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You know those films that are blatantly awful but you can't help but love them? Well that's what Evil Ed is, possibly the best awful film in the world. The sound is rubbish, the dubbing is crap, the screenplay is nonsense and the special effects are pap. However, I can't help but love this film dearly and I have recommended it to at least 50 people over the years. Sam Campbell (or the guy who plays him) should be featured on the Actor's Studio series as he is that memorable. Possibly the greatest movie villain not named Tony Montana. Seriously, if you don't expect a lot then you won't be disappointed. Keep a light-hearted approach to watching this film and you'll soon rate it a ten afterwards.
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and nothing else.<br /><br />One of my friends bought the Problem Child Tantrum Pack (contains the first two "Problem Child"s in one disc), and we decided to watch the sequel because it was "funnier".<br /><br />There were many funny moments in the movie (the vomit scene, that's all I need to say.), Nippy the dog after eating CHOW DOWN, and numerous others. The movie is nothing but toilet humor, but it's hilarious. Other than the funny moments, though, this movie has little to offer.<br /><br />John Ritter annoys the crap out of me, because it sounds like he's reading out of a book. The man can't act in this one, sorry.<br /><br />Although I can't say if I would find the movie funny now...(we were blown when we watched it), it's a perfect movie for a rainy day...but nothing else. Don't expect Oscar material on this one, guys.
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Plot: an amorous couple decide to engage in some extra-marital hijinks in a flashy car. They then become stuck (literally) in a Compromising Position, while said car wanders aimlessly about the countryside until the hapless couple are rescued by the authorities.<br /><br />That's it. That's the entire movie. There may have been some dialogue here and there, but nothing comes to mind. It should be obvious by now that this movie is not just pointless, but actually physically painful to watch. The fact that it starred two of the UKs best up-and-coming actors (one of whom is now sadly deceased) only adds to the horror.<br /><br />Ian Charleson was outstanding in the very much deserved Oscar-winning 'Chariots of Fire'. Let's remember him for that role, and try hard to pretend that this particular celluloidal abomination never happened.
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A great addition to anyone's collection.<br /><br />12 monkeys is a movie you don't see every day. It has excellent actors to go with a excellent story. This is not a normal role for Bruce Willis but he holds the role like he holds John McClane.<br /><br />The virus-kills everyone on earth and leaves a few hundred survivors story is not a new one but the story takes a fresh new direction on it.<br /><br />A man(Bruce)is sent back in time to get information on a virus which has wiped out most of man kind.<br /><br />The actors in this were awesome. I must give a mention to Brad Pitt who was hilarious as the mental patient James Cole(Bruce) meets in a mental hospital.<br /><br />The director did an amazing job on bringing us a disturbing picture of a future devastated by a man-made virus.<br /><br />The animals seen in the virus world made it feel like they run the world when humans are driven into underground facilities.<br /><br />This movie was excellent and must see and also its a must own.<br /><br />I very much highly recommend it.<br /><br />10/10
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I recommend families if possible,to show this to older children only.Some of the stuff in this film maybe too disturbing for little ones to handle.Now that thats out of the way,let me explain about this movie.This is in reality a documentary of a male fox,who in the beginning is protecting his territory and seeking a mate.The beginning with the gorgeous sunrise and music score,is breath taking.You had better soak in as much of the scenery as possible,it'll get ugly later.They gave both the fox and the vixen names,but I can't remember what they are for the likes of me.He fights off this invading male,to win her love.They later on create a den,and the vixen gives birth to four adorable cubs;one of which is blind.There are many happy and playful moments featuring the fox family,but tragedy and bad luck strike all too soon.The first victim is the blind pup,who gets too close to a high tide and is washed away.The second victim is the mother,who while stealing chickens is deceived by a dead chicken hanging on a pole.She unknowingly walks into a foot trap.While trying to escape she rips off part of her foot,causing her to bleed to death.The rest of the fox family is forced to watch her die under a tree.The male is now a single dad,forced to take on the roll of mom and dad.He alone has to teach them the skills they need for life.It later proves not to be enough,when two of the now grown pups meet an ugly fate of their own; thanks to the carelessness and cruelity of man.I won't spoil the surprising ending for you,but it does show the farmer and his dogs close on his tail.And it is a well deserved ending after what the audience and the fox family was put through.I wanted to say that I saw this when it first came out in early 1980s, when we had a thing called Showbiz cable.I was only 4 when I saw it,but I could never understand why they wouldn't let me see all of it.Now I know why,after I secretly watched it when it came on Disney,when I was 9.I felt emotionally gutted after seeing all this evil going on.I was moved to tears.But as dark and ugly as it was,it serves a purpose.To let people what is going to these and other kinds of animals,and why they are endangered.This documentary wanted to get the message across about this endangered species,and I hoped it worked.Its not fake like the True life nature films by Disney,they don't teach about why animals are going extinct.The encroachment of land,the killing off of the foxes main prey,and senseless killing of these beautiful animals;has resulted in them becoming endangered.I wish they would make sequel to this movie,(Glacier Fox 2005)to see if they're being treated better.Maybe have it be about a vixen pup named Teresa and her siblings growing up.This movie also kind of reflects what happens to human families sometimes,especially when one of the parents suddenly dies.The surviving parent takes on the roll of both,and tries to teach the important lessons of life.It isn't always enough to protect them when they're adults,especially when some of their lives becomes ruined.Or they fall victims to tragedy themselves.Best all around soundtrack and musical score I've ever heard.
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This is indeed a god adaptation of Jane Austen's novel. Compared with the American Version with Guinneth Paltrow, the script was written to resemble as much as possible the book. But the acting was awful. Besides Kate Beckinsale, who I believe was a true likeness of the Emma in the book, all the other actors were trying too hard. Mark Strong was not the "gentleman" he was supposed to be. He was often rude and offensive, had no feeling whatsoever, and throughout the entire film you could not see his love "growing" for Emma at all. This had a terrible effect on Kate Beckinsale, who seemed to be trying to "resque" her leading role as well as her partner's. Moreover, there was no chemistry between the entire cast. Hariett Smith, played by Samantha Morton, seemed to have no real attachment to Mr. Elton, played by Dominic Rowan. Therefore, she did not seem as heartbroken as she was portrayed in the book. The settings of the film are also too poor. The costumes are even more so. I would have imagined Emma Woodhouse to dress in a more fashionable and elegant way that she does here. The ending is also too long. It is good that it resembles the book's ending, but it is a killer ending for a film. And again, I can see no feeling of happiness in the face of Mr.Knightley. To conclude, I believed this adaptation to be loyal to the book, but with poor actors. It seemed as if the film was made without any budget at all. I would prefer to see the "lighter" version with Paltrow and Northam, even if it is clear that it was made to be a "blockbuster", than to watch these actors (excepting the good Olivia Williams and the better Kate Beckinsale) ruin the entire script.
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Soylent Green IS...a really good movie, actually.<br /><br />I never would've thought it. I don't really like Heston in his sci-fi efforts. He's one of those actors who, like Superman, manages to come across all sneery and invincible most of the time. I prefer more vulnerable heroes. And indeed, he sneers his way through much of Soylent Green, too, but as he's supposed to be playing an overconfident bully I don't really mind.<br /><br />I can understand why some people would turn their noses up at this movie. Soylent Green makes no effort whatsoever to create futuristic visuals (what do you know - it looks just like 1973), and it's lacking in action. But I admired the film's vision of a complex, corrupt, and highly stratified society, and I was so pleased to see that Edward G. Robinson had such a moving, funny final role. Nice little character moments - like when he shares some precious food with Heston - really make the movie.<br /><br />The message of Soylent Green is pretty relevant these days, when nobody seems to know what the hell the government or corporations are up to. Funny, isn't it, to see Heston in a prototype Michael Moore movie...
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The one who says that Lucio Fulci is not one of the most important names in the history of splatter is probably mad.The Italian director is a legend among hardcore-horror fans,and his work exceeds the barriers of the genre(who can forgot his western,crime or fantasy flicks).This is probably his goriest film,and unfortunately one the last.A horror director(Fulci as himself) starts hallucinating about gruesome murders.He goes to a psychiatrist,who makes him believe he is the criminal.In this time,the doctor begins a long chain of serial crimes.With such a plot,the movie should have been filled with something.And there are roting corpses,crashed or melted heads,stabbings,decapitations,chainsaw dismemberment and many others.Kind of boring sometimes,the film is saved by the excessive violence that will definitely please the gore addicts.
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This is a gem of a movie not just for people who like fun and quirky premises, but who love the history and traditions of Sci-Fi and Classic Hollywood movies. Each alien of the Martian crew is the embodiment of a classic Sci-Fi character or member of Hollywood royalty and it's pure pleasure watching them bounce of each other and the residents of Big Bean.
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A buddy and I went to see this movie when it came out in 1980. It was playing in a huge theater and we were the only two people in the place. It lasted two days in the theater before they stopped showing it. It was so bad that we laughed all the way through it. Since that time, we rate movies based on Kill or Be Killed as the worst movie of all time. Like other reviewers have mentioned, it is so bad that it is funny. It isn't worth a second look that's for sure. I just can't bring myself to give it more than a 1 because I don't think the makers of the movie intended for it to be so bad and I can't give credit for an accident. Sorry.
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This movie has a fairly decent premise - one gruesomely featured again and again in science fiction films, most spectacularly in "Alien" - and some decent "he-man" performances from the male cast. The possessed astronaut's wife, to me, is the weak link in the ensemble - she doesn't seem to know what to do with her face in a lot of her most prominent scenes, for which I blame director Corman. <br /><br />Given a decent budget for props and special effects and a more focused and coherent screen play, "Blood Beast" might have been pretty decent. But the inherent cheapness of the production design and the continuity errors and gaffes undermine the proceedings. For instance, every time I saw the comatose astronaut laid out on an "examination table" the width of an ironing board, I broke into giggles, probably not the the emotion the crew wanted to invoke. And the monster's costume needed some serious work; fern covered parrots just aren't scary or convincing.<br /><br />Still, the premise was strong enough that I hung on to the end just to see how the plot would resolve itself, and the alien's motives were sufficiently ambiguous at first that I could sort of think of it as an enigma. And the scene with the shot of the murdered scientist had a bit of punch to it, along with the plot development where the alien claimed to have assimilated some of the dead man's personality. <br /><br />It's Corman. It's cheap, fast, and mildly watchable if you don't think too hard or expect too much. What more needs to be said?
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If you are a fan of really bad movies, and you think there funny, you will the great acting of Shaq. First off putting pro players in movies hardly ever works. Shaq had to of been the worst actor i have ever seen next to Dennis Rodman who also made a few bad movies. Well any way this movie is also bad due to the hideous kid. I would give this a zero but that is impossible.
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Ya know when one looks at this Brian DePalma film today, I'm sure there has been allot of criticism about how dated it is. Also, about the violence. When I looked at this film on VHS when I was 20, I thought it was ulta-violent and gritty as well. But I didn't get 'it'.<br /><br />A few decades go by and man, how I know how much I didn't get in this film!! This is a remake of an excellent film which was done back in the 30's/40's. How can you improve upon a classic? Ya don't. But you tell a tale that is brought up to date through the eyes of the "new immigrants" during the most greed ridden decade, the over indulgent 80's. DePalma, Stone and the gang present an ambitious, disturbing and darn right good film.<br /><br />Yes....Disco was dying and New Wave/Punk were taking over but these immigrants from Cuba who had to make a new home in Florida couldn't tell the difference. It was exciting, it was what they wanted but how to get it???? To these immigrants, there was only one way to get it in Florida where they were..by having lots of money and to get the money, you had to take over running a drug empire.<br /><br />Al Pacino was fantastic to me as Tony Montana, the "little train that could". What an amazing way to have your lead character look at America: to fight, kill, steal. lie, cheat all to get -- "the money, the women and the power."<br /><br />That's what Tony saw as the American dream.<br /><br />He wanted it, he wanted to live it and in his circle saw nothing wrong with how he went to get it. Tony Montana's command of the English language was heavily saturated with the "f" word but what did you expect, Emily Post's finishing school for him and his co-horts? Look at how they CAME to America, what they knew, what they were exposed to. This is the way Tony and his crew chose to "be all they can be in America." It was all about the power. Tony Montana would and did ANYTHING to achieve it..it all its violent, lying, stealing, crooked, thieving glory.<br /><br />The part of the film that personified the 1980's to me, is the money laundering. Tony's crew bringing sacks of drug money to the bank. Did those around Tony and his crew care? At the clubs where he spent and drank? Nope. Money was money and with money, you get the power. Tony was living high off the hog. He and his pretty blond American trophy he married played well by Michelle Pfieffer.<br /><br />After Tony Montana's rise to power, he finds out its really crappy up there. He's riddled with doubt, he's drug addicted, he's paranoid, he's surrounded by those who want to take him on in a bloody take-over, his trophy 80's American blonde drug addicted wife he finds out is a bore, he needs to keep atop of his empire because...he's going down. And down he goes in a horrific violent fashion, but again I ask, what do you expect?<br /><br />This is the quintessential 1980's film telling you a warped tale of how some misunderstand the American Dream...to obsession. It's violent, bloody, overly so..but it drives the point disturbingly home. Not all Cubans thrown out of Cuba who landed in Florida in the 80's were anything like Tony Montana. Give me a break. But the showing of how miserable the 1980's were with its emphasis on greed and money as the only measures in the USA to "be somebody" and have power took its tool on these poor characters and their lives in America.<br /><br />Makes you wonder -- has anything from then -- been learned today?
