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2,424 | 0 | The producers considered Danny Denzongpa for the role of bandit chief Gabbar Singh\1 but he could not accept it as he was committed to act in Feroz Khan 's Dharmatma \11975\1\1 under production at the same time\1 Amjad Khan\1 who was the second choice\1 prepared himself for the part by reading the book Abhishapta Chamb... | [
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2,424 | 1 | The book was written by Taroon Kumar Bhaduri\1 the father of fellow cast member Jaya Bhaduri\1 | [
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2,424 | 2 | As cast members had read the script ahead of time\1 many were interested in playing different parts\ | [
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2,424 | 3 | 1 Pran was considered for the role of Thakur Baldev Singh\1 but Sippy thought Sanjeev Kumar was a better choice\1 Initially\1 Dharmendra was also interested to play the role of Thakur\1 | [
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2,424 | 4 | He eventually gave up the role when Sippy informed him that Sanjeev Kumar would play Veeru if that happened\1 and would be paired with Hema Malini\1 who Dharmendra was trying to woo\1 Dharmendra knew that Kumar was also interested in Malini\1 Sippy wanted Shatrughan Sinha to play the part of Jai\1 but there were alread... | [
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2,425 | 0 | During the film 's production\1 four of the leads became romantically involved\1 Bachchan married Bhaduri four months before filming started\1 | [
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2,425 | 1 | This led to shooting delays when Bhaduri became pregnant with their daughter Shweta\1 | [
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2,425 | 2 | By the time of the film 's release\1 she was pregnant with their son Abhishek\1 Dharmendra had begun wooing Malini during their earlier film Seeta Aur Geeta \11972\1\1 and used the location shoot of Sholay to further pursue her\1 | [
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... |
2,425 | 3 | During their romantic scenes\1 Dharmendra would often pay the light boys to spoil the shot\1 thereby ensuring many retakes and allowing him to spend more time with her\1 | [
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"O",
"O",
"O",
"O",
"O",
"O",
"O",
"O",
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"O",
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] |
2,425 | 4 | The couple married five years after the film 's release\1 | [
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] |
2,427 | 0 | ### \1 | [
"###",
"\\1"
] | [
"###",
"\\1"
] | [
"SYM",
"SYM"
] | [
"NFP",
"NFP"
] | [
0,
1
] | [
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"discourse"
] | [
"O",
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] |
2,429 | 0 | Much of Sholay was shot in the rocky terrain of Ramanagara\1 a town near Bangalore\1 Karnataka\1 | [
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17
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] |
2,429 | 1 | The filmmakers had to build a road from the Bangalore highway to Ramanagara for convenient access to the sets\1 | [
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] |
2,429 | 2 | Art director Ram Yedekar had an entire township built on the site\1 A prison set was constructed near Rajkamal Studio in Mumbai\1 also outdoors\1 to match the natural lighting of the on-location sets\1 | [
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"O",
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"O",
"O",
"O"
] |
2,429 | 3 | One part of Ramanagara was for a time called " Sippy Nagar " as a tribute to the director of the film\1 | [
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"O",
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"O",
"O",
"O"
] |
2,429 | 4 | As of 2010\1 a visit to the " Sholay rocks " \1where much the film was shot\1 was still being offered to tourists travelling through Ramanagara\1 | [
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"S-GPE"
] |
2,430 | 0 | Filming began on location on 3 October 1973\1 with a scene featuring Bachchan and Bhaduri\1 | [
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"S-PERSON"
] |
2,430 | 1 | The film had a lavish production for its time \1with frequent banquets and parties for the cast\1\1 took two and a half years to make\1 and went over budget\1 | [
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2,430 | 2 | One reason for its high cost was that Sippy re-filmed scenes many times to get his desired effect\1 " Yeh Dosti "\1 a 5-minute song sequence\1 took 21 days to shoot\1 two short scenes in which Radha lights lamps took 20 days to film because of lighting problems\1 and the shooting of the scene in which Gabbar kills the ... | [
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2,430 | 3 | The train robbery sequence\1 shot on the Mumbai – Pune railway route near Panvel\1 took more than 7 weeks to complete\ | [
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2,430 | 4 | 1 | [
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2,431 | 0 | Sholay was the first Indian film to have a stereophonic soundtrack and to use the 70 mm widescreen format\1 However\1 since actual 70 mm cameras were expensive at the time\1 the film was shot on traditional 35 mm film and the 4\1 3 picture was subsequently converted to a 2 @.@ 2\1 1 frame\1 Regarding the process\1 Sipp... | [
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2,431 | 1 | It was definitely a differentiator\1 " The use of 70 mm was emphasised by film posters on which the name of the film was stylised to match the CinemaScope logo\1 | [
