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15,700 | 2 | "Thoroughly in the tradition of inspired Marshall slapstick." (Publishers Weekly)"Delightfully bizarre." (The Philadelphia Inquirer)James Marshall (19421992) created dozens of exuberant and captivating books for children, including The Stupids, Miss Nelson Is Missing!, and the ever-popular George and Martha books. Before creating his canon of classic, hilarious children's books, James Marshall played the viola, studied French, and received a master's degree from Trinity College. He also doodled. It was the doodles, and the unforgettable characters that emerged from them, that led him to his life's work as one of the finest creators of children's books of the twentieth century. In 2007, James Marshall was posthumously awarded the Laura Ingalls Wilder medal for his lasting contribution to literature for children.; Title: Speedboat | [
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15,701 | 7 | Moody, charcoal-powder drawings dramatize a tale of the secret life of gargoyles. In a starred review, PW called it "an unusually sophisticated work, playful but dark-edged." Ages 4-8. (Sept.) Copyright 1999 Reed Business Information, Inc.; Title: Night of the Gargoyles | [
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15,702 | 1 | PW praised the "crisp" pacing and "well-pitched" dialogue in this witty story about two crusty New England neighbors. Ages 5-9. Copyright 1998 Reed Business Information, Inc.Kindergarten-Grade 2-Elderly Ezra, who lives alone with five dogs, is often visited by his neighbor, Betty. He thinks she's a busybody, but the dogs always welcome her, possibly because she brings them cookies. As winter approaches, the old woman worries about Ezra and takes him a blanket. He has no use for it because the colder it gets, the more dogs he takes to bed with him. Betty checks up on her neighbor one time too many, and he tells her to leave him alone. Come spring, he misses seeing her. He bakes cookies and walks the dogs down the hill only to find that Betty has acquired some dogs of her own and has adopted his trick for keeping warm. The watercolor illustrations give readers comfortable, homey, grandparenty characters and bumbling, cuddly animals. At times Christelow allows the illustrations to tell the story. It's a doggone, good tale that points out if you can't lick 'em, join 'em and that you don't know what you've got until it's gone.Joyce Richards, Prairie Grove Elementary School, ARCopyright 1993 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.; Title: The Five-Dog Night | [
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15,703 | 10 | Joan Aiken, daughter of the American writer Conrad Aiken, was born in Rye, Sussex, England, and has written more than sixty books for children, including The Wolves of Willoughby Chase.; Title: Nightbirds on Nantucket (Wolves Chronicles) | [
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15,704 | 2 | New Zealand author Boock traces the developing lesbian romance between two high school seniors in an ultimately uplifting novel. The two are from different social strata: Louie quotes Shakespeare and poetry and comes from a conservative, upper-middle-class background, while newcomer Willa, still suffering from the repercussions of an ill-fated first relationship with another girl, lives above a pub. Told in a third-person narrative that alternates between the two characters' points of view, the book offers a frank appraisal of the girls' initial attraction, passions and the conflicts of dealing with a variety of outsidersAparents, friends, co-workers, etc. When Louie's mother discovers the two girls in bed together in Louie's room, she forbids Louie to see Willa. After a rather prolonged period of suffering and soul-searching, they are able to reunite. Although Boock's intense narrative crosses into melodrama and occasionally plants an important scene offstage, teens who are curious about or struggling with questions of sexual identity will find reassurance in these pages. The characters' interactions with Louie's father and priest, and Willa's conversations with her own mother, convey an empathy and tolerance strong enough to counterbalance the intolerance the lovers face from everyone else. Ages 12-up. (Oct.) Copyright 1999 Reed Business Information, Inc.; Title: Dare Truth or Promise | [
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15,705 | 15 | Grade 2-5-Another handsome book from the author/illustrator of Bald Eagle (Houghton, 1998). A simple, straightforward narrative in large print describes the white oak, its growth, and the animals that live in and feed off it. In much smaller print, detailed asides describe the tree's inhabitants and its full life cycle, which can be read along with the large text or enjoyed separately. Explanations of terms such as photosynthesis, transpiration, and dormancy and a discussion of the autumnal colors are included. These descriptions are accompanied by small, meticulously detailed pen-and-ink drawings. Larger illustrations accompany the major narrative, also done in pen and ink, with the addition of subtle shades of watercolor. Changes in color and light help readers to experience the passage of the seasons. Unfortunately, the full enjoyment of the book is somewhat marred by two visual flaws. First, the way the type for the title is composed is jarring at first glance-it seems to say "Toak Ree." Secondly, a very small gray tree frog (2 1/2 inches in length) appears larger than the robin (9-to-11 inches in length) pictured behind it. In all other respects, this is a beautiful and informative book for young naturalists.Virginia Golodetz, Children's Literature New England, Burlington, VT Copyright 2000 Reed Business Information, Inc.A picture-book format makes this especially appealing. After a long winter rest, an old oak tree is awakened by spring's arrival. A year in the life of an oak tree is described. Without being cute, Morrison manages to make the tree, its inhabitants, and visitors characters in a story about life and nature. Each phase of the tree's development is lovingly depicted in language and pictures that are scientific as well as colorful and accessible. Margin notes about the animals and processes are located across the bottom and along the sides of the pages. The notes are slightly more scientific than the text itself and occasionally threaten to overtake the page. Despite that, this book is equally engaging as reference or personal-interest reading for the science-minded child. Marta Segal; Title: Oak Tree | [
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15,706 | 2 | Cheerful, flashy colors herald this book for toddlers from Murphy (Caterpillar's Wish, p. 454, etc.). The stout pages depict the doings of a young, boldly outlined penguin, who is making a lot of noise. He (or she) bangs pots, jumps a lot, roller skates around the house, and in each instance, a parent penguin asks for quiet, until finally: ``Outside, please!'' The youngster waltzes down the garden path, where he meets up with his pals, a piglet and a bunny, for some hopping, rolling, and puddle-jumping. When his mother says he can return to the house, he has an idea: He can dance around in a pair of socks to muffle the noise. ``Clever you!'' says his mother. The simple, recognizable antics along with the flamboyant blue, yellow, and red should catch and hold onlookers, as will the closing page; the little penguin, now settled in his mother's lap along with the baby, tells the crying child, ``Please be quiet!'' What goes around, comes around, in this jolly glimpse of a child's noisy needs. (Picture book. 1-4) -- Copyright 1999, Kirkus Associates, LP. All rights reserved.; Title: Please Be Quiet! | [
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15,707 | 1 | Hans and Margret Rey created many books during their lives together, includingCurious George, one of the most treasured classics of all time, as well as other favorites likeSpottyandPretzel.But it was their rambunctious little monkey who became an instantly recognizable icon. After the Reys escaped Paris by bicycle in 1940 carrying the manuscript for the originalCurious George, the book was published in America in 1941. More than 200 Curious George titles followed, with 75 million books soldworldwide. Curious George has been successfully adapted into a major motion picture and an Emmy-winning television show onPBS.; Title: Curious George and the Dump Truck | [
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15,708 | 2 | PreSchool-Grade 1-Clive, Nicky, Tessa, et al., who grew from one to seven in When Frank Was Four (Houghton, 1996), return in a new celebration of individualism and free-time fun. Weekends, museum trips, Sports Day, and even dreams are all opportunities for these energetic youngsters to pursue their chosen interests. Six of the seven children fill a double-page spread in vignettes arranged in a linear progression. For example, under the heading "Adventures," "Ernie explores a cave. Celeste goes water-skiing. Nicky climbs a mountain." And so on. The seventh warrants a full-page illustration opposite a page of text ("But Clive is a powder hound"). Although Clive's football uniform and Nicky's surf club hint at the Australian setting, the activities are mostly universal and brimming with good cheer. There is no plot or climactic moment but the youngsters develop real and engaging personalities as they fill their leisure time. Crisp watercolor-and-pen artwork captures their adventuresome spirit and the small objects scattered about the pages provide an excellent opportunity for a matching game. The simple text and repetitive sentence structure in this lighthearted sequel may attract beginning readers, while the varied and imaginative events are bound to encourage listeners to pipe up and add their own favorite hobbies and pursuits.Carol Ann Wilson, Westfield Memorial Library, NJ Copyright 1999 Reed Business Information, Inc.Fans of Lester's other popular titles will cheer the return of Clive (Clive Eats Alligators), Rosie (Rosie Sips Spiders), and their friends, who are back with more adventures that celebrate individuality and stimulate children to express their own likes and dislikes. As with the other books, this is thematically arranged--" On Saturday," "At the Museum," "In the Park." Each of the seven children (including Celeste, of course) enjoys a different activity for every theme. At the park, Clive investigates the pond, Tessa makes a house of leaves, and so on; at the museum, Clive meets a dinosaur, and Tessa learns about making butter. Six of the seven children are shown in one double-page spread. The seventh child is given a double-page spread, with each child taking a turn in the spotlight. It's a winning format, and with Lester's bright watercolor illustrations showcasing the youngster's diverse interests, it's a very pleasing package. Like the other books, this title will be especially effective in a group setting and provide a great icebreaker for teachers wanting to discover their students' interests. Lauren Peterson; Title: Celeste Sails to Spain | [
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15,709 | 12 | This is a student workbook with 11 units including geometry, numbers, addition and substaction, place value, time and money,2-diget addition and subtraction, fractions and measurement.; Title: Houghton Mifflin Math Steps: Student Edition Level 1 2000 | [
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15,710 | 12 | 2000 Houghton Mifflin Spelling and Vocabulary Level 7 (H) by Shane Templeton & Rosa Maria Pena ***ISBN-13: 9780395970089 ***356 Pages; Title: Houghton Mifflin Spelling: Student Edition Hardcvr Level 7 2000 | [
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15,711 | 1 | No Bio; Title: Butterflies (Peterson Field Guides for Young Naturalists) | [
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15,712 | 2 | In Waber's (Did You See a Mouse?) latest tale starring a feisty rodent, the title character takes up residence in a house whose occupantsAa couple and their cat and parrotAare extraordinarily quiet. They rarely speak and never indulge in "noisy food" such as carrots or celery; "They ate instead,/ stewed tomatoes,/ mashed potatoes,/ and puddings made of bread." The household gets quite a shock one stormy night, when the mouse steals inside, helps himself to a snack, falls asleep and begins to snoreAloudly. "His snores were roars/ with whistling encores./ And each snore was louder/ than the snore before." The cacophony sets off a comical chain of events (pots and pans rattle, light fixtures tremble) and the residents awaken. Winning them over with his tale of woe, the mouse receives an invitation to stay, as well as lessons in being quiet, except while sleeping. The story has an inventive premise, yet the verse occasionally suffers from a faltering rhythm and rhyme scheme (e.g., "The quiet man's wife/ padded about in slippers./ She never made the faintest sound/ not even while zipping zippers"). More consistently entertaining are Waber's whimsically arranged pictures, which feature a diverse palette in pastel and vivid hues. His diverting images of this whiskered hero will surely endear the diminutive fellow to young readers. Ages 4-8. (Sept.) Copyright 2000 Reed Business Information, Inc.PreSchool-Grade 2-The joke is in the title of this simple tall tale. A quiet couple (no crunchy foods served; the wife goes about in slippers) and their quiet cat and parrot (the bird's refrain is "Hush! Be still") are awakened one rainy night by a mouse that has taken refuge in their tranquil abode-and whose gargantuan snores shake up the peaceful hush. No one in the household is unsympathetic to his plight, however, and he is kindly welcomed as a guest. He quickly adapts to their quiet daytime habits and (because, of course, he still snores), his hosts wear earplugs to bed. The rhyming text fits the tale well. Waber's drawings convey an amazing amount of lively expression in a few lines, and the droll looks on the mouse are very funny. However, the use of a subdued, shadowy palette for the nighttime setting and the muted sounds of the household weighs down what is really a light story. Overall, a modestly pleasing read-aloud. Kathie Meizner, Montgomery County Public Libraries, Chevy Chase, MD Copyright 2000 Reed Business Information, Inc.; Title: The Mouse That Snored | [] | Validation |
15,713 | 18 | "Advantageously reproducing first-hand accounts and Bial's arresting photographs," said PW in a starred review, "the book's most impressive quality is the way it encourages readers to put themselves in the place of the slaves and those who helped them escape." Ages 8-12. (Sept.) Copyright 1999 Reed Business Information, Inc."Advantageously reproducing first-hand accounts and his own arresting photographs, Bial effectively evokes the era of slavery and its divisive effects on the United States." Publishers Weekly, Starred"As Bial says in his introduction, photography was not yet invented when many of the daring escapes on the Underground Railroad occurred, and because everything had to be kept so secret, few documentary records have survived. In his simple photo-essay, he tries to re-create the experience of the brave runaways and conductors. He has photographed the places and objects that tell the story: the rivers the people crossed, the plantations they ran from, the homes that sheltered them with a lit window to signal a safe haven, the secret passages and trapdoors, and the courthouse yard where the slave auctions took place. He also includes drawings and prints from the times and a wanted poster for runaway "property." The text provides a brief historical overview, with quotes from some of the leaders, such as Tubman and Douglass. The book design is handsome, with thick paper, clear type, and fine reproductions; there's also a chronology and bibliography. Like a museum exhibit, the stirring photographs help us imagine what it must have been like for those who found the courage to run and to help others." April 1, 1995 Booklist, ALA"Judicious use of first-person accounts and historical documents evokes the hardships that black people experienced under slavery and that eventually led them to seek out conductors who could guide them to freedom. Bial's well-composed, dramatically lit color photographs add life to the book, which is much more than a standard history. A map of the Railroad routes and an antislavery chronology are included." Horn Book; Title: The Underground Railroad | [
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15,714 | 12 | Two New Atlases of American History by Elspeth Leacock and Susan Buckley make the past exciting and accessible by designating one important era to each copiously illustrated spread. Young explorers take Journeys in Time, illus. by Rodica Prato, at the sides of Nanabush, a Native American who leads his people to the Great Lakes region; a ship's boy on Christopher Columbus's crew in 1492; and with Big Joe Bailey and Harriet Tubman on the Underground Railroad in 1856, just to name a few. Clearly labeled maps and numbered captions make it easy to follow along. Places in Time, illus. by Randy Jones, uses the same format to take aspiring travelers through a Pecos pueblo in 1627; Philadelphia in 1787; 1849 Fort Laramie; as well as tenement life in New York City in 1916.Copyright 2001 Cahners Business Information, Inc.Grade 5-8-In the first book, a winning blend of facts, maps, and the drama of a well-written story results in an unusual and exciting view of this country's past. Some of the 20 individuals highlighted are well known, such as Daniel Boone, Ben Franklin, and Louis Armstrong. Others are more obscure, like Dame Shirley, a New England woman in the Gold Rush, and Venture Smith, an enslaved six-year-old African prince. Each double-page spread features an introduction, a story with numbered paragraphs relating to the map or illustration, a fact box, and colorful illustrations. All information is carefully researched and includes many primary resources. Any fictionalizing is marked with single quotation marks, while statements with actual historical evidence have double quotes. The second title uses the same format to present 20 sites in American history at the moment of their historical significance, beginning in 1200 (Cahokia) and ending in 1953. Places and times include New Plymouth-1627, Charlestown-1739, Saratoga-1777, Philadelphia-1787, Abilene-1871, and Chicago-1893. The detailed cutaway views of homes, forts, and mills are impressive enough to keep readers looking again and again. These fascinating slices of life stir the imagination and lead to questions and further research. Neither title has a bibliography, but scholars, historians, libraries, and museums are credited in the notes sections. While the books are perfect for individual perusal, educators will delight in the curriculum potential.Pamela K. Bomboy, Chesterfield County Public Schools, VA Copyright 2001 Reed Business Information, Inc.; Title: Journeys in Time: A New Atlas of American History | [
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15,715 | 13 | Like a 1930s cinematographer, Say (Grandfather's Journey), in perhaps his best work to date, pays tribute to a bygone era with a brief slice-of-life story about a boy's encounter with a sign painter. Neither the boy nor the sign painter has a name; what carries their connection and the story is their mutual love of painting. In the opening scene, Say depicts an Asian-American boy standing in front of an urban backdrop, right out of Edward Hopper's Early Sunday Morning: the red and green strip of storefronts and barber pole provide an ideal backdrop for the young painter's uniform of black trousers and white button-down shirt. From here, Say's full-page panel paintings almost tell the story by themselves. As the boy helps the sign painter work on a billboard, they receive a commission to paint a dozen more, all featuring a woman's face. Thus begins a journey across barren landscapes, through dust storms and into the foothills of a spectacular mountain range. The blonde woman on the billboards could have stepped out of a Hopper painting; one day, in a fleeting moment, she drives past the two paintersDlike Barbie in her pink Cadillac, in stark contrast to the desert scene. The purpose of the painters' enigmatic mission comes together like pieces of a puzzle through snippets of an overheard conversation. And when the job is finished, the boy, now returned to the city, stands in front of the corner bar from Hopper's Nighthawks, empty of customers. One can't help feeling wistful while gazing at this final scene. Say subtly and ingeniously blends a feeling of nostalgia with a hard-hitting immediacy. Even though young readers will not grasp its message as fully as adult readers, the images and the boy's passion as an artist will remain with them. All ages. (Oct.) Copyright 2000 Reed Business Information, Inc.Grade 3-5-Puzzling is perhaps the best way to describe this latest offering from one of our most talented illustrators. The quirky, quasi-surreal tale begins with a young Asian-American man disembarking from a bus in a strange town. It's early in the morning and he makes his way to a sign shop where he asks for employment. When he tells the owner that he can paint, he's put to work. The two men soon receive a mysterious commission to paint a dozen billboards along a lonesome road running through the desert. The subject of the billboards is a blonde woman featured alongside the words "ArrowStar." After weathering a fierce dust storm, the painters are nearly run over by the real-life ArrowStar model's car and then spy in the distance the looming metal towers of ArrowStar-a rollercoaster. Eavesdropping reveals that it was constructed in anticipation of a highway being built. Its owner is apparently still clinging to his dreams of amusement-park glory despite unfavorable odds and the loss of his ArrowStar girl. The painters slip away unnoticed, pondering the power of dreams. The young man leaves for parts unknown the next day. Very painterly illustrations conjure up an earlier decade, perhaps the 1950s, and different scenes pay homage to Edward Hopper's cityscapes and Georgia O'Keeffe's Southwest landscapes. While the story's stark visuals match the almost existential tone of the text, they may not engage young readers. Similarly, the narrative is more likely to baffle children than drive home its message about honoring one's dreams, artistic or monolithic.Rosalyn Pierini, San Luis Obispo City-County Library, CA Copyright 2000 Reed Business Information, Inc.; Title: The Sign Painter | [
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15,716 | 13 | Circus trappings couch a bland if informative tale that teaches children what to do if they become separated from their parents. For his birthday, Nick's parents surprise him with an outing to the circus. There, enticed by the sugary aroma of a cotton candy machine, he follows his nose to the sweet treat and soon realizes his parents are nowhere around. In a panic, Nick searches for Mom and Dad but finds a friendly clown on stilts instead. The clown guides Nick up a nearby ladder, then carries the boy on his back until Nick spots his worried--soon-to-be-relieved--parents. Fletcher's (Twilight Comes Twice) text is by turns reassuring and practical in tone, providing tips that readers will find useful if facing a predicament like Nick's. Vagin's (The Wide-Awake Princess) tightly composed gouaches show crowds, but the bustle doesn't come through. While his work is highly detailed (e.g., he finely delineates the lions' fur and manes, and shows the trim on an acrobat's costume), the scenes themselves look stiff and static. Ages 4-7.Copyright 2001 Cahners Business Information, Inc.PreS-Gr 2-Nick's parents take him to the circus as a birthday surprise. Before entering the Big Top, they mill around the grounds, surrounded by animals in cages, clowns, and a large crowd. The boy follows his nose to the cotton-candy vendor, and when he turns back, his mom and dad are nowhere to be found. After rattling off his list of instructions for what to do if he ever gets lost (including "Don't panic!"), Nick panics anyway. A kindly (and well-prepared) clown on stilts comes to the rescue and invites him for a ride to look for his parents. Finally, they come into view and a happy reunion ensues. Fletcher details an occurrence that is bound to happen to just about every kid at one time or another-getting lost in a public place. Vagin's gouache pictures vividly portray the details of a circus that is big enough to be interesting but not so big as to be scary.Bina Williams, Bridgeport Public Library, CTCopyright 2001 Cahners Business Information, Inc.; Title: The Circus Surprise | [
