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= = Plot = =
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" Far Away Places " is split into three vignettes that take place almost entirely during a single day following the characters Peggy , Roger , and Don .
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= = = Peggy = = =
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The episode begins with Peggy 's day and a heated argument with her boyfriend Abe , over her preoccupation with work and the effect this has on their sex life . The argument ends with Abe leaving in a huff . After Don pulls Megan away for an impromptu trip to a Howard Johnson 's hotel in far northern New York , Peggy has to pitch to the Heinz executives without them . Peggy unsuccessfully tries to sell the Heinz executives on her concept . Frustrated , she leaves work , has a couple of drinks , and goes to see the film Born Free . She sees a young man smoking marijuana behind her , partakes herself , and eventually gives him a hand job . She returns to her office to see Ginsberg arguing with his father . After being told off by Ginsberg for eavesdropping , she falls asleep in Don 's office . She awakens to a call from Don , who seems alarmed for incomprehensible reasons . Don hangs up on her and Peggy returns to her office . When Peggy asks about Ginsberg 's life , Ginsberg initially claims to be a Martian , stating that Morris Ginsberg is not his father . Michael was born in a Nazi concentration camp and , after its liberation , Morris claimed him from a Swedish orphanage when Michael was five years old . Peggy returns home , affected by this story , and calls Abe . She tells him about Ginsberg and asks him to come over to be with her .
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= = = Roger = = =
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From Roger 's perspective of the day , he invites Don to go on a trip with him to a Howard Johnson 's in Plattsburgh , New York , hoping to get out of a dinner party with his wife Jane 's " snooty friends " and is subsequently disappointed when Don decides to take Megan on the trip instead . Roger and Jane go to the party , which is hosted by Jane 's therapist and her husband . After dinner , Roger asks Jane if they can leave , but Jane reminds Roger that he agreed to take LSD with the group and begs him to stay , as she doesn 't want to go through the experience alone . Roger is initially unimpressed with the drug , but comes around after his consciousness begins to change with vivid audio @-@ visual hallucinations . Roger and Jane return home via taxi and take a bath together , during which Roger imagines he is watching the 1919 World Series from the bathtub . The couple then talks candidly about their marriage for the first time . During this moment of awareness , Jane admits that she knows the marriage is over . The next morning , a jovial Roger says goodbye to a shocked Jane , who appears regretful about what she said the night before .
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= = = Don = = =
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The episode 's finale is Don 's day and the trip to Plattsburgh and Howard Johnson 's Restaurant and Motor Lodge . As he and Megan eat in the restaurant , Megan expresses her frustration at having her needs and desires take a back seat to Don 's . The discussion escalates into a fight , during which Megan makes a hurtful remark about Don 's mother , and Don storms out and drives off without her . Don returns sometime later and begins to worry when he can 't find Megan . He spends hours looking for and waiting for her , calling Peggy ( the other side of the conversation from the first part of the episode ) as well as Megan 's mother in Montreal .
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After waiting for hours at Howard Johnson 's and phoning home repeatedly , Don drives home in the early morning to find Megan in their apartment with the security chain on the door . Don kicks the door in , violently struggles with Megan , and chases her through the apartment . Megan and Don trip and collapse on the floor as Megan weeps . Don tearfully hugs her at the waist and tells her he thought he had lost her .
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= = = Epilogue = = =
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That morning , Megan and Don return to Sterling Cooper Draper Pryce . Don is beckoned to the conference room , where Bert Cooper admonishes him for being " on love leave " . Don replies that his love life is none of Bert 's business . Bert retorts that it is , in fact , HIS business and admits astonishment that the firm is running as well as it is with how little Don is actually working . Bert leaves Don standing alone in the conference room as Don looks through the picture windows at the employees going about their business . Roger , full of enthusiasm , pops into the conference room and tells Don he has an announcement : " It 's going to be a beautiful day ! "
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= = Production = =
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Creator Matthew Weiner said " Far Away Places " was inspired by " anthologized French films " with " lots of short stories in them " , with all three short stories linked by a thematic " desire to go away " . He further explained that " Peggy has this moment where she tries to be Don and fails and then goes on Peggy 's version of Don – sexually irresponsible , and drunk , and working " . Elisabeth Moss said the handjob Peggy gives a stranger in the theatre is a " moment of forgetting " after the frustrating Heinz pitch .
