DioLiu/Test2 · Datasets at Hugging Face

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Two seasons later , Chelsea won the First Division title for the first time . As they beat Charlton Athletic in March 1955 to " maintain their challenging position in the Championship " , The Times ' reporter described how " McNichol filled the role of general , and was instigator of many dangerous movements " . Two weeks later , McNichol , " the most effective of their forwards " , scored twice as a Chelsea team displaying " a propensity to play the man in preference to the ball " beat Tottenham Hotspur 4 – 2 , and the title was confirmed with one game still to play . McNichol had missed only two games in the 42 @-@ game season , and scored 14 goals , a good return for a player in his position ; an inside forward was normally more a creator than a scorer of goals , but his profile on Chelsea 's website describes him as " clever , astute and most of all a clinical finisher " .
He stayed at the club for three more seasons , but later lost his place in the side to the young Jimmy Greaves : " There was no disgrace in losing my place to him . I couldn 't grumble about that . We used to get on very well , and he would listen to the instructions I gave him . Then he became world famous ! " The respect was mutual : though Greaves described the Chelsea title @-@ winning side as " almost certainly one of the least talented teams ever to win the title " , he made an exception for McNichol , " the ball player of the team " . In all competitions , he made 202 appearances for Chelsea and scored 66 goals .
While at Brighton , McNichol had worked in a local garage , wanting to keep up his skills in case injury put an early end to his football career . When he joined Chelsea , his decision to remain living in the area had upset Drake . In addition , he bought a newsagent 's shop in Hove , so not only did he have to travel by train from the south coast – as did teammates Stan Willemse and Eric Parsons – he further annoyed the Chelsea management by getting up even earlier each morning to open the shop before coming in to training . His wife Connie , whom he had known since childhood , ran the business in his absence . He claimed to have " earned more working in that shop than playing for Chelsea . Even in that championship season . "

= = Crystal Palace = =

Just ahead of the transfer deadline in March 1958 , McNichol signed for Third Division South club Crystal Palace . He was expected to fill a role " similar to the one he has performed so well at Stamford Bridge – helping in the development of promising young forwards " , and was appointed captain . He scored on his debut for the club , and produced seven goals from the twelve games he played in what remained of the 1957 – 58 season . By October 1958 , manager George Smith felt the player was feeling the strain of his dual role , so relieved him of the captaincy . As McNichol grew older , his playing position became more defensive , as he became first a wing half , then a full back . Palace had been placed in the Fourth Division when the Football League structure was reorganised on national lines prior to the 1958 – 59 season , and McNichol , long since restored to the captaincy , led them to promotion to the Third Division in 1961 , their first promotion for 40 years . Soon afterwards , he applied for the managerial post at former club Brighton & Hove Albion , then in the Second Division , but was unsuccessful . A broken arm suffered in August 1961 forced McNichol to miss a Palace match for the first time in a three @-@ and @-@ a @-@ half @-@ year club career . He played on for two seasons , but his professional career was brought to a close by facial injuries , a fractured cheekbone and broken jaw , sustained during the 1962 – 63 season . In all competitions , he scored 15 goals from 205 appearances .

= = Later life and career = =

McNichol remained in the South of England , spending four years as player @-@ manager of Tunbridge Wells Rangers in the Southern League . Having sold the newsagents , he returned to Crystal Palace to work in the commercial side of the game , where he was responsible for the establishment of weekly pools and bingo competitions as a means of raising funds for the club . He moved back to Brighton & Hove Albion to occupy a similar role from 1979 to 1992 , and after retirement continued to live in the Saltdean area of Brighton .
Despite the successes of his career , McNichol had regrets . He described Chelsea 's decision not to accept their invitation to participate in the inaugural season of the European Cup as his " one big disappointment " , and " thought it was strange at the time " , despite the national team selectors ' preference for players plying their trade for Scottish clubs , that he was never chosen to represent his country .
McNichol retained contact with his previous clubs . One of 24 former players and managers nominated as " Albion Legends " as part of Brighton 's centenary events in 2001 , he took an active role in the celebrations . The surviving members of Chelsea 's 1955 title @-@ winning team used to meet for an annual dinner , and were guests of the club at the last match of the 2004 – 05 season as they celebrated their second League title , 50 years after the first .
He died of a stroke on 17 March 2007 at the age of 81 .