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15,717 | 2 | I have been creating books for children for thirty years, with over sixty published titles. In that time I have seen many changes, from the early limited color and pre-separated art of such books as DADDY MAKES THE BEST SPAGHETTI--which I am very proud to say has been in print for twenty-five years--through full color and now digital art. I still enjoy being challenged and learning and trying new things. It was working with a traditional art form--quilts--used untraditionally as illustrations for my poetry, that led me to doing more and more designing with the computer, and eventually, to creating completely digital art for some of my books. I am now exploring the world of picture book apps, along with my husband, three daughters, and two son-in-laws in our newly formed company, appropo. We have a great mix of skills and have lots of fun working together creatively. Even the grandkids are getting involved. Check out the trailer for I AM A TYRANNOSAURUS and watch for our website at www.appropo.co. Wherever my personal and professional life takes me, you can be sure it will involve children. I believe that all children are miraculous, and love to share in their fresh open-hearted discovery of the world.; Title: Daddy Makes the Best Spaghetti | [
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15,718 | 2 | PreSchool-Shades of Goodnight Moon. Instead of bidding adieu to objects in Baby Rabbit's room and world, this youngster and a parent approach bedtime by recounting the activities of the day in simple rhyme. The text and collages depict a day full of work, play, quiet time, reading, cuddling, and hugging. If the effort as a whole borders on the cloying, the clean design and the book's small, square format make it a likely success. The artwork is so simple and colorful that the book will work both for bedtime reading at home and small storytimes.Sue Sherif, Fairbanks North Star Borough Public Library, AK Copyright 1999 Reed Business Information, Inc.As a young rabbit prepares for sleep, the pleasures of the day are recounted in couplets: ``Time with others. Time alone./Time to nurture seeds I've sown.'' In the day, there was also time to play, sing, cuddle, and hug. Each activity is impressively captured in Wallace's distinct cut-paper artwork; the colors invite readers to linger, and the scenes are immediately recognizable. The positions struck by the rabbitse.g., two bunnies dancing about in the spray of a sprinklerare remarkably natural. While the rhymes and imagery are highly accessible, Wallace has added incidentals that expand the age range for the book, such as ladybugs, dragonflies, or a crab in a fish tank, that are fun to discover and identify. The final image of the bunny hunkering down with a teddy bear will bring smiles. (Picture book. 1-5) -- Copyright ©1999, Kirkus Associates, LP. All rights reserved.; Title: Rabbit's Bedtime | [
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15,719 | 2 | PreSchool-Grade 2 An old wolf lives in a pleasant house with an attached screen porch that he adores. He thinks it's absolutely the best place in the world until his friend Bird asks how he can be sure since, "You've never been anyplace else." This prompts the wolf to sell his house and travel the world in search of a better place. Realizing that nothing he has seen can beat his porch, he attempts to buy his house back. When the new rabbit owners refuse his offer, the wolf has a tantrum, prompting his former friendly neighbors to become frightened of him. Embarrassed, he tries to make amends, and while at first unsuccessful, eventually his true intentions are realized and his neighbors end up helping him construct a new home at the top of a tall tree. Upon completion, the wolf proclaims his new home is, "the best place in the world." Meddaugh combines understated humor with her expressive watercolor illustrations to produce a delightful book. As in her "Martha" books (Houghton), the author demonstrates her skill at melding words and paintings that are both amusing and loaded with child appeal. Young readers and listeners will relate to the old wolf, who, while having a naughty side, also displays a large and kindly heart. Tom S. Hurlburt, La Crosse Public Library, WI Copyright 1999 Reed Business Information, Inc.A wolf loves to sit on his screened porch watching the world go by until he realizes that when he calls his porch the best place in the world, he has no basis for comparison. He sells his house to a rabbit family and begins traveling. Now he has a basis for comparison: the outside world has mosquitoes, hot sandy deserts, and rain. So he goes home, but the rabbits don't want to sell. He throws a temper tantrum, and suddenly his neighbors realize what big teeth he has. Ashamed, he tries to prepare his neighbors' dinner, but the animals think dinner is to be them and rout the wolf. The misunderstanding is resolved, and the wolf, who has climbed a tree, finds a new "best place" and builds a tree house--to which his animal friends are always invited. The story meanders a bit, but Meddaugh's pen-and-watercolor artwork is clever as usual. The focus is on the quixotic wolf, and the pictures are at their best as the wolf tries to put up with the vagaries of travel. Not as fresh as some of Meddaugh's books, but fun nonetheless. Ilene Cooper; Title: The Best Place | [
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15,720 | 12 | Level 3 math textbook.; Title: Math Steps: Student Edition Grade 3 2000 | [
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15,721 | 11 | Combining impressive research and the skill of a campfire storyteller, Freedman (Martha Graham; The Wright Brothers) describes the rugged and often violent life of the original "cowboys," as they are known today. The vaqueros, or cowherders (from vaca, the Spanish word for cow), began riding in Spanish Mexico in the 1500s after Columbus brought cattle and horses to the New World, then migrated to California in the 1760s. "Long ago before cattle came to Texas, before George Washington crossed the Delaware, before the Pilgrims landed at Plymouth Rock cowboys rode the range in Spanish Mexico," begins Freedman's inviting narrative. Readers interested in cowboys and all things Western will pore over the detailed descriptions of the techniques and equipment used by the largely unsung vaqueros to herd cattle on the open range; they essentially invented the lasso (from lazo) as well as rodeos (from rodear, meaning "to surround or encircle"). Freedman deftly sketches the rigid class system that confined the vaqueros to lowly status of pon ("man at the bottom of the social ladder") and tied them to wealthy landowners and he documents how these skilled laborers taught their trade to American settlers. Drawings by Jos Cisneros and Frederic Remington plus period photographs highlight this tribute to the lifestyle and daring of the vaqueros. Though their contribution to the building of the West may have been eclipsed by the legends of U.S. cowboys, Freedman sets the record straight. Ages 8-12. Copyright 2001 Cahners Business Information, Inc.Gr 4-8-Freedman explores the often-overlooked role of the Central American cowherders who preceded by centuries the cowboys of popular lore and legend. With clear and engaging prose, he describes how the 1494 arrival of cattle and horses in Hispaniola led to a need for skilled and rugged horsemen able to control the eventually vast herds. While tracing the geographic spread of the vaqueros' work over time and the tasks and tools involved in the trade, he also weaves in some thought-provoking social history. Freedman notes that the vaquero lacked status in his own culture, and "remained for hundreds of years a poorly paid laborer." North American cowboys, who flourished for a far shorter time, as well as much later, enjoy the romanticized image that has never applied to vaqueros. The author characterizes the typical vaquero, rather than using individual examples, discussing the pride, skill, and courage required to succeed at the work. Each of the seven chapters begins with a full-page color reproduction of a painting, and other full-color and black-and-white paintings are generously included on virtually every spread, most from the 19th century. Period photographs also add visual impact. Martin Sandler's Vaqueros: America's First Cowboys (Holt, 2001) covers similar ground. Freedman's book has a slightly more attractive layout, but both are excellent resources on a topic that was previously difficult to research at a child's level.Steven Engelfried, Beaverton City Library, ORCopyright 2001 Cahners Business Information, Inc.; Title: In the Days of the Vaqueros: America's First True Cowboys | [
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15,722 | 2 | When Henry and his friend agree to go to Fitchburg to see the country, they each choose very different methods of travel, based on their very different approaches to life. This charming little story illustrates through minimal text and fantastically stylized paintings the concepts Henry David Thoreau spent his life trying out. While Henry (the storybook Henry is a bear) collects flowers to press, strolls on stone walls, finds bird nests, and gathers blackberries, his friend toils and sweats to earn enough money for the train fare to Fitchburg.With subtle nods at Thoreau and his real-life pals Ralph Waldo Emerson and Nathaniel Hawthorne (Henry's friend cleans out Mrs. Thoreau's chicken house, moves the bookcases in Mr. Emerson's study, and pulls weeds in Mr. Hawthorne's garden), D.B. Johnson cleverly introduces young readers to these important historical figures. No moralizing here, just a gentle, humorous look at the different paths each person may choose in life. Johnson chose a passage in Thoreau's Walden (the passage is included in the informative author's note) as inspiration for this delightful picture book, which Thoreau himself would probably be proud to read. (Ages 5 to 8) --Emilie CoulterFreelance illustrator Johnson models his striking debut on a passage from Walden, in which Thoreau advocates journeying on foot over buying a ticket to ride. Henry, a brown bear attired in a brick-red duster and wide-brimmed sun hat, is a kinder, gentler fellow than his cantankerous inspiration. His ursine friend, wearing town clothes and conspicuously toting a pocket watch, makes plans to meet him in Fitchburg, a town 30 miles distant. Spreads contrast the pair's respective travel strategies: on the left, Henry's friend does chores for unseen Mrs. Alcott, Mr. Hawthorne and Mr. Emerson to earn train fare; right-handed pages picture a leisurely Henry examining flora and fauna, admiring the view and excavating a honey tree as he strides toward his destination. At the end of the summer day, "His friend sat on the train in a tangle of people./ Henry ate his way through a blackberry patch." Johnson inventively demonstrates Thoreau's advice with kaleidoscopic illustrations in variegated colors and gently skewed perspectives that weigh fast-paced urban existence against an unmaterialistic life in the woods. Both bears make it to Fitchburg, but Henry's friend wears a blank stare, in contrast to Henry's bright-eyed, curious gaze. Johnson implies what money can and cannot buy, and encourages slowing down to experience nature. With graceful understatement, he presents some complicated ideas assuredly and accessibly. Ages 4-8. Copyright 2000 Reed Business Information, Inc.; Title: Henry Hikes to Fitchburg (A Henry Book) | [
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15,723 | 1 | PreSchool-Grade 2-Little Bear thoroughly enjoys his cherished boat, until he outgrows it. While Mother Bear explains that it's a little bear's destiny to grow, he knows, "It's a little boat's destiny to keep sailing on a blue, blue lake," so he sets off to find another little cub to enjoy it. When he finds one, he hands over his treasured object and asks its new owner to pass it on when he becomes too big for it. Children will listen intently to this tale. The softly colored, uncluttered illustrations, created with pen and ink and digital media, have anold-fashioned charm. Written with the simple finesse characteristic of Bunting, this amiable, gently didactic tale will resonate with many children.Be Astengo, Alachua County Library, Gainesville, FLCopyright 2003 Reed Business Information, Inc.PreS. Little Bear loves rowing, fishing, and floating in his little rowboat. Then he begins to grow, and one day his new heft sinks the boat. His mother calms him: "It is a little bear's destiny to grow and grow till he is a BIG BEAR. It is a little boat's destiny to stay the same size." Bear is sad, and he worries that no one will love his boat now that he can no longer fit into it. All ends happily, though, when Bear decides to bequeath the boat to another Little Bear, repeating his mother's warning: little bears become big bears, and the boat must eventually be passed on. Surprisingly few stories touch on the nostalgia and fear a new stage of childhood can bring. With just a few sentences per page, this is a sensitive, affecting story about growing up and leaving favorite things behind, with charming ink-and-paint illustrations that echo the spare clarity of the words. Reassuring and well told. Gillian EngbergCopyright American Library Association. All rights reserved; Title: Little Bear's Little Boat | [
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15,724 | 6 | Jeanne Crane Castafero is a literacy specialist with a master's degree in education, and Janet van Roden is an elementary school teacher. Together they cooked up Summer Smarts as a way to provide a comprehensive summer learning program to prepare children for each new school year.Jeanne Crane Castafero is a literacy specialist with a master's degree in education, and Janet van Roden is an elementary school teacher. Together they cooked up Summer Smarts as a way to provide a comprehensive summer learning program to prepare children for each new school year. --This text refers to an out of print or unavailable edition of this title.; Title: Summer Smarts: Activities and Skills to Prepare Your Child for First Grade | [
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15,725 | 12 | Book is Brand New, Not Written On, In Excellent Condition; Title: Houghton Mifflin MathSteps: Grade K, Student Book | [
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15,726 | 2 | PreSchool-Grade 3Innovative illustrations add depth and texture to an evocative text. It's a sunny summer day, but close friends Kishi and Rene are on the outs and stubbornly refuse to play together. Their tempers flare right along with the temperature, but eventually the sweltering midday heat subsides and both are lured from their porches by a vigorous game of double Dutch. By the time the ice-cream man turns the corner, all is forgiven and forgotten. Steptoe's found-object and cut-paper collages highlight facial features and depict oppressive summertime weather to perfection. The characters' full, pouting lips and clingy, perspiration-drenched clothes are made of sheer crepe paper; faces, eyelids, and limbs are cut from cardstock; and substantial twists of raffia and twine become jump ropes and dreadlocks. The images are busy without being cluttered. English's simple narrative consists mostly of two to three sentences per page and ends on a gratifying note. This book cheerfully illustrates the significance of a short memory in a lasting friendship.Catherine Threadgill, Charleston County Public Library, SC Copyright Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.K-Gr. 2. Hot Day is the story of two girls having a "never-going-to-be-friends-again day." Mired in stubborn silence on a hot summer day, Kishi and Renee refuse to do anything together--not even when Mr. Paul asks for help in his garden or when Miss Johnson suggests they make lemonade. The glue needed to put this duo back together comes in the form of a red-hot game of double-dutch, a siren's song to the eager players. The day's sleights are forgotten as the game kicks into high gear, one chant after another buoying the participants beyond the sticky temperatures. When the ice cream man comes around, a shared blue ice pop strengthens the bonds of friendship anew. English's story is engaging in its own right, but it is Steptoe's stunning, mixed-media illustrations that make the book soar like a champion jumper. Hopefully this summery charmer will prove the first of many collaborations between these two Coretta Scott King award winners. Terry GloverCopyright American Library Association. All rights reserved; Title: Hot Day on Abbott Avenue (Jane Addams Honor Book (Awards)) | [
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15,727 | 2 | Gr. 3-5, younger for reading aloud. Fifth-grader Alex believes he has run afoul of the new kid, Brick Johnson, whose name says it all. Brick is a lot taller and bigger than the other kids in the class, and in Alex's mind, he's a terrifying bully. To protect himself, Alex decides to sign up for karate classes, and when Brick also signs up, Alex fears the worst. As the novel unfolds, however, Alex learns Brick is not what he thought: Would a class bully spend part of his time reading stories to first-graders, using funny voices for added effect? What's going on? The message is obvious, but Johnson lightens things up with frequently witty dialogue and snappy one-liners. There are also some cheerful cartoon illustrations contributed by Dan Yaccarino. Todd MorningCopyright American Library Association. All rights reservedMyers (Guinea Pigs Don't Talk, not reviewed, etc.) brings unusual insight to a perennial children's book topic. Having rashly done a rude imitation of hulking classmate Brick Johnson in front of the entire lunchroom, pipsqueak Alex is sure that his days are numbered. Despite little brother Bob's insistence that Brick, who has volunteered to read stories to his first-grade class, is a nice guy, Alex makes strenuous efforts to avoid any encounter-most of which, to his consternation, seem to have the opposite effect. Casting about for any lifeline, Alex even enrolls in karate class, where the teacher's talk of respecting others seems less useful than a well-practiced round kick. Until, that is, he suddenly finds himself facing Brick as a sparring partner. Astonishingly, rather than punching out Alex's lights, Brick bows, setting the stage for a conversation that makes it clear that the threat was entirely a product of Alex's imagination. In fact, the two turn out to share an enthusiasm for baseball card collecting that by the end puts them well on the way toward friendship. Brick's apparent unawareness of Alex's angst doesn't quite ring true, but Myers's suggestion that hostilities often hinge on misunderstanding or incidents blown out of proportion is well taken. (Fiction. 8-10) -- Copyright 2000 Kirkus Associates, LP. All rights reserved.; Title: Surviving Brick Johnson | [
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15,728 | 1 | He's made pancakes, played baseball, taken a job, and even gotten a medal once. He's been to school, the beach, the movies, the aquarium, and (who could forget?) the hospital. Is there anything Curious George hasn't done? Almost certainly, and your resident George fan would be happy to reenact the mischievous monkey's most recent adventures for you in detail. With this well-constructed pop-up house, kids (and grownups, too) can act out their own Curious George stories.Just unfasten the storybook's red shoelace tie, and after a couple quick folds and flips, up pops the cozy home of George and the ever patient man with the yellow hat. (Included are a sturdy, standup cut out of each, 3 and 6.5 inches tall, respectively.) Spread out in a 15 by 19 inch floor plan with 10-inch-high walls, the house includes George's bedroom, a well-appointed kitchen, a front yard (complete with a bunny hutch, for George's hip-hopping pals), and a dock by a lake. The sturdy house comes with 43 standup, press-out props, everything from a bicycle to a bag of doughnuts to a bunch of balloons to bunnies galore, all faithfully illustrated and tucked cleverly into a hidden envelope beneath the lake. George's house also features many smart pop-ups (including a bed, breakfast table, and garden hose, among others) and dozens of intuitive hooks for storytelling (especially neat are two small, 20-page booklets, an alphabet primer and "Curious George's Day of Adventure"). (Ages 4 and 8) --Paul HughesHans Augusto Rey was born in Hamburg, Germany in 1898. As a child, he spent much of his free time in that city's famous Hagenbeck Zoo drawing animals. After serving in the army during World War I, he studied philology and natural science at the University of Hamburg. He then married Margret Rey and they moved to Montmartre for four years. The manuscript for the first Curious George books was one of the few items the Reys carried with them on their bicycles when they escaped from Paris in 1940. Eventually, they made their way to the United States, and Curious George was published in 1941. Curious George has been published in many languages, including French, German, Japanese, Afrikaans, and Norwegian. Additional Curious George books followed, as well as such other favorites as CECILY G. AND THE NINE MONKEYS and FIND THE CONSTELLATIONS.; Title: Curious George's Pop-Up Storybook House | [
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15,729 | 1 | THE FRANKLIN LIBRARY, PA 1979. WITH A PORTFOLIO OF NINETEENTH CENTURY WHALING PRINTS SELECTED AND INTRODUCED By WILLARD THORP. Faux Leather hardbound book. English text; Title: Moby Dick | [
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15,730 | 1 | PreSchool-Grade 1-- This uniquely designed book features a series of cutouts stacked so that with each page turn, a layer is removed to reveal yet another picture. Each configuration is an animal: a tiger's face (a circle shape) and two ears disappear with a page turn to leave viewers with a square within which is a mouse. The mouse's square frame, removed, reveals a fox. There are three such series, and each ends with a small round-up of the shapes used so far. That's not all. On the reverse of the turned page is the shape cutout previously removed with the shape's printed name. While the tiger and lion are not easy to identify in their geometrically shaped components, children will readily name the seven others and will delight in identifying both animals and shapes. Boldly designed pages easily carry to the rear of the room during story hours, and brilliant juxtapositions of vibrant primary colors will make children's eyes tingle. --Susan Hepler, formerly at Windsor Public Library, Conn.Copyright 1989 Reed Business Information, Inc."A masterpiece of graphic design." -- "ALA 1990 Caldecott Committee."; Title: Color Zoo | [
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15,731 | 1 | An introduction for children to some of the most beautiful and appealing Bible stories, this picture book of thirty superb black-and-white drawings by Dorothy Lathrop presents the most memorable animals of the Old and New Testaments.Helen Dean Fish was both author and editor of many popular anthologies and picture books for children.Dorothy Lathrop began illustrating children's books in 1919, and was awarded the first Randolph Caldecott Medal for Animals of the Bible in 1938. She went on to win the Eyre Medal of the Pennsylvania Academy of Fine Arts in 1941.; Title: Animals of the Bible | [
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15,732 | 2 | A little sheep named Baa Baa has trouble sleeping, so her grandmother takes her on a journey over mountains and seas to the Dream Factory. The "factory" appears to be a modest little house, but inside it's quite different. A flock of sheep busily produce dreams made of fleece; from a big purple machine puffs dozens of dreams in the shape of clouds. A cutaway view of the house shows all the activity both upstairs and downstairs, and one can see the dreams blown out the chimney by a bellows. Using bright, cartoon-like images, Karlin has transformed the phrase "counting sheep" into a fresh and funny bedtime story sure to lull the most reluctant sleeper into dreamland. Ages 2-6. Copyright 1987 Reed Business Information, Inc.; Title: The Dream Factory | [
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15,733 | 1 | Kindergarten-Grade 2-- "Elegant pizazz" might best describe this latest concept book of shapes and colors. Each solid-colored page displays a single cut-out shape (square, triangle, circle, oval, etc.) in its center. Around this cut-out are other printed shapes placed in a collage manner to suggest a familiar animal, which is named in bold at the bottom of the page. Depth in the design is expertly executed by means of page overlays, so that the animals' shapes build upon each other, one by one. Rooster (a square face) has been overlayed upon Duck, (octagon), which in turn has been built upon Chicken (pentagon). Verso pages label the shape that was cut out. At the end of the sequence, a single page shows, in review, the shapes and their names. Brightness, boldness, and sturdiness combine with a basic concept and unique design to inspire children to beg for some scraps of colored paper to make their own animals. Be prepared for requests from teachers to save a copy for their classroom collections or unit studies. --Mary Lou Budd, Milford South Elementary School, OHCopyright 1990 Reed Business Information, Inc."Ehlert creates a playful menagerie from geometric graphics and overlays. The designs stack up to form stylized faces of barnyard animals, with changing combinations creating new faces as pages are turned." --"Booklist"Like "Color Zoo, an outstanding concept book." --"Kirkus; Title: Color Farm | [