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I've read many unflattering comments regarding this film, and the only things I have seen that they all have in common are: "boring" and "unrealistic".<br /><br />First of all, they used real frickin' crocs! How much more realistic can you get? No CGI, no animatronics, no miniatures. Just a croc and a piece of meat. Have fun, fellas!<br /><br />There is no question that this film gets off to a slow start. Character development, what little they had, anyway, does take a bit of time, and I think this is primarily where this film lacks.<br /><br />However, when the film gets going, I found the action picked up dramatically. I don't mean to say that there is a lot of action. If anything, there are more moments where the croc can't be seen at all, and the people are just waiting. However, we know that there isn't going to be any relief, and that the croc is just biding its time. This had a similar eerie feel to other films that achieve their horror through non-action, such as Open Water (another film that has been criticized by some viewers as being "boring"). Personally, I think that viewers who find themselves incapable of feeling the suspense have had their attention spans surgically removed at birth, but that's just me.<br /><br />Finally, the characters feel real, and the situation is such that it really could happen to anyone in the right circumstances. Furthermore, the deaths are completely real, and at times, it's a little tough to watch.<br /><br />All in all, this one's a winner.
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I thoroughly enjoyed this movie...and I watch it from time to time still. I've used it in my music classes at the school where I teach. The kids seem to enjoy it, although, they wish it were in color.<br /><br />The best thing about this movie is, for me, who grew up after Heifetz had died, is the chance to actually see the master violinist work his craft! I was surprised at how "up to date" the story line is. Although, references to "reform school" are outdated. A boy, whose father had died, and is being raised by his mom and stepfather....most of our kids today are being raised by stepparents, although the movie makes it seem like most stepparents are cruel. I get VERY angry when his mother doesn't take his side and defend his actions against the step-father.<br /><br />Also, the musical selections are difficult to believe. I find it unbelievable that a child, who looks to be about 8, can play the "Minute Waltz", or that a 13 year old girl could sing an aria from Rigoletto.<br /><br />Other than that, it's a really fun, feel good movie and I do recommend it. I wish it would come out on DVD.
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A DOUBLE LIFE has developed a mystique among film fans for two reasons: the plot idea of an actor getting so wrapped up into a role (here Othello) as to pick up the great flaw of that character and put it into his life; and that this is the film that won Ronald Colman the Academy Award (as well as the Golden Globe) as best actor. Let's take the second point first.<br /><br />Is Anthony John Colman's greatest role, or even his signature role? I have my doubts on either level - but it is among his best known roles. Most of his career, Ronald Colman played decent gentlemen, frequently in dangerous or atypical situations. He is Bulldog Drummond (cleaned up in the Goldwyn production not to be an arrogant racist) fighting crime. He is Raffles, the great cricket player and even greater burglar, trying to pull off his best burglary to save a friend's honor. He is Robert Conway, the great imperial political figure, who is kidnapped and brought to that paradise on earth, Shangri-La. He is Dick Heldar, manfully going to his death after he learns his masterpiece has been destroyed and knowing he is now blind and useless as an artist. I can add Sidney Carton and Rudolf Rassendyll to this list. But here he is not heroic. In fact he is unconsciously villainous - he murders one person and nearly kills two others. It does not matter that he is obviously mentally ill - his behavior here is anti-social.<br /><br />To me Colman should have gotten the Oscar for Heldar, or Carton, or Conway - all more typical of his acting roles. But the Academy has a long tradition of picking atypical roles for awarding it's treasure to it's leading members. Colman's Anthony John is a very good performance, and at one point truly scary. When alone with Signe Hasso in her home, she at the top of a staircase and him at the base, they have an argument. She demands that "Tony" leave, saying she won't see him. He stares at her, his face oddly hardening in a way he never used before, and he says, "Oh, no you won't!" He starts moving upstairs, frightening Hasso, and she runs into her room. He stops himself and leaves. It actually is the real highpoint of his performance - even more than his assaulting of Hasso on stage, or of Edmond O'Brien, or his killing of Shelley Winters. It showed his blind fury. For that moment it was (to me) an Oscar-worthy performance. But it is only that moment. I'm glad he was recognized for the role, but he should have gotten the award for a more consistent performance.<br /><br />His actual performance in the Shakespearian role of Othello is not great, but bearable. Too frequently he lets the dialog roll off his tongue in a kind of forced singing style (one wonders if that was due to the coaching of Walter Hampden, who probably knew how to handle the role properly, or a reaction to it). Nowadays "Othello" is played by an African American actor more frequently than a white one. Paul Robeson's brilliant performance in the role set that new tradition firmly into place. But the three best known movie performances of the part are those of Colman, Orson Welles in his movie of OTHELLO, and Laurence Olivier in his movie of his play production of OTHELLO. All three white actors did the role in black face. My personal favorite of the three is Welles, who seems the most subtle. But even watching Welles' fine film version makes me angry that Robeson never got to put his performance (with Jose Ferrer as Iago) on film.<br /><br />Now the first question - can an actor get that wrapped up in a role? I heard different things about this. Some actors have admitted taking a role home with them from the theater or movie set. Others have found a role they have to be stimulating, influencing them on a new cause of action regarding their lives or some aspect of life. But actually I have never heard of anyone who turned homicidal as the result of a role. It seems a melodramatic, hackneyed idea.<br /><br />As a matter of fact it was not a new idea in 1947 with Cukor, Kanin, and Gordon. In 1944 a "B" feature, THE BRIGHTON STRANGLER, starring John Loder, had used a similar plot about an actor who is playing an infamous "Jack the Ripper" type, and who starts committing those type of killings after an accident affects his mind. There was an earlier movie in the 1930s, in which an actor playing Othello gets jealous of his wife (I think the title was MEN ARE NOT GODS, but I'm not sure). But due to Colman's name and career, and Cukor's directing, it is A DOUBLE LIFE that people think of when they recall this plot idea. It even reached comedy (finally) on an episode of CHEERS, where Diane Chambers is helping an ex-convict who may have acting talent, and they put on OTHELLO at the bar, just after he sees her with Sam Malone kissing. Only Diane is aware of the personality problem of the ex-convict, and can't delay the production long enough (she tries to start a discussion into the history and symbolism of the play). <br /><br />The cast of A DOUBLE LIFE was first rate, and Cukor's direction was as sure as ever. So the film is definitely worth watching. But despite giving Colman an interestingly different role, it was not his best work on the screen.
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Okay, I love this movie!!!!! I watched it over and over again. It is so hard to tell who the attacker is. You keep thinking it's one person, then another, then back to the first person, then another person. It is so suspense full you want to fast forward your TV to the end to see who it is.<br /><br />SUMMARY: Gail Osborne is raped and left at her home. She is in the hospital and begins to tell the story of how she was raped. It goes from her meeting her steady boyfriend, to her teacher who takes a liking to her, to her ex-boyfriend, all different stories, all suspects. But who did it?<br /><br />I love the acting, they have a lot of great talent in here. The suspense is wonderful and the settings are superb. If it comes on TV watch it. *** 1/2 stars 10/10
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The minute I started watching this I realised that I was watching a quality production so I was not surprised to find that the screenplay was written by Andrew Davis and was produced by Sue Birtwhistle both of these brought us the excellent 1995 production of Pride and Prejudice! So my only gripe here is that Emma did not run to 3 or 4 or maybe even six episodes like Pride and Prejudice. The acting was superb with I think Prunella scales excellent as Miss Bates but I loved Kate Beckinsale and Mark Strong just as much. The language is a delight to listen to, can you imagine in this day and age having a right go at someone without actually uttering a swear word? Samantha Morton was excellent as Miss Smith in fact the casting was spot on much as it was with Pride and Prejudice. I liked it so much that I watched it twice in two days!! So once again thank you BBC for another quality piece of television. I have seen the Paltrow version and it is okay but I do think the BBC version is far superior. An excellent production that I am very happy to own on DVD!!!
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This movie was terrible. John Wayne is a brutal actor at times. The lead female playing the role of "Maura" did a good job and tried her best to make scenes believable despite Wayne's inept, one dimensional, over acting. Seriously, did you see him when he was supposed to be talking in his sleep? Ridiculous. And his character became such an awful person in the second half of the movie and then did nothing to atone for his behavior and is still forgiven by everyone including his arch nemesis without even so much as a 'sorry'. The story was completely implausible. We were supposed to believe that two grown men, both tremendous successes in their respected fields, would sabotage a job and risk the lives of innocent men simply because they disliked one another? YOu can pretty much randomly select any scene and it will probably leave you shaking your head in disbelief that someone paid money to have this film made. Its too bad because the only other Wayne films I've seen are the shootist and rio bravo, which were both great movies. Unless you're being paid don't bother watching this one.
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After the general, a film that romanticized the life of Dublin gangster the general to such heroic proportions that it made the average Dublin person sick, along come Kevin and his attempted portrayal of Mr. Lynch or martin Cahill, aka the general, the acting is so bad that this crime drama becomes a comedy for the native Dub, and a tragedy for the Kevin Spacey fan. in short, is the movie worth a look.... No, unless u like bad acting with hilarious 'proper Irish accents, ah sure to be sure to be sure'. The story is ripped off from the commercially successful 'The General' which, despite is glorification of a well known Dublin animal in Martin Cahill is still worth a look, on a domestic scale because it shows real working class Dublin, and on an international scale because of he true Irish acting and killer cast, including John Voight. All in all, 'Ordinary Decent Criminal' is anything but a decent film. Avoid.
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I'll bet none of you knew that the famous Conquistador Hernando Cortes made a preliminary scouting expedition to Mexico before taking on the Aztecs. Good thing he did because he would never have known about those T Rexs that inhabited one particular valley where the locals revered them as gods.<br /><br />That was understandable. What wasn't was the casting of blue eyed Ian Ziering as Cortes. Even with the blond hair made famous in Beverly Hills 90210 dyed black, Ian looked positively ridiculous. At least he made no attempt at a Spanish accent.<br /><br />The real hero of Tyrannosaurus Azteca is Marco Sanchez also late of a television series with a semi-recurring role in Walker Texas Ranger as Detective Sandoval of the Dallas PD. He finds true love with an Aztec princess and life would be just perfect if it wasn't for those pesky prehistoric beasts the natives worship.<br /><br />Tyrannosaurus Azteca looks like they used some outtakes from the famous Sid&Marty Krofft series the Land of the Lost. All that was needed was some Sleestak to appear.<br /><br />If you're interested in finding out about this reconnoitering expedition that didn't quite make the history books by all means check out Tyrannosaurus Azteca. Then try and sit through it with a straight face.
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Samuel Fuller knows war, and is one of the only directors in American movie history who could accurately portray the horrific experiences of it in a form like the motion picture. His pessimism and idealism, if that sounds a little odd to mix together, work for him as a storyteller, and at the same time he's always out to tell the truth, however brutal (or put into melodramatic constructs) it can get. Verboten, however, deals with the post-war experience, as we only get in the opening scenes the big boom of WAR- in bold for a point. The opening shot is like one big exclamation point that seems to continue on into the rest of the scenes: a dead soldier on the ground, the camera pans up, we see another soldier shot down in war-torn terrain. Simple, direct language. Then Fuller punctuates the intensity with something interesting: the title song played over the opening credits as both irony and sincerity, and then Beethoven music over a shoot-out between Americans and the Nazis. Sgt David Brent (James Best) is shot, the battle goes on, and then it transitions to him being treated for his wounds.<br /><br />It might lead one to believe that this will be a somewhat conventional WW2 flick (somewhat in that one usually wouldn't find Beethoven and, later on to an extent, Wagner put into these images), but this isn't the case. Instead, Fuller makes this a 'Coming Home' kind of movie, though not at all in the sense that 'this soldier comes home injured and so on and so on'. Instead of really going home, Brent stays on in Germany, as he's fallen head over heels for the woman, Helga (Susan Cummings, pretty good at pulling off the German accent), and wants to work in a smaller capacity in the military so he can marry her. What he doesn't realize is that a) she wants him more for money so she can get food for herself and brother, however this gets complex emotionally at the point of revelation to the slightly naive but heartfelt Brent, and b) there's an underground Hitler youth sect called the Werewolves, who want to pick right up off where Hitler ended- starting small, despite argument within the group- by attacking the very government that's now embedded in Germany to give them, as Brent describes, a "blood transfusion." With this, plus footage from the Nuremburg trials, and (as narrated, I think, by Fuller himself) a quick, no-punches-pulled history of the Nazi war crimes piece by piece, we get a multi-faceted look at a society in the dire straits of an immediate post-war environment. While Rossellini handled it his own way with Germany Year Zero, Fuller tackles it with layers: first there's the love story, or what is the tragic downfall of a man who can't see anything past what he thinks should be reasonable, that it's his wife and a child on the way that he can't leave, until the revelation that he's (partly) been swindled. Baker and Cummings, along with Harold Daye as Helga's young, confused brother, perform at with the utmost detail to emotions; these aren't very easy B-movie parts, though they could've been that. Then another layer is the political one, the struggle of a society to come to grips with being conquered, and a mentality which is made sensationalized, to be sure, by Fuller, in respect to making the Nazi's a total no-gray-area thing: they're evil, particularly when they cancel out reason to meet their ends.<br /><br />And finally there's the layer of style, which is strangely absorbing. This is probably one of Fuller's 'talkiest' films, which isn't a bad thing considering it's one of his best written scripts, as the characters don't talk simply or in too many platitudes (with the exception of a small scene where two characters talk about the Hitler youth as juvenile delinquents, which is actually, according to Fuller's autobiography, probably another layer to consider in the subtext and the 50s period of movies). And Fuller shoots this almost in a real European style, when he's not going for fight scenes or battles, as the editing isn't always very fast, and sometimes a cut won't happen for a full minute, or longer. There's an odd tension that grows out of this, especially when there's something said by a character that gets another one wild-eyed or suspicious; Fuller could easily go for a big close-up, but there's a more sinister, cold quality to not moving away from two people in a conversation without a simple over-the-shoulder deal. But when it requires it, like the big brawl outside the American military office, or the Nuremburg footage spliced into Franz's memories of the Werewolves, Fuller can be as stunning stylist as ever.<br /><br />Very hard to find, but extremely worth it if you'r either a fan of the director's or of WW2 movies set in Germany- or even just a history-buff- Verboten! is an intellectual experience and a strong emotional one, with a cast that is better than expected from a B-movie, and an attitude towards the 'other' that is equally damning and thought provoking.