= = Honours = =

Newcastle United Reserves
The Central League winners : 1947 – 48
Chelsea
Football League First Division winners : 1954 – 55
Crystal Palace
Football League Fourth Division runners @-@ up : 1960 – 61


= Otra Nota =

Otra Nota ( English : Another Note ) is the debut album by American singer Marc Anthony that was released on January 26 , 1993 , by RMM Records . Produced by Sergio George , it was the first album by Anthony to record in salsa after starting his career as a freestyle musician . Recording of the album began after Anthony asked RMM president Ralph Mercado to record Juan Gabriel 's " Hasta Que Te Conocí " in salsa after hearing it on the radio during a taxi ride . Recorded on a low budget , the album peaked at No. 2 on the Billboard Tropical Albums chart and reached No. 30 on the Billboard Top Latin Albums chart .
The album was well received by critics who complimented George 's production and Anthony 's youthful voice . Anthony received two awards for " Best New Artists " at the Billboard Latin Music Awards and the Lo Nuestro Awards . The album produced three singles : " Hasta Que Te Conocí " , " Palabras del Alma " , and " Si Tú No Te Fueras " , all of which charted on the Billboard Hot Latin Songs chart . As of 2002 , Otra Nota has sold over 300 @,@ 000 copies .

= = Background = =

Marc Anthony began his recording career in 1980s as a freestyle musician during which he was a backup vocalist for boy bands such as Menudo and the Latin Rascals . Anthony also wrote songs for his school friend Sa @-@ Fire , including " Boy I 've Been Told " which became a hit on the Billboard Hot 100 chart . Anthony got his start as a lead vocalist when he collaborated with Little Louie Vega on the album When the Night Is Over . The lead single " Ride on the Rhythm " became a number @-@ one hit on the Billboard Hot Dance Club Songs chart .
RMM manager Ralph Mercado invited Anthony to record a salsa album , but Anthony declined the offer due to a lack of interest to record in Spanish . The following day , while in a taxi , Anthony was listening to Juan Gabriel 's song " Hasta Que Te Conocí " ( " Until I Met You " ) on the radio and was motivated to record in the song in salsa and told Mercado about his change of decision . Mercado introduced Anthony to Sergio George who would produce the album . According to George , the album was an " total experiment " , citing that it was on low budget , recorded with one musician at a time without a band , and the full production was done on computers while George handled the keyboards .

= = Music and lyrics = =

The album includes five compositions and three cover songs . The lead track " Palabras del Alma " ( " Words from the Soul " ) is a cover originally performed and written by Ilan Chester . " Si Tú No Te Fueras " ( " If You Would Not Leave " ) was composed by Nelson Frank and Jaime Gutierrez . " Hasta Que Te Conocí " was first performed and written by Juan Gabriel . " El Último Beso " was composed by Anthony 's father Felipe Muñíz . " Make It With You " is a cover of American band Bread 's song . " Necesito Amarte " was written by Luis Castillo who composed songs for RMM recording artists including José Alberto and Tito Nieves . Sergio George co @-@ wrote " ¿ Juego O Amor " ( " Game or Love ? " ) along with Adam Sez . The final track , " Si He de Morir " ( " If I Were to Die " ) was composed by Luis Díaz .

= = Commercial reception = =

Otra Nota debuted and peaked at No. 2 on the Billboard Tropical Albums chart during the week of April 17 , 1993 , behind Jerry Rivera 's Cuenta Conmigo and remained at this position for eight weeks . During the week of June 11 , 1994 , the album debuted and peaked at No. 30 on the Billboard Top Latin Albums , where it spent nineteen weeks on the chart . Otra Nota has sold over 300 @,@ 000 copies as of 2002 .

= = = Singles = = =

" Hasta Que Te Conocí " was the first single to be released from the album and peaked at No. 13 on the Billboard Hot Latin Songs chart . The second single " Palabras del Alma " peaked at No. 15 on the Billboard Hot Latin Songs chart . " Si Tú No Te Fueras " was the last single released from the album which peaked at No. 31 on the Billboard Hot Latin Songs chart .