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15,734 | 11 | Robin Moore, whose family has lived in the Pennsylvania mountains for two hundred years, makes his living as an author and storyteller.Since 1981, he has presented more than two thousand programs and workshops at schools, museums, and festivals. His programs combine both traditional and original North American stories with demonstrations of old-time living skills.Before turning to storytelling, Robin served as a combat soldier in Vietnam, earned a journalism degree from Pennsylvania State University, and worked as a newspaper reporter and magazine editor.He now lives with his wife, Jacqueline, and their children, Jesse and Rachel, in a stone farmhouse on a small patch of land in Montgomery County, just north of Philadelphia.Mr. Moore is also the author of MAGGIE AMONG THE SENECA, the sequel to THE BREAD SISTER OF SINKING CREEK.; Title: Maggie Among the Seneca | [
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15,735 | 2 | Olivier Dunrea lives in Narrowsburg, New York and Dearborn, Michigan.; Title: Old Bear and His Cub (Little Cub) | [
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15,736 | 15 | PreS-Gr 2For many people, a windstorm might be reason to stay inside safe and sound. However, the family in this book looks at a windy day as an adventurous day for kite-flying fun. Simple, rhythmic two-word phrases appear on each page in four-line stanza. "When the wind blows" repeats every three stanzas to create a dependable structure in this poetic text. Strong verbs such as "whistles," "flicker," "swish," and "clang" allow readers to experience the blustery day with sounds, feeling, and imagery. The rhythm of the book seems to mimic the steady blow of the wind on each page. Young readers will enjoy following the story in the supporting gorgeous watercolor images as they watch the winds pick up speed, sending the family on a wild chase trying to catch their kite, and making a groom lose his hat on his wedding day. Older readers can dive deep into the rich language of each page. This story line spans multiple pages, and readers will enjoy looking for the hat and kite throughout the book. Each illustration supports the text with each noun appearing in the image with many additional details, which can offer young readers an "I spy" opportunity on each page. As the rain and wind pick up, the family makes its way back inside to the familiar routines of getting ready for bed. This book will be a great bedtime story, and educators will appreciate the descriptive language when teaching creative writing and poetry. A welcome addition to collections.Andy Plemmons, David C. Barrow Elementary, Athens, GA*Electric colors evoke the kinetic energy that crackles before a storm and the irrepressible excitement a good squall brings out in young and old. The book's exhilarating verse [is] metronomic and as succinct as the heartbeat throbbing in the cold ears of a child racing back to his dry house Gale-force gusts of invigorating artwork and imagery will leave readers breathless in windswept wonder.--Kirkus Reviews, starred review The rhythm of the book seems to mimic the steady blow of the wind on each page. Young readers will enjoy following the story in the supporting gorgeous watercolor images as they watch the winds pick up speed.--School Library Journal The rhymes are fresh and unpredictable, and the narrative maintains a crisp rhythm throughout. Christys illustrations align closelywith the text, effectively capturing swirling winds, swinging signs, and swaying tree branches.--Booklist; Title: When the Wind Blows | [
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15,737 | 2 | K-Gr 2Hal and his younger sister Martha are constantly trying to outdo each other. They squabble over who will be the first to pack their bags for a picnic, jump in the river, and build the highest rock tower. But the siblings change their ways after taking a new path home filled with many unpleasant "firsts " that force them to help each other rather than compete. Set in the countryside with rolling green hills and brown cottages, the donkey characters dress in human clothing. The old-fashioned illustrations are appropriate for this fable-like tale. It takes place over the course of a single day, and the artwork helps readers transition from the sunny summer morning to the shady twilight of evening. The full-page paintings alternate with smaller ones set against ample white space providing visual variety. The composition and line work of the acrylic ink is excellent, and the straightforward text is a combination of narrative and dialogue with the occasional use of speech bubbles that serves the sequential story well. The large trim size, boldly outlined illustrations, and easily readable text make this a good choice for group sharing. This story of sibling rivalry will have broad appeal, especially for parents looking to emphasize the importance of teamwork.Amy Seto Musser, Denver Public LibraryLittle donkeys Hal and Martha quarrel the way that older brothers and younger sisters do. They happily argue about everything and never miss an opportunity to turn any circumstance into a competition. One afternoon, the family heads out for a picnic lunch, and Hal and Martha decide to follow a new path home through the woods. Along the way, they one-up each other until Martha goes a step too far and tumbles into a creek bed. The pair joins forces to get her out and return home safe, sound, and a little wiser. The playful figures brim with personality as they argue and cavort in a setting of lush, full-bleed, earth-tone landscapes, all of it captured in Kornells jaunty, saturated ink drawings. With a tender story and appealing aesthetic, this outing will easily win over storytime audiences. Preschool-Grade 2. --Thom Barthelmess; Title: Me First | [
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15,738 | 2 | PreS-Gr 1Bad apple Mac and Will, a worm who lives inside Mac, are back in this sequel to Bad Apple: A Tale of Friendship (Putnam, 2012). The best friends plan the perfect day at the watering hole, but not all goes according to plan. The watering hole turns out to be more of a mud pit. Never ones to let good mud go to waste, they build an Amazing City of Mud, which is even more fun after their other apple friends join in. Then the rain starts, and they all take shelter. The perfect day is ruined, or is it? Using their imaginations, irrepressible Mac and Will tell a fantabulous story to entertain their friends until the sky clears. It is then they discover that their mud city has been flooded but their water hole has returned to its full glory, and much swimming ensues, ending in a perfect day. The dynamic, spot-on illustrations rendered in oils on canvas are matched by a clever and rather punny text. The inclusion of helpful bees and butterflies and a leaf kite provides a nice whimsical touch. The use of various fonts, colors, and white space, and placement of the text help to animate the already lively story. For those who can overlook the weirdness of a worm living in and presumably eating his best friend, this story of making the best of it when plans go awry is quite enjoyable and works fine for one-on-one sharing.Catherine Callegari, Gay-Kimball Library, Troy, NHEdward Hemingway is the youngest grandson of Ernest Hemingway. He received his bachelors degree from the Rhode Island School of Design and his masters from the School of Visual Arts, where he now teaches in the graduate program. He lives in Brooklyn, New York.; Title: Bad Apple's Perfect Day | [
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15,739 | 0 | Gr 1-3-Hope's father flees the plantation where he works for the Master to fight against slavery. He leaves his daughter with a conch shell and tells her to hold it to her ear to hear the sound of freedom, which will come one day. Hope, her brother, and their mother miss Papa terribly. Seasons pass, holidays come and go, but still he has not returned. Life is difficult, particularly working in the cotton fields, and made worse by her worry about her father. One day, she looks up to see him with a troop of Union soldiers marching up the road. Not only is he home at last, but he also brings the promise that freedom is at hand. The author tells a story of sadness, separation, and love; a story of sacrifice and freedom. Readers cannot avoid the parallels between Papa's leaving to fight for freedom and the Master's leaving his young daughter to fight against the emancipation; the separation for each child is equally painful. Illustrations are drawn with simple lines and soft colors, using somewhat exaggerated head sizes, which emphasizes characters' emotions. The most effective scene shows plantation workers singing and praying for their freedom in the woods on New Year's Eve. Bare winter trees are silhouetted against the dark sky, with the gathered individuals shown in expressive poses as they worship. Hope is in the foreground, her arms open wide with anticipation. A general purchase for all collections.-Mary Hazelton, formerly at Warren & Waldoboro Elementary Schools, ME(c) Copyright 2011. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.On Christmas night, Papa, a slave, leaves his family and the plantation to join the war. To comfort his children, Hope and Henry, he leaves behind a conch shell filled with the sound of freedom. Throughout the long years he is away, Mama holds the family together until word arrives of President Lincolns Emancipation Proclamation. When the war ends, Papa returns safely, prompting the family to gather their belongings and journey to a new, free life. The author of Ellens Broom and Tea Cakes for Tosh (both 2012) here concludes her picture-book series focusing on African American families and freedom. Tates large-featured, expressive characters reflect the storys deep emotions and mesh nicely with the books quiet tone. Published in part to commemorate the 150th anniversary of the Emancipation Proclamation, this makes a good introduction to the concepts of slavery and freedom and their effects on families. Grades 1-3, --Kay Weisman; Title: Hope's Gift | [
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15,740 | 2 | K-Gr 2In this picture book debut, the author addresses a subject close to his heart. Alec is a boy who lives in the country and loves to climb trees, particularly a great spruce, planted decades ago by his grandfather. Every winter he and his grandpa decorate the tree for Christmas, until one year when some men ask his parents if they can use it for the distant city's annual Christmas celebration. Alec's parents consider it an honor, but Alec protests, declaring that the tree could be borrowed instead. It takes time and work, but the tree is carefully dug up, shipped to the city on a barge, and placed in the city center to be enjoyed by everyone. After the holidays, it is returned to Alec's yard and continues to grow, while a sapling takes root in the city square. In an author's note Duvall discusses the tradition of decorating a tree for Christmas, as well as the origin of the annual Christmas tree at Rockefeller Center in New York City. There was a brief time when the center used live trees, and Duvall makes the case for returning to this practice rather than killing a valuable living tree. Gibbon's illustrations are large and brightly hued, with a naive style and a shifting perspective that highlights the size and grandeur of the great spruce. VERDICT An attractive holiday offering with an environmental focus.Teri Markson, Los Angeles Public LibraryPraise for The Great Spruce:Why do we chop down Christmas trees, anyway? Duvall is out to persuade readers to try a live tree. . . . Gibbons loose art is just right, making the winter world look teeming, twinkling and homey.The New York Times Book Review Appealing illustrations in acrylic ink and colored pencil A pleasant holiday story with a subtle hint to protect living trees instead of cutting them down.Kirkus ReviewsGibbons (The Bee Who Spoke) images of a countryside speckled with cottages and snowy cityscapes recall the work of Ludwig Bemelmans, amplifying the sweetly nostalgic mood of newcomer Duvalls story.Publishers WeeklyAn attractive holiday offering with an environmental focus.School Library JournalGibbons cozy acrylic-ink and colored-pencil art accentuates the trees grandeur in both its idyllic country home and its big-city home-away.The Horn Book; Title: The Great Spruce | [
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15,741 | 13 | In Polaccos world, children confront fears and solve problems with the help of loving adults, their exchanges captured with exceptional powers of observation. . . . Readers will feel the exhilaration of the standing ovation she receives and the warmth of Mr. Waynes praise. . . . Saddle shoes, stick-out skirts, and her English teachers brush cut all contribute to the period setting. Even the shyest readers may find themselves inspired. Publishers WeeklyLike Polaccos Thank You, Mr. Falker and others, an inspiring tale made all the more so by its roots in life. Kirkus ReviewsPolacco has done it again! . . . Polaccos realistic, vibrant illustrations convey a range of emotions, especially her own, which vary from utter terror to extreme exuberance. She credits Mr. Wayne with enabling her to now speak to audiences of hundreds, sometimes thousands of people. School Library JournalPolaccos pencil and marker illustrations are expressive and immediate. . . . The depictions of Mr. T. and Mr. Wayne are particularly dynamic and even tender. . . . A lovely tribute to teachers and their life-changing impact on the author and countless other young people. The Bulletin of the Center for Children's BooksPatricia Polacco (www.patriciapolacco.com) is the prolific author and illustrator of ninety picture books. From the earliest days of her publishing career an enthusiastic and spirited speaker, she has visited over one hundred classrooms each year, not only speaking but listening to the hundreds of children that she meets. How she learned to speak in front of an audience may well be her most important personal story. She lives in Union City, Michigan, where she is not shy about speaking to the myriad children who come to visit her and the famous meteor, the object of one of Patricias best-known stories.; Title: Mr. Wayne's Masterpiece | [
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15,742 | 2 | PreS-Gr 1Readers will fall in love with Maple, whose parents planted a tree in her honor when she was "still a whisper." Each page turn shows the child growing, playing, and seeking refuge under her leafy companion. She sometimes longs for the friendship of someone who can play with her ("The tree wasn't very good at throwing snowballs") and wonders if the tree feels the same way. One day, Maple is surprised to realize that there's a sapling growing next to her tree, and she soon discovers that a sibling of her very own is on the way. The crispness of Nichols's lush, leafy illustrations on each thick white page helps Maple's adventures around the little sapling stand out. This may be Nichols's debut picture book, but the only thing green about this effort is the perfect shade of a maple leaf. This is a fresh addition to the standard new sibling fare, and young naturalists will identify with Maple's adventurous and tender spirit.Jenna Boles, Greene County Public Library, Beavercreek, OHWhen she was still in her mothers belly, Maples parents planted a maple sapling in her honor. As the tree grew, so did the girl. Maple, who could be loud at times, sang songs to her tree, swayed around it, and even, sometimes, pretended to be a tree. Seasons passed, and through strong winds and falling snow, Maple and her tree still had each other. Then things changed. A tiny wisp of a willow tree is planted, just as Maples mother is about to give birth again. Turns out the noisy baby, Willow, is just as enchanted by the maple trees shifting leaves as her older sister. This sweet story about seasons of change and love in different forms reads like a wistful recollection of childhood. Nichols is a talented debut author and illustrator: her voice is quiet and unique, and her pencil-on-Mylar illustrations, digitally colored, are similarly both nostalgic and fresh in feel. Share with siblings-to-be and, of course, anyone named Hazel or Juniper. Grades K-3. --Ann Kelley; Title: Maple | [
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15,743 | 16 | Eric Carle is unquestionably one of the greatest childrens book creators of all time. He continues to produce his best-selling picture books, and recently won the Laura Ingalls Wilder Award for lifetime achievement in childrens literature. His books, as well as the new Eric Carle Museum of Picture Book Art in Amherst, Massachusetts, continue to keep him at top momentum. Visit him atwww.eric-carle.com.; Title: My Very First Book of Shapes / Mi primer libro de formas: Bilingual Edition (World of Eric Carle) (Spanish Edition) | [
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15,744 | 7 | Gr 69In this sequel to The Nethergrim, the 14-year-old heroes from the previous tale take separate paths. Wizard-in-training Edmund meets Ell, a young wizard who helps him learn magic but may not be trustworthy. Meanwhile, skilled horse trainer Katherine is forced to work as a scullery maid for Lord Aelfric after her father, John Marshall, leaves to seek the help of the legendary hero Tristan. Tom is traveling with John when they are attacked by the Skeleth, a hoard of spirit beasts in service of the Nethergrim. When John is overtaken by a Skeleth to become part of their army, Tom has to free the imprisoned Tristan and find an elder woman whose magic skills may help them defeat the evil spirits. Elsewhere, Lord Wolland from a neighboring barony is planning a war against the northern lands and thinks the Skeleth will aid him. When Edmund, Katherine, and Tom are finally reunited, they have to convince the local villagers to help them defend their land against Wolland's trained knights and find a way to stop the Skeleth, without killing Katherine's father. The narration of this pseudomedieval tale alternates among the three protagonists. Free of the cumbersome backstory that dragged the pace of the first book, this installment combines elements of fantasy, action, romance, and suspense and further defines the motivations of its characters. The book ends on a cliff-hanger that will have readers anticipating the next volume. VERDICT Fans of the first title will enjoy this new adventure; purchase this growing series where middle school YA readers are ravenous for epic fantasy.Martha Simpson, Stratford Library Association, CTPraise for THE SKELETH"[A]solid contender for the teen answer to Game of Thrones."Kirkus Reviews"Jobin is a fine writer . . .Recommend this to fans of Rick RiordansPercy Jacksonor Brandon MullsFablehavenseries."VOYA"With this sequel, Jobin has expanded this fantasy adventure into a series of epic proportions. . . [T]he kind of series that hooks both new and veteran readers." Booklist"The book ends on a cliff-hanger that will have readers anticipating the next volume. Fans of the first title will enjoy this new adventure; purchase this growing series where middle school YA readers are ravenous for epic fantasy."School Library JournalPraise for THE NETHERGRIM"Riveting. Perfect for imaginative middle-grade readers craving a hearty magical adventure." Booklist "Fantasy fans will find much to enjoy in this elegant gem of a novel." BCCB "An engrossing read. . . . Jobin combines elements of suspense and mystery with a pervasive sense of impending doom." School Library Journal "[T]his entertaining coming-of-age fantasy . . . is a solid debut for anthropologist Jobin, who steers clear of genre cliches while offering up a refreshingly metaphysical take on magic, a believably dark setting filled with unusual threats, and a seductive and manipulative villain." Publishers Weekly; Title: The Skeleth (The Nethergrim) | [
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15,745 | 2 | Like the authors Bea at Ballet (2012), this alliteratively titled picture book is a gentle introduction to a preschool activity. This one features Jake, a little boy with a cute bowl-cut hairdo, who kicks off the story by greeting his classmates and his teacher, Dave. In the all-around welcoming environment Isadora presents, children are happy and well cared for and are eased into a gym routine with stretches and creative play (Lets be frogs and hop today). The kids are adorably round and smiley, ready to crawl through the tunnel, walk on the balance beam, and hang on to the parallel bar. They encourage each other, which may not be completely accurate in terms of toddler behavior but certainly isnt a bad model to represent. Isadoras appealing illustrations feature a multicultural group dressed brightly against a minimalist background. When the kids pretend to be birds (We spread our wings and fly out the door), the class and the book end as cheerily as they began. Preschool-Kindergarten. --Abby NolanVeteran author and illustrator Isadora creates another collection of charming vignettes of a delightfully diverse group of preschoolers. . . . These kids are clearly having a lot of fun. . . . The chubby kids refreshingly natural postures and body language set this book apart from renderings of more conventionally pretty children, allowing young gymnasts of all ability levels to identify. . . . Beginning readers will be attracted to the simple text, especially to the single-word exclamations in brightly colored speech bubbles. Readers will no doubt want to get down on the floor and do some gymnastics of their own. Kirkus ReviewsLike the authors Bea at Ballet, this alliteratively titled picture book is a gentle introduction to a preschool activity. . . . In the all-around welcoming environment Isadora presents, children are happy and well cared for and are eased into a gym routine with stretches and creative play. The kids are adorably round and smiley. . . . They encourage each other, which may not be completely accurate in terms of toddler behavior but certainly isnt a bad model to represent. Isadoras appealing illustrations feature a multicultural group dressed brightly against a minimalist background. BooklistThe real joy comes through Isadoras sprightly illustrations. . . . Few other picture book artists have as good an understanding of the toddlers center of gravity as Isadora, and when she uses her expertise to show them hopping, tumbling, balancing, and pretending to fly like birds, you cant help but enjoy the show. Best of all is the page of young gymnasts on the bouncing balls. Each one appears to be enjoying his or her own moment of zena bit of private happiness in the midst of a busy class. The Horn Book; Title: Jake at Gymnastics | [
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15,746 | 1 | PreS-Gr 2-Henry likes to keep things organized, so he decides to make a map of the farm. As he travels the barnyard drawing his own pigsty, the woolshed and sheep, the chicken coop, and the stables, the other animals are excited by his project and join him. Map finished, the piglet leads them proudly up the hill to compare the map to the farm itself-only to find that none of the animals are where they are supposed to be. "Where did we go?" they ask. They dash back to check each location, and when they arrive, they are relieved to find everyone in the right place. With appealing characters and gentle humor, this book will be a hit at storytime, or as an introduction to mapping lessons. Elliot's squiggly watercolor and pencil illustrations make clever use of white space, with the pictures expanding as the confusion of the story does and receding as Henry's world becomes orderly once again.-Kathleen Kelly MacMillan, Carroll County Public Library, MD(c) Copyright 2013. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.Henry is a tidy little pig who cant stand disorder. He sweeps and cleans, frowning when he observes the rest of the farm from the window of his neat little sty. Tsk, tsk. What a mess the farm was! / How could anybody ever find anything out there? He resolves to make a map of every animal in its proper, orderly place. Sheep clap their hooves, and the cow, horse, and chickens chortle with glee when they see themselves on Henrys simply rendered map. A humorous double-page spread shows the proud Henry, map in hand, leading all the animals up the hill in marching order. But when they dont see themselves below, the animals tumble riotously back down the hill and scurry back to their proper place, thereby comfortingly ending the day. Paintings in pencil and watercolor lovingly show the idyllic farm and its expressive animals as their emotions range from delight to dismay and back to delight again. This story may even inspire budding cartographers to map their own world. Preschool-Grade 2. --Lolly Gepson; Title: Henry's Map | [
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15,747 | 2 | Praise for SLEEP, BABY, SLEEP"While words melt away into simple rhythms, the atmospheric artwork pinpoints ineffable feelings." --Kirkus"[S]imultaneously reassuring and celebratory." --School Library JournalMaryann Cusimano has been working with children since she was a teenas a clown, story-teller, singer, puppeteer, and caregiver. You Are My I Love You arose out of her work with children, especially the PeaceKids group in the Sursum Corda housing project.Maryann lives in Washington, D.C., with her husband, Rich Love (they are newlyweds). She is an associate professor of international politics at Catholic University. Dr. Maryann Cusimano Love is an award winning international educator and author. Dr. Cusimano Love has spoken to audiences from suburban pre-schoolers to inner city teens to international diplomats. A winner of Harvard Universitys Pew Faculty Fellowship for teaching, and Catholic Universitys Teacher of the Year Award, Maryann Cusimano Love is an effective presenter who favors participatory techniques.; Title: Sleep, Baby, Sleep | [