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2,431 | 2 | Film posters also sought to differentiate the film from those which had come before\1 one of them added the tagline\1 " The greatest star cast ever assembled – the greatest story ever told "\1 | [
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2,433 | 0 | ### \1 | [
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2,435 | 0 | The director 's original cut of Sholay has a different ending in which Thakur kills Gabbar\1 along with some additional violent scenes\ | [
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2,435 | 1 | 1 Gabbar 's death scene\1 and the scene in which the imam 's son is killed\1 were cut from the film by India 's Censor Board\1 as was the scene in which Thakur 's family is massacred\1 The Censor Board was concerned about the violence\1 and that viewers may be influenced to violate the law by punishing people severely\ | [
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"... |
2,435 | 2 | 1 Although Sippy fought to keep the scenes\1 eventually he had to re-shoot the ending of the film\1 and as directed by the Censor Board\1 have the police arrive just before Thakur can kill Gabbar\1 | [
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2,435 | 3 | The censored theatrical version was the only one seen by audiences for fifteen years\1 | [
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2,435 | 4 | The original\1 unedited cut of the film finally came out in a British release on VHS in 1990\1 Since then\1 Eros International has released two versions on DVD\1 | [
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2,435 | 5 | The director 's cut of the film preserves the original full frame and is 204 minutes in length\1 the censored widescreen version is 198 minutes long\1 | [
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2,437 | 0 | ## \1 | [
"##",
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] | [
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1
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2,439 | 0 | Scholars have noted several themes in the film\1 such as glorification of violence\1 conformation to feudal ethos\1 debate between social order and mobilised usurpers\1 homosocial bonding\1 and the film 's role as a national allegory\ | [
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2,439 | 1 | 1 | [
"1"
] | [
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] | [
"NUM"
] | [
"LS"
] | [
0
] | [
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2,440 | 0 | Koushik Banerjea\1 a sociologist in the London School of Economics\1 notes that Sholay exhibits a " sympathetic construction of ' rogue ' masculinity " exemplified by the likeable outlaws Jai and Veeru\1 Banerjea argues during the film\1 the moral boundary between legality and criminality gradually erodes\ | [
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2,440 | 1 | 1 Film scholar Wimal Dissanayake agrees that the film brought " a new stage in the evolving dialectic between violence and social order " to Indian cinema\1 Film scholar M. Madhava Prasad states that Jai and Veeru represent a marginalised population that is introduced into conventional society\ | [
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2,440 | 2 | 1 Prasad says that\1 through the elements of revenge included in the plot and the application of Jai and Veeru 's criminality for the greater good\1 the narrative reflects reactionary politics\1 and the audience is compelled to accept feudal order\1 Banerjea explains that though Jai and Veeru are mercenaries\1 they are... | [
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2,440 | 3 | Such dualism makes them vulnerable\1 in contrast to the pure evil of Gabbar Singh\1 | [
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2,441 | 0 | Gabbar Singh\1 the film 's antagonist\1 was well received by the audience\1 despite his pervasive sadistic cruelty\ | [
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2,441 | 1 | 1 Dissanayake explains that the audience was fascinated by the dialogues and mannerisms of the character\1 and this element of spectacle outweighed his actions\1 a first for Indian melodrama\1 | [
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2,441 | 2 | He notes that the picturisation of violence in the film was glamourised and uninhibited\1 | [
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2,441 | 3 | He further notes that\1 unlike earlier melodramas in which the female body occupies the audience 's attention as an object of male fetish\1 in Sholay\1 the male body becomes the centrepiece\1 | [
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2,441 | 4 | It becomes the battleground where good and evil compete for supremacy\ | [
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] |
2,441 | 5 | 1 Dissanayake argues that Sholay can be viewed as a national allegory\1 it lacks a comforting logical narrative\1 it shows social stability being repeatedly challenged\1 and it shows the devaluation of human life resulting from a lack of emotions\1 | [
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2,441 | 6 | Taken together\1 these elements comprise the allegorical representation of India\1 | [
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2,441 | 7 | The narrative style of Sholay\1 with its violence\1 revenge\1 and vigilante action\1 is occasionally compared by scholars to the political unrest in India at the time of its release\1 | [
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2,441 | 8 | This tension culminated in the Emergency \1rule by decree\1 declared by prime minister Indira Gandhi in 1975\ | [
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2,441 | 9 | 1 | [
"1"
] | [
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] | [
"NUM"
] | [
"LS"
] | [
0
] | [
"root"
] | [