= = Critical reception = =

Evan Gutierrez of Allmusic gave the album 3 @.@ 5 out of 5 stars and complemented Anthony 's voice as " developed , unique , and individual " and felt that Anthony 's debut " brought quality and passion to his listeners from the beginning . " Gutierrez also found the songs in salsa enjoyable while calling the ballads . Gutierrez praised Sergio George 's arrangements as " outstanding " though he felt the production was outdated in places . Enrique Lopetegui gave the album 3 out of 4 stars , noting that while Anthony was viewed with skepticism on the salsa market , he felt that Anthony " may be the best of the many newborn salseros . " Lopetegui also praised Anthony 's vocals as " excellent " and described the overall album as " noble effort " though he criticized Anthony 's cover of " Make It With You " as unnecessary . In 1994 , Anthony received a Billboard Latin Music Award for " Tropical / Salsa New Artist of the Year " and a Lo Nuestro award for " Tropical - New Artist of the Year " .

= = Track listing = =


= = Credits and personnel = =

The following credits are from Allmusic .

= = = Performance credits = = =


= = = Technical credits = = =


= = Chart performance = =



= St Peulan 's Church , Llanbeulan =

St Peulan 's Church , Llanbeulan is a disused medieval church in Llanbeulan , in Anglesey , north Wales . The nave , which is the oldest part of the building , dates from the 12th century , with a chancel and side chapel added in the 14th century . The church has a font of early date , possibly from the first half of the 11th century : one historian has said that it would initially have been used as an altar and that " as an altar of the pre @-@ Norman period it is a unique survivor in Wales and , indeed , in Britain " .
The church is now redundant and has been in the care of the charity , the Friends of Friendless Churches since 2005 . It is a Grade II * listed building , a designation given to " particularly important buildings of more than special interest " , because it is a medieval church of " typical Anglesey type " that has retained its simple character despite 19th @-@ century alterations .

= = History and location = =

The date of foundation of the church in Llanbeulan is not known for certain , although it is said that a church was founded on this site in 630 by St Peulan . He was a disciple of the Anglesey saint Cybi . The earliest parts of the building date from the 12th century . It was the parish church of the area , and had a chapel of ease at St Mary 's Church , Tal @-@ y @-@ llyn ( now also closed ) . In November 1349 , records of an inquisition in Beaumaris show that the priest serving St Peulan 's was one of a number of Anglesey clergymen to have died about that time , which was when the Black Death was affecting Anglesey . During the 19th century , a significant amount of church rebuilding and restoration work took place throughout Anglesey , and St Peulan 's was given a new roof and new internal fittings at this time . It is now a redundant church and has been in the hands of the Friends of Friendless Churches since 2004 ; it is one of four churches on Anglesey for which the charity has responsibility . The charity holds a 999 @-@ year lease with effect from 10 June 2005 .
The church gave its name to the parish of Llanbeulan : the Welsh word llan originally meant " enclosure " and then " church " , and " ‑ beulan " is a modified form of the saint 's name . It is in a thinly populated part of rural Anglesey , about 1 @.@ 75 kilometres ( 1 @.@ 09 mi ) to the south @-@ west of the village of Gwalchmai , and about 3 kilometres ( 1 @.@ 9 mi ) to the south @-@ east of Bryngwran . A grassed track runs from the road to the church . To the east of the church , the churchyard contains a war grave of a Royal Welsh Fusiliers soldier of the First World War .

