to, and not necessarily the way | l ! | |/| | -Row |
someone else would do it. Finding | .`\/' | Y | ! |
your own style is all part of the fun, l "~ j l j_L______ |
and perhaps this text will aid people \,____{ __"~ __ ,\_,\_ |
in finding that style. ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ |
:D |
Back to Contents |
7. Quick Plug |
Check out my ascii art collection v1.2 (it's on the various ascii |
FTP sites around). Collection 2 coming soon(ish). |
-------------------------[ Sumaleth Productions 1994 ]----------------------- |
File: academy/tutorials/tut_flump.txt |
https://web.archive.org/web/20071116040106/http://www.kersbergen.com/flump/howto.html |
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