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In his survey of cricket laws , Gerald Brodribb suggests that " no dismissal has produced so much argument as lbw ; it has caused trouble from its earliest days " . Among those who do not follow cricket , the law has the reputation of being extremely difficult to understand , of equivalent complexity to association football 's offside rule . Owing to the difficulty of its interpretation , lbw is regarded by critics as the most controversial of the laws but also a yardstick by which an umpire 's abilities are judged . In his book Cricket and the Law : The Man in White Is Always Right , David Fraser writes that umpires ' lbw decisions are frequently criticised and " arguments about bias and incompetence in adjudication inform almost every discussion about lbw decisions . " Problems arise because the umpire has not only to establish what has happened but also to speculate over what might have occurred . Controversial aspects of lbw decisions include the umpire having to determine whether the ball pitched outside leg stump , and in certain circumstances whether the batsman intended to hit the ball or leave it alone . Umpires are frequently criticised for their lbw decisions by players , commentators and spectators . Historically , trouble ranging from protests and arguments to crowd demonstrations occasionally arose from disputed decisions . For example , a prolonged crowd disturbance , in which items were thrown onto the playing field and the match was delayed , took place when Mohammad Azharuddin was adjudged lbw during a 1996 One Day International in India .
= The Family Jewels ( Marina and the Diamonds album ) =
The Family Jewels is the debut studio album recorded by Welsh singer Marina Diamandis , professionally known as Marina and the Diamonds . It was released on 15 February 2010 by 679 Recordings and Atlantic Records . Diamandis collaborated with several producers including Pascal Gabriel , Liam Howe , Greg Kurstin , Richard " Biff " Stannard , and Starsmith during its recording . She identifies the lyrical themes as " the seduction of commercialism , modern social values , family and female sexuality . "
Contemporary music critics gave The Family Jewels fairly positive reviews , with the vocal delivery dividing opinions . The record debuted at number five on the UK Albums Chart with first @-@ week sales of 27 @,@ 618 copies . The album was eventually certified Gold by the British Phonographic Industry and has sold 195 @,@ 358 units in the United Kingdom . The Family Jewels performed moderately on international record charts ; it peaked at number 138 on the Billboard 200 in the United States .
The Family Jewels was supported by five singles , all of which were supplemented by accompanying music videos . " Mowgli 's Road " was released on 13 November 2009 , although " Hollywood " became its first charting track after reaching number 12 on the UK Singles Chart . Follow @-@ up singles " I Am Not a Robot " , " Oh No ! " , and " Shampain " respectively peaked at numbers 26 , 38 , and 141 in the United Kingdom . The record was additionally promoted by Diamandis ' headlining The Family Jewels Tour , which visited Australia , Europe and North America from January 2010 through December 2011 .
= = Background = =
Born and raised in South East Wales , Diamandis moved to London at the age of 18 to study music , despite not having a musical background . After dropping out of four institutions and failing in auditions , she began composing her own music . After the success of her Myspace @-@ released debut EP Mermaid vs. Sailor in 2007 , she was signed by Neon Gold Records the following year and by 679 Artists in October 2008 . In 2009 , after playing at a variety of festivals including Glastonbury in the summer , she ranked in second place in the BBC 's Sound of 2010 and was one of the three nominees for the Critics ' Choice Award at the 2010 BRIT Awards .
In a 2012 interview with Pridesource , Diamandis said that the album 's title came from a slang term for testes , but she had been too coy to admit it before .
= = Composition = =
Diamandis explained that the album is " a body of work largely inspired by the seduction of commercialism , modern social values , family and female sexuality " , intended to be " enjoyed and consumed as a story and theory that encourages people to question themselves " .
In a review for Q , writer Hugh Montgomery noted genres such as disco ( " Shampain " ) , bubblegum punk ( " Girls " ) and cabaret ( " Hermit The Frog " ) . The opening track , " Are You Satisfied ? " , ponders the meaning of a fulfilling life ; a writer for The Line of Best Fit likened it to the thinking of Danish existentialist philosopher SΓΈren Kierkegaard . In a January 2010 interview with The Daily Telegraph , Diamandis admitted that she " cringes " at the lyrics of the song " Girls " , which " could be seen as a bit misogynistic " , including the lines " Girls they never befriend me / ' Cause I fall asleep when they speak / Of all the calories they eat " ; she clarified that the lyrics concerned her own psychological problems with weight . A Neon Gold press release for a limited double A @-@ side of " Obsessions " and " Mowgli 's Road " described the former as a " bold and ambitious ... master work " and the latter as a " a high intensity , left field pop smash " .
