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5,289 | 0 | After the Copperfield affair\1 Hobbs continued as Governor West 's secretary until the end of his term in 1915\1 | [
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5,289 | 1 | She visited the Union County town of Cove in February 1914\1 also to investigate complaints about a saloon\1 A local election had declared the town " dry\1 " but a county election had declared the entire county " wet\1 " On advice of a judge\1 the mayor of Cove stated that he was unable to determine whether the saloon ... | [
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5,289 | 2 | Hobbs did not order the saloon closed down\1 | [
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5,290 | 0 | She then moved to Portland and practiced law\1 Women 's rights groups promoted Hobbs as a candidate to run for governor\1 but she never ran for office\1 Within a few years Fern Hobbs became the commissioner of Oregon State Industrial Accident Commission\1 working on getting taxes due on the Oregon & California Lands\1 | [
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5,290 | 1 | In 1917\1 with the United States entering World War I\1 she began a long association with the Red Cross\1 From 1917 to 1922 she worked in Europe\1 including time spent as the chief of the casualty division in Paris\1 France\1 | [
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5,290 | 2 | In that position Hobbs was responsible for notifying dead soldiers ' next of kin\1 | [
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5,290 | 3 | She returned to Europe in the 1930s\1 working in the Rhine Valley when it was occupied by France\1 | [
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5,291 | 0 | Upon returning to Oregon\1 Hobbs worked as a secretary for the Oregon Journal newspaper\1 | [
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5,291 | 1 | She retired in 1948 as the secretary to the paper 's business manager\1 Fern Hobbs died on April 10\1 1964\1 at the age of 80\1 and was buried at the Hillsboro Pioneer Cemetery in Hillsboro\1 Oregon\1 | [
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5,292 | 0 | The Oregon writer Stewart Holbrook interviewed her in the early 1950s\1 a few years after her retirement\1 observing that she " still weighs 104 pounds\1 | [
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5,292 | 1 | Her eyes are clear and blue behind her glasses\1 | [
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5,292 | 2 | There is not a gray hair on her head\1 | [
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5,292 | 3 | She lives as quietly as she has always lived\1 except for those dreadful few days so long ago \1concerning Copperfield\1\1 " Holbrook noted during his interview that " the subject of Copperfield bores her " and concluded his account of her as follows\1 | [
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5,295 | 0 | # \1 | [
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5,297 | 0 | Jessie Stephen\1 MBE \119 April 1893 – 12 June 1979\1 was a twentieth-century British suffragette\1 labour activist and local councillor\1 | [
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5,297 | 1 | She grew up in Scotland and won a scholarship to train as a teacher\1 Family finances dictated otherwise\1 leading to her becoming a domestic worker at the age of 15\1 She became involved in national labour issues as a teenager\1 via organisations such as the Independent Labour Party and the Women 's Social and Politic... | [
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5,297 | 2 | After moving to Lancashire and London she visited the United States and Canada\1 where she held meetings with the public including migrant English domestic workers\ | [
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5,297 | 3 | 1 | [
"1"
] | [
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] | [
"NUM"
] | [
"LS"
] | [
0
] | [
"root"
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5,298 | 0 | Stephen later become more involved in formal political parties\1 being elected as a local councillor and standing as a candidate in general elections\1 | [
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5,298 | 1 | After moving to Bristol she became the first woman president of Bristol Trades Council\1 She was appointed MBE in 1977 and her life is commemorated by a blue plaque in Bristol\1 | [
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5,302 | 0 | Stephen is recorded in the Oxford Dictionary of National Biography as a " suffragette and labour activist "\1 and has been described as " working-class "\1 | [
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5,306 | 0 | Some sources give Stephen 's place of birth as Marylebone\1 London\1 others as Glasgow\1 | [
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5,306 | 1 | The eldest of eleven children in a " closely-knit\1.. family "\1 her father was a tailor\1 | [
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5,306 | 2 | She has been described as " virtually the only Scottish working-class Women 's Social and Political Union \1WSPU\1 member about whom anything is known "\1 She attended Sunday schools separately linked to the church and to socialism\1 and was educated at North Kelvinside School\1 | [
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5,307 | 0 | Her father 's low and variable income meant that she could not afford to pursue her aspiration to become a teacher\1 and became a domestic worker at the age of 15\1 Her father was a founder member of the Independent Labour Party \1ILP\1 when it was established in 1893\1 | [