= = Architecture and fittings = =

The church is built from rubble masonry , dressed with gritstone . The nave measures 27 feet 6 inches by 15 feet 6 inches ( 8 @.@ 4 by 4 @.@ 7 m ) , the chancel is 15 feet 6 inches by 11 feet 9 inches ( 4 @.@ 7 by 3 @.@ 6 m ) , and the south chapel is 11 feet 3 inches by 16 feet ( 3 @.@ 4 by 4 @.@ 9 m ) . The building has a slate roof with copings of stone . At the west end , there is a gabled bellcote with one bell ; crosses made of iron are fixed to the roofs of the chancel and south chapel . The nave of the church , which has two bays , was probably built in the 12th century . An entrance at the west end of the nave has been blocked up and plastered over on the outside . The chancel , which is smaller than the nave , and a chapel ( on the south side of the building attached to the nave ) were added in the 14th century , and the arches dividing the nave from the chapel and the chancel are of this date . The entrance door , from the 19th century , is positioned on the east side of the chapel and has a pointed archway . Alongside the doorway is a stone inscribed with the year 1637 , and next to that is a round @-@ headed small window dating from the 12th century , reset in the chapel wall of later date . It has been suggested that this window may been reused from the blocked nave entrance .
The east window of the chancel , from the 15th century , has two lights topped with trefoils and decorated with carved heads . There is also a blocked 14th @-@ century window in the chancel 's north wall and an early 16th @-@ century window in the south wall . Other windows in the church date from the 17th century ( chapel south window ) and 19th century ( nave ) . The pews date from the 17th century : one stall in the chancel bears an inscribed panel of wood , dated 1664 , recording that it is the seat of William Bold of Treyrddol . There are a number of memorials inside the church from the 17th , 18th and early 19th centuries . The church 's 19th @-@ century fittings , such as the pulpit and altar rail , are plain .
The most notable feature of the church is its font , which dates from the late 12th century , or possibly even the first part of the 11th century . It measures 2 feet 1 inch ( 63 @.@ 5 cm ) by 2 feet 11 inches ( 88 @.@ 9 cm ) ( external measurements ) and is 11 inches ( 27 @.@ 9 cm ) deep . It is rectangular and decorated on three sides . One of the shorter sides has a cross with four arms of equal length imposed on a ring ; at the base are two small hemispheres , and the design is framed with bands ( some plain , some decorated with chevrons or a twisted rope pattern ) . It has been suggested that the hemispheres are bee skeps . One of the longer sides has a row of arches forming an arcade above a pattern of lozenges . The other shorter side has a chequerwork pattern . The archeologist David Petts has noted that it is one of a number of fonts on Anglesey that has an area with little or no carving , perhaps because it was never anticipated that the plain side of the font would be seen or because the font was carved after being put in its position in the church . Although similar in style to other Anglesey fonts , its rectangular shape is " unique " , according to Petts , and the cross on one side " finds no parallels among fonts of this period . "
One writer , the historian Peter Lord , has suggested that it was initially used as an altar . Accepting the 11th @-@ century dating , Lord stated that " as an altar of the pre @-@ Norman period it is a unique survivor in Wales and , indeed , in Britain " . Petts considers this " unlikely " , suggesting that it may originally have been a reliquary . The Friends of Friendless Churches describes the font as the building 's " chief glory " . It has also been called " the best of Anglesey 's remarkable Romanesque series . " It has similarities of design and style with the fonts of two other churches on Anglesey ( St Llwydian 's Church , Heneglwys and St Iestyn 's Church , Llaniestyn ) and with one of the stone crosses at St Seiriol 's Church , Penmon .

= = Assessment = =

The church is a Grade II * listed building – the second @-@ highest ( of three ) grade of listing , designating " particularly important buildings of more than special interest " . It was given this status on 5 April 1971 , and has been listed because it is " a rural Medieval church retaining its simple character . " It is described by Cadw ( the Welsh Assembly Government body responsible for the built heritage of Wales ) as a church " of typical Anglesey type " , where the 19th @-@ century restoration work has " retained the simplicity of design and construction " , and also the church 's medieval character .
In the 19th century , the writer Samuel Lewis said that it was " small and of rude workmanship " , but had " several curious features " such as the font that made it " valuable " . The antiquarian Angharad Llwyd , writing in 1833 , described it as " a small cruciform structure , situated in a little barren valley " , with the south transept " bearing evidence of very great antiquity . " She stated that there were some windows " in the later English style , of good design , especially the east window of the chancel , which is a very superior composition . "


= The Tramp Dentists =

The Tramp Dentists is a 1913 American silent short comedy film released by the newly formed Joker productions by the Universal Film Manufacturing Company . Directed by Allen Curtis , the film 's cast includes Max Asher , Lee Morris , Eddie Boland Joseph Singleton and Bobby Vernon . The film is centered on two tramps , Dusty and Weary , who take over a dentist shop and get rich through their untrained dentistry , extracting teeth with pincers and ice tongs . After earning a large amount of money , the tramps return to their old way of life . Released on October 29 , 1913 , this film was the second Joker comedy . The film received some criticism for its vulgar humor . The film had a wide national release in the United States , but the film is presumed lost .

= = Plot = =

Two tramps , named Dusty and Weary , awake from their slumber in a hay stock and are overcome with thirst . The two drink from a horse trough and Dusty complains of toothache . The two go to the dentist office only to be kicked out . When the dentist departs on a cruise the two tramps then pose as dentists and occupy the office and pull teeth with pincers and tongs . When the rightful owners return they drive off again . The tramps continue in their venture and quickly make a large sum of money before they desire their old way of life . The two tramps then surrender the office to its rightful owners .

