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"Ghost of Dragstrip Hollow" was one of the many '50s movies about hot-rodding teens encountering the supernatural. In this case, the teens can't pay the rent for their hangout and get evicted. With nowhere else to go, they decide on an apparently haunted house. As you may have guessed, once they arrive, some weird things start happening. And there's a twist at the end.<br /><br />There's nothing in this movie that you haven't seen in other movies, but it's nice entertainment nonetheless. My favorite character was the foul-mouthed parrot. Well, let me rephrase that: he didn't talk like a character in a Quentin Tarantino movie, but he said things that we don't expect out of a bird. The movie's pure hokum, but harmless. | 0 | 10,079 |
I am one of Jehovah's Witnesses and I also work in an acute care medical facility. Over the years I have seen people die from hemolytic reactions to blood transfusions, have attended numerous conferences on blood born pathogens, and have seen several patients become seriously ill from pathogens induced by transfused blood. I have also heard several Jehovah's Witnesses being told that they will die if they refuse blood and after 26 years in the field I have never actually seen it happen, leaving the question, "is it really unreasonable to refuse blood transfusions or is the community at large benefiting from the battle on this issue?" The issue for Jehovah's Witnesses is a moral one. "You must abstain from blood" is not an ambiguous statement. Thank you for this movie and allowing comments on it. | 1 | 14,874 |
1931 also presented "an American tragedy", the original tale of "who will he take up with, poor girl or rich girl". this was a truly entertaining film. Babs stanwyck was a pretty as she could be, ditto sally blane. Monroe owsley, unmemorably played Babs's husband. i had never heard of him, but i thought he bore a good physical resemblance to bing Crosby of "the big broadcast" ('32), even a receding hairline and wingy ears. Ricardo cortez, the rich playboy with a heart of gold. a true movie pioneer going wayyy back. the dilemma is resolved at the end, to the strains of the title and i believe Annette hanshaw had the hit recording, although the off-screen voice did very well. i also enjoyed the dance hall scenes. i'm sure they were authentic; the band, a leading one of the time was superb. good job, Lionel Barrymore!!!! | 1 | 14,534 |
Dark Reality is a Saw like movie that is slightly decrepit. While the plot and story are good, there is a little too much unnecessary nudity. While I feel the film was technically well done, the acting was spotty, it was just a little too dark for my mood while I was watching it. IT basically says that there are a lot of missing people out there that will never be found and are perhaps being tortured by sick whackos. I feel that some information on the captors and their reasons for being so sick would have helped some. It came of as a snuff film, just made for the violent content. If you like to see women beaten, tortured, and killed then this is for you. If you're looking for something a little liter and more expressive and reasoned, skip this one. | 0 | 3,629 |
I just cannot believe the low scores for this movie. Probable reason has to do with the low number of votes meaning few people have seen it. This is simply a fantastic movie! There are so many stories inter-wined within but it's not complicated. Each character grows with the movie and we experience with them undergoing life changes. The scenery is simply amazing and the end credits are the best ever in any movie I have seen (just like a Shakespeare play). Yes, it's a little dated (filmed in 1982) but the issues the characters face are very current. It could have been filmed in 2002 without modifications to the story line. Raul Julia is amazing, best role ever in a movie - this is his signature piece. A young Molly Ringwald is excellent as she matures from girl to young woman. Susan Sarandon is perfect as a young carefree woman and John Cassavetes is the force that puts this all together. Do yourself a favor, find this movie, view it & enjoy it. Come back to IMDb and score this movie into the top 250 of all time where it really belongs. | 1 | 20,253 |
"Intensive Care" by Dorna von Rouveroy is easily one of the worst horror movies ever made.This extremely cheap Dutch slasher flick offers some gore and plenty of absurd situations.A horror veteran George Kennedy is completely wasted as as Professor Bruckner.The acting is abysmal,the action is slow and the climax is laughable.A famous surgeon has a car accident.He lies in a coma seven years and then he wakes up and goes on a bloody rampage."Intensive Care" is clearly influenced by American slasher films including "Halloween" and "Friday the 13th" series.The killings are hilarious and the dialogs are painfully stupid.Still if you are in the right mood you can give this piece of trash a look.You'll laugh until it hurts with this one-you can believe me! | 0 | 2,552 |
The cinematic interests in the British monarchy continues with The Young Victoria (1837 to 1901), after having seen in recent years, the efforts with Keira Knightley's The Duchess, Cate Blanchett's Elizabeth films, and Scarlett Johansson and Natalie Portman's take on the Boleyn sisters with The Other Boleyn Girl. More contemporary stories would include Helen Mirren's award winning portrayal of The Queen on the current reign of Queen Elizabeth II at the turn of Princess Diana's death.<br /><br />Each of the films mentioned featured stunning actresses with acting gravitas (ok, so some may dispute Johansson) or were the flavour of their moment, and each film had a definitive moment in their historical character's legacy that it becomes a no brainer to have those events featured, and in fact Elizabeth had enough to span two films. However, The Young Victoria, as the title already suggests, is a lite-version of the young queen's life, and if you're looking for that definitive event, or the staple political intrigue that plague all royal households and their dealings with shady, self-serving politicians, unfortunately there's nothing of depth here.<br /><br />That's not to say The Young Victoria is without. Directed by Canadian Jean-Marc Vallee (best known for CRAZY) and written by Julian Fellowes, this film chronicles in very plain terms, ,the life and times of Victoria (Emily Blunt, soon becoming the new It girl) when she was a child, the troubles she faced before Coronation such as the eagerness of her mom The Duchess of Kent (Miranda Richardson) and her adviser Sir John Conroy (Mark Strong) to appoint themselves as joint-Regent to her throne, as already planned for by reigning King William (Jim Broadbent). As if that wasn't enough, the political power play enters the picture with Lord Melbourne (Paul Bettany) being a Prime Minister-in-waiting trying to gain the trust of the new Queen, and subtly plants his own trusted allies into positions within the palace. On one hand you'd understand the need for a young, and new Queen to have trusted people in key positions, but on the other, are they really acting in her interests, or in the interests of others?<br /><br />Even this angle of intrigue creeps into her romantic story with Prince Albert (Rupert Friend), where their relationship forms the bulk of the second half of the film, and pretty much everything already included in the trailers. For both, they've been brought up under the influence of others, and told each step of the way exactly what to do. Even their union may seem like a firm registration of an alliance, if not for both lovers recognizing their common need to establish their own grounding, and to do so with the help of each other. Instead of being pawns, there's this constant search and probing of opportunities to break out of stifling, and at times absurd, rules and regulations. Trust also becomes a much valued commodity, and loyalty too can be traded for wanting to set the slate clean.<br /><br />However, all these themes become but a breeze through the narrative, from childhood to romance, marriage and children. In fact, there's so much fast-forwarding here, especially the last few minutes filled with inter-titles, that it actually leaves the audience wanting for more, and room of course for another movie, which I suspect would probably not see the light of day, but perhaps a television series might pick up on the film's response, and come out with a mini-series or such. It's a pity that all the effort here in ensuring the gorgeous costumes, sets and art direction would be confined to a film that's quite lightweight in theme and brief mention of issues, that they don't really challenge the protagonists in order to allow for some overcoming of character-defining adversary.<br /><br />With its star-studded cast, one would expect more, but one would be left wanting more instead. Recommended for those who are ever curious about Kings and Queens in the British Monarchy, only as a complement to other more engaging stories available in the other films already mentioned. | 1 | 17,275 |
I spotted the DVD on a store near my home, and since I'm a "cheesy horror movie/alien flicks" addict, I wondered how good it was. It even had two award mentions on the cover (I don't remember what festival it won) so I figured "Hey this might be good". So I bought it (for five euros) and I came here to IMDb to check out some reviews. Here, either people bashed the movie to say it was bad, or people said the movie was a wonderful feat in indie movies bla, bla. I then played the DVD, not thinking about any review I had read, with an open mind, and not expecting anything at all.<br /><br />Man... I don't' like being this critical, but the movie was genuinely bad... OK, I'm just going to give out some pointers of what I thought:<br /><br />1-Acting/dialog: The acting was so confusing... sometimes the actors did a decent job, but there were scenes were I could spot no effort at all from them! The dialog was even worst... I think it was probably the aspect I most disliked in the whole movie. The talking in between characters seemed... off. Not just bad, but far away from the actual happenings in the movie. The monologues of the female character, although well delivered, became boring and annoying in a little while... But of course the most ridiculous aspect was the... "aliens" or the "infected"... I wont even comment on that one, just going to say that it was absolutely ridiculous and took the entire mood away from the picture; 2-Visuals: the strongest aspect in the movie... if you forget the awful FX and light flashes they used to simulate explosions or what the hell they were supposed to be. The "camera in car" aspect was quite cool actually, but they didn't even used the environment to inspire fear or dread. They left that to cheap sound and video FX and the three "infected" characters. The movie becomes boring in so many scenes...; 3-Sound: Talk about editing... this movie has no problems in showing how weakly edited it was. From computer sounds imitating the forest animals to the "alien dialog"... ah...<br /><br />So what did I like in the movie... (SPOILERS) the only thing I really liked and it was actually quite scary was the succession of two scenes where the car is still and you spot something/someone walking in a distant. At first I really thought it was me seeing things, but when the character realizes that the "figures" coming towards her were her own reflection, I was surprised! Pretty creepy idea done well! Apart from that... I had an awful time.<br /><br />And I don't recommend this to anyone... not even "teen get together" because you can't even laugh at this...<br /><br />I give it a solid 2. Only some technical achievements worked here... apart from that... yeah... nothing | 0 | 6,025 |
Gee, what a crappy movie this was! I cannot understand what people find so scary about "The Grudge". The director plays one trick (I'd have to admit a very good one, that is brought to life very stylized) and then he repeats it for the rest of the movie over and over again. As a consequence I startled a few times in the first quarter of the movie, but once I knew the drill I practically fell asleep as The Grudge grew more and more predictable by the minute. To conclude, I can say that there are a lot better movies in the genre to begin with, that the so-called predecessor "The Ring" was way scarier and that buying a ticket for "The Grudge" is a waste of money. | 0 | 1,767 |
I have to differ from the other comments posted. Amid sporadic funny moments, there are a lot of actors trying too hard to be funny. The strain shows. I watched this with two friends on another friend's recommendation- none of us were thrilled. | 0 | 10,486 |
TV News producer, Jane Craig (Hunter) meets Tom Grunick (Hurt), an up-and-coming news presenter, at a seminar, and their mutual attraction takes them back to her room. Romance, however, is cut short, when it emerges that Tom is, in his own words, "no good at what I'm being a success at", and Jane realises he personifies everything she hates about where TV news is going. The rub comes when Tom reveals he is about to join her news bureau in Washington.<br /><br />Jane and Tom's initial attraction is therefore given a second chance, but will Jane be able to put aside her professional opinion of the man she finds herself attracted to - and should she? Aaron Altman (Brooks) is Jane's highly intelligent reporter colleague and confidante. Despite his obvious talent, Aaron's career is stalling as he lacks the confidence and people skills - and the classic good looks - to be the success that his new, less qualified and less intelligent colleague - Tom - is becoming. He is also concerned that his good friend Jane maybe falling in love with Tom, despite her better judgement, as it becomes increasingly clear that Aaron has his own romantic feelings for her.<br /><br />This central romantic plot is set within the trials and tribulations of a TV news network office, where moral dilemmas and ethics are wrestled with quickly and where appearances and dramatic effect are becoming more prevalent and important.<br /><br />This is where most of the bite comes from with well-observed comment and scenes. One of many moments is a scene where Tom meets the Network's top anchorman, Bill Rorich (a cameo role for Jack Nicholson), for the first time, and the camera focuses on their handshake. In a film full of great lines and dialogue, long and short, you realise a lot about these two men's character from this one quick shot of two hands.<br /><br />The dialogue between characters is amongst the most intelligent and witty you are ever likely to find anywhere on film and in such abundance. Brooks gets the best portion of them, in line with his character, but even the briefest conversations that are incidental and perhaps over-heard by one or more of the characters as they move through a crowded room, should be listened to.<br /><br />Hunter is a tour-de-force in this role for which she was rightly (and not alone) nominated for an Oscar, and for which she probably would have got if it was for a role in a film that didn't mock part of what had become a closely related industry - and against a strong performance from another actress in a more traditional feel-good, rom-com.<br /><br />Brooks is also excellent as the constantly frustrated and occasionally too-smug-for-his-own-good, Aaron Altman.<br /><br />Hurt, whilst possessing the looks and providing the personality required of his character, does not always convince that he is quite as dim-witted the character says he is or is supposed to be. He displays a latent intelligence that enables him to make the most of his apparent limitations, which may be plausible, but I don't think Hurt quite pulls it off. Apart from when he tells us he "stinks" or "doesn't get it", Hurt comes across as a bit smarter than that. Otherwise it is an effective performance, in a role where his character is compromised by its intellectual limitations, but Brooks and Hunter slightly overshadow Hurt's performance. It is the only negative thing I can say about the whole film, and who is to say that anyone else would have done it better, or come off any better, when next to Hunter and Brooks and their performances in this movie.<br /><br />Support is ably provided by, amongst others, Robert Prosky, Lois Chiles and Joan Cusack, and there is also a bit-part role for Christian Clemenson of subsequent Boston Legal fame, and the briefest of bit-parts for Joan's brother, John Cusack, whose face you don't even see.<br /><br />James L Brooks has provided us with many great TV shows and movies, and this film should rank up there with the very best of them. It may not have won any Oscars, despite seven nominations, but it did win plenty of other awards, and turned Holly Hunter into a star. | 1 | 24,694 |