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15,748 | 2 | K-Gr 2In this vivacious follow-up to Millie Fierce (Penguin, 2012), the spunky young heroine is fiercer than ever. Millie knows that her temper, or "being fierce" as the book calls it, gets her in trouble. In order to earn an outdoor sleepover, she keeps her "fierce" in check "as tightly as a rolled tent" all through the summer and then through the detailed preparations for the well-earned event. When her guests finally arrive, Millie's carefully laid plans start to unravel and her self-control is pushed to the limit. Luckily, just as she cannot suppress her frustration any longer, she hears a scary noise outside and channels her fierceness into protecting her guests. Once she deals with the "threat"a neighbor's pug, she fears that she has ruined everything by letting her anger get the upper hand. However, Millie's guests are grateful for her bravery. Manning's watercolor illustrations burst with color, their cartoonish exuberance a perfect match to the humor of the text. A terrific addition to any collection.Yelena Alekseyeva-Popova, formerly at Chappaqua Library, NYMillie Fierce is the name Millie has given herself to prove that she is not namby-pamby. However, the last time she let her fierce loose (Millie Fierce, 2012), things got out of control. Now, she is planning a backyard camping trip for herself and a few friends. She makes a strong effort to keep herself in check through trying circumstances: her pals eat the smores, theres a spider in the gummy bears, and it rains. A wild animal finally makes her lose her cool, and even though it turns out to be the pug next door, Millie fiercely chases him away. Sure that she has ruined everything, Millie finds that her friends appreciate her fierce side after all. Although the lesson about ferocity having its place is a decent one, Millies lack of control, unseen by those who havent read the first book, is only discussed here, lessening the buildup. The watercolor art, however, does nicely capture both the in-tent tension and Millies fervent dog chase. The last bright spread of friends together satisfies. Preschool-Grade 1. --Ilene Cooper; Title: Millie Fierce Sleeps Out | [
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15,749 | 2 | K-Gr 3Reminiscent of Chris Van Allsburg's classic The Polar Express (Houghton Mifflin, 1985), this delightfully old-fashioned story reaffirms a child's belief in Santa Claus. The narrator, Trisha, and her older brother, Richie, prepare for their last Christmas on Grampa's farm before he has to sell the property. Dreaming of dolls and model trains, they want to make the holiday unforgettable even though they don't have much money. Kay Lamity, a wise, no-nonsense housekeeper arrives on their doorstep, bringing with her the true spirit of Christmas. Despite some initial difficulties, she befriends the children, sharing with them her belief that gifts from the heart don't come wrapped in paper and ribbons. Excited about seeing Santa in town, Trisha nearly has her Christmas ruined when Richie scoffs, "There ain't no Santa." Kay soon restores harmony in the house and helps Trisha and Richie make corn-husk angels, their gifts from the heart for Grampa and Momma. Trisha's faith in Santa is rewarded on Christmas morning when the siblings spot runner marks and hoof prints on the snow-covered roof and find two sleigh bells in the yard. Come spring, the magical Kay Lamity returns home, and to the family's surprise, the woman from the employment agency reveals that she hadn't sent her to them. Polacco's deftly drawn pencil and marker illustrations eloquently portray Trisha's nostalgic childhood world of cinnamon gumdrops, toy-store windows, and Santa parades, enhancing the warmth and charm of the story. Children will want to hear Gifts of the Heart every holiday season.Linda L. Walkins, Saint Joseph Preparatory High School, Boston, MAThe signature illustration on the cover, featuring a close-up of a grandmotherly figure and two inquisitive children, signals that this is a familiar Polacco story of family warmth, this time with a touch of magic. The opening image sets the stage: Christmas dreams and a department-store window. Even without the text, we are transported to the old-fashioned world of Richie and his sister, the narrator. Because their grandmother has died, wise, loving Kay Lamity comes to help out around the farm on the last Christmas before it is sold. This is a story of longings, not just for gifts but for people and places that are gone or soon will be. The large illustrations flow over two pages and often focus on faces and gestures. Bright patterns in fabric and setting provide additional warmth even when snowflakes are interspersed. Emphasizing human connections, Polaccos holiday story is quietly charming. Grades K-3. --Edie Ching; Title: Gifts of the Heart | [
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15,750 | 2 | * “[A] small treasure from master storyteller dePaola. . . . Before long he’s assembled a riotous, Bremen Town Musician–like group of animals who moo, bah, oink, and whoo all the way to the city. Their cries, carved on rubber stamps, are scattered on the pages, creating the visual equivalent of a cheerful din. . . . As a bonus, many spreads hide scenes from familiar nursery rhymes, adding to the book’s readaloud charm.” — Publishers Weekly, STARRED REVIEW“DePaola’s trademark illustrations are warmly inviting and feature many nursery-rhyme characters in the backgrounds. . . . Preschoolers will root for the plucky hero as he pursues his dreams and eagerly chime in with the pleasing repetitive phrases.” — School Library Journal“A new tale from dePaola is always a reason to cheer, and this riff on “Jack” tale variants will bring smiles. . . . Repeated rubber stamps of each animal’s sound (and individualized colors) add zip (and noise) to dePaola’s signature style and palette. . . . Everyone will enjoy the fun.” — Kirkus Reviews“Clever riff on a traditional story motif. . . . dePaola embellishes his story with rich visual detail, including vividly colored printed sound effects . . . which afford a visual representation of the burgeoning cacophony. . . . There is an added depth to dePaola’s recognizable style, with a combination of subtly varied textures and brilliant color . . . giving the outing a traditional grounding and a contemporary flair. There goes the neighborhood, and it never looked better.” — Booklist“Young children will like the simple pattern of the story as well as the cumulating sound effects. . . . DePaola dresses the journey in his most sumptuous colors. . . . Storytime audiences will enjoy the trip as well as the sly cameo appearances by nursery-rhyme favorites.” — The Horn BookTomie dePaola (www.tomie.com) is the acclaimed author and/or illustrator of more than 200 books for children. He has received the Laura Ingalls Wilder Award, a Newbery Honor for 26 Fairmount Avenue and a Caldecott Honor for Strega Nona. He was awarded the Smithson Medal, the Regina Medal, was designated a “living treasure” by the state of New Hampshire, and received the 2012 Original Art Lifetime Achievement Award given by the Society of Illustrators. He lives in New London, New Hampshire.; Title: Jack | [
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15,751 | 2 | PreSSpare text and large, fluid illustrations come together in this bedtime story. McPike's rhyming tale flows as smoothly as a lullaby, describing a child's body parts, from "tired little toes" to "tired little everything" as a variety of "precious little sleepyheads" are prepared for bed. The text is presented in couplets printed in a different color on each spread. Barton's illustrations show a variety of babies, siblings, and caregivers in large format on a white background that will translate well for those viewing the book up-close or from a distance in a read-aloud setting. An excellent choice for bedtime-themed programs or one-on-one nighttime routines.Emma Carbone, Brooklyn Public LibraryMcPikes rhyming tale flows as smoothly as a lullaby, describing a childs body parts, from tired little toes to tired little everything as a variety of precious little sleepyheads are prepared for bed. . . . Bartons illustrations show a variety of babies, siblings, and caregivers. . . . An excellent choice for bedtime-themed programs or one-on-one nighttime routines. --School Library Journal Try holding still while reading Tired little arms, stretching up so high, // Tired little hands, waving bye, bye, bye. Acting out these lines and, additionally, Tired little toes, wiggling one to ten, for example, will promote language development and prove great fun for babies and young toddlers to mimic. . . . In the crowded field of bedtime books, this is a very sweet nighttime send-off for the littlest yawners. --Kirkus Reviews"Engaging . . . The text is just long enough to tie theideas together nicely while keeping the forward motion of a picture book designed for the youngestchildren. In the winsome illustrations, a racially diverse group of babies engages in activities such ascrawling, reaching for bubbles, and waving to a bird. . . .Each doublepagespread shows a different child interacting with a parent, grandparent, sibling, or other caregiver (evena family dog)." --Booklist; Title: Little Sleepyhead | [
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15,752 | 2 | Paula Danziger (1944-2004) was a flamboyantly funny and deeply honest writer who had a direct line into kids' hearts and funny bones.Bruce Coville lives in Syracuse, New York.Elizabeth Levy lives in New York City.Chapter OneI, Amber Brown, am one happy camper.This is a strange thing to say, because I have never been at camp... .. and I am not there now! Even so, I am a happy camper because I made it through fourth grade and tomorrow I am heading for Camp Cushetunk.Thats the good news.The bad news is that first I have to pack.I hate packing. There are too many choices to make!I am looking at the pile of stuff on my bed when Mom and Max knock on my door.I know it is both of them, because the door is open.I have trained them to knock even when it is.Max is my new stepfather. I was kind of rotten to him when he started to go out with Mom, but I kind of love him now.Come in, I say.Mom is carrying the packing list that the camp sent. I like lists. I especially like this one because there is a little box next to each item that you can check when youve taken care of it. This is very satisfying.However, the list is missing things like Gorilla and pig-taking-a-bubble-bath alarm clock/bank. I think I have to leave those things at home. Not because I dont want to have them with me....... . its just that I dont want the other campers to make fun of me for bringing them.Sometimes its hard to figure out what is too baby and what is all right.Max holds up a plastic bag. I just went to the drugstore, Amber. I think I got everything we still needed.I thought I liked lists, but I am nothing compared to Max. He LOVES lists.He also loves labels. I think maybe the two things go together. He has had a fine time ironing name tags onto my shirts and shorts.I didnt let him do my underwear. I made Mom do that.When I asked Max how he got so handy with an iron, he explained that it was a side effect of living alone for so many years.Max starts to unpack the drugstore bag. He holds up a toothbrush. Youre going to love this, Amber. Its got a timer inside and it lights up after youve brushed for two minutes.Two minutes is how long the dentist wants me to brush, but I usually get bored before two minutes go by. The light is very cool.Mom says, Why dont you go grab Ambers towels, Max.While he is gone, she picks up one of my T-shirts and looks at the name tag. Amber Brown. I love that I gave you such a colorful name.I love my name too. But I dont love that Moms last name is no longer Brown. When she got married to Max, it became Turner.Max comes back in and puts a stack of towels on the bed. Then he goes to my desk. Make sure everything has a name tag on it before you pack it.I dont think the camp really meant everything, Mom says. No one puts a name tag on a tube of toothpaste.I look at Max and start to laugh. He has a tube of toothpaste in one hand and a fine-point Sharpie in the other. He drops the Sharpie and tries to pretend he wasnt about to label my toothpaste.Busted! I say.Mom sighs. Oh, Max. Next thing you know, youll be labeling her sticks of gum!I cant tell whether she is amused or exasperated.When the trunk is packed, they go downstairs.Dont forget were leaving for the airport in fifteen minutes, Mom calls over her shoulder.Tonight, Justin Daniels, my very best friend ever, is flying up from Alabama. He is going to Cushetunk too! This is the best, best, best thing ever.The reason it is the best, best, best thing ever is that I almost never get to see Justin anymore. Thats because of one of the worst, worst, worst things ever....... his parents moved to Alabama! I thought they should leave Justin behind so we could keep going to school together, but they refused.Now were going to be at camp together for four whole weeks. The idea is so exciting, I am afraid my head will explode before we even leave for the airport to get Justin.I decide to check my e-mail, just to try to keep my head in one piece while I am waiting. I have only had e-mail for a few days... .. it was a reward for graduating from fourth grade.My e-mail name is Notacrayon.When I open the account, I see that there is a message from Brandi Colwin. It is addressed to me and Kelly Green.This is another reason I am so sure Camp Cushetunk will be wonderful. Brandi and Kelly are my best friends from school, and they are going too. It should be great!Brandis subject line is Bulletin! Bulletin! Bulletin!She is practicing to be a newscaster, and this is her way of letting Kelly and me know that she has something important to tell us.I open the e-mail, and groan.Chapter TwoI dont watch the news that much, but I see it more often now that Max is with us. And something Ive noticed is that most of the news is bad.Brandis e-mail is definitely something that belongs on the bad news channel.OMG! I JUST FOUND OUT THAT HANNAH BURTON IS GOING TO CAMP CUSHETUNK!!I want to beat my head against the keyboard. Hannah and I have been in school together forever, and we have never liked each other.Hannah Burton is tinfoil on your teeth...... itching powder down your back...... a giant booger in your soup.What if were in a bunk with her? I e-mail back.Before Brandi can answer, Max calls, Time to go to the airport!I am out of my chair, down the stairs, and into the car while Mom and Max are still getting their things together.I checked the flight, Max says as he climbs into the drivers seat. Its right on time.It feels like the airport is a million miles away. Every stop sign and traffic light makes me want to scream. I want to be there NOW.Mom and Max are yakking away like this is just a normal ride. I realize they are talking about the movies they want to see while I am gone. I am not sure I like this... .. I think they should just stay home and miss me. I know that is silly, but I cant always control how I feel about things.When we finally get to the airport, we have to walk a billion zillion miles from the parking garage to where we are supposed to meet Justin. Because he is a kid traveling alone, one of the airplane people will walk him out to us.I see him! But he is not looking for me. He is chatting away to the woman walking beside him. She is in a uniform and looks very official. She is also very beautiful. For some reason I find this very annoying.Suddenly he turns in our direction. Amber! he cries, and runs toward me. Just like when he came up for Mom and Maxs wedding, we almost hug, and then stop.I look at him. His hair has gotten longer, and he is even more tan than the last time I saw him. But he is still Justin. Then he smiles, and I see the big change. He has braces!This is Ms. Block, Justin says. Shes in training to be a pilot.Ms. Block shakes hands with Mom and Max and asks them for ID to make sure we are the people who are supposed to pick up Justin. Mom thanks her, and Ms. Block walks away. Justin watches her go.I tap him on the shoulder. He turns back to me and says, I think I want to be a pilot when I grow up.Come on, flyboy, Max says. We need to get your luggage.Was it scary traveling alone? I ask Justin.No, it was kind of fun. Except they almost paid too much attention to me. But I had my own little TV set. That was cool!The luggage comes out on something called a carousel, which would make you think it was like a merry-go-round because it does go around and around. But there arent any horses. Its a big oval that carries the suitcases and backpacks past the people waiting to claim them. I soooooo want to climb onto it and take a ride...... I bet it would be fun.This is when I realize that Max is getting to know me a little too well. He looks down at me and says firmly, Dont even think about it!Thats mine! Justin says, pointing to a big trunk.Max hauls it off the carousel. Ooof! What did you pack in here? Your little brother?I hope hes not in there! Justin says. One of the reasons I wanted to go to camp was to get away from him!We laugh and head for the car.When we get home, I say, Come on, Justin. Ill show you around the new house.Great, Mom says. Max and I will start the grill. Were having a barbecue to celebrate your last night at home before you go to camp.When we get to my room, I show Justin the place of honor in my closet where I keep our chewing gum ball.We started making the ball way back in second grade. Justin was going to throw it out when he moved. That started our worst fight ever. I am glad we still have it. It proves that we will always stick together.I was afraid your mother might make you throw it away when you were moving, he says.; Title: Amber Brown Horses Around | [
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15,753 | 2 | PreS-Gr 1Isadora explores common sights, sounds, smells, tastes, and textures from a preschooler's perspective in this winsome sensory tour. Combining short, declarative sentences with colorful ink and watercolor vignettes, the cheerful spreads showcase a cast of diverse, expressive kids in their everyday worlds. A final page, featuring the titular pickle, cleverly ties everything together into a delicious whole and invites repeated sharing.* A sensory tour of early childhood, exploring common sights, sounds, smells, tastes, and textures. . . . The artists trademark style is perfectly suited to depict the child-focused activities of these diverse, expressive, and engaging tots. . . . A sour, spicy, slippery, crunchy, green treat. Preschoolers and their caregivers will devour this oversize title and come back for more.School Library Journal, starred review* A tribute to the five senses that will resonate with young readers. . . . An ethnically diverse group of young children tell readers what they senseor dontin simple declarative sentences that are sometimes embellished by the kids thoughts. . . . Children of most skin and hair colors will find at least one face like their own in these pages. . . . A great read-aloud, an easy read for beginning readers, and a model for student books.Kirkus Reviews, starred review* Isadoras book about the five senses is aimed perfectly at another sensekids sense of humor. . . . Small vignettes of children exploring their world, both indoors and out. . . . Interjections throughout, printed in italics, add read-aloud pleasure. . . . Delicate ink and watercolor illustrations on white backgrounds nicely elicit a young childs point of view. . . . Be sure to have a jar of baby dills on hand for this one.The Horn Book, starred review* This fetching concept book from veteran author/illustrator Isadora offers a gallery of sensory experiences. . . . Has the gently carnivalesque charm of Krauss and Sendaks A Hole Is to Dig as kids weigh in on different experiences and responses in multiple vignettes per page. Some of the vignettes are self-contained moments of poetry; sometimes a sequence provides a satisfying bijou story. Delicate lines with simple watercolor shading and patterns keep the small tableaux simple, but theyre vivid with life from the multicultural cast of bouncy kids and the evocation of lifes sensory encounters, from the homely smell of baby poo to the glorious vision of fireworks. This will be excellent fodder for sharing in a preschool curriculum, and audiences will be chiming in to offer their own examples of what they hear, see, and most definitely smell.The Bulletin of the Center for Childrens Books, starred reviewSimplicity is the defining note of Isadoras inviting introduction to the senses. . . . Drawing from everyday experiences in a childs life, Isadora pays tribute to the senses, as well as to the natural world, friends, family, food, pets, curiosity, and discovery. . . . Isadoras book brims with teachable moments, yet its her expressive ink and watercolor vignettes that steal the spotlight.Publishers WeeklyIsadoras simple ink drawings, brightened with watercolors, have an unpretentious charm. . . . The clean, white pages provide spacious settings for the characters, whose actions, reactions, and observations will intrigue young kids. Well designed for raising awareness of the senses, this is fine for reading aloud in a group setting and particularly effective one-on-one.Booklist ; Title: I Hear a Pickle: and Smell, See, Touch, & Taste It, Too! | [
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15,754 | 6 | "This title owes its delight to the well-balanced, deadpan disparity between the spare, straightforward text and the increasingly wild scenarios depicted in the digitally colored pencil illustrations. According to the words, the animals climb a hill, weather some rain, load up at the market, regroup after hitting a rock, and return home. The pictures, however, show a different story: along the way, the red wagon transforms from pirate ship to covered wagon to circus caravan to train to rocket ship to truck in detailed scenes children will want to revisit. Preschoolers will recognize the reality-blurring borders of their own made-up worlds; children on the cusp of independent reading will enjoy following the simple, bold-type sentences; and both audiences will hope for future adventures from Lucy and her friends. Booklist, starred review"Liwska renders the illustrations in soft-hued pencil and digital coloring, similar in style to those she created for Deborah Underwood's The Quiet Book. Adding to the quality of this gentle yet adventurous tale is the way the illustrations provide an imaginative alternative visual narrative that enhances the straightforward text. An enjoyable story to read with creative little critters just like Lucy." Horn Book ReviewsRenata Liwska grew up in Warsaw, Poland and nowlives in Calgary, Canada. She is the illustrator of The Quiet Book and The Loud Book!, both written by Deborah Underwood, and both New York Times bestsellers. For The Quiet Book, Renata Liwska was awared the 20110 Society of Illustrators Gold Medal and was named a 2010 Governer General's Award finalist.; Title: Red Wagon | [
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15,755 | 1 | "The pictures hold countless surprises. Indisputably, this is a work of wonder that deserves highest honors." Publishers WeeklyJan Brett is the beloved New York Times bestselling author/illustrator of many books for children. She lives in Norwell, Massachusetts.; Title: Annie and the Wild Animals | [
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15,756 | 2 | As a child, Kristy Dempsey enjoyed swinging from trees and splashing in the creek on her grandfather's farm in South Carolina. These days, she lives in Belo Horizonte, Brazil, where her favorite moments are spent with her husband and three children.; Title: Me with You | [
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15,757 | 2 | Praise forTime Out: "Barbasartwork weds Miros palette to James Marshalls glee, and her bold black lines are fueled by imaginative power."--Publishers Weekly, starred review"Totally fun, visually startling, and a paean to creative thinking."--Kirkus ReviewsPraise for When Your Elephant Comes to Play:"An excellent addition to any collection, this appealing tale is full of humor and easily extends imaginative play."--Kirkus"Astory as irrepressible as the cross-species pals it stars."--Publishers Weekly"A pleasant read about a little boys big imagination, with creative, colorful spreads that will stay with readers long after the story ends."--Booklist"A fun addition for picture book collections." --School Library JournalAle Barba (www.AleBarba.com)has been making art with a variety of mediums for as long as she can remember. She has been published in the Spanish language in Mexico, Denmark, and Colombia, and her work has twice been recognized by the National Council for Culture in Mexico. She is also the author of When Your Elephant Comes to Play, which was her U.S., English-language debut. Ale lives in Guadalajara, Mexico.; Title: Time Out! | [