Diamandis reportedly made producer Liam Howe take 486 vocal takes for " The Outsider " . " Hollywood " takes inspiration from Diamandis ' previous obsession with American celebrity culture , while in " I Am Not a Robot " , her favourite track from the album , she sings to tell herself to accept imperfection , with lines such as " you 've been acting awful tough lately , smoking a lot of cigarettes lately ... don 't be so pathetic " ; she expected audiences to be able to relate to the song . " Numb " reflects on the dedication and sacrifice needed during her early years in London ; " Oh No ! " and " Are You Satisfied ? " have similar lyrical themes . " Oh No ! " was a late addition to the track listing , causing some reviews of the album to not include it . The album had initially been scheduled for release in October 2009 , and was delayed by Diamandis ' self @-@ confessed perfectionism .
= = Release and promotion = =
= = = Music videos = = =
In 2008 , Diamandis filmed videos for the tracks " Seventeen " and " Obsessions " . The following year , photographer Rankin directed the accompaniment for " I Am Not a Robot " , which used much body glitter . The video for " Mowgli 's Road " featured Diamandis and two dancers , with puppeteers standing in front of them to give them the impression of having concertina limbs ; it was shot over 17 hours .
Polish artist Kinga Burza shot the " classic pop video " for " Hollywood " , with the aim to " make her audiences fall in love her even more , perhaps crave a little popcorn and feel inspired to dress up for fun " . Burza also filmed the video for " Oh No ! " , with an aesthetic based on " zany neon " MTV graphics and the fame @-@ hungry lyrics . The video to " Shampain " made an homage to Michael Jackson 's Thriller .
Dan Knight made a video for Chilly Gonzales ' " stripped @-@ down " remix of " Hollywood " that was intended to be the opposite of Burza 's official video . In the video , Gonzales and Diamandis perform on a 1980s Estonian music show complete with subtitles .
= = = Singles = = =
" Obsessions " was Diamandis ' first single , released on 14 February 2009 , and " Mowgli 's Road " followed on 13 November 2009 . She chose the song as an " uncommercial " taster due to its oddness , but it received attention after being shared by bloggers including Perez Hilton and Kanye West .
" Hollywood " was released as the album 's second single and Diamandis ' first major release on 1 February 2010 . It reached number 12 on the UK Singles Chart . It was followed on 26 April by " I Am Not a Robot " , which peaked at number 26 on the same listing . " Oh No ! " was released as the album 's fourth single on 2 August only in the UK and Ireland ; it charted at number 38 . " Shampain " was released as the album 's fifth and final single on 11 October , again only in the same region , and reached number 141 in the UK .
" I Am Not a Robot " was nominated for the 2010 Popjustice Β£ 20 Music Prize for best British single , eventually losing to " Kickstarts " by Example .
= = = Tour = = =
Diamandis went on her first headlining tour to promote the album , performing in Europe , North America and Australia . Dates included the Glastonbury Festival 2010 , South by Southwest and the Falls Festival . In parallel to headlining her own tour in the United States in mid @-@ 2011 , she was an opening act for Katy Perry 's California Dreams Tour , and finished by opening for Coldplay 's Mylo Xyloto Tour at the Manchester Arena that December .
After a performance at Manchester 's Deaf Institute on 21 February 2010 , Contactmusic.com writer Katy Ratican awarded Diamandis a 9 / 10 rating , stating " Next time she plays Manchester , it will be to a sold out Academy 2 audience , with a top @-@ selling album gracing the merchandising stand . Marina won 't be playing to a few hundred people above a trendy bar in the foreseeable future " .
= = Critical reception = =
The Family Jewels received mostly positive reviews . At Metacritic , which assigns a normalised rating out of 100 to reviews from mainstream critics , the album received an average score of 68 , based on 21 reviews , which indicates " generally favorable reviews " .
