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246
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dbpedia
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3
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https://finland.fi/life-society/ambition-and-big-hearts-guide-finnish-womens-football-to-euro-2022-and-beyond/
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en
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Ambition and big hearts guide Finnish women’s football to Euro 2022 and beyond
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2021-08-18T07:03:54+00:00
|
A collective ethic, ambition and pure talent are the keys to the success of the Finnish national women’s football team, which has already secured a place in Euro 2022 and is seeking to qualify for the next world cup.
|
en
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https://finland.fi/wp-content/themes/thisisfinland/favicon.ico
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thisisFINLAND
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https://finland.fi/life-society/ambition-and-big-hearts-guide-finnish-womens-football-to-euro-2022-and-beyond/
|
A dream come true: That’s how footballer Linda Sällström describes the qualification of the Finnish national team for the UEFA Women’s Euro 2022 tournament in England.
Considering that she has suffered a string of injuries over her long career, it’s all the more remarkable that (at the time of writing in summer 2021) she is all-time top scorer for Finland’s women, with 48 goals in 107 international appearances. She’s chasing the national women’s record of 131 caps, held by Anna Westerlund. This will be Sällström’s second Euros tournament and she can’t wait.
A very even team
“I’m so happy that we qualified,” says Sällström. “It was our goal and ambition, and I’ve dreamed about it for a long time. It’s been fun to see the interest in the media in Finland, with the men’s team qualifying for this summer’s Euros for the first time and now with the women’s team in the tournament next year.”
The women’s national squad has qualified for the Euros three times previously, while the men’s national team had never qualified for a Euro tournament prior to the one held in 2021.
Sällström’s late winning goal in the penultimate qualifying game in Helsinki against Portugal guaranteed first place for Finland in the qualifying group. The 2020–21 season was her third with Paris FC in the highly competitive French women’s league, and she’s one of the most experienced members of the Finnish team. She namechecks Natalia Kuikka, a centre-back recently acquired by Portland in the National Women’s Soccer League in the US, and goalkeeper Tinja-Riikka Korpela, who plays for Everton in the English league, as important players, but Sällström is keen to emphasise Finland’s team spirit.
“Our strength is that we have a very even team, not just a few good individuals, and that we perform well as a group,” she says. “That makes it harder for the coach to pick a first-choice starting eleven.”
Proud achievement
That coach is Swedish one-time player and former coach of the Scottish national team Anna Signeul, and she is similarly excited at Finland’s success. “It feels fantastic on a couple of fronts for me,” she says.
“I’m so pleased for the players, the staff and the Football Association. The hard work, effort and commitment which have gone into qualifying have been tremendous. This has been an extraordinarily tough year. Many of the players who play abroad were unable to travel to see their families and loved ones, so I’m so pleased that there has been such a positive outcome to our campaign.
“This team have been amazing to work with – I’m so proud of what we have achieved together.”
Signeul’s recruitment had the specific aim of qualifying and can be viewed as one part of the Finnish Football Association’s renewed strategy to advance men’s and women’s football at all levels. The confidence of the women’s national team reflects that push for improvement.
“The players in Finland have a very big heart,” says the coach. “They work so hard for success. Every day they strive to be better than they were the previous day. They are so ambitious. That spirit of never giving up was very evident in our qualification campaign, where we scored goals on almost the last kick of the ball to win games.”
Ensuring the future
However, there is always work to be done. “Finnish women’s football would compare favourably in relation to other nations in Europe and the world,” says Signeul. “But there are some areas where we need to focus to ensure a continuous pipeline of talented players.
“We need to continue to ensure quality opportunities for our most talented female players, and we need to ensure a joined-up approach between what is happening in the club game and the national teams. Strong competition at club level is the key for the game in Finland if we are going to make qualification for major finals tournaments part of our DNA in the future.”
In summer 2021, the men’s team and their own Euro adventure occupied the spotlight. Both men’s and women’s Euro championships are happening a year later than originally planned, as a consequence of the Covid-19 pandemic.
The men’s team has had the nickname Huuhkajat (meaning “eagle-owls”) since 2007, when an eagle-owl buzzed the pitch at Helsinki’s Olympic Stadium during a match against Belgium. As the men’s Euro tournament progressed in June and July 2021, the women’s team continued to prepare for summer 2022. They have their own nickname, too: Helmarit (“boreal owls”). Autumn 2021 also brings the first qualifier matches for the 2023 Women’s World Cup.
“The draw for the [Euro 2022] finals takes place in England in autumn, and when we know the teams in our group, we will sit down and create the goals for ourselves as a team,” says Signeul. “We’re looking forward to that.”
By Tim Bird, August 2021
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https://www.mlssoccer.com/news/new-york-city-fc-sign-finnish-midfielder-alexander-ring
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en
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New York City FC sign Finnish midfielder Alexander Ring
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] |
[] |
[] |
[
""
] | null |
[
"Edgar Acero"
] |
2017-02-01T16:14:42+00:00
|
NYCFC sign Finnish international Alexander Ring
|
en
|
mlssoccer
|
https://www.mlssoccer.com/news/new-york-city-fc-sign-finnish-midfielder-alexander-ring
|
New York City FC added a key piece to their midfield on Wednesday, announcing the signing of Finland international Alexander Ring. The club used Targeted Allocation Money to acquire the 25-year-old from German second-division club Kaiserslautern.
âAt 25, Alexander is a player entering his peak years who has played at a high level over a number of seasons,â NYCFC head coach Patrick Vieira said in a statement released by the club. âHeâs a midfielder who can contribute on both sides of the game, both defensively and offensively and he gives us another great option either at the base of midfield or box-to-box.
âAlexander has a good engine and is a competitive player which should suit Major League Soccer.
Born in Helsinki, Ring developed his career in Germany in the youth academies at VFL Lannesdorf and Bayer Leverkusen, as well as at Anderlecht in Belgium and HJK Helsinki in Finland. The midfielder made his senior debut at Klubi-04 before signing a full professional contract at the age of 19 at Helsinki in 2010.
After spending a year-long spell at Bundesliga club Borussia Monchengladbach, Ring was signed by FC Kaiserslautern, where's he played over 70 games since 2013. He's made 10 appearances for the side in 2. Bundesliga action this season.
âAs soon as I heard of the interest I was intrigued because I know how big the club is and how well-supported the team is,â Ring said in the statement. âIt took a long time to get it done but as soon as I knew about the New York option it was clear for me that I wanted to do it. I had to fight for it hard but Iâm so happy."
Ring has 42 caps for Finland since making his debut in June 2011 against Sweden and cemented himself as a regular in the Euro 2012 qualifying campaign.
|
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1
| 41
|
https://www.sofascore.com/football/match/fc-jazz-vaasa-ifk/utcsVho
|
en
|
Vaasa IFK vs FC Jazz live score, H2H and lineups
|
https://api.sofascore.app/api/v1/event/12085675/share-image/16x9
|
https://api.sofascore.app/api/v1/event/12085675/share-image/16x9
|
[] |
[] |
[] |
[
"Vaasa IFK FC Jazz",
"livescore",
"live scores",
"sofascore",
"results",
"sofa score"
] | null |
[] | null |
Vaasa IFK FC Jazz live score (and video online live stream) starts on 4 Aug 2024 at 15:30 UTC time in Ykkonen, Finland.
|
en
|
/_next/static/media/favicon.36eabe98.ico
|
https://www.sofascore.com/football/match/fc-jazz-vaasa-ifk/utcsVho
|
On Sofascore livescore you can find all previous Vaasa IFK vs FC Jazz results sorted by their H2H matches. Sofascore also provides the best way to follow the live score of this game with various sports features. Therefore, you can:
Find out who scored in a live match
Get real-time information on which team is dominating the match using the Attack Momentum
Follow detailed statistics such as ball possession, shots, corner kicks, big chances created, cards, key passes, duels and more
Track all home and away games for each team in the Ykkonen
Check out how Sofascore community votes on which team is more likely to win this match.
All of these features can help you decide on Vaasa IFK vs. FC Jazz game prediction. Even though Sofascore doesn't offer direct betting, it provides the best odds and shows you which sites offer live betting. Live U-TV odds are viewable on Sofascore's Football live score section.
Where to watch Vaasa IFK vs. FC Jazz ? Under TV Channels section you can find the list of all channels that broadcast Vaasa IFK – FC Jazz live match. You can also live stream this match through our betting partners or click on any links on Sofascore for a legal live stream.
Sofascore livescore is available as iPhone and iPad app, Android app on Google Play and Windows phone app. You can find us in all stores on different languages as "Sofascore". Install Sofascore app on and follow Vaasa IFK FC Jazz live on your mobile!
|
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246
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dbpedia
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0
| 76
|
https://m.famousfix.com/list/vasa-ifk-players
|
en
|
Vasa IFK players
|
[
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[] |
[] |
[
""
] | null |
[] | null |
https://static.famousfix.com/img/ff/favicon.ico
|
FamousFix.com
|
https://www.famousfix.com/list/vasa-ifk-players
|
Overview: Stig-Göran Myntti (6 August 1925 – 28 February 2020) was a Finnish footballer and bandy player.
Date of birth: 6 August 1925
Date of death: 28 February 2020
Age: 94 (age at death)
Nationality: Finnish
Occupation: Football
Overview: Tony Battersby (born 30 August 1975) is a footballer who plays as a striker for Boston Town. Battersby is one of football's journeymen and has played for many clubs both The Football League and non-League ...
Date of birth: 30 August 1975
Age: 48
Nationality: British
Occupation: Football
Height: 6' (183 cm)
Overview: Ian Blount Garrett (born April 3, 1996) is an American soccer player who currently plays for Rochester New York FC in MLS Next Pro.
Date of birth: 3 April 1996
Age: 28
Height: 5' 7" (170 cm)
Overview: Kurt Martin (13 March 1923 – 1 November 2006) was a Finnish footballer. He was named in Finland's squad for the Group 2 qualification tournament for the 1954 FIFA World Cup.
Date of birth: 13 March 1923
Date of death: 1 November 2006
Age: 83 (age at death)
Nationality: Finnish
Occupation: Football
Overview: Jeremiah Streng (born 8 November 2001) is a Finnish professional footballer who plays as a striker for HIFK on loan from SJK.
Date of birth: 8 November 2001
Age: 22
Nationality: Finnish
Occupation: Football
Height: 6' 2" (188 cm)
Overview: Fabrice Gatambiye Ngarura (born 19 January 2000) is a Finnish professional footballer who plays for VPS, as a midfielder. He was born in the Democratic Republic of the Congo.
Date of birth: 19 January 2000
Age: 24
Nationality: Finnish
Occupation: Football
Overview: Sebastian Strandvall is a Finnish professional football midfielder who currently plays for Finnish side Vaasan Palloseura. He has also played one time for the national team of Finland.
Date of birth: 16 September 1986
Age: 37
Nationality: Finnish
Occupation: Football
Height: 5' 10" (178 cm)
Overview: Lasse Linjala (born 15 August 1987 in Pieksämäki) is a Finnish footballer who plays for Finnish Ykkönen club FC Haka. His position is a striker.
Date of birth: 15 August 1987
Age: 36
Nationality: Finnish
Occupation: Football
Height: 6' 2" (188 cm)
Overview: Keith Thomas Armstrong (born 11 October 1957) is a former footballer who played in the Football League for Sunderland, Newport County and Scunthorpe United, and in Finland for a number of clubs, where ...
Date of birth: 11 October 1957
Age: 66
Nationality: British
Occupation: Football
Overview: Erik Edvin Beijar (15 May 1921, in Vaasa – 8 November 1993, in Vaasa) was a Finnish footballer who competed in the 1952 Summer Olympics.
Date of birth: 15 May 1921
Date of death: 8 November 1993
Age: 72 (age at death)
Nationality: Finnish
Occupation: Football
Overview: Olof Ossian Hugo Stolpe (18 April 1927 in Vaasa – 7 February 2006 in Vaasa) was a Finnish footballer and bandy player. He competed in the Finnish football team in the 1952 Summer Olympics and in the Finnish ...
Date of birth: 18 April 1927
Date of death: 7 February 2006
Age: 78 (age at death)
Nationality: Finnish
Occupation: Football
|
||||||
246
|
dbpedia
|
2
| 80
|
https://www.sportcal.com/news/sports-illustrated-tickets-and-kraft-sports-in-fan-focused-tie-up/
|
en
|
Sports Illustrated Tickets and Kraft Sports in fan
|
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[] |
[
""
] | null |
[
"Alex Donaldson"
] |
2024-08-07T14:33:25+00:00
|
David Lane, Sports Illustrated Tickets CEO, speaks to Sportcal about the new partnership covering the Kraft Sports franchises.
|
en
|
Sportcal
|
https://www.sportcal.com/sponsorship/sports-illustrated-tickets-and-kraft-sports-in-fan-focused-tie-up/
|
Sports Illustrated Tickets, the iconic US publication’s ticketing platform, has announced a new deal with Kraft Sports and Entertainment, the sports and events arm of the Kraft Group conglomerate, to sponsor a range of its teams and properties.
Through a multi-year tie-up, Sports Illustrated Tickets becomes the official fan experience sponsor of the New England Patriots American football team of the NFL, the New England Revolution soccer outfit of MLS, and also of Gillette Stadium, the home venue of both those sides.
In this role, Sports Illustrated Tickets aims to revolutionize the fan experience at Gillette Stadium, offering interactive digital and physical touchpoints through which Patriots and Revolution fans and customers can interact with both the Sports Illustrated brand, and their own teams.
Furthermore, Sports Illustrated’s parent company Authentic Brands Group will sponsor the North End Zone concourse hospitality space at the stadium, now rechristened as the Sports Illustrated Pavilion.
Sports Illustrated Pavilion will operate year-round across Patriots and Revolution fixtures, as well as for concerts and other live events, presenting in-person activities and engagements to promote Sports Illustrated Tickets and capitalize on its association with the Sports Illustrated brand.
David Lane, the chief executive of Sports Illustrated Tickets, has spoken to Sportcal about how fan focused partnerships such as this new Kraft deal are the way forward for the Sports Illustrated Tickets brand.
He said: “The opportunity for us to work with the individual teams here in the US is really where we can start to help improve the fan experience. We can do things that normal ticketing companies would not, because of our 70-year history.”
Adding that Sports Illustrated Tickets is in conversation with a number of other NFL franchises, Lane explained what Kraft Sports brings to the table as a partner, adding: “Any pro team partnership is going to give that partner access to the fan base, and that's what's important.
“[In growing] awareness to the fan bases, we need help from the teams to reach their audiences and their fan bases, especially in this case, in the Boston marketplace.
“The Kraft family is a premier ownership family in the world. The organization is top class, the best in class. And so for us to be able to work with that team that has accomplished so much, it will help us really create an opportunity going forward where we can reach Patriots fans, Revolution fans, and then fans in Boston, not just for sports, but for concerts and for theater.
"That's our goal, helping find ways to create awareness to the fan bases through relationships like Kraft Sports and Entertainment.”
Sports Illustrated Tickets's partnership with Kraft Sports and Entertainment follows the brand being announced as one of the NFL’s officially licensed sale channels on the NFL Ticket Network.
Although Sports Illustrated is primarily known as a major media brand in the US, as opposed to a ticketing platform, it is its long history with the American consumer that Lane says helps it differentiate from rivals in the ticketing marketplace.
“We think that fans, more than ever, are looking for another marketplace to buy tickets from, loyalty to our competitors is challenging. [We offer] trust and credibility, iconic, we're globally recognized, we have two and a half billion of inventory, same seats to the same events, no transaction fees, fully transparent pricing, and we think that for fans when they're looking for their next event, we present a great option from a trusted ecosystem.
"We think that fans are looking for other marketplaces to buy from than our competitors. We're not here to disrupt, we're here to compete.”
Beyond the Kraft sponsorship, Lane also touched on the future for Sports Illustrated Tickets and emphasized “global expansion” over the next 24 months as a primary target.
He said such expansion "includes naming rights, stadium, primary opportunities, secondary opportunities. We are in conversations with venues around the world right now to become their partner, not their vendor, and I think as we step into those conversations, we have some great value that we can bring to our partners.
That value, in Lane’s eyes, includes Sports Illustrated's primary and secondary market ticketing solutions, its foundations on the digital blockchain, its competitiveness relative to other industry players, and most importantly, that the brand name evokes consumer trust.
He concluded: “Our focus is to follow what the leaders in the space have done over the past decades, find the partners like Kraft Sports and Entertainment that see the opportunity, and work with them. Take over the ticketing, take over the partnerships where we can do better for them, and make that experience better for the fan.”
|
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3
| 23
|
https://www.tiktok.com/%40worldrankingcountries/video/7364490787721170219
|
en
|
Log in
|
[] |
[] |
[] |
[
"Log in",
"Log in to TikTok"
] | null |
[] | null |
Log in or sign up for an account on TikTok. Start watching to discover real people and real videos that will make your day.
|
en
|
https://www.tiktok.com/favicon.ico
| null |
By continuing, you agree to TikTok’s Terms of Service and confirm that you have read TikTok’s Privacy Policy.
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|||||
246
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dbpedia
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0
| 21
|
http://soccerfootballwhatever.blogspot.com/2020/01/finland.html
|
en
|
Soccer, football or whatever: Finland Greatest All
|
[
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[] |
[] |
[
""
] | null |
[
"football or whatever",
"View my complete profile"
] | null |
This blogger Artur Yanturin of Russia copied many of my blog teams. This blog was one of them. It was my Russia All-Time Team here ....
|
en
|
http://soccerfootballwhatever.blogspot.com/favicon.ico
|
http://soccerfootballwhatever.blogspot.com/2020/01/finland.html
|
I am Lincoln W Chan from Hong Kong also aka Excapegoat at bigsoccer. This blog is mainly about all-time teams.
|
|||||
246
|
dbpedia
|
2
| 38
|
https://www.prnewswire.com/news-releases/patientpoint-leads-31st-annual-national-health-information-awards-with-94-content-accolades-302215729.html
|
en
|
PatientPoint Leads 31st Annual National Health Information Awards with 94 Content Accolades
|
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[] |
[] |
[
"PatientPoint"
] | null |
[] |
2024-08-07T10:00:00-04:00
|
/PRNewswire/ -- For the 13th consecutive year, PatientPoint dominated the National Health Information Awards (NHIAs), earning more accolades than any other...
|
en
|
/content/dam/prnewswire/icons/2019-Q4-PRN-Icon-32-32.png
|
https://www.prnewswire.com/news-releases/patientpoint-leads-31st-annual-national-health-information-awards-with-94-content-accolades-302215729.html
|
Highly decorated digital health leader dominates awards, earning more NHIA honors than any other organization.
CINCINNATI, Aug. 7, 2024 /PRNewswire/ -- For the 13th consecutive year, PatientPoint dominated the National Health Information Awards (NHIAs), earning more accolades than any other organization. PatientPoint health content earned a total of 94 awards, including 22 gold, 19 silver, 25 bronze and 28 Merit awards, solidifying itself as the leader in patient education.