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15,758 | 6 | Jan Brett (www.janbrett.com) is the beloved New York Times bestselling author/illustrator of many books for children.; Title: Jan Brett Stationery Set | [
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15,759 | 2 | Gr 46Eleven-year-old Ivy Blake has spent most of a wonderful year with the Evers family. She loves Mom, Dad, Grammy, and especially her best friend, Prairie, and she knows that they love her too, but she can't quite feel like she belongs with them. When her mother asks Ivy to come back to live with her, the girl is conflicted but decides to go. Living with her mother again isn't easyit means a new school, conflicting loyalties, borderline neglect, and the constant strain of her mother's negative outlook and dangerously uncertain temper. Ivy copes and creates through her sketchbook; drawing and writing about her days, the people she loves, and her dreams of making movies. Having dealt with a lot of tough situations in her short life, Ivy is mature and self-aware, but also realistically confused and emotionally awkward. As the title suggests, Ivy's character development is the core of the story, and its strength is Ivy's need to find her own identity and figure her problems out herself. Even the people who love her dearly and believe in her can't give her the answersshe has to find out for herself who she is and who she wants to be. With the exception of Ivy's mother, who is difficult but not a caricature, the people in Ivy's world are almost impossibly warm, intuitive, creative, and kind. This leaves the ending more in the realm of wish fulfillment than harsh reality, but Ivy's insistence on relying on herself ensures that readers will feel that she's earned it. Like Anne of Green Gables and many other neglected creative girls before her, Ivy is irresistible, and readers will be rooting for her all the way. VERDICT A thoughtful and sweet story about finding the family you need in order to be your best self.Katya Schapiro, Brooklyn Public Library* “Ivy’s insistence on relying on herself ensures that readers will feel that she’s earned it. Like Anne of Green Gables and many other neglected creative girls before her, Ivy is irresistible, and readers will be rooting for her all the way. . . . A thoughtful and sweet story about finding the family you need in order to be your best self.”—School Library Journal, starred review   “Airgood’s characters are multilayered and compelling, and Ivy’s story of triumph offers realistic hope and optimism. . . . Hand to fans of the quiet, resilient, and realistic heroes in Pam Muñoz Ryan’s Esperanza Rising or lovers of the novels of Eva Ibbotson.” —Booklist“Doesn’t shy away from Ivy’s emotional turmoil . . . quietly satisfying. An uplifting coming-of-age story that foregrounds both the loss and the luster involved in creating an identity all one’s own.”—Kirkus Reviews; Title: The Education of Ivy Blake | [
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15,760 | 1 | K-Gr 3This action-packed fractured fairy tale is sure to excite young readers. Wolf is tired of getting beaten by his prey, so he sneaks into a martial-arts school to enhance his fighting skills. Feeling confident in his newfound abilities, he is eager to return to the hunt. He happens upon Little Red Riding Hood and thinks that he can trick her into becoming his next meal. What he doesn't bargain for, however, is that she has gone to ninja school, too. A sparring match ensues. A surprise visit from a tai chi master, though, gives Red the upper hand and puts Wolf on a new path of enlightenment. "The wolf was a mess./He'd had way too much stress./'I guess I'll give yoga a try.'" Children will gravatate to the rhyming text and exciting illustrations, created by Sumi brush work on rice paper. Speech bubbles and dialogue further enhance the story. The characters' facial expressions and body language will have kids laughing as Red and Wolf each try to best the other. A fun read-aloud, but also great for independent reading, this story piggybacks on Schwartz's Three Ninja Pigs (Putnam, 2012), in which the three little pigs share their ninja skills with their friends.Amy Shepherd, St. Anne's Episcopal School, Middleton, DESchwartz and Santat deliver a powerful karate chop of a picture book. . . As silly a trip to grandmas house as there ever was. Kirkus ReviewsThis action-packed fractured fairy tale is sure to excite young readers. . . . Children will gravitate to the rhyming text and exciting illustrations. . . . A fun read-aloud, but also great for independent reading. School Library JournalSchwartzs comic verse scans beautifully, tripping through the (bamboo) forest to grandmas house with vigor and attitude. Santats artwork . . . divides the action into diagonal panels, maximizing the roundhouse impact. Booklist; Title: Ninja Red Riding Hood | [
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15,761 | 2 | Gr 7-9-Kiara's mother is living in Montreal launching her career as a musician so her father sets his musical aspirations aside to be his daughter's caregiver. The eighth-grader's Asperger's syndrome does little to help her adjust to or understand her unsettled family situation. Mr. Internet is her go-to for black-and-white answers to the complexities of life. On the Net, Kiara also delves into a fantasy world of superhero personas and takes on the alter ego of Rogue. While she is academically successful, she is socially shunned. When she joins the popular girls' table-uninvited-she is ridiculed and publicly rejected. It does little for her case when she hauls off and slams her lunch tray into another girl's face. Now Kiara is friendless and expelled from school. She befriends her new neighbor, Chad, whose home is a meth den where he is forced to collect ingredients for his parents' lethal concoctions. Kiara spends lots of time trying to be Chad's friend and steer him in a better direction; he spends lots of time trying to survive the horror of his home life and being nasty to Kiara. Chad's and Kiara's fathers play music together in the backyard, so it's hard to believe that Kiara's dad doesn't notice how weird things are. The dangerous neighborhood happenings seem to completely escape him until there is a major explosion in the meth lab. Too much happens in this novel and too little of it revolves around Kiara.-Alison Follos, formerly at North Country School, Lake Placid, NY(c) Copyright 2013. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.This raw and edgy tale will leave readers almost as scarred as the boy who shares center stage with its narrator, a girl with Aspergers. Kiaras tendency to viciously lash out when she is angry or frustrated has finally gotten her kicked out of eighth grade. She finds companionship, of a sort, in a sweet, scruffy, young new neighbor and his fiercely protective big brother, Chad, who is as prickly and secretive as they come. As it turns out, Chad has plenty to hide. There is a drunken suicide attempt, and Chad has both bleeding internal burns from the meth lab his parents are running and external wounds from years of abuse. Meanwhile, Kiaras talent with a video camera gives her a measure of pride to place against a self-image hammered by twin convictions that she has been abandoned by her mother, and is a genetic mistake caused by her dads chemo. Kiaras graphic, matter-of-fact descriptions after a climactic explosion in the lab add further stomach-churning intensity to her narrative. Though the author leaves Kiara and Chad in better places than they were, both are still wounded and facing steep personal challenges. A harrowing read. Grades 7-10. --John Peters; Title: Rogue | [
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15,762 | 0 | Gr 58Growing up in Depression-era Chicago, Esther desperately wants her immigrant mother to be more affectionate. Faced with her father's job loss, the family moves to a small farm in Wisconsin to start over. Esther welcomes the adventure to be had in this new life-a dog, a good friend, and especially the chance to be like the pioneers. Embracing a home without electricity or running water doesn't daunt her mother and Esther hopes that by emulating that fortitude, she will earn her mother's love and warmth. It takes losing the farm and a serious illness for Esther to realize that her mother does, in fact, love her and her acts of affection may not be found in words or hugs, but rather the way in which she uses her superstitions to protect and guide her family. Told over the course of a year, the story triumphs in its small vignettes. Esther's relationship with her siblings, however, has little depth, and while the ups and downs of life on a farm are poignant, there is more telling than showing. Though the ending resolves the story neatly, it does not build to a truly satisfying conclusion. Still, readers who enjoy historical fiction or mother/daughter relationship stories may enjoy this quiet tale.Beth Dobson, Weatherly Heights Elementary School, Huntsville, ALWhen Depression-era hard times send Esthers family from their Chicago home to try their luck on a small Wisconsin farm, the 10-year-old learns that there are many ways people show love. Esthers mother never hugs or kisses her. Does she even love her? Over the course of their year in the country, Esther tries desperately to be a good daughter, but the practical realities of their near-pioneer life (no electricity or running water) leave her mother little time to notice. And while the bookish child admires her fearful mothers ability to read signs, she cant bring herself to give up her new friend Bethany, even if her mother says the girl was marked by angry fairies. Eventually, Esther finds much to enjoy in her new farm life. Debut author Rosengren weaves plenty of Old World superstitions into her heartwarming story, contrasting those who fear the future with those who embrace it. Esthers positive attitude offers a fine model for readers of this engaging historical fiction. Grades 4-7. --Kathleen Isaacs; Title: What the Moon Said | [
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15,763 | 2 | PreS-KIn this sequel to Maple (Putnam, 2014), Willow is now a toddler. Close friends, the sisters make leaf angels in autumn, cuddle at night, and play hide-and-seek. Willow's early counting skills frustrate her big sister but sparks don't fly until there's a push-and-shout disagreement about the fate of their dandelions. After the two are separated, things get boring, so they exchange apology gifts across the hall, embrace compromise, and then return to their merry routine of daily life. Digitally colored pencil on Mylar drawings balance dainty lines in spare scenes of varying perspective and palette. Nichols keeps her tale blissfully simple to complement the youngsters' antics.Gay Lynn Van Vleck, Henrico County Library, Glen Allen, VA* “Raw, real, and easily imagined by any child who's finally had enough from a close friend, classmate, sister, brother (or even mommy or daddy). Sisterly love abides, of course. . . . Strong sibling bonds are perfectly described through spare language and artwork as lush as a forest of maple and willow trees.” — Kirkus Reviews, STARRED REVIEW* "Paean to sisterhood. . . . The story is delightfully recognizable, especially to sisters, and is matched by marvelous pencil artwork . . . Nichols is clever enough to build the sisters' subtle differences, so their breakup comes from somewhere. Children will feel all that the girls do: love, anger, and the happiness that comes with making up." — Booklist, STARRED REVIEW; Title: Maple & Willow Together | [
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15,764 | 2 | PreS-Gr 1The dramatic changes characteristic of deciduous trees have provided material for authors with personalities as diverse as Janice Udry, Carin Berger, and Shel Silverstein. Long chooses the anthropomorphic route for his simple fable. Little Tree, a young oak, is surrounded by other varieties in the forest. It is a happy life; squirrels frolic and the dove sings "her flutey song" in his branches. When autumn arrives, the sapling does not want to drop his leaves, despite the advice of woodland creatures. He holds onto his brown appendages for many years. It is not until he can no longer feel the sun or hear the birds, that he decides to let go. Long's acrylic, ink, and pencil scenes are presented in pleasing, uncluttered compositions against an abundance of white space; they mirror the straightforward text precisely. Young children will be able to follow the passage of time through the changing colors and sizes of the trees, until the verdant canopy bleeds off the pages during the conclusion. Even though the protagonist was much smaller than his peers during his existential crisis, he ultimately reaches their height. Late bloomers may be relieved at the story's implied message, while others will feel unsatisfied that this departure simply ends at the same destination. VERDICT This gentle story works as a seasonal primer for the very young, but those with more experience may express incredulity at the length of time the tree hangs on andafter all thatthe low-key situation motivating his change of heart.Wendy Lukehart, District of Columbia Public Library* "The illustrations are beautifully rendered . . . Understated and inviting, young readers will be entranced by Little Trees difficultbut ultimately rewarding journey."Booklist, starred review"Longs gentle but powerful story about a young tree who holds tight to his leaves, even as everyone else lets theirs drop, takes on nothing less than the pain and sorrow of growing up. Season after season, Little Tree clings to his brown-leaved self until he can take a leap and shed his protection. He feels the harsh cold of winter, but soon grows tall and green, and its not bad at all. As in Longs unaccountably profound books about Otis the tractor, a pure white background somehow adds to the depth."The New York Times Book Review* "[Long's] willingness to take his time and even test the audiences patience with his arboreal heros intransigence results in an ending thats both a big relief and an authentic triumph. Longs earnest-eloquent narrative voice and distilled, single-plane drawings, both reminiscent of an allegorical pageant, acknowledge the reality of the struggle while offering the promise of brighter days ahead."Publishers Weekly, starred review"Long is sparing with the text, keeping it simple and beautifully descriptive. Brilliantly colored illustrations done in acrylic, ink, and pencil stand out on bright white pages, with Little Tree taking the center position in each double-page spread. Tender and gentle and altogether lovely."Kirkus Reviews"Children will see the tree facing the scariness of change; adult readers may well feel wistful as the story underscores the need to let their babies grow toward independence.Beautiful. Grade: A"Cleveland Plain Dealer; Title: Little Tree | [
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15,765 | 2 | PreS-KMama's many baby penguins watch and learn all week long as she models proper penguin behavior and teaches necessary skills. Her exuberant brood reassure her that she will always be their mama, no matter how big and skillful they get. This heartwarming family story is told in simple language, appropriate for a preschool read-aloud, while mixing in some harder vocabulary ("Thursday was preening practice. Nobody liked preening practice"). Guion's watercolor and pencil illustrations perfectly accompany the text, using icy blues and small splashes of color against crisp white backgrounds. The babies are full of personality, while the expression on Mama's face ranges from good-natured patience to a look during Saturday squawking that will be familiar to parents and teachers everywhere. Elementary schools and public libraries should add this lovely confection to their collections, especially where Guion's Baby Penguins Everywhere! (Philomel, 2012) is popular.Rebecca Dash Donsky, New York Public LibraryMama Penguin and her waddle of baby penguins are always busy, with classes every day of the week: swimming on Monday, sliding on Tuesday, preening on Thursday. A mothers job is never done, until Sunday, that is, when she gets to take a long nap. Mama Penguin is proud of her diligent brood, and she looks forward to the day when they are as adept at penguin skills as she is. When one suggests that they might eventually be better than she is, this leaves her at a loss. What will her purpose be then? The answer is cute and heartfelt, and it will be much appreciated on Mothers Day. Guions companion to Baby Penguins Everywhere! (2012) has a message that should resonate with parents who find themselves at the mercy of their childrens busy schedules. Although the penguins are rendered in blacks and grays, the watercolors stand out against the copious white space (courtesy of Antarctica), in a style reminiscent of Oliver Jeffers. Because of the many baby penguins, there is lots to notice in the illustrations. A sweet book with broad appeal. Preschool-Grade 1. --Kara Dean; Title: Baby Penguins Love their Mama | [
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15,766 | 2 | Praise for the OTIS:           *** “Long’s gouache and pencil artwork is stunning. . . the satisfying conclusion that speaks of a place for everyone is sure to ring true to children.” —School Library Journal on Otis, starred review ****** “The illustrations wonderfully enhance the story, from the joy of the animals prancing around the Christmas tree to Otis’ expressive responses to the events around him.” —Booklist on An Otis Christmas, starred review *** “Hearkens to the golden age of picture books, with a style and tone that recall the work of Virginia Lee Burton and Munro Leaf.” —Booklist on Otis and the Tornado “Fans of Otis will not be disappointed with the satisfying ending that results in a creative solution and a most happy reunion. Seek this out—“game on!” —Kirkus Reviews on Otis and the PuppyPraise for OTIS AND THE SCARECROW:"Otis the tractor’s goodhearted nature continues to shine in his fifth picture book."  –Publishers Weekly “Readers will enjoy this sixth tale of an admirable leader who does the right thing with quiet confidence.” –Booklist “Teachers will see the connection between the lonely scarecrow and the outsider in the classroom and will be able to find many uses for this volume in the curriculum. Fans will enjoy this more cerebral Otis and might build a little empathy along the way.” –Kirkus Reviews“Loren Long creates a perfect book for the beginning of the school year with "Otis and the Scarecrow."--Examiner.comLoren Long has putt puff puttedy chuffed his way all over the bestseller lists with such titles as Otis, Otis and the Tornado, Otis and the Puppy, An Otis Christmas, Drummer Boy, Toy Boat by Randall de Sève, and Mr. Peabody’s Apples by Madonna. He’s also had the opportunity to modernize the classic The Little Engine That Could by Watty Piper and had the distinct honor of illustrating Of Thee I Sing by President Barack Obama. A graduate of the American Academy of Art in Chicago, Loren lives in Ohio with his wife, Tracy, and their two sons.You can visit Loren Long at www.OtisTheTractor.com and www.LorenLong.com. Follow @lorenlong; Title: Otis and the Scarecrow | [
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15,767 | 1 | * "Nicholas's silliness and frustration will appeal to youngsters as will the simple message. A fun selection for storytime or one-on-one reading." -School Library Journal, starred review for Santa Duck"Quirky, funny story that will have both kids and adults laughing . . . Has the potential to become a read-it-over-and-over favorite."-Kirkus Reviews for Santa DuckBoth younger and older siblings will delight in the simple, goofy humor and appealing cartoon illustrations. . . . Put this title at the top of your Christmas list.School Library Journal for Santa Duck and His Merry HelpersGoofy and sweet holiday story. The upbeat ending . . . and the colorful cartoon illustrations will make this a crowd-pleaser.Booklist for Santa Duck and His Merry HelpersDavid Milgrim is the author and illustrator of numerous picture books, including Santa Duck and His Merry Helpers and under the pseudonym Ann Droyd, the bestselling Goodnight iPad. He lives in Northampton, Massachusetts.; Title: Santa Duck | [
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15,768 | 0 | Gr 46When her mother passes away, Reenie and her family go to live with her grandmother. To help her adjust, Reenie starts a paper route with her older brother Dare. As she begins to introduce herself to the people on her route, she meets a hermit named Mr. Marsworth. Slowly, the two become pen pals. When Reenie tells the elderly man that her older brother Billy wants to enlist to fight in the Vietnam War, Mr. Marsworth helps her concoct a plan to keep him home. Despite Reenie feeling more mature than a typical 11-year-old, O'Connor's characters are intriguing and easy to love. References to pop culture (the Beetles) and historical events (the assassination of Martin Luther King Jr.) are peppered throughout Reenie's letters. O'Connor also incorporates opposing attitudes toward the Vietnam War into the narrative. The plot is well developed and the author throws some interesting curve balls into the story that keep readers engaged and wanting more. However, the epistolary format may be a turn off for some students. VERDICT An easy addition to libraries where Gary D. Schmidt's Wednesday Wars is popular.Kira Moody, Salt Lake County Library ServicesPraise for Until Tomorrow Mr. Marsworth:Indie Next Pick MIBA Midwest Connections PickMoving and thought-provoking. Kirkus Reviews This historical novel doesnt shy away from hard truths about war and life, so keep a Kleenex box handy as you read it...an excellent choice for a class read-aloud. School Library ConnectionOConnors characters are intriguing and easy to love and [she] throws some interesting curve balls into the story that keep readers engaged and wanting more. School Library JournalThe remarkable relationship between Reenie and Mr. Marsworth shines, as do the larger historical insights and the books resonant themes of pacifism and patriotism. Publishers WeeklyBeautifully renderedThis is a sweet story about a girl trying to save her brother from the draft. But it is also a significant historical tale about war, bullies, peace, friendship and family.Star Tribune"The small town setting hits just the right note and perfectly illustrates the tension and division of the era. This is a most satisfying read and a worthy addition to young adult libraries."VOYAIn this heartwarming piece of historical fiction, critically acclaimed author Sheila OConnor delivers a tale of devotion, sacrifice, and family.The Childrens Book Review; Title: Until Tomorrow, Mr. Marsworth | [