= = Cast = =

Two seasons later , Chelsea won the First Division title for the first time . As they beat Charlton Athletic in March 1955 to " maintain their challenging position in the Championship " , The Times ' reporter described how " McNichol filled the role of general , and was instigator of many dangerous movements " . Two weeks later , McNichol , " the most effective of their forwards " , scored twice as a Chelsea team displaying " a propensity to play the man in preference to the ball " beat Tottenham Hotspur 4 – 2 , and the title was confirmed with one game still to play . McNichol had missed only two games in the 42 @-@ game season , and scored 14 goals , a good return for a player in his position ; an inside forward was normally more a creator than a scorer of goals , but his profile on Chelsea 's website describes him as " clever , astute and most of all a clinical finisher " .

He stayed at the club for three more seasons , but later lost his place in the side to the young Jimmy Greaves : " There was no disgrace in losing my place to him . I couldn 't grumble about that . We used to get on very well , and he would listen to the instructions I gave him . Then he became world famous ! " The respect was mutual : though Greaves described the Chelsea title @-@ winning side as " almost certainly one of the least talented teams ever to win the title " , he made an exception for McNichol , " the ball player of the team " . In all competitions , he made 202 appearances for Chelsea and scored 66 goals .

While at Brighton , McNichol had worked in a local garage , wanting to keep up his skills in case injury put an early end to his football career . When he joined Chelsea , his decision to remain living in the area had upset Drake . In addition , he bought a newsagent 's shop in Hove , so not only did he have to travel by train from the south coast – as did teammates Stan Willemse and Eric Parsons – he further annoyed the Chelsea management by getting up even earlier each morning to open the shop before coming in to training . His wife Connie , whom he had known since childhood , ran the business in his absence . He claimed to have " earned more working in that shop than playing for Chelsea . Even in that championship season . "

= = Crystal Palace = =

Just ahead of the transfer deadline in March 1958 , McNichol signed for Third Division South club Crystal Palace . He was expected to fill a role " similar to the one he has performed so well at Stamford Bridge – helping in the development of promising young forwards " , and was appointed captain . He scored on his debut for the club , and produced seven goals from the twelve games he played in what remained of the 1957 – 58 season . By October 1958 , manager George Smith felt the player was feeling the strain of his dual role , so relieved him of the captaincy . As McNichol grew older , his playing position became more defensive , as he became first a wing half , then a full back . Palace had been placed in the Fourth Division when the Football League structure was reorganised on national lines prior to the 1958 – 59 season , and McNichol , long since restored to the captaincy , led them to promotion to the Third Division in 1961 , their first promotion for 40 years . Soon afterwards , he applied for the managerial post at former club Brighton & Hove Albion , then in the Second Division , but was unsuccessful . A broken arm suffered in August 1961 forced McNichol to miss a Palace match for the first time in a three @-@ and @-@ a @-@ half @-@ year club career . He played on for two seasons , but his professional career was brought to a close by facial injuries , a fractured cheekbone and broken jaw , sustained during the 1962 – 63 season . In all competitions , he scored 15 goals from 205 appearances .

= = Later life and career = =

McNichol remained in the South of England , spending four years as player @-@ manager of Tunbridge Wells Rangers in the Southern League . Having sold the newsagents , he returned to Crystal Palace to work in the commercial side of the game , where he was responsible for the establishment of weekly pools and bingo competitions as a means of raising funds for the club . He moved back to Brighton & Hove Albion to occupy a similar role from 1979 to 1992 , and after retirement continued to live in the Saltdean area of Brighton .

Despite the successes of his career , McNichol had regrets . He described Chelsea 's decision not to accept their invitation to participate in the inaugural season of the European Cup as his " one big disappointment " , and " thought it was strange at the time " , despite the national team selectors ' preference for players plying their trade for Scottish clubs , that he was never chosen to represent his country .

McNichol retained contact with his previous clubs . One of 24 former players and managers nominated as " Albion Legends " as part of Brighton 's centenary events in 2001 , he took an active role in the celebrations . The surviving members of Chelsea 's 1955 title @-@ winning team used to meet for an annual dinner , and were guests of the club at the last match of the 2004 – 05 season as they celebrated their second League title , 50 years after the first .

He died of a stroke on 17 March 2007 at the age of 81 .