The NHIAs are the most comprehensive consumer health publishing competition of their kind and have remained the gold standard in consumer health information for over 30 years. As an NHIA honoree, PatientPoint joins nationally ranked hospitals, leading consumer health publishers, esteemed medical societies and trusted patient support and advocacy organizations in being recognized for exemplary health information programs.
"At PatientPoint, our goal is to create content that helps patients gain greater understanding of their health and empowers them to take action," said PatientPoint Executive Vice President of Content and Creative, Kate Merz. "We have the powerful advantage of being present in the exact moments care decisions happen, and we capitalize on that opportunity by putting the right content in front of patients at the right time, which we've proven can affect positive change. We envision this content will play an even bigger and more critical role in our mission to empower better health in the future. Look for exciting things ahead from our talented team. For now, we are proud of this continued recognition from the National Health Information Awards, and we are committed to delivering impactful content in the moments patients need it most."
PatientPoint's health education content honored in the 31st Annual NHIA Awards includes animated and live-action styles, as well as printed guides that cover topics across multiple healthcare specialties. Educational video segments on diabetes, breast cancer and osteoporosis earned NHIA Gold awards. PatientPoint's live-action production house, PatientPoint Studios, received several honors for documenting real patient stories and education segments on a host of topics including stroke, rheumatoid arthritis and decision fatigue.
About PatientPoint
PatientPoint® is a leading digital health company that connects patients, healthcare providers and life sciences companies with the right information in the moments care decisions are made. Our solutions are proven to influence patient behavior and improve health outcomes, driving value for all stakeholders. Across the nation's largest network of connected digital devices in 35,000 physician offices, PatientPoint solutions empower better health for more than 750 million patient visits each year. Learn more at patientpoint.com.
SOURCE PatientPoint
|
|||||
246
|
dbpedia
|
3
| 74
|
https://suomisport.freshdesk.com/en/support/solutions/articles/44002158942-can-football-and-floorball-clubs-use-the-t%25C3%25A4htiseura-online-service-
|
en
|
Can football and floorball clubs use the Tähtiseura online service?
|
[
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[] |
[] |
[
"football",
"floorball",
"sport division",
"division"
] | null |
[] | null |
Floorball and football clubs can use and apply the Tähtiseura online service in their development efforts. The relevant sports federations (Finnish Floorball Federation and Football Association of Finland) have their own club-oriented development...
|
en
|
Suomisport -tuki
|
https://suomisport.freshdesk.com/en/support/solutions/articles/44002158942-can-football-and-floorball-clubs-use-the-t%C3%A4htiseura-online-service-
|
Floorball and football clubs can use and apply the Tähtiseura online service in their development efforts. The relevant sports federations (Finnish Floorball Federation and Football Association of Finland) have their own club-oriented development platforms which are primarily used for audits and assessments.
|
|||||
246
|
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|
1
| 94
|
https://primatips.com/tips/2024-08-04
|
en
|
Football Tips for Aug 4, 2024
|
https://primatips.com/favicon.ico
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https://primatips.com/favicon.ico
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2024-08-04T00:00:00
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Football/Soccer matches and tips for Sunday, August 4, 2024, hot bets, and best odds.
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en
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/favicon.ico
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*** Odds that are shown are pre-match average values calculated from couple of different bookmakers. They are accurate at the moment of last update 2024-08-09 20:05. Odds may vary at this moment!
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246
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dbpedia
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https://bleacherreport.com/articles/786046-power-ranking-the-top-30-leagues-in-europe
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World Football Power Ranking: The Top 30 Leagues in Europe
|
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"Allan Jiang"
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2011-08-02T12:33:18-04:00
|
We all know the top four leagues in Europe, but do we know the ninth best league, let alone the 30th best league? Perhaps it’s trivial to know, but that’s the point of this article...
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en
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https://static-assets.bleacherreport.net/favicon.ico
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Bleacher Report
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https://bleacherreport.com/articles/786046-power-ranking-the-top-30-leagues-in-europe
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Allan JiangTransfers Correspondent
World Football Power Ranking: The Top 30 Leagues in Europe
0 of 30
We all know the top four leagues in Europe, but do we know the ninth best league, let alone the 30th best league?
Perhaps it’s trivial to know, but that’s the point of this article.
It’s to profile the leagues you don’t know, inform you on up-and-coming clubs and update you on prospective players who could be moving to a league you watch.
30. Veikkausliiga (Finland)
1 of 30
Finland have only had a professional football league since 1990, so it’s commendable that Veikkausliiga clubs have produced the likes of Sami Hyypiä, Mikael Forssell and Joonas Kolkka.
The problem with the league is its champions only have one shot or one opportunity to make it through to the UEFA Champions League.
More often than not, they fail, which shows in the fact that a Veikkausliiga club hasn’t qualified for the Champions League since the 1998-1999 season when HJK Helsinki did.
Player to watch: FC Inter Turku’s 23-year-old right winger Mika Ojala.
Ojala is having in career best form with 12 goals and 12 assists in 16 games. He trialled with Dutch club Heerenveen in 2008, but it’s more than likely that he’ll leave for bigger and better things come season end.
Did you know Finnish legend Jari Litmanen, the Ajax goal scoring machine of the 1990s, is still playing professional football in the Veikkausliiga at 40 years old?
29. Nemzeti Bajnokság I (Hungary)
2 of 30
Oh how the mighty have fallen.
If you know your football history, then you know the Mighty Magyars.
Not only did they influence Total Football, but they played football with such style, such flair and such ruthless efficiency.
The 1956 Hungarian revolution ended the reign of the Mighty Magyars and Hungarian football hasn’t been the same since.
Though two seasons ago, Debrecen quailed for the UEFA Champions League but were comprehensively outclassed, conceding 19 goals in six games.
Player to watch: MTK Budapest's 19-year-old forward Patrik Tischler.
Tischler was signed on loan by Oldham Athletic in 2009 but has since returned to MTK Budapest where he scored 12 goals last season.
Will need to put in the hard yards if he wants to make it outside of his country like his fellow compatriot Balázs Dzsudzsák.
28. Serbian SuperLiga (Serbia)
3 of 30
It's somewhat symbolic of the Serbian SuperLiga to be ranked after the Nemzeti Bajnokság I because Serbia is experencing the same issues that Hungary did post-revolution.
The Yugoslavian revolution broke up what could have been a legitimate FIFA World Cup contending team, of course Croatia would make a stunning semifinal appearance in the 1998 FIFA World Cup.
The main problem with the Serbian SuperLiga is for all the talent their clubs produce or sign, they lose them after a breakout season.
Cleo who was playing for Partizan last season surprised me with how good he was in the UEFA Champions League last season. Do you know where he is?
He's at Guangzhou Evergrande in China with Darío Conca, both are earning money that would rank them among the best paid players in the world.
Player to watch: Red Star Belgrade's 24-year-old Brazilian creative midfielder Evandro.
Assuming Red Star Belgrade make into the Europa League, as soon as Evandro starts playing some samba football, clubs will immediately look to sign him.
Red Star Belgrade will look to sell him, since it's no coincidence that he happens to hold an Italian passport, therefore making him an EU player and more accessible to La Liga and Serie A clubs who have non-EU restrictions.
27. Slovak Superliga (Slovakia)
4 of 30
Slovakia as a football nation has developed in leaps and bounds since becoming an independent nation in 1993.
Slovak Superliga was founded in 1993, and their clubs have produced some fine footballers in recent years, like Marek Hamšík and Miroslav Stoch.
It's still a developing league, but it needs to be able to hold onto its players, whether it's paying them more money or some kind of enticement which would prevent them from leaving the club for next to nothing.
MŠK Žilina played in the UEFA Champions League last season and were out of their depth, though they did give a Chelsea second team a good game.
Player to watch: MŠK Žilina's 21-year-old centre midfielder Benin Bello Babatounde.
Babatounde is a high energy player who was Žilina's man of the match in their definitive Champions League qualifying game against Sparta Prague.
Worked hard throughout Žilina's forgetablle campaign and scored at Stamford Bridge.
26. Bulgarian A Professional Football Group (Bulgaria)
5 of 30
Yahoo reported Bulgarian and Manchester United forward Dimitar Berbatov saying, "There is a saying in Bulgaria that great quality doesn't require much effort."
Well Bulgaria neither have great quality or have made any streneous attempts in fixing all that is wrong with Bulgarian football.
When you have organised crime embedded in football, not only does it compromise the spirit of the game, but lives are being lost over a game of football.
Player to watch: CSKA Sofia's 21-year-old Bulgarian left sided forward Spas Delev.
Dynamic, tricky and with an eye for goal, don't be surprised if Delev become's Bulgaria's next big thing. If you wanted to know, he's plays with more urgency than the languid Berbatov.
25. Tippeligaen (Norway)
6 of 30
Ole Gunnar Solskjær and Rune Bratseth are perhaps the best ever players produced by a Tippeligaen club.
For many years, Rosenborg has been the flag bearer of the Tippeligaen , qualifying 11 times for the UEFA Champions League, though they haven't qualified since the 2007-08 season.
Considering Norway only has 4.8 million people, London has 7.8 million people, you can't expect too much from the Tippeligaen.
Player to watch: Rosenborg's 19-year-old centre midfielder Markus Henriksen.
I like him a lot, in the games I've watched Rosenborg play, he outshone the highly rated Anthony Annan. For a teenager, Henriksen plays like a seasoned professional.
24. Allsvenskan (Sweden)
7 of 30
Sweden have always produced great footballers, from Gunnar Nordahl to Henrik Larsson to Zlatan Ibrahimović.
Then you factor in a gold medal at the 1948 Olympics, finalists at the 1958 FIFA World Cup, third place in the 1950 and 1994 FIFA World Cup, and semifinalists at Euro 1992.
But the league hasn't flourished as expected.
The last time an Allsvenskan club did anything signifcant in Europe was when Malmö were beaten 1-0 by the late Brian Clough's Nottingham Forest in the 1979 European Cup final.
Player to watch: AIK's 21-year-old Sierra Leonean forward Teteh Bangura.
A product of Former Inter Milan player Mohamed Kallon's Kallon FC, Bangura has looked a class above the Allsvenskan.
His fellow compatriot and good friend, 22-year-old forward Mohamed Bangura (no relation) also looks like a promising prospect for AIK.
It's likely if Teteh is signed, Mohamed may come in the package.
23. Ekstraklasa (Poland)
8 of 30
Around about a decade ago, there was a naturalised Nigerian born Polish forward called Emmanuel Olisadebe, whose Polish citizenship was marred in contrervesy.
Though there was no doubt he could play, and it was his eight goals in 10 games which allowed Poland to qualify for the 2002 FIFA World Cup, ending 16 years in the wilderness.
However Poland didn't show up, and Olisadebe's career fizzled out.
Fizzled out would be a good description of the Ekstraklasa, and long gone are the days of Grzegorz Lato, Jan Tomaszewski, Kazimierz Deyna, Zbigniew Boniek and so on.
In the past decade, Poland have resorted to fast tracking naturilised Polish citizens like Olisadebe and Brazilian born Roger Guerreiro.
It shows in their youth progression, they haven't qualified for an UEFA under-19 tournament since 2004, in which they finished bottom of their group.
Player to watch: Lech Poznań's 23-year-old Latvian forward Artjoms Rudņevs.
Lech Poznań surprisingly qualified ahead of Juventus in last season's Europa League.
Rudņevs had an excellent games against Juventus and a second string Manchester City side.
22. Liga I (Romania)
9 of 30
First thing when I think of Romanian football is Gheorghe Hagi, what a sublime footballer he was.
In recent years, Cluj have been flying the Romanian flag in the UEFA Champions League, but it's not their below par performances which have been talking a point.
It's the fact their squad is so South American influenced. Currently it has six Brazilians and an Argentine.
Player to watch: Unirea Alba Iulia's 18-year-old right winger Nicolae Stanciu.
The only Romanian player who showed some urgency and some promise during their disappointing UEFA under-19 tournament.
21. Vysshaya Liga (Belarus)
10 of 30
BATE Borisov, the club which produced Alexander Hleb, has dominated the Vysshaya Liga—having been crowned league champions for five years running.
The last time they were in the UEFA Champions League, BATE Borisov finished bottom of their group, but they didn't look out of the depth.
Player to watch: BATE Borisov's 22-year-old Brazilian creative midfielder Renan Bressan.
Renan brings some Brazilian flair, and was top scorer last season in the Vysshaya Liga. Last December, he became a Belarusian citizen, so he could be Hleb's future national teammate.
20. Gambrinus Liga (Czech Republic)
11 of 30
Earlier in the article, you saw Slovakia who split from Czechoslovakia. Well the other half is Czech Republic whose Gambrinus Liga have been in operation since 1993.
Prague, the capital city of Czech Republic, has dominated the Gambrinus Liga with around 78 percent of league champions being a Prague team.
So it's generally always Sparta Prague or sometimes Slavia Prague, though Viktoria Plzeň surprisingly won the league last season pipping Sparta Prague to the league title by a solitary point.
The Euro 1996 final loss to a 95th minute golden goal from Germany's Oliver Bierhoff will always haunt the Czechs.
They had a very good team, with the likes of Pavel Nedvěd, Karel Poborský, Patrik Berger, Pavel Kuka and Radoslav Látal.
Player to watch: Sparta Prague's 19-year-old Czech striker Václav Kadlec.
According to IMScouting, Czech scouts believe Kadlec is the biggest Czech talent since Tomáš Rosický.
19. Prva HNL (Croatia)
12 of 30
In recent years there have been an abundance of Croatian talent coming through like Luka Modrić, Niko Kranjčar, Ivo Iličević, Ivan Perišić and Nikola Kalinić.
Croatia have also indulged in stealing Australian born and Australian produced players with Croatian heritage like Josip Šimunić, Joey Didulica and Anthony Šerić.
Steven Lustica is probably the next Australian born and Australian produced player that Croatia will steal, after he declined to play for the Australian national under-20 team.
Though one can make the argument well they also have Croatian heritage, so they can choose to be Australian or Croatian.
Well, Eduardo is 100 percent Brazilian, yet he's played for Croatia.
Dinamo Zagreb's Sammir is 100 percent Brazilian, yet he wants to play for Croatia.
I don't know why Croatia, a nation who fought a bloody and destructive war to create their own identity are blurring their football identity by stealing Australian players and trying to naturalise Brazilian players.
They have enough talent, they don't need to be stealing from other nations.
Player to watch: Dinamo Zagreb's 24-year-old Brazilian creative midfielder Sammir.
He makes the game look so easy, and if Croatia do naturalise him, he'll make them a better side.
18. Ligat Ha-Al (Israel)
13 of 30
Palestine being recognised as a football nation in 1998 by FIFA, spells a major problem if Palestine and Israel both qualify for a FIFA World Cup and are put in the same group stage.
Though that's a problem we don't need to contemplate for years or even decades.
Right now, the main focus for Israel is to qualify for a FIFA World Cup, which they haven't done since 1970.
Their past four World Cup qualifying campaigns have gradually improved, as they've had positive goal differences.
One problem I see is the likes of Ben Sahar, Gai Assulin, Nir Mantsur and future Israeli teenagers venturing out to bigger leagues and trying to make it.
Instead of playing first team football, they're warming the benches.
Sahar's career rebounded when he came back to Israel, and right now Assulin is wasting his time at Manchester City. Why not come back to Israel?
Amos Sassi and Shlomi Dahan, both were whisked away as teenagers to Borussia Dortmund, where their growth were stunted. Both never developed into the footballers they were projected to be.
Israeli teenagers should stay with the Israeli club who produced them, establish themselves as the cream of the crop in the Ligat Ha-Al, before moving on to bigger and better things.
Player to watch: Maccabi Haifa's 19-year-old Israeli attacking midfielder Eyal Golasa.
Golasa would be a dream for Spanish based commentators, but he's also stayed in Israel, developed into one of their most prospective youngsters and is set to move this summer or next summer.
17. Marfin Laiki (Cyprus)
14 of 30
Teams from the Marfin Laiki have earned my respect and certainly countless fans around Europe with their performances in the UEFA Champions League in past seasons.
Who will ever forget Anorthosis Famagusta's memorable Champions League campaign in 2008-2009 season?
Down 2-0 against Inter Milan, Anorthosis Famagusta come back to lead 3-2, before drawing 3-3.
That was a great game, and Anorthosis Famagusta just played nice football throughout the group stages.
Then there was APOEL the next season who were totally different, they were staunch, they were commited team members, and they did Cyrpus proud by causing problems for the bigger teams.
So often you see minnow teams get thrashed because they come into the game expecting to lose. APOEL came into the game expecting to draw or to concede the least amount of goals possible.
Player to watch: APOEL's 24-year-old Macedonian forward Ivan Tričkovski.
Dumped by Red Star Belgrade, Tričkovski has proved to be a tricky task for opposing defenders. It will be interesting to see how many more seasons he'll stay in the Marfin Laiki.
My guess is not many.
16. Scottish Premier League (Scotland)
15 of 30
People should bear in mind that the Scottish Premier League (SPL) has only been around since 1998, having taken inspiration from the formation of the English Premier League (EPL).
The events surrounding Celtic manager Neil Lennon and his life being under threat over a game of football was disappointing to say the least.
The SPL is represented essentially of the Old Firm duo of Celtic and Rangers, both of whom have under-performed in the UEFA Champions League.
The SPL is only one coefficient position away from gaining two Champions League places, right now they have one.
Financial stability is also another objective the SPL needs to attain.
Player to watch: Celtic's 25-year-old Honduran left-back Emilio Izaguirre.
Whichever Celtic scout who was done at Tegucigalpa to watch Izaguirre play should get a massive commission.
Not only did Celtic snare Izaguirre for just £580 000, he's proven that potentially he could become one of the world's best left-backs.
15. Austrian Football Bundesliga
16 of 30
A couple of years ago, the Austrian Football Bundesliga were in the news because the energy drink company Red Bull bought out Austria Salzburg, and renamed it Red Bull Salzburg.
Aside from that Austria as a football nation hasn't made any noise since qualifying for the 1998 FIFA World Cup.
Currently, Austria has some talented young individuals in David Alaba, Marko Arnautović, Veli Kavlak to go with the likes of Christian Fuchs, Christoph Leitgeb and Marc Janko. Austria looks like a half-decent side.
Player to watch: Austria Vienna's 23-year-old Austrian attacking midfielder Zlatko Junuzović.
I've seen him play a few times and to sum him up, quality. I commend the fact that someone so talented like him decided against the idea of venturing into stronger leagues and stayed in Austria to get game time as opposed to warming the benches at a big club.
His contract ends next season, and from what I understand, he is unwilling to sign a new deal.
Meaning that he'll be sold this summer.
It will be interesting to see if any of the big clubs have had their scouts in Vienna.
14. Swiss Super League (Switzerland)
17 of 30
Over the past decades, the Swiss Super League has been a stepping stone for foreign forwards who would become prolific scoring forwards in stronger leagues like Iván Zamorano, Sonny Anderson, Élber and Seydou Doumbia.
The Swiss national football team have merged their identity into not losing, and whilst it has been successful for them, it's been dull to watch.
You look at this Swiss side: Stephan Lichtsteiner, Tranquillo Barnetta, Hakan Yakin, Eren Derdiyok and you think why can't they play some attacking football?