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15,769 | 2 | John Flanagan(www.WorldofJohnFlanagan.com)grew up in Sydney, Australia, hoping to be a writer, and after a successful career in advertising and television, he began writing a series of short stories for his son, Michael, in order to encourage him to read. Those stories would eventually becomeThe Ruins of Gorlan, Book 1 of the Rangers Apprentice epic. Together with his companion series, Brotherband Chronicles, the novels of John Flanagan have sold millions of copies and made readers of kids the world over.Mr. Flanagan lives in the suburb of Mosman, Australia, with his wife. In addition to their son, they have two grown daughters and four grandsons.Chapter One The heavy-set man came at Stig with a rush. His arms were held out ahead of him as if ready for an embrace, his fingers curled and ready to grip. He was taller than Stig, and perhaps twelve kilograms heavier. His chest and upper body were thickly muscled. Stig could see a light sheen of oil covering his arms, and he had time to think that this was not quite in the spirit of the contest. He braced himself, and their two bodies came together with a solid WHUMP of flesh meeting flesh. If his attacker had hoped to drive the wind out of Stig with the impact, his aim was thwarted. The young warrior had tensed his muscles ready for the hit. He stepped back half a pace, but otherwise remained steady. Let him come to you, Thorn had told him. See what hes got before you start. What he had was not particularly skillful or unexpected. He wrapped his arms around Stigs waist in a clumsy bear hug and, beginning to lean back, attempted to lift him off the ground, so that he could apply pressure to the kidneys and lungs as Stig hung helpless in his embrace. But Stig wasnt ready to be helplessand hed watched the man use this very tactic in a previous bout. As he felt the mans arms wrap around him, and was drawn in tight against him, Stig rammed his right hand, palm open, under the mans chin, locking his elbow tightly in a right angle and supporting his right arm with his left hand. The arm formed a rigid, unyielding barrier against the mans attempts to lift Stigs feet off the sand of the arena. In effect, as long as Stig could keep his right arm locked, the man was trying to lift himself off the ground along with his opponent. The larger man grunted with the effort, trying to twist his chin away from Stigs iron grip. But Stig maintained the pressure and his opponent was caught in a stalemate. The more he heaved and strained, the more he exhausted himself. Yet he lacked the imagination or speed of thought to change the tactic. It had always worked for him before. It should work for him now. Except, in previous bouts, his opponents hadnt been ready for the hold. And if they were, they had no effective counter to it. The man tried to gather his strength for one last, superhuman effort to lift his rock-steady opponent off the ground. As he did so, he inadvertently released the pressure of his bear hug, expecting to resume it with even greater force. But Stig felt the momentary easing of pressure. In fact, hed been expecting it. As the grip around his waist weakened, he released his hold on the other mans chin and spun in his grip so that his back was to him. He rammed his backside into the mans lower body to gain a little room, felt the hug release even further, then hurled himself backward, taking his opponent with him as they crashed to the sand, Stig on top, the force of the fall driving the breath from the bigger mans lungs with an explosive gasp. The mans grip released as he struggled for air, and Stig swiftly rolled clear and leapt to his feet, crouching, hands held out ahead of him, arms bent in a classic wrestlers pose. For a second, he considered hurling himself onto the other man to pin him. But he could see it wasnt quite time for that yet. There was one fall in these bouts and he knew he had to pick his time exactly for the ploy to be successful. If he went too early, he risked the heavier man throwing him off and pinning Stig in his turn. He had to be properly incapacitated before Stig could risk coming to close quarters on the ground. Slowly, the other man came to his feet, eyeing Stig warily. So far, this bout hadnt gone anywhere like the way he had planned it. The younger, slimmer man was virtually unscathed. He had countered his most effective move easily, then sent him crashing to the sand in a rib-bruising fall. For a few seconds, they faced each other. Then, as if by some prearranged signal, they hurled themselves at each other. Stig took a firm grip of the mans shirt around the shoulders and shoved mightily against him. Instinctively, his opponent returned the shove, and in that instant, Stig gave way before him, stepping back with his left foot and dragging the other man after him. In the same movement, he brought his right foot up into the mans stomach and rolled backward. His opponent followed him, still propelled by the momentum of his return shove against Stig. Stig, his back curved, fell smoothly to the sand, his hands gripping the other mans shirt and his right foot buried in his stomach, knee bent. As he rolled backward, Stig straightened his right knee in a violent movement, bringing his left leg up to assist the right in thrusting his opponent high into the air above him. At the same time, he maintained his grip on the shirt, so that as Stigs legs propelled his opponent through an arc overhead, his hands kept his upper body from following. At the last moment, Stig released his grip, and the other man flipped in the air, soared several meters and crashed heavily onto his back. Again, there was that explosive whump of expelled air, as the recently regained breath was driven out once more. Stig rolled onto his hands and knees and sprang to his feet like a cat. This time, he realized that the other man was totally winded, after suffering two heavy impacts in quick succession. His opponent gagged and gasped as he struggled to fill his lungs with air, but before he could manage an inward breath, Stig pounced on him, lying across his upper body and pinning him to the ground. The bouts referee, who had been watching with keen interest, fell to his hands and knees to check the mans shoulders, saw they were flat to the sand and slammed his hand down rapidly twice. One! Two! Pinned! he yelled. Stig drew back, coming to his knees, then his feet, and leaned down to offer his opponent a hand. Bad luck, Oren, he said as the other man came to his feet, still breathing heavily. Oren shook his head ruefully. Bad luck nothing, he said. You were too quick for me. Too quick and too smart. Stig shrugged. Not sure about smart. Oren wiped the sand from his face with the back of his hand. Well, you beat me fair and square, he said, not sounding overly pleased with the fact. That puts you in the lead, doesnt it? They were competing in the Maktig competition, the annual contest to crown the Maktig, or the Mighty One, in a series of physical contests. There were two events to goa foot race over five kilometers, which Stig was favored to win, and a mock combat, where he was ranked second or first, depending on which wager-master you were laying a bet with. The fact was, Stig hadnt been expected to win the final leg of the wrestling event. Oren was bigger, heavier and stronger than he was. The unexpected win put Stig in an almost unassailable position. If he won the foot race, as everyone expected, the result of the mock combat would be immaterial. He was almost certain to come in second or third in that event and that would be enough for him to maintain his lead. I think it does, Stig agreed. Oren nodded several times. Well, good luck. At least then I can say I was beaten by the winner. Thats something. He raised a hand in farewell and turned away, limping slightly as the bruised and strained muscles in his back made themselves felt. Stig felt a hand on his shoulder and turned to see the smiling face of his best friend and brotherband leader, Hal. Well done, Hal told him. Stig grinned. He knew how important it had been that he should win the wrestling, against all expectations. Oh, it was nothing, he said lightly, then, seeing Thorns bearded face over Hals shoulder, he let the grin fade. Thanks for the tip about the rigid right elbow, Thorn, he said. That caught him by surprise. Thorn shrugged. It shouldnt have. Hes been using that bear hug throughout the tournament. He should have guessed someone would come up with a counter to it. Well, nobody else did. So thanks again. Thorn nodded in acknowledgment. That throw was neatly executed, he said. Been practicing that, have you? Hal answered before his friend could, rubbing the center of his back with his right hand. He certainly has, he said in heartfelt tones. Hes been hurling me all over the field behind Mams place. I havent got a square centimeter that isnt bruised. Thorn made a little moue of surprise. Is that so? he said. I never saw you. Stig picked up his jacket and draped it around his shoulders. Now that the contest was over and the shadows were lengthening, there was a chill in the air. We practiced at night, he said. Thought it might not be a good idea to let people see it in advance. Thorn rubbed the side of his nose and regarded the young warrior with new respect. Thats smart. It seems youre learning that the Maktig isnt just the strongest and fastest. There are brains involved as well. Stig looked bashful at the words. Well, it was Hals idea. Not mine. Thorn grinned. That figures, he said. Then he clapped Stig on the shoulder. Being Maktig also means having smart friends. The three of them laughed as they began to walk toward the fence enclosing the wrestling ground. Well, said Hal, Id better get down to the beach to tell the crew the good news. They didnt want to watch? Stig said, smiling. They thought Id lose, didnt they? Now that hed won, he could afford to smile. Hal hesitated awkwardly. Its not that. They had work to do. Heron needs repainting where that fishing boat hit us last week, so I thought they might as well repaint the entire hull. And aside from that, they didnt think Id win, did they? Stig persisted. Hal allowed himself a small grin. No. They didnt. But theyll be glad to hear they were wrong. Will you come by my house later? Stig asked. We should celebrate. Hal gave a disappointed shrug. Well celebrate tomorrow. I have to appear before the Navigators Guild this evening. They want to discuss our last voyage. Stigs cheerful look faded. Should I come along? After all, Im your first mate. But Hal was already shaking his head. Best if you keep clear of it, he said. If things turn nasty, I dont want you involved. Nasty? Why should things turn nasty? Stig asked. Hal made an indefinite gesture with his hands. There are some old-fashioned thinkers in the guild. They think I should have kept better notes on the voyage. Or any notes at all, come to that, he added. He grinned as he said it, but Stig noticed that the grin didnt reach his eyes. Dont concern yourself about it, Stig, Thorn interjected. Im going with him, and if necessary Ill straighten out some of those fuddy-duddies. He brandished the heavy, polished wooden hook on the end of his right arm. Ill crack a few skulls if I have to. Hal put a hand on Thorns forearm, restraining the threatening hook. Im sure it wont be necessary. Thorn grunted. Mores the pity, he replied.; Title: The Caldera (The Brotherband Chronicles) | [
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15,770 | 13 | Gr 3-5In the third book in this charming series, fourth-grader Penelope Crumb has enjoyed thinking she is the Favorite of Grandpa Felix, her mom, and best friend Patsy Cline, but maybe she's caught the Bad Luck it's a lot like catching the stomach flu. Grandpa has asked her brother Terrence Terrible to help with a photography shoot, her mom says that moms don't have Favorites, and Patsy has been spending time with Vera Bogg. When Penelope has the chance to be in charge of a Mother Goose mural her class is painting for a home for the aged, she jumps at the opportunity, thinking it will make her everyone's Favorite. But the project doesn't go according to plan, and when she befriends an old woman at the home who promises to help find her luck, things take a turn for the worse. Penelope and her classmates must learn to work together to finish the project before the unveiling party, and she learns that being the Favorite is less important than being loved. Black-and-white line drawings help bring out Penelope Crumb's quirky and endearing personality. Fans of Clementine and Ramona Quimby will feel right at home with her.Sarah Polace, Cuyahoga Public Library System, OH(c) Copyright 2013. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.Fourth-grader Penelope still cant control herself all the time, mainly because other people (her teacher, her former best friend, et al.) and life itself dont seem to be under her firm control. In the third installment of Stouts Penelope Crumb series, Penelope wrestles with good luck, bad luck, and her need to be someones All-Time Favorite. Halfway through the book, she has managed to alienate nearly everyone she knows (including, of course, the teen brother she says has been replaced by an alien), but Stout skillfully shows how people recover from misunderstandings, disagreements, and even a run of bad luck. Docampos illustrations provide a sweet counterpoint to Penelopes amusingly prickly personality. Grades 3-5. --Abby Nolan; Title: Penelope Crumb Finds Her Luck | [
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15,771 | 2 | PreS-Gr 2Longtime fans and newbies alike will enjoy Otis the tractor's latest adventure. It's a particularly hot and dry summer in the valley. Otis and his animal friends work hard on the farm, but they still have time for their favorite game, tug-of-war. Their tugging skills save the day when Otis is trapped in a burning barn while rescuing a litter of helpless, big-eyed kittens. As always, perseverance, teamwork, and a heart of gold pay off for Otis and his friends. When read aloud, the text flows off the tongue with sounds ("putt puff putted chuff") and words ("The floor collapsed and Otis plunged to the darkness below") that extend the imagery created in the attractive gouache and pencil illustrations. The compositions make great use of perspective and motion and are expertly laid out to pull the eye to the important characters and action. The painterly images use a nostalgic palette of grays, creamy yellows, rusty oranges, and Otis's signature tractor red. There are wonderful textured details (scratchy straw, smooth chrome) that bring the story to life. VERDICT This first purchase is the perfect lapsit read-aloud, combining the ever-popular subjects of tractors, farm animals, and firefighters.Amy Seto Forrester, Denver Public Library* "As always, perseverance, teamwork, and a heart of gold pay off for Otis and his friends. When read aloud, the text flows off the tongue with sounds and words that extend the imagery created in the attractive gouache and pencil illustrations. The compositions make great use of perspective and motion and are expertly laid out . . . There are wonderful textured details that bring the story to life. [T]he perfect lapsit read-aloud, combining the ever-popular subjects of tractors, farm animals, and firefighters."--School Library Journal, STARRED REVIEW"Long's seventh bucolic tale of an antique tractor with a smiling face and a good heart will please the little chuffer's many fans. The dynamic, fluid illustrations with a retro-rural vibe bring to mind Norman Rockwell's America with a Saturday comics spin. The theme of teamwork played out several times through the tale is communicated as simply as the tale itself. Keep on puffin', Otis!"--Kirkus Reviews"Long creates a powerful sense of suspense and danger as charcoal smoke gathers in the sky and bright flames lick the beams of the barn as Otis goes to work, but bravery, loyalty, and gritty determination are the real stars of the storytraits that Otis and his animal friends have in ample supply."--Publishers Weekly; Title: Otis and The Kittens | [
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15,772 | 0 | Praise for The Conjurer's Riddle:"This is classic steampunk [with] exotic and picturesque locales, lots of interesting machinery, and the adrenaline rush of following the adventures of an honest and fearless heroine. A suitably swashbuckling sequel."--Kirkus Reviews"This invigorating series neatly fits into the sagacategory, with loads of adventure, lots of explosions, plenty of pirates, and still some pages left forromance. The dramatic ending sweeps readers right toward the next book."--Booklist"Fans will enjoy seeing Charlotte take on a more serious role as she faces multiple factions while forging her own path."--VOYAPraise for The Inventor's Secret:* "Cremer...creates an inventive blend of steampunk and alternative history in this new series. She gives readers a fantastical world with mechanical wonders and an opulent vintage setting. The characters are interesting and well developed. Readers will be drawn to future installments."--VOYA, starred review"[A]n entertaining romp in a richly imaginative setting."--Kirkus ReviewsAndrea Cremer is the internationally bestselling author of the Nightshade series, which includesNightshade, Wolfsbane, Bloodrose, Snakeroot, RiftandRise. She is also the author of the Inventor's Secret series, and ofInvisibility,which she co-wrote with David Levithan. She lives in Claremont, CA.You can visit her online at www.AndreaCremer.com or follow her on Twitter @andreacremer.; Title: The Conjurer's Riddle (The Inventor's Secret) | [
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15,773 | 2 | Gr 58Following the death of one of her mothers, Mama Lacy, 12-year-old Fella is ripped from the only other parent she has ever known, Mama Shannon, and her 16-year-old sister, Zoey Grace, aka Zany. Fella is forced to move in with her grandmother Mrs. Madison, who has never approved of the relationship between her daughter, the more serious Mama Lacy, and the free-spirited Mama Shannon. When Zany shows up in the middle of the night, whisking away Fella and Mrs. Madison's stowaway poodle, Haberdashery, they set off on a misadventure of epic proportions. Zany is steadfastly determined that she and Fella return to Asheville, NC, to honor Mama Lacy's dying wish that her ashes be scattered there. In the span of a night, what can go wrong doesthe girls lose (and find) the ash-filled urn and accept a ride with a would-be thief, and the dog is hit by a carbut nothing will stop them in their pursuit to tie together the last shreds of their torn-apart family. Many poor decisions are made during the journey, such as taking a ride with a stranger. While searching for the girls, Mama Shannon and Mrs. Madison come to realize they have more in common than they think, and they begin to understand the importance of putting aside their own grief when making family decisions. Dooley makes readers stop and think about what really constitutes a family and whether laws should ultimately define those parameters. VERDICT Poignantly told with verve and a splash of humor, this novel explores sensitive topics with care and belongs in all middle grade collections.Michele Shaw, Quail Run Elementary School, San Ramon, CAPraise for Ashes to Asheville:A School Library Journal Best Book of 2017A 2018 ALSC Childrens Notable2018 Rainbow List BookA 2019 Intermediate Sequoya Master List Pick Dooleys portrait of two sisters still struggling with grief and huge life changes makes for a powerful, absorbing read. . . . A tender, touching, and timely read.Booklist, starred review Dooley (Free Verse) skillfully balances the troubling story of a family torn apart with Fellas lively, humorous narrative . . . in this moving, entertaining, and thought-provoking tale.Publishers Weekly, starred review Poignantly told with verve and a splash of humor, this novel explores sensitive topics with care and belongs in all middle grade collections.School Library Journal, starred review Dooley packs plenty of emotion into this eventful road trip . . . Breathless and engaging, Fella's distinctive voice is convincingly childlike.Kirkus ReviewsA warm tale of family possibilities after bereavement.BCCBSome books can sweep you away in the first sentence.NPRIn her exquisite, poignant novel, Sarah Dooley (Free Verse; Body of Water) explores the strange places grief takes people.Shelf Awareness[A] believable, touching story of loss and healing.VOYA Praise forFree Verse: Dooley subtly exposes readers to poetic forms that invite engagement, understanding, and expression, while Sasha and her extended family are depicted with a sweetness reminiscent of Cynthia Rylanta southern soulfulness that is warm even as it reveals the downtrodden struggles of a mining community.Booklist,starred review The changes in [Sashas] life, the anguish she feels, and her journey forward are expertly portrayed through Dooleys use of first-person narration, which is sensitive and gentle without being soft or sentimental.The poetry is wonderful and feels authentic to Sashas yearsSchool Library Journal,starred review In thisgripping story, Dooley balances a clear-eyed depiction of families wrestling with addiction, financial stress, and trauma with theastonishing resilience of childrenand thehuman capacity for love.Publishers Weekly, starred review Sarah Dooley mixes poetry and prose topowerful, poignant effectin her novel Free Verse... This storybrims with hard-won insightinto the travails and small joys of life.The Washington Post Sasha is a natural with words. They bubble out of her, spilling emotions onto paper that she couldnt otherwise articulate. And as she experiments with different forms, Sasha discovers poetrys double blessing: The structure stabilizes her, while the creativity sets her free.The Christian Science Monitor The storymounts a quiet defense of the nobility of broken people who hold on when all seems lost and sacrifice much out of love for their children. Sashas quietly moving poems trace the evolution of her appreciation for what she has and her understanding that one must find ones own way to wholeness after loss.The Bulletin of the Center for Children's Books Dooley cleverly weaves into her novel different verse forms giving her protagonist poet the courage to stay put long enough to let the strength of her emotions settle inside. Dooleywinningly combines engaging plot twists and rich character developmentwith the introspective and thematic power of poetry:not to be missed.Kirkus Reviews Dooley shows readers the richness of small-town lifeTween fans of realistic fiction will find depth in this novel.VOYA Sasha lives in a tough coal mining world, and the hurts of her losses are deep. But her ability to see the beautiful and the lovely and the goodness of the world around her is equally deep, and her skill in expressing that depth is one of the things that will save her.This novel is a triumph of art over loss, a story that will make you believe in the capacities of poetry.Gary Schmidt, author of Newbery Honor-winningThe Wednesday Wars Free Verseis exactly the sort of thing that we wish we saw more of in young peoples literature, and Sarah Dooley is exactly the sort of author who needs and deserves this fellowship. It is a startling book, surprising at every turn, and its exploration of poverty, trauma, and lossdeserves to be read by as wide an audience as possible.Daniel Handler, Lyn Miller-Lachmann, Neal Shusterman, and Susanna Reich, judges for the 2012 PEN/Phyllis Naylor fellowship; Title: Ashes to Asheville | [
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15,774 | 11 | K-Gr 3-Otis is back, this time anticipating Christmas and the birth of a new foal. To add to his excitement, he receives a new horn, his first Christmas present ever. His joy is short-lived, however, when, in the middle of a snowy night, he overhears that the mare is sick: "We need Doc Baker out here tonight or we'll lose 'em both!" When the farmhand sent to get Doc plunges into a snowdrift during the raging storm, Otis, as always, comes to the rescue, setting out "with snow up to his chin." He gets lost in the woods only to discover that he is perched on the precipice of a hill. Bravely heading down a steep, slippery branch, he reaches the doctor's house, alerts him with his horn, and brings him back to save the day. The grayish-blue hues that predominate in Long's lovely, large-framed illustrations create a sense of cold stillness. Executed in gouache and pencil, they depict the red tractor in sharp contrast to countryside and woods blanketed in deep snow. There are few surprises here, and the tree branch jutting from the hill seems forced. Traveling down the branch leads Otis a bit too conveniently almost to Doc Baker's door. Otis's fans may turn to this one, but it is an additional purchase.-Marianne Saccardi, formerly at Norwalk Community College, CT(c) Copyright 2013. Library Journal. LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.*Starred Review* Otis the tractor returns in a Christmas story of courage and friendship set during a terrible snowstorm at the farm. When the mares labor becomes difficult on Christmas Eve, a vet is neededbut the truck is stuck in a snowdrift. Otis makes a brave decision: hell get Doc. Plowing through the woods on a rescue mission, he finds himself on a difficult path. Longs text conveys not just the danger, treacherous, slippery, but also Otis effort, putt puff puttedy chuff. But how will he wake Doc in the middle of the night? The farmers Christmas gift, a shiny new horn, will do the trick. The illustrations wonderfully enhance the story, from the joy of the animals prancing around the Christmas tree to Otis expressive response to the events around him: pride in his gift, concern for his friend, determination to arrive at his destination. Highlighting the always changing perspective, aerial scenes give readers a sense of the big, snowy picture, and close-ups show the farmers concern. Longs palette reflects the coldness and heaviness of the snow, and then lightness as the farmer prays for a miracle. The view into the barn door, once all is well, is reminiscent of another barn birth, and the text reads, Well, would you look at that! That sums things up nicely. Preschool-Grade 1. --Edie Ching; Title: An Otis Christmas | [
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15,775 | 13 | K-Gr 3Otto loves to read books: specifically, he adores poetry. He is ridiculed by the other owls of the forest but finds a friend in an unlikely character, a mouse. Eventually the owls come to appreciate his recitations and begin to share poems as well. This book weaves in snippets of verse from such greats as T.S. Eliot, Robert Louis Stevenson, and Christina Rossetti. Unfortunately, the concept for this story is much more engaging than the actual execution. The text seems to jump from one topic to the next, and the message feels forced and awkward. Suggest Paul B. Janeczko's Firefly July: A Year of Very Short Poems (Candlewick, 2014) for a stronger introduction to the wonders of nature and the voices of profound poets. The mixed-media artwork uses inviting tones of blue, black, and brown, but the cartoonish owl and mice seem misplaced when set against the beatutiful sky and tree backgrounds.Andy Plemmons, David C. Barrow Elementary, Athens, GAThe mixed-media illustrations, conveying the forests dark tones contrasted with the cartoonlike, golden Otto, are lovely, and there is a nice message of self-acceptance.BooklistA quiet, charming story. . . . Kouskys mixed media illustrations are comical yet endearing, and add zip to the story. This tale would be good to use when discussing individuality, courage, or perseverance; as well as making a pleasant tie-in to a poetry unit. It would make a good read-aloud or sharing one-on-one.School Library Connection; Title: Otto the Owl Who Loved Poetry | [
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15,776 | 15 | Like Goulds Why You Shouldnt Eat Your Boogers (2013), this is a young-reader version of a similarly titled adult book. It leaves out chapters on sexual topics and some of the rawer content . . . but, no fears, theres still plenty left to astonish and disgust. In a Q&A format, the authors introduce such memorable creatures as the aptly named Dracula ant, a parrot that was the last speaker of an indigenous language in Venezuela, and a gallery of projectile power pooers that includes penguins and hornbills. They also present dozens of animal offensive and defensive strategies (In tests, the western hooknose snakes were found to fart only when threatened) and offer speculative but well-reasoned answers for some of natures unsolved mysteries, such as the titular canine practice. Simply drawn cartoon critters in chapter openings and preview pages (Coming up: babies who eat their moms), along with the lack of back matter, signal this is intended strictly for recreational browsingbut who wouldnt benefit from knowing that turning a shark upside down will stun it, or that crocodiles will retreat when poked in the eye? Grades 1-4. --John PetersFrancesca Gould teaches anatomy and pysiology to students studying health-realated subjects. She has been asked many odd questions in her day. Francesca lives in Bristol, England.David Haviland is a journalist, ghostwriter, and editor. He lives in England.; Title: Why Dogs Eat Poop: Gross but True Things You Never Knew About Animals | [
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15,777 | 7 | Lance McKendrick plans to avenge his familys death at the hands of supervillain Slaughter, but first he has to deal with powerful telepath Max Dalton. Lance has long suspected him of using his abilities for more than people realize, and he isnt convinced that Max is as heroic or altruistic as he seems. Familiar characters from the Super Human series make brief appearances, but this fourth entry is about the notably unsuper but nonetheless wily Lance and his attempts to escape from Maxs control. Getting inside the mind of a con man isnt easy, and by design Carroll keeps readers at arms length from Lance as he ages him from 14 to 27 years, focusing on action rather than self-reflection. A flurry of odd jobs (including time in a carnival), a brief romantic fling, and an intriguing epilogue make this appealing to all sorts of readers, and as always, Carroll delivers a super story. Grades 6-9. --Cindy WelchPraise forHUNTERNo one writes superheroes as good as Michael Carroll. With Hunter, Michael takes his flawed, all-too-human superheroes to the next level. One of my favorite series.Michael Scott, author of The Secrets of the Immortal Nicholas Flamel series[Hunter] is fast paced, exciting, andextremely difficult to put down . . . its unexpected,jaw-droppingending guarantees anticipation for the next entry."VOYA"A flurry of odd jobs (including time in a carnival), a brief romantic fling, and an intriguing epilogue make this appealing to all sorts of readers, and as always, Carroll delivers a super story."Booklist; Title: Hunter (Super Human) | [
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15,778 | 2 | PreS-Gr 2A boy describes his devoted affection for a friend with whom he plays, dances, and shares secrets. Then she moves away, and he is all alone. He misses her terribly and vows to find her. Readers will cheer his bravery as he crosses a swift river, climbs over a steep mountain, and travels through a dewy meadow and shadowy forest to find her. Ultimately, he stumbles across a flower garden. With a bouquet in hand, he finds his friend, reunites with her and (playfully) marries her. Both are humorously shown in oversize adult apparel, holding hands. The concluding page shows a scanned photograph, taken in 1932, of the author and a long-lost friend at age three. This story of love and determination is illustrated with Carle's extraordinary signature artwork. Layers of tissue paper and acrylic paint create a unique blend of colorful images. For anyone who would cross rivers and scale mountains for a beloved friend, this warmhearted story will create an emotional response. Young readers will learn the value of friendship and its many challenges.Krista Welz, The North Bergen Public Library, NJ(c) Copyright 2013. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.A boys best friend moves away, but he is determined to find her. After swimming across a wide river, he falls asleep under the stars. He walks across a broad meadow and through the rain. He falls asleep and dreams of floating on a cloud. Awakening in a deep forest, the frightened boy runs until he reaches a garden, where he gathers flowers and gives them to . . . his friend. They play together. They get married. Its an odd, dreamlike story for a picture book, yet the artwork is strong and unmistakably Carles, created with painted tissue papers, usually as collage elements. The children appear only in the books beginning and ending sections; in between, seven double-page spreads illustrate the story of the boys travels, without any human figures. Often dynamic and quite beautiful, these colorful illustrations of the river, the meadow, and so on are abstract in style and show up well from a distance. A picture-book tribute to the strength of childhood friendships. Preschool-Kindergarten. --Carolyn Phelan; Title: Friends | [
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15,779 | 2 | "Alone on a patch of ice, a penguin 'enjoy[s] the peace and quiet,' but then loneliness sets in. In a lucky twist of fate, a top hat akin to one a magician might wear drifts by, '[a]nd from that hat popped a little penguin!' But then, evoking the folkloric magic porridge pot, the hat ends up holding a seemingly endless succession of little penguins. 'Now the penguin wasn’t lonely anymore,' the text reports, and scenes of baby penguins frolicking about, making a snowman, playing with an array of rainbow-colored balls and a colorful string of scarves ensue. . . . [W]atercolor illustrations delight in the penguins’ sheer cuteness. A sweet picture-book treatment of penguins and parenting."—Kirkus Reviews — Kirkus Reviews"Guion's debut uses adorable penguins to salute the idea of taking time to recharge. . . They create instant, exuberant chaos, frolicking with scarves and waving their stumpy wings in the air. It's easy to enjoy their fun: Guion's forms are simple but expressive, and her spreads convey gentle excitement. . . Guion doesn't just explain to young readers why a parent might need an occasional break, she suggests that they, too, can listen for an inner voice that tells them they're in need of quiet time."--Publishers Weekly — Publishers Weekly"'Once there was a penguin…' begins this story of the joys and difficulties that come with parenthood. . . .  Superb composition leads readers from page to page, showcasing the birds’ antics. Spreads showing them playing in the snow, jumping rope, and tumbling are especially effective, and children will enjoy looking from group to group, discovering the variety of sports. This title can be used to talk about family, friends, and the occasional need to be alone."--School Library Journal — School Library Journal"A whimsical charmer about a great big fun-loving family."--Redbook magazineAuthor-illustrator Melissa Guion grew up in West Caldwell, New Jersey, and Baltimore, Maryland. Her first picture book, Baby Penguins Everywhere!, was selected for The Original Art 2012 by the Society of Illustrators. Melissa is also a writer for Tom Tom, the world’s only magazine dedicated to female drummers. She lives in Brooklyn, New York. You can visit Melissa Guion at www.melissaguion.com and follow her on Twitter @MelissaGuion.; Title: Baby Penguins Everywhere! | [
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15,780 | 2 | David Ezra Stein (www.davidezra.com) received a Caldecott Honor for Interrupting Chicken and the Ezra Jack Keats New Writer Award for Leaves. He also wrote and illustrated Ol' Mama Squirrel, Love, Mouserella and Pouch! He lives in Kew Gardens, New York.; Title: The Nice Book | [
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15,781 | 16 | PreSWhile exploring outside, a much-beloved city cat finds a comfortable couch on which to sleep. Unfortunately, this couch is on the bed of a pickup truck that starts to move, and the startled feline finds herself "cat napped." "Shake cat./Quake cat./There must be/some mistake cat." Realizing the danger, she jumps from the moving truck and injures her foot in the process. A kind woman takes her to the animal shelter, where the cat is soon reunited with her owner. Pencil, watercolor, and acrylic are digitally assembled into colorful illustrations that convey the plot and emotion of this satisfying lost-and-found story. The simple rhyming text makes this a quick read with great appeal.Laura Hunter, Mount Laurel Library, NJA girls pet cat curls up in a comfortable chair and goes to sleep. Unfortunately, the chair sits in the bed of a pickup truck, which starts up and drives away. Awakened by the motion, the cat watches its city neighborhood speeding past and finally jumps off, colliding with a trash can. A passerby takes the puss to an animal shelter, where someone bandages its injured leg. Meanwhile, the girl searches for her cat and, in the happy ending, takes it home. Telling the story with great economy and style, the restrained text uses repetition, rhythm, and rhyme very effectively. The mixed-media artwork, digitally combining pencil, watercolor, and acrylic elements, creates pleasing compositions while using white space very effectively. Readers who enjoyed Hernandezs Dog Gone! (2012), in which a boys dog runs away, will find this companion book just as satisfying. Preschool-Grade 3. --Carolyn Phelan; Title: Cat Napped | [
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15,782 | 2 | Lisa Bakos is a graduate of the University of California, Los Angeles, who enjoys writing childrens books when shes not taking care of her loving but slightly crazy family. Though she occasionally wakes up on the wrong side of the bed, she often has cold feet because she lives with an assortment of snugglers and a caboodle of cover hogs, including but not limited to her husband, three kids, three cats, two dogs, and one bird.Anna Raff is the illustrator of several books for children, including World Rat Day and A Big Surprise for Little Card. She lives and works in New York City, where, as of yet, no octopus has gained access to her sock drawer.; Title: The Wrong Side of the Bed | [
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15,783 | 15 | Gr 46Did you know that someone actually invented underwear that blocks the smell of farts? Or that, historically, there were some people who got paid to collect poop for scientists? Readers will learn these facts and more in this book that is part of a series that's ideal for reluctant readers. These engaging facts are objectively presented and interesting, while the layout is well done and simple to follow. The hilarious illustrations complement the text, adding a lighthearted tone. The author's writing style is clear, precise, and lively. Although the inclusion of a glossary, a pronunciation guide, and sources for more information would have been helpful, this title will still spark an interest in science in students. Readers will also enjoy the other two books in the series, Why You Shouldn't Eat Your Boogers (2008) and Why Dogs Eat Poop (2010, both Penguin). Recommended.Kira Moody, Whitmore Public Library, Salt Lake City, UTFrancesca Gould is an anatomy and physiology teacher as well as a writer. She lives in the United Kingdom. ; Title: Why Fish Fart: Gross but True Things You'll Wish You Didn't Know | [
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15,784 | 16 | PreS-Gr 1Clementine is an ordinary little girl except for one thingshe is so tiny that she bathes in a teacup and sleeps in a matchbox. Unfortunately, Santa doesn't seem to realize this and showers her with regular-size presents that are much too large for her. Finally, she leaves photos for Santa of herself playing with all of her giant presents (dancing on her xylophone, sleeping on the head of her stuffed bird), and Santa gives her the hugest and best gift of alla dollhouse just her size. There is something delightfully Eloise-like about Clementine's big head, loose-limbed body, and scraggly hair; young children will love watching her prance confidently and joyfully through a world that may be too big for her but seems just right nevertheless. VERDICT This refreshingly playful Christmas tale makes a fun read-aloud choice.Eva Mitnick, Los Angeles Public Library"There is something delightfully Eloise-like about Clementine...young children will love watching her prance confidently and joyfully through a world that may be too big for her but seems just right nevertheless."School Library Journal,Eva Mitnick, Los Angeles Public Library"Clementine proves the adage about good things coming in small packages."Kirkus Reviews"At the heart of Muncasters story is a subtle message about gently but firmly letting ones needs be known, but many readers will be happy just to pore over the delightful images of Clementine making the most of a very large world."Publishers Weekly; Title: The Biggest Smallest Christmas Present | [
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15,785 | 18 | Gr 25Acclaimed historian Philbrick (Mayflower: A Story of Courage, Community, and War) has penned a Revolution-era history for kids adapted from his adult title Bunker Hill. This historical narrative follows Benjamin Russell, an adolescent in Boston at the dawn of the Revolution. Readers learn about the Boston Tea Party, Isaiah Thomas's radical publications, and the eruption of armed resistance to the British. Philbrick adds nuance to the tale through, for instance, Ben's mixed sentiments about the excitement of revolution and the kindness shown to him by a local British officer. From across the harbor, Ben watches the climactic battle of Bunker Hill, where the outmatched, outnumbered Patriots hold off multiple waves of British attacks before finally withdrawing. Ben is reunited with his family after the battle, and he soon joins Isaiah Thomas as a printer's apprentice. The full-color illustrations are full of bright hues, resulting in pleasing grassy fields, morning light flashing off harbor waters, and brilliantly clad Redcoats. Minor depicts the battlefield with motion and smoky haze, yet free of carnage. A convenient map displays the Boston locales referenced. Educators should note that invented dialogue has been added by the author to move the narrative along. VERDICT A stirring account of the American Revolution, sure to resonate with elementary students.Jeffrey Meyer, Mount Pleasant Public Library, IA* “[Philbrick] introduces Benjamin Russell, where he went to school, his part-time apprenticeship at Isaiah Thomas' newspaper, sledding down Beacon Hill, and the British officer who cleaned the cinders from the snow so the boys could sled farther and farther. It is these humanizing touches that make war its own intolerable act. Readers see Benjamin, courtesy of Minor's misty gouache-and-watercolor tableaux, as he becomes stranded outside Boston Neck and becomes a clerk for the patriots. Significant characters are introduced, as is the geography of pre-landfilled Boston, to gain a good sense of why certain actions took place where they did. The final encounter at Breed's Hill demonstrates how a battle can be won by retreating. A crisp historical vignette.”—Kirkus Reviews, starred review“Acclaimed historian Philbrick (Mayflower: A Story of Courage, Community, and War) has penned a Revolution-era history for kids adapted from his adult title Bunker Hill. . . . Philbrick adds nuance to the tale through, for instance, Ben’s mixed sentiments about the excitement of revolution and the kindness shown to him by a local British officer. . . . The full-color illustrations are full of bright hues, resulting in pleasing grassy fields, morning light flashing off harbor waters, and brilliantly clad Redcoats. Minor depicts the battlefield with motion and smoky haze, yet free of carnage. A convenient map displays the Boston locales referenced. . . . A stirring account of the American Revolution, sure to resonate with elementary students.”—School Library Journal“Philbrick’s episodic narration and Minor’s realistic, engaging paintings combine to depict Ben’s experiences. . . . Younger advanced readers and budding history buffs will enjoy this account of Benjamin Russell’s youthful exploits.”—Booklist “In one-to-two page chapters, interspersed with Minor’s luxuriant gouache and watercolor illustrations, Philbrick skillfully summarizes the events . . . and effectively contrasts printer Isaiah Thomas’s patriotic fervor with Ben’s boyish preoccupations. . . . Recreates the tension of the hard-fought Battle of Bunker Hill, as seen through Ben’s eyes, and provides a satisfying reunion with his family. . . . Succinct, dramatic narrative.”—Publishers Weekly“Seeing historical events through the eyes of youngsters who were living through them can provide new understandings for today’s youth. . . . The paintings capture the time period and the map helps to place the important locations in perspective.”—School Library Connection; Title: Ben's Revolution: Benjamin Russell and the Battle of Bunker Hill | [
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15,786 | 2 | PreSOliver's collection of bite-size poetry offers all of the tongue-in-cheek humor that one would expect from the coauthor of the "Hank Zipzer" series (Penguin). The rhythmic verses address subjects of interest to preschoolers from nose to toes and are perfect for reading aloud alongside nursery rhymes in storytime or for one-on-one sharing. Occasional wordplay reminiscent of classic tongue twisters peppers the text, such as "I wonder why they [dogs] have wet noses./To sniff me better, I supposes." Adults will recognize universal childhood experiences, as one child roots through the kitchen drawer "To knock the pots and pans around/And throw dish towels on the ground" and another joyfully drops food from a high chair. dePaola's instantly recognizable acrylics present readers with a multiethnic cast of charming, cheerful children and provide further opportunity to discuss added details and concepts, including numbers, animals, and toys. Offer this title to the younger siblings of fans of Douglas Florian's poetry.Sarah Westeren, Richland Library, Columbia, SC*Starred Review* Everything about this book is child friendly, beginning with its charming cover. Oliver has written 23 highly readable poems about almost every familiar aspect of a young childs life, from belly buttons and diapers to noises and the kitchen drawer. Almost all contain words, usually one or two syllables long, that many children have already heard: giggle, tickle, and sounds like kerplop and peekaboo. The words work in perfect tandem with dePaolas happy art, pastels executed in his signature style. Highlighting the joy of each experience, he keeps his focus on the foreground and immediate action, creating for the listener the essence of the world they know: toys, chairs, a stroller, the car seat, Daddys beard. Each poem and illustration is framed to highlight chubby babies and toddlers of all ethnic backgrounds at the center of their world, being active and being loved. Pair with Mem Foxs Ten Little Fingers and Ten Little Toes (2008) for another rhyming celebration of babies and their worlds. Preschool. --Edie Ching; Title: Little Poems for Tiny Ears | [
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15,787 | 2 | Praise for Carmindy's books:Were so happy that the amazing advice Carmindy has contributed to the show is now available for all women.Stacy London and Clinton Kelly, TLC's What Not to WearAn easy-to-follow, foolproof routine that . . . gives radiant results in a mere five minutes.InStyle'In a perfect world, Carmindy would make house calls ... 'The New York TimesCarmindy was the resident makeup expert on the TLC makeover show What Not to Wear. Her work can be seen on the editorial pages of leading magazines such as Cosmopolitan, Elle, InStyle, O, Essence, Self, Lucky, Seventeen, Marie Claire, Glamour, and Allure.; Title: Bloom: A Girl's Guide to Growing Up Gorgeous | [
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15,788 | 2 | Toddler-PreS"This is the Baby, wrinkled and gray. This is the Baby born today." A newborn elephant is celebrated in a timeless manner by its herd and other animals in a wild Indian environment. Repetitive phrasing highlights the extensive roles played in the baby's world by not only the herd but also the lagoon, a banyan tree, peacocks, and white monkeys with black faces. The landscape, created by dip pen, India ink, and watercolor, is peaceful and lively. Scenes of the baby happily splashing in the water and sitting high atop a rock while gazing at the nighttime stars are especially fun and sweet. VERDICT Rich vocabulary and engaging artwork are sure to delight readers and young listeners.Gaye Hinchliff, King County Library System, WAGlowing . . . gorgeous artwork lushly illuminates the day of an elephants birth. . . . The expressions on the elephant faces are sheer joy to behold; the elephant smiles are realistic and yet radiate affection. Seemingly simple, this gentle rhyming story works on two levels: the playfulness of the young elephant and its friends ensure that young children will be able to see themselves in the story, and given the depiction of the natural scenes, at least some young readers will become fascinated with the lives of elephants as well. . . . The soft cadence of the rhyming verses and the joyous pictures of the elephants will make this a bedtime favorite.Kirkus ReviewsThe soft, gently repetitive text quickly establishes a soothing message of love and acceptance. . . . Bajaj focuses on a female-centric cast of elephants, subtly referencing their matriarchal societies, and glancing mentions of monkeys and peacocks give a fuller look at the books Indian setting. . . . Wheeler evokes a lush environment of towering banyan trees and dense vegetation, helping create another personified character in the setting. Its an intimate and celebratory look at the early days of an elephants life, and a reminder that human births are pretty special, too.Publishers WeeklyA newborn elephant is celebrated in a timeless manner by its herd and other animals in a wild Indian environment. . . . The landscape . . . is peaceful and lively. Scenes of the baby happily splashing in the water and sitting high atop a rock while gazing at the nighttime stars are especially fun and sweet. Rich vocabulary and engaging artwork are sure to delight readers and young listeners.School Library Journal; Title: This Is Our Baby, Born Today | [
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15,789 | 2 | Gr 57Few middle-grade books depict a parent's mental illness as well as this one. Lucy Peevey, 12, and her best friend, Cam, dream of getting out of Sunnyside Trailer Park. To do so, they plan to compete in the BotBlock robot-programming contest. They have been saving up for months to pay the entrance fee, hoping that the prize money will lead to a better life. Cam's mom has an abusive boyfriend and Lucy's mom has manic-depressive disorder and hasn't been taking her medication. As Lucy's grandma explains to her, "It's like when one second you're so high you can taste the sweetness of the Milky Way." And "the next second it's like you have your head in the sand, and any sort of critter can go wandering in one ear and out the other." Lucy and Cam are competing against other kids with supportive parents, better equipment, and enough money not to have to worry about the entrance fee. And when Lucy's mother's has her head in the sand, anything can mess with the girls' already slim chances of entering and winning the contest. Moulton's characters are well developed, and Mama, in particular, never becomes a caricature of a person with mental health issues. Instead, she is nuanced, her disorder pulling back at just the right time. Readers who have a loved one with a similar illness will have much to relate to, and those who don't will see others in a more discerning light. There is also a good amount of science content, particularly coding and space themes, which could be tied into a STEAM book club. Just like Mrs. Peevey's manic-depressive disorder, Chasing the Milky Waytakes readers along for the highest of highs and lowest of lows. A much-needed addition.Jessica Ko, Los Angeles Public LibraryLucy, 12, has a plan to get out of Sunnyside trailer park: she and her best friend, Cam, will win the BotBlock challenge with their homemade robot and use the prize money and scholarships to make all their dreams come true. But when her moms bipolar disorder gets out of control and she tries to escape across state lines with Cam, Lucy, and Lucys little sister, Izzy, in tow, they end up on the run from the police and in more trouble than she could ever solve on her own. Aspiring scientist Lucy and Cam, who is having trouble at home with his mothers abusive boyfriend, stubbornly believe that if they just work hard, they can accomplish anything, but their inability to connect with Lucys mom tests their resolve. Moulton handles Lucys moms mental illness with a gentle, evenhanded touchher behavior is unpredictable and sometimes very scary, but, throughout it all, its clear that she loves her children. An empathetic portrayal of mental illness full of sensitivity and, ultimately, hope. Grades 5-8. --Sarah Hunter; Title: Chasing the Milky Way | [