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2,442 | 0 | Dissanayeke and Sahai note that\1 although the film borrowed heavily from the Hollywood Western genre\1 particularly in its visuals\1 it was successfully " Indianised "\1 As an example\1 William van der Heide has compared a massacre scene in Sholay with a similar scene in Once Upon a Time in the West\1 Although both fi... | [
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2,442 | 1 | 1 Sardar notes that the two most prominent Muslim characters in the film are Soorma Bhopali \1a buffoonish criminal\1\1 and an impotent victim of the bandits \1the imam\1\1 Meanwhile\1 the sole function of one female character \1Radha\1 is to suffer her fate in silence\1 while the other female lead \1Basanti\1 is just ... | [
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2,443 | 0 | Some scholars have indicated that Sholay contains homosocial themes\1 Ted Shen describes the male bonding shown in the film as bordering on camp style\1 Dina Holtzman\1 in her book Bollywood and Globalization\1 Indian Popular Cinema\1 Nation\1 and Diaspora\1 states that the death of Jai\1 and resultant break of bonding... | [
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2,445 | 0 | ## \1 | [
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2,447 | 0 | R. D. Burman composed the film 's music\1 and the lyrics were written by Anand Bakshi\1 | [
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2,447 | 1 | The songs used in the film\1 and released on the original soundtrack are listed below\1 | [
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2,447 | 2 | Following that is a list of unused tracks and dialogues which were released later on an updated soundtrack\1 | [
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2,447 | 3 | The album 's cover image depicts an emotional scene from the film in which Basanti is forced to sing and dance on the song " Haa Jab Tak Hai Jaan " on broken glass under the blazing sun to save Veeru 's life\1 | [
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... |
2,448 | 0 | The song " Mehbooba Mehbooba " was sung by its composer\1 R. D. Burman\1 who received his sole Filmfare Award nomination for playback singing for his effort\1 | [
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2,448 | 1 | The song\1 which is often featured on Bollywood hit song compilations\1 samples " Say You Love Me " by Greek singer Demis Roussos\1 " Mehbooba Mehbooba " has been extensively anthologised\1 remixed\1 and recreated\1 A version was created in 2005 by the Kronos Quartet for their Grammy-nominated album You 've Stolen My H... | [
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"... |
2,448 | 2 | It was also remixed and sung by Himesh Reshammiya\1 along with Bhosle\1 in his debut acting film Aap Kaa Surroor \12007\1\1 " Yeh Dosti " has been called the ultimate friendship anthem\1 | [
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2,448 | 3 | It was remixed and sung by Shankar Mahadevan and Udit Narayan for the 2010 Malayalam film Four Friends\1 and also in 2010 it was used to symbolise India 's friendship with the United States during a visit from President Barack Obama\1 | [
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2,449 | 0 | Several songs from the soundtrack were included in the annual Binaca Geetmala list of top filmi songs\1 " Mehbooba Mehooba " was listed at No. 24 on the 1975 list\1 and at No. 6 on the 1976 list\1 " Koi Haseena " was listed at No. 30 in 1975\1 and No. 20 in 1976\1 " Yeh Dosti " was listed at No. 9 in 1976\1 Despite the... | [
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2,449 | 1 | The producers were thus prompted to release records with only dialogue\1 | [
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2,449 | 2 | Taken together\1 the album sales totalled an unprecedented 500 @,@ 000 units\1 and became one of the top selling Bollywood soundtracks of the 1970s\1 | [
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2,450 | 0 | Music critic Oli Marlow reviewed the soundtrack in 2013\1 calling it a unique fusion of religious\1 folk\1 and classical music\1 with influences from around the world\1 | [
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2,450 | 1 | He also commented on the sound design of the film\1 calling it psychedelic\1 and saying that there was " a lot of incredible incidental music " in the film that was not included in the soundtrack releases\1 | [
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2,450 | 2 | In a 1999 paper submitted to London 's Symposium on Sound in Cinema\1 film critic Shoma A. Chatterji said\1 " Sholay offers a model lesson on how sound can be used to signify the terror a character evokes\1 | [
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2,450 | 3 | Sholay is also exemplary in its use of soundmatching to jump cut to a different scene and time\1 without breaking the continuity of the narrative\1 yet\1 intensifying the drama\1 " | [
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2,452 | 0 | ## \1 | [
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2,455 | 0 | ### \1 | [
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2,457 | 0 | Sholay was released on 15 August 1975\1 Indian Independence Day\1 in Mumbai\1 | [
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2,457 | 1 | Due to lacklustre reviews and a lack of effective visual marketing tools\1 it saw poor financial returns in its first two weeks\1 | [
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2,457 | 2 | From the third week\1 however\1 viewership picked up owing to positive word of mouth\1 During the initial slow period\1 the director and writer considered re-shooting some scenes so that Amitabh Bachchan 's character would not die\1 | [
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2,457 | 3 | When business picked up\1 they abandoned this idea\1 | [