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5,307 | 1 | She described her mother as being " so quiet and the very opposite of dad "\1 | [
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5,309 | 0 | ### \1 | [
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5,311 | 0 | She was referred to as a " young activist in the Maryhill Branch of the ILP "\1 before she joined the WSPU in 1909\1 aged 16\1 She was the youngest member of the WSPU Glasgow delegation to the Chancellor of the Exchequer David Lloyd George in 1912\1 | [
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5,311 | 1 | As a member of the WSPU and organiser of the Domestic Workers ' Union\1 she led the first of the " Scottish Outrages " \1involving attacks on pillar boxes\1 in Glasgow in February 1913\1 | [
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5,312 | 0 | Stephen was approached by Sylvia Pankhurst and moved from Glasgow to London\1 where she became considered one of the " most active members " \1along with Emma Boyce\1 around 1916\1 of the Workers ' Suffrage Federation\1 In April 1919\1 | [
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5,312 | 1 | Stephen was one of a number of speakers to address a crowd of " about 10 @,@ 000 people " in Trafalgar Square\1 opposing the Blockade of Germany\1 Other speakers included Emmeline Pethick-Lawrence and Theodora Wilson Wilson\1 She was also an active member of the Women 's Peace Crusade and at the 1920 ILP conference arg... | [
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5,313 | 0 | In the 1920s she visited the United States\1 holding public meetings with immigrant communities from Scotland and Wales. | [
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5,313 | 1 | and fund-raising for the Socialist Party of America\1 She also visited Vancouver\1 where she encouraged migrant English domestic workers to unionise\ | [
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5,315 | 0 | ### \1 | [
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5,317 | 0 | Stephen later lived in Lancashire and also in London\1 where she became involved in the East London Federation and sold the Women 's Dreadnought\1 | [
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5,317 | 1 | She was elected Labour borough councillor for Bermondsey in 1922\1 after failing to be selected as a parliamentary candidate for the ILP\1 and worked for Bermondsey MP Alfred Salter\1 She stood as Labour candidate for Portsmouth South in the general elections of 1923\1 1924 and 1929\1 and for Kidderminster in 1931\ | [
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5,318 | 0 | From 1924 she worked as a freelance journalist\1 established a secretarial agency in Lewes in 1935 and joined the National Union of Clerks in 1938\1 | [
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5,318 | 1 | At the time of the Second World War\1 she worked for Murphy Radio in Welwyn Garden City\1 | [
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5,319 | 0 | She later moved to Bedminster\1 Bristol\1 where she worked at the Broad Quay branch of the Co-operative Wholesale Society \1CWS\1 and with the National Union of Clerks\1 | [
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5,319 | 1 | She later became chair of the local CWS management committee\1 Around this time\1 she spoke publicly and gave advice on birth control\1 | [
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5,319 | 2 | She was elected to the city council\1 | [
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5,319 | 3 | In 1952 she became the first woman president of Bristol Trades Council\1 | [
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5,323 | 0 | In the 1964 general election\1 she was a candidate for the Labour Party in the Weston-super-Mare constituency\1 | [
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5,323 | 1 | She was appointed MBE for " services to the trade union movement " in June 1977\1 | [
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5,323 | 2 | She died at Bristol General Hospital in 1979\1 and her life is commemorated by a blue plaque in Bedminster\ | [
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5,328 | 0 | Of Human Feelings is a studio album by American jazz saxophonist and composer Ornette Coleman\1 | [
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5,328 | 1 | It was recorded on April 25\1 1979\1 at CBS Studios in New York City with his band Prime Time\1 which featured guitarists Charlie Ellerbee and Bern Nix\1 bassist Jamaaladeen Tacuma\1 and drummers Calvin Weston and Coleman 's son Denardo\1 | [
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5,328 | 2 | It followed Coleman 's failed attempt to record a direct-to-disc session earlier in March 1979\ | [
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5,329 | 0 | Of Human Feelings explores jazz-funk music and continues Coleman 's harmolodic approach to improvisation with Prime Time\1 whom he introduced on his 1975 album Dancing in Your Head\1 | [
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5,329 | 1 | He drew on rhythm and blues influences from early in his career for Of Human Feelings\1 which had shorter and more distinct compositions than Dancing in Your Head\1 Coleman also applied free jazz principles from his music during the 1960s to elements of funk\1 | [