If you are among the IMDB audience that put High Fidelity in the all-time top 200, then this movie probably is NOT for you. This film is as unhip as Steve Frears is self-consciously hip. Renee Zellweger is excellent as a hip urbane magazine writer who returns to her suburban Bucks County nest in order to care for mother Streep (who delivers yet another hall-of-fame performance). William Hurt is ideally cast and the feckless, faithless, and egotistical husband. If this movie doesn't move you to cry and laugh, then you are much too hip to enjoy it. | 1 | 19,625 |
Anyone who has seen this movie and reviewed it poorly, I would refer them to Roger Ebert's review of this movie. He is one of the most respected Critics in the industry, and he gave it 3 1/2 Stars.<br /><br />This is a great movie. It may not be perfect, or spectacular, but I enjoyed it. A Chorus Line is not so much a story, as it is a group of stories about the lives of Broadway hopefuls. I read reviews where people said that too much time was wasted on the romance between Zach and Cassie. That is an incorrect view. It is another story along with all the other stories that are told about each of the Broadway hopefuls. What people fail to realize is that those who are dancers for Broadway shows go through the same things that the common man goes through. And that I think is really the point of the whole show. It is to showcase not only the talent of these special dancers, but to give us some poignant things to think about in regard to life in general. This is a study of life as a Broadway star. Anyone who has dreamed of becoming a Broadway star watches this movie with a great feeling of relationship because they have gone through exactly what the characters are going through. <br /><br />This is a great musical. It has its slow points, and at times gets a little confused with the pacing of certain story lines, but all in all, I thoroughly enjoyed it. Take a closer look at the movie, and then maybe you will understand what I am talking about. | 1 | 23,203 |
This was director von Stroheim's third effort - it is quite crude and shows none of the exceptional flair for the camera and editing mastery he would display a few years later with his masterworks, GREED and THE WEDDING MARCH. Essentially we have a trio of grifters, masquerading as a Russian count and two Russian princesses who have rented a villa in Monte Carlo. Their aim is to use counterfeit money at the gambling tables and win a fortune. Part of that plan is for the Count (von Stroheim) to insinuate himself between a visiting American ambassador and his "foolish" wife, wooing her and hoping to gain some money by playing on her weaknesses. He makes the mistake of also taking the life savings of the maid, whom he has promised to marry. When she sees them together, she sets fire to the room, (von Stroheim and his prey are on the room's balcony). Here von Stroheim first establishes his persona as "the man you love to hate." He is thoroughly bad and his character flaws eventually bring him to a very bad and deserved end. The film is crude in its cinematography and editing and not worth seeing unless you are fascinated by the director. There is a cute bit- when he first attempts to meet the Ambassador's wife, she is reading a book - we see the title - FOOLISH WIVES by Erich von Stroheim. This was originally envisioned as a 210 minute film, cut down to 140 minutes by the studio and finally released at 70 minutes. The restoration on Kino Video restores surviving footage (damaged in some way in most scenes) from the alternate earlier version to give us a 107 minute print. | 0 | 5,463 |
In Extramarital we see B-actress Traci Lords at her very best. She's all wrapped in horror & suspense here, a type of role that suits her very well.<br /><br />This mainstream movie lends a lot of its atmosphere from Paul Verhoeven's 'Basic Instinct' (1992), by the way. However, there are differences between the main female characters of Traci Lords ('99) and that of Sharon Stone ('92). For instance, in Extramarital Traci adds some tiny elements from her porn-past. We also shouldn't forget mentioning Extramarital's three main actors. By putting down a convincing performance, each of them greatly contributes to the overall quality of this movie. <br /><br />All this makes Extramarital into a very enjoyable B-movie. Its storyline shows a good build-up, its tense being well-spread from start to finish. This movie keeps you at the edge of your seat, until its unexpected end. | 1 | 13,362 |
Cheap, gloriously bad cheese from the 80's, the decade of cheese. I watched this one first uncut and un-MST3K'ed, and it was pretty much laugh out loud funny even without the comments.<br /><br />The plot(such as it is) revolves around a post-apocalyptic world in which the AI robots revolted(sound familiar?) and destroyed pretty much everything, leaving a world in ruins with air so bad no one can breathe it. The few humans that are left act as slaves to an enigmatic being called the Dark One, which seems to be part computer and part organic being. The 'air slaves' work to produce energy for this being in return for breathable air. Every once in a while, the Dark One has the strongest of the air slaves fight to the death, so that no one will rise as a leader in a revolt against the Dark One.<br /><br />Okay, that's the so-called serious stuff. On to the silly stuff, such as the ridiculous quasi-futuristic clothing that everyone sports, including car seat cover 'fur' garments, loin cloths, and spangly stuff and feather boas(worn mostly by the Dark One's henchwoman, a chick with an unrecognizable and almost non-understandable accent). Or the wooden acting and stilted lines sported by all of the so-called 'actors', who's dialog is high on pretension and low on sense. Or the dime store special fx, including pink socks with teeth glued onto them for 'deadly' sewer snakes, a bomb made of strung piano wire and a tin can, and terrible 'mutants' with Halloween rubber masks on.<br /><br />A band of air slaves follow their leader, a mysterious wanderer who has adapted to the air outside, to go to the energy plant to destroy the Dark One. The guy's name is Neo, which explains where the Wachowski brothers got the idea for the Matrix. They meet up with a group of Amazons along the way, with the obligatory fight scene in which the female is bested(of course). Has anyone else ever noticed that in every Amazon movie or t.v. show ever produced, these so-called amazing warriors always get their butts kicked by either men or women? Amazons are just pansies, I guess.<br /><br />This band of determined warriors makes their way through Central Park...errr...the ravaged lands beyond the last standing city(good way to save money on the matte paintings of a destroyed New York City, anyway) and journey into the sewers leading to the Power Station where the Dark One and his go-go girl henchwoman Valeria hang out. Here they vanquish such ferocious beasts as the sock puppet worms, a giant spider no one sees, and the goofy lobster robot who is one of the Dark One's personal guard. <br /><br />The final showdown is pretty sad. One of the slaves, a girl who's father was taken by the Dark One because he'd produced a way for people to breathe the foul air, sees that her father has been 'consumed by the Dark One's true form", which involves him being eaten by a giant avocado until only his head is sticking out. The three remaining adventurers destroy the Dark One by turning off a few switches, and the robot holocaust dies not with a bang but with a whimper. The two humans exchange some amazingly wooden last lines, and that's it. The End. | 0 | 11,599 |
Nowadays it is sort of a trend to look upon all shows from begin 90's as classics (people are so easily blinded by nostalgia these days), and while some of those shows were/are undoubtedly good, this one is just pure crap. I watched this show a lot back in those days since it got A LOT of reruns on TV back then, and even as a child I didn't like it. Even a 8-year old can see how much the people in Power Rangers are overacting, and how much the special-FX sucked even back then. When the show doesn't resort to the painfully bad 'fighting'-scenes, it plagues the viewer with this unnecessary soap-opera about a group of teens and they'r little social problems every now and then. I don't know about you, but I didn't give a rats ass about any of that at all, and its basically filler until they have to 'fight' some dude again in a very cliché alien-costume with fireworks or some toy-robot. You never feel 'involved' in some kind of way with this show, and the fact that most of the actors act like there really have no interest at all besides they'r wallet just enhances the lack of feeling.<br /><br />There is really nothing memorable about this show, and its pretty surprising that it got so many spin-offs (Beetleborgs is a good example). All it is is just a quick way to make some money though. I challenge any 'fan' to tell me what exactly stands out in episodes that is supposed to be so good because I couldn't find anything that is even slightly appealing to children. My guess is that most 'fans' of Power Rangers will tell me that I "just don't get it" anyway, or something along that line. I really don't care though; this was crap back then and it still crap now. | 0 | 9,786 |
I don't know much about film-making, but good movies have to tell some sort of a story...your characters have to start and complete their journey. In Last Exit to Brooklyn they may, but its not in any satisfying way, and I'm not meaning a happy ending, just ANY ending.<br /><br />Last Exit to Brooklyn, set in 1952 Brooklyn during a very brutal labor strike, sets a number of story threads in motion. Most involve some of the most unlikeable characters to ever walk across a movie screen. But Last Exit to Brooklyn fails to bring these stories to any conclusion...it leaves some of them dangling with no ending, or blasts off into some bizarre stratosphere for an "artistic" ending.<br /><br />Two cases in point, and they contain spoilers.<br /><br />A sad transvestite character (an important character in the film), is struck by a car and killed. And that's it for him in the movie....he's gone for good, erased from everyone's memory..no reactions from his friends, enemies, lovers....nothing.<br /><br />In another thread the stupid, clueless, and secretly gay strike leader, having been rejected by labor, his gay lover, and found out by the neighborhood thugs, gets stomped by the thugs. The closing scene to the beating shows the streets of Brooklyn, and the streetlights are very, very similar to those of Nazi death camps...and the scene drags on and on and on...and the camera pans down to the body of the labor leader, and he's been crucified.....ppppuuuulllleeeeeez. And of course that's it for him too....brain erasure.....gone.<br /><br />Bottom line....no matter what the reviewers originally said in 1989 about this film....this movie is a depressing piece of sludge. Avoid it. And if you don't be forewarned, it really deserves an NC-17 rating for massive amounts of physical, emotional and sexual brutality...don't even let the teenagers watch. | 0 | 9,807 |
First up this film, according to the slick said it won "best film" at "Worldfest" Film festival in Houston, Texas. Hmmm must have been a quiet year.<br /><br />Wouldn't call this the worst film ever but it certainly sucks, is pretty much just as terrible as other Aussie B grader "Body Melt", but at least that film didn't look like it was shot on HI 8 video.<br /><br />My guess is the film makers, watched a lot of Troma films, and really bad B grade gore films, thinking that they too could crack into the business releasing this film.<br /><br />Don't get me wrong, I love really low grade films, Just the fact that some of the characters put on fake American accents, almost as if doing so would give them more chance to sell it in the states or something. Really disappointing ending as well, the showdown could have been way more exciting, and some good fight scenes. You can completely see that the film makers are trying to copy "Bad Taste" with the whole, car explosion, rocket launcher, and endless amount of people being gunned down, yet the finale lacks any over the top humour, or style like "bad taste".<br /><br />If you like watching really bad gore films, or are interested in no-budget film making, watch it, otherwise stay away. | 0 | 11,813 |
I was duped into seeing this movie after reading a positive review from another website and man was I p.o'd!!! it took me at least 15 minutes to pick it up off the shelf b/c I didn't want anyone to see me. then another 10 minutes to build the courage to take it to the counter and actually use real money to rent it. I thought that all my stress would pay off by the time I got home to and watching the movie b/c the review I read said the movie was a pleasant surprise; what a joke! if you can make it through the first hour of the movie then your in luck! b/c it's not until then the movie turn's into a horror. don't bother with this one folks, your better off watching "dankness falls" | 0 | 2,001 |
Great adaptation of the Christie novel. Surprising attention to authentic period details for the time (Many films of the mid-1970s-early 80s that try to do 1920s-early 30s look far too mid-70s-early 80s for my liking, so expected the worst here, and was gladly proved wrong)The costumes and sets are very well done. I liked this production very much largely due to the adorable Francesca Annis' portrayal of a carefree bright young Lady "Frankie" and James Warwick's charming Bobbie. The pair would go on to portray Christie's Tommy & Tuppence, which is funny as some contemporary book critics compared Frankie and Bobby to her earlier characters of Tommy & Tuppence. The supporting characters were equally well done the over the top Mrs. Rivington (acted by Miss Marple-to-be Joan H.) and "Badger" is played perfectly as the post WWI, "Bertie Wooster type." | 1 | 23,092 |
This is an astounding film. As well as showing actual footage of key events in the failed coup to oust Chavez, we are given the background picture which describes a class-divided society. Many of the rich, it appears, have a choice with the people's democratic choice, and are willing to use the military for regime change. 'Be careful what you say in front of your servants' is a revealing comment. The head of the country's biggest oil company appoints himself as the new president, with US backing, and these young Irish film makers have it all on camera. A great film to educate young people about democracy. We see transparent documentation of how media can be manipulated, and force used, in the interests of big business, against the interests of the democratic wishes of the people. Riveting stuff. | 1 | 17,897 |
My god...i have not seen such an awful movie in a long...long time...saw it last night and wanted to leave after 20 minutes...keira knightley tries really really hard in this one, but she cant handle it..dropped her accent every once in a while and didn't have the charisma to fill the role...sienna millers acting gets you to a point where you start to ask yourself: Has she ever had acting lessons? judging by the edge of love shes never been to acting class, but should consider to go in the near future...they both look really pretty..maybe thats what they should focus on in their future career..if they can be actresses everybody can! | 0 | 223 |