Haris Seferović and Nassim Ben Khalifa, the two stars from the Swiss 2007 FIFA under-17 World Cup victory, are both going through a lull in their young careers because they're at good clubs but not getting anygame time.
Why not come back to the Swiss Super League?
Player to watch: Basel's 19-year-old Swiss winger Xherdan Shaqiri.
I'm convinced that Shaqiri will live up to the hype because I think he has the qualities to become a top notch footballer in La Liga or the Serie A.
13. Belgian Pro League (Belgium)
18 of 30
The 10.8 million people in Belgium are all asking the same question.
We produced Paul Van Himst, Fernand Goyvaerts, Enzo Scifo, Eric Gerets, Jean-Marie Pfaff, Jan Ceulemans and many more.
We were denied a FIFA World Cup finals apperance because of Diego Maradona's greatness.
We qualified for six succesive World Cups.
What happened?
I have no answers as to why a nation of Belgium's football pedigree, has been in the international wilderness for nine years, and has been in the continental wilderness for 11 years.
Fear not, the Belgian golden generation is here.
Simon Mignolet, Anthony Vanden Borre, Vincent Kompany, Toby Alderweireld, Thomas Vermaelen, Jan Vertonghen, Marouane Fellaini, Axel Witsel, Kevin De Bruyne, Romelu Lukaku, Eden Hazard.
They'll all be 30 years or younger come the 2014 FIFA World Cup, and yes, that is a bold prediction for the starting lineup in three years time.
How have Belgium produced so many prodigiously talented footballers all in same era?
Writing in The Times, Gabriele Marcotti simply answered, "Perhaps the only real explanation for why a disproportionate number of babies blessed with the raw genetic material to become top footballers were born in Belgium between 1987 and 1993 rests in the vagaries of random distribution."
The problem with the Belgian Pro League is that it won't be able to hold onto its stars.
Player to watch: Anderlecht's 18-year-old Belgian centre forward Lukaku.
Future FIFA Ballon d'Or winner.
Chelsea will be making a massive mistake if they pass up Lukaku because they're scared it will impact Fernando Torres' confidence.
12. Danish Superliga (Denmark)
19 of 30
Whether it's the 1980s Danish Dynamite national team or that surprise Euro 1992 triumph, Denmark have left an indelible mark on world football.
Last season, Ståle Solbakken's Copenhagen gained a lot of respect for qualifying ahead of the more fancied Rubin Kazan and Panathinaikos.
Copenhagen's two games against Barcelona were excellent.
They fought out a tough draw against Barcelona, and would have given Barcelona a better contest if not for José Manuel Pinto being horrifically unsportsmanlike.
With just 5.5 million people, the Danish Superliga will struggle finding talent compared to bigger nations.
Though with the talent they do have, they will nurture them into world class footballers just like Uruguay, a nation with just 3.3 million people have done.
Player to watch: Midtjylland's 22-year-old Danish goalkeeper Jonas Lössl.
Unlike Manchester United goalkeeper Anders Lindegaard, Lössl has cemented himself in the Midtjylland lineup and was impressive.
Denmark will be hoping to replicate their shock Euro 1992 triumph sooner rather than later.
11. Süper Lig (Turkey)
20 of 30
In recent years, the Süper Lig has raised some eyebrows not only with their fanatical fans but some of their transfers.
Just look up the teams of Fenerbahçe, Beşiktaş and Galatasaray, and you think wow those are good teams on paper.
I'm expecting a good performance from Fenerbahçe in the UEFA Champions League this season, specifically from their talismanic captain Alex, who doesn't gain enough recognition as one of the world's best players.
Player to watch: Galatasaray's 24-year-old Turkish left winger Arda Turan.
A very efficient midfielder, who should be playing in a better league.
10. Superleague Greece (Greece)
21 of 30
I just wonder how Greece's dire economic situations will affect the Superleague.
Over the years, Greece has developed a somewhat unfair reputation for being boring, for being bad for the game of football, when not all Greek teams or footballers adhere to former manager Otto Rehhagel's philosophy.
Though credit to him, he led Greece to one of the most improbable triumphs in recent memory.
What I mean by unfair is that I watched AEK Athens for a while, because of Rivaldo and Nikos Liberopoulos just orchestrated some beautiful attacking passages of play for the Athenian team.
I thought to myself, oh my, and I stereotyped Greek football for being unattractive and dull because of one manager.
I was wrong, and you are wrong if you think Greek football only play boring football.
Player to watch: Panathinaikos' 21-year-old Greek attacking midfielder Sotiris Ninis.
His contract ends next year, and I would be surprised if he signed an extension. Ninis has done his time in the Superleague, and someone of his talent should be playing at a higher level.
So by that logic, he should be sold this transfer window, but I haven't heard of any transfer rumours relating to him.
9. Eredivisie (Netherlands)
22 of 30
1974, Total football, Johan Cruyff, Ajax, Dennis Bergkamp, Marco van Basten and Rinus Michels.
Those should be the first things that come to your mind when you think of Dutch football.
The Eredivisie has been so integral in facilitating era after era after era of technical Dutch footballers, who then become world class footballers at other clubs.
So therein lies the problem, the Eredivisie cannot hold onto its stars. I mean the Netherlands is a nice place to live, good football league, but youngsters are growing up dreaming of playing for Real Madrid, Barcelona, Manchester United, A.C. Milan and so on.
Player to watch: Ajax's 23-year-old Dutch right back Gregory van der Wiel.
I've been very impressed with the athleticism of van der Wiel, but sometimes his mental though process goes a bit haywire.
At 23, now would be the right time to move for van der Wiel, who has won everything he can in the Netherlands, and should be aiming for higher honours like a UEFA Champions League.
8. Ukrainian Premier League (Ukraine)
23 of 30
One word to sum up the Uraknian Premier League in the past few seasons: Brazilian.
Here are the top five teams last season.
1. Shakhtar Donetsk: Eight Brazilians, two out on loan
2. Dynamo Kyiv: Five Brazilians, one out on loan
3. Metalist Kharkiv: Three Brazilians
4. Dnipro Dnipropetrovsk: Two Brazilians
5. Karpaty Lviv: Three Brazilians
It's a developing league, but it lacks world class footballers to turn a Ukranian team into a perennial UEFA Champions League contender.
Player to watch: Dnipro Dnipropetrovsk's 22-year-old Ghanaian right back Samuel Inkoom.
He was forced to take a pay cut in order to fly out to play for Ghana, that how's dedicated Inkoom is to representing his nation.
Inkoom is a robust right back who I think at times rely too much on his athleticism, but I believe he has what it takes to play at a higher level.
7. Russian Premier League (Russia)
24 of 30
So much money has been pumped into the Russian Premier League to give the nation some face on the continental stage.
Immediately it shows, now you have Anzhi Makhachkala trying to buy everyone, but they have built up a very good squad on paper.
Then consider the squads of CSKA Moscow and Zenit Saint Petersburg.
Russian teams will contend in the UEFA Champions League for seasons to come.
Player to watch: CSKA Moscow's 20-year-old Russian left back Georgi Schennikov.
Like compatriot and fellow teammate Alan Dzagoev, Schennikov has made the transition from youth to senior football with no issues.
6. Primeira Liga (Portugal)
25 of 30
Players to watch: Porto's 18-year-old Argentinian winger Juan Manuel Iturbe.
The called him the Parguayan Lionel Messi, well that was until he decided to switch from Paraguay to Argentina.
You can hear the cursing all the way from Asunción.
Tim Vickery at Sports Illustrated stated, "The Messi comparison is unfair, but Iturbe has some spark in his left-footed dribbling."
Porto have once again invested wisely.
5. Ligue 1 (France)
26 of 30
This summer all the Ligue 1 headlines were dominated by Paris Saint-Germain (P.S.G) being taken all over by Qatar Investment Authority, who are estimated to be worth over $60 billion.
Ligue 1 has always been a fiscally sound league because it has rules where if a club records to much of a deficit, it is liable to being relegated.
Hence, Ligue 1 has become a selling league.
Well, P.S.G will destroy that reputation by buying all the best talent available, whilst also keeping the players they have.
Unlike Manchester City, P.S.G reside in one of the cities in the world, and the weather is better.
They've already bought Javier Pastore for €40 million, who else are they going to buy?
Mark my words, P.S.G will become perennial UEFA Champion League contenders.
As for Ligue 1, well they'll have to accept being second place is a worthy achievement.
Player to watch: Paris Saint-Germain's 21-year-old French centre back Mamadou Sakho.
An extremely strong and rugged centre back, Sakho is the future of the French national team. I hope manager Laurent Blanc can start Sakho because he is a good footballer not because of his skin colour.
4. Serie A (Italy)
27 of 30
Corruption, racism, hooligans, financial distress and dull football have eroded the Serie A in recent years.
Yet Napoli and Udinese continue to defy the stereotype of dull Italian football by playing some adventerous and daring football.
Shouldn't surprise you that both teams were involved in two great matches. Napoli's 4-3 victory against Lazio and Udiniese's pulsating 4-4 draw against A.C. Milan.
Juventus are still picking up the pieces from the Calciopoli scandal.
Their remedy: buy, buy and buy.
A.C. Milan are building a dynasty, and Inter Milan are rebuilding following the departure of José Mourinho and Leonardo.
Somehow the Serie A dropped all those coefficient points and now only have three UEFA Champions League positions.
Serie A changed it's logo and has restrucuted their league to copy that of the English Premier League (EPL), so lets see if it will be as financially successful as the EPL.
Player to watch: Fiorentina's 19-year-old Italian centre-back Michele Camporese.
Will be another top notch Italian centre-back.
3. Fußball-Bundesliga (Germany)
28 of 30
The Bundesliga has worked extremely hard in getting its league back to the standard it was a couple of decades ago.
For me, the Bundesliga is one of the most exciting leagues in the world, and when you combine that excitement on the pitch with the fanfare, the beautiful stadiums, the nice weather, you get a great league.
No Bundesliga club has won the Champions League since 2001.
With the likes of Manchester City, Paris Saint-Germain and Anzhi Makhachkala forcing their way into becoming real contenders of the UEFA Champions League—how will it affect Bundesliga clubs?
Can Bundesliga clubs hold onto their best assets?
Player to watch: Borussia Dortmund's 22-year-old German centre back Mats Hummels.
Was magnificent last season and will continue to be magnificent. Bayern Munich lost out big time when they sold Hummels.
2. La Liga (Spain)
29 of 30
Right now, investors will not be going to Spain to invest money because the country's debt issues is getting out of control.
You look at La Liga last season, Sid Lowe reported how Levante couldn't even spend €3,000 on ProZone analysis.
Then you have Valencia trying to inflate their players because they're so desperate to sell. If I was Valencia, I'd be on the phone to Paris Saint-Germain and Anzhi Makhachkala.
The large majority of La Liga clubs, if not all except Málaga, are heavily in debt.
Real Madrid and Barcelona can continue living in their own bubble, because banks will continue to bail them out regardless of how irresponsible they spend money.
Talking about Málaga, they're financially backed by Sheikh Abdullah Al Thani and have a squad that should be able to get them into the UEFA Champions League.
Upon sealing Champions League qualification, that is when Sheikh Abdullah will start spending big presumably on young talented South Americans.
Player to watch: Athletic Bilbao's 22-year-old Spanish centre midfielder Javi Martínez.
Martínez is classy on and off the pitch, and I'm surprised he's still at Athletic Bilbao.
1. English Premier League (EPL)
30 of 30
With over £1 billion revenue, the English Premier League (EPL) is the most lucrative football league in the world.
What's remarkable is that England has a culture barrier to South America, who generally always have the best footballers in the world, but the EPL still have overcome this issue even with Barcleona and Real Madrid stockpiling their teams with South American talent in years gone by.
There is only one problem, and that's the debt issue that the likes Manchester United and Liverpool have.
That being said, as long as the EPL remains successful, as long as England doesn't go into some sort of financial melt down like Spain or Greece, then the EPL will continue to be the leading league in the world.
Oh and Manchester City, I predict they'll win the EPL this season, but I'm not too sure about UEFA Champions League dominance.
As Real Madrid, Barcelona and Paris Saint-Germain will be also legitimate contenders.
Player to watch: Chelsea's 18-year-old centre midfielder Josh McEachran.
I hope Chelsea don't spend big on a creative midfielder because I believe McEachran should be given the role.
Just like when Académica de Coimbra and Porto gave a young inexperienced André Villas-Boas a chance, he should give McEachran a chance.
-----------------------------------
* The rankings are based on the UEFA coefficients, a system which ranks clubs and countries by statistical evaluation.
Other Must Read Articles
Grading the 25 Most Expensive European Football Transfers so Far
22 Fastest Players in World Football Right Now
The 20 Most Stupid English Premier League Signings Ever
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https://www.scorebar.com/live/6574-1103/sporting-kristina-vifk
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en
|
Sporting Kristina - VIFK live score and H2H football match results
|
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[
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"VIFK",
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[] | null |
Sporting Kristina vs VIFK live score and live streaming on April 16th, 2024 at 15:00 UTC time at Kristiinankentta, Kristinestad for Football Finland Cup.
|
en
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/apple-touch-icon.png
|
https://www.scorebar.com/live/6574-1103/sporting-kristina-vifk
|
Sporting Kristina vs VIFK
Sporting Kristina
1
-
5
FULL TIME
VIFKSporting Kristina vs VIFK Apr 16, 2024 Timeline
0'
HT
10 ' 33 ' 40 ' 42 ' 45 ' 64 '
FT
Sporting Kristina vs VIFK Lineups Apr 16, 2024
Sporting KristinaVIFKMax PeltonenPeltonen
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https://www.myhelsinki.fi/en/work-and-study/work/football-belongs-to-everyone
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Football belongs to everyone
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"https://www.myhelsinki.fi/static/images/logo.svg",
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[
""
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Ayisat Yusuf is a former professional football player who is encouraging immigrant women to do more sports through the NGO Monaliiku. ...
|
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/static/images/apple-touch-icon.png
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My Helsinki
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https://www.myhelsinki.fi/en/work-and-study/work/football-belongs-to-everyone
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https://www.intermiamicf.com/news/called-up-robert-taylor-called-up-by-finland-x5221
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Called Up: Robert Taylor Called Up by Finland
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2023-08-31T21:59:49.960000+00:00
|
Inter Miami CF winger Robert Taylor has been called to represent Finland’s national team in their upcoming 2024 UEFA Euro qualifying matches in September.
Taylor will first hit the road with Finland to visit Kazakhstan at Astana Arena in Astana, Kazakhstan on Thursday, Sept. 7 at 10 a.m. ET. In
|
en
|
intermiamicf
|
https://www.intermiamicf.com/news/called-up-robert-taylor-called-up-by-finland-x5221
|
Inter Miami CF winger Robert Taylor has been called to represent Finlandâs national team in their upcoming 2024 UEFA Euro qualifying matches in September.
Taylor will first hit the road with Finland to visit Kazakhstan at Astana Arena in Astana, Kazakhstan on Thursday, Sept. 7 at 10 a.m. ET. In the following matchup, the Finnish team will face Denmark at Helsinki Olympic Stadium in Helsinki, Finland on Sunday, Sept. 10 at 12 p.m. ET.
Taylor has featured consistently for the Finnish national team, representing his country at the U-17, U-19, U-20 and U-21 categories before making his debut for the first team in January 2017. He has played 29 times for the senior side to date, including being a member of the historic squad that helped Finland qualify for the UEFA European Championship 2020 and playing in the competition as the team made the first-ever appearance for the country in the continental competition. The versatile attacker most recently featured for the team during the June international window in which the team secured two victories in the UEFA Euro qualifiers.
At the club level, Taylor has recently excelled as Inter Miami clinched the 2023 Leagues Cup title to win the Clubâs first official trophy. The winger started in all seven matches en route to winning the competition, contributing in nine goals for the team with four goals and five assists to his name. He has also made 21 MLS regular appearances thus far in 2023, tallying two goals and five assists.
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https://www.reddit.com/r/soccer/comments/ap2d08/who_to_support_finnish_football_edition/
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en
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Dive into anything
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https://www.national-football-teams.com/old/leagues/66/1945_2/Finland.html
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en
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Leagues and Clubs of Finland
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https://www.national-football-teams.com/old/leagues/66/1945_2/Finland.html
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Info
© 2004-2024 by National Football Teams – all rights reserved.
Unauthorized publishing and copying of this website's content and images strictly prohibited!
Last update: Aug 9, 2024, 12:50:19 AM
Version: 3.0.0
Latest player pix
Muhammad John
Aug 9, 2024
Freddy Muli
Aug 9, 2024
Budhi Tanoto
Aug 8, 2024
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https://letsquiz.com/quiz/finland-national-football-team/what-is-the-most-popular-sport-in-finland
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en
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What is the most popular sport in Finland?
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Ice hockey is the most popular sport in Finland, which is one of the few European countries where football is not the most popular sport. This has contributed to a lower level of football performance
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https://letsquiz.com/quiz/finland-national-football-team/what-is-the-most-popular-sport-in-finland
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For more information, please review our About us page. // By using this site, you agree to the Terms of Use & Privacy Policy.
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Wasa Footballcup
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https://jobsinfootball.com/
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Jobs in Football
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"",
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"sports therapist career"
] | null |
[] | null |
The dedicated Football job site designed for both jobseekers and employers in the Football industry. We advertise Football vacancies from all over the world!
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Jobs In Football
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https://jobsinfootball.com/
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Full time
£30,000 yearly
AFC Fylde Preston PR4 3JZ, UK
Fan Engagement Officer Up to £30,000 per annum The Fan Engagement Officer will play a key role in driving revenue and profit for the club. You will be the driving force behind growing the AFC Fylde fan base and leading best in class fan engagement projects. Responsible for the entire matchday ticketing operation. Driving retail sales both in the club shop and on-line. Leading fan engagement initiatives for the club across the local community and wider geographical region. If you are interested in the Fan Engagement Officer role, please apply in writing, attaching your up -to-date curriculum vitae to: vacancies@afcfylde.co.uk
Part time
Tactalyse Remote
Tactalyse Tactalyse is looking for a (part-time) online video coach. We are a fast-growing company and experts in individual football tactics. We advise professional football players, agents, trainers/coaches, and clubs on the tactical side of the game. We collaborate with 35 coaches worldwide, coaching more than 250 players across 20 different countries and competing in top competitions worldwide. Main role and responsibilities Weekly coaching, advising and monitoring professional youth football players. Preparing online tactical sessions. Giving online tactical sessions in the evenings. Preparing football players for their matches (pre-match video). Monitoring the process of football players. Group sessions exist of a maximum of 5 players from the same position. License holder (self-employed) The license model involves a license agreement that provides for the shared use of Tactalyse’s trademarks, technology, and...
Full time
£25,000 yearly
AFC Fylde Preston PR4 3JZ, UK
Lead Analysis Coordinator £25,000 per annum The successful Lead Analysis Coordinator candidate will work within the club’s analysis department and be responsible for coordinating the analysis of all stats relating to the first team. They will oversee and deliver the first team programme, ensuring each player receives a best-in-class performance analysis provision, providing the optimum environment for individual & collective development and success. They will deliver engaging and insightful pre-match, live, and post-match feedback to maximise the team's ability to achieve success. In this position, they will be required to attend all first team home and away games, travelling with the team when they do. If you are interested in the Lead Analysis Coordinator position, please apply in writing with your up-to-date curriculum vitae to: vacancies@afcfylde.co.uk .