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5,330 | 0 | Following a change in management\1 Coleman signed with Island Records\1 and Of Human Feelings was released in 1982 by its subsidiary label Antilles Records\1 Critics generally praised Coleman 's expressive music and harmolodic approach\1 but the album made little commercial impact and went out of print\1 Coleman enlist... | [
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5,334 | 0 | By the end of the 1960s\1 Ornette Coleman had become one of the most influential musicians in jazz after pioneering its most controversial subgenre\1 free jazz\1 which jazz critics and musicians initially derided for its deviation from conventional structures of harmony and tonality\1 | [
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5,334 | 1 | In the mid-1970s\1 he stopped recording free jazz\1 recruited electric instrumentalists\1 and pursued a new creative theory he called harmolodics\1 According to Coleman 's theory\1 all the musicians are able to play individual melodies in any key\1 and still sound coherent as a group\1 | [
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... |
5,334 | 2 | He taught his young sidemen this new improvisational and ensemble approach\1 based on their individual tendencies\1 and prevented them from being influenced by conventional styles\1 Coleman likened this group ethic to a spirit of " collective consciousness " that stresses " human feelings " and " biological rhythms "\1... | [
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5,334 | 3 | He also started to incorporate elements from other styles into his music\1 including rock influences such as the electric guitar and non-Western rhythms played by Moroccan and Nigerian musicians\ | [
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5,335 | 0 | Of Human Feelings was a continuation of the harmolodics approach Coleman had applied with Prime Time\1 an electric quartet introduced on his 1975 album Dancing in Your Head\1 | [
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5,335 | 1 | The group comprised guitarists Charlie Ellerbee and Bern Nix\1 bassist Jamaaladeen Tacuma\1 and drummers Ronald Shannon Jackson and Denardo Coleman\1 Ornette Coleman 's son\1 Tacuma was still in high school when Coleman enlisted him\1 and first recorded with Prime Time in 1975 for the album Body Meta\1 which was releas... | [
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5,335 | 2 | 1 Coleman found Tacuma 's playing ideal for harmolodics and encouraged him not to change\1 Although Coleman 's theory initially challenged his knowledge and perception of music\1 Tacuma came to like the unconventional role each band member was given as a soloist and melodist\1 " When we read Ornette 's music we have hi... | [
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... |
5,336 | 0 | In March 1979\1 Coleman went to RCA Records ' New York studio to produce an album with Prime Time by direct-to-disc recording\1 | [
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5,336 | 1 | They had mechanical problems with the studio equipment and the recording was rejected\1 | [
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5,336 | 2 | The failed session was a project under Phrase Text\1 Coleman 's music publishing company\1 | [
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5,336 | 3 | He wanted to set up his own record company with the same name\1 and chose his old friend Kunle Mwanga as his manager\1 In April\1 Mwanga arranged another session at CBS Studios in New York City\1 and Coleman recorded Of Human Feelings there on April 25\1 the session was originally titled Fashion Faces\1 Jackson did not... | [
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5,336 | 4 | They recorded all the album 's songs on the first take without any equipment problems\1 | [
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5,336 | 5 | The album was recorded with a Sony PCM-1600 two-track digital recorder\1 a rare item at the time\1 According to journalist Howard Mandel\1 the passages played by the band sounded neither very soft or loud on the album\1 because it had been mixed with a middle-frequency range and compressed dynamics\1 | [
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5,336 | 6 | Because of the equipment used\1 Coleman did not embellish the album with added effects and avoided overdubbing\1 multi-tracking\1 and remixing\1 According to him\1 Of Human Feelings was the first jazz album to be digitally recorded in the United States\1 | [
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5,338 | 0 | ## \1 | [
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5,340 | 0 | According to The Concise Oxford Dictionary of Music \12004\1\1 | [
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5,340 | 1 | Of Human Feelings features jazz-funk\1 a type of music that originated around 1970 and was characterized by intricate rhythmic patterns\1 a recurrent bass line\1 and Latin rhythmic elements\ | [
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5,340 | 2 | 1 Lloyd Sachs of the Chicago Sun-Times wrote that\1 although Coleman was not viewed as a jazz fusion artist\1 the album can be described as such because of its combination of free jazz and funk\ | [
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5,340 | 3 | 1 Glenn Kenny disagreed and felt its boisterous style had more in common with the no wave genre and the artists of New York City 's downtown music scene such as John Zorn\1 Jazz writer Stuart Nicholson viewed it as the culmination of Coleman 's musical principles that dated back to his free jazz music in 1960\1 but rea... | [