Hugh Montgomery of Q magazine noted that the singer 's " imaginative reach " was " complemented by a winning pop savviness " , while Luke O 'Neil from The Phoenix stated that " [ t ] he likes of Kate Nash and company have flitted through this piano siren / exuberant dance @-@ diva territory , but never mind , because this gorgeous genre starts now . " Leonie Cooper from NME rated the album nine out of ten stars , finding flaw only in the titles of " Shampain " and " Hermit the Frog " .
More mixed reviews were critical of Diamandis ' vocal delivery . Lou Thomas from BBC Music commented that " [ t ] he consistently diverting changes in style across the album are fine β€” the wonky 80s shoulder @-@ pad pop of ' The Outsider ' is nothing like anything else here , for example . But over 13 songs of Sparks @-@ voice and many similar staccato piano riffs listeners may feel bludgeoned by Marina and her slightly overbearing presence " , concluding that her eccentric vocals would polarise opinions . Sean O 'Neal wrote on The AV Club that after " dozens of squeaky Regina Spektor @-@ ish enunciations " and " Kate Bush trills " , the " overbearing need to prove herself just ends up being exhausting " . Joe Rivers of No Ripcord praised " Are You Satisfied ? " , " Hollywood " and " Oh No ! " but was put off by sudden " howling " in " Hermit the Frog " and a " throaty growl " in " The Outsider " .
A negative review came from The Independent 's Andy Gill who considered " Shampain " and " Hermit the Frog " as " every bit as annoying as their punning titles , with queasy , prancing piano and synth figures " . He found certain vocal techniques in " Mowgli 's Road " and " I Am Not a Robot " to be " infantile " , and evaluated the lyrics of " Girls " and " Hollywood " as shallow . Gill added that the content of " Rootless " , " Obsessions " and " The Outsider " did not match with what would be expected from the titles .
The NME placed the album at number 33 on its list of the Top 75 Albums of 2010 .
= = Commercial performance = =
The Family Jewels debuted at number five on the UK Albums Chart with first @-@ week sales of 27 @,@ 618 copies . It remains Diamandis ' best @-@ selling debut week , after her second studio album Electra Heart entered the chart at number one with first @-@ week sales of 21 @,@ 358 units . The Family Jewels was later certified gold by the British Phonographic Industry , and had sold 195 @,@ 358 copies in the United Kingdom as of April 2015 . The record debuted at number seven in Greece and number nine in Ireland ; it was eventually certified gold by the Irish Recorded Music Association .
The Family Jewels performed moderately on several international record charts . The record reached number 12 on the German Media Control Charts , and entered the Γ–3 Austria Top 40 at number 18 . It peaked at number 88 on the Dutch MegaCharts , number 100 on the Swiss Hitparade , and number 132 in France . In Oceania , the album reached number 79 on the Australian ARIA Charts . With first @-@ week sales of 4 @,@ 000 copies in the United States , The Family Jewels entered the Billboard 200 at number 138 ; furthermore , it respectively charted at numbers 2 and 49 on the Billboard Top Heatseekers and Top Rock Albums charts .
In an interview for Australian radio in January 2011 , Diamandis said that her career that far had been " more like a failure than a success " , particularly in the American market . She attributed this to the inaction of Chop Shop Records , her label in the United States , as well as a move in musical tastes to " pumping beats " by artists like Lady Gaga . She cancelled performances in the United States in order to begin work on a new album .
= = Track listing = =
Credits adapted from the liner notes of The Family Jewels .
Notes
^ a signifies an additional producer
^ b signifies an original producer
^ c signifies a remixer
= = Credits and personnel = =
Credits adapted from the liner notes of The Family Jewels .
= = Charts = =
= = Certifications = =
= = Release history = =
= 1981 Peach Bowl ( January ) =
The 1981 Peach Bowl was a post @-@ season American college football bowl game between the Virginia Tech Hokies and the Hurricanes from the University of Miami at Fulton County Stadium in Atlanta , Georgia on January 2 , 1981 . The game was the final contest of the 1980 NCAA Division I @-@ A football season for both teams , and ended in a 20 @-@ 10 victory for Miami . Another game by the same name followed the 1981 NCAA Division I @-@ A football season and was played in December , 1981 .