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15,790 | 2 | Gr 24Polacco tells a story based on her grandmother's early years in 19th-century Michigan. Stella was born in a Mermaid's Purse, otherwise known as a caul, and that meant that she was born blessed. More than anything, Stella loves books. She reads anytime she can and saves up all her money to buy books, too. Eventually she owns so many that her father and other men from town build her a library, and she names it the Mermaid's Purse. Stella's collection soon comes in handy as she uses it to help a farmer save his sheep from dying of bloat, keep her future husband from drowning, and prevent another farmer from losing his water rights. However, her books can't stop the Mermaid's Purse from being destroyed by a tornado. Stella grows despondent, and it isn't until farmers from all over the county find her books scattered around and return them to her that she is finally happy again. The art is done in the muted tones and style that are without a doubt Polacco's trademark. This is the type of family tale that the author/illustrator is known for. The story is lovely, with the message that books can teach anyone about everything. The title also features pictures and tidbits about the real Stella's life after the narrative is over, which is a nice touch. VERDICT A terrific library read-aloud that is also suitable for one-on-one and small group sharing.Paige Garrison, Augusta Richmond County Library System, GAOnce again, Polacco brings forth a new family story, this time about her grandmother. . . . Polacco's signature textual and illustrative styles blend to depict a folksy, bygone past. The pencil-and-marker artwork lovingly evokes the poignant memory, making this one of her most personal-feeling books. Three photos of her grandmother on the back page add backbone to the tale. Heartwarming.Kirkus ReviewsThrough lyrical writing and expressive images, Polacco returns to recurring themes from her books: the importance of family, community, and reading. Polacco again draws on her family historybasing her heroine, Estella, on her own grandmotherwhile also giving this down-home tale a mystical undertone. . . . The community again unites to bring about a satisfying finale. . . . Robust pencil-and-marker illustrations bridge the narratives fluctuating moods, portraying Estellas triumph and heartbreak with assurance.Publishers WeeklyThis is the type of family tale that the author/illustrator is known for. The story is lovely, with the message that books can teach anyone about everything. The title also features pictures and tidbits about the real Stellas life after the narrative is over, which is a nice touch. A terrific library read-aloud that is also suitable for one-on-one and small group sharing.School Library Journal; Title: The Mermaid's Purse | [
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15,791 | 7 | Gr 58Sukie O'Dare and her parents have moved into her elderly cousin Hepzibah Thorne's house in upstate New York to ease their tight finances. The O'Dares are still a bit dazed by the death of Sukie's older sister, who keeps in touch (but only with Sukie) in ghostly form. Hepzibah is aware that her house has a few secrets, as well as a broom that can fly. In this delightful companion novel to The Grimm Legacy (2010) and The Wells Bequest (2013, both Penguin), Shulman blends modern fantasy, humor, and adventure, with a touch of romance. Sukie's ability to sense magic leads her to the New York Circulating Material Repository where she meets a new friend: Andre, one of the Repository pages. There is a bit of romance with schoolmate Cole and a fantastical hunt for a pirate's treasure that takes them bounding across the high seas. Shulman's novel stands alone and is all the richer for readers who know the backstory of the Grimm Collection, and the treasures kept in the Repository. Extra credit to Shulman for deftly weaving a wealth of literary references into the story. VERDICT Lots of fun, particularly for those who enjoyed the previous books. Suggest this title as a refreshing change from dystopian drama and to young teens who miss Harry Potter.Maggie Knapp, Trinity Valley Sch., Fort Worth, TXIn this delightful companion novel to The Grimm Legacy and The Wells Bequest, Shulman blends modern fantasy, humor, and adventure, with a touch of romance . . . and a fantastical hunt for a pirates treasure that takes them bounding across the high seas. . . . Extra credit to author Shulman for deftly weaving a wealth of literary references into the story. Lots of fun, particularly for those who enjoyed the previous books. Suggest this title as a refreshing change from dystopian drama, and to young teens who miss Harry Potter.School Library JournalInterweaves past and present as well as fact and fiction. Fans of the previous books will enjoy the reappearance of familiar characters in secondary roles, while new readers will be able to pick up fundamentals of the storys magical premise and enjoy Sukies adventure.Booklist Sukies pragmatism and unflappability is amusing as she encounters one extraordinary situation after another. . . . The New-York Circulating Material Repository is a character unto itself, with meandering paths and random annexes containing materials and objects from great works of literature. . . . Whether read as a companion to the first book or a standalone, this is a fine outing in supernatural shenanigans, haunted family histories, and reclaimed futures.The Bulletin of the Center for Childrens BooksThe possibility that Sukies family might have been the focus of some classic literary novels is a unique concept. Filled with ghosts, flying brooms, magic carpets, and hidden treasures, the author provides the reader with a page-turner. The characters are well-developed and fascinating. . . . Readers will be intrigued with the inclusion of classic literary characters.School Library Connection ; Title: The Poe Estate | [
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15,792 | 13 | Gr 26A poetic dialogue between an aspiring young dancer and the American Ballet Theater's soloist comprises the text of this stunning picture book. Copeland provides words of encouragement to boost the dreams of an African American girl whose desire to be a ballerina is hampered by her low self-image and lack of confidence. "I was a dancer just like you," Misty tells her, "a dreaming shooting star of a girl/with work and worlds ahead." Copeland's title role in Stravinsky's The Firebird serves as the theme for Myers's signature paint and collage illustrations, which feature full spreads bursting with color and excitement. Elongated forms and slanted geometric shapes are infused with a color palette of browns, yellows, and fiery reds contrasted with cool blues, purples, and splashes of white. Scenes of dynamic action and quiet serenity work together to move the narrative forward, leaving readers with a sense of hope for the future of the young dancer. The author includes a note that discusses her own struggle and need for affirmation, acknowledging those who helped her along the way. A very successful collaboration, appealing to all and particularly valuable to collections on the performing arts.Marie Orlando, formerly at Suffolk Cooperative Library System, Bellport, NYPraise for FIREBIRD:Winner of the 2015 Coretta Scott King Illustrator AwardReceived the 2015 Ezra Jack Keats Book Award New Writer Honor An NPR Best Book of 2014An Amazon Best Book of 2014 Ages 6-8An Amazon Best Book of the Month, September 2014Essence Magazine Best Childrens Book of 2014The language soars into dizzying heights of lyrical fancy Myers artwork... pulsate[s] with kinetic synergy A starscape filled with visual drama and brilliance.Kirkus Reviews, starred reviewBallet dancer Misty Copeland makes her children's book debut with this inspiring love letter to young people, containing breathtaking illustrations of airborne dancers by Caldecott Honor artist Christopher Myers Brava!Shelf Awareness, starred review"An inspirational picture book for children daunted by the gap between their dream and their reality."BooklistA poetic dialogue between an aspiring young dancer and the American Ballet Theaters soloist comprises the text of this stunning picture book which feature[s] full spreads bursting with color and excitement A very successful collaboration. School Library Journal[A] soaring debut picture book by American Ballet Theater star Misty Copeland Myers extraordinary artwork captures the mystique of the Firebird ballet and Copelands indomitable spirit. This is a tale that will inspire all up-and-comers. BookPageScenes of an older dancer guiding a young student reinforce the feeling that Copeland is speaking directly to readers Myers paints portrait after portrait of Copeland dancing, placing the images against collages of colored paper whose curves, sunbursts, and radiating rays echo the rhythms of the dancers' movements a strong impact.Publishers WeeklyFirebird celebrates optimismthe mentality that you will succeed if you set your mind to it. And we think thats a pretty darn awesome message.Dance SpiritWorld-renowned ballerina Copeland shows that the power and grace she displays on the stage translates to the page as well, paired with Myers' strong illustrations.HuffPost BooksAmerican Ballet Theatre soloist Copeland is just as graceful with words as she is with her body Myerss stunning collages layer strips of thickly painted paper to echo the wings of a firebird (Copelands signature role), whether they are illustrating the stage curtains or a cloudy sky This book encourages todays aspiring dancers of all colors and backgrounds.The Horn BookMisty Copelands first childrens book is destined to become a staple in classrooms and libraries Copelands empowering words are matched by award-winning illustrator Christopher Myers dazzling red and gold hues.Essence MagazineVivid and emotional. Copeland's writing and Myers' art draw you into a beautiful world, rich with color, texture and drama. For all budding young artists who maybe don't have role models they can relate to, this little book provides some inspiration.NPR Staff Picks, For Art Lovers, Kids Books; Title: Firebird | [
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15,793 | 2 | Praise forThe Ring Bearer:"Throughout, Cooper's softly textured mixed-media illustrations offer a warm, affirming depiction of this black family's life and love together . . . Readers will be joining the congregation in cheering for Jackson."--Kirkus"Written with simplicity, immediacy, and warmth....Cooper creates beautiful effects with subtle colors, textures, and suffused light in the soft-focus paintings. A heartening, reassuring picture book."--Booklist"Children will identify readily with Jacksons fears and enjoy the way he overcomes them. A solid purchase for any picture book collection."--School Library Journal"Many children experience parental weddings, and these times are filledwith joy and nervousness. Cooper captures each moment."--Horn BookFloyd Cooper (www.floydcooper.com)always dreamed of becoming an artist, and he has now illustrated dozens of books for children, including Jump! (From the Life of Michael Jordan), Back of the Bus, and Max and the Tag-Along Moon. He received a Coretta Scott King Award for his illustrations in The Blacker the Berry and a Coretta Scott King Honor for his illustrations in Brown Honey in Broomwheat Tea and I Have Heard of a Land. He lives in New Jersey with his family.Follow him on Twitter @floydcooper4.; Title: The Ring Bearer | [
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15,794 | 2 | Praise for LITTLE CUB*"Readers will treasure the bears gingerly give-and-takewatching them serendipitously become a family of two is a joy to behold."--Publisher's Weekly, starred review*"Dunrea packs a huge amount of emotion into his limited text and engaging art. A delight for fans of these characters and a lovely next step for children ready to move beyond the Gossie and Friends series."--School Library Journal, starred review"The universal need for love and companionship is conveyed sweetly and poignantly. Comforting and uplifting."--Kirkus Reviews"Children will easily relate to the little cubs need to be cared for, even if theyve never experienced being parentless... The pencil and gouache illustrations are rich with autumnal color, and each scene is kept in artful balance by lots of clean, white space both within the illustrated page and on the facing page of text... Besides being shared along with its companion title, this might also be paired with Moores A House in the Woods or even Rylants Mr. Putter and Tabby series, or simply read as a reassuring bedtime book."--BCCBOlivier Dunrea is the bestselling creator of the Gossie books as well as Old Bear and His Cub, A Christmas Tree for Pyn, Hanne's Quest and many others. He lives in Dearborn, Michigan, and Narrowsburg, New York.; Title: Little Cub | [
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15,795 | 2 | PreSGetting one's point across can be challenging for anybody, but it's especially tough for the wee protagonist of this short but endearing book. When Baby shouts, "Bah!" Mom and two older siblings rush over and attempt to guess what the infant wants. Their offers of bottles, books, and blocks are met with increasing puzzlement and frustration from the tot. After many attempts, Mom finally figures out that "Bah!" means "Bye!" and Baby rejoices at being understood. Simple colorful backgrounds accentuate Plecas's bright and playful illustrations; her cartoon style is humorous and expressive. Baby's exclamations and the resigned "Oh wellGuess not!" refrain from family members appear in speech bubbles. The simple text with repeated words and clear drawings makes this title suitable for beginning readers. Parents and children with younger siblings are sure to relate to the pitfalls and joys of communicating with pre-verbal babies.Yelena Alekseyeva-Popova, formerly at Chappaqua Library, NYPraise forBAH! Said the Baby:"A nifty romp that doubles as a guessing game (with some phonics tied in), this has appeal for large read-aloud crowds as well as siblings who seek a lighter new-baby tale."--Kirkus Reviews"Simple colorful backgrounds accentuate Plecass bright and playful illustrations; her cartoon style is humorous and expressive....Parents and children with younger siblings are sure to relate to the pitfalls and joys of communicating with pre-verbal babies."--School Library Journal"Add this charmer to the lineup for a baby-themed storytime, or share it with the older sibs of an almost-verbal little one."--BCCB; Title: BAH! Said the Baby | [
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15,796 | 13 | Eric Carleis acclaimed and beloved as the creator of brilliantly illustrated and innovatively designed picture books for very young children. His best-known work, The Very Hungry Caterpillar, has eaten its way into the hearts of literally millions of children all over the world and has been translated into more than 25 languages and sold over twelve million copies. Since the Caterpillar was published in 1969, Eric Carle has illustrated more than sixty books, many best sellers, most of which he also wrote. Eric Carle has two grown-up children, a son and a daughter. With his wife Barbara, he lives in Northampton, Massachusetts.Visit Eric Carle at www.eric-carle.comand explore the Eric Carle Museum of Picture Book Art (www.picturebook.org) in Amherst, Massachusetts.; Title: El artista que pint un caballo azul (World of Eric Carle) (Spanish Edition) | [
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15,797 | 2 | Baby-ToddlerA sweet but less-than-successful parental love letter. Despite the title, a bunny only briefly appears. The narration begins "When I met you, you were small and trembling, and I thought you might be a little bunny," while the illustrations present a lone bunny quivering amongst bright foliage. On the next spread, a mother rabbit in an apron cuddles the bunny as the text explains, "I held you close so you were warm." On the following pages, readers are told how the little one behaves like a lost kangaroo, a curious lizard, and a thirsty kitten, each iteration necessitating some measure of comfort from an animal mother. The flow from one creature to another often feels abrupt, and some of the mother's actions may leave readers puzzled. For example, after "you" howled like a lonely wolf, the mother wolf "ran to [her] house and made you a cozy den so you had a home," a phrase that implies some separation yet feels out of place after pages of mother and child togetherness. In the end, the "you" is revealed to be the mother's human baby, but the lack of repetition and rhythm in the text and the complex comparisons lift this title well above the interest level of most babies and toddlers. White's hand-lettered text and delicate watercolor and gouache illustrations shine in spite of the narrative flaws, with a palette of earth tones against plenty of white space clearly differentiating each comparison. VERDICT Beautiful illustrations are the draw here. Unfortunately, the undistinguished text fails to find its audience.Chelsea Couillard-Smith, Sacramento Public Library, CAYoung children love to pretend theyre baby animalsits an opportunity to explore the world in new ways, while ensuring their nurturers remain close at hand. In novelist Marrs (the Wicked Lovely series) first picture book, a mother plays along, imagining her baby and herself as six different animals as she lovingly tracks its development. Then you whimpered and meowed, and I thought you might be a thirsty kitten, she says. I offered you some milk so you would not be hungry. Whites (Adventures with Barefoot Critters) restrained detailing, smudged colors, and frequent use of circular framings give her watercolors a vintage-looking, pastoral prettiness. Its also fun to see how the mother retains her essential momness regardless of what species she assumes: as a lizard, she wears green pearls and carries an over-the-shoulder bag. With its emphasis on motherly pacifying, this warmhearted story is best suited for younger readers who are still happy to consent to all the tender doting that their caretakers are willing to dish out.Publishers Weekly A mothers observations of her new baby lead to a series of sweet comparisons to various animals. When I met you, you were small and trembling, and I thought you might be a little bunny. / I held you close so you were warm. Teen author Marr (Made for You, 2014, etc.) uses playful yet comforting language in her picture-book debut. The babys squirming kicks remind her of a lost kangaroo; a lifting of the childs head makes her think of a curious lizard; and the little ones howl seems like that of a lonely wolf. Each of the childs behaviors leads to a tender action taken by the mother: tucking the baby in, offering milk, and giving a bath. Each time a new creature is introduced, White gently changes the dominant color in the muted pastel palette of her watercolor and gouache illustrations. That hue is also reflected in the hand-lettered text, giving the overall design of the book a vintage feel. When the baby smiles, the mother knows You are not a bunny-roo-lizard-wolf-kitten-piggy. You are my baby. The final page shows the curled-up infant asleep in a pile of blankets. A lovely package, this quiet title will be best as a gift book for new moms eager to read aloud to the newest members of their families.Kirkus Reviews Using examples from nature in which animals care for their young, a human mother describes how she cares for her own baby. She cites bunnies, who are held close; joeys, who are carried in moms pouch; lizards, who enjoy a patch of warm sun; wolves, who snuggle cozily in a den; kittens, who drink milk; and piggies, who calm down after a bath. When her own baby smiles, Mom replies, You are not a bunny-roolizard-wolf-kitten-piggy. You are my baby. Marrs soothing text (When I met you, you were small and trembling, and I thought you might be a little bunny. I held you close so you were warm) should prove calming for lap-sitting infants just beginning to focus on illustrations. Whites watercolor and gouache artwork exhibits a cozy feel, with realistically drawn animals posed against simple, recognizable settings. This makes a good choice for one-on-one sharing or as a baby story-hour selection paired with Mary Murphys I Kissed the Baby! (2003).Booklist ; Title: Bunny Roo, I Love You | [
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15,798 | 2 | PreS-Gr 2The fourth book featuring charming young sisters Maple and Willow is set at Christmas, when the excitement of getting a real tree for the first time is eclipsed by Maple's immediate allergic reaction to it. Both girls are sad when they have to put the tree outside as a result. After an exchange of words during which feelings are hurt, Willow gets creative and surprises Maple with a decorated ladder "tree." Cheerful pastel pencil drawings with plenty of white space appropriately capture the snowy season. VERDICT Simple yet satisfying, this story of sibling thoughtfulness and surprise successfully evokes the holiday spirit.Madeline J. Bryant, Los Angeles Public LibraryThe understated humor, spare language, and white backgrounds convey a calm, minimalist world in which Christmas isn't overwhelming and sisters always work out their differences. Endearing illustrations . . . show the two round-headed, light-skinned little girls enjoying their time together, from sledding to baking to building an unusual snowman. . . . A charming addition to a winning series.Kirkus ReviewsAs in previous books, Nichols admirably captures the sisterly bond, often without words. The ink-and-watercolor artwork is full of real-life emotions. . . . A welcome holiday choice.Booklist The fourth book featuring charming young sisters Maple and Willow. . . . Cheerful pastel pencil drawings with plenty of white space appropriately capture the snowy season. Simple yet satisfying, this story of sibling thoughtfulness and surprise successfully evokes the holiday spirit.School Library JournalNichols does a lovely job of showing the closeness between these girls and how that closeness is, at least temporarily, threatened. . . . [Willows] (truly unexpected) solution to their allergy-driven holiday dilemma will bring smiles to readers faces, just as it does to Maples.Publishers WeeklyThe storys resolution is creatively festive. . . . [Nicholss] drawings highlight the emotions and energy of these spirited siblings.The Horn Book; Title: Maple & Willow's Christmas Tree | [
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15,799 | 2 | Gr 610In this companion to The Tournament at Gorlan, Flanagan continues his new prequel series. In the aftermath of an intense battle to restore King Duncan's kingdom, Halt and Crowley commit themselves to securing the realm's safety by ensuring that evil Morgarath never returns. Dividing their duties, Crowley escorts a pregnant Queen Rosalind to a safer location, while Halt goes on a scouting expedition to the Mountains of Rain and Night, where Morgarath is thought to be training an army of fanged and furry semihuman creatures called Wargals. Relying on mind control to direct the beasts, Morgarath seems unstoppable. A showdown and culminating clashes highlight the Rangers' ability to rely on unseasoned recruits, local terrain, and well-choreographed infantry and cavalry tactics to outplay the enemy. Despite some tragic losses, Duncan's depleted army lives to fight another day, leaving the door open for Morgarath to make another move in future episodes. Flanagan is a master of using context clues for challenging vocabulary, and his narrative is as delightfully descriptive and imaginative as ever. VERDICT This is not as page-turning or humorous as other "Ranger's Apprentice" titles, but Halt and Crowley still rule as beloved heroes with wide appeal.Vicki Reutter, State University of New York at CortlandJohn Flanagangrew up in Sydney, Australia, hoping to be a writer, and after a successful career in advertising and television, he began writing a series of short stories for his son, Michael, in order to encourage him to read. Those stories would eventually becomeThe Ruins of Gorlan, Book 1 of the Rangers Apprentice epic. Together with his companion series, Brotherband Chronicles, the novels of John Flanagan have sold millions of copies and made readers of kids the world over.Mr. Flanagan lives in the suburb of Manly, Australia, with his wife. In addition to their son, they have two grown daughters and four grandsons.You can visit John Flanagan atwww.WorldofJohnFlanagan.com; Title: The Battle of Hackham Heath (Ranger's Apprentice: The Early Years) | [
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