Full time
£25,000 yearly
Sheffield United Football Club Shirecliffe, Sheffield, UK
Contract Type: Permanent Hours: 40 hours per week Location: Sheffield United Training Academy and various opposition clubs Line Manager: Lead Academy Goalkeeping Coach Rate of Pay: £25,000 Per Annum Job Reference: AC082024 - LGKC For a valid submission we require the completion and return of the official application form found on our vacancies page: https://www.sufc.co.uk/club/vacancies/lead-ydp-fdp-goalkeeper-coach Sheffield United FC Academy are committed to being one of the best and most innovative developers of talent in the country; to Out Run, Out Fight, Out Play the opposition. An exciting new opportunity has arisen for a Lead YDP/FDP Goalkeeper Coach to join the Academy at Sheffield United Football Club to support us to achieve our goal. We are looking for a coach who has a passion for development of the players with whom they work, who will work with players to ensure that they achieve their...
Full time
Bristol City Football Club Robins High Performance Centre, Clevedon Road, Failand, Bristol, UK
LOCATION: Robins High Performance Centre, BS8 3TN CONTRACT TYPE: 37.5 hours per week Bristol City Football Club are looking for an enthusiastic Chef de Partie to work in our busy kitchen at The Robins High Performance Centre in Failand and help keep our kitchens in an immaculate and organised condition and assist in the preparation of food for our Athletes and staff. We are looking for a Full Time Chef de Partie to help support our Head Chef and his team in the provision of nutritious food for professional football players and associated staff and will be invaluable in making sure our players are at their optimal performance level each and every day. If you think you’ll enjoy working in a busy kitchen in an elite sporting environment we’d like to meet you. Duties and responsibilities of a Chef de Partie: The role is made up of many varying responsibilities including: To assist the Head Chef in the preparation of healthy nutritious food for...
Full time
Brighton & Hove Albion FC Brighton, Brighton and Hove, UK
Job Title: Partnership & 1901 Club Executive Hours : 35 hours per week plus all home match days (time in lieu after 5 match days) Location: North Stand offices at the American Express Stadium, Brighton Job Type: Permanent Deadline Day: 23rd August 2024 About Brighton & Hove Albion FC We compete at the highest levels of football on a global stage whilst keeping our Sussex community spirit. Our vision is to be a top ten Premier League club and a top four Women’s Super League club. A commitment to high performance, high professional standards and making a difference is at the heart of everything we do. Provide an expectational service to our sponsors, partners and 1901 club members The successful candidate will play a key role in delivering exceptional sponsor and partner experiences, as well as developing our exclusive 1901 Club member benefits and events. You will support the Partnerships team with optimising partnerships in...
Full time
£27,000 yearly
Leicestershire & Rutland County FA Hybrid
Oversea the management and strategic direction of the Leicestershire & Rutland County FA Referee Development programme. Alongside management of the Referee Development Officer, the role will also have an operational lead and focus on retaining and progressing match officials throughout the referee pathway.
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https://commons.wikimedia.org/wiki/Category:Vasa_IFK
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Category:Vasa IFK
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https://www.mesaatio.fi/articles/fc-meltsi-a-football-club-with-impact
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en
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FC Meltsi - a football club with impact
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The Mellunmäki neighbourhood is home to something very special. This Eastern Helsinki suburb takes pride in its very own football club for children and youth, FC Meltsi. The club's reputation for inclusiveness and great team spirit has spread far beyond its home pitch. In the spring of 2023, FC Meltsi has the honor of being nominated by the Football Association of Finland as a candidate in the UEFA Foundation for Children Awards.
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fi
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What makes FC Meltsi so special? Since the beginning, itâs been all about the kids. The story began with a group of children and their desire to create a new, local hobby for as many as possible. Football, a universal sport, was their first choice thanks to its low barrier of entry, even without any previous playing experience. Meltsi, our community house and local hotspot named after the neighborhoodâs nickname, took the childrenâs wish to heart: we saw an opportunity to use football as a tool to address concerns expressed by the local schools over classroom restlessness and widespread loneliness among children and youth.
FC Meltsi is a community initiative that aims to provide a rewarding, long-term hobby for everyone. In an area where many families are in a vulnerable position due to social and economic reasons, providing an accessible and engaging activity regardless of the childâs previous skills or experiences acts as a protective factor against inequality. Our goals are to offer kids meaningful activities, create a sense of belonging, as well as to strengthen the trust in oneself and oneâs future. We can proudly say that we are continuously reaching those goals. FC Meltsi has grown from a small team with a few players to a tight-knit community of 130 members that brings players closer together, improves their wellbeing, and helps to improve the atmosphere in the neighborhood. Through the power of sport, we've been able to create a sense of meaning and belonging among kids who might otherwise feel isolated or disconnected.
A lion logo designed by kidsâ¯
Kids werenât only behind the idea of FC Meltsi - in fact, they have been able to influence nearly all of its activities, from the training schedules to the team rules. Even FC Meltsi's lion logo was designed by the kids themselves. For those who have wanted to take on more responsibility, weâve offered the chance to become assistant coaches or junior league referees. We believe that by giving our players the opportunity to take on responsibility, we are helping them to develop important life skills that will serve them well both on and off the field. Â
We regularly gather playersâ feedback and ideas for new activities. They have come up with some great fundraising ideas, such as a successful pop-up kiosk which was entirely organized by the players themselves. Our commitment to combatting racism and promoting equality is demonstrated through our participation in initiatives such as the Finnish Multicultural Sports Federationâs "Show Racism the Red Card" project. Involving our players in these activities has resulted in increased dedication and pride in our club, as they witness the impact of their efforts firsthand. This has served as a powerful motivator for our young athletes.
Keeping the clubâs activities as accessible as possible is our priority. Training takes place immediately after school and within walking distance from home, to make it easy for parents in Mellunmäki area to support their childrenâs engagement. Many of them do not have the resources to take their children to faraway training venues. The children in our teams speak 20 different home languages, so we pay a lot of attention to clear communication. Participation is free of charge for all, including those involved with the teams that play at a competitive level. We have received numerous positive feedback on this, as many families cannot afford  the expenses that come with their child's participation in competitive sports.
A three-letter word behind it allâ¯
Coaches play a crucial role in children's sports, not only as experts in their sport but also as mentors who consider each child's developmental stage and physical abilities. They must support the children in developing their emotional and social skills, including conflict resolution. However, If you ask our Head Coach, Mostafa about the most important thing in coaching kids, he does not hesitate â "It's joyâ, he says. From joy comes everything else: interest and motivation for the sport and, gradually, technical skills.
Our coaching philosophy, developed by Mostafa, focuses on taking small steps. By exercise challenges, the children can feel a sense of accomplishment and shared joy, and progress towards larger goals.  Teams earn points upon completion of these challenges, which are recorded on a team board. As the points on the board increase, the children have tangible evidence of their developing skills. This creates a sense of shared accomplishment â "We've learned all this!" It reinforces the children's understanding of themselves as skilled players, who are capable of growth and progress. Studies show that improving a sense of self-efficacy has a positive impact on schoolwork as well.â¯â¯
While our primary focus is on providing accessible football opportunities for everyone, regardless of their level or background, we also believe itâs important for children to have the opportunity to participate in competitive teams if they wish to do so. In 2020, we joined the Football Association of Finland to promote our competitive sports-focused teams. Our teams have achieved great success on the field, and weâre proud to have set a national record. Specifically, two players from our girlsâ first team earned the top position on the national score board after scoring an impressive 122 goals in just 13 matches.
Activities with certified impact
Measuring and assessing the impact of our work is at the core of our operations. We follow up on the results and effectiveness of our activities and use a purpose-built tool to help us do this. Looking at data, we know that approximately 60 % of FC Meltsi players are children in a vulnerable position. We have also witnessed a significant positive change in the wellbeing of our young players, an observation that is echoed by their parents. The vast majority of our players (96 %) feel they belong to a meaningful community. These results are especially important considering the clubâs origins and the reported experiences of loneliness.
Based on studies, we know that approximately half of the youth in junior secondary school quit their sports hobbies. There are often social reasons for this, such as their friends quitting or them becoming more interested in hanging out with their friends than doing sports. We have put a lot of effort into addressing this challenge, such as setting up bounce-back structures. The open activities offered at the Meltsi community house have seen a 90 % pick-up rate, and include everything from gaming events to after school clubs and pizza nights. Additionally, we offer school support through daily homework clubs that our players actively participate in. In our wellbeing survey, 100% of the children reported being motivated to learn and to develop.
We encourage playersâ families to participate in our community house program, which includes weekly shared meals, conversation events, and opportunities to share recycled children's clothes and zero-waste food. We also provide peer support in multiple languages to address the challenges of parenthood. Every child is valued as a unique individual and a vital member of both their family, our football team, and the community as a whole. Â We take pride in the fact that FC Meltsi is more than a football club: it is a catalyst for positive change in our community.
You can read more about FC Meltsi here!
â
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https://www.cnn.com/2023/05/13/football/christian-eriksen-cardiac-arrest-comeback-spt-intl/index.html
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What Christian Eriksen learned about life and living after suffering a cardiac arrest playing for Denmark
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2023-05-13T00:00:00
|
On June 12, 2021, Denmark’s Christian Eriksen collapsed in the corner of the pitch during a European Championship match against Finland. As his teammates surrounded him, arm-in-arm, shielding him from the eyes of the world, doctors began working to save the midfielder’s life.
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/media/sites/cnn/apple-touch-icon.png
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CNN
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https://www.cnn.com/2023/05/13/football/christian-eriksen-cardiac-arrest-comeback-spt-intl/index.html
|
On June 12, 2021, Denmark’s Christian Eriksen collapsed in the corner of the pitch during a European Championship match against Finland. As his teammates surrounded him, arm-in-arm, shielding him from the eyes of the world, doctors began working to save the midfielder’s life.
“Well, what should I say? He was gone. And we did cardiac resuscitation and it was cardiac arrest. How close were we? I don’t know,” said Morten Boesen, Denmark’s team doctor, the following day.
As Eriksen approaches the two-year anniversary of that life-changing moment, the 31-year midfielder is back on the pitch, has signed for one of the biggest soccer clubs in the world, and represented his country at the 2022 World Cup.
But this brush with death has made Eriksen remarkably philosophical and reflective – perhaps understandably – about life and living.
“I’ve learned that even after a bad time, there’s always a time after where everything will be different,” Eriksen told CNN Sport’s Amanda Davies and Laureus co-host after receiving the Comeback of the Year award at the Laureus Sports Awards in Paris.
“One of the first quotes I heard was that even if you feel good, you’re going to feel bad, you’re going to feel good again. It’s just going to go up and down – time is your best friend.”
When the midfielder collapsed in the first half of Denmark’s Euro 2020 match against Finland, nobody knew if he would ever play professional football again.
“What I’ve seen today, everyone has their own story, all kinds of different setbacks in every sport,” added Eriksen.
“The one I had was obviously a severe one, but nonetheless it made me still want to come back and play football, and then obviously to getting the award now.”
‘I’m probably even more relaxed’
After receiving life-saving treatment on the pitch, Eriksen was subsequently fitted with an Implantable Cardioverter Defibrillator (ICD) device – a type of pacemaker intended to prevent fatal cardiac arrests by discharging a jolt to restore regular heart rhythm.
Serie A club Inter Milan, whom Eriksen had been contracted to at the time of the incident, told him that he would be allowed to move abroad in order to continue his football career, with the midfielder unable to play in Italy unless the ICD device was removed.
He started training with former club Odense Boldklub in Denmark, with Eriksen asserting that his heart was “not an obstacle” to his ambitions of a return to football and to play in the 2022 World Cup in Qatar.
Eriksen joined Premier League club Brentford on a free transfer in January 2022. Following six months of “hard work” and 259 days after his cardiac arrest, Eriksen played in a Premier League match for the London club against Newcastle United.
In July 2022, Eriksen then signed a three-year deal with Manchester United, which was another free transfer.
But following the heart attack, Eriksen was unsure if he even wanted to continue his professional football career.
“Yeah, at the time I said it [wanting to quit football], obviously when they say you have a heart attack, and a lot of stuff will happen, you have an ICD and so on,” Eriksen explained. “But at the time also I knew that if I could play football I wanted to come back, but I wanted to do it in a safe, possible way.”
Eriksen says he’s “still the same person,” adding that, “I think the teammates will say the same. I’m probably even more relaxed than I was before.
“I’ve probably found out that football is life, but it’s not that important. There’s not a lot of other stuff that’s more important in life but football, of course, is an important one. But I’m just taking it step-by-step, really.”
Eriksen’s form in Manchester was good enough to earn him a spot in the Denmark squad at the 2022 World Cup – his main goal when returning to football.
“It was very, very special,” Eriksen remembered of his time in Qatar. “The aim of my comeback was I want to be able to get myself involved at the World Cup. [But] obviously, I didn’t think at the time that I was going to be starting and playing as I was at the World Cup.”
According to Denmark’s star man, the team in Qatar was more united than ever before following the incident.
“I think our bonding with the national team was very strong before, but definitely that helped them move even closer together,” the midfielder explained.
“Since I’ve come back into the team, I feel the atmosphere, which was good before, is even more bonding because they have experienced something together, that’s really a tough time, but they work it through and they came through in a positive way.”
The Denmark squad had a disappointing World Cup campaign in Qatar, but the story of Eriksen’s comeback will live on for a lot longer than their group stage exit.
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https://www.fctables.com/teams/vifk-196919/
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VIFK Finland statistics, table, results, fixtures
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[] |
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[
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[] | null |
en
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https://www.fctables.com/teams/vifk-196919/
|
VIFK statistics
Welcome to VIFK (Finland - Kakkonen) statistics. Below you find a lot of statistics for this team. Last and next matches, top scores, best players, under/over stats, handicap etc.
|
|||||||
246
|
dbpedia
|
1
| 20
|
https://tonys-soccer-school.net/football-trials-in-finland/137431-vasa-ifk-football-club-academy-trials-finland.html
|
en
|
Vasa IFK Football Club Academy Trials
|
https://pbs.twimg.com/media/FexM4xeWQAE_c4m?format=jpg&name=large
|
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PRO Football Trial Dates and Professional Academy Open Football Trials, Search new dates in the UK, Europe & Worldwide for 2023. Premier League Trial Dates APPLY NOW HERE... Scholarship and lower league 9,10,11,12,13,14,15,16,17,18,21 Join Free locations & Worldwide Club Trials Youth Soccer players wanted Pro Team FA Scout, School County Coaching 1, 2, UEFA B, A, FIFA, , JANUARY, FEBRUARY, MARCH, APRIL, MAY, JUNE
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MORE FOOTBALL TRIALS BY FOOTBALL CLUBS HOLDING FOOTBALL TRIALS
Reading FC Academy Open Trials Official Application Process
Potential players are occasionally invited in for a trial period of up to eight weeks with Reading FC Academy.
Here is the official route to get a trial with Reading FC
If you would like a player to be watched by Reading Football Club then please send in as much information about their playing career, including a fixture list for the club they currently play for, to This email address is being protected from spambots. You need JavaScript enabled to view it. . Our recruitment department may then decide to send a scout to watch the player.
As well as contacting the Recruitment Team with full details of a youngster's playing history, it is also possible for talented children to be spotted through our Football in the Community scheme.
MK Dons Academy Football Trials Application process
If you want to apply for trials at MK Dons this is the official route to apply.
please e-mail: This email address is being protected from spambots. You need JavaScript enabled to view it.
Details to include in your email;
Your full name
Your full address including postcode
Your contact telephone number
Your age
Your date of birth
School(s) attended
The position you prefer to play
Your footballing CV or background
The current team you play for
The fixtures of your current team
Any other relevant information, for example, previous experience playing at a Professional Football Club’s Academy
Confirmation that you hold a British or EU passport
Please make sure you include your fixtures, including dates, kick-off times and venues, if known.
Please note: The Academy is restricted by time/distance within the Foundation Phase (U7-11) and Youth Development Phase (U12-16). Within the Foundation Phase, travelling is limited by 1 hour and in the Youth Development Phase, travelling is limited by 1 hour 30mins.
An e-mail confirming receipt will be sent to individuals applying for a trial.
This information will then be passed onto one of our scouts, who will report to the Head of Recruitment and Head of Academy Coaching with his recommendation.
Scunthorpe United FC Academy Trials Official Application Process
Football Academy Trials information for Scunthorpe United Football Club. This academy operates a number of Development Centres and access will be given to the application for trials and its complete process. Players are now invited to apply for
Trial enquiries should be sent to the Academies Head of Recruitment, Daz Waring:
This email address is being protected from spambots. You need JavaScript enabled to view it.
Players must enclose their football CV
Kings Lynn Town FC
For general Trials with Kings Lynn Town FC please email This email address is being protected from spambots. You need JavaScript enabled to view it. enclosing a CV Thank you
Crawley Town FC
Are you currently in Year 11 or 12? Interested in a career in football? Email
to apply for our trials this Easter: This email address is being protected from spambots. You need JavaScript enabled to view it. Players must pre-register
Birmingham City Official Player Recruitment Process
The player recruitment department is tasked with the monitoring, selection and transition of players operating outside of our Academy environment. The recruitment team will work collectively with our coaches to the identification of players within the three phases of the player pathway.
The priority of the department is to recruit, develop and produce players able to reach the Academy’s core purpose. This process is player centered, focusing on the identification of players able to excel in one or more of the four corners associated to player development and, where possible predominantly recruit from a catchment area within an hour of Birmingham. The strategy will be collaborative in nature, planned and aligned to the profiles through each of the development phases where appropriate.
PRE-ACADEMY
The Pre-Academy is a development programme designed to identify, assess and nurture local talented individuals between 6 - 8 years of age. The primary aim is to develop technically gifted individuals for our U9’s squads who become accustomed to the club’s culture and playing philosophy through weekly training sessions and games, allowing for an easy transition into the Academy way of life. The major emphasis of the programme is technical development. With the use of the clubs training facilities, and a structured coaching syllabus and games programme, our UEFA qualified Academy staff seek to increase player to ball contact time in a fun, inclusive and professional environment.
COMMUNITY TRUST
The Club has a very large Community Trust scheme operating a number of local coaching programmes. The Community Trust run a shadow squad programme for U12-U14 players participating on a weekly basis in a number of local grass root leagues. There is also a full time programme for the U17-U19’s.
Players from within the Community Trust programme can be directly recommended by a member of staff for a trial period. In addition to this, each Community Trust coach working within the shadow squad and on the U17-19 programme acts as a spotter, recommending opposition players they have seen in the fixtures that their respective teams have participated in.
SCHOOLS FOOTBALL PROGRAMME
Within the West Midlands area there is a thriving schools football programme. Through community links, it has been identified that there are some young players who only participate in schools’ football and may not be observed participating in local grass root fixtures. There are a number of reasons for this, the most common being a recent move to the area or little/no parental support.