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Weiner spoke about the structure of the episode in June 2012 :
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Structurally , I love this French movie by Max Ophüls called Le Plaisir . It 's three or four Guy de Maupassant stories that are told by a narrator , and then characters start to appear behind each other , their stories overlap and they are just walking through , and you realize it 's a complete world . What I loved about that was just telling the story from that one person ’ s point of view . In Peggy 's story , she 's in every scene , nothing happens without her there . And it 's the same thing with Don and the same thing with Roger . So you 're really getting this very private perspective , and then thematically holding it together by saying , " Here , this is about the status of the relationship . " We weren 't sure that it was going to work . The hardest part was breaking it up for commercials so that the Peggy and the Roger stories would be in the same segment and you wouldn 't come back and think you were in the middle of another episode .
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He spoke about the writing of a scene of the episode in August 2012 :
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I had , in the writers room , given this speech about Ginsberg saying he was a Martian . I delivered it as Ginsberg . We knew that Peggy 's story was going to climax with that , and it was going to be their great moment of intimacy ; he would distract her from her failure and bond with her in that strange way that people who feel separate do . Then , when we were writing the draft , I got the notes from the room , and the speech was like one sentence . We searched everywhere , and it turned out I had never pitched more than that one sentence : " I 'm a Martian . " I had a great version of it , but it turned out it had all been in my head in one way or another . It all had to come from scratch . Once I reduced the panic and tried to re @-@ create it , it did happen . So , to me , it still has a magical quality to it .
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Weiner characterized Roger 's acid trip as an experience of " complete honesty " and an " experience of empathy , something he 's probably never experienced in his life . He doesn 't see the world through other people 's lives and that kind of epiphany to me is very beautiful , even though it 's the end of the relationship . They are alone in the truth together " .
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While discussing the fight between Don and Megan , Weiner commented on the violence and passion , noting that " what you get is that Don loves this woman " and that Megan is " everything that 's good to him " . Jessica Pare commented on Don 's lack of respect for her work , and Jon Hamm judged Don 's actions as " immature " . However , Hamm regarded Don 's fear as " genuine " when he is unsure of Megan 's whereabouts . The flashback scene between Don and Megan in the car was actually shot for the fourth season finale , " Tomorrowland , written and directed by Weiner , but was cut . Weiner decided to reinsert this scene into the episode as a flashback .
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The exterior scenes of the Howard Johnson 's hotel were filmed in October 2011 at the Regency Inn and Suites in Baldwin Park , California . The hotel operated as a Howard Johnson 's from 1967 until it was sold in 1995 .
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Editor Christopher Gay spoke about the episode in August 2012 :
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Narratively speaking , we wanted the stories of these three relations of Peggy , Roger , and Don to be their own story . We wanted to give you a little bit more each time you saw each of the three story lines so that when you got to the third one , everything totally made sense . I 've talked to people and they 've had to watch it a few times to fully digest . Also , the score in the episode is pretty unique and more tonal and atmospheric than what we normally do . It 's a guide , too , that helps you feel when one story is ending and another is coming in and knowing that the shift is happening . I think the score and the sound design definitely helped guide the narrative .
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= = Reception = =
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= = = Critical reception = = =
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The episode received overwhelmingly laudatory reviews from television critics , particularly for its unusual departure from the standard Mad Men episode structure and is considered to be one of the best in the series . Alan Sepinwall of HitFix exalted the episode and the " more formally experimental " season , admitting , " I 'm still not sure I understood 100 % of it . But I know I liked it . A lot . " Sepinwall characterized " Far Away Places " as " an episode that gave the feel of dropping acid even when everyone on camera was stone sober . Matt Weiner , co @-@ writer Semi Chellas , director Scott Hornbacher , and the actors combined to give us some of the most memorable moments the show has ever done . " Todd VanderWerff of The A.V. Club gave it an A grade , compared it to previous " structurally daring " episodes like " Seven Twenty Three " and " The Jet Set " , and praised the director for the " beautifully shot " episode and the " gorgeous image of [ Roger ] and Jane lying , heads touching , on the floor , admitting their marriage just isn ’ t working " , while noting that the enemy of the season is " the passage of time itself " .
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Verne Gay of Newsday called it a good , but difficult episode , saying , " the story lines were all parallel – it was even an anthology , with each story mirroring the next ( bringing to mind that memorable scene when Roger , under the influence , is looking in the mirror and told to look away ) ... the themes of male @-@ female entanglement , and disentangle ( and yes , hair , once again is a predominant metaphor . ) The themes of travel ... of being a stranger in a strange land ... of life on Mars , or in Plattsburgh ... of alienation , pursuit , and of a generation born during the Holocaust , amid the Holocaust " . Tim Goodman of The Hollywood Reporter said the LSD trip " was handled brilliantly here , with insight , surprises , unpredictability , excellent humor and a really lovely , smart ending " and the image of Jane and Roger on the floor as an example of the " visual excellence " of the episode . TIME magazine writer Nate Rawlings compared the episode to a David Lynch film and noted that all three " stories also shared the thematic connection of the struggle between professional and work life . "
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IGN reviewer Eric Goldman praised the performances of John Slattery and Peyton List and said the episode " took three of the show 's best characters and rocked their worlds in very different ways , telling three separate stories that were all utterly involving and moving , and delivering one of the show 's best episodes ever in the process . This show continues to operate on a level few other series could dream of ... " . Roger Friedman of Forbes called the LSD sequences with Jane and Roger to be " so well @-@ written they were kind of transcendent " . Salon writer Nellie Engoron acclaimed the episode , while pointing out that " with this episode ’ s tilt of the seesaw back to the older generation from the flailing youngsters , we ’ re reminded that while the 1960s saw a cultural shift towards youth , like a drunk , no historical change walks a straight line . For all the claims that Don and others have made that the “ kids ” increasingly hold the cards , the real truth ( if we ’ re telling it ) is that older white guys like Bert and Roger never truly lost power , even if they began to hide behind the scenes while fresh young faces took the public glory . "
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= = = Ratings = = =
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The episode was viewed by 2 @.@ 6 million viewers on the night of its original airing . It drew 0 @.@ 9 million viewers in the 18 – 49 demographic .
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= = = Awards = = =
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" Far Away Places " was nominated for two Primetime Emmy Awards , for Outstanding Writing for a Drama Series and Outstanding Single @-@ Camera Picture Editing for a Drama Series .
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= Awakening ( Star Trek : Enterprise ) =
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" Awakening " is the eighth episode of the fourth season of the American science fiction television series Star Trek : Enterprise , and originally aired on November 26 , 2004 on UPN . The script was written by André Bormanis and the episode was directed by Star Trek : Voyager alumni Roxann Dawson . The episode was the first of the season for both Bormanis and Dawson . The episode is the second of a three @-@ part episode arc which started in " The Forge " and concludes in " Kir 'Shara " .
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Set in the 22nd century , the series follows the adventures of the first Starfleet starship Enterprise , registration NX @-@ 01 . In this episode , the Vulcan government seek to make the Enterprise leave orbit so they can attack a renegade faction of Vulcans , and afterwards the long @-@ standing enemy of the Vulcans , the Andorians . Meanwhile , Captain Jonathan Archer and Commander T 'Pol have been captured by the Syrrannites , and it is discovered that Archer has the katra of Surak . He has visions which lead him to find an ancient Vulcan artefact called the " Kir 'Shara " as the group come under attack from the Vulcans .
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Elements of the plot of the episode were compared by executive producer to the Protestant Reformation with the Vulcan High Command representing the Catholic Church . The producers took care to cast actors in the roles of T 'Pau and Surak who looked similar to the actors who portrayed those parts in The Original Series . Nielsen ratings for the first run of the episode saw a decrease from the first part of the trilogy , down to 1 @.@ 8 / 3 . The critical response was mixed , saying that whilst they were entertained by the episode , there were several elements in the plot which were problematic .
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= = Plot = =
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Ambassador Soval is summoned before Administrator V 'Las and the High Council to face punishment over his use of a mind meld . Since the act is widely considered to be criminal by the Vulcan authorities , Soval is summarily dismissed from the Ambassadorial service . Meanwhile , Captain Archer and Commander T 'Pol are questioned by the Syrrannites . After a short while , T 'Pol is taken to see her mother , T 'Les , and the two disagree about the tenets of the group — the Vulcan authorities call them extremists , a term T 'Les disagrees with . Soon , Archer begins to see visions of an old Vulcan , and the dissidents determine that he had the katra of Surak transferred into him via mind meld .
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V 'Las , now largely unopposed on the Council , becomes increasingly obsessed with decisively ending the Syrrannite threat once and for all . He postpones his plans to bombard the encampment , after delays in convincing Enterprise to leave orbit . He contacts Starfleet , and the Admiralty give Commander Tucker direct orders , which he refuses to carry out directly . He attempts , with assistance from Soval , to send a rescue shuttlepod to " The Forge " , but they are intercepted by Vulcan patrol vessels . V 'Las then finally orders Vulcan warships to directly engage Enterprise , and Soval suggests that they should retreat before they are severely damaged .
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A ritual is performed to transfer the katra into the mind of T 'Pau , but the attempt fails . Archer continues to see Surak who informs him that he must find the relic known as the " Kir 'Shara " . The Vulcan military begin to bombard the complex . Archer , T 'Pol , and T 'Pau remain behind to search for the relic , and Archer is able to use his knowledge to unlock a door to reveal it . As they exit , T 'Pol finds her mother , but she soon dies after being seriously injured in the attack . On Enterprise , Soval reveals that the Vulcans , despite the recent peace accord , are preparing a pre @-@ emptive strike against the Andorians , and Tucker orders an immediate course at maximum warp .
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= = Production = =
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" Awakening " was the second part of a three @-@ part trilogy of episodes during the fourth season of Enterprise that were created to deal with the differences between the Enterprise @-@ era Vulcans and those seen in series set later in the timeframe of the franchise . Show runner Manny Coto summed up these differences saying , " Our Vulcans lie , our Vulcans are monolithic , our Vulcans are not pacifistic . " He sought to introduce a situation which he compared to the 16th @-@ century Protestant Reformation and wanted to include a Vulcan character who would effectively be in the role of Martin Luther , while the Vulcan High Command represented the Catholic Church .
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The episode saw the re @-@ casting of two roles which had previously appeared in episodes of The Original Series . These were the parts of T 'Pau and Surak . T 'Pau made her first appearance in " Amok Time " , where she was played by Celia Lovsky . For " Awakening " , Kara Zediker was cast in the role . Zediker had previously appeared in the first season of 24 as Elizabeth Nash . Surak had been played by Barry Atwater in " The Savage Curtain " , but this role was taken by Bruce Gray for " Awakening " . Gray had previously portrayed Admiral Chekote in The Next Generation episode " Gambit " and the Deep Space Nine episode " The Circle " . For both of these parts , the producers attempted to cast actors who looked similar to the originals .
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Robert Foxworth reprises his role from the first part of the trilogy as Administrator V 'Las , and Joanna Casidy had previously portrayed T 'Les earlier in the season in the episode " Home " . John Rubinstein , who appears in " Awakening " as Koval , has previously appeared as a Mazarite earlier in the series in the episode " Fallen Hero " and had appeared in " The 37 's " , an episode of Voyager . Gary Graham returned as Soval , who he has portrayed throughout the series from the pilot episode onwards . Director Roxann Dawson has previously portrayed B 'Elanna Torres in Voyager , and " Awakening " marked the tenth episode of the series that she had directed . It was her only episode of season four , and her last on Enterprise . It was also writer André Bormanis ' first episode of the season , who had previously written several episodes of the series as well as Voyager .
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Filming started on September 23 , 2004 , and concentrated on Enterprise ship scenes on the standing sets for the first two days . After that production moved to the cave sets , which were dressed with Vulcan artifacts . On the fourth day of production , those artifacts were removed so that the same sets could use used to film the visions that Archer has of Surak . All exterior scenes in the Vulcan desert @-@ like Forge were shot on a soundstage . The final day of filming took place on October 1 , when all the scenes set in the Vulcan High Command were filmed . These involved only Foxworth , Graham and Rubinstein as well as a handful of extras .
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= = Reception and home media = =
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" Awakening " was first aired in the United States on UPN on November 26 , 2004 . The broadcast saw the episode come in fifth place during the timeslot , with a Nielsen rating of 1 @.@ 8 / 3 . This means that it was seen by 1 @.@ 8 percent of all households , and 3 percent of all of those watching television at the time of the broadcast . It gained higher ratings than The WB , which aired re @-@ runs of What I Like About You and Grounded for Life , but was behind the other four major networks with NBC 's Dateline winning the hour with ratings of 5 @.@ 9 / 11 . The ratings received by Enterprise continued a downward trend in recent episodes , with ratings of 1 @.@ 9 / 3 received by the previous episode .
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Michelle Erica Green , reviewing the episode for TrekNation was undecided about whether the main point of the episode where Captain Archer is expected to lead the Vulcans back to their main path of logic was a " wonderfully progressive concept or just regressive Trek in which humans have all the answers " . She thought that the change in Soval 's opinions in this episode was difficult to accept and that the other members of the main cast didn 't get a great deal to do in the episode . However , whilst she thought that " Awakening " was a visual improvement over " The Forge " , she was reserving judgement until she had seen the third part of the trilogy . Jamahl Epsicokhan at his website " Jammer 's Reviews " thought that certain elements of the plot didn 't follow logical paths , such as how Archer found the Kir 'shara in a few minutes when apparently the Syrrannites had been looking for it for two years even though " it sits in a chamber behind a door that practically announces , ' IMPORTANT RELIC INSIDE ' ? " However , he called the episode entertaining and gave it a score of three out of four .
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The first home media release of " The Forge " was in the season four DVD box set of Enterprise , originally released in the United States on November 1 , 2005 . The Blu @-@ ray edition was released on April 1 , 2014 .
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= Mole cricket =
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Mole crickets are members of the insect family Gryllotalpidae , in the order Orthoptera ( grasshoppers , locusts and crickets ) . Mole crickets are cylindrical @-@ bodied insects about 3 – 5 centimetres ( 1 @.@ 2 – 2 @.@ 0 in ) long , with small eyes and shovel @-@ like forelimbs highly developed for burrowing . They are present in many parts of the world and where they have been introduced into new regions , may become agricultural pests .
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Mole crickets have three life stages , eggs , nymphs and adults . Most of their life in these stages is spent underground but adults have wings and disperse in the breeding season . They vary in their diet ; some species are vegetarian , mainly feeding on roots , others are omnivores , including worms and grubs in their diet , while a few are largely predacious . Male mole crickets have an exceptionally loud song ; they sing from a sub @-@ surface burrow that opens out into the air in the shape of an exponential horn . The song is an almost pure tone , modulated into chirps . It is used to attract females , either for mating , or for indicating favourable habitats for them to lay their eggs .
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In Zambia , mole crickets are thought to bring good fortune , while in Latin America they are said to predict rain . In Florida , where Scapteriscus mole crickets are non @-@ native , they are considered pests , and various biological controls have been used . Gryllotalpa species have been used as food in West Java , Vietnam , and the Philippines .
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= = Description = =
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Mole crickets vary in size and appearance , but most of them are of moderate size for an insect , typically between 3 @.@ 2 and 3 @.@ 5 cm ( 1 @.@ 3 and 1 @.@ 4 in ) long as adults . They are adapted for underground life and are cylindrical in shape and covered with fine , dense hairs . The head , forelimbs , and prothorax are heavily sclerotinised but the abdomen is rather soft . The head bears two threadlike antennae and a pair of beady eyes . The two pairs of wings are folded flat over the abdomen ; in most species , the fore wings are short and rounded and the hind wings are membranous and reach or exceed the tip of the abdomen ; however , in some species the hind wings are reduced in size and the insect is unable to fly . The fore legs are flattened for digging but the hind legs are shaped somewhat like the legs of a true cricket ; however , these limbs are more adapted for pushing soil , rather than leaping , which they do rarely and poorly . The nymphs resemble the adults apart from the absence of wings and genitalia ; the wingpads become larger after each successive moult .
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= = Taxonomy and phylogeny = =
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The Gryllotalpidae are a monophyletic group in the order Orthoptera ( grasshoppers , locusts and crickets ) . Cladistic analysis of mole cricket morphology in 2015 identifies six tribes , of which four were then new : Indioscaptorini ( Scapteriscinae ) , Triamescaptorini , Gryllotalpellini and Neocurtillini ( Gryllotalpinae ) , and two existing tribes , Scapteriscini and Gryllotalpini , are revised . The group name is derived straightforwardly from Latin ' gryllus ' , cricket , and ' talpa ' , mole .
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Within these subfamilies , genera include :
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Gryllotalpa
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Gryllotalpella
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Leptocurtilla
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Neocurtilla
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† Pterotriamescaptor
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Indioscaptor
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Scapteriscus
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Neoscapteriscus
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