= = Honours = =

Newcastle United Reserves

The Central League winners : 1947 – 48

Chelsea

Football League First Division winners : 1954 – 55

Crystal Palace

Football League Fourth Division runners @-@ up : 1960 – 61

= Otra Nota =

Otra Nota ( English : Another Note ) is the debut album by American singer Marc Anthony that was released on January 26 , 1993 , by RMM Records . Produced by Sergio George , it was the first album by Anthony to record in salsa after starting his career as a freestyle musician . Recording of the album began after Anthony asked RMM president Ralph Mercado to record Juan Gabriel 's " Hasta Que Te Conocí " in salsa after hearing it on the radio during a taxi ride . Recorded on a low budget , the album peaked at No. 2 on the Billboard Tropical Albums chart and reached No. 30 on the Billboard Top Latin Albums chart .

The album was well received by critics who complimented George 's production and Anthony 's youthful voice . Anthony received two awards for " Best New Artists " at the Billboard Latin Music Awards and the Lo Nuestro Awards . The album produced three singles : " Hasta Que Te Conocí " , " Palabras del Alma " , and " Si Tú No Te Fueras " , all of which charted on the Billboard Hot Latin Songs chart . As of 2002 , Otra Nota has sold over 300 @,@ 000 copies .

= = Background = =

Marc Anthony began his recording career in 1980s as a freestyle musician during which he was a backup vocalist for boy bands such as Menudo and the Latin Rascals . Anthony also wrote songs for his school friend Sa @-@ Fire , including " Boy I 've Been Told " which became a hit on the Billboard Hot 100 chart . Anthony got his start as a lead vocalist when he collaborated with Little Louie Vega on the album When the Night Is Over . The lead single " Ride on the Rhythm " became a number @-@ one hit on the Billboard Hot Dance Club Songs chart .

RMM manager Ralph Mercado invited Anthony to record a salsa album , but Anthony declined the offer due to a lack of interest to record in Spanish . The following day , while in a taxi , Anthony was listening to Juan Gabriel 's song " Hasta Que Te Conocí " ( " Until I Met You " ) on the radio and was motivated to record in the song in salsa and told Mercado about his change of decision . Mercado introduced Anthony to Sergio George who would produce the album . According to George , the album was an " total experiment " , citing that it was on low budget , recorded with one musician at a time without a band , and the full production was done on computers while George handled the keyboards .

= = Music and lyrics = =

The album includes five compositions and three cover songs . The lead track " Palabras del Alma " ( " Words from the Soul " ) is a cover originally performed and written by Ilan Chester . " Si Tú No Te Fueras " ( " If You Would Not Leave " ) was composed by Nelson Frank and Jaime Gutierrez . " Hasta Que Te Conocí " was first performed and written by Juan Gabriel . " El Último Beso " was composed by Anthony 's father Felipe Muñíz . " Make It With You " is a cover of American band Bread 's song . " Necesito Amarte " was written by Luis Castillo who composed songs for RMM recording artists including José Alberto and Tito Nieves . Sergio George co @-@ wrote " ¿ Juego O Amor " ( " Game or Love ? " ) along with Adam Sez . The final track , " Si He de Morir " ( " If I Were to Die " ) was composed by Luis Díaz .

= = Commercial reception = =

Otra Nota debuted and peaked at No. 2 on the Billboard Tropical Albums chart during the week of April 17 , 1993 , behind Jerry Rivera 's Cuenta Conmigo and remained at this position for eight weeks . During the week of June 11 , 1994 , the album debuted and peaked at No. 30 on the Billboard Top Latin Albums , where it spent nineteen weeks on the chart . Otra Nota has sold over 300 @,@ 000 copies as of 2002 .

= = = Singles = = =

" Hasta Que Te Conocí " was the first single to be released from the album and peaked at No. 13 on the Billboard Hot Latin Songs chart . The second single " Palabras del Alma " peaked at No. 15 on the Billboard Hot Latin Songs chart . " Si Tú No Te Fueras " was the last single released from the album which peaked at No. 31 on the Billboard Hot Latin Songs chart .

= = Critical reception = =

Evan Gutierrez of Allmusic gave the album 3 @.@ 5 out of 5 stars and complemented Anthony 's voice as " developed , unique , and individual " and felt that Anthony 's debut " brought quality and passion to his listeners from the beginning . " Gutierrez also found the songs in salsa enjoyable while calling the ballads . Gutierrez praised Sergio George 's arrangements as " outstanding " though he felt the production was outdated in places . Enrique Lopetegui gave the album 3 out of 4 stars , noting that while Anthony was viewed with skepticism on the salsa market , he felt that Anthony " may be the best of the many newborn salseros . " Lopetegui also praised Anthony 's vocals as " excellent " and described the overall album as " noble effort " though he criticized Anthony 's cover of " Make It With You " as unnecessary . In 1994 , Anthony received a Billboard Latin Music Award for " Tropical / Salsa New Artist of the Year " and a Lo Nuestro award for " Tropical - New Artist of the Year " .

= = Track listing = =

= = Credits and personnel = =

The following credits are from Allmusic .

= = = Performance credits = = =

= = = Technical credits = = =

= = Chart performance = =

= St Peulan 's Church , Llanbeulan =

St Peulan 's Church , Llanbeulan is a disused medieval church in Llanbeulan , in Anglesey , north Wales . The nave , which is the oldest part of the building , dates from the 12th century , with a chancel and side chapel added in the 14th century . The church has a font of early date , possibly from the first half of the 11th century : one historian has said that it would initially have been used as an altar and that " as an altar of the pre @-@ Norman period it is a unique survivor in Wales and , indeed , in Britain " .

The church is now redundant and has been in the care of the charity , the Friends of Friendless Churches since 2005 . It is a Grade II * listed building , a designation given to " particularly important buildings of more than special interest " , because it is a medieval church of " typical Anglesey type " that has retained its simple character despite 19th @-@ century alterations .

= = History and location = =

The date of foundation of the church in Llanbeulan is not known for certain , although it is said that a church was founded on this site in 630 by St Peulan . He was a disciple of the Anglesey saint Cybi . The earliest parts of the building date from the 12th century . It was the parish church of the area , and had a chapel of ease at St Mary 's Church , Tal @-@ y @-@ llyn ( now also closed ) . In November 1349 , records of an inquisition in Beaumaris show that the priest serving St Peulan 's was one of a number of Anglesey clergymen to have died about that time , which was when the Black Death was affecting Anglesey . During the 19th century , a significant amount of church rebuilding and restoration work took place throughout Anglesey , and St Peulan 's was given a new roof and new internal fittings at this time . It is now a redundant church and has been in the hands of the Friends of Friendless Churches since 2004 ; it is one of four churches on Anglesey for which the charity has responsibility . The charity holds a 999 @-@ year lease with effect from 10 June 2005 .

The church gave its name to the parish of Llanbeulan : the Welsh word llan originally meant " enclosure " and then " church " , and " ‑ beulan " is a modified form of the saint 's name . It is in a thinly populated part of rural Anglesey , about 1 @.@ 75 kilometres ( 1 @.@ 09 mi ) to the south @-@ west of the village of Gwalchmai , and about 3 kilometres ( 1 @.@ 9 mi ) to the south @-@ east of Bryngwran . A grassed track runs from the road to the church . To the east of the church , the churchyard contains a war grave of a Royal Welsh Fusiliers soldier of the First World War .

= = Architecture and fittings = =

The church is built from rubble masonry , dressed with gritstone . The nave measures 27 feet 6 inches by 15 feet 6 inches ( 8 @.@ 4 by 4 @.@ 7 m ) , the chancel is 15 feet 6 inches by 11 feet 9 inches ( 4 @.@ 7 by 3 @.@ 6 m ) , and the south chapel is 11 feet 3 inches by 16 feet ( 3 @.@ 4 by 4 @.@ 9 m ) . The building has a slate roof with copings of stone . At the west end , there is a gabled bellcote with one bell ; crosses made of iron are fixed to the roofs of the chancel and south chapel . The nave of the church , which has two bays , was probably built in the 12th century . An entrance at the west end of the nave has been blocked up and plastered over on the outside . The chancel , which is smaller than the nave , and a chapel ( on the south side of the building attached to the nave ) were added in the 14th century , and the arches dividing the nave from the chapel and the chancel are of this date . The entrance door , from the 19th century , is positioned on the east side of the chapel and has a pointed archway . Alongside the doorway is a stone inscribed with the year 1637 , and next to that is a round @-@ headed small window dating from the 12th century , reset in the chapel wall of later date . It has been suggested that this window may been reused from the blocked nave entrance .

The east window of the chancel , from the 15th century , has two lights topped with trefoils and decorated with carved heads . There is also a blocked 14th @-@ century window in the chancel 's north wall and an early 16th @-@ century window in the south wall . Other windows in the church date from the 17th century ( chapel south window ) and 19th century ( nave ) . The pews date from the 17th century : one stall in the chancel bears an inscribed panel of wood , dated 1664 , recording that it is the seat of William Bold of Treyrddol . There are a number of memorials inside the church from the 17th , 18th and early 19th centuries . The church 's 19th @-@ century fittings , such as the pulpit and altar rail , are plain .

The most notable feature of the church is its font , which dates from the late 12th century , or possibly even the first part of the 11th century . It measures 2 feet 1 inch ( 63 @.@ 5 cm ) by 2 feet 11 inches ( 88 @.@ 9 cm ) ( external measurements ) and is 11 inches ( 27 @.@ 9 cm ) deep . It is rectangular and decorated on three sides . One of the shorter sides has a cross with four arms of equal length imposed on a ring ; at the base are two small hemispheres , and the design is framed with bands ( some plain , some decorated with chevrons or a twisted rope pattern ) . It has been suggested that the hemispheres are bee skeps . One of the longer sides has a row of arches forming an arcade above a pattern of lozenges . The other shorter side has a chequerwork pattern . The archeologist David Petts has noted that it is one of a number of fonts on Anglesey that has an area with little or no carving , perhaps because it was never anticipated that the plain side of the font would be seen or because the font was carved after being put in its position in the church . Although similar in style to other Anglesey fonts , its rectangular shape is " unique " , according to Petts , and the cross on one side " finds no parallels among fonts of this period . "

One writer , the historian Peter Lord , has suggested that it was initially used as an altar . Accepting the 11th @-@ century dating , Lord stated that " as an altar of the pre @-@ Norman period it is a unique survivor in Wales and , indeed , in Britain " . Petts considers this " unlikely " , suggesting that it may originally have been a reliquary . The Friends of Friendless Churches describes the font as the building 's " chief glory " . It has also been called " the best of Anglesey 's remarkable Romanesque series . " It has similarities of design and style with the fonts of two other churches on Anglesey ( St Llwydian 's Church , Heneglwys and St Iestyn 's Church , Llaniestyn ) and with one of the stone crosses at St Seiriol 's Church , Penmon .

= = Assessment = =

The church is a Grade II * listed building – the second @-@ highest ( of three ) grade of listing , designating " particularly important buildings of more than special interest " . It was given this status on 5 April 1971 , and has been listed because it is " a rural Medieval church retaining its simple character . " It is described by Cadw ( the Welsh Assembly Government body responsible for the built heritage of Wales ) as a church " of typical Anglesey type " , where the 19th @-@ century restoration work has " retained the simplicity of design and construction " , and also the church 's medieval character .

In the 19th century , the writer Samuel Lewis said that it was " small and of rude workmanship " , but had " several curious features " such as the font that made it " valuable " . The antiquarian Angharad Llwyd , writing in 1833 , described it as " a small cruciform structure , situated in a little barren valley " , with the south transept " bearing evidence of very great antiquity . " She stated that there were some windows " in the later English style , of good design , especially the east window of the chancel , which is a very superior composition . "

= The Tramp Dentists =

The Tramp Dentists is a 1913 American silent short comedy film released by the newly formed Joker productions by the Universal Film Manufacturing Company . Directed by Allen Curtis , the film 's cast includes Max Asher , Lee Morris , Eddie Boland Joseph Singleton and Bobby Vernon . The film is centered on two tramps , Dusty and Weary , who take over a dentist shop and get rich through their untrained dentistry , extracting teeth with pincers and ice tongs . After earning a large amount of money , the tramps return to their old way of life . Released on October 29 , 1913 , this film was the second Joker comedy . The film received some criticism for its vulgar humor . The film had a wide national release in the United States , but the film is presumed lost .

= = Plot = =

Two tramps , named Dusty and Weary , awake from their slumber in a hay stock and are overcome with thirst . The two drink from a horse trough and Dusty complains of toothache . The two go to the dentist office only to be kicked out . When the dentist departs on a cruise the two tramps then pose as dentists and occupy the office and pull teeth with pincers and tongs . When the rightful owners return they drive off again . The tramps continue in their venture and quickly make a large sum of money before they desire their old way of life . The two tramps then surrender the office to its rightful owners .

= = Cast = =