The Academy continually supports West Midland District Schools at both primary and secondary level allowing the use of the training facilities for prestigious games in their calendar. School staff are also invited to Academy CPD events in order to aid their development as coaches. This relationship means there is the opportunity for talented players who are identified by school staff to be recommended directly to the Recruitment Manager/Officer. This may lead to an observation, and if suitable, an invitation to the Academy trial process.
TRIAL APPLICATION
The Academy is always on the lookout for local talented young players. Should you or someone you know, wish to be considered for a trial please follow the procedure set forth below. Players between 9 and 18 years old are asked to send their playing CV and cover letter to the Academy Recruitment Manager and Officer.
Please make sure to include the following:
Player Name
Player Date of Birth
Approx Height and Weight
Contact Address and Telephone Number
Current Club**
Previous Clubs
Details of Previous Trials
School Name
Player Position
Any Representative Honours
** Please include a fixture list of your current team making sure to include location and kick off time.
Upon receipt of your contact the recruitment department will make a decision as to whether a scout will attend your games.
Head of Player Recruitment at Birmingham City Simon Jones This email address is being protected from spambots. You need JavaScript enabled to view it.
ASSISTANT ACADEMY MANAGER & HEAD OF COACHING Stuart English This email address is being protected from spambots. You need JavaScript enabled to view it.
Cambridge United Academy Trials Official Process
Cambridge United Football Club are constantly looking for talented young players to join our performance pathway.
If you are looking for a trial in the Academy please send your football CV to Jordan Collins Head of Academy Recruitment by email to This email address is being protected from spambots. You need JavaScript enabled to view it.
Your Genuine & Official Application for Trials at Port Vale Academy...
-Please note that in accordance with FA Premier League rules trials can only be offered to players in the Under 9 to Under 11 age group if the player lives within one hour's traveling time of Port Vale Academy.
-Trials can only be offered to players in the Under 12 to 16 age group if the player lives within one-and-a-half hours traveling time of Port Vale Academy.
Players are asked to send a covering letter highlighting your footballing experiences to the Academy by e-mail to This email address is being protected from spambots. You need JavaScript enabled to view it. players over 16 can apply and also for the Education Scholarship programme
Name:
Age:
School Year:
D.O.B
Address / Contact Number:
Height:
Weight:
Position:
Attributes:
Playing History:
Next 3 fixtures / Venue / Kick off time:
Due to the amount of trial inquiries we receive, please fill out with as much detail as possible, any videos or clips of you playing will help the recruitment process.
On receipt of your email, the recruitment staff will make a decision as to whether a scout will watch your games.
If the recruitment staff feels that the player has shown potential to play at Academy level, an approach will be made to the manager of your club as well as your parents and you will be invited in for a trial with Port Vale Football Club either through our Development Centre’s or into your Academy age group.
St Albans City FC Football trials opportunity
Clarence Park
St Albans
AL1 4PL
Players aged 16 to 18 Only please send CV to emailing This email address is being protected from spambots. You need JavaScript enabled to view it.
This information is only visible to Full Members.
Josh at Halesowen Town Academy has informed us of the following trials
Halesowen Town FC Academy Football Trial Dates Announced
These trials are held in the West Midlands of England
for Male footballers Ages 16/18
Email This email address is being protected from spambots. You need JavaScript enabled to view it. for more info on these trials please inform him Tony at Tony's Soccer School sent you
Stevenage Football Academy Scholarship trials
October Half Term Trial announced for 2023 - current year 11/12 students only. (Fixture) Please apply.
Copy and past this link in your search browser
https://docs.google.com/forms/d/e/1FAIpQLSfH5C6XuuNtDIWTYPguSMPk20_p0L_pa_IWkmsD_M5JYcAAEQ/viewform
Morecambe FC Academy @ ShrimpsAcademy
OPEN TRIALS We will be holding player trials for Under 7 - Under 14 age groups. Advance booking is essential.
Morecambe FC Academy will be hosting player trials.
The open trials are for Under 7 to Under 14 age groups (Year 2 to Year 9) and will take place at the Academy training venue, Lancaster & Morecambe College, Morecambe Road, Lancaster LA1 2TY.
Advance booking is essential. We will not be able to accommodate players on the day who have not booked a place.
After the trials, players will be given feedback and directed towards an environment that will best support their development.
Please note, players invited to sign for the Academy must live within 1 hour of the training venue (up to the Under 12 age group) or within 1.5 hours if Under 13/14.
Please select a link below to register for a place:
Under 7 - Under 10 (10.00am - 11.30am)
Under 11 - Under 14 (12.00pm - 1.30pm)
For more information, please contact Tom Bryan, Academy Head of Recruitment:
This email address is being protected from spambots. You need JavaScript enabled to view it.
For Mens Soccer trials in UK Please also Contact for trials and tell them Tony sent you This email address is being protected from spambots. You need JavaScript enabled to view it.
Morecambe FC Academy will be hosting player trials
The open trials are for Under 7 to Under 14 age groups (Year 2 to Year 9) and will take place at the Academy training venue, Lancaster & Morecambe College, Morecambe Road, Lancaster LA1 2TY.
Advance booking is essential. We will not be able to accommodate players on the day who have not booked a place.
For more information, please contact Tom Bryan, Academy Head of Recruitment:
This email address is being protected from spambots. You need JavaScript enabled to view it.
Leeds United FC Youth Academy Football Trials
Leeds United FC FOOTBALL ACADEMY TRIALS, A Full list of every football academy trial and Academy Football Trials at Leeds United Football Club. Here are trials with Leeds United FC....
For more information and to book on the trial, please email Terry Potter at This email address is being protected from spambots. You need JavaScript enabled to view it.
Only apply of you live near to the club offering trials and only apply if you meet the age criteria. You must live within 1 Hour of the Academy address.
IPSWICH TOWN ACADEMY
POST 16 FOOTBALL AND EDUCATION TRIALS
There's still time to apply to one of our Post 16 Football and Education Programmes
Boys and Girls aged 16-18yrs Years 11-12 can sign up for the trials.
This email address is being protected from spambots. You need JavaScript enabled to view it. on twitter @ ITFCCommunityFE
Dorking Wanderers FC @ JClark_8 & @ KatBrowne Register your interest by emailing This email address is being protected from spambots. You need JavaScript enabled to view it.
Info on:
BTEC & A-Levels
Representing @DorkingWDRS & @DWFCLadies
Career & Higher Education Pathways
FOOTBALL TRIAL OF THE DAY
Club: St Neots Town FC Academy
Dates: (subject to guidance)
Start: Current and next season
Ages: 16/17 year old
For: Male
Progression: Opportunities
Email This email address is being protected from spambots. You need JavaScript enabled to view it.
FOOTBALL TRIAL OF THE DAY!
Club: Eastleigh FC Academy Elite Development
Trials: Yes
Dates: TBC (subject to guidance)
Start: Current and New Season
Ages: U19
For: Male
Progression: To First Team
Location: Eastleigh
Application contact: This email address is being protected from spambots. You need JavaScript enabled to view it.
UK
Billericay Town FC Trials
Interested in joining our U13s EJA team for the Current New season?
To register your interest for upcoming trials please email: This email address is being protected from spambots. You need JavaScript enabled to view it.
Become part of this exciting new project with outstanding facilities, pathway into the Academy & 1st Team!
FOOTBALL TRIAL OF THE DAY
Club: Altrincham FC's Football & Education Academy
Start: September
Ages: Year 11 Only
Location: Altrincham
Pre registration required.
Apply Send CV to This email address is being protected from spambots. You need JavaScript enabled to view it.
UK
FOOTBALL TRIAL OF THE DAY
Club: Romford FC Academy
Trials: Yes
Dates: Soon
Start: Current and New Season
Ages: 16 -19 Years
For: Male Players.
Progression: To First Team
Location: Essex
Application contact: This email address is being protected from spambots. You need JavaScript enabled to view it.
Cobh Ramblers U17 Academy Trials - Expressions of Interest
We are inviting players born in 2004 & 2005 to fill in this form ahead of Academy Trials later this year, Copy and past in your browser
https://docs.google.com/forms/d/1pzo2RHT0vpXHepVY-H-YrVsehRS8UMH7nt74NWMTzuI/viewform?edit_requested=true
North West London FC
We’re happy to announce the formation of our new Under 21 youth team for the current and New Season.
Register your interest for a trial via the E-Mail below or send a DM with your details This email address is being protected from spambots. You need JavaScript enabled to view it.
CHESTER FC SCHOLARSHIP
A handful of places remain on next year's Youth Team Scholarship intake.
If you are a current Under 16, send your football CV to This email address is being protected from spambots. You need JavaScript enabled to view it. to express your interest in a trial.
To apply for this trial with Watford FC Academy please email This email address is being protected from spambots. You need JavaScript enabled to view it.
Mansfield Town Football Club are on the lookout for talented young footballers to become part of our September performance group intake.
Players must be in Year 11 or Year 12 at school, with either their GCSEs coming up in the summer, or have completed GCSEs to be eligible.
Trials will take place at One Call Stadium. Those who make the squad will be enrolled on a football and education programme based at One Call Stadium and The RH Academy training facility.
Simon Ward, lead performance coach, believes that the programme can open up several avenues for promising young players.
“We are committed to locally based footballers and offering them a path to elite level football and education,” he said.
“Progression beyond this course could be anything from professional football or under-21 football at Brooksby Melton College, to university level education or a career in physiotherapy and sports therapy.”
Players are required to report to One Call Stadium, Quarry Lane, Mansfield, NG18 5DA. All players will need suitable footwear for a 3G surface. Players will also need to bring drinks bottles, wear shin pads and suitable clothing for weather conditions.
Please send all application forms to Simon at This email address is being protected from spambots. You need JavaScript enabled to view it. .
Havant & Waterlooville FC Academy Open Trials
Community Stadium to apply send CV to This email address is being protected from spambots. You need JavaScript enabled to view it.
PRO FOOTBALL ACADEMIES UK
North London Academy Trials 16 to 19 year olds
New River Sports Centre White Hart Lane London N22 5QW DM us or email This email address is being protected from spambots. You need JavaScript enabled to view it.
ROMFORD FC ESSEX WOMENS FIRST TEAM
Announcement so EXCITING to launch our very first women's 1st team
this is a massive step we have wanted to take in ladies football and we are ready If you are interested in trials with our first team or our newly launching academy get in touch 07546334073
Stockport County FC Football Trials
Trials are available for start in September so you can Apply for this trial for Stockport County Here copy and paste in your search bar. http://stockportcountyacademy.co.uk/trials/
RUGBY TOWN FC TRIAL - YR 11/12 FULL TIME FOOTBALL BTEC SCHOLARSHIP PROGRAMME
contact This email address is being protected from spambots. You need JavaScript enabled to view it. EXPERIENCE UNIQUE OPPORTUNITIES as a Valley scholar
Brentford FC Football Academy Trial Dates
Brentford FC Community Sports Trust has announced that the next trials for its Football Development Centre (FDC) will take place at Uxbridge High School. The FDC offers talented young players the opportunity to receive elite coaching– enhancing their skills in a player-centred environment.
What does the Football Development Centre involve?
With elite football coaching spanning more than 18 years, players will attend weekly training sessions at venues in Southall, Twickenham and Uxbridge. Goalkeepers are catered for with specialist coaching staff. The FDC includes term-time training in the evening and a structured development match programme against other football sports trusts such as Coventry City, Ipswich Town, MK Dons, Oxford United, Wycombe Wanderers and many more.
Plus, there are established Performance Squads as a level up from the current FDC programme. This initiative provides capable players with the opportunity to play against more skilled teams.
What is the benefit of joining the Football Development Centre?
Parents have highlighted the positive impact our FDC has had on their children.
Damian Christian, whose son attends our FDC, said: “We would like to thank the Brentford FC Football Development Centre and all the coaching staff for helping with Frankie’s footballing progress. He has thoroughly enjoyed the training after joining aged seven, the coaches and methods used by the development centre has had an incredibly strong and positive effect on him as a person and player.”
Simon Cairnes agrees: “When the boys play against other opposition, their superior skills, positioning and tactical knowledge really shines through and shows just how well they are coached.”
What is the criteria for the trials?
The trials are available to:
boys in school years 1 to 11
boys who live in Hounslow, Ealing, Richmond, Hillingdon and Spelthorne.
Excitingly, the Football Development Centre will run sessions from Gunnersbury Park’s new sports hub from September. The new £13.8 million sports hub will provide top-class facilities – including two outdoor floodlit artificial grass pitches.
How do I sign up?
For more information, email This email address is being protected from spambots. You need JavaScript enabled to view it.
Maidenhead Academy football trials
Our Maidenhead United Football Club Academy trials are taking place at the College
This is for players aged 16 to 19
To register your interest or find out more please email the team at: This email address is being protected from spambots. You need JavaScript enabled to view it.
ROMULUS FC FOOTBALL TRIALS
With an excellent reputation in both education and sports achievements, Romulus Academy are
holding trials for 16-18 year olds at Castle Vale Stadium, B35 7NH. Contact Richard on 07956187016 for details.
Academy of Sport – Trial dates and Open Days AGE 16 TO 18
Come along to one of our trial sessions, meet the coaching team and show us your sporting skills.
FOOTBALL ACADEMY KETTERING CAMPUS
To register your interest in our Football or Rugby Academy or to book a place at a trial session, please contact our team at This email address is being protected from spambots. You need JavaScript enabled to view it. or call 01536 413123.
Official Benfica Trial Opportunities Here
Since the club’s observation area lies, in its great majority, in national territory, you can send us, by e-mail - This email address is being protected from spambots. You need JavaScript enabled to view it. - a match video recording, preferably a full one, in order to analyze your performance and, eventually, invite you for an observation period in our specific level team.
This procedure is obligatory because no athlete will be invited without a previous evaluation.
You will also be able to get into the Elite Training Camps, open to all who wish to optimize their own technical/tactical skills and obtain a detailed report, elaborated by our Departamento de Prospeção (Scouting Department) and Futebol de Formação.
For further information, get in touch by e-mail: This email address is being protected from spambots. You need JavaScript enabled to view it. .
Dunstable Town FC U18 PLAYERS FOR CURRENT AND NEXT SEASON
Dunstable Town are planning for next season, looking to add ambitious talent
If your interested please contact Wayne upton This email address is being protected from spambots. You need JavaScript enabled to view it. or Tyler dunnell This email address is being protected from spambots. You need JavaScript enabled to view it.
Hounslow Football Academy trial
Our first trial night is now under a week away. Undecided what to do next year? Come along to the trial and see what we are all about at Hounslow Football Academy. With pathways to uni, opportunities to play football at a level representative of ability, future coaching roles, and prospects of full time work off the back of the course.
Trial Details:
MORE DATES TO BE ANNOUNCED SEE LINK
Green Lane, Hounslow, TW4 6DH
Visit https://wearescl.co.uk/hounslow-football to book a place.
Tonys Soccer School is approved provider of SCL Football Trials.
Please mention Tonys Soccer School when applying.
AC United Youth Academy football trials
We will be holding trials for the following age groups for next season
:U8s-U16s
If you are interested please email us - This email address is being protected from spambots. You need JavaScript enabled to view it.
FOOTBALL ACADEMY TRIAL DATES
Here is the full selection of Football Trial dates being offered by this Club. Abilities, Ages, Levels.
JOIN THIS FOOTBALL ACADEMY CLUB HERE!
Apply for football academy trials, Dates, Information & Academy Entry Requirements
FOOTBALL ACADEMY CONTACT ADDRESS
Contact details relating to contacting this Club
LEAGUE STANDARD TRIALS
A selection of Football trials offering trials for ability players of this standard.
FOOTBALL ACADEMY TRIALS NEAR ME
This club plays in the local area, you can find more Football Trials in this area.
FOOTBALL LEAGUE CLUBS TRIALS
Here are more Football Clubs offering trials at Football Championship League Clubs
FOOTBALL CLUB CONTACT ADDRESSES
Contact addresses & information for clubs in the same league.
FOOTBALL TRIALS BY LEAGUE
Select which League you want Football Trials for.
FOOTBALL TRIALS BY COUNTY.
Find trials by searching your local County including a Number of Countries.
FOOTBALL TRIALS BY PLAYING ABILITY.
A list of clubs offering trials, enabling you to find the trial that meets your playing ability.
FOOTBALL TRIALS BY DATES.
Your selection of Football trials for a variety of clubs by date order.
FOOTBALL TRIALS BY AGE GROUP. U6 U7 U8 U9 U10 U11 U12 U13 U1 U15 U16 U17 U18 U21 U23 OVER 23 ADULTS
You can choose all football trials by age groups. Select the age group relating to your age playing requirments.
FOOTBALL PLAYERS REGISTERED.
All registered players with Tony's Soccer School, who are seeking or attended
or playing at the same level, Ability and Location as this Club.
You can join Tony's Soccer School and add your CV and submit it
ACADEMY FOOTBAL TRIAL LOCATIONS, COUNTRY
Locations of Football trials where they are operated from relating to this club.
YOUTH & ACADEMY INFORMATION
Information relating to everything concerning the youth and academy of the club.
ACADEMY
Information of Other Premier League Academies
ACADEMY PLAYERS
COACHING STAFF
JOBS
CONTACTS
ACADEMY MANAGER
YOUTH ADMINISTRATOR
HOME VENUE
This Academy is developed in order to invest in upcoming footballing talent and provide the network, coaching, health and lifestyle advice that each player needs to make a successful career in football. If you are looking for a career in football, and live in this academy catchment, then your best chance will be to join the Academy.
About this Academy
This Academy offer an advanced football development and education programme supported by expert and dedicated staff.
This Academy is located at:
This clubs Academy use advanced technology and coaching methods to develop their players. They are actively looking for upcoming talent to join their academy, and are very selective about who gets in, as competition is tough.
With the changes that have taken place in the football academy system. Academy Category three clubs are now free (U12+) to recruit from all over the nation.
Previously, Category three clubs could only recruit talent within a 90 minute travelling time to the academy, but the FA have reconsidered this following thinking that the best talent should only fairly be allowed to play in the best academies even if they do not live nearby. This gives the very best talent the very best chances of success, thus growing our home grown talent for the international stage.
This has seen a rise in host families being recruited here, to help house young promising talent in safe family environments.
Upcoming Fixtures
We have a whole programme of upcoming activities, fixtures and events. Check the times of each match or look up the match venue for any of the Academy age groups.
How to get a trial at this team
In most cases to get a trial at this team you would need be selected to have a trial at this club, so it is important that footballers are spotted in the right places at the right times. For some players, football clubs prefer a more direct approach such as sending in links to videos of themselves playing football, but it is worth bearing in mind that clubs receive thousands of these football CV videos each week and don't always have lots of time to watch them all. We have found the most effective way of getting scouted for a trial at this club is by following a few simple step.
Scouts regularly select young players from soccer school sessions and invite them to trial to places that are called football development center, and anyone can play in their soccer schools so it offers an open door for all players to get spotted and scouted.
It is also particularly good planning to take your child to soccer schools sometimes called football schools as soon as they are old enough, as their competition will be doing the same, so it enables players to develop their footballing talents in line with the same level as their peers.