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I am a fan of the paranormal and I love Ghost Hunters so when this show first came out I decided to give it a try. I could barely sit through one episode. The show is so obviously staged. I mean come on, every single episode involves someone being possessed or involves a demonic force trying to kill the family. Another huge flaw is that these guys never debunk anything. When I watch Ghost Hunters they find evidence and try to disprove it and if they can't then it is evidence. On this show they find a voice or a piece of video evidence and they are very quick to call it a ghost. This completely ruins their credibility unlike TAPS and Ghost Hunters who actually know what they're doing. Honestly if you're interested in the paranormal and want to watch a show about it watch Ghost Hunters.
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| 5,259
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This is a great little film, that's very unique, and creative, with some great plot twists and wonderful performances!. All the characters are great, and the story while bizarre, is fascinating and very interesting, plus Nicole Kidman is simply amazing in this!. It's very hard to describe this movie, because it really is quite bizarre, it's a comedy/romance, one minute then it turns into a thriller the next, however it was still very entertaining all the same, plus Nicole's Russian accent was fantastic, and extremely convincing. Chaplin and Kidman had very good chemistry together, and i loved Vincent Cassel's performance!, plus some of the plot twists really took me by surprise!. The ending was very cute, and it's unpredictable throughout!, plus this movie is quite underrated as well!. You will feel sorry for Chaplin and the way that he is scammed, and i thought all the characters were really likable, plus the finale is especially good.This is Nicole's movie though, and she carries it with her incredibly sexy performance!. This is a great little film, that's very unique, and creative, with some great plot twists and wonderful performances!, i highly recommend this one!. The Direction is very good!. Jez Butterworth does a very good job here, with great camera work, solid angles and keeping the film at a fast pace!. The Acting is wonderful!. Nicole Kidman, is stunningly gorgeous!, and is amazing as always, she is incredibly sexy, very likable, had one of the coolest accents, added a lot of presence, had very good chemistry with Ben Chaplin, and had a very mysterious character!, she was amazing. (Kidman Rules!!!!). Ben Chaplin is great here, he is extremely likable, had a cool character, had very good chemistry with Kidman, the only thing i didn't like was him taking out his anger out on Kidman, even though what she did was wrong, and i loved how he got revenge in the end!. Vincent Cassel is fantastic as the main villain, yes he was OTT, but he was very intense and quite creepy at times, this role was perfect for him. Mathieu Kassovitz is OK here, but didn't have much to do. Rest of the cast are fine. Overall i highly recommend this one!. ***1/2 out of 5
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Eddie Izzard is nothing short of a comedic genius, and this is Eddie at his very best. His material is extremely witty and hilarious, and his delivery is some of the best ever witnessed on stage. Instead of insulting the audience's intelligence, he relies on it to draw humor from his wardrobe preferences, Hitler, the moon landing, and the British. With so many memorable laughs, one can't help but repeat some of his lines. Forever more, "Do you have a flag?" should be considered one of the funniest lines ever delivered in a standup routine. Every fan of top notch standup comedy needs to see "Dress to Kill". By far the best British standup comedian I've ever witnessed, Eddie Izzard has struggled for success off of the live stage. However, his lack of commercial success in film should not be indicative of how extremely talented he genuinely is. "Dress to Kill" is a treasure, one that luckily has found its way to home video, and can and should be enjoyed again and again.
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Of course, "Flatley" is already not exactly the ideal name for a dancer, but I think Michael is really pushing the irony envelope with this new title: "Feet of Flames" <br /><br />One really can't resist recommending Desenex Foot Spray to the retiring (and clearly, ailing) Flatley.<br /><br />I might add that, much like that cheering London crowd (per review below), I too am enthusiastic about this being his last live performance.<br /><br />"Hinting that it may be his last live performance, Flatley is cheered on by an enthusiastic London crowd." ~ Perry Seibert, All Movie Guide
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| 4,692
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This film was so unfocused, rambling and uneven that it was an effort to watch the whole thing. (I actually thought some interesting plot elements might develop.) This was nothing more than a "coming-of-age" film for the thirty-something generation. Total crap and I have no idea what Julianne Moore was doing in this since it was the only reason I picked it off the shelf at the rental store.
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that's incredible! Fidani (who he was also a spiritist) was one of the cheapest director of all the world. This movie stole the original title of Leone's "Duck you sucker!" but tell the boring story of a Pinkerton agent against the killer "Testa di Ferro" (the improbable Gordon Mitchell, a stuntman). All is poor and crazy in this pelicula filmed into the dear landscapes of Lazio. The story is bad and crazy at the same time. Fidani was not able and ingenuos at the same time. Into the story happened some kind of crazy illogical things (like the discussion into the Sheriff's house and the demential appearance of Butch Cassidy !?!?!?!?!? yes, really Butch Cassidy,who is portrayed like an idiot). Terribles nuit americaine, absurd comportaments, illogic plot, bad acting and a fugace appearance by one of the most rewarded anchorman in the story of italian television, Renzo Arbore. Ah, of course: Klaus Kinski. Yes is great and terrible, but i'm sure he was in it only for money an for playing with iron horses) 2 of 10 but...DON'T MISS IT!!!!!
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Good western filmed in the rocky Arizona wilds. Lots of tough guys throughout; Cobern's character seemed to rock back and forth between a raging psycho and a laid back type. Several holes appeared in the picture, but not enough to offset it being exciting and worth seeing. One really dumb scene shows Heston emptying .45 cases of their powder and collecting it in a sack for the purpose of starting a fire. A. To gather that much gunpowder he would have needed a pack mule to carry the ammo. B. The grass was obviously dry: why not just drop a match on it and let 'er rip?
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It's pretty evident that many of your nights were spent alone. If you watched 5 minutes of the actual show instead of watching the commercial you would have seen one of the greatest television shows in Canadian history being made. Too bad you would have been watching it alone. Probably the reason you hate it... no game. Keys to the VIP is hilarious, light and funny. Guys are going to eat this show up. My game is tight and I can hardly wait to get on this show. The chicks were HOOOOOT and the clubs kicked ass. I'll be watching every week. It makes me wonder why more great shows like this one aren't being made. Now it's clear that the talent in Canada has the ability to produce American quality television.
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The use of "astral projection"(wandering soul), to exist outside of body, with the result inflicting horrible death(..crushing the insides of victims leading to broken spine and ruptured organs)on those close to the one with such ability, is the threat of ETERNAL EVIL, providing Karen Black(..as Janus) with another "unique" character to fool around with as a woman who influences a commercial director, Paul Sharpe(Winston Rekert) tired of his waning marriage and dull career. In actuality, she's dying and needs his body, her spirit potentially harmful to his wife and son(..his son has a "special friend" who talks him into things, even poisoning himself at one point). A detective, Kauffman(John Novak) investigating the unusual homicides concerning those killed by the benevolent spirit, links Paul to the deaths and through him uncovers Janus. Soon both realize that Janus must be stopped or she'll simply move to another human host. What Paul doesn't know is that his new secretary is Janus' lover, both were actually older intellectuals featured in his documentary of astral projection called WANDERING SOUL.<br /><br />Director George Mihalka(My Bloody Valentine)certainly creates a weird atmosphere with this movie which contains a rather bizarre premise. It seems that Paul's boy can see the spirit moving in the shape of a "blue man", manipulating the kid into disorderly conduct. Black, despite the star treatment, rarely is shot close up taking advantage of her face which can produce the type of malevolent evil her character warrants. Instead, she's shot from afar, her voice dubbed, and she never quite establishes herself with the proper menace which is an opportunity lost, in my opinion. For some reason, despite the intriguing(..if oddball)idea of astral projection causing a spirit to kill folks from within, the film just never takes off. The soundtrack is very "Yanni-ish" and the lighting(..and sound), while at times moody and effective, often is quite murky. The pacing is a problem, also, as the story mules along. The cast is rather limp, especially Rekert in the lead, his performance erratic, at best. It doesn't help that there are few characters(..except Paul's wife)we could care less about, and what really hurts is that Paul himself isn't exactly the most lovable person in the world..he can be quite difficult and moody, his unfulfilled career a reason for such behavior. Black should've been a more prominent figure in the film, yet remains mostly in the background, talked about in dialogue between Paul and Kauffman, but rarely does she get a chance to amuse us with her histrionics, which is a shame.
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| 5,423
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This movie is not realistic at all, more of a comedy than a serious war film. Very old-fashioned too. Maybe I was just expecting it to be on a same level with "Platoon". I wonder, why 50% of the voters gave it 10? Something must be wrong.
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| 6,128
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This is a comedy of morals, so occasionally a gentle touch of bitterness occurs, but a lightness soften all sarcasm and irony flows till all of a sudden one moment will halt your heart and changes everything.<br /><br />This film, marvelously written and directed, is a gem that shines perfectly, with beautiful acting by all. Jean-Louis Trintignant is exquisite as usual, and Romy Schneider is a pearl, perfect and glowing, that is not to be missed. A truly wonderful film !!
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Rififi deservedly gets a lot of mention for the famous heist scene, and, indeed, that scene deserves all the credit it gets. It's a masterful piece of suspense, character interaction and photography. But Rififi isn't just this one scene - every scene in the film is as masterfully put together, and as a whole, the film is not only taught with suspense, plot and character, but an adroitly told moral tale that set the scene for film noire for years to come.<br /><br />Cinematically and technically, the heist sequence may be the most impressive scene of the film, but for me, it's the final scene that holds the most power - Tony le Stéphanois's hallucinogenic drive towards redemption.
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This episode is a bit confusing. Some people say that you have to start from the very beginning but I have to say I was a bit confused from the beginning!<br /><br />Clark gets a blow to the head and wakes up on the floor of Fairview Mental Institution and is made fun of for believing that he's a superhero. Clark is told that the life that he knew was all in his head. Delusional. He also find some things that are unusual: Martha's married to Lionel; Lex is bound to a wheelchair with his limbs cut off after his accident on the bridge; and Lana is devoted to Clark. But he finds one familiarity; someone else who's devoted to Clark: Chloe. He also finds that a mental patient is also from the known world of Smallville. And the doctor is an escapee from the Phantom Zone.<br /><br />This episode reminds me right back to a Buffy episode called "Normal Again" where Buffy begins to have vivid-daydreams about a mental asylum. The doctor tried to convince her that all that she knew was a figment of her imagination and that she was, in fact, crazy. Her parents were still married, they still lived in LA, her friends didn't exist, Angel was never her boyfriend and she didn't have a sister called Dawn. Demons and vampires also didn't exist. Both episodes are a bit sad because doctors aren't just telling the characters that it's all a figment of her imagination but it tells us what it really is: fiction, and it brings us back to reality. It's nice, though, to have a sense of reality every once in a while, but we watch these shows to escape from reality. It's again nice because the characters have to overcome new challenges.
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How is it possible that a movie this bad can be made. Bad acting. Bad script. Just an embarrassment all around. This is just one bad cliché after another.<br /><br />This movie actually has some big name stars in it. Unfortunately they're singers and not actors.<br /><br />This movie made hardly any money for a good reason. The appeal of black cowboy movies just isn't there. It's a shame they didn't have a good story to tell. <br /><br />This movie actually has some big name stars in it. Unfortunately they're singers and not actors.<br /><br />This movie made hardly any money for a good reason. The appeal of black cowboy movies just isn't there. It's a shame they didn't have a good story to tell.