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5,341 | 0 | Coleman incorporated traditional structures and rhythms\1 and other elements from the rhythm and blues music he had played early his career\1 According to Mandel\1 the album 's simple\1 brisk music was more comparable to a coherent R & B band than jazz fusion\1 Although Coleman still performed the melodies on a song\1 ... | [
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"O",
"O",
"O",
"O",
"O",
"O",
"O",
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"O",
"O",
"O",
"O",
"O",
"O",
"O",
"O",
"... |
5,341 | 1 | 1 Ellerbee provided accented linear counterpoint and Nix played variations of the song 's melody\1 while Denardo Coleman and Weston played both polyrhythms and backbeats\ | [
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] |
5,341 | 2 | 1 Tacuma and Ornette Coleman 's instrumental responses were played as the foreground to the less prominent guitars\ | [
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] |
5,341 | 3 | 1 McRae remarked that Coleman and Prime Time exchanged " directional hints " throughout the songs\1 as one player changed key and the others modulated accordingly\1 | [
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] |
5,341 | 4 | The band made no attempt to harmonize their radically different parts\1 | [
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"O",
"O",
"O",
"O",
"O",
"O"
] |
5,342 | 0 | Of Human Feelings features shorter and more distinct compositions than Dancing in Your Head\1 " Sleep Talk "\1 " Air Ship "\1 and " Times Square " were originally performed by Coleman during his concerts in 1978 under the names " Dream Talking "\1 " Meta "\1 and " Writing in the Streets "\1 respectively\1 " What Is the... | [
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... | [
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"... | [
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"B-WORK_OF_ART",
"I-WORK_OF_ART",
... |
5,342 | 1 | The theme from " Forgotten Songs "\1 originally from Coleman 's 1972 album Skies of America\1 was used as a refrain\1 | [
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6,
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] |
5,343 | 0 | On songs such as " Jump Street " and " Love Words "\1 Ellerbee incorporated distortion into his guitar playing\1 which gave the songs a thicker texture\1 " Jump Street " is a blues piece\1 " Air Ship " comprises a six-bar riff\1 and the atonal " Times Square " has futuristic dance themes\1 " Love Words " heavily uses p... | [
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"1"... | [
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"\... | [
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"O",
"O",
"O",
... |
5,345 | 0 | ## \1 | [
"##",
"\\1"
] | [
"##",
"\\1"
] | [
"SYM",
"SYM"
] | [
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"NFP"
] | [
0,
1
] | [
"root",
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] | [
"O",
"O"
] |
5,347 | 0 | A few weeks after Of Human Feelings was recorded\1 Mwanga went to Japan to negotiate a deal with Trio Records to have the album released on Phrase Text\1 Trio\1 who had previously released a compilation of Coleman 's 1966 to 1971 live performances in Paris\1 prepared to press the album once Mwanga provided the label wi... | [
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5,347 | 1 | In 1981\1 Coleman hired Stan and Sid Bernstein as his managers\1 who sold the album 's recording tapes to Island Records\1 | [
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5,347 | 2 | He signed with the record label that year\1 and Of Human Feelings was released in 1982 on Island 's subsidiary jazz label Antilles Records\1 Billboard magazine published a front-page story at the time about its distinction as both the first digital album recorded in New York City and the first digital jazz album record... | [
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5,348 | 0 | According to jazz writer Francis Davis\1 " a modest commercial breakthrough seemed imminent " for Coleman\1 who appeared to be regaining his celebrity\ | [
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5,348 | 1 | 1 German musicologist Peter Niklas Wilson said the album may have been the most tuneful and commercial-sounding of his career at that point\1 | [
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5,348 | 2 | The album 's clean mix and relatively short tracks were interpreted as an attempt for radio airplay by Mandel\1 who described its production as " the surface consistency that would put it in the pop sphere "\1 Of Human Feelings had no success on the American pop charts\1 only charting on the Top Jazz Albums\1 where it ... | [
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5,348 | 3 | 1 Sound & Vision critic Brent Butterworth speculated that it was overlooked because it had electric instruments\1 rock and funk drumming\1 and did not conform to what he felt was the hokey image of jazz that many of the genre 's fans preferred\1 | [
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5,348 | 4 | The album later went out of print\1 | [
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"later",
"went",
"out",
"of",
"print\\1"
] | [
"the",
"album",
"late",
"go",
"out",
"of",
"print\\1"
] | [
"DET",
"NOUN",
"ADV",
"VERB",
"ADP",
"ADP",
"NOUN"
] | [
"DT",
"NN",
"RBR",
"VBD",
"IN",
"IN",
"NN"
] | [
2,
4,
4,
0,
7,
7,
4
] | [
"det",
"nsubj",
"advmod",
"root",
"case",
"case",
"obl"
] | [
"O",
"O",
"O",
"O",
"O",
"O",
"O"
] |
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