How to get scouted by a Football Academy Scout
Football Academy Scouts offer players the chance to trial at Football Clubs. Many players are lucky enough to find themselves in the right places when scouts are watching games, but we are also very aware that good talent can slip through the net. Professional Football Clubs do offer football and soccer players the chance to directly apply for a trials by contacting them through official trial application routes, such as the clubs direct trials contact or through the Academy Development Manager.
To apply and get scouted by a scout please follow these details.
Understandably they are not always able to respond to everybody due to the volume of applications, but this does serve as an effective way to alert football scouts about your skills and footballing talent with a view for those players and parents looking to take their football to the next level, eve professional and secure a genuine, and real football trial
To get scouted for a trial simply collect the following information:
Football Players CV
Covering Trial Application Letter
Football Players Vital Statistics: Players position, Age, Date of Birth, Height, Weight, contact email/phone/address, current club, previous clubs, detail of any trials already attended, any representative success stories such as school, districts, county etc
Players school, College or Scholarship they attend or currently attend
A players Football Clubs Fixture list, mainly of your current football team, including match locations and kick off time to be passed to football scout. Please give as many dates a possible preferably for the whole season. No need to include training, just match kick of times and locations including postcode. This is basically your trials opportunity that will give the scout the opportunity to watch you.
Once you have collated all of the above information, email it to the football club.
They will assess your application and decide whether or not to send a scout to watch the game.
Football Academy Syllabus
The Football Academy Syllabus training programme at this Football Academy, and is the same to many Academies of Football is broken into technical and tactical Football training, with a special module for Goalkeepers. The below demonstrates:
The professional development football phase
The youth football development phase
The football foundation phase
The youth / professional football development phase
The football foundation development goalkeeper phase (GK development)
Professional Development Phase
Outfield Players – Technical
Passing – Playing forwards through tight passing channels
Receiving the ball – Receiving the ball in the air to pass in the least number of touches
Passing – Generic passing practises to move the ball on two touches
Running / Dribbling with the ball – Developing the 1st touch to break through a variation of receiving surfaces
Running / Dribbling with the ball – Variations in the dribble to advance in 1 v 1’s
Shooting – Shifting the ball to get shots off under pressure
Passing – Keeping the ball moving for a long period of time
Manipulating the ball – Shifting the ball across the body with a variation of surfaces
Turning – Turning away from pressure and protecting possession of the ball
Outfield Players – Tactical
Possession (Playing out from the back) – Midfield rotation to receive high and low open up passing channels
Possession (Retaining the ball to penetrate) – Working in front or behind opponents to retain the ball looking to play forwards
Possession (Game management) – Playing with and against an overload (the extra man)
Attacking (Counter attacking) – Breaking from the defending third
Attacking (Centrally) – Playing between lines and breaking lines with and without the ball
Attacking (Wide areas) – 1 v 1’s, 2 v 2’s to create goalkeeping opportunities
Defending (Individual) – Approach to the ball dependent on the opposition and area of the pitch
Defending (Groups & Units) – Defending later and deeper
Defending (Making play predictable, Regains and Possession Decision) – Pressure as the team/group hunting the ball for quick regain
Goalkeepers
Goalkeeper support – Variety of passes and support for players in possession
Goalkeeper support – Awareness of best option looking to penetrate with distribution
Goalkeeper support – How the goalkeeper can affect the state of the game
Goalkeeper defending – How to deal with 1 v 1 situations in game situations
Goalkeeper defending – Early shots always being set in and around the box
Goalkeeper defending – Positioning and decision making in dealing with the cross
Goalkeeper communications – Organisation and support to the defender
Goalkeeper communications – Communications to players away from the ball
Goalkeeper communications – Developing the goalkeeper to compact
Foundation Phase
Outfield Players – Technical
Protecting the Ball – Setting the scene for receiving on the safe side – guidelines for success
Passing – Short, quick and high tempo passing in small groups
Receiving the Ball- Developing the set as part of link play to move the ball forwards
Turning – Developing turns under passive pressure to include disguise
Shooting – Longer distance shooting relevant to the age of the group
Running / Dribbling With the Ball – Long and thin practices to practice breaking into space from a dribble or receiving the ball
Shooting – One touch finishing around the goal on angles with pressure approaching
Passing – Passing within larger areas focusing on techniques to a longer pass (floor / aerially)
Manipulating the Ball – Quick foot movements to manipulate a small skills ball
Outfield Players – Tactical
Possession (Individual) – Developing players to receive the ball and maintain possession on their safe side
Possession (Group Play) – Develop players to receive and play away from pressure in small groups
Possession (Directional) – Possession / wave practises maintaining the speed of the ball from start to finish
Attacking (Individual) – Changes of direction and speed to beat opponents
Attacking (Groups) – Small group attacking practices (4v4, 5v5). Movement/combinations to create and exploit space
Attacking (with/against overloads) – Small sided games working on creating and exploiting space on the transition
Defending (Pressure the Ball) – Basic principles to approaching a player in possession
Defending (Small Groups) – Possession based practices focusing the change of roles based on the movement of the ball
Defending (Regaining to Play) – Regaining the ball and countering to a scoring conclusion
Goalkeepers
Goalkeeper support – Passes and throws to start play
Goalkeeper support – Choosing the best distribution option
Goalkeeper support – Using the ball quickly after making a save
Goalkeeper defending – Throw ball situations and close range shots
Goalkeeper defending – Attacking the ball and parrying away to safe areas
Goalkeeper defending – Making recovery saves within the game
Goalkeeper communications – To defenders individually and as part of a unit
Goalkeeper communications – Developing the ability to be clear and concise
Goalkeeper communications – Start positions in relation to the ball
Goalkeeper Youth / Professional Phase
Goalkeepers – Technical
Distribution – Out of the back to the best option and supporting the play
Crossing – Dealing with deep crosses into the 18 yard box and transition to distribute
Shot Stopping – Into line and down the line of the ball for angled strike
Handling – Dealing with low balls around the set position inclusive of the 1v1 encounter
Shot Stopping – Dealing with low, medium and high dives from a central and angled strike
Crossing – Dealing with crosses centrally and to front post areas
Shot Stopping – Dealing with close reaction shots, double and triple saves
Distribution – Technique of starting counter attacks, choice of delivery
Crosses – Dealing with crosses centrally and to the back post area
Goalkeepers – Tactical
Goalkeeper support – Start play using a variety of passes and providing angles for support for players in possession
Goalkeeper support – Awareness of best option looking to penetrate with distribution
Goalkeeper support – Managing the game and understanding how the goalkeeper can affect the state of the game
Goalkeeper defending – Dealing with 1v1 game situations
Goalkeeper defending – Dealing with early shots always being set in and around the box
Goalkeeper defending – Positioning in relation to the ball, decision making on dealing with the cross
Goalkeeper communications – Organisation and support to the defender (clear and concise information)
Goalkeeper communications – Communications to players away from the ball
Goalkeeper communications – Developing the goalkeeper to compact play through the line taken by the defending players
Goalkeeper Foundation Phase
Goalkeepers – Technical
Handling – Footwork set in position with a variation of serves
Distribution – Playing out from the back from feet and hands, providing angels of support
Handling – Variation of handling practices concluding with penetrative distribution
Shot Stopping – Dealing with 1v1 encounter
Shot Stopping – Low, medium and high diving sales from central
Distribution – Technique of longer distribution for feet and hands (classic counter attacks)
Shot Stopping – Speed of movement across the goal in the line down the line of the ball for an angled strike
Handling – Technique of dealing with low balls in and around the body
Crossing – Basic technique and positioning (in relation to the ball) covering balls into front middle far areas
Goalkeepers – Tactical
Goalkeeper support – Using a variety of passes and throws to start play
Goalkeeper support – Choosing the best distribution option
Goalkeeper support – Using the ball quickly after making a save
Goalkeeper defending – Dealing with through ball situations and learning how to deal with cross range shots
Goalkeeper defending – Attacking the ball and parrying away to safe areas in game situations
Goalkeeper defending – Making recovery saves within the game
Goalkeeper communications – Communication to defenders individually and as a unit
Goalkeeper communications – Developing the ability to be clear and concise
Goalkeeper communications – Set positions in relation to the ball
Join
For direct communication with the club, you can visit the Website
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Famous Birthdays on August 6
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Famous birthdays for the 6th of August. See which celebrities, historical figures, scientists and criminals were born on August 6.
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On This Day
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https://www.onthisday.com/birthdays/august/6
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Birthdays 1 - 200 of 239
Go-Toba, 82nd Emperor of Japan (1183-98), born in Heian-Kyo, Japan (d. 1239)
Matthew "Nosey" Parker, Archbishop of Canterbury, born in Norwich, England (d. 1575)
Richard Bennett, English Colonial Governor of Virginia, born in Wiveliscombe, Somerset (d. 1675)
Barbara Strozzi
Italian singer, theorbo player, and composer, baptized in Venice, Republic of Venice
Nicolas Malebranche, French rationalist philosopher, born in Paris (d. 1715)
Louise de La Vallière, French mistress of Louis XIV (1661-67), born in Tours, France (d. 1710)
François Fénelon, French Roman Catholic theologian and writer (Playing for Time), born in Sainte-Mondane, France (d. 1715)
1651 Johann Michael Zächer, Austrian composer, born in Vienna, Austrian Empire (d. 1712)
Claude de Forbin, French naval commander, born in Gardanne, France (d. 1733)
Johann Christoph Schmidt, German composer, born in Ansbach, Electorate of Bavaria, Holy Roman Empire (d. 1728)
Jean-Baptiste Lully fils, French musician and son of Jean-Baptiste Lully, born in Paris, France (d. 1743)
Maria Sophia of Neuburg, Queen of Portugal as the wife of King Peter II from 1687-99), born in Schloss Benrath, Düsseldorf (d. 1699)
Charles VII, Holy Roman Emperor (1742-45), Prince-Elector of Bavaria (1726-45), born in Brussels (d. 1745)
Luc de Clapiers, marquis de Vauvenargues, French writer, born in Aix-en-Provence, France (d. 1747)
Hayashi Shihei, Japanese military scholar, born in Edo (now Tokyo), Japan (d. 1793)
Bernhard Haltenberger, German composer, born in Schongau, Electorate of Bavaria, Holy Roma Empire (d. 1780)
William Hyde Wollaston, English chemist and physicist (famous for discovering the chemical elements palladium and rhodium), born in East Dereham, Norfolk, England (d. 1828)
Daniel O'Connell, Irish lawyer, and nationalist politician (Mayor of Dublin,1841-42; Member of Parliament, 1828-47), born in Cahersiveen, County Kerry, Ireland (d. 1847)
1775 Louis Antoine, French Duke of Angoulême and General of France, born in Palace of Versailles, France (d. 1844)
Catherine Beecher, American educator (championed higher education for women), born in East Hampton, New York (d. 1878)
Justinus van der Brugghen, Dutch lawyer and minister of Justice (1856-58), born in Nijmegen, Netherlands (d. 1863)
Alfred Tennyson
British Poet Laureate of Great Britain (The Charge of the Light Brigade), born in Somersby, Lincolnshire, England
Judah P. Benjamin, American politician (1st practicing Jew to be elected to US Senate, Confederate Secretary of State and Secretary of War), born in Christiansted, Danish West Indies (d. 1884)
Samuel Powhatan Carter, American Brevet Major General (Union Army), born in Elizabethton, Tennessee (d. 1891)
Thomas Alexander Browne, Australian writer (Robbery Under Arms), born in London (d. 1915)
Alfred, Duke of Saxe-Coburg and Gotha, born in Windsor Castle, Windsor, England (d. 1900)
Albert Fuchs, Swiss-German composer, born in Basel, Switzerland (d. 1910)
Arthur Berson, German meteorologist (Balloon flights, Amazon), born in Nowy Sącz (d. 1942)
Fernando Canon, Filipino revolutionary general, poet, and the Philippines 1st National Chess Champion, born in Biñan, Laguna, Captaincy General of the Philippines (d. 1938)
Edith Roosevelt
US First Lady and wife of Teddy Roosevelt, born in Norwich, Connecticut
Paul Claudel, French poet and playwright (L'Otage-1909), born in Villeneuve-sur-Fère, France (d. 1955)
Emanuel Querido, Dutch author and publisher (N.V. Em. Querido Uitgeversmaatschappij), born in Amsterdam (d. 1943)
John Wesley Work Jr., 1st African-American collector of folk songs and spirituals, born in Nashville, Tennessee (or 1871) (d. 1925)
1873 Mary Carr Moore, American composer (Narcissa, or The Cost of Empire), conductor, educator, and contemporary music promoter, born in Memphis, Tennessee (d. 1957)
Charles Fort, American writer and researcher (specialized in anomalous phenomena), born in Albany, New York (d. 1932)
Marcel Labey, French conductor and composer, born in Vésinet, France (d. 1968)
Wallace H. White, Jr., American politician (Senate Majority Leader), born in Lewiston, Maine (d. 1952)
Hans Moser, Austrian actor (Hello Service Man, Once Upon a Time), born in Vienna, Austria-Hungary (d. 1964)
Alexander Fleming
Scottish bacteriologist (invented penicillin; Nobel Prize 1945), born in Lochfield, Scotland
Leo Carrillo, American actor (American Empire, Cisco Kid), born in Los Angeles, California (d. 1961)
1881 Louella Parsons, American gossip columnist, born in Freeport, Illinois (d. 1972)
Gerrit Hendrik Kersten, Dutch vicar and founder (Calvinist party), born in Deventer, Netherlands (d. 1948)
Francesco Santoliquido, Italian composer, born in San Giorgio a Cremano, Naples, Italy (d. 1971)
1883 Scott Nearing, American sociologist, pacifist and author (The Good Life), born in Morris Run, Pennsylvania (d. 1983)
Arthur Fields [Abraham Finkelstein], American singer-songwriter ("Aba Daba Honeymoon"), born in Philadelphia, Pennsylvania (d. 1953)
Edward Ballantine, American composer and music professor, born in Oberlin, Ohio (d. 1971)
Inez Milholland
American suffragist (National Woman's Party), labor lawyer and socialist, born in Brooklyn, New York
Dudley Benjafield, British racing driver, born in Edmonton, London (d. 1957)
Heinrich Schlusnus, German baritone, born in Braubach, German Empire (d. 1952)
George Kenney, American Air Force General (Commander of South West Pacific Area, 1942-45), born in Yarmouth, Nova Scotia, Canada (d. 1977)
1889 John Middleton Murry, English poet and literary critic (Between Two Worlds), born in London, England (d. 1957)
William Slim, British WWII general in Burma and Governor General of Australia (1953-59), born in Bristol, England (d. 1970)
Edmund "Hoot" Gibson, American rodeo champion, western actor, director, and producer (Horse Soldier, Last Outlaw), born in Tekamah, Nebraska (d. 1962)
Guthrie McClintic, Broadway producer and director (Winterset), born in Seattle, Washington (d. 1961)
1893 Wright Patman, American politician (Rep-(D)-Texas 1929-1976), born in Hughes Springs, Texas (d. 1976)
Cyril Mockridge, British composer for film and television (Miracle On 34th Street; The Man Who Shot Liberty Valance), born in London (d. 1979)
Cecil H. Green, English-American geophysicist and electronics manufacturer (Texas Instruments), born in Whitefield, England (d. 2003)
Dutch Schultz [Arthur Flegenheimer], American mobster and bootlegger, born in The Bronx, New York (d. 1935)
1902 Michal Vilec, Slovak composer, born in Bardejovská Nová Ves, Austria-Hungary (d. 1979)
Ballard Berkeley [Blascheck], British actor (Fawlty Towers, East meets West, The BFG), born in Margate, Kent, England (d. 1988)
1904 Henry Iba, American Basketball HOF coach (Olympic gold 1964, 68; NCAA C'ship 1945, 46 Oklahoma State Uni) and executive (AD Oklahoma State 1935-70), born in Easton, Missouri (d. 1993)
Ken Strong, American College/Pro Football HOF fullback/halfback (NYU; NFL C'ship 1934 NY Giants; 4 × First-team All-Pro), born in West Haven, Connecticut (d. 1979)
1906 Vic Dickenson, American jazz trombonist, born in Xenia, Ohio (d. 1984)
George Singer, Czech-Israeli pianist, composer, and opera conductor (Hamburg Staatsoper; Israeli Opera), born in Prague, Kingdom of Bohemia (d. 1980)
Helen Jacobs
American tennis player (7 Grand Slam singles titles, US Open 1932-35), born in Globe, Arizona
1908 James Lees-Milne, English writer and architectural historian, born in Wickhamford, Worcestershire (d. 1997)
1908 Solomon Adler, English-born economist and alleged spy for China, born in Leeds, England (d. 1994)
1908 Svend Erik Tarp, Danish composer, born in Thisted, Denmark (d. 1994)
1908 William "Will" Lee, American actor (They Live by Night, Melody Lane), born in New York City (d. 1982)
Charles Crichton, English film director (Battle of Sexes, A Fish Called Wanda), born in Wallasey, England (d. 1999)
1910 Friedrich Schröder, Swiss light classical, operetta, schlager, and film score composer, born in Nafels, Switzerland (d. 1972)
Lucille Ball
American comedienne and actress (I Love Lucy; Mame), born in Jamestown, New York
Norman Gordon, South African cricket fast bowler (5 Tests, 20 wickets; Transvaal), born in Boksburg, South Africa (d. 2014)
Arthur Charles Dobson, British racing driver (d. 1980)
1914 Susan Cowdy, English ornithologist (Bardsey Island Trust), born in The Lee, England (d. 1996)
Jim Ameche [James Amici], American voice actor (Jack Armstrong, the All-American Boy), born in Kenosha, Wisconsin (d. 1983)
Dom Mintoff, Maltese Prime Minister (1955-58, 1971-84), born in Bormla, Malta (d. 2012)