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2,457 | 4 | After being helped additionally by a soundtrack release containing dialogue snippets\1 Sholay soon became an " overnight sensation "\1 The film was then released in other distribution zones such as Delhi\1 Uttar Pradesh\1 Bengal\1 and Hyderabad on 11 October 1975\1 | [
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2,457 | 5 | It became the highest grossing Bollywood film of 1975\1 and film ranking website Box Office India has given the film a verdict of " All Time Blockbuster "\1 | [
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2,458 | 0 | Sholay went on to earn a still-standing record of 60 golden jubilees across India\1 and was the first film in India to celebrate a silver jubilee at over 100 theatres\1 | [
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2,458 | 1 | It was shown continuously at Mumbai 's Minerva theatre for over five years\ | [
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2,458 | 2 | 1 Sholay was the Indian film with the longest theatrical run until Dilwale Dulhania Le Jayenge \11995\1 broke its record of 286 weeks in 2001\ | [
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2,458 | 3 | 1 | [
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2,459 | 0 | Exact figures are not available on the budget and box office earnings of Sholay\1 but film trade websites provide estimates of its success\1 According to Box Office India\1 Sholay earned about ₹ 150 million nett gross \1valued at about US $ 16 @,@ 778 @,@ 000 in 1975\1 in India during its first run\1 which was many tim... | [
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2,459 | 1 | Those earnings were a record that remained unbroken for nineteen years\1 which is also the longest amount of time that a film has held the record\1 | [
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2,459 | 2 | Its original gross was increased further with re-releases during the late 1970s\1 1980s\1 1990s\1 and early 2000s\1 | [
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2,459 | 3 | It is often cited that after adjusting the figures for inflation\1 Sholay is one of the highest grossing films in the history of Indian cinema\1 although such figures are not known with certainty\ | [
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2,459 | 4 | 1 | [
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2,459 | 5 | In 2012\1 Box Office India gave ₹ 1 @.@ 63 billion \1US $ 24 million\1 as Sholay 's adjusted net gross\1 whereas Times of India\1 in a 2009 report of business of Indian films\1 reported over ₹ 3 billion \1US $ 45 million\1 as the adjusted gross\1 | [
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2,463 | 0 | Initial critical reviews of Sholay were negative\1 Among contemporary critics\1 K.L. Amladi of India Today called the film a " dead ember " and " a gravely flawed attempt "\1 Filmfare said that the film was an unsuccessful mincing of Western style with Indian milieu\1 making it an " imitation western — neither here nor... | [
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2,463 | 1 | In a 1976 article in the journal Studies\1 An Irish Quarterly Review\1 author Michael Gallagher praised the technical achievement of the film\1 but otherwise criticised it stating\1 " As a spectacle it breaks new ground\1 but on every other level it is intolerable\1 formless\1 incoherent\1 superficial in human image\1 ... | [
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2,464 | 0 | Over time\1 the critical reception to Sholay greatly improved\1 it is now considered a classic\1 and among the greatest Hindi-language films\1 | [
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2,464 | 1 | In a 2005 BBC review\1 the well-rounded characters and simple narrative of the film were commended\1 but the comical cameos of Asrani and Jagdeep were considered unnecessary\1 | [
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2,464 | 2 | On the film 's 35th anniversary\1 the Hindustan Times wrote that it was a " trailblazer in terms of camera work as well as music\1 " and that " practically every scene\1 dialogue or even a small character was a highlight\1 " In 2006\1 The Film Society of Lincoln Center described Sholay as " an extraordinary and utterly... | [
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2,466 | 0 | ### \1 | [
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2,468 | 0 | Sholay was nominated for nine Filmfare Awards\1 but the only winner was M. S. Shinde\1 who won the award for Best Editing\1 The film also won three awards at the 1976 Bengal Film Journalists ' Association Awards \1Hindi section\1\1 " Best Actor in Supporting Role " for Amjad Khan\1 " Best Cinematographer \1Colour\1 " f... | [
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2,468 | 1 | Sholay received a special award at the 50th Filmfare Awards in 2005\1 Best Film of 50 Years\1 | [
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2,470 | 0 | ## \1 | [
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2,472 | 0 | Sholay has received many " Best Film " honours\1 | [
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2,472 | 1 | It was declared the " Film of the Millennium " by BBC India in 1999\1 | [
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2,472 | 2 | It topped the British Film Institute 's " Top 10 Indian Films " of all time poll of 2002\1 and was voted the greatest Indian movie in a Sky Digital poll of one million British Indians in 2004\1 | [
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2,472 | 3 | It was also included in Time Magazine 's " Best of Bollywood " list in 2010\1 and in CNN-IBN 's list of the " 100 greatest Indian films of all time " in 2013\1 | [
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