This documentary was very amateurish. It could have been made by college students. Assuming that it was, my grading is as follows. Content : C, Sound Quality : F ,Cinematography : F ,Acting : D, Soundtrack : F, Casting : C, Boobshot : A ......Overall Grade :D<br /><br />I found myself getting seasick as we walked down the streets with the characters,bobbing up and down with each move of the cameraman'step.My mother-in-law even changed the batteries in her miracle ear and she could not hear the muffled dialog. Extensive post production editing and CGI would not help this bomb. These students would "barely" pass my course.My advise...don't waste your time or money for the one "A". | 0 | 6,007 |
This video rocked! Eddie is one of the funniest comics I have ever seen. Not only does he have class, he makes some of the funniest observations on history and culture that I have ever seen. Eddie is the most original and most intelligent comic I've seen in a VERY long time. Tell all those other stand-ups to get off the stage and let this "executive" reign! | 1 | 16,406 |
If you watched the series and love the league as I do then prepare to be disappointed. I went to the cinema with a group of die-hard league fans and we were all in agreement that this film wasn't as funny or dark as the three series before. In my personal opinion it was a money spinner. The writing was contrived and the plot confused - no not confusing just confused with what it was trying to do. It was self indulgence of the worst kind from writers who are far more talented than my pitiful criticisms. I hope the league at least can be honest enough with themselves and acknowledge this film as being inferior to the superb three series. I will not be buying it despite owning most of the league memorabilia. | 0 | 1,242 |
This movie should be retitled: Sex in the 70s In a Part of New York City called Greenwich Village and Chelsea.<br /><br />This movie does little to talk about sex in the 70s except focus on the hypersexual environments of public and private sex spaces in New York City. I doubt that the Manhole bar was symbolic of actual sex in the 70s and that kind of sex is much more prevalent in the film.<br /><br />Don't get me wrong, the time period looks like a blast. And it's rather important to document the scene to which the film refers. But as far as calling this film Sex in the 70s, the title is a bit misleading. Technically it's no Oscar Nominee, but the rawness of it feels appropriate for the subject.<br /><br />Overall, an "eh." | 0 | 10,489 |
I mean of all the obscure, overlooked, low budget horror movies waiting to be re-discovered in a DVD release, why pick THE FOREST? I love ultra low budget direct to home video or other alternative release horror. I love 80s hacker horror. I love backwoods slashers with fools wandering off into the night to be chased, murdered and eaten by psychopaths. I am all for the idea of non-professionals working on a horror movie as a way to maybe break into the industry or just making a movie because they want to make one. I am all for using found public locations, non-actors, no name talent behind the camera and in the studio. NO PROBLEM! The most evocative image from THE FOREST is it's opening shot of a couple walking in the distance across a forest into the woods: We see them as tiny, vulnerable creatures entering a dank gloomy world where humans may not be the top of the food chain or most feared predator. Then the film takes a dive & never recovers -- we briefly meet the backpacking couple just as they realize that they are being stalked. They get separated, both are butchered, and then we meet the movie's protagonists as they drive their car in a traffic jam. They meet up with their respective mates and decide to take a camping trip. Sounds of snoring fill the room as people who came over to watch a movie fiddle with their cell phones text messaging people not there telling them how much the movie sucks.<br /><br />This film is too slow, this movie is too boring, and this movie is too talky. Which wouldn't be such a bad thing if the writers had given the people something to say other than the most stupid, asinine and unnecessary things. You know your horror movie is in trouble when the character with the most interesting lines is the droopy-faced park ranger who warns everyone away from the Cannibal Woods. And speaking of these "woods" they look about as far away from civilization as the overgrown vacant lot behind the soccer fields, only with bigger rocks and a stream flowing through it. There are impressive shots of the forest primeval, but no real sense of being out in the middle of it. If any one of the characters just sat down on the trail and waited long enough someone would amble by.<br /><br />What is worse about the film is that it fails to generate any human interest: I don't know who these couples are and don't care what happens to them. The hermit cannibal slasher guy is uninteresting even when pretending to saw freshly cooked meat off the leg of one of his victims to serve grisly bites to her boyfriend, who just happens to seek shelter in his cave. The irony of which is the epitome of "underwhelming". Coupled with a deliberately ominous synthesizer music score, cinematography that suspiciously looks like someone strapped a camera on a dog and it follow people's movements, a lack of appreciable gore, nudity, lurid thrills and unwholesome atmosphere and what we have here is a horror movie that isn't even as frightening as a PBS educational TV show about how magnets work.<br /><br />I don't mean to "dish it out" to the people behind this film, since they obviously went into the project with next to nothing, did not push themselves to be creative and ended up with just another boring movie about some maggot chasing women through the woods with a knife. There is nothing wrong with that concept, what is wrong is the unimaginative and utterly pedestrian way this was executed, right down to the utterly pointless conclusion when the film simply peters out at about the 80 minute mark. The best thing that you can say about THE FOREST is that it is over relatively quickly and there isn't much to command a repeat screening -- Hence my confusion at why anyone would feel the need for a DVD release. It was fine as a Prism Video rental years oddity, as a DVD it will be $5.99 rack fare inside a month of hitting the shelves. There is little or no urgency to see the film, unless you are considering making your own ultra low budget backwoods hacker set in a public park where nobody can charge you money for filming there. Here is a guide of steps to avoid making.<br /><br />With all that said and done, the film did have one interesting sequence, or rather one sequence that was so pathetic and ineptly thought out that it becomes an enigma in an otherwise cut & dried film: The madman comes home to find his wife in bed with the local contractor. He dispatches his beloved, arms himself with a kitchen knife that looks like it was made just to be used in a horror film and takes off after the interloper. The guy corners and attacks his quarry, who sidesteps & runs away, only to have the psycho materialize in his footsteps with a bigger, badder weapon. The psycho attacks again, and the guy gets away. The psycho materializes AGAIN, and once more the guy gets away. Then AGAIN! Finally on the fifth try the psycho trips the dude so to fall on some sort of a bladed contraption. How did he keep materializing armed with bigger badder weapons like that? Is there some supernatural element to this psycho? Since the film never makes it clear either way the scene is just an enigma, staged to build some tension. It's purpose remains unclear. The whole film is like that really, existing without any need to be made and executed in such a ham-fisted, uninteresting manner that one cannot help but wonder what the point of it was.<br /><br />3/10, and ample evidence that just because you can release a movie on DVD that doesn't mean you necessarily should. | 0 | 8,084 |
I like dark humor and non-PC stuff, but not if it is with no purpose but to elevate yourself. Bashing a group of people without any trace of self-irony is crap.<br /><br />There are people who could make concentration camp jokes funny, but whoever made this film unfortunately failed even in the VERY easy task of making fun about Turks in Germany. It is a very easy task, but if your are the Germany equivalent of an inbred redneck (=inbred Southerner from a village where virginity is often lost to farm animals) you certainly will fail at this and also at life. I have heard and seen so many funny stuff about minorities in Germany, but this "movie" (this piece of crap being listed here is an insult to the next worst movie) sucks like the calf the makers of this movie met some years ago. | 0 | 11,816 |
Penelope Spheeris (of "Wayne's World" fame) made her mark with the documentary "The Decline of Western Civilization", about the LA punk scene in the late '70s and early '80s. Most of the documentary features interviews with the punks and footage of concerts (which often turn violent). Overall, we get to see how the punk movement was a reaction to the hippies: whereas the hippies were into being natural, the punks wanted to have themselves as altered as possible, what with spiked hair and all. But also, we see how they're really disaffected and sometimes becoming skinheads.<br /><br />Anyway, this is a really great time capsule. We're not really sure whether we want to long for that era or feel repulsed by it. But this is definitely not a documentary that will leave you neutral. Truly worth seeing. | 1 | 24,250 |
I was worried that my daughter might get the wrong idea. I think the "Dark-Heart" character is a little on the rough side and I don't like the way he shape-shifts into a "mean" frog, fox, boy
I was wrong, This movie was made for my kid, not for me. She "gets it" when it went over (under?) my head. Of course I don't "get it". This isn't one of the NEW kids movies that adults will ALSO enjoy. This is straight for the young ones, and the crew knew what they were doing. There isn't any political junk ether. There's no magic key that will save the world from ourselves, nobody has the right to access excess, and everyone isn't happy all the time. And as a side benefit, nobody DIES! russwill. | 1 | 13,714 |
I really liked TWO COYOTES. One of my friends rented it the other night and we were really impressed with how good it was and how cool the main guys were. I wonder if they are thinking of making a sequel because that would be excellent!<br /><br />TWO COYOTES ROCKS! | 1 | 18,817 |
First off, I hadn't seen "The Blob" since I was 7 or 8 and viewing it as an adult was an incredible experience. Pages could be written on its influence on horror films even today. And even more could be written on its social subtext with the 50s "fear of teenagers". But this simple little tale of interplanetary horror is still a damn fine scary movie if you let it be.<br /><br />Sure, it looks cheesy as all get out in our modern world. But "The Blob" packs in some genuinely frightening moments as a band of kids track the unstoppable creature when then adults don't believe them. In fact, there are even some pretty bleak moments in its candy-colored world. And Steve McQueen gives so much more than the story deserved on paper that we the viewers really get caught in the moment and believe in him.<br /><br />To sum up, if you can take off your postmodern irony filter, there's a lot more to love here than meets the eye. | 1 | 21,383 |
Did anyone edit this film? Or was it only the DVD release that had huge thirty second gaps between scenes? It's OK though, I fell asleep watching it the first time. Then I fell asleep the second time and the third time. The plot is actually not the worst I've seen, but it's close. The acting is not the worst I've seen either...but it's close. The production .... well, I can honestly say that it was the worst I had ever seen in my life! Not trying to be spiteful, but Unhinged could have used some more production.<br /><br />Please don't think I'm a hater of horror films, or even that I didn't enjoy this film. I just felt I was laughing at the film much more than I felt I was laughing along with it. The gruesome moments were not too poorly done, but could have been done better even with a shoestring budget.<br /><br />Characters seemed awkwardly developed, or ignored all together, twist ending was pretty bad, and the exposition took forever without exposing much.<br /><br />I'd recommend avoiding this movie.<br /><br />1/10 | 0 | 9,390 |
When my now college age daughter was in preschool, this miniseries appeared on A&E from 8-9 each morning. My neighbor and I made a pact that we wouldn't miss a minute of Jane Eyre and our kids were late for preschool every morning for the whole week. Good choice.<br /><br />I'd forgotten how much I loved this movie until I got out my old VHS copy recently. Timothy Dalton is very handsome, but still perfect as Rochester. The dark, craggy face, the imperious demeanor tempered with humor and tenderness were straight from the pages of the book. Although Dalton eats a little scenery, I couldn't sit through an adaptation starring wimpy William Hurt or grumpy Ciaran Hinds. The magic here is that women love Dalton and get caught up in the romance.<br /><br />I would love to know what's become of Zelah Clarke. She is dead on as Jane, quiet, formal, saying volumes with but a look. The sparkle in her eyes gives viewers a glimpse of the strength and spirited nature that helped Jane survive the mistreatment she endured in youth. Criticism of her performance as "wooden" is misplaced. A servant in a proper English household would have maintained just such a demeanor, but she speaks passionately when overcome with emotion. Unlike many other screen Janes, she appears plain enough to be Jane yet pretty enough to allow the audience to buy Rochester's attraction to her.<br /><br />Bronte's dialog is a large part of why the book endures the script keeps much of it intact. Dalton and Clarke capture the interplay between Jane and Rochester with wit and quiet intensity. Although Jane appears as plain and sweet as vanilla custard, she refuses to be cowed by the dark, blustery Rochester. The two leads play off each other beautifully. <br /><br />This is the most perfect adaptation of the best romance novel ever. | 1 | 21,640 |
This is a superb game for the N64 with superb graphics and a great one-player story-line and even better multi-player game best played with 4 people.<br /><br />The many levels and options for weapons mean that this is one of the best games around for years. | 1 | 23,252 |
Impactful film of four city slickers in crisis in Appalachia has become synonymous with rural depravity. Each of four businessmen face their darkest fears when they tackle a challenging whitewater trip, on a river about to be replaced by a dam. When locals along the way decide to "have their way" with the interlopers it leads to several deaths and loads of trauma for the survivors. Each of the travelers is outstanding, although Voight gives the lead and strongest performance. The rural scenery and culture is well-captured, including the breathtaking dueling banjos sequence. I saw this on a date when it came out, not exactly the perfect date movie (although we both enjoyed it). I sort of remember this as a break-out dramatic performance for Burt, Voight was already established. Not the sort of movie you could watch every week but it has a strong punch and is beautifully filmed. | 1 | 21,882 |
It is real easy to toast, roast, flay, and otherwise burn this film for all of its abundant flaws. It was made by high school students and faculty and a whole community; it shows! Sure, I could examine the script which is just ridiculous. A monster created from the garbage of a growing Californian city starts eating garbage and taking garbage cans all over the city. Soon this huge beast with wings no less begins to destroy buildings and even plays the "beauty and the beast" act with a young high school girl. Fortunately for her there is a gang of guys, her former boyfriend nicknamed "The Penguin," and the town drunk out to help her. The direction is awful, the production values just dreadful, the acting non-existent, and the pace sluggish. The movie is hard to sit through - period. However, that being said, it is also a miracle of a film when you consider that this thing was crafted by an entire community. You can see all the collective effort from the actors, the actual mayor and actual firemen and policemen, to the area location shots used. I also was really amazed at all the local businesses credited at the film's end with helping to finance or contribute in some way to the film. When you look at the film from that perspective, it is indeed quite an achievement. I didn't know anything about it before I sat down and watched it. Now that I have found out something about it, I am impressed. But make no mistake - I have no...NO...desire to sit through it again. | 0 | 3,770 |
This is without a doubt one of the worst movies EVER, I emphasize, EVER made. What´s worse, my old hero Dolph is in it and he´s starring it. Jesus... The story is actually quite good but the way it´s carried out made even my body hurt. The fighting scenes for starters are about as well choreographed as a fight between two drunks slugging it out in the gutter. The actors, except for Dolph who kinda sucks also, perform so badly you can´t help but wonder if their reason for being there is that they´re all friends of the director, who by the way must have been absent most, if not all, of the time. This is §12 million spent in an unimaginable way, because by the look of the effects and scenery, the cost can´t be a cent above §1000. | 0 | 10,663 |
This thing is horrible. The Ben Affleck character is self-centered and gleefully sadistic--punch-you-in-the-nose fratboy sadistic. And he's the romantic HERO! His cartoonish character does not change from beginning to end, but his money ultimately allows him to buy happiness.<br /><br />If I were a Socialist, I would screed beyond belief, but I'm not a Socialist.<br /><br />We capitalists like a little Christmas magic from time to time. This ain't magic. I don't know what it is. It's just awful. And it's a horrible waste of talent. O'Hara has been making me laugh hysterically since the late '70s. Gandolfini. Applegate. These people were all underused. If Ben was out of the equation, these folks might have dreamed up something excellent. | 0 | 3,565 |
This movie is a little ray of sunshine in a dark season. It celebrates a quality best described as plain old friendliness. Morgan Freeman plays a character very like Freeman himself--a successful actor pushing 70. He has traveled to a small, rather grimy grocery store intending to research a part he might play, as a manager of such a place. He soon beguiles the staff and the customers, especially the lovely, if cranky, young woman (Paz Vega) who presides over the "10 items or less" checkout lane.<br /><br />10 Items Or Less doesn't have a big statement to make and doesn't pretend that it does. It follows Freeman and Vega as they become friendly, and as the older man offers his counsel, in exchange for a ride home--the movie-company gofer who is supposed to pick him up never shows and Freeman has forgotten his own phone number so he can't call for help. I had a little case of the blues on a gray Sunday afternoon in New York City and this flick cured what ailed me. | 1 | 17,395 |
Imagine a woman alone in a house for forty five minutes in which absolutely nothing happens. Then this goes on twice more. The writing is flat and lifeless, and jokes unfunny, and the bad acting keeps you from caring about any of the characters, even when they battle wolf packs and get beaten up by fraternity goons. Anyone that ranked this movie higher than a two is not fully sane. | 0 | 1,153 |
In short if you want to watch Burt Reynolds best films than this one must be included. If you don't like Burt you may still like this. If you love Burt this may become one of your favorite movies of all time! Being from Atlanta it does hit home but it's also nice to see a cop/action/drama that takes place somewhere other than NY City, Chicago, Miami, or LA. The film is funny at points with & good plot & good performances from a great supporting cast (every character is real & the bad guys are not so one sided they are really well thought out)A nice offbeat romance in the 2nd half & it has some good old fashion shootouts & fistfights (no CGI thank God REAL ACTION!)<br /><br />If Clint Eastwood did his best impression of a Burt Reynolds movie with "Every Which Way But Loose" & "Any Which Way You Can" then Burt responded with his best Clint type flick with this, & it comes off great! | 1 | 24,210 |
I could never remember the name of this show. I use to watch it when I was 8. I remember staying up late when I wasn't suppose to just so I could watch this show. It was the best show to me. From what I remember of it, it is still great. This showed starred Lucas Black making him the first boy I ever had a crush on. I am from the country, therefore boys with an accent have no appeal to me, but for him I would definitely make an exception. Which after seeing Crazy in Alabama, Friday Night Lights, and Tokyo Drift you should see why. He is a great actor and has been since he was a kid. I miss this show and wish it would come back out. If anyone ever sees where they are selling the season please email me. kywildflower16@hotmail.com | 1 | 18,235 |
I think it is very interesting this movie is called a thriller. It is anything but thrilling.<br /><br />Most of the time you hear piano sounds. Then you hear piano sounds. Then some people talk about facts which do not concern anybody.<br /><br />Then again piano sounds.<br /><br />To be honest, this movie was the reason for me to register at IMDb, because I think this movie is one of those which humankind has to be warned of.<br /><br />Spoiler: By the way, the most action-like part happens when a can of hot chocolate is spilled.<br /><br />Also very interesting: The "actors". Yes, the quotes are intentional, as you can think, because they do not act. They play piano and do smalltalk, but it's not acting they do.<br /><br />I think before this movie I never left a cinema and felt angry. Really, this film made me angry. Angry for the time and money I spent on it. | 0 | 6,037 |
My companions were astounded to find that this movie was a documentary. It was so funny, it seemed scripted, yet it gives a stirring picture of real life in the indie film life. We felt moved to purchase Coven and wanted to meet Mark and Mike. As college students, this film gave us a much needed glimpse of real life. | 1 | 18,006 |
As a cartoon, the Spytroops Movie was pretty bad. It is only 44 minutes long, yet several battles occur culminating with the destruction of the COBRA headquarters. One downer was the very beginning of the movie. An animated battle that was better than the rest of the movie turns out to have been some kind of battle simulation. That right there was a major turn-off and made the rest of the movie lack credibility. Then there was the issue of Shipwreck tied up along with his parrot, and tossed into some room where nobody had checked for several days. Whatever happened to surveillance cameras?<br /><br />The COBRA base only had a handful of characters, and the rest were BAT robots. Aside from a lot of corridors the COBRA base did not seem to have any weapons, tanks, trucks, or any other equipment. Then there was the silly notion that 100 complex androids could be created overnight. The plot was silly even if this was intended for small children. Spongebob, Powerpuff Girls, and even Barney The Dinosaur give more attention to their plots.<br /><br />The characters were not bad, except that I could never understand anything Destro was saying, and the Cobra Commander was silly and not much of a villain. In fact, except for Storm Shadow and Xartan, the rest of the COBRA characters were comical and hardly impressive. The GI Joe characters were pretty good. Scarlett, Agent Faces, Road Block and Snake Eyes were my favorites here. Shipwreck and Beach Head were the worst. Shipwreck is written as a goof-ball and Beach Head sounded like some 1990s surfer dude. I guess the writer, Larry Hama was trying to make a character that appealed to teenagers, but he was a decade off the mark. Just listening to Beach Head's Spicoli surfer-talk (Fast Times at Ridgemont High) I was wondering if the new GI Joes were going to smoke a dube before the big mission.<br /><br />The CGI was pretty good, except that Cobra Commander had a jerking spastic walk, and the vehicles did not look very realistic at all. The flying tank and the explosions were not very impressive. Old style animation would have been much better than this. Since Hasbro reportedly likes to do things cheap, they got what they paid for. I had trouble watching the whole thing, it was just boring and lacked any soul or GI Joe spirit. Even the old GI Joe commercials would have been better. In fact, the DVD included extras such as four or five current commercials for GI Joe Spy Troops, and those commercials were much more entertaining than the movie. The commercials had more kid-oriented fun and spirit. The commercials were lively, while the movie was dull. | 0 | 2,800 |
Probably one of the most boriest slasher movies ever, badly acted and badly written.<br /><br />THE PLOT Five students staying behind during the holidays closing down a dorm, but somebody has designs on them and starts killing them off one by one, the main suspect is the creepy groundskeeper John Hemmitt played by Woody Roll, or could it be one of the five characters.<br /><br />ACTING Not that bad not that great either apart from Daphne Zungia who dies way too quickly and should have been the main heroine, and the rest well quite dull although Laura Lapinski the main heroine sometimes has her charm and you do feel sorry for her in the end.<br /><br />THE KILLS Can't really see why they banned this, the kills look fake mostly, one guy has his hand sliced in half in the beginning which looks really fake, but the others are quite nasty like one girl gets her head run over by a car, one girl gets boiled alive and another gets burned alive.<br /><br />OVERALL Not really a great slasher could have been a lot better | 0 | 708 |
John Barrymore plays a gentleman who is also the thief, Arsene Lupin. While no one knows for sure this is the case, the inspector (Lionel Barrymore) is sure of it but cannot prove it. So, Lionel spends much of the movie following John--hoping to catch this brilliant and slippery thief.<br /><br />Although I liked the film, I really think I had higher expectations for it and thought it might be better than just a very good time-passer. That's because it paired John AND Lionel Barrymore in the film and since these brothers were such dynamic actors, I think I expected sparks and magic but instead only caught glimpses of it here and there. Now this is not to say this is a bad film--it certainly isn't. It just didn't rise to the level of being unforgettable or a film I strongly recommend you see. Thanks an adequate script, the film is pretty good but I was surprised to hear no French accents at all in the film even though it was supposedly about French people! Also, there just wasn't much life in the film until it was nearly complete. The ending was indeed excellent and entertaining--so good that it elevated the film from a 6 to a 7. It's nice to see it ended on a high note. | 1 | 15,988 |
*Wonderland SPOILERS* <br /><br />July 1st, 1981: five people, Ron Launius (Josh Lucas), Susan Launius (Christina Applegate), Billy Deverell (Tim Blake Nelson), Barbara Richardson (Natasha Gregson Wagner) and Joy Miller (Janeane Garofalo) are attacked while they're asleep and brutally hit on the head with steel pipes in their home at 8763 Wonderland Avenue, Laurel Canyon, LA. Only Susan survives.<br /><br />Main Suspect: John Holmes (Val Kilmer), former king of porn, owner of a 30 cm long dick, and now a hopeless addict.<br /><br />Two investigators, Luis (Frankie G.) and Sam Nico (Ted Levine), are investigating on the case and try to crack it with the help of a witness that claims to know that John at the very least took part in the murders, David Lind (Dylan McDermott), Barbara's boyfriend, and trying to get a witness report out of Dawn Schiller (Kate Bosworth), Holmes' 19-year-old girlfriend and from Susan, who sadly doesn't remember anything more than shadows about the night her husband's head was bashed in and hers almost suffered the same fate, and the name of Eddie Nash (Eric Bogosian), a major drug kingpin (who is always around ladies such as Barbie (Paris Hilton)), comes into light as a suspect planner of the Wonderland massacre.<br /><br />But what did happen that night? And could Sharon (Lisa Kudrow), John's wife, know something about it? 'Wonderland' is a taught, intense thriller, a desperate love story and a story of a man's sad decline all in one; there is a clever use of the 'Rashomon' technique (we see the events of that fateful day and night from the eyes of David, John, Dawn, Susan (albeit very briefly) and Sharon), a nice direction and a great script, but is mostly compelling for the performances, especially Kilmer's, who takes central stage with his hopeless, tormented, sometimes childish Holmes, Lucas', whose Launius is strangely alluring, Kudrow's strong Sharon and Bosworth's innocent Dawn.<br /><br />Wonderland: 9/10. | 1 | 18,205 |
For a long time, this was my favorite of the Batman films. It had the best cinematography and an edgy feel to it with two wild characters - Catwomen and The Penguin - along with the always-interesting Christopher Walken. However, after the last viewing it finally slipped in my ratings and, frankly, I now prefer the last Batman: Batman Begins, with Christian Bale.<br /><br />THE GOOD - Nonetheless, this is still the most intriguing of the five latter-day Batman films. The stylish cinematography in here is the best of any of the Batman movies. Director Tim Burton is known for his films which feature stunning visuals, as this is a great example. The three characters listed above are all very different and very interesting, almost fascinating. Of the villains, I preferred Catwomen, finding her the most fun to watch before and after she changed. Violence is not overdone here as it was in several of the other Batman stories but one is never bored watching this. As he did in the first film, Michael Keaton does a fine job playing Batman/Bruce Wayne.<br /><br />THE BAD - For a movie based on a comic strip that mostly kids read, I still think these first two Batman movies, both done by Burton, were too dark and the profanity was definitely not appropriate. Although, unlike the first movie, there was no usage of the Lord's name in vain in here, there still was profanity and both villains made too many sexual remarks. That would have been okay if they hadn't marketed this film for kids as well as adults. Danny DeVito's "Penguin" is downright gross in spots. "Grotesque" I can handle, but who wants "gross." Few guys, meanwhile, complained about the beautiful Michelle Pfeiffer playing Catwoman. Generall too much darkness and some cheap shots on Christian- bashing also made me re-consider my previously-high rating of this film.<br /><br />OVERALL - Fabulous visuals and memorable characters make this the most interesting in the Batman series, but too-dark an edge, too gross and too much anti-religious bias all finally turned me off after a half-dozen looks at this film. Sorry, but I prefer a kinder-gentler Batman movie. After all, it's just a cartoon. Most will disagree, but I was glad to see the series lighten up after this one. | 1 | 20,520 |
At first I didn't didn't like it that much, although I did. They didn't include the third Trueba generation, the love between Blanca and Pedro wans't well explained and some actors were too different from what I had imagined.<br /><br />Later I realized that, had the movie been more loyal to the book, it would have been like five hours long, and would be kind of tedious. Now I like it very much, because my favourite characters are there as I portraited them. Clara really looks like an Angel in live, and her introduction to the story at the beggining of the film was fantastic, loyal and short. Glenn Close is Ferula. I pictured her just like that, only not in mourning throughout the whole thing. Esteban is find enough. I never really liked his character, and, although I was interested in him, I hated him a lot, more specially when he hit Clara. As in the book, the very last part is the most exciting one, and it has real history too there.<br /><br />The movie is really good, specially considering that it was a gringo film based upon a latin american book. Its amazing how many famous stars are there, don't you think so? | 1 | 24,665 |
NATIONAL LAMPOON'S CLASS REUNION was a flop when it was released. It didn't stay long in theaters in my big city. Why? Because it's BAD!!!!!<br /><br />Not bad in a good way but bad in a really painfully unfunny way. The entire cast of actors were mostly unknowns then and have remained unknowns after this turkey.<br /><br />The idea is actually great (a parody of slasher flicks) but the execution is sorely lacking in every aspect. <br /><br />Just avoid this "comedy". Your time is more precious than spending a nanosecond watching this embarrassing misfire. | 0 | 1,600 |
I have always been a huge fan of "Homicide: Life On The Street" so when I heard there was a reunion movie coming up, I couldn't wait.<br /><br />Let me just say, I was not disappointed at all. It was one of the most powerful 2 hours of television I've ever seen. It was great to see everyone back again, but the biggest pleasure of all was to have Andre Braugher back, because the relationship between Pembleton and Bayliss was always the strongest part of an all-together great show. | 1 | 21,075 |
Well, I tend to watch films for one of three reasons. Unfortunately, there are no Transformers in this film, so I can recommend it only on comedy value and pretty women (read girls)<br /><br />Yes, it is funny, I know this due to the number of people in the cinema who were laughing on a regular basis throughout. Personally though, I loved it for Laura Fraser, who IMHO is FIT! | 1 | 21,528 |
After seeing the 1996 remake, I thought it was the funniest way to see Cruella De Vil getting her punishment for torturing animals just for their skin. The whole movie was quite funny, and on my view, better than the animated one. But there was actually no need for a second one. First of all, if Cruela is returning, don't cure her and make her insane again. Just make her break away from jail and that's a rap. I thought it was not very funny. It's supposed to have only one original puppy returning. I'd expected that it should be Lucky, since he was the most appealing, and besides, having Roger and Anita back too. However, they decided to have a complete recasting and adding not really one hundred, not even one hundred and two, but only THREE puppies, and a parrot that thinks he's a dog (clever). Gerard Depardieu's part was pointless. At the end, Cruella suffers way too much, way too humiliating and way too exaggerated to be true. She gets baked inside a giant cake. That was a desperate attempt of physical humor, trying to imitate the same effect from the first one. That just didn't work. It was too much over the top, and not too funny. I actually felt sorry about Cruella. | 0 | 2,627 |
i saw this movie the first seconds the voice of T.R. took me on to the journey - well i disliked the big glued thumbs in the beginning, but the absurd humor it and the gordious looks of both sissy actors - i do not know who played the young her - but she was great and so was uma!!! -<br /><br />the two other people who where in the cinema went out after about half an hour, i was with a friend - and it is always a test to watch a movie i like good with one of my friends - and, we both enjoyed it too the maximum - hilarious laughs - sadness about the "realistic police- normalos" . both of us fans of T.Robbins books...i found it well done - thought, that Robbins would also approve, though i do not have an idea if he likes the film or not...<br /><br />i would love to see the cut out stuff - i heard that gus v. sand had to take out lots of scenes because of the first-time viewers (or the producers???) well still it is an artistic movie. much too short though... it is one of my all time favorites - and i am aware of it that the majority of people can't stand that kind of movie and assume that people who enjoy that films are whatever they think .......what a pity. hopefully there will come the day that there will be a DVD with the full material - hoping to see more of crispian, keanu - expecting to see her baby and all<br /><br />if you have the chance to see it, think twice, and enjoy it if you made the choice to watch ... m | 1 | 20,340 |
Sharpe's Honour for the uninitiated, is the fifth entry in a series of TV movies focusing on an English army rifleman during the Napoleonic wars and based on the books by Bernard Cornwell (which I strongly recommend reading). If you were to start by watching this particular one though, you'd get the impression that Sharpe is not so much a soldier as the very centrifugal force which the rest of the army revolves around. Should that be the case, I'd recommend starting with earlier chapters like Sharpe's Eagle or Sharpe's Company, but this is a worthy choice for a second viewing.<br /><br />The story this time is all about the espionage side of things. With the French army retreating in disarray from Spain, Major Ducos, the slimy spy master spots an opportunity to turn the situation round. By pinning the murder of a Spanish Marques on Richard Sharpe, hero of the British army, the fragile British/Spanish alliance will start to crumble and things will turn around again. When the Spanish nobles come to Wellington crying for Sharpe's blood though, the English general is less than willing to hang his best soldier so fakes his death and soon, he's off on a secret mission behind enemy lines to find out who masterminded the plot. Surprisingly enough for a Sharpe film as well, there's a gorgeous woman to be rescued along the way, fancy that.<br /><br />What this results in of course is a more adventure style approach. The concentration is less on the workings of the English military with Sharpe as the figurehead and concentrates more on his escapades in the countryside, dodging French patrols, hob nobbing with the Spanish guerrillas and getting involved in daring escapes from fortified military positions. Sergeant Harper, his loyal right hand man accompanies him naturally but the rest of the riflemen remain in the camp unaware their leader is still alive. Strangely enough though, they actually receive more attention than usual as they wind up in their own subplot involving the delivery of Harper's baby.<br /><br />This slightly different approach makes for an intriguing episode but is only a good thing in the long run. And should anyone be worried that there won't be the standard battle at the climax fret not, because once again the poor old French get a right kicking. Furthermore, Ducos makes a fantastic successor to Obadiah Hakeswill as the bad guy you love to hate. He is a duplicitous, malicious and absolutely evil son of a female canine and is also strangely reminiscent of that guy in black from out of Raiders of the Lost Ark. Elsewhere, Hagman stands out quite prominently as he gets the chance for more screen time and comes across as the sort of man you'd want to deliver your first born, even if he does look like a member of Iron Maiden who got catapulted backwards in time by accident.<br /><br />In short then, another strong chapter in the Sharpe series. Sharpe remains as heroic as always but considerably more bitter and angry this time given the events in the previous film. It's not the best introduction if you've not seen any of the other chapters but it does show a side to Sharpe that we don't normally get to witness: the action hero rather than the professional soldier. And if that's not enough to get you tempted, it's also worth watching just for the rather surreal sight of an enraged Sean Bean swinging a live chicken at a group of nuns. | 1 | 17,024 |
If we compare the movie industry with an ocean, we have the tendencies to observe only the surface. Driven by the strong Hollywood marketing force, we all saw war movies like Saving Private Ryan, The Thin Red Line, Apocalypse Now or Full Metal Jacket. But underneath the splashy waves grow in silence, from time to time, less known pearls. When you pick one and look carefully at it, you wonder why this pearl lie almost unknown and why it's not already on the crown.<br /><br />"Stalingrad" is such a gem. Why, it has a bunch of multi-million dollars rated actors? No. It have thousand of extras? No. It have breathtaking, spectacular, shiny computerized visual effects?. Not at all. So, what's so special? Well, in one word, it's pure past reality recreated and transposed to celluloid fifty years later. The tragedy of the most bloody battle in the history is here. Filthy, wounded soldiers, Russian civilians who lost everything during the invasion, burning villages, collapsing buildings, decayed suburbs, gunfires, explosions, tanks in flames, soldiers shot, burned alive, ground by tanks in their pits or shred to pieces - you got all. But the real horror is elsewhere. People are reduced to simple pawns, without the power to change anything. The soldiers we follow in film try to leave the combat zone and they fail. The civilians stay in prostration in the middle of nowhere, only crying for their children killed. Mercyless, the huge grinding machine of war melt together humans, equipment, villages, cities - and ask for more victims and destruction, over and over.<br /><br />In all this collective insanity a group of German soldiers struggle to survive and to keep at least a minimum level of normality. They do their duty and fight bravely. But, as everyone know, a battle is almost lost when people start to loose confidence and faith. We see how all those people are abandoned, how they plan to desert, how they struggle to catch the very last plane to Berlin (full of wounded), how some very bad injured soldiers were treated as simulants and shot, how they were forced to execute a small group of Russian civilians, including a young boy, how they later discovered a place literally full up to the ceiling of food and drinks - destined only for some "superior" officers, of course. One by one, they drop dead. The end of the movie is one of the most bitter, depressing and touching ending I ever saw, all on the magnificent score of The Munich Philarmonic Orchestra. The war destroyed everything in its path.<br /><br />This movie is a must-see for everyone. A true movie-lover should have it in his/her collection. The strong anti-war message must be a warning for all of us. Unfortunately, the mankind never learn, nor the politicians. Self-destruction is in our DNA and the human pain seem to last forever. Can we be enough reasonable to stop THE WAR? | 1 | 17,660 |
1985 was a good year for films - maybe even great - but this one missing out on a gong went a long way to convincing fans that ol' Oscar is little more that a hood ornament for good party members.<br /><br />11 nominations and not a single title: such was the Academy's disdain for one of their greatest directors; and one who had to wait another 8 years before whatever prejudices had prevented them from handing him the statue before allowed them to give him 7 for Schindler's List, which is, arguably, not as good (and I'm half-Polish).<br /><br />Don't get me wrong, Schindler was a classic. And I'm not knocking 'Out of Africa' (which won that year) either; but it was, in my mind, a class behind this one: an epic story of suffering and hope that brought me to tears - and I'm not a big cryer.<br /><br />Maybe it was the music (superb), or the cinematography (sumptuous), but more likely simply the acting: Whoopi, who proved to all of us that she was much more than just a comedienne; Danny Glover, who I'd never heard of before; and, of course, Oprah.<br /><br />The rest is history; but, at the time: who knew? | 1 | 12,760 |
I went to see Glenn McQuaid's "I Sell The Dead" in it's North American premiere at the Toronto After Dark Film Festival. Seeing as this is the second showing worldwide I didn't quite know what to expect of this film, especially having not seen the short film that inspired this big screen adaptation.<br /><br />I'll start off with a slightly more elaborate plot synopsis, without giving away any spoilers.<br /><br />This movie is about Arthur Blake, how he became a grave robber and the interesting and supernatural discoveries that both he and his mentor discovered.<br /><br />The costume and set design in this film were excellent. I was amazed to hear that the entire film was shot in and around New York. The costumes were very accurate to the time, really bringing you as a viewer into the mindset of the time. This movie works just as well as a period-piece as it does a horror-comedy.<br /><br />The interaction between the two leads was very fluid. They played off each others acting with ease. The dialogue between the two was very well written, with Glenn adding his comedic touch even in tense situations.<br /><br />The story is very encompassing and the ball gets rolling from the very start. I'd compare it to a visual page turner, always wondering just what will happen next. The characters themselves are all very vivid and unique adding different emotional layers to the film itself.<br /><br />All in all, I recommend this film for anyone in the mood for some dark humour, with a bit of horror mixed in.<br /><br />9/10 | 1 | 19,287 |