1916 E. Michael Burke, sports executive (President New York Yankees, New York Knicks, Madison Square Garden), born in Enfield, Connecticut (d. 1987)
1916 Richard Sharples, British politician, assassinated while Governor of Bermuda (1972-73), born in England (d. 1973)
Hidayat Inayat Khan, British-French violinist, classical composer (Gandhi Symphony; La Monotonia; Chansons Exotique), conductor, and Sufi teacher, born in London, England (d. 2016)
1917 Robert Mitchum, American actor (Out of the Past, Winds of War, North & South), born in Bridgeport, Connecticut (d. 1997)
Norman Granz, American jazz record producer (Verve Records; Pablo Records), and impresario (Jazz at the Philharmonic), born in Los Angeles, California (d. 2001)
Hugh Mendl, British record label executive (Decca/Deram Records), born in London (d. 2008)
1919 Pauline Betz Addie, American tennis player (5 Grand Slam singles titles), born in Dayton, Ohio (d. 2011)
Ella Raines, American actress (Uncle Harry, Runaround, Impact, Brute Force), born in Snoqualmie Falls, Washington (d. 1988)
Doug Ford, American golfer (PGA Championship 1955, US Masters 1957), born in West Haven, Connecticut (d. 2018)
1922 Freddie Laker, British airline entrepreneur (Laker airlines), born in Canterbury, England (d. 2006)
Jack Parnell, British jazz drummer, and orchestra leader (The Benny Hill Show; The Englebert Humperdick Show; Barbra Streisand and Other Musical Instruments), born in London, England (d. 2010)
1923 Jess Collins, American visual artist (Translations), born in Long Beach, California (d. 2004)
1923 John "Jackie" Kelk, American actor and stand-up comedian (The Aldrich Family;, The Adventures of Superman), born in Brooklyn, New York (d. 2002)
1923 William B Williams, American DJ (WNEW - Make Believe Ballroom), and TV announcer/second banana (Sammy and Company), born in Babylon, New York (d. 1986)
Ella Jenkins, American folk singer-songwriter, and ukulele player (Multicultural Children's Songs), born in St. Louis, Missouri
Barbara Bates, American actress (All About Eve, It's a Great Life), born in Denver, Colorado (d. 1969)
1925 Leland Smith, American composer, bassoonist, and computer coder who led music publishing into the digital age (SCORE), born in Oakland, California (d. 2013)
1925 Stig-Göran Myntti, Finnish soccer midfielder (61 caps; Vasa IFK), born in Maalahti, Finland (d. 2020)
Christa Reinig, German poet and writer (Idleness is the Root of All Love, The Tightrope Walker), born in Berlin, Germany (d. 2008)
1926 Clem Labine, American baseball pitcher (MLB All-Star 1956, 57; World Series 1955, 59, 60; Brooklyn / LA Dodgers, Detroit Tigers), born in Lincoln, Rhode Island (d. 2007)
1926 Frank Finlay, British actor (Robbery, Lifeforce), born in Farnworth Lancashire (d. 2016)
1926 Janet Asimov (née Janet Opal Jeppson), American science fiction writer (The Second Experiment; The Norby Chronicles), and psychoanalyst, born in Ashland, Pennsylvania (d. 2019)
William David Ford, American politician (Rep-D-Michigan, 1965-95), born in Detroit, Michigan (d. 2004)
Andy Warhol
American pop artist (Campbell's Soup Cans; Marilyn Diptych) and film producer (Frankenstein; Bad), born in Pittsburgh, Pennsylvania
Herb Moford, American baseball player (d. 2005)
1928 Janice-Lee York Romary, California, fencer (Olympics 1948-68)
Anneliese Kuppers, German FR, equestrian dressage (Olympic silver 1956)
1929 Mike Elliott, British-Jamaican ska-pop-rock saxophonist (The Foundations - "Baby Now That I've Found You"), born in Jamaica, British West Indies
1929 Roch La Salle, Canadian politician, born in Saint-Paul, Quebec (d. 2007)
Abbey Lincoln [Anna Wooldridge], American jazz vocalist, songwriter, actress (Nothing But a Man), and civil rights activist, born in Chicago, Illinois (d. 2010)
Jean-Louis Chautemps, French jazz and session saxophonist (Claude Bolling; Chet Baker; Elton John), born in Paris, France (d. 2022)
Anneli Sauli [Savolainen], Finnish actress (Miriam; The Milkmaid), born in Pyhäjoki, Finland (d. 2022)
1932 Dorothy Ashby (née Thompson), American jazz harpist, singer, and composer, born in Detroit, Michigan (d. 1986)
1932 Howard Hodgkin, British abstract painter, born in London (d. 2017)
A G Kripal Singh, cricketer (India, 100* on debut v NZ 1959)
1933 Ron Wylie, Scottish soccer forward (Notts County, Aston Villa, Birmingham City) and manager (WBA), born in Glasgow, Scotland (d. 2020)
Billy Boston, Welsh rugby league footballer
1934 John Bonington, English mountain climber (Annapurna I in 1970), born in London
1934 Piers Anthony, English sci-fi author (Chthon, Phthor), born in Oxford, England
Baden Powell de Aquino, Brazilian jazz and bossa nova guitarist, born in Varre-Sai, Rio de Janeiro, Brazil (d. 2000)
1937 Barbara Windsor, British actress and Dame (Carry On films; EastEnders), born in London, England (d. 2020)
1937 Charlie Haden, American jazz double-bassist (Liberation Music Orchestra; Quartet West), born in Shenandoah, Iowa (d. 2014)
1937 Paul Griffin, American session musician and pianist, born in Harlem, New York City (d. 2000)
Bernardino Lombao, Spanish handballer (Atlético de Madrid 1967-69), coach (Nat basketball teams) and TV presenter (De Olimpia a Los Ángeles, Objetivo 92), born in Ribas de Sil, Spain (d. 2020)
1938 Carry Tefsen, Dutch actress (Say A), born in Amsterdam, Netherlands
1938 Igor Mikhailovich Luchenok, Belarusian composer and teacher, born in Minsk, Belarus (d. 2018)
1938 Paul Bartel, director/actor (Eating Raoul), born in Brooklyn, New York
1938 Peter Bonerz, American actor (The Bob Newhart Show - "Jerry"), and director, born in Portsmouth, New Hampshire
(William) "Sonny" Sanders, American soul vocalist, songwriter, arranger and producer (Jackie Wilson), born in Chicago, Illinois (d. 2016)
Louise Sorel, actress (BS I Love You, Crimes of Passion), born in Los Angeles, California
1940 Mukhu Aliyev, Russian politician, Head of the republic of Dagestan (2006-10), born in Tanusi, Dagestan ASSR, Soviet Union
(Doris) "Sorrel" Hays, American pianist and composer (The Glass Woman), born in Memphis, Tennessee (d. 2020)
1941 Bert André, Dutch stage and screen actor (Turkish Delight; Come-Back!), born in Maastricht, Netherlands (d. 2008)
1941 Lyle Berman, American poker player, born in Minneapolis, Minnesota
1941 Ray Culp, American baseball pitcher (MLB All Star 1963, 69; Philadelphia Phillies, Chicago Cubs, Boston Red Sox), born in Elgin, Texas
George Jung [Boston George], American drug trafficker whose story was portrayed in the biopic "Blow", born in Boston, Massachusetts (d. 2021)
Jon Postel, American computer scientist known as "the god of the internet", born in Altadena, California (d. 1998)
1943 Michael Anderson Jr, actor (Clay-The Monroes), born in London, England
1943 Ray Buktenica, Greenwich Village actor (Rhoda, House Calls), born in New York City
Andy Messersmith, American baseball player
1945 John Kongos, South African singer and songwriter ("He's Gonna Step On You Again"), born in Johannesburg, Union of South Africa
Allan Holdsworth, British progressive rock and jazz-fusion guitarist (Soft Machine), born in Bradford, England (d. 2017)
1946 Masaaki Sakai, Japanese comedian known for "Monkey", born in Tokyo, Japan
1946 Roh Moo-hyun, South Korean politician (President of South Korea 2003-8), born in Bongha Village, South Korea (d. 2009)
1946 Yvon Pedneault, Canadian Hockey HOF journalist and broadcaster (Montreal Canadiens: Réseau des sports, Télévision de Radio-Canada, TVA, TQS), born in Chicoutimi, Quebec (d. 2023)
Ken Riley, American Pro Football HOF cornerback (First-Team All-Pro 1983; Cincinnati Bengals) and coach (Florida A&M 1994-2003), born in Bartow, Florida (d. 2020)
1947 Sally Eaton, American Broadway actress (Jeanie in "Hair") and Wiccan high priestess, born in Great Lakes, Illinois
1947 Tony Dell, cricketer (Australian left-arm quick, 2 Tests 1971 & 74)
Michael Peters, American choreographer and dancer ("Dreamgirls"; Michael Jackson videos "Beat It" and "Thriller"), born in Brooklyn, New York (d. 1994)
Alan Campbell, Northern Irish clergyman and white supremacist (British Israelism), born in Belfast, Northern Ireland (d. 2017)
1949 Clarence Richard Silva, American Catholic Bishop of Honolulu, born in Honolulu, Hawaii
1949 Dino Bravo, Canadian professional wrestler (WWF), born in Campobasso, Italy (d. 1993)
1949 Joyce McKinney, American beauty queen (Miss Wyoming, 1972), born in Avery County, North Carolina
Dorian Harewood, American actor American actor (The Jesse Owens Story; I'll Fly Away; 7th Heaven - "Rev. Hamilton"), born in Dayton, Ohio
1950 Nathan Purdee, American actor (Nathan on "Young & the Restless", Hank on "One Life to Live"), born in Tampa, Florida
1950 Winston E Scott, USN Commander/astronaut (STS 72, 87), born in Miami, Florida
Catherine Hicks, American actress (Star Trek IV, Child's Play), born in New York City
1951 Daryl Somers, Australian television personality ("Hey Hey It's Saturday", Dancing with the Stars"), born in Geelong, Victoria
Ton Scherpenzeel, Dutch rock keyboardist (Kayak; Earth & Fire), born in Hilversum, The Netherlands
1952 Vinnie Vincent [Cusano], American rock guitarist (Kiss, 1982-84; solo - "Ashes to Ashes"), born in Bridgeport, Connecticut
1952 Wojiech Fortuna, Polish ski jumper (Olympic gold, 1972), born in Zakopane, Poland
Iqbal Qasim, cricketer (Pakistani slow lefty in the 80's)
1953 Pat MacDonald, American rock singer-songwriter, and guitarist (Timbuk 3 - "The Future's So Bright, I Gotta Wear Shades"), born in Green Bay, Wisconsin
Carl C. Perkins, American politician (Rep-D-KY, 1984-93), born in Washington, D.C.
1954 Elma Miller, Canadian contemporary classical composer, and educator, born in Toronto, Ontario
1954 Paul Steigerwald, American sports announcer
Gordon J. Brand, English golfer (British Open 1986 runner-up), born in Cambridge, England (d. 2020)
Stepfanie Kramer, American actress (Claudia-We Got it Made, Hunter), born in Los Angeles, California
Bob Horner, American baseball player
1957 Faith Prince, Broadway actress (Guys & Dolls, Carousel), born in Augusta, Georgia
1957 Jim McGreevey, American politician, Governor of New Jersey (2002-04), born in Jersey City
Randy DeBarge, American pop-rock singer, and bassist (Debarge - "Rhythm Of The Night"), born in Grand Rapids Michigan
1958 Simon Francken, Dutch punk-rock bassist (Ivy Green), born in Hazerswoude, Netherlands
Grant Aleksander, actor (Guiding Light, All My Children), born in Baltimore, Maryland
1959 Joyce Sims, American R&B singer-songwriter ("All and All"; "Come into My Life"), born in Rochester, New York (d. 2022)
Aldo Jones [Albert Mansis], American rockabilly bassist and singer (Ben Vaughn Combo), born in Yonkers, New York (d. 2001)
1960 Dale Ellis, American NBA basketball guard/forward, 1983-2000 (Seattle Supersonics, Denver Nuggets, and 5 other teams), born in Marietta, Georgia
Carol Norman, American bowler (LPBT Rookie of Year 1982), born in Ardmore, Oklahoma
1961 Mary Lou, Daniels Chicago lL, tennis star
Michelle Yeoh
Chinese-Malaysian actress (Crouching Tiger, Hidden Dragon, Tomorrow Never Dies), born in Ipoh, Federation of Malaya
1962 Thomas Jefferson, 200m runner (Olympic bronze 1984), born in Cleveland, Ohio
Charles Ingram, English former British Army major known for cheating on Who Wants to Be a Millionaire, born in Derbyshire, England
1963 Jamie Kensit, British pop singer (Eighth Wonder - "I'm Not Scared"), born in Lambeth, London
1963 Kimberley Conrad, American Playboy model (January 1988, Playmate of the year 1989) who married Hugh Hefner, born in Moulton, Alabama
1963 Thomas Bohrer, US West Islip NY, rower (Olympic-92)
1963 [Michael] Tony Dees, Pascagoula Miss, hurdler
(Gary) "Moosie" Drier, American actor (Laugh-in; The Bob Newhart Show; American Hot Wax), and theatre director, born in Chicago, Illinois
1964 Lisa Boyle, actress (Showgirls), born in Chicago, Illinois
David Robinson
American NBA center (San Antonio Spurs, Olympic gold 1992), born in Key West, Florida
1965 Juliane Köhler, German actress (Downfall), born in Göttingen, West Germany
1965 Mark Speight, British children's television presenter (SMart), born in Seisdon, England (d. 2008)
1965 Yuki Kajiura, Japanese film, anime, and video game music composer, born in Tokyo, Japan
Billy Mayfair, American golfer (Tour Championship 1995), born in Phoenix, Arizona
1966 Regina Carter, American jazz and classical violinist, and composer, born in Detroit, Michigan
Mike Greenberg, American sportscaster (ABC, ESPN), and TV personality (Battle of the Network Stars), born in New York City
Celena Mondie-Milner, Milledgeville Ga, 100m/200m runner
1968 Jack de Gier, soccer player (Cambuur L, Go Ahead Eagles)
1968 Patricia Tarabini, Argentine tennis star (1985 Futures ITA), born in La Plata, Argentina
Elliott Smith [Steven Smith], American Oscar nominated singer-songwriter (Good Will Hunting - "Miss Misery"), born in Omaha, Nebraska (d. 2003)
1969 Mike Budenholzer, American basketball head coach (Milwaukee Bucks 2018-19; Atlanta Hawks 2013-18; NBA Coach of the Year 2015, 19), born in Holbrook, Arizona
1969 Simon Doull, cricket medium pacer (NZ)
Erwin Thijs, Belgian cyclist
1970 M. Night Shyamalan, Indian-American film director (The Sixth Sense), born in Mahé, India
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The Aristocats
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The Aristocats is a 1970 animated film produced by Walt Disney Productions and released on December 24, 1970. The 20th animated feature in the Disney Animated Canon, the film is based on a story by Tom McGowan and Tom Rowe, and revolves around a family of aristocratic cats, and how an alley cat...
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Disney Wiki
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https://disney.fandom.com/wiki/The_Aristocats
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The Aristocats is a 1970 animated film produced by Walt Disney Productions and released on December 24, 1970. The 20th animated feature in the Disney Animated Canon, the film is based on a story by Tom McGowan and Tom Rowe, and revolves around a family of aristocratic cats, and how an alley cat acquaintance helps them after their butler, Edgar, catnaps them to gain his mistress' fortune, which was meant to go to them. The title is a pun on the word aristocrats. The film's basic idea — an animated romantic musical comedy about talking cats in France — had previously been used in the UPA animated feature Gay Purr-ee.
Disney began production of a sequel, The Aristocats II, in December 2005, set to release in 2007, but production was cancelled in early 2006.
The film is noted for being along with The Jungle Book (1967) the last film project to be approved by Walt Disney himself, as he died in late 1966, ten months before the film was released. While the film gained overall favorable reviews and a solid box office performance, it did not match the earlier success of 101 Dalmatians or The Jungle Book. Today, while the film is very iconic, it is seen as a modest success by the Disney company.
Plot[]
The year is 1910. On an autumn day in Paris, a mother cat named Duchess and her three kittens ― Marie, Berlioz, and Toulouse ― live in the mansion of retired opera singer Madame Adelaide Bonfamille, along with her butler, Edgar. She early on settles her will with her lawyer, Georges Hautcourt - an aged, eccentric old friend of hers - stating that she wishes the "faithful" Edgar to look after her beloved cats until they die. Only then will he inherit the fortune himself. Edgar hears this from his own room and believes he will be dead before he inherits Madame Adelaide's fortune, and so plots to remove the cats from a position of inheritance (clearly not thinking about how he would be essentially in control of the fortune, despite having to take good care of them).
Edgar sedates the cats by putting an entire bottle of sleeping pills into their food and then heads out into the French countryside to dispose of them. However, two hound dogs named Napoleon and Lafayette attack him. After the conflict, Edgar escapes, leaving behind his umbrella, hat, the cats' bed basket, and the sidecar of his motorcycle in the process. The cats are left alone and afraid in the countryside, while Madame Adelaide, Roquefort the Mouse, and Frou Frou the horse discover their absence. In the morning, Duchess meets an alley cat named Thomas O'Malley, who offers to guide her and the kittens to Paris.
They have a struggle returning to the city, briefly hitchhiking on the back of a milk cart before being unfortunately chased off by the driver. Marie subsequently falls into a river after a train roars down the tracks and is saved by O'Malley. They then meet a pair of British white geese, Abigail and Amelia Gabble, who are traveling to Paris. The group heads off leaving the countryside, marching like geese, until they reach Paris and come across the girls' drunken Uncle Waldo. Abigail and Amelia then depart to take Waldo home. Traveling across the rooftops of the city, the cats meet Scat Cat and his band, close friends to O'Malley, who perform the song "Everybody Wants to Be a Cat". After the band has departed and the kittens lie in bed, O'Malley and Duchess spend the evening on a nearby rooftop and talk, while the kittens listen at a windowsill. The subject of their conversation is the question of whether Duchess can stay and be with Thomas.
Reluctantly, Duchess sadly turns him down, largely out of loyalty to Madame Adelaide, pointing out that Madame really does love her and her kittens - some cuts to Madame Adelaide show that she truly is very unhappy without her cats and feeling very much alone. The listening kittens are disappointed, although they too wish to go home, but are very sad that they've got to say goodbye to Thomas (even Berlioz goes as far as to say that they almost had a father). Edgar, meanwhile, retrieves his sidecar, umbrella, and hat from Napoleon and Lafayette with some difficulty.
The cats make it back to the mansion, after which O'Malley departs sadly after he and Duchess have a heartfelt farewell moment. Edgar sees Duchess and Kittens coming and suddenly captures them, places them in a sack, and briefly hides them in the oven. The cats tell Roquefort to pursue O'Malley and get help. He does so, at which point O'Malley races back to the mansion, ordering Roquefort to find Scat Cat and his gang. Edgar places the cats in a trunk which he plans to send to Timbuktu, Africa, so they can never come back. O'Malley, Scat Cat and his gang, and Frou-Frou all fight Edgar, while Roquefort frees Duchess and kittens. In the end, Edgar is tipped into the trunk, locked inside, and is sent to Timbuktu himself. Madame Adelaide's will is rewritten to exclude Edgar and include O'Malley. She starts a charity foundation providing a home for all of Paris' stray cats. To which most of the major characters come, the grand opening thereof features Scat Cat's band, who perform a reprise of "Everybody Wants to Be a Cat". Napoleon and Lafayette join in the party but realize it sounds like the end; the words "The End" hit Napoleon on the head, then he ducks down saying the line while it shows itself on-screen, the cats finish their song with a happy ending while the "The End" title card dances, then Toulouse says his final line "Oh Yeah" from earlier on just as the movie officially ends fading black showing "Walt Disney Productions" under "The End".