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| 1,991
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I'm not a huge Freddy Krueger fan,but that doesn't mean that I don't like Robert Englund and his other Nightmare on Elm Street movies.I think that Robert is a very good actor.Nobody plays a better Freddy Krueger than he does.But,no offense Robert, this movie sucked.The acting is terrible,the plot is really weak,and Freddy Krueger is the only part of the cast that's even worth watching.Sometimes sequels can be better than the first,such as the Friday the 13th franchise(I thought the remake was the best in the series.)But this isn't one of those movies.The original was good,the 2nd in my opinion was better,the 3rd was okay but I haven,t seen the others.Whatever you do,don,t make the same mistake I did by watching this piece of crap.
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| 2,364
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Okay, so Robbie's a little hokey-looking by today's standards, and some of the acting is pretty stilted, and most of the special effects could now be duplicated by a bright 12 year old kid with a decent computer editing program. And don't get me started about the poster.<br /><br />This is STILL a great movie, 40 years after it was released. I grew up watching "science fiction" on the local TV station's "Science Fiction/Adventure Theater" on Sunday afternoons, so I've seen quite a few SF movies from the '50s. At a time when most movies were content to slap a rubber costume on somebody and have him demolish a miniature model of a city, Forbidden Planet forever raised the bar and showed that it was possible to make a science fiction movie which actually had a plot.<br /><br />I doubt that many SF movies made in the '90s will still be considered worth watching in 2030.
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I might not have been the biggest Blair Witch fan but nonetheless appreciated that effort, so I was looking forward to Altered, especially after reading the superlatives thrown around in various IMDb comments. "Unique", "intelligent", "A future cult classic" and so on... you gotta wonder where people come up with that stuff to describe such a poor effort.<br /><br />Because alas, Altered is a poor, weak movie that fails to engage in any and every respect. The silliness is not funny. The horror and gore is not scary. And whatever "thinking" aspect some poor fellows saw in this movie were due to severe delusions because there's certainly nothing profound or smart about this mess.<br /><br />OK, so we know nothing stands out. Is it at least bearable? Is the experience worthwhile in any way? Unfortunately, no. For starters, get very poor acting. It's not a stretch to say most B-movies these days feature better acting. The plot? Boring and messy. Dialogs? Many amateurs actually do better.<br /><br />It's really the direction that puzzles. I did not expect major improvements over Blair Witch but at least small steps forward. Instead, our director seems to have worsen over time, completely oblivious to previous experiences.<br /><br />If there is a major flaw in Altered, it's the main set. A major part of the plot takes place in a single location, where the main characters are confined but Sánchez has failed to give the place any personality whatsoever. Considering that in Blair Witch, the forest plays a major part and is as much a character (an antagonist, if you will) as the three students, you would think the director would realize the same thing was needed here. But no... this place has no personality whatsoever thanks to sloppy direction and no attention to details.<br /><br />There's nothing salvageable here. Die hard fans of "Blair Witch" are better off following Daniel Myrick. Although his output is far from being golden, it shows better structure than Sánchez and some lessons from Blair Witch are applied (unfortunately, in weak stories but still).
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| 6,763
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This 1931 comedy gets better with every viewing because of the comedic talents of Marion Davies and a terrific performance by C. Aubrey Smith. Smith plays a gruff old man who gathers his grown children (from his younger days as a rake) in his declining years. One is American (Davies), one English (Ray Milland who looks about 18), and one Italian (Nina Quartero). There are some surprises as the plot moves along with Ralph Forbes(was has no appeal at all) falling for Davies.<br /><br />Davies and Smith are just wonderful together and very touching. Davies also gets to do a few dances and make a few "big" entrances. And of course Davies is just gorgeous.<br /><br />Halliwell Hobbes, Doris Lloyd, Elizabeth Murray, Guinn Williams, Edgar Norton, and David Torrence co-star. Had they given out supporting Oscar awards in 1931, Smith might well have been nominated. He's just excellent in this this gem.
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This is truly terrible: painfully irritating stylised performers screech and mug gratingly incoherent dialogues which take place in scenes which seem to have no purpose, no beginning, middle or end, cut together without any apparent narrative or even cognitive intention, all in the service of some entirely uninteresting and almost undetectable "story". What makes it worse is the film's pretentions to "style": suddenly a remote-head crane shot spirals downwards, and, without any apparent reason there are sudden whip-pans or wobblyhand-held sections: all this "style" merely serves to magnify the almost unbelievably huge misconception of the project and the almost offensive vacuity of the material. Definitely a candidate for the worst film ever made.
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| 8,249
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Astounding.....This may have been A poor attempt at remaking the already recreated Omen Movie, but I sure enjoyed it.<br /><br />That last Man who commented is a fool, This Movie was one of a kind, And the Music Dark, Jerry Goldsmith Himself, would had applaud this Movie.<br /><br />Great recommendations from Myself to Watch or Buy this Film.<br /><br />I collect horror Movies and Soundtracks, So listen to what I have to say, not that other idiot.<br /><br />There is only one thing that do not fascinate Me, the endings.<br /><br />According to Prophecy it is all inaccurate, Including Final conflict, and Left behind.<br /><br />But My conclusion being.... There great Movies...and should be seen, before the Great Depression falls upon Us, and Before the Democrats Take over the Presidency too.<br /><br />So Signed....Jacob Eder...A Farmer, with A Mastermind.
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In the dusty little town of Furlough in Texas, an animal is slaughtering the cattle and the locals. When the teenager Tommy (Michael Carreo) is killed, their friends Anna Furlough (Erika Fay), her Mexican-American boyfriend Miguel Gonzalez (Gabriel Gutierrez), Jill Gillespie (Sara Erikson) and Rosie (Martine Hughes) finds that a Mexican werewolf Chupacabra is the killer and they plot a plan to kill the beast.<br /><br />"Mexican Werewolf in Texas" is an amateurish crap and among the worse movies I have ever seen, if not the worst. Nothing works in this movie: the screenplay is laughable, with some of the most terrible lines I have ever heard. The direction does not exist and the camera follows the "style" of "The Blair Witch Project". The amateurish acting seems to be a prank of high-school students or a high school play. The "special effects" are gruesome and extremely poor and the "werewolf" is the cheapest I have ever seen. Ed Wood movies are cult, but this "Mexican Werewolf in Texas" is pure garbage. In the end, Jill says that no man can resist her teats (actually the most beautiful thing in this flick). But I believe the correct quote should be "no man (or woman) can resist to watch this movie to the end". I was driven by my curiosity to see how bad a movie can be and I lost 88 minutes of my life, but I believe most of the viewers will stop seeing with less than 20 minutes running time. My vote is one (awful).<br /><br />Title (Brazil): "Um Lobisomen Mexicano no Texas" ("A Mexican Werewolf in Texas")
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This is the classic case of an excellent film being looked over by the American public simply due to the fact it didn't have Bruce Willis or Arnold Schwarzenneger as the lead man - Adrian Quinn does a better dual performance, thats right you heard it dual performance in this film than either of those have ever pulled off in their careers! Well anyway, now to the review...<br /><br /> The Assignment is loosely based upon the story of Carlos the Jackal, a 1970's radical who terrorized Europe for years before finally being apprehended by French agents. In this adaptation, a US Naval officer (Adrian Quinn) is on leave in Israel when he is apprehended by Mossad (Isreal's crack intelligence / counter-terrorism agency) and took in for questioning due to the fact he looks EXACTLY like the jackal (this is the one extremely cheesey part of the film, but trust me it doesn't detract from the great value of this film). When it is discovered Mr. Ramirez is not the Jackal, however, he is recruited by a hardened CIA agent by the name of Jack Shaw (Donald Sutherland, who does his usual grizzled mysterious government authority figure routine but in a stupendous manner) who has spent his life hunting the Jackal, and the series of events which follow will captivate anyone who watches this film - it is chock full of great acting, without all the usual action film cliches and one-liners, and a great plot which will surprise anyone. The three leading men - Quinn, Sutherland and Kingsley - carry this film much further than its modest budget would have allowed with anyone else filling their shoes. Also kudos to the director and his staff, the camera angles and cinematography are top notch, especially in the action scenes. The Assignment is better than anyone renting it could ever expect, its a pity the film did fairly poorly in the box office, otherwise we might see a sequel to this stupendous espionage thriller.<br /><br /> 9/10 stars, this reviewer HIGHLY recommends it to all potential viewers!
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Richard Gere and Diane Lane star in a chick flick romance with the sort of ending I get really angry about...lets just say its not my cup of tea, just like the dime store romances are not my cup of tea.<br /><br />The plot has a doctor stopping at an inn and meeting a woman that he has a deep but brief affair with. He goes off to meet his estranged son and she goes back to her life.<br /><br />Well acted and well made the filmmakers forgot to get a real plot line. This is the stuff of dime store romances that makes the women swoon and the men shake their head in disbelief. I wouldn't be so adverse to the film as a mindless romance, except that the film takes a turn in the final reel that is so out of left field as to be completely unbelievable. Why must certain types of movies do stupid things like this? It really ruined it for me.<br /><br />If you like romance give it a shot, though wait for cable.
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"The Case of the Scorpion's Tail" has all the elements that are necessary in order to make an effective giallo movie. The story is standard giallo. When a man dies in a plane crash his wife (Ida Galli) collects a $1 million life insurance policy. The widow heads to Greece for the payout but a series of gruesome murders follow her. There are plenty of suspects, including a tenacious investigator (George Hilton) from the insurance agency and the widow's lover. Director Martino keeps the story moving at a fast pace while the viewer tries to guess the identity of the killer. Anita Strindberg (also memorable in "Your Vice Is a Locked Room and Only I Have the Key" and "Who Saw Her Die?") is a stunning-looking heroine. It's one of Martino's best films.
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Any child old enough to sit up in front of a screen will be absolutely captivated by the beautifully drawn images and wonderful music in this heartfelt and humorous re-write of the Grimms' fairytale. They'll be singing 'Bibbity-Bobbity-Boo' before they can even formulate a complete sentence and will continue singing it till their dying days. It is a classic for all children, especially those adults who are young at heart.
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At least it is with this episode. Here we have a time traveler, the Professor from Gilligan's Island, no less, going back in time to 1865. What does one do--why try to save Lincoln of course! No really interesting variations are rung on this old theme. As another reviewer has stated, this episode is particularly drab and unstylish, with little to suggest that "the Professor" really is back in the 1860s. Budget limitations are readily apparent, and the direction is stolid. John Wilkes Booth adds a spark but it remains a very flat production. We too often feel we are on stage sets, waiting for something clever to happen. There is a minor twist at the end, but I emphasize minor.
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This movie is one of the most provocative Jesus movies I have ever seen. It does not seek to tell the whole story, but only to portray an interpretive expression of the last day of Jesus Christ. It is darkly witty, playful and seriously faithful to elements of the Jewish tradition and to modern scriptural interpretation. Judas is much more ordinary than other portrayals, not the dark and sinister evil that we sometimes imagine, but a grossly mistaken man, horribly misguided in his zeal. Chris Saranden's Jesus is playful and serious, faithful and committed--very human while also divine. The final dialog is thoughtfully done and serves as the kind of small talk that two powerful men might do when they have just committed an atrocity. I would watch this movie again and recommend it to others.
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The final season of Roseanne was a roller coaster ride of crazy. This final episode does just what a previous comment says, it tells us that as much as we might have thought we knew the characters we did not. Roseanne reaches back to season one, and tells us that this show has been her rendition of her life. She says in this final episode that she changed events and people as she sees fit. Scott was not really with Leon, but he existed. Mark and David married opposite wives in real life, and Dan died when she made him live. As events happened in her life, she changed them in her writing. Don't we all wish we could do that. Don't we all have a moment in time that we wish we could just use an eraser and change to our liking. This is what she did with the entire episode. And to another comment I would say that I don't feel cheated, the family was real in my mind, she just changed the way that events happened in their lives. An A+ ending to an A+ show!!!!
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I loved "The Curse of Frankenstein" so much that I rushed out to get "Frankenstein Must Be Destroyed" to see Cushing at it again...even if it was without Chistopher Lee this time. To my great disappointment, this movie not only does without Lee, but it does without Frankenstein's Monster altogether! Was it a case of "If we can't get Lee, we won't have a monster at all"? Why would they do that? The monster is half the fun of the whole thing!! This film is dedicated solely to the study of Baron Frankenstein and his quest to finish experiments he had begun in brain transplants before ending up in an asylum. I found the script extremely weak, with the need to suspend disbelief forced upon the audience a little too much. I'm willing to suspend a fair amount, but this movie got fairly ridiculous, which took me out of the film rather than immersing me in it.<br /><br />Peter Cushing, though, is absolutely brilliant playing pure evil in this film. For being one of the most beloved actors and notoriously sweet men, he sure could play menacing and malevolent extremely well. The supporting cast is competent, but has little to do, even the young doctor and his fiancée blackmailed into helping Frankenstein. A bumbling police chief is introduced, along with his put-upon sidekick, to generate some comic relief, then they are completely dropped from the movie! Why? We are led to believe that the police chief will be the main nemesis of the Baron, then we are led to believe it will be the young doctor, and then it ends up being the victim of Frankenstein's brain transplant experiment. There was no tension, we weren't invested in the "creature", and the ending was left so ambiguous as to leave one unsatisfied because it is so clear they are setting up another sequel.<br /><br />Also, there are virtually no "horror" elements. Yes, there is a beheading in the beginning (off-camera), and we are treated to the sounds of Cushing cutting the tops of two men's skulls off (again, off camera), and there is the most unsettling and thoroughly unnecessary rape scene (90% of which is, again, off-camera). I understand that there is a love of "letting the audience imagine it all, for their imaginations are far worse than what we can show", but come on, if you're not going to give us a Monster, then at least let us SEE the few "horrific" elements you do choose to include. Showing us a skeleton in the lab lit with a green light is just not scary.<br /><br />On top of a weak script, I thought the directing was mostly flat. There were a couple of nice shots, but otherwise no excitement, atmosphere, or suspense was generated. The same director did "Curse" back in 1958 and I thought it was brilliantly directed...guess he was as uninspired by this film as I was.<br /><br />The movie gets a 4 out of 10 from me strictly for Peter Cushing's powerful, nuanced performance...beyond that, I found little in this movie worth recommending. Instead, my suggestion is to watch "The Curse of Frankenstein" and see a truly great Hammer horror film.
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Relish every moment of this languorous spectacle with music to match (Mahler's 5th is gorgeous, but listen to the vocal portion of the 3rd symphony so beautifully utilised in this film). There are many aspects to this film, but the main subject is the overpowering force of beauty, its spontaneous nature, absence of logic for love and adoration. I am also an ardent fan of Bogarde and believe he was rarely as wonderful (try him in "The Servant" however). Note: I recommmend multiple viewings.
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In the eighties, Savage Steve Holland put out three movies, two of which are classics of what seems to be a very small genre, absurdist teen comedies. The third "How I Got Into College" does not measure up to "Better Off Dead" and this one, mainly because of it's lack of John Cusack and Curtis Armstrong (Except for a tiny cameo).<br /><br />One Crazy Summer is an underrated movie, with lots of great characterizations and gags. As I recall, Savage Steve's movies were vilified as being brain dead at the time and after three movies he drifted into children's TV. We could use more movies from the likes of him.
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You're waiting to see if the remake is better or worse. I rated the Audie Murphy movie a 3 (I'm a harsh grader), the second lowest I ever gave Audie (the worst being "Battle at Bloody Beach" if you're curious). I give this movie a rating of "8" (and I'm a harsh grader) It's the Civil War story of renegade "soldiers", if you want to call them that, against the North. People like Quantrell, and the men who rode with these outlaws.<br /><br />The original was a watery version, very clean cut, while still depicting the horror of what these men did. Actually, movies such as the older version are best viewed by mature audiences, who can discern the story. I would be more apt to rate the original "R" and this one, with it's gruff nature, a GP, because the newer movie gives a very honest version, a message more easily deciphered by a juvenile than the older version.<br /><br />Film makers since the early sixties have boasted about "Realism", but few of them deliver. Instead, they just give the drab scenery, drab costumes, and drab events, but with comic book cardboard stereotype characters, the weakness of the spaghetti era.<br /><br />Modern film makers have realized this mistake. It is evident in a superior style of Western we usually see today. This movie is an example. It gives the realistic settings, but also gives us characters we can believe exist in that era.<br /><br />It has a few lulls, which makes a complete sit through a bit hard, and it has some unexplained situations. But unexplained situations are okay as long the entire movie holds up, and the characters are intriguing enough.<br /><br />It begins a bit campy, but really improves. The main character is one we can identify, and at least have some sympathy for. The Audie Murphy character of the early movie really evokes no sympathy, and is too self righteous without motivation.<br /><br />The character in this movie follows the lines of a true anti-hero. There is motivation, and a method to his madness. We never feel he is truly "right", but we can understand where he comes from.<br /><br />There is plenty of action in the movie. There is also some humor. One good scene is when the heroine tells the hero she wouldn't lie to him, and he mulls that over.<br /><br />This movie succeeds in doing what film makers have been trying to do for decades. This director and writer team got it right.<br /><br />Recommended. Complete success.
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When I saw this film at a festival years ago I was very impressed and I started to looking for it. Nothing to do, not in the cinemas, nor on DVD neither on Blue ray. Absolutely nothing!!! How it's possible this could really happen??? The direction is IMPECCABLE, the story is intriguing and has been filmed in a very original way the music it's perfect and James Franco is hot as hell!!!<br /><br />Please release this master piece and allow it to have it's proper life!!!!!!!!!! This is really a very great movie that people should see and it deserve another chance!!!!!! <br /><br />Edvard
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This is one of the most satisfying of the book to TV adaptations. The actress who make us believe that a Borg could be sexy makes us believe that a spy and traitor can have some redeeming qualities.<br /><br />The TV plot line does not follow Cornwell's story exactly but is both exciting and rewarding as a retelling of a darn good yarn. If you have a yen for romance in uniform there is a lot of sexual energy sparking between our man Sharpe and the lying hussy. Made me wish her role was closer to that in the books. But no matter there is enough hero wronged, hero redeemed, hero in rage, hero in flight and hero in battle to keep you clued to your DVD play.
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Since I am required to write minimum of 10 lines, and this garbage deserves not only a single one, I'll start with the following: 1. I voted AWFUL for this dreadful so called "movie".<br /><br />2. Let me explain why these turkeys Mr. David Varod produces are shot mainly in my beautiful homeland, Bulgaria (just in BTW, for the illiterate people around - this country is IN EUROPE, based north to Greece and has absolutely nothing to do with Mexico and Uruguay) Some years ago, NU Image has invaded our country and started making crappy mostly direct-to-video releases. Why here? Because here they pay derisively low fees to the Bulgarian crew and to the Bulgarian actors (most of them distinguished ones) which are, in many ways, better than most of their American colleagues. Personally I am ashamed of that fact. The reason is, of course, the greediness of the Americans involved and their wish to get most, if not all of the profit. Actually it would't be so bad if only the production wasn't so filthy and pale. There hasn't been a good picture shot here for years. At present NU image is being sued here over the very questionably purchasing of our national cinema production centre called Boyana Films. No doubt about it there has been corruption, there has been deceit, there has been a lies in this recent purchase. The Bulgarian cinema is dead. Long live the Bulgarian cinema!
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"Stella", starring Bette Midler in the title role, is an unabashed tearjerker. Set in upstate New York, Stella Claire works nights as a bar maid, pouring and dancing in a workingman's saloon. One night, in comes a slumming medical intern, Stephen Dallas, who woos Stella, and in the course of their affair impregnates her. She spurns both his offers of marriage and abortion, sends him packing to a lucrative medical career, and raises her daughter herself in near-poverty. Flash-forward 16 years and the daughter has grown into a gorgeous, loving, young lady. Dr. Dallas is not out of the picture, still maintaining a tenuous, but caring relationship with his daughter and
..I'm rambling, and worse yet, making the movie sound somewhat interesting. The acting and screenwriting are so over-the-top you'll let out a groan in almost every scene. The chief offender is Bette Midler, but close behind is John Goodman as her alcoholic buddy. Each scene seems more contrived than the preceding right up to the finale, which is truly a hoot. Taken as a dramatic piece, this film rates no more than grade D, but as camp, it scores an unintended B+.<br /><br />
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this movie is quite bad, aggressive, not played well, not directed well, seems low budget, low quality,emotionaly weak and disconnected. after watching earlier comments, went to see it, but if u try to compare it with apocalypse now, PLATOON, or any others, u'r really off the tracks. this movie looks like a 60's old and purely made film with cast of grown neanderthals, not to mention (or actually do), not paying attention to details like changing rounds, low budget fireworks and all sorts of poorly filmed characteristic. is watchable though, if u'd like to see it as an early development of the movies document.. not to go back!!<br /><br />p.s - afterall, the guys are quite alright.
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Orson Welles' "The Lady From Shanghai" does not have the brilliant screenplay of "Citizen Kane," e.g., but Charles Lawton, Jr.'s cinematography, the unforgettable set pieces (such as the scene in the aquarium, the seagoing scene featuring a stunning, blonde-tressed Rita Hayworth singing "Please Don't Love Me," and the truly amazing Hall of Mirrors climax), and the wonderful cast (Everett Sloane in his greatest performance, Welles in a beautifully under-played role, the afore-mentioned Miss Hayworth--Welles' wife at the time--at her most gorgeous) make for a very memorable filmgoing experience. The bizarre murder mystery plot is fun and compelling, not inscrutable at all. The viewer is surprised by the twists and turns, and Welles' closing line is an unheralded classic. "The Lady From Shanghai" gets four stars from this impartial arbiter.
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Remember - before there was Sidney, there was Dudley.<br /><br />Dudley Digges is barely recalled today - because his heyday as a fixture in sound movies was the late 1920s and through the 1930s. Except for one major performance: the ship's good natured, if tipsy doctor in the 1935 MUTINY ON THE BOUNTY, most of his films are barely revived. More's the pity because he was a wonderful actor. In 1931 he played Casper Gutman (the original actor to play that villain) opposite Ricardo Cortez's Sam Spade in the first THE MALTESE FALCON. Similarly, about the same time, he played the recording angel in Leslie Howard's version of OUTWARD BOUND - the same role that Sidney Greenstreet tackled in BETWEEN TWO WORLDS a decade later.<br /><br />Digges could be likable and lovable (that ship's doctor again), or detestable (in CHINA SEAS, as the judgmental First Mate sneering at poor Lewis Stone but then proving he's as big a coward in a moment of crisis). He held his own against Paul Robeson in THE EMPEROR JONES. He is the Chinese freedom fighter working with Gary Cooper in THE GENERAL DIED AT DAWN. Digges could do anything. <br /><br />Here, he is Mr. Thompson, the hypocritical and thieving warden of a reform school that Frankie Darro and his friends are sent to for committing a robbery and injuring a Greek-American store owner (it is the latest incident for most of them). Digges is as bad here as in CHINA SEAS, but it is a close thing to totally dislike him. He's able to somehow transcend his roles...more later about that.<br /><br />Darro has a gang of urban delinquents (including a Jewish boy and "Farina" from "OUR GANG"). As pointed out in another review, it is a prototype of the Bowery Boys. We see them shake down car owners to pay them to "watch and protect" their autos. When one guy won't do it, they calmly wreck his car. The snatch and grab robbery at the store of the Greek-American is also rather graphically shown - his skull getting fractured when pushed. <br /><br />The boys are rounded up and brought before stern but decent judge Arthur Byron, who realizes that he can't leave the kids with their parents: the parents are unable to watch them, or are incompetent. Unfortunately there are three racial stereotypes in this sequence: a Jewish father who is more concerned with his business than with his son, Farina's stereotype "Yassum" father, and the an Italian father whose willingness to cooperate gets his son out of going to the reform school.<br /><br />Once there the boys find the regime oppressive. Occasionally one of the guards or the nurse (Madge Evans) tries to speak up for them. But Digges has no time for coddling. His is a regime determined to break the boys so they behave themselves. Unfortunately, Digges and his bookkeeper partner are greedy. They have been serving inferior food to the boys and pocketing the profit. <br /><br />One day a new official comes from the state to look at the reform school. It's Jimmy Cagney, who is a hack ward heeler whose gang got the vote out for Edward Maxwell. As a reward (he could not get the Park Commissioner post) Cagney was made an Assistant school inspector. He is supported by his hanger-on pal and factotum Allan Jenkins (in his first Warner Brother film). <br /><br />The irony is that if Digges were a bit more careful, Cagney would probably have let him continue running things. But Cagney arrives to see Darro brought to Digges for fighting. The Warden and Darrow have had problems about respect earlier, and Digges now intends to punish Darro who flees - but get seriously injured by Digges' barbed wire fences and his free use of a whip. Cagney stops Digges and lets Evans treat Darro's injuries. And she explains the reality of the situation to Cagney, and her own idea of real reformatory reform of the boys by building up trust in them with responsibility.<br /><br />The film follows this to the end, showing that Cagney and Evans are on the right path, turning the reformatory as a "republic" for the boys to run properly. This leads to conflict with Digges, whose profiteering is reduced as he is no longer getting supplies. But the scheme is derailed when Cagney himself finds he may be in serious trouble with the law. Digges sees his opportunity and fully takes it. But then he goes too far...far more than he ever bargained for.<br /><br />The 1930s had many films showing kids taking steps to right wrongs and change things. Darro appeared in such as WILD BOYS OF THE ROAD. Cecil B. De Mille did THIS DAY AND AGE, where the kids teach a lesson to a gangster played by Charles Bickford that scares the hell out of him. So it went in the 1930s. THE MAYOR OF HELL reaches a similar intensity of vengeance and juvenile justice seeking. But that's the one problem of the film. Digges' character is a knave and hypocrite, so we never really cheer for him, yet if he wasn't a thief we might go along with his view (even if it is counter-productive). The scenes at the start of Darro and his gang preying on people actually make the harshness Digges would follow seem fairly understandable (even if his thieving ways are not). Also he has one moment when he's justifiably angry at Cagney - at that point in hiding from his own clash with the law - giving orders over a phone from long distance to a befuddled Digges. When Digges learns what's actually happened he is justifiably furious at Cagney lecturing him about proper behavior. It is the closest thing to making Mr. Thompson sympathetic in this fine movie.
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I have lost count of how many reviews I've written on Slaughter High. I've read a lot of bad ones and I will say right now this is a fantastic movie. Simon Scuddamore made his fame in a short time for his well known suicide, and even though this was his only film, he is what made the movie so great. At first I did not know anything about Simon until I read a review about his suicide. Then I found out due to the current webpage at www.IMDb.com he was born in 1957, in Dayton, Ohio. Simon may have played the most pathetic character known to man, but his real life self certainly had their strenghths and weaknesses. He did a good acting job, who can disagree? I always wondered how he felt showing himself naked in a movie. Must have been pretty embarrassing to say the least. I first saw this movie when I was 12 in the sixth grade. I agree with some pointers like the girl would not take a bath after somebody was murdered, and that high schools do NOT have bath tubs! I think Caroline Munro who was 36 at the time was the only other star that had any dignified acting talent, and unfortunately for Simon's death he made no future films. The reason(s) for his suicide are a mystery, and hopefully will be discovered in the near future. Doing the math on his webpage it tells you he was 29 years old when he made Slaughter High. He looked like a teenager. I give this film two thumbs up, the best horror film made. Probably because of their horrible acting the others didn't make fame in the movie business. -Jacob Young
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This film's premise seems to be that the passing of the World War 2 generation in America, with its apple-pie phoniness and hypocritical morality, was a terrible tragedy. Those awful hippies ruined everything apparently.<br /><br />What holds the film together are the excellent performances - particularly Lemmon's which is truly remarkable. Otherwise we have a boring slice-of-life drama (just over 24 hours of Jack's life) with pretensions.<br /><br />I found it a chore to sit through.
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I just watched this film again and remain dismayed at the number of cynics who dismiss it as just New Age pap. A great film, one that takes its time to develop, it keeps coming close to going over the edge but never does and ultimately is meditative, affecting, and truer to life than most films people who dismiss its "coincidences" can see. I was angry at the time that movies like "Prince of Tides" and "Bugsy" (though I liked the latter) were nominated for best picture that year (let alone that "Silence of the Lambs" won!) and this was ignored completely except for one nomination for best screenplay. Upon revisiting it, I think history supports my initial reaction!
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My family and I enjoy this show and find it a fair thumb nail sketch of what the people went through.<br /><br />My own father spent some time in Changi before going onto the Thailand-Burma Railway in "F" Force. Much as been said about the treatment the POW's received, I will just say that my father was 6 foot 1 inch and 196 lbs when Singapore fell, at the end of the war he was 5 foot 11 inches tall and 91 lbs.<br /><br />No show could truly convey what the POW's went through, but this comes closer than most.<br /><br />As the Ex POW's say, "If you didn't have mates you didn't survive." This show succeeds in getting this message across.
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This movie was hysterical. I haven't laughed this hard in a long time. I mean, it's not "Good Will Hunting," but was it supposed to be? I actually went into the advanced screening expecting a lot less and was pleasantly surprised. The comedy hits hard and is fairly constant. Amanda Peet is hot and awesome. The entire audience that I screened it with seemed to be enjoying the film as much as I did.
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I saw this movie in September with my mother. I was expecting a good movie, and I saw an excellent one. This is now my most treasured movie. It did not leave me after I left the theater. The situations in this movie reminded me of my late grandmother. Meryl Streep and Renee Zellweger were equally incredible. This movie has made me realize how important family relationships are. Rent it. I can't recommend it enough.
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This was a very faithful presentation of Lewis's life in the mid-50's. The dialogue on theology and the banter with his follow colleagues was exceptionally good. Michael White's book, "C.S. Lewis: Creator of Narnia" deals with this time frame in a very parallel way. Joss Ackland's acting was superb in catching the unemotional Lewis. The movie took great pains to be presented in an accurate English setting. The development of a strong bond between "Jack" (his preferred name) Lewis and Douglas Gresham, Joy's son from her previous marriage, was enjoyable to watch. The movie did avoid the distasteful element of "Warnie" Lewis's (Jack's older brother) drinking problem, but it would not have moved the story on, so it is best left out.
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I first saw Robin Hood: Men in Tights back in 1994 in the cinema. I went to see it because I always liked Robin Hood and I saw the trailer of this movie and thought it was hilarious. After I saw the movie I must say it was even better than I thought. Not only is it very funny, it's also a very well made movie with beautiful sets and costumes and a very beautiful score by Hummie Mann. The acting in the movie is also good, Cary Elwes is funny as Robin Hood and also Tracey Ullman, Richard Lewis, Mark Blankfield, David Chapelle, Amy Yasbeck, Megan Cavanagh, Eric Allan Kramer, Matthew Porretta and Mel Brooks himself are funny. But the best part in the movie is played by Roger Rees as the evil Sheriff of Rottingham. He has the best scenes in the movie and also the best dialogue ("King illegal forest to pig wild kill in it a is", which stands for "It is illegal to kill a wild pig in the king's forest").He somehow mixes up all the words and speaks out a sentence that nobody understands. Robin Hood: Men in Tights is in my book one of the best Mel Brooks films to date and I can't say that I have laughed as much about a film as this one. It's just non-stop laughing.
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80's sleazy (glam)rock is like 90's house music or current boybands: it's boring and has no ideas or ideals. The only thing that makes it a bit 'cult' nowadays is that it's a long time ago, so we can laugh at its sillyness. Too bad 'Rock Star' has no laughs at all, as it must be one of the most boring movies of recent years.<br /><br />Chris (Mark Wahlberg) is singer of a Steel Dragon tribute band. When he's kicked of the band at the same time the real Steel Dragon singer is kicked of as well, he becomes the next lead singer. You already know how this is gonna end up at that time, with Chris losing it with sex, drugs and r&r and forgetting about his long-time girlfriend/manager, Emily (Jennifer Aniston).<br /><br />There's way too much (boring) music in this standard formula-packed excuse for a movie and should be avoided for it at all cost. Watch the (over-rated, but still more fun) Almost Famous instead, or even better, a movie about real people playing real music having real emotions, That Thing You Do.<br /><br />What a stinker. 2/10.
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Irene Dunne finished her illustrious career with this so-so movie. She should have gone out with a bang, being the classy actress she was, not in this unmemorable, almost unknown film. <br /><br />This lightweight comedy is okay, but nothing special. The first half of it is far better as it gets pretty stupid in the second half. Maybe Irene could see the handwriting on the wall and quit. Even her high-pitched voice got a bit annoying in here. Rumor has it she was not happy with this film. One can see why.<br /><br />The story reminded me of a 1950s television sitcom. Speaking of that, I thought David Nelson from the Ozzie & Harriet TV show was in this movie but it turned out to be a very young Richard Crenna. He looked and sounded just like Nelson.<br /><br />Overall, so-so at best and a sub-par ending for a great actress.
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I remember this film of old. It's a great, chilling, atmospheric horror picture about a man who moves into a Scottish castle, only to discover that there are strange goings-on in the corridors at night. And there are even stranger events taking place out back, in Hollywood's most familiar hedge maze. Yes, this is the maze you've seen in every feature-length film that ever involved a topiary puzzle, up to and including "The Shining." But the punchline to this story is about the last thing you would guess. I certainly didn't see it coming. This is a fine example of how good and convincing a movie can be even when the premise is utterly loopy, bordering on laughable. I'd recommend it to anyone.
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You don't have to spend much time watching this made for TV movie or series pilot or whatever it was intended to be to figure out just what lies in store. The incredibly bad musical score makes its debut from the start. Seriously, if this isn't the worst theme I've ever heard, I certainly can't remember it. While the acting talent is available here, from Jeff Bridges to Carl Betz, Vera Miles, and Sal Mineo, the writing is atrocious and the story is contrived, filled with insipid stereotypes, and an obvious ripoff from Ken Kesey. Why must Hollywood always present tales from the sixties as if the so-called hippies were all unidimensional morons? It's too bad that such an interesting era in our exceptionally conformist social experience is generally depicted by out and out garbage so that the least offensive of the genre is now accepted as reasonably authentic when almost none of it comes even close to the way things really were. The best I've seen to date is a memoir called Looking Back by a guy named Becker, but who else has even heard of it? No one in Hollywood, that's for sure. They're too busy pushing tripe like this groaner of a movie to bother with reality.
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This is a great movie for the true romantics and sports lovers alike.<br /><br />Drew Barrymore is at her best in this movie. As a Drew fan it was quite nice to see her shine after having several flops. I had my doubts about Jimmy Fallon but he totally delivered as Ben the comical, sports crazed sweetheart. The comedy in this movie is great, there were several laugh out loud moments.<br /><br />Their first date started rocky when he showed up at her apartment with flowers and she was sick to her stomach from eating a new place earlier in the day. Instead of leaving he helps take care of her, helping her change into pajama's then cleaning up the puke on her toilet and bathroom later telling her that she was 'very lady-like...no chunks.' Everything goes great between Ben and Lindsay the whole winter but then baseball season starts. Lindsay starts to realize just how obsessed Ben is with the Red Sox and why this seemingly great guy is still single. She tries to shrug it off and think of it as a good thing as she has a busy work schedule and she wont feel guilty for working extra hours while he is at games. She even buys all the books on The Red Sox she can find including one on 'The curse of Bambino'.<br /><br />Everything is going pretty well until Lindsay has a false alarm having missed her period. It both makes them both realize how serious they are getting and she begins to question if this is the person she wants to be with. A very touching part in the movie is after she tells him she got her period it shows him sadly putting away a baby sized Red Sox jersey he had bought just in case she was pregnant.<br /><br />Eventually Ben tries to show her how important she is and decides to go to her friends birthday Party after she said "I had to check my calender and when I saw the there was a Red Sox/Yankee game I knew I would be going stag'. After the party Ben tells her it was 'the best night of his life'. Shortly after he gets a call from his pal who went to the game he gave up for the party and told him "IT WAS THE BEST GAME EVER!!!" Ben freaks out about missing it and ends up really hurting Lindsay when she says "A few minutes ago you were saying this was the best night of your life" he says "well that was a few minutes ago."<br /><br />So they separate for a while, he realizes how immature his obsession is and decides to sell his season tickets which he inherited from his uncle because if he didn't it would 'remind him too much of what he gave up for them'. Lindsay finds out through a friend and decides to stop him realizing he is doing it for her. It ends very sweetly showing how his childhood love for baseball has been over shadowed for a whole new deeper love, Lindsay. They still go to the games and even attend the final World Series game and St. Louis and it is a happy ending all around. 2 thumbs up!!
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This was the worst TV movie I had ever seen. The visuals were so dang choppy it made me dizzy. I hated the constant zoom in and zoom out, and the frequent Black and White to Color switch. I also thought that The story didn't make any sense what so ever, and it was another clichéd Action Movie, with a hero a bad guy, and a few hostages. I could make a better movie than that with my own camera, why? I can hold it steady, something the director couldn't do. Over all truly the worst I have ever seen, you thought Disney was bad? I didn't even bother to watch the whole thing because I'm sure I could guess the outcome, and the visual were the worst I have ever seen.
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I sure would like to see a resurrection of a up dated Seahunt series with the tech they have today it would bring back the kid excitement in me.I grew up on black and white TV and Seahunt with Gunsmoke were my hero's every week.You have my vote for a comeback of a new sea hunt.We need a change of pace in TV and this would work for a world of under water adventure.Oh by the way thank you for an outlet like this to view many viewpoints about TV and the many movies.So any ole way I believe I've got what I wanna say.Would be nice to read some more plus points about sea hunt.If my rhymes would be 10 lines would you let me submit,or leave me out to be in doubt and have me to quit,If this is so then I must go so lets do it.
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You just cant touch NRFPTP! The new crop is just awful. The jokes are not funny. Some of the troupe make me want to stop watching TV all together. Lorne - you have let your creation go down the toilet. The guests sometimes are good, the bands are mostly garbage. Weekend update, Seth has to tell the audience when to laugh.....Seth would get a proper reception in a Baghdad cafe though...Make sure Andy goes with him... The show has about 10 jokes in all and they just keep rehashing them over and over. Even the segments that are obviously not funny. Offending people has become the name of the game, but they cant even do that right. Just offensively. I am so disappointed with what has happened to the show, but now I also know it is safe to go OUT on a Saturday night!
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| 5,712
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Those who love the book Jane Eyre as I do (it's my all time favorite, and I re read it at least once a year) will love this version. Timothy Dalton is just a tad too good looking to be Mr. Rochester, but other than that, he does a marvelous job portraying the brooding master of Thornfield. Zelah Clarke may have been just a little too old to play the 18 year old Jane, but when I watch this movie, I don't think about the ages of the characters. The dialog from the film is taken almost verbatim from the book, which was very smart. Sure, this film might seem a little long, but it's the only version I've seen that includes part 3 of the story.<br /><br />I wish the people who made this film had been involved in the newer Zeferelli version, as it would have helped that mess of a film.<br /><br />I also realized the last time I watched this video that Judy Cornwell plays "Aunt Reed"! She is so versatile that I didn't recognize her. She plays Daisy in Keeping up Appearances, and also played Mrs. Musgrove in 1995's Persuasion (another wonderful adaption).<br /><br />UPDATE: Got the DVD this week, and it's marvelous to see the original unedited version. There's lots more at the beginning (Young Jane at Gateshead and at Lowood.) And at the end, they've restored lots of things, (I always wondered why St. John had a slip of paper when he reveals that he knows who Jane is-- because the part where he tears it from her painting was edited out of the US VHS version!). Rosamund Oliver is in it...she was completely cut out of the VHS. As far as I could tell, they hadn't edited out any of Timothy Dalton's parts, so nothing new there, but it is great to see the whole miniseries in its entirety after all these years of enjoying the VHS. Thanks, BBC (PS...I would have paid more for a special edition DVD...with maybe some interviews with the stars...or a making of show)
| 1
| 21,621
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Hooray for Korean cinema! Last year I saw "Chungyang" and "Nowhere to hide", now I catch up with Hur Jin-ho's directorial debut "Christmas in august". The variety of themes and level of achievement speak highly of a national cinema ripe for discovery. This film's major themes are death and love. The graceful and thoughtful way Jung Won(Han Suk-kyu) copes with his impending death, and the sublimation of his desires toward Darim(Shim Eun-Ha) out of true love for her. I was deeply moved by his careful management of behavior and emotions, shielding Darim from unnecessary pain without rejecting her.<br /><br />The success of this type of film is predicated on the skill of the actors. Han and Shim excel, being both quite expressive yet naturalistic. A number of secondary characters, Jung Won's relatives, friends, and clients, are quickly delineated to enrich the story without detracting from its main focus. To LIVE is to love, but all things must pass. Pain subsides. Life goes on.
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| 20,535
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"Carriers" follows the exploits of two guys and two gals in a stolen Mercedes with the words road warrior on the hood hightailing it down the highway for the beach with surfboards strapped to the top of their car. Brian (Chris Pine of "Star Trek") is driving and his girlfriend Bobby (Piper Perabo of "Coyote Ugly")has shotgun, while Brian's younger brother, Danny (Lou Taylor Pucci of "Fanboys") and his friend--not exactly girlfriend--Kate (Emily VanCamp of "The Ring 2") occupy the backseat. This quartet of twentysomething characters are living in a nightmare. Apparently, a viral pandemic--which co-directors & co-scenarists Alex Pastor and David Pastor tell us absolutely nothing about--has devastated America. Naturally, the lack of exposition shaves off at least fifteen minutes that would have slowed down this cynical melodrama about how humans degenerate in a crisis and become their own worst enemies.<br /><br />This lethal virus gives you the shingles and then you bleed and die. Most everybody runs around wearing those white masks strapped to their nose and mouth by a thin rubber band. Initially, this foursome encounters a desperate father, Frank (Christopher Meloni of "Runaway Bride"),and his cute little daughter Jodie (Kiernan Shipka of "Land of the Lost") blocking the highway with their SUV. Brian swerves around Frank when he tries to waylay them, but in the process, the oil pan in their Mercedes ruptures and they wind up on foot. Reluctantly, they hitch a ride with Frank after they seal Jodie up in the rear of the SUV. She wears a mask over her nose and mouth and it is speckled with blood. Frank has heard that doctors are curing ailing people at a hospital and they head to it. Sadly, somebody has lied to Frank. The hospital physician is giving the last couple of kids some Kool-Aid that will put them out of their misery. The cure did not improve their condition. Everybody else in town is dead. Kate tries without success to get a dial tone on every phone. Frank realizes that there is no hope for his daughter and he lets the heroic quartet appropriate his SUV and take off.<br /><br />Indeed, "Carriers" qualifies as a relentlessly depressing movie about the effects of a pandemic on four sympathetic people who degenerate into homicidal murderers to protect themselves. They reach a country club and frolic around on a golf course until another four show up in suits and masks with pump-action shotguns. Incredibly, our protagonists manage to escape without getting shot, but Brian has a scare when he almost falls into the water with a floating corpse. Eventually, they discover that one of them has become infected. Later, as they are about to run out of gas, Brian blocks the highway like Frank did at the outset. Danny tries to stop a pair of older Christian women driving the car. Danny lies that his pregnant wife is about to give birth and he needs their help. Brian throws caution to the wind and blasts away at the ladies with his automatic pistol when they refuse to help them. Brian catches a slug in the leg from the passenger, but he kills her. <br /><br />No,"Carriers" is not a beer & pizza movie that you can either laugh off or laugh with because the humor is virtually non-existent. By the end of this 84-minute movie, our heroes have turned into villains who only care only for themselves and their plight. Chris Pine makes quite an impression as fun-loving Brian and his energetic performance is the only reason to hang with this hokum, while the only other well-known actress, Piper Perabo, is relegated to an inconsequential girlfriend role. As Bobby, she makes tragic the mistake of showing compassion to a dying little girl and pays an awful price. It is a testament to Pine's performance that he can change his character to the point of putting himself before others. Essentially, Pine has the only role that gives him the ability to pull a one-eighty from happy-go-lucky guy to heartless guy. <br /><br />The two directors are Spanish brothers, and they never let the momentum flag. Since there is no relief in sight, "Carriers" sinks into predictability. "Irréversible" cinematographer Benoît Debie does a fantastic job with his widescreen lensing and as unsavory as this road trip becomes, Debie makes it look like a dynamic film. Aside from the lack of a happy ending or closure in any sense of the word, "Carriers" suffers because it is so horribly cynical. The scene when the German shepherd attacks Danny conjures up the most suspense, but even it could have been improved. Unfortunately, the Pastor brothers do not scare up either much tension or suspense. By fade-out, you really don't care what happens to anybody.
| 0
| 5,487
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Melissa Joan Hart shines! This show is amazing!! There is no match. Except for maybe Melissa in Clarissa Explains it All. She was marvelous in that, too. This is SO much better than Buffy, the Vampire Slayer. This show is WONDERFUL!
| 1
| 19,246
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This movie has very good acting by virtually all the cast, a gripping story with a chilling ending, great music, and excellent visuals without significant special effects. It is interesting to note though that, like so much science fiction, its predictions for the future don't appear likely to come to pass as early as depicted. That's not to say we're out of the woods yet, but 2022 is now obviously too soon to be in this condition. It shares this failing with a fairly illustrious list of science fiction classics: "1984", "2001: A Space Odyssey (compare its space station with our International Space Station) and Isaac Asimov's "I Robot" (positronic brains were to have been invented in the 1990's).
| 1
| 15,907
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I just finished viewing this finely conceived, and beautifully acted/directed movie. It was nip and tuck as to whether I was going to waste my time viewing a movie on the Lifetime Movie Network because of the horribly distracting commercials. Reading the earlier comments persuaded me to give it a shot. After all the worst that could happen would be that I might fall asleep during one of the boring yet lengthy bug spray ads. So why did I watch it? mainly because when IMDB gives a movie a "WEIGHTED AVERAGE" OF 5.8 WHO'S STATISTICAL AVERAGE was 7.3 It must be a sure hit.<br /><br />I was totally delighted to have taken the time to view this movie, commercial pox and all. Helen Hunt continues to amaze me with her ability to take on tough roles adapting her core persona to fit each role.<br /><br />The portrait she painted in this film of the tough yet perceptively human police officer was beautifully executed. When the scene calls for quick witted, timely delivered verbal intercourse, she can stand toe to toe with any actor. Yet she is adept at the delivery of volumes of emotional response without uttering a word relying only on facial expression and body language. Without the commercials, which by design kill the continuity of any good film, This would have been a real edge-of-the-seat nail-biter. I gave it a 9.0
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I'm not prone to ranting and my expectations were low to start with, but how did this seem like a good idea? Just because you have a camera, some big ugly friends for actors, and delusions of talent, does not mean that you should go out and make a film. This should have been the cinematic equivalent of singing in the shower, i.e. it should never have seen the light of day. However, somehow this rubbish found a distributor to help it escape the confines of a 3 by 4 foot cubicle. It goes from bad to worse. Talk about low budget, one torture scene consists of a guy getting a mug of coffee thrown over him while he's tied to a chair. Evidently this is very painful because the big baby proceeds to scream in agony....maybe he ordered decaf!! The acting is worse than wooden (I could possibly watch a tree for 30 seconds before becoming completely bored, if you can look at this rubbish for that long you're a better man than I!) and the fight scenes would be at home on a kindergarten play yard. Do not touch this movie, unless you enjoy pain (in which case you should try spilling lukewarm coffee over yourself). I'd like to say it's so bad it's good, but really this is just awful.
| 0
| 12,184
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no comment - stupid movie, acting average or worse... screenplay - no sense at all... SKIP IT!
| 0
| 7,220
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This noisy, dizzying football film from director Oliver Stone seems to have everyone in the cast - well, everyone except William H. Macy, who could have tackled the role played by Mr. Stone, the team doctors, or the "fruitcake" selling cereal. If you're a fan of the foul-mouthed, there are some great, profanity-laden knock-down, drag-out, put-down phrases you can try-out on two-faced friends and way-ward lovers. The film is sometimes good as lively background party atmosphere, especially during the first two hours; it even features some MTV-styled music video scenes.<br /><br />** Any Given Sunday (12/16/99) Oliver Stone ~ Al Pacino, Cameron Diaz, Jamie Foxx, Dennis Quaid
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| 8,692
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*Warning: 1 tiny inconsequential spoiler* You're right. This was no Bridges of Madison County. As soon as the lonely woman and Richard Gere checked into the big empty hotel, it was a foregone conclusion something kind of fun would happen. The question is: how will it come about? The answer is some stupid connect-the-dots story not worth sitting through. In one supposed bonding experience, they get drunk and clean out the cupboard of old cans.(That was my spoiler.) And the next day they put them back. LOL It wasn't compelling AT ALL. I'm an old married lady like the one in the movie and MY friendships are more interesting than HER romance with Richard Gere. LOL . . . It did have that advantage. You walk away and go, oh brother . . . even I could have written something more believable than that. I guess my life isn't quite as dull as I thought it was if I can scoff at a romance with Richard Gere. LOL! And that friend inherited that totally contemporary, probably computer-generated mansion, resting half in the ocean, from her GRANDMOTHER who built it AFTER THE CIVIL WAR??? Maybe her grandmother is Oprah and this was WAY after the Civil War? And yes, WHERE WAS THE EMAIL? What alternative universe do these people live in? I never want to see another movie that pretends we don't have email, and facebook,and texting. And OK, maybe these people have a horrible aversion to delivering news over the phone, but don't ask me to believe anyone in this age of instant communication that someone just drops into your life without calling first.
| 0
| 790
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This movie was a real torture fest to sit through. Its first mistake is treating nuclear power as so self-evidently a 'bad thing' that it barely needs to convince the audience of it. When it does stoop to putting in its argument, it has the participants breathlessly deliver barely substantiated facts ; all that's missing is someone crying "when is someone going to think of the children!". While watching this movie, I kept thinking "where'd you hear that?" or "that can't possibly be true" - yet little of the info was backed up by any reliable sources. And bless 'em, the 'regular folks' in the movie came across more like Luddites than people with any understanding of the pros and cons of nuclear power; to be fair, that might be the fault of the film-makers, but equally fairly, it's a condition shared by the movie's rock stars.<br /><br />As for the performers........... Now some of these people are highly respected musicians whose music I've enjoyed, and I'm sure a few of them really did believe in this cause. But they all come across as wheezing old hippies desperately searching for something to get worked up over, now that the 60s have passed them by. Particularly embarrassing are Graham Nash and James Taylor. Nash seems to be trying too hard - he looks like he can't possibly believe the things he's being told (not that I blame him), but desperate to feel noticed and included. James Taylor performs what has to be the wimpiest protest "anthem" ever, "Stand and Fight", in the most sickeningly cheerful way you can imagine. In fact, most of the performances are pretty bland when they're not being patronizing. Nobody seems worked up by this event, as if it really doesn't mean much to them at all. It's worth noting that the driving force behind this whole event seems to be John Hall, of the band Orleans, and responsible for some of the wimpiest MOR pop of the 70s. (Remember, if you dare, "Dance With Me" and "Still the One".) It's worth noting because that's symbolic of how the cause here fails to inspire any real passion in the music. The cause is supposedly life-or-death, but everybody sleepwalks through their numbers like they're playing the Catskills. Except maybe Gil-Scott Heron - his protest number "We Almost Lost Detroit" is on topic at least, but delivered with all the smugness of a high-schooler impressed with how 'controversial' he's being.<br /><br />Only Bruce Springsteen's performance raises a pulse; I've never been a big fan of the Boss, but he absolutely smokes, no question. Part of me thinks he was taped separately, at another event, and edited into this movie to give wake the audience. Compared to the general blandness and air of self-satisfaction here, it's no wonder Bruce was hailed as the savior of rock'n'roll.<br /><br />But even his performance is hobbled by the lifeless concert shooting. I don't expect a lot of flashy camera movement from a '70s film, but the shots are unnecessarily static, broken up only by split-second cutaways to a back-up singer's tonsils. Now, some of this may be because the performers are lifeless to start with; and *maybe* the film-makers are more skilled at shooting documentaries than concert footage - but all you have to do is watch "Rust Never Sleeps" or "The Last Waltz" to see a movie like this done with more skill. And with more exciting musicians. <br /><br />So really, there's only two things to watch this movie for: Springsteen's stellar performance, and as a sad snapshot about a counter-culture in decline.
| 0
| 11,362
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Early, heavy, war-time propaganda short urging people to be careful with their spending practices, in effort to prevent any runaway inflation.<br /><br />Using scare, guilt and patriotic jingoistic rhetoric, which was normal for the time, the government was concern that the sudden war-time production and therefore wage increase and subsequent spending practices if not checked could cause serious problems during and after the war.<br /><br />It truly is a window into the past, historically and culturally.
| 0
| 10,534
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"Hardbodies 2" is harmless, aimless and plot less. I would add "brainless" to that list, but the movie-within-a-movie gimmick, although not done very well, helps it to narrowly escape that label. The scenery has changed from the California beaches to the Greek islands, and the only returning cast members from the first film are Sorrells Pickard (the bearded guy) and Roberta Collins (who at one point falls into a mud pit, bringing back memories of her classic catfight with Pam Grier in "The Big Doll House"). All the other actors are new, but apparently Brad Zutaut is supposed to be playing the same character (Scotty) as Grant Cramer did in "Hardbodies". This sequel lacks the energy and appeal of the first movie, and doesn't come close to matching it in the "hotness" department, either. Of course Brenda Bakke and Fabiana Udenio are both very pretty, but the Teal Roberts - Cindy Silver - Kristi Somers team is unbeatable. "Hardbodies 2" is not the worst of its kind by any means, but if you only want to see one of these movies, the original is the one to get. (*1/2)
| 0
| 12,110
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I was a bit scared to watch this movie due to its rates. But living in Italy titles like this never ever come across and I love step so much that I decided to give it try. And how surprised I was! The story is different from any other dance-movie I've seen lately, with a deeper meaning than just "winning". It's touching and well written and well directed. Raya is such a strong character, I love the fact that she never doubts herself, she's so mature and focused and AWARE of her TALENT (and what talent Rutina Wesley has, my jaw dropped in the final dance scene). The way she pursues her dream and refuses to let anything stop her is, honestly, inspiring. Also, the fact that she's not the typical super-hot chick (see Jessica Alba, Briana Evigan, Jenna Dewan, Zoe Seldana...) makes her really appealing and real. Seriously, why is this movie rated so low? You can understand between the first 5 minutes that it's a good work. Really good actually. I even cried at the end of the movie. And the dancing routines are just sick.
| 1
| 22,377
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This show was great, it wasn't just for kids which I thought at first, it is for the whole family.<br /><br />The first season was mostly about the father looking after is two daughters and son, he sadly passed away in season 2, I Could believe it when I heard it.<br /><br />I am clad they carried on with the show as that what would really happen in really life and I need to mention The Goodbye Episode it was so well made, it must of be so hard for them to film this , you could tell they were real tears in theirs eyes. I am 24 year old male and this episode did make me cry me as I know how they felt as my father died when I was 13 years too just like Roy.<br /><br />Season 2 and Season 3 had great comedy in there also season 3 had some of my Favorites such Freaky Friday, Secrets.<br /><br />I Still think the show was Strong enough to go on, I was disappointed that it ended, it was one the best no it was the best Family comedy show ever since Home Improvement and it could have been the next Friends.<br /><br />it should never have ended but still love watching the repeats everyday.
| 1
| 14,543
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One way or the other, you can't get away from the basic message. The strong survive. Those who are psychically or emotionally sensitive, leave. They leave a hole behind in the lives of those who love them. A hole that is seen in it's finality as selfish. That's what Phoebe realizes in the end. Just prior to helping Wolf heal from his self-blame. She can accept closure to the missing ...of her sister. Beautiful European scenery. A lot of truth in it about idealism and addiction to the next big moment. For a moment, I thought of the Baader-Meinhoff gang who was around in the early 70s. I liked this movie as it reflected a time when I came of age myself.
| 1
| 24,139
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I'd passed this title 15 or 20 times while in Blockbuster, looking for something halfway decent to watch. All I can say is that they were all out halfway decent films the night I chose to rent this.<br /><br />I will give it credit for being leaps and bounds better than "Dracula 3000", but in actuality that's pretty easy to say since this one DIDN'T have Caper Van Dien in it. The other things it lacked in spades were: an interesting cast, interesting story, good dialog and originality, but I suppose you can't have everything.<br /><br />***SPOILERS AHEAD*** The misfit crew of vampire hunters (one of which was a vampire... go figure) flew around from mining colony to mining colony trying to wipe out all the vampires it could find. The crew consists of: the cocky, ne'er-do-well captain (who dies early on), his by-the-book, yet inexperienced first mate, the aforementioned vampire vampire hunter (not a typo), a wannabe cowboy and a REALLY, REALLY butch Asian commando, "tough guy" female... it almost sounds like the cast for MTV's 'The Real World'. After the captain dies in a violent confrontation with a mob of bloodsuckers (and as it turns out, lovers of the finer parts of human anatomy) his first mate takes over... blah, blah, blah... everyone hates him... blah, blah, blah... I could go on, but as I said it's the same storyline used in about a hundred other 'films' of the genre.<br /><br />The effects were cheese and why Michael Ironside was in this movie is beyond me. The vampire vampire hunter (still not a typo) was pretty hot, but of course if you're waiting for her to expose more than just her cleavage, look elsewhere.<br /><br />I can't say that it was the worst film I've seen, as I actually rented 'Starship Troopers 2', but wait for this one to come on the Sci-Fi Channel.
| 0
| 4,148
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This show is not clever. That's basically what it boils down to. The "original humor" that these writers try to pull off to avoid completely biting off the rest of the worlds bush bashing is just unfunny. In another comment, someone quotes a couple hilarious lines. The standout for me was George H.W. Bush telling the kids they're not supposed to watch any TV besides Fox News. Wow. I thought the episodes I saw were bad. The fact that this line is a high point for the series is pathetic.<br /><br />My problem with drivel like this sad excuse for political satire is that these folks are getting a second season. I'm a liberal republican and I know Bush hasn't been a good president. We all do. But that's no excuse for putting out this utterly poopie waste of time. I place these writers on the same level as the geniuses behind 'Meet the Spartans'. Their formula, bite off as many already unfunny topical jokes as you can and throw in even worse original material to actually be able to give yourself writing credit.<br /><br />Again, just plain bad. Unfunny, and it just makes me more and more unhappy that crap like this is renewed, but amazing and original shows like Arrested Development are canned after 3 solid seasons. Please don't watch this crap, unless you're one of those green blooded liberal hippies who think any sentence with the words Bush and dumb is comedic gold. <br /><br />Oh, and the voice of Bush sucks. All he does is slightly emulate a Texan accent, and exhale really hard at the end of his sentences. At least South Park admits the voices aren't accurate. If you want funny political satire, watch Daily Show/Colbert. Or look for any political sketches on Robot Chicken, which is fun to watch, since the stop motion action figure animation is EXTREMELY well done. Look for the George Bush as a Jedi bit on youtube. Priceless
| 0
| 8,596
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This timeless proverb reverberates in this movie and in my heart. So many years have I waited to see this eternal story! I was not ready, perhaps. It is possible that my sensibilities would not have appreciated its power. So I now gratefully welcome it into my soul with gladness.<br /><br />My respect and admiration for PAUL MUNI has been long. His is now a legendary luminescence. But now I have finally discovered the priceless gifts of LUISE RAINER's splendid talents. Oh, how many faces can speak as did hers? Some have said that it was wrought from her silent years, and this well might have been but her speech, is eloquent enough when it is given a chance. She amply deserved her Oscar.<br /><br />This movie is in an epic in the most classical proportions. All parts equal, necessary and perfect. Naysayers may walk away if they wish, but they would be shunning a storytelling which stays with one a lifetime.<br /><br />THE GOOD EARTH enriches one in ways that one does not expect. But all will not come from it with the joy that I did. But I can only hope that this film will be remembered for many years.<br /><br />Do not prod me with mere technicalities regarding the race of the principal players. These are expectations of modern times when we are obsessed with utter perfection. But I dare a million score of newer films to tell PEARL BUCK's story with such poignancy, power, conviction and grace.<br /><br />If any modern artist would dare to re-film this masterpiece, I warn them that they will never come close to the aromatic fragrance which still emanates from the core of this telling. Time will not diminish this effort nor will progress improve upon its greatness.
| 1
| 14,646
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i was glad that this movie did without all the supposed depth of all too many pseudo-serious interracial movies. race was one issue, yes, but so was class...and loyalty...and honesty, etc.<br /><br />i also loved the idea that the love affair wasn't couched solely in the 'decorative' aspects of either character's appearance. aren't our divorce courts (on both sides of the Atlantic, i daresay!) filled now with enough couples who thought 'looking good. together.' is all it takes to make a solid marriage? in any case, the tenderness and sensuality of both characters was thick enough to cut in love scenes that would have brought a rainbow to any dreary day! in other words, a light-hearted movie that's by no means a light-weight!
| 1
| 18,416
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Rock solid giallo from a master filmmaker of the genre, Sergio Martino. Fashioned from a marvelous screenplay by Ernesto Gestaldi, this shocking mystery often develops fascinating twists until the terrific finale which most might not see coming throughout the film. It's when everything has fallen into place that we can go, "Ahh.." The film revolves around the death of a husband(..in an airplane explosion)and the million dollars the wife receives from it. There are those with great interest in that money, one in particular being the dead man's mistress. The wife is Lisa(Ida Galli)and the mistress demanding half the money is Lara(Janine Reynaud). She tells Lisa she knows that the death was arranged by her to get the insurance money. Lara says she'll use her "lawyer", Sharif(Luis Barboo)to get that money. So already, the film produces two possible suspects in the later murder of Lisa, who awaiting someone in Tokyo. George Hilton portrays Peter Lynch. Peter works for a company that investigates those who gain inheritance to see if the pay day was gathered under suspicious means. When, on his watch, Lisa is killed by a man dressed from head to toe in black in her hotel room, he is a possible suspect. He decides to do a little investigating himself, while also assisting Inspector Stavros(Luigi Pistilli)and Interpol agent, Benton(Tom Felleghy)on their quest to find a killer. The killer strikes several times eliminating anyone revolving around the missing million dollars confiscated by the one responsible for the murder of Lisa. Soon, the film follows a journalist, Cléo Dupont(the delicious, luscious Anita Strindberg)as she and Peter meet for a dinner where she could try and sniff out anything that might break a story for her. Soon they fall deeply in love, but it seems like anyone who is near Peter is killed. Soon someone attacks Cléo with an intent to kill which pushes the investigation further into uncharted territory. Why would anyone wish to harm a journalist with no real facts to damage the one killing off people.<br /><br />This giallo is quite clever and exciting to follow. The film never lulls which is quite remarkable since so much happens leaving open the question of the identity of the killer. This film follows the path of gialli with knife slashings because of a certain pattern the killer has taken(the throat and lower torso). The film's conclusion wraps up all the complex loose ends and is quite satisfying. The film has some unique camera angles, but delivers the goods in terms of driving the plot and the execution of the mystery.
| 1
| 14,284
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<br /><br />I saw once No Man's Land (1987) - IMDB link http://us.imdb.com/Title?0093638 - and found it ok. The film is about a guy who steals only Porsches. Gone in Sixty Seconds comes 13 years after and adds nothing to it. In fact, it has a lot of scenes that are worthless. And the ending is very, very bad.<br /><br />The Sphinx has a magnetic screen presence that should have been better used...
| 1
| 18,899
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This film took me by surprise. I make it a habit of finding out as little as possible about films before attending because trailers and reviews provide spoiler after spoiler. All I knew upon entering the theater is that it was a documentary about a long married couple and that IMDb readers gave it a 7.8, Rotten Tomatoes users ranked it at 7.9 and the critics averaged an amazing 8.2! If anything, they UNDERRATED this little gem.<br /><br />Filmmaker Doug Block decided to record his parents "for posterity" and at the beginning of the film we are treated to the requisite interviews with his parents, outspoken mother Mina, and less than forthcoming dad, Mike. I immediately found this couple interesting and had no idea where the filmmaker (Mike & Mina's son Doug) was going to take us. As a matter of fact, I doubt that Doug himself knew where he was going with this!<br /><br />Life takes unexpected twists and turns and this beautifully expressive film follows the journey. It is difficult to verbalize just how moved I was with this story and the unique way in which it was told. Absolutely riveting from beginning to end and it really is a must-see even if you aren't a fan of the documentary genre. This film will make you think of your own life and might even evoke memories that you thought were long forgotten. "51 Birch Street" is one of those rare filmgoing experiences that makes a deep impression and never leaves you. The best news of all is that HBO had a hand in the production so instead of playing to a limited art house audience, eventually, millions of people will have a chance to view this incredible piece of work. BRAVO!!!!!!!!
| 1
| 15,565
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