Back in the 1960's, those of us who were bad movie aficionados thought that "Plan Nine From Outer Space" was the worst movie ever made, and would remain so for all time. To put things in perspective, though, we also thought that $3,000 was a lot to pay for a new car.<br /><br />As we grew older, our innocence was gradually stripped away as we were exposed to movies like "Hercules in New York" and "Overdrawn at the Memory Bank," which completely redefined the "bad movie" genre. In this context, last night, my son and I saw "Alien From L.A.," which pushed the envelope to an extreme unimaginable just a generation ago. To call this movie "bad" (or wretched or execrable) completely fails to do it justice, as does any other label existent in the English language. Even if there were words with which to accurately describe this movie, it would be of no consequence, since they would be banned in civilized society.<br /><br />The Alien referred to in the title is played by Kathy Ireland, who apparently took some time off from modeling swimsuits for Sports Illustrated, to kick off her cinematic career. Her casting might seem some sort of recommendation, until you actually see the movie. The makeup artists earned their money by making Kathy look so drab and unappetizing you would not want to touch her with the far end of a broomstick -- no mean feat. To put it bluntly, in this movie she has a face that would freeze Medusa. Even worse than her look, though, was her voice, which was so raucous that I initially failed to credit it as originating with a human being. Throughout the movie, I found myself longing for a chalkboard to drag my nails across to cover the screechy twang of her dialog. At the end of the movie, Kathy finally gets a makeover and finds herself in her beloved swimsuit. I suggested to my son that the movie would have been better if they had put her in the swimsuit at the beginning of the movie, so at least we would have had something to watch. My son perceptively pointed out that if they had then removed the swimsuit and stuffed it into her mouth, it would have considerably improved the movie on two counts. I defer to the plain brilliance of his observation. If you have any doubts, compare this dreck to "Barbarella," in which a competent filmmaker shows how to exploit the assets of an ethereally beautiful leading lady in the fantasy genre.<br /><br />Of the plot, itself, there is little on which to comment, since there was so little in evidence. It is said that if a million monkeys typed unceasingly for millions of years, eventually one would come up with "Hamlet." By the process of elimination, the rest of the time they would come up with something approximating this screenplay. Imagine, if you will, a modern-day Alice falling into a hole and dropping 500 feet onto a rock slab, following which she gets up, dusts herself off, and starts looking for her long-lost father in the city-kingdom of Atlantis. Once in Atlantis, she spends most of her time running, fighting, or climbing stairs and ladders, and basically trying to keep out of the hands of a general who seems to have no soldiers to do his bidding, and who would make Tiny Tim look macho. This summation, as abbreviated as it appears, is probably longer than the shooting script.<br /><br />On the plus side, as you revel in the production values and take in whatever you can of the sets and costumes through the smoke and haze, you realize that this is one movie in which you can actually see on the screen where all $20 of the budget went.<br /><br />The thought that kept going through my mind was that filmmakers ought not be given access to drugs and alcohol while they are shooting a movie, or perhaps prior, if it leads to results like "Alien from L.A.," though in fairness I have to acknowledge that I don't know whether they were actually involved in substance abuse, or were simply brain dead at the outset of the project. | 0 | 7,740 |
This is the first American film I have seen at this year and I think it will be the greatest one because of the feeling . As a teenage singer in America,Aaron is not as pop as before,most Americans I met said his song is fake and that he even didn't know how to rap.But attention,everyone,he is a kid,how many people can understand him.Being a pop fan is difficult,and being a pop star is more difficult.I think this time Aaron(JD) has shows something real to us.And I think people should learn to understand each other. At another hand,I like the music in the film very much.I remember the first song appeared in the film is "Saturday Night" and it also include some Aaron's real live show,And the second one is "One Better",so I think if you enjoy this film,maybe you'll be a pop fan,too. At last,I hope you will have a great time^^ A voice from a Chinese boy. | 1 | 18,900 |
I saw this movie in 1969 when it was first released at the Cameo Theater on South Beach, now the famous Crowbar Night-club. It was the last year of the wild 60s and this movie really hit home. It's got everything; the generation gap, the sexual revolution, the quest for success, and the conflict between following one's family "traditions" to those of seeking ones own way through life.<br /><br />It was a fast paced, highly enjoyable movie. Vegas was at it's hippiest peak, Sin City in all it's glory. Beautiful women, famous cameos, laughs, conflict, romance, and even a happy ending. A very enjoyable time over all. <br /><br />The poster from this film rests on my bedroom wall. I look at it and I go back in time; a time of my youth and my times with my dad, a great time in my life. | 1 | 15,427 |
This movie deals with the European ERASMUS exchange program but more generally about the European youth. It is so true , that I don't know Klapisch did to reach such a masterpiece... Definitely one of my top 5 movies. It reminds me of the famous song "This is my life, my life, life is life..." 10/10 | 1 | 15,216 |
Watching this on Comcast On-Demand.<br /><br />Every time I see this musical, I am amazed at the songs...one show-stopper after another.<br /><br />This interpretation is, for me, magical. The songs sparkle...the vocals, orchestrations, and choreography are amazing for a "made-for-TV" movie...better than many stage versions I have seen.<br /><br />The debate over Bette just doesn't make sense. She is Mamma. Her voice is brilliant and yet full of the pathos of the stage mother living through her daughters. I still get tears at the end when she finally has her moment of glory, no matter how faded that glory is.<br /><br />The Tulsa/Louise duet/dance is on now. Fabulous.<br /><br />Stephen Sondheim is the King of musical theatre. His lyrics just roll off the tongue like silk...Styne's music is perhaps the best ever penned for the stage/screen.<br /><br />Thank God we have this masterpiece of the American Musical Theatre captured on DVD. | 1 | 18,642 |
Before Stan Laurel became the smaller half of the all-time greatest comedy team, he laboured under contract to Broncho Billy Anderson in a series of cheapies, many of which were parodies of major Hollywood features. Following a dispute with Anderson, Laurel continued the informal series of parodies at Joe Rock's smaller (and more indigent) production company.<br /><br />Most of Laurel's parody films were only mildly funny at the time, and even less funny for modern audiences who haven't seen the original movie which Laurel is parodying. 'West of Hot Dog' is a fairly generic parody of cowboy shoot-'em-ups. It's marginally a specific parody of 'West of the Pecos', an oater released two years earlier with no major actors. Since 'West of the Pecos' was never a huge success, it's difficult to see why Stan's film unit chose this particular movie as a target for their lampoonery, much less why they waited so long after its release to parody it. And where did they get that title 'West of Hot Dog'? Possibly it's down to the fact that 'Hot dog!' was a sexual interjection favoured by American lechers in the 1920s. (As in the opening scene of the stage play 'Machinal'.) <br /><br />'West of Hot Dog' was produced and co-directed by Joe Rock. Among his many other achievements, Rock introduced Laurel to Lois Neilson, and he was subsequently best man at their wedding. Full disclosure: In the last years of his life, I had the great privilege of befriending Joe Rock and interviewing him. Nearly ninety years old at the time, Rock's memory was impressively clear ... but he remembered nothing at all about 'West of Hot Dog', and I can't blame him. This movie is eminently forgettable.<br /><br />The leading lady's character is named Little Mustard: If that's meant to be a parody of something in 'West of the Pecos', I don't get it. There are a couple of 'impossible' gags here, including Laurel's method for mounting a horse. For just one moment in this movie, Stan Laurel reminded me of the great Buster Keaton when he suddenly broke into a run. 'West of Hot Dog' is vaguely similar in subject matter and tone to Keaton's short comedy 'The Frozen North', but Keaton's version is much funnier. The plot of this film somewhat anticipates a situation in Keaton's feature 'Our Hospitality' but (again) suffers by comparison: here, two tough varmint brothers expect to inherit the Last Chance Saloon, but the previous owner has bequeathed it to weakling tenderfoot Stan. However, the brothers will become the legal heirs if Stan dies. Hmmm...<br /><br />Seriously, though: is such a bequest legal? As soon as Stan takes possession of the property, surely any further questions of ownership or inheritance become his decision, not the previous owner's decision. I had plenty of time to consider such points of law while watching this dull comedy.<br /><br />At one point, a gag involves some crude animation drawn directly onto the film stock. It looks cheap and isn't funny.<br /><br />This 'Hot Dog' is no weiner, and no winner: it's just a whiner. My rating: one point out of 10. Hang on, Stan: in a few more years you'll be one-half of a comedy legend. | 0 | 11,866 |
This is one of the most boring movies I have ever seen, its horrible. Christopher Lee is good but he is hardly in it, the only the good part is the opening scene.<br /><br />Don't be fooled by the title. "End of the World" is truly a bad movie, I stopped watching it close to the end it was so bad, only for die hard b-movie fans that have the brain to stand this vomit. | 0 | 10,360 |
Liv Tyler. Liv Tyler. Liv Tyler. Yeah it's hard to keep your mind off this fetching beauty (giving an radiantly picture-perfect performance), as she simply has tongues wagging. 'One Night at McCool's' is a dementedly quirky and raunchy black comedy with old-fashion shades tied in to its familiar, but smartly crafted and chaotic narrative which has three men lusting after the one women and she's milking it to her advantage. When you see Tyler, no wonder why they are infatuated and would do anything
that's anything to see 'her' happy and living 'her' dreams. Just like Tyler, there's something rather intoxicating about this feature in that we see the likes of Matt Dillon, John Goodman, Paul Reiser (who's great) and especially Michael Douglas (who plays the hired assassin with cool-ease, but a questionable hairdo) really having a good time with their roles. The consuming plot opens up with the main three characters (Dillon, Goodman and Reiser) telling their story of how they came to encounter this divine presence and the eventual affects that she's having on them to lead to an insane climax. There's an unpredictable chain of events (ranging from fruity to sensual), where everything would virtually tie in together with a certain ironic (snowball) twist of fate for the characters (that see them leaving their reserved comfort zone to fulfill this girl). Howard Zwart's direction is colorfully zippy balancing the script's quick-fire gags and frenetically fun, if complicated situations. One of the best under-the-radar comedies in the last decade, which will have you under Tyler's thumb. | 1 | 24,309 |
I just bought the DVD and i must say, (after seeing Brazil and Fear an loathing in Las Vegas) Terry does it again. As well of being a fan of the Monty Python movies, Terry Gilliam's genius follows through in this sci fi thriller, whom Bruce Willis plays a wonderful role as James Cole, and as well (perhaps my favorite character) Brad Pitt who played the insanity of Jefferey Goines. A must have for sci fi fans, or movie fan of any type really, because it includes suspense, drama, action, etc. <br /><br />any way the plot, In the future, 1% of the world's population survives a disease intended to wipe out the human race, which is unleashed in the past by "the army of twelve monkeys". James Cole( Bruce Willis) is sent back to 1996 (which is when the virus was unleashed) to find out about the disease, so scientists in his time can find a cure. Before i go further, James Cole lives in an underground society, and the animals rule the world on the surface due to the disease that will kill the humans. anyway when he is sent back in time he is actually sent back to 1990 where he is sent to a mental institution because of his tellings to people of the virus. During his stay he meets Jefferey Goins( Brad Pitt) who is later mostly responsible for wiping out the human race. He also meets his psychiatrist ((Madelein Stowe) who eventually teams up with Bruce to save the world ( as she sees that he is correct in his tellings), he is sent back and forth from his time to the past and eventually sent to 1996 where he then questions his own sanity but later pulls through to reveal a suspenseful end quarter of the movie and later builds up to the somewhat shocking climax, where he tries to stop the man carrying the virus( not actually Brad Pitt) and is instead shot by the police as the killer gets away. | 1 | 19,622 |
Now don't get me wrong, i love a good film and after watching The Thin Red Line (and loving it) I was eager to track down Terrence Malicks two earlier films, and, having just watched Days of Heaven, my enthusiasm to see Badlands has virtually disappeared.<br /><br />I have noted much rave about the beautiful photography, but i saw this film on a terribly old vhs tape which made it look pretty awful. All i can say is i hope the photography was superb, because it would have been one of the only things of interest in this film. Not since the Replacement Killers have i fallen asleep during a film. This film felt so long (and it wasn't!), the editing was choppy and disjointed, the storyline non-existent, the voice over was an incoherent ramble, the characters weakly developed, and the whole thing was uninvolving. I know that Malick was uncertain of how to do the film. He consequently shot a heck of a lot of footage then spent around two years editing in an attempt to piece it all together. This is very apparent on screen. Everything looks chopped up, every time a scene seemed to gain some momentum (or some character development) it would obtrusively cut to boring scenes of people doing boring things. It was as if someone had tried to cut together a story out of stock footage of people farming. The few good points are the music and the chase scene near the end, but those things are no where near enough to maintain interest. I would normally let a bad film pass by without being too vocal but when it is so highly over-rated something must be said.<br /><br />Maybe a farmer would like it...? | 0 | 3,914 |
A super, unusual film from Audiard, Read My Lips is a pulpy, lonely- hearts thriller. It's perfect for the handsomely grizzled charisma of Vincent Cassel and features a marvellously contained performance from Emanuelle Devos. Devos is a recurring feature of Audiard in the same way that KArin Viard pops up for Jean-Pierre Jeunet: unconventionally beautiful (she's referred to by everyone as unattractive in this film), versatile and capable of a subordinate profile.<br /><br />This is almost the definition of her role as Carla, a put-upon office dogsbody, taunted by colleagues exploiting her deafness. Yet she finds an ami d'exploitation, if you like in Cassel's ex-con Paul. Each exploits the other's unconventional talents (theft and lip reading) to struggle through their respective situations and form an unconventionally romantic rapprochement. Devos/Audiard manage Carla's deafness and its attendant, warped inner world with discreet, stylish flair.<br /><br />In this film (2001) Audiard is already clearly in control of his handling on tension, action and investing his frame with a truly visceral experience which will become the great hit - A Prophet - of nine years later. 7/10 | 1 | 13,287 |
I'll be quick to address the matters of the film here: It was a very engaging story about the destructive qualities about all-consuming passions; a young Italian woman who cannot emotionally connect with her jailed political-radical fiancé (due in part to her apolitical attitudes and freewheeling approach to life) finds solace and passion in a new young lover whom she embarks on an explicitly sexual relationship with. The anxieties, rage, tenderness and passions that swirl around in the atmosphere of the story equal the dispassionate quiet that seems to engulf the two leads. It lends the film an unsettling mood that permeates through all the political strife that is otherwise lost on the viewer (unless you have a deep knowledge of Italian politics during the 80's). I found the film compelling...what ruined it somewhat is a gratuitous oral sex scene that the actress performs on the male lead...it isn't simulated and leaves little to the imagination. There are other scenes of sex in the film, which I do feel were necessary because they outline the madness and loneliness that the characters live in. But the oral sex scene, I feel, derails the focus on the actual story. It was smooth sailing up until that point and once the infamous sex scene appears (which caused much hoopla back in its day), it's like hitting a roadblock. It's jarring and unnecessary and I am in the camp that believes that the film would not have been harmed any if the scene had been removed from it. And what's unfortunate is that this particular scene may deter people from watching this intriguing film, which I believe is worth a viewing because there is so much going on underneath the surface, emotions and further turmoils layered in the subtext.<br /><br />Overall: Wonderful film hampered by a much not-needed sex scene. | 1 | 24,841 |
But if you like the muppets I defy you to dislike this one. Basically the same plot regurgitated (this time New York, not LA) it features a lot of fun cameos and muppet hi-jinx. A lot of the muppets leave the film pretty early on as it centers around Kermy and Miss Piggy. I happened to have enjoyed it greatly. Fun to watch with your kids. | 1 | 20,485 |
yeah..that's what the station disclaimer states after the commercials for this show "some scenes may be disturbing to some viewers" .<br /><br />It is beyond disturbing. The validation of this whole display of ego framing and chauvinism is in the fact it is on the COMEDY channel. Yes..a comedy true and true. A JOKE. To see these 'playas' go through their rigid charade really spells out what is wrong with society. Especially the meat market bar scene. Both sides, the male and female, are equally as weak and desperate to be mingling among this superficial atmosphere. The club is obviously one of those Cigarette corporation sponsored plastic coke scenes. These people do have a choice, and that is what makes it even more of a joke. <br /><br />These slick ricks try too hard. They glisten with their own groove grease. That's OK. It's a lesson on video tape for the new generation of how NOT to focus on a potential heart interest. Hopefully that facade will crumble along with the Bush/Harper administrations. Problem is, who's lined up after these characters fade? The bastard children of the one night stands? | 0 | 2,998 |
As many of the other comments I have read have noted, I fell in love with this movie when I was a kid. My sister and I had a copy of the movie on Beta (before VHS) that we wore out. Of course it didn't help when our parents sold the BetaMax at a garage sale. Since then we have been trying to find a copy. I, like another commentator, did eventually locate a rental copy at a local video store. The owner would not part with the copy after any number of attempts to beg, bribe, and cry my way to owning the tape. GOOD NEWS! I bought a brand new, newly released, VHS copy of Midnight Madness for $9.99 on Amazon.com two days ago!!!! Finally, Disney has wizened up. Now, if they'll only rerelease Song of the South... If you love the movie, grab it. If you haven't seen the movie, it's worth a check - totally stupid humor but a lot of fun (Stephen Furst is hilarious). | 1 | 17,204 |
Wow, I forgot how great this movie was until I stumbled upon it while looking through the garage. It's a kind of strange combination of a bio of Michael Jackson, a collection of musical vignettes, and a story about a super hero fighting to save some little kids. The vignettes are good (especially Speed Demon), but the best part of this movie is the super hero segment, in which Michael Jackson turns into a car, a robot, and finally a spaceship (and it's just as weird as it sounds). Joe Pesci is hilarious, and has enough cool imagery and great music to entertain throughout!<br /><br />The real gem however is the incredible "Smooth Criminal" video, which makes the movie worth owning for that part alone! | 1 | 18,344 |
OK, so I rented this clown-like-Chainsaw-Massacre-esquire film, not expected much, but I did like the novel approach to a serial killer film. (from the back of the box is the following synopsis) "At first, it was just a joke - a myth around the campfire - for five friends staying at a remote cabin in the Texas woods. But when they began to disappear one-by-one, replaced by scattered, bloodied body parts and voodoo effigies, the remaining few scramble for their lives. But he's out there. And he's sick. And all he wants is blood..." So obviously from the get-go it doesn't make sense: why is this clown in the woods to begin with? Why a clown? Why are their dolls with the word "food" drawn on them? Why why why? Hardly anything gets answered in this 1 hour 30 min. bore fest except where this clown lives. The characters are dumb guys, dumb girls, and a hell of a lot of bitchiness. One in particular is a girl whom they brought from a restaurant up the road, whom they thought they should help because she was getting hassled by some guy she knew. What warrants that as an excuse to bring a girl into your circle of friends or their cabin? She, of course, begins planting seeds of jealousy, having the men have sex with her by feeding their dumb minds everything they want to hear.<br /><br />The music was an average affair (standard frantic keyboard music like in every horror film without differences). The actors seemed to be brought from some soap opera the way they complained and whined about everything. The idea that the main guy in the film takes this girl to the cabin as their first date makes for a horrible date, but of course, she unrealistically gives herself to him on the first night of getting to know him. There was hardly a budget spent of anything, it seems, but there was a clown outfit and plenty of cheap $1-store dolls lying around in the woods, which was a horribly bland place to shoot this whole movie (been done too many times). I was also waiting for the clown to jump into the house to kill the remaining 4 characters of the film (in through the glass maybe), but nothing exciting like that ever entered the film. I guess you were just supposed to like the clown being a killer or something.<br /><br />I had to give the film a 3. It was an interesting premise (clown as the Texas Chainsaw Massacre character, essentially) and I'll give them a star for acting serious all the way through when the movie could've totally been a B-movie-style video, but they opted for the more legitimate style of video. But ultimately, I probably would've felt like renting the Killer Klowns from Mars video again before going back to check this out. Ah, but that cover art...pretty awesome drawing. | 0 | 9,243 |
There's something frustrating about watching a movie like 'Murder By Numers' because somewhere inside that Hollywood formula is a good movie trying to pop out. However, by the time the credits roll, there's no saving it. The whole thing is pretty much blown by the "cop side" of the story, where Sandra Bullock and Ben Chaplin's homicide detective characters muddle through an awkward sexual affair that becomes more and more trivialized the longer the movie goes on. Although Bullock is strong in her role, it's not enough to save the lackluster script and lazy pacing. Ben Chaplin's talents are wasted in a forgettable role (he did much better earlier in the year in the underrated 'Birthday Girl') as well as Chris Penn, who has a role so thanklessly small you feel sorry for a talent like him. Anyway, the plot really isn't even a factor in this movie at all. The two teen killers played by Ryan Gosling and Michael Pitt are the only real reasons to see this movie. Their talent and chemistry work pretty good and they play off of each other quite well. It's too bad they weren't in a much better all-around film. Barbet Schroeder is treading way too safe ground here for such a seasoned filmmaker. Bottom Line: it's worth a rent if you're a genre fan, but everyone else will live a fulfilled life without ever seeing it, except maybe on network TV with convenient commercial breaks. | 0 | 1,657 |
This is easily my favourite film. A tragic romance intertwined with a complex mystery whose threads are all but invisible until they all unravel at the end in one fantastic rush. Sheer brilliance.<br /><br />I'd love to see some more of Gilles Mimouni's work, but at least according to imdb, he hasn't made any other features. Has the high quality of this work made producing another too daunting a task? Has he moved (back) into some other sphere of creative endeavour? I certainly hope this won't be his final feature but I can't really blame him if he decides to stop with this gem as his only contribution to the world of feature films. | 1 | 22,834 |
This movie was a low point for both Jason Robards and Sam Peckinpah. Major plot points are taken directly from Sergio Leone's masterpiece "Once Upon a Time in the West" (released two years earlier and also featuring Robards): A man finds a watering hole is found in the desert, being the only water for many miles in every direction, he plans to build a 'station' around the hole and to ensure there's a love interest, he falls in love with a prostitute. To this add an intemperate preacher, bad music, silly fast action shots, even sillier T&A shots - and there you go. There is little question why it failed at the box office. The real question is "how did it make it that far?". | 0 | 6,476 |
Unfortunately, I've never seen the full version of this movie. I did see the 87-minute version twice, back in the 1950s. Even more floridly directed than is the norm with Julien Duvivier, this is a wonderfully out-of-the-ordinary piece, replete with sweeping tracking shots through, over and into Andrejew's magnificently atmospheric sets. Beautifully lit too by photographer André Thomas, Black Jack is nothing if not a connoisseur's delight. Reinforcing this imaginative visual style, is a script that allows a roster of our favorite actors, including Agnes Moorehead and Marcel Dalio, some brilliantly bizarre, full-blooded characterizations. George Sanders gives a polished performance, whilst an eccentric millionairess (who turns out to be a rival racketeer) is admirably played by Agnes Moorehead. Also realizing the most from her role, Patricia Roc. The film was made, on locations in Spain, in 1949. | 1 | 15,458 |
Don't even bother with this movie, it's bad when judged on it's own merits, but when compared to the 1972 original (which IS a classic) it's down right awful. And BTW, somebody commented that the 1972 movie is bad when compared to the book. This is silly, movies should never be judged against the books they are taken from. They are 2 completely different art forms (as if this needed to be pointed out but apparently it does). If you used this criteria for all movies then "2001" would suck and so would "Forest Gump" and "Silence of the Lambs". | 0 | 5,840 |
A good film with--for its time--an intense, sprawling, rather dark story somewhat reminiscent of John Ford's "The Searchers" though not so brutal. The story starts fast and doesn't let up, with several scenes of really good dialog between (Stewart's) Jeff Webster, Ronda Castle and Sheriff Gannon. This film is in some ways reminiscent of "Bend of the River" (1952), also a Mann-Stewart work, but I found it far less sentimental and more interesting. There are a few caveats: a too-quickly wrapped up (and rather sentimental) ending; 24-year-old Corrine Calvert is not very convincing as a naive French teenager, and of course the film takes place in the Mythic West, a land of fable where the real laws of nations and physics don't apply. But these are trivial concerns. James Stewart is surprisingly good as a dark, disengaged man who thinks he cares for no one but himself, and the mountain scenery can't be beat. A fine Western costume drama. | 1 | 13,092 |
definitely the best game for N64 ever. I most say i was farely disappointed with tomorrow never dies, but the world is not enough promises to be better then goldeneye (according to the website).I love goldeneye so much i find something to do every time I play it. I have even made up my own missions for the levels. Multi player is the best of any game out there, and the graphics are astounding even now. The first day I got this I remember wishing that they would go back, and make all of the bond movies into games. Can you imagine driving that speed boat in live and let die and making those incredible jumps, or fighting off ninjas or fighting jaws in the spy who loved me and moonraker. (i think fighting him in those games would be more fun then in the aztec) what about chasing Sanchez in the gas trucks or scalling St. Cerils in for your eyes only. oh well let me get back to the game at hand. All of the levels are unique and make for very fun killing environments. there are many places to hide so you can sneek up on people (especially statue park) well this game is not worthy of renting you really need to buy it today. | 1 | 23,506 |
Sometimes when I hear an A-list cast will be bunched up together for 2 hours in a movie I hope, and pray that it is good, not for the sake of my 10 bucks or 2 hours, but for the sake of these actors' careers. In the case of "Be Cool", everything went to waste.<br /><br />In the beginning of the film John Travolta (aka Chili Palmer) and a music executive played by James Woods are driving in a car talking about movie sequels, and how most aren't good. If you look passed the fact that this scene was shot the same way Quentin Tarrantino filmed his car scene in "Pulp Fiction", and listen to the dialogue you can't help but ponder whether this is 1) a disclaimer to the audience that this movie is going to suck, or 2) an attempt to get the audience laughing at the sheer humor of 2 people talking about sequels in a sequel. Oh the irony! (In case you were wondering, choice 1 is correct.) The cool and slick Chili Palmer from the first and good film "Get Shorty" is revived to play a mobster gone music business pro. He steals a young hot singer (Christina Milian) from her ghetto pimped out Jewish manager (Vince Vaughn), and turns her into a singing sensation. Of course a movie about an ex-mobster can never be complete without new mobsters causing havoc. This time around the mobsters of choice are Russian, played by American actors who cannot act Russian if my entire family hit them upside the head with their Russian bare hands.<br /><br />As a Russian I wasn't so much offended by the way this film portrayed Russians, but instead as a writer I was more offended by the horrible dialogue. This film tried too hard to get the audience to laugh. It turned potentially good lines into a redundancy. The Russian, black, and gay jokes were the same ones only reworded a couple of hundred times. After calling The Rock's character a f***** (he plays a gay bodyguard to Vince Vaughn), and Cedric the Entertainerer's character a n***** (he played a black rapper with an entourage who threaten those who don't play his tracks with guns) I wanted to walk out of the movie theater, because it was painful to sit through. If this was "Get Shorty" none of this would've even needed to be in the film to build up drama, or a really bad laugh.<br /><br />What lacked in this film that didn't in "Get Shorty" was Chili's hot spicey attitude. He's a completely different person in this sequel. For one thing the old Chili would've had more dialogue. John Travolta doesn't have more than 20 speaking lines in "Be Cool", because he is out staged by the repetitive lines, and the hundred and two cameo appearances by the most random celebrities. I won't ruin the shock by revealing all of the cameos for those who actually plan to see this movie (PLEASE DON'T!!!), but I will say that it will forever amaze me that these people agreed to be in a film of such inanity.<br /><br />What was even more stupid was the very lame dance sequence with Travolta and Uma Thurman (she plays the widower of James Woods who LUCKILY gets killed in the first 10 minutes of the movie). Tarrantino never made Pulp Fiction for an idiot like the director of "Be Cool" to mess around with. This dance number was boring, long, and just plain throbbing. The Black Eyed Peas playing in the club with a total of 10 people didn't make the scene any memorable.<br /><br />There were so many plot holes that I left the theater asking myself WHY?! Everything about this film was a big question mark. I just didn't understand the point to anything. I couldn't even explain to you why the Russians were after everyone, or why this film was ever made, because I'm baffled. All I took out of this movie was that everyone in L.A. has a sidekick, and the only way this movie was probably funded was through all of the advertisements by Diet Coke, Yahoo!, Honda Insight Hybrid, T-Mobile, Trimspa (even the spokeswoman herself is in the movie) and the Bad Screenwriters Guild. Plot holes, stupid dialogue, too many random cameos, horrible acting (even by the pros), and a not-so-entertaining attempt to mimic "Pulp Fiction" makes this film the worst movie of 2005, and it's only the third month of the year. | 0 | 5,316 |
This movie is a waste of time and money. Throughout the entire hour and a half, I continued to wait for it to get better and it never did. It was slow moving, the plot jumped around, it wasn't scary or interesting, and really never amounted to anything. The credits during the introduction were long and drawn out, which was basically like the rest of the movie (long and drawn out). Numerous parts of the plot made no sense. Several times during the movie I had thought that maybe I had "zoned out" because the incongruity of the plot, however, my companion had the same issue and assured me I did not "zone out" from boredom, but it was indeed the movie. I've actually never posted on here about a movie before and have been actively looking up movies on IMDb for numerous years. So the fact that I'm actually taking the time to write something should speak volumes of how bad this movie is and that you should not waste your time or money on it. | 0 | 7,539 |
What i hate most in this garbage is the arrogant attitude of the film makers and network execs who foist this nonsense on the public because they really think the audience is so stupid, so undeserving, so tasteless as to deserve these kind of cons. There is an inherent entertainment is seeing disaster movies and with the magic of today's CGI effects artists are given powerful tools to explore what before was denied them. With that allure we sat down to watch some mayhem and destruction. Well, guess what, the only mayhem we saw was in the ads touting next Wednesday's episode. What a let down! But wait, there was even a bigger one. The script itself was the bigger disaster! And then there was the direction and the flaccid acting by everyone involved in this turkey. But we knew this before right?! We knew that effects alone do not an entertainment make, but yet the network bozos who Okayed this TV movie didn't care about that because in their mantra is the everlasting line "never underestimate how stupid the audience are". These guys must actually live by this motto, and I am so fed up of it. No wonder the audience has abandoned US drama in droves and pitched their camp in reality shows. at least in those programs no one is trying to make it look like anything different from what it is: intellectual pornography. Well, Category 6 is worse than that because it assumes to be different and "original". Yes this was a disaster movie alright but the disasters are not what they advertised! | 0 | 9,931 |
I usually like zombie movies, but this one was just plain bad.<br /><br />The good parts: Girl swimming topless with thong bottoms, Sonya Salomaa's topless, and Ona Grauer's boobs jiggling in a skimpy top when she ran.<br /><br />The bad part: too much video cuts, too much Matrix slow motion (it drags the action), not enough blood and guts, bad acting, and no story. The only other person in the theater was smart and left right after the topless swimming scene. A total waste of $6 and time. I give it a 2 out of 10. | 0 | 9,129 |
My favorite movie. What a great story this really was. I'd just like to be able to buy a copy of it but this does not seem possible. | 1 | 24,072 |
The movie uses a cutting edge title for a lame story. Kill Kill, would have been nice. The movie incorporates taboo scenes to make the viewer move back in their chairs. The scenes are unnecessary and choppy. The movie is something a novice screen writer could have conjured. Just a waste of movie props and network money. I have to write 10 lines of text to critique this film when it is not worth 10 lines of my time, but I have to push on to let the people know to avoid the nonsense. If people are counting on you to choose a good movie for movie night, pick something else. If you have a soul don't damage it by subjecting yourself to this filth. | 0 | 1,634 |
The opening was a steal from "Eight-legged Freaks", a film that is everything this one isn't. Stilted and pedestrian are the words that apply - along with others that can't be repeated..! Drifter type returns to his home(?)town, meets up with old friends etc.... the usual annoying kid, single mother,local loudmouth and so on..Bad special effects, alien ship, atmospheric disturbances, (hey, didn't the Director see "Close Encounters"?). Good acting? Good story? Good camera angles? Good cutting? Not here! Do not rent, unless you are sharing the cost and have a lot of beer handy. Do not watch on TV, go and drink a lot of beer instead - you'll enjoy it more! | 0 | 2,484 |
It has singing. It has drama. It has comedy. It has a story. It's one of the greatest movies ever made ... period. If you can't enjoy this movie, then you must be either asleep or in some kind of mental disarray. In "Yankee Doodle Dandy" James Cagney sings and dances his way to an Academy Award; but in this movie he is BETTER! This is James Cagney at his quisessential BEST! He's fast with the one-liners! He's fast with his feet! It's nonstop action. And the song-and-dance skits are classics, especially "Shanghai Lil." And the supporting cast is great; and the entire movie is upbeat, fast moving, and exudes confidence. And even though this movie was made over 70 years ago, it's still watchable, even today. And of course, this movie features Miss Ruby Keeler (who was married to Al Jolson). She is the perfect partner for James Cagney ... and Dick Powell too! If you like upbeat, fast paced movies, with lots of singing and dancing, this is the movie to watch. | 1 | 23,037 |
For any wrestling fan, this is the wrestlemania to forget. No logic to the matches, some garbage gimmicks (doink the clown, and the Giant Gonzalez) this was a forgettable PPV something rare for the WWE(F). The logic of Hogan winning the world title at the end made no sense, and many people feel that alone help put the nail in the PPV. From the meaningless gimmicks of the roman soldiers, to simply some real bad wrestling (doink vs Crush being the worst match) to simply bad match making (Scott "Razor Ramon vs Bob Backlund, how can you have one of the greatest mat wrestlers, making a comeback, and working his first wrestlemania, face a power wrestler who was undefeated at the time), this is a PPV that even the WWE has since admitted, was way below what the expected. just all around a stinker | 0 | 6,039 |
Oh my, I think this may be the single cheesiest movie I've ever seen. I'm serious, this is one of the ultimate b-movies. The first proof is that it isn't a $5 DVD. Oh no, that's too mainstream for this. I got this on VHS, from a bin full of ex-rental videos at my local video store.<br /><br />If I may quote the blurb: "In 17th Century Japan, there lived a samurai who would set the standard for the ages. His name was Mayeda. He is sent on an epic journey across the world to acquire 5,000 muscats from the King of Spain. Whilst at sea a violent storm swallows their precious gold intended to buy the weapons and almost takes their lives. Mayeda must battle all odds to survive and the secure the fate of his beloved Japan." It then goes on to say "A multi million dollar action adventure epic set across three continents"<br /><br />I must have seen a different movie. This was no epic, and it certainly wasn't a multi million dollar anything. No, 'Shogun Mayeda' is really just the crazy adventures of the Engrish-speaking Mayeda (Sho Kosugi). He isn't even a Shogun really, but thats not important. What is important, is that he does a really cool impression of John Cleese's repeated charging of the one castle in 'Monty Python and the Holy Grail', and his ability to go from serious scenes to showing off his samurai mind powers. Awesome.<br /><br />The greatest thing about this movie is Sho Kosugi's Engrish accent. The movie may lack nearly everything that makes a good movie, but makes up for it with some of the cheesiest lines ever, delivered by the coolest Engrish accent ever. And honestly, do you really want anything else? You could fast forward 'Shogun Mayeda' to the end, and replay Kosugi's final line over and over. The tape will probably wear out before you get tired of that one line. Awesome.<br /><br />2/10 - So very very cheesy. | 0 | 3,640 |
It is a real shame that nearly no one under 30 knows the "over the top" writing of Michael O'Donoghugh- magazine articles and SNL skits that were genius for the time...and so it is a true shame that anyone who may take the opportunity to research his work will no doubt take the easy way out and watch videos- thus leading them to MR MIKES MONDO VIDEO. <br /><br />This movie has clever elements that never fully connect to the funny bone. The viewer experiences such things as cat diving/swimming with the man who thinks he's found feline happiness by hurling these kittens into a pool which the camera follows in slow motion and montage sequence. Then we are taken to an island to where all past fads are retired (hula hops, pet rocks, rainbow dread wigs etc.) Then we enter the music world (punk was a new variety of music at the time of this film) where "D" rate bar performer Rootboy Slim performs "boogie till you puke" in his own lazy style of dirt and eclectic sleaze. Now the real beauty of all this is the back ground music. In many different styles with many different instruments the sound of TELSTAR plays and replays- for those who don't understand Telstar was the first American Satellite launched into space and the theme was created to celebrate mans genius and triumph. MR MIKES seems to have been meant as a signal of societal decay ridiculous wastes. Now one thing the theater offered that the video release does not was a live performance of Sid Vicious (ex sex pistol not the wrestler) singing MY WAY. His version is very different than Sinatras as one might imagine but frankly I feel it is very much worth the listen...it's good! That is the sad part- in the VHS release Paul Anka refuses the rights of his song and the viewer is forced to experience 3 1/2 minutes of silence with an explanation rolling across the image of the singing dead sex pistol. <br /><br />I would give the theater release a 5 or 6 the video is closer to a 4 and now that so much is passé I can see where many people would give it a 3 or 2.5. If you want to see a good O'Donoghugh script watch SCROOGED...it is a better tribute to the mans insight and talent. | 0 | 6,336 |
When a rich tycoon is killed in a plane crash, his spinster twin sister, Martha Craig (Madge Kennedy), doesn't believe he grabbed the controls in a suicide dive (even though self-snuff runs in the family) but his three beautiful daughters couldn't care less. The pilot, Jim Norton (John Bromfield), goes to work for Valerie Craig (Kathleen Hughes) who soon coerces him into helping her wrest control of the estate from her troubled sister, Lorna (Sara Shane) and the family lawyer (Jess Barker). Valerie wants Norton to seduce Lorna when he's not fending off the advances of another sister, the nymphet Vicki (Marla English), but her plans are thrown into a tailspin when Norton falls for his prey. All bets are off as a world of woe -including corporate chicanery, seductions, suicides, blackmail, a murder plot, the Mann Act, double-crosses, disfigurement, and poetic justice- befall "Craig Manor", an imposing mansion on a bluff overlooking the sea...<br /><br />This preposterous potboiler would have made a perfect second feature for WRITTEN ON THE WIND, also from 1956. Douglas Sirk's saga of a powerful (and powerfully dysfunctional) oil clan was said to have inspired the 1980s night-time TV serial DALLAS but the Craig's low-brow excursion into insanity seems right out of it's sinful sister-soap, DYNASTY. All three siblings (only one of whom is really bad) are great beauties but it's Kathleen Hughes' cartoon villainy that stands out. Valerie is relentless in her quest to inherit the family fortune and her unbridled enthusiasm for evil is one of the movie's many guilty pleasures. Teenage sister Vicki is quite a piece of work as well, reminiscent of Carmen Sternwood in THE BIG SLEEP. When they first meet, she pulls the equivalent of trying to sit on Norton's lap while he's still standing by coming on to him with the line "I graduated summa cum laude from Embrace-able U." Whew!<br /><br />THREE BAD SISTERS, produced by schlockmeister Howard W. Koch, is a terrific trash-wallow in exploitation excess and the cast is B-Movie Heaven: Marla "She Creature" English, 50s hunk John "Revenge Of The Creature" Bromfield (once married to French sexpot Corinne Calvet), Universal starlet Sara Shane (discovered by Hedy Lamarr), Jess "Mr. Susan Hayward" Barker, Kathleen "It Came From Outer Space" Hughes, and former silent screen star Madge Kennedy give it all they've got -however much or little that is. Future Eurotrash star Brett Halsey (TRUMPET OF THE Apocalypse) is seen briefly as one of Vicki's victims.<br /><br />B-Movie rating: 10/10 Marla (and her body English) made marvelous movies! THREE BAD SISTERS was recently seen on the big screen as part of the Palm Springs Film Noir Festival but the jury's still wiping soap suds out of ...aw hell, it's noir (5/10 on the noirometer). | 1 | 22,632 |
I don't think I've ever felt this let down by a film before. After loving Guy Ritchie's two previous films (I don't count Swept Away - he was pussy blind), I was so looking forward to seeing this. <br /><br />The reviews were poor, then again, I don't trust the press anyway. More worrying was the fact that the internet buzz was that this was a bit of a stinker, so it was with some trepidation I handed over my £4.80 yesterday afternoon.<br /><br />I'm not even going to try to explain this film, mainly because I haven't got a clue what was going on and at one point I was honestly close to standing up and asking if it was just me who didn't get it! <br /><br />Unfortunately I think Ritchie seems to have fallen into his wife's trap of taking himself far too seriously.It seems it wasn't good enough for him to make films with good plots, laughs, snappy dialogue and good characters. It's almost as if he had a checklist of films he wanted to rip off, here are some of the ones I noticed:<br /><br />The Matrix, Fight Club, Kill Bill, The Usual Suspects, Vanilla Sky...<br /><br />I think the most frustrating thing is that the performances from the two main actors, Jason Statham and Ray Liotta, were actually very good and it was really the self indulgent story and editing / direction that let the film down.<br /><br />So a big, big thumbs down from me. | 0 | 3,503 |
This is just my all time favorite movie. Nothing special. It's just so incredibly detailed. Makes me cry just thinking about it. Geronimo Bill is the nicest guy I can imagine. Money is not important. Bamboo spears are important. You don't need money to get what you need. If you need something it will just come to you. If people would realize that the world would be a much better place. Whatever you do, don't do it for the money. | 1 | 22,292 |
As far as HEIST movies go, this one is pretty weak. Continuity is pretty lousy, there isn't enough character continuity to really feel like you understand any of the characters. Peter Falk is great, and he is one of the reasons its worth watching. Falk has some great lines, like "he'll be right back, he goin' buy to some saugages" or something like that... there are a few nice scenes, although they are entirely due to the efforts of the actors. Direction, script, and editing is pretty lousy. | 0 | 5,860 |
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