Virginia Tech was awarded a bid to the Peach Bowl as a reward for finishing 8 – 3 during the regular season , a record that included wins over nationally ranked teams such as the Clemson Tigers and the Virginia Cavaliers . Facing Virginia Tech was a familiar post @-@ season opponent β€” Miami β€” whom the Hokies had played in the 1966 Liberty Bowl , Tech 's last bowl appearance prior to the Peach Bowl . Miami finished the regular season with an 8 – 3 record , including wins over Florida State and Florida .
The game kicked off at 3 : 00 p.m. EST under sunny skies and in temperatures of 46 Β° F ( 8 Β° C ) . Unlike the 1966 Liberty Bowl , in which Virginia Tech scored first , it was Miami who dominated the game 's early going . The Hurricanes scored a touchdown on the first drive of the game and tacked on another touchdown early in the second quarter . Tech was held scoreless in the early going , thanks to two Miami interceptions at the goal line as Virginia Tech was threatening to score . Late in the second quarter , Tech was finally able to get on the scoreboard with a field goal , but at halftime , the Miami Hurricanes led 14 – 3 . After halftime , the Hokies threatened Miami for the first time all game . Virginia Tech mounted an 80 @-@ yard drive that resulted in a touchdown , cutting Miami 's lead to 14 – 10 . But the Hurricanes ' defense clamped down on any further offensive attempts by Virginia Tech and denied the Hokies more points . Miami added two field goals : one in the third quarter and one in the fourth quarter that finally put the game out of reach for Virginia Tech . Miami 's win was its first bowl victory since the 1966 Liberty Bowl , which also featured a Hurricane victory over Virginia Tech .
= = Team Selection = =
= = = Miami = = =
The Miami Hurricanes came into the 1980 college football season after an 5 – 6 season in 1979 under head coach Howard Schnellenberger . During that season , the team was nicknamed the " Jet Lag Kids " after they traveled an NCAA @-@ record 28 @,@ 000 miles ( 45 @,@ 000 km ) , including a trip to the Mirage Bowl in Tokyo , Japan . While impressive , the season wasn 't as successful as hoped , and Schnellenberger began his second season as coach hoping to improve upon the 5 – 6 effort despite what was the toughest schedule β€” in terms of opponents ' winning percentage β€” in the country .
Miami got off to a good start doing just that as it raced out to four consecutive wins to begin the season , including a victory over nationally ranked rival No. 9 Florida State . On October 11 , however , Miami traveled to South Bend , Indiana , to face the Notre Dame Fighting Irish and suffered its first loss of the season to the undefeated Irish , who would go on to be ranked No. 1 in the country . This defeat was followed in succession by two others , but the Hurricanes were able to stop the slide on November 8 with a homecoming win over East Carolina . Miami added two more wins before the end of the season , and brought the regular season to a close with an overall record of 8 – 3 .
= = = Virginia Tech = = =
The Virginia Tech Hokies , like Miami , entered the 1980 season after accumulating a 5 – 6 record in 1979 . Though the Hokies traveled far less than Miami , they also hoped to improve upon their losing record . Tech was coached by Bill Dooley , who was entering his third season as head coach .
Like Schnellenberger , he got his team off to a fast start . In the season opener , Tech traveled to North Carolina to face the Wake Forest Demon Deacons . Wake Forest had attended the Tangerine Bowl the previous year and was favored in the game against Tech . Despite those facts , the Hokies won , 16 – 7 . Virginia Tech won its first four games of the regular season before falling to the nationally ranked Clemson Tigers on October 4 . Tech recovered from the loss , defeating Rhode Island , then Virginia before a then @-@ state record crowd of 52 @,@ 000 people , but lost a second game , to Richmond on October 25 . The Hokies split their final three games of the regular season , winning two and losing one , and finished with a regular season record of 8 – 3 . Tech 's 6 – 0 record at Lane Stadium β€” its home stadium β€” was the best in school history . Tech 's selection by the Peach Bowl was announced in the locker room following the team 's final regular season game . The Peach Bowl representative present was mobbed by celebrating players chanting " Peach Bowl ! Peach Bowl ! " The representative later said , " I 've never seen a wilder celebration . "
= = Pregame buildup = =
= = = Miami offense = = =