Production[]
Story development[]
On December 9, 1961, Walt Disney suggested that Harry Tytle and Tom McGowan find some animal stories to adapt as a two-part live-action episode for the Wonderful World of Color television program. By New Year's 1962, McGowan had found several stories including a children's book about a mother cat and her kittens set in New York City. However, Tytle felt that a London location had added a significant element to One Hundred and One Dalmatians and suggested setting the story of the cats in Paris. Following a rough storyline, the story became about two servants—a butler and a maid—who were in line to inherit a fortune of an eccentric mistress after the pet cats died and focused on their feeble and foolish attempts to eliminate the felines. Boris Karloff and Francoise Rosay were in mind to portray the butler and the distressed Madame. A subplot centered around a mother cat hiding her kittens to keep them out of danger in a variety of different homes and locales around Paris, France. During the filming of Escapade in Florence, McGowan brought him the story that had been written by Tom Rowe, an American writer who was living in Paris.
By August 1962, they sent the completed script to Burbank, where it was returned as "rejected" by an unknown executive at the Disney studios. Nevertheless, Tytle brought the script to Walt staying at the Connaught in London. Disney approved for the draft, but recommended additional cuts which were made by February 1963. Before filming was to commence Paris, Rowe wrote a letter to Disney addressing his displeasure of the script revisions, in which Tytle responded to Rowe that the changes Walt approved of would be kept. However, by summer 1963, the project was shelved, where Tytle, in a discussion with Walt, recommended to produce The Aristocats as an animated feature. For that reason, Walt temporarily shelved the project as the animation department was occupied with The Jungle Book. Meanwhile, director Wolfgang Reitherman learned of the project and suggested it as a follow-up project to Jungle Book. Because of the production delays, Tytle was advised to centralize his efforts on live action projects and was replaced by Winston Hibler.
In 1966, Disney assigned Ken Anderson to determine whether Aristocats would be suitable for an animated feature. With occasional guidance from Reitherman, Anderson worked from scratch and simplified the two stories into a story that focused more on the cats. Walt saw the preliminary sketches and approved the project shortly before his death. After The Jungle Book was completed, Walt and his team began work on Aristocats, which was still on after Walt's death. Hibler was eventually replaced by Reitherman, who would abandon the more emotional story of Duchess's obsession to find adopters befitting of her kittens' talents initially favored by Walt suggesting instead the film be conceived as an adventure comedy in the vein of One Hundred and One Dalmatians. Furthermore, the character Elvira, the maid, who was intended to be voiced by Elsa Lanchester, was removed from the story placing Edgar as the central antagonist in order to better simplify the storyline.
Casting[]
As with The Jungle Book, the characters were patterned on the personalities of the voice actors. In 1966, Walt Disney contacted Phil Harris to improvise the script, and shortly after, he was cast to voice Thomas O'Malley. To differentiate the character from Baloo, Reitherman noted O'Malley was "more based on Clark Gable than Wallace Beery, who was partly the model for Baloo." Reitherman furthermore cast Eva Gabor as Duchess, remarking she had "the freshest femme voice we've ever had", and Sterling Holloway as Roquefort. Louis Armstrong was initially reported to voice Scat Cat, but he backed out of the project in 1969 for unknown reasons. Out of desperation, Scatman Crothers was hired to voice the character under the direction to imitate Armstrong. Pat Buttram and George Lindsey were cast as the farm dogs, which proved so popular with the filmmakers that another scene was included to have the dogs when Edgar returns to the farm to retrieve his displaced hat and umbrella. Dal McKennon was considered to voice Roquefort, but he declined.
Animation[]
Ken Anderson spent eighteen months developing the design of the characters. Five of Disney's legendary "Nine Old Men" worked on it, including the Disney crew that had been working 25 years on average.
Cast[]
Eva Gabor as Duchess
Phil Harris as Thomas O'Malley
Roddy Maude-Roxby as Edgar
Gary Dubin as Toulouse
Liz English as Marie
Dean Clark as Berlioz
Sterling Holloway as Roquefort the Mouse
Scatman Crothers as Scat Cat
Paul Winchell as Shun Gon
Lord Tim Hudson as Hit Cat
Vito Scotti as Peppo
Thurl Ravenscroft as Billy Boss
Pat Buttram as Napoleon
George Lindsey as Lafayette
Hermione Baddeley as Madame Adelaide Bonfamille
Charles Lane as Georges Hautcourt
Nancy Kulp as Frou Frou
Monica Evans and Carole Shelley as Abigail and Amelia Gabble
Bill Thompson as Uncle Waldo
Uncredited[]
Robie Lester as Duchess's singing voice
Peter Renaday as French Milkman/Le Petit Cafe Cook/Truck Movers
Ruth Buzzi as Frou Frou's singing voice
Goofs[]
When the Alley Cats fight Edgar, Roquefort orders everyone to be quiet while he works on cracking the padlock. Even Edgar stops. This is strange since Madame Adelaide Bonfamille and the other humans can't understand animals. It's especially strange since Edgar can't understand his horse.
In a few scenes, Roquefort has five fingers instead of four.
After Edgar is kicked into the box that he was planning to use to send the cats to Timbuktu, it is shown with the padlock once again locked and sealed on the front, despite the fact that Roquefort had removed the padlock and there had been no time for anyone to put it back on before it was kicked outside.
In the scene where Edgar is ironing his clothes, he is seen wearing a pair of red-and-white striped boxer shorts. However, since this movie is set in 1910, boxer shorts weren't really invented until 1925 (15 years later).
While Roquefort reports to Scat Cat and the gang that O'Malley, Duchess, and the kittens are in trouble, Peppo (the Italian Cat) changes two different locations too quickly.
Edgar refers to the money that he would inherit as "dollars" and the American dollar sign flashes in his eyes; however, the film takes place in France.
When Marie, Berlioz, and Toulouse race each other to their little cat door, they fight over who will go first through the door. When Marie mentions that she's a lady and should go first, it can be seen through the door that it is nighttime. After Toulouse comments she's not a lady, and Berlioz pulling her tail saying she's nothing but a sister, it is once again daytime as seen through the door.
Throughout the film, Hit Cat (guitar) and Billy Boss (bass) play their instruments left and right-handed.
The basket with Duchess and her kittens Marie, Berlioz, and Toulouse falls out from the motorcycle, rolling down the hill while the dogs Napoleon and Lafayette are chasing Edgar, the cats aren't seen falling out from the basket themselves when it does, and it doesn't land under the bridge when the chase is going on, but after the fight ends with Edgar driving away and the rainstorm approaching, the basket is suddenly under the bridge, and Duchess sleeping in the tall grass.
Berlioz rides on Frou-Frou's head during the carriage ride, but when they all get home, he thanks her for riding on her back, but he never rode on her back, he rode on her head, so he should've meant to thank her for riding on her head.
When the kittens play their train game on the train tracks, they line up in a straight line, Toulouse is the leader in the game Berlioz is the passenger, they all line up together and she lines up standing behind Berlioz in the game. Toulouse says that Marie is the caboose which makes her not so interested and she's suddenly seen standing behind Toulouse in line, as Berlioz briefly disappears in the shot, but as their playing and walking along the train tracks, she's behind Berlioz again.
When Thomas O'Malley is singing to Duchess, in one shot her collar is completely blue.
Release and reception[]
Main article: The Aristocats (video)
The Aristocats premiered on December 11, 1970 and released in theaters on December 24 that same year. The film was then re-released to theaters on December 19, 1980, and April 10, 1987. Overall, The Aristocats made over $55 million on a budget of $4 million, making it a box office success.
Based on 33 reviews, the film has a 64% rating at Rotten Tomatoes with an average rating of 5.9/10 "fresh", relatively low for a Disney animated feature, with a consensus of "Though The Aristocats is mostly a middling effort for Disney, it is redeemed by terrific work from its voice cast and some jazzy tunes." Of the reviews, 19 gave it "fresh" and 10 gave it "rotten".
The film was nominated for AFI's 10 Top 10 in the "Animation" genre.
It was first released on VHS in the UK in 1995. It was first released on VHS in North America in the Masterpiece Collection series on April 24, 1996, and DVD on April 4, 2000, in the Gold Classic Collection line. The Aristocats had its Gold Collection disc quietly discontinued in 2006. A new single-disc Special Edition DVD (previously announced as a 2-Disc set) was released on February 5, 2008, with the original matted aspect ratio of 1.75:1. The film debuted on Blu-ray on August 7, 2012, this time with a 1.66:1 transfer.
Soundtrack[]
"The Aristocats" - Maurice Chevalier "The Aristocats" is the title song from the film. It was written by Robert and Richard Sherman at the end of the eight-year tenure working for Walt Disney Productions. Actor and singer Maurice Chevalier came out of retirement to sing this song for the motion picture's soundtrack. He recorded it in English as well as in French translation ("Naturellement - les Aristocats!"). It would be his last work before his death in 1972.
"Scales and Arpeggios" - Liz English, Gary Dubin, Dean Clark, Robie Lester
"Thomas O'Malley Cat (song)" - Phil Harris
"Everybody Wants to Be a Cat" - Phil Harris, Scatman Crothers, Thurl Ravenscroft, Vito Scotti, Paul Winchell This song is sung by Scatman Crothers as Scat Cat, Phil Harris as Thomas O'Malley Cat, and Thurl Ravenscroft as Billy Boss the Russian Cat. It was also released as a now rare 45 rpm single, in a version sung only by Phil Harris, which lacks the cartoon voices of the common release. The soundtrack CD released in 1996 contains an edited version of the song. The lines sung by "Chinese Cat" voiced by Paul Winchell, now seen as politically incorrect, are removed.
"She Never Felt Alone" - Robie Lester
"Ev'rybody Wants to Be a Cat (reprise)" - Phil Harris, Scatman Crothers, Thurl Ravenscroft, Vito Scotti, Paul Winchell, Ruth Buzzi, Bill Thompson
On Classic Disney: 60 Years of Musical Magic, this includes "Thomas O'Malley Cat" on the purple disc and "Ev'rybody Wants to Be a Cat" on the orange disc. On Disney's Greatest Hits, this includes "Ev'rybody Wants to Be a Cat" on the red disc.
Cancelled sequel[]
The Aristocats II was supposed to be a direct-to-video sequel to this film. It was scheduled to be released in 2007, but the production was canceled in early 2006 after Disney acquired Pixar and canceled all other planned direct-to-video sequels.
Gallery[]
Videos[]
Trivia[]
A copyright renewal for the film was registered on June 29, 1998.[1]
The title "Aristocats" is a play on words, combining "aristocrats" and "cats".
This is the last movie to end with "A Walt Disney Production", and the first of the Walt Disney Animated Classics to open with "Walt Disney Productions Presents". This would continue up until The Fox and the Hound in 1981.
Robie Lester, who had done Duchess's singing voice in the film, would also later narrate the Read-Along version of the film.
The Aristocats, more specifically "Everybody Wants to Be a Cat", was later briefly shown in the live-action remake of 101 Dalmatians, which the puppies ended up watching before switching to Homeward Bound: The Incredible Journey.
A deleted scene shows that when the train comes on the bridge, the train derails, and with Marie nearly drowning.
Scat Cat was originally written with Louie Armstrong in mind, with his original name being Satchmo Cat. Unfortunately, illness kept Armstrong from being able to play the character and the character was recast with Scatman Crothers and given the song "Everybody Wants to Be a Cat" replacing the one the Sherman Brothers wrote for Armstrong, "Le Jazz Hot".
The car that Georges drives resembles a 1913 Mercer 35J Raceabout.
Shun Gon the Siamese Cat has caused some controversy in recent years due to his appearance as a Chinese racial stereotype.
The number of sleeping pills Edgar put in the milk for the cats would likely have killed them in real life.
Marie, Berlioz, and Toulouse have an Uncle Antoine that only appears in the books, but not in the movie.
Almost all the characters from this film appear in House of Mouse, except for Marie, Berlioz, and Toulouse.
There are no end credits at the end of the movie, but there are opening credits at the start of the movie.
Roquefort narrates the Disneyland Records adaptation of the film.
In Disneyland Records, some of the main characters namely Roquefort, Napoleon and Lafayette, Abigail and Amelia Gabble are voiced by their original voice actors and voice actresses, but Duchess and her kittens are not.
Toulouse was originally named "Dopey" (almost named after one of the dwarves from Snow White and the Seven Dwarfs) seen on one of the early storyboards until his name was changed.
Marie is named after Marie Antoinette, Berlioz is named after Hector Berlioz, Toulouse is named after Henri de Toulouse-Lautrec and the French city Toulouse.
An ongoing graphic novel series revolving around the kittens Marie, Berlioz, and Toulouse, called The Aristokittens begun publication during Spring 2022 with the first two books "Welcome to the Creature Cafe" and "The Great Biscuit Bake-Off" released on April 19, 2022, with the third book "The Fantastic Rabbit Race" releasing October of that same year .
During the train scene, the whistle sound was originally used in the 1948 short film Desert Empire and it is in fact a Star Brass 5 chime whistle.
A live-action remake of the same film is planned for the future, but its release date is currently unknown. However, in January 2022, development for the remake has started.[2]
[]
The Aristocats on Wikipedia
References[]
Media The Aristocats (soundtrack/video/books) • Live-action remake • The Lost Chords: The Aristocats
Cancelled projects: The Aristocats II • The Aristocats: The Animated Series
Disney Parks It's a Small World • PLAY!
Entertainment: Big Band Beat • Fantasy Festival • One Man's Dream • The Adventure of Rhythm
Restaurants: Center Street Coffeehouse
Parades: Disney Adventure Friends Cavalcade • Disney Harmony in Color! Parade • Happiness is Here Parade • Mickey's Storybook Express • Minnie's Tiara of Dreams • Tokyo Disneyland Electrical Parade: DreamLights
Fireworks: Mickey's Mix Magic • Wonderful World of Animation • Wondrous Journeys
Spring: Disney Friends Springtime Processional • Hippity Hoppity Springtime
Summer: Mickey's WaterWorks
Halloween: Re-Villains! Halloween Parade
Christmas: Disney's Santa Village Parade
Characters Duchess • Thomas O'Malley • Toulouse • Marie • Berlioz • Roquefort • Frou-Frou • Edgar • Madame Adelaide Bonfamille • Georges Hautecourt • The Milkman • Napoleon and Lafayette • Abigail and Amelia Gabble • Uncle Waldo • Scat Cat • Alley Cats • Elvira (deleted)
Locations Paris • Bonfamille's Residence
Songs The Aristocats • Scales and Arpeggios • Thomas O'Malley Cat • Everybody Wants to Be a Cat
Deleted: Pourquoi? • Le Jazz Hot • My Way's The Highway • How Much You Mean to Me/Count Me Slowly • She Never Felt Alone
Other: Disney Marie - Walk in Paris • Everyone Loves Marie
|
||
wrong_mix_domain_starring_00035
|
FactBench
|
1
| 58
|
https://www.ebay.com/itm/265356038203
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en
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Camp Rock (Extended Rock Star Edition) - DVD - Very Good - Meaghan Jette Martin
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[
""
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<p>Camp Rock (Extended Rock Star Edition) - DVD - Very Good - Meaghan Jette Martin. </p><br /><p>Pre owned </p><br /><p>Good Condition </p>
|
en
|
eBay
|
https://www.ebay.com/itm/265356038203
|
US $14.16GermanyeBay International ShippingUS $0.00Estimated between Mon, Aug 5 and Tue, Aug 13 to 60323US $12.98GermanyeBay International ShippingAuthorities may apply import charges upon deliveryEstimated between Mon, Aug 5 and Tue, Aug 13 to 60323
|
|||||
wrong_mix_domain_starring_00035
|
FactBench
|
1
| 62
|
https://www.mycast.io/talent/meaghan-martin
|
en
|
Meaghan Martin Fan Casting
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View casting suggestions for Meaghan Martin, and make your own suggestions for roles you think they should play in upcoming films!
|
myCast - Fan Casting Your Favorite Stories
|
https://www.mycast.io/talent/meaghan-martin
|
Join myCast
Do you love movies? Fan casting? myCast is the place for you!
Join thousands of other users in fan casting your favorite stories. Take 30 seconds to create a completely free profile, which will allow you to:
Add your own stories and characters
Make casting suggestions
Vote and comment on casting suggestions
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Join myCast
Do you love movies? Fan casting? myCast is the place for you!
Join thousands of other users in fan casting your favorite stories. Take 30 seconds to create a completely free profile, which will allow you to:
Add your own stories and characters
Make casting suggestions
Vote and comment on casting suggestions
Add and edit talent profiles
Post to the forums
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Login to an existing account
|
||||||
wrong_mix_domain_starring_00035
|
FactBench
|
2
| 37
|
https://facts.net/lifestyle/entertainment/16-facts-about-thomas-omalley-the-aristocats/
|
en
|
16 Facts About Thomas O’Malley (The Aristocats)
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[
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] | null |
[
"Dorree Dixon"
] |
2023-09-13T11:01:07+08:00
|
Discover 16 fascinating facts about Thomas O'Malley, the charming alley cat from Disney's timeless movie "The Aristocats."
|
en
|
https://facts.net/wp-content/uploads/2019/09/fac-icon.ico
|
Facts.net
|
https://facts.net/lifestyle/entertainment/16-facts-about-thomas-omalley-the-aristocats/
|
Thomas O’Malley is a charming alley cat.
Thomas O’Malley is a suave and street-smart orange tabby cat who steals the hearts of audiences in the animated film, “The Aristocats. With his smooth moves and witty remarks, he quickly becomes a beloved character.
He is voiced by the legendary actor, Phil Harris.
Phil Harris brings Thomas O’Malley to life with his distinct voice and charismatic performance. Known for his roles in other Disney classics like “The Jungle Book”, Harris adds a layer of charm and charisma to the character.
Thomas O’Malley is a caring and protective cat.
Despite his rough exterior, Thomas O’Malley proves to be a caring and protective figure. He takes Marie, Toulouse, and Berlioz under his wing, guiding them through their journey back home and keeping them safe from harm.
He loves to sing and dance.
One of Thomas O’Malley’s most memorable traits is his love for music. He showcases his talents through catchy and upbeat songs like “Ev’rybody Wants to Be a Cat”, bringing joy and excitement to the screen.
He is a skilled street fighter.
Thomas O’Malley is no pushover when it comes to defending himself and his loved ones. He displays impressive fighting skills, using his agility and quick reflexes to outwit his opponents.
Thomas O’Malley has a heart of gold.
Beneath his tough exterior, Thomas O’Malley has a soft spot for love and family. He shows compassion and loyalty, proving that even alley cats can have a heart of gold.
He is the love interest of Duchess, the mother of the kittens.
Thomas O’Malley’s path crosses with Duchess, a sophisticated and elegant cat. Their connection grows, and he becomes a romantic partner and father figure to her kittens.
Thomas O’Malley is a free spirit.
As an alley cat, Thomas O’Malley embraces the freedom of the streets. He enjoys the thrill of adventure and has a carefree approach to life, making him an exciting and unpredictable character.
The character of Thomas O’Malley was inspired by Thomas Kinkade.
The creators of “The Aristocats” drew inspiration from the famous American painter, Thomas Kinkade, when developing Thomas O’Malley’s character. They wanted to capture the charm and allure of Kinkade’s artwork in the feline lead.
Thomas O’Malley has a distinctive singing voice.
Part of Thomas O’Malley’s charm lies in his singing voice. Thanks to Phil Harris’s vocal talents, he captivates audiences with his smooth and melodic tones.
He helps the Aristocats find their way back home.
When the Aristocats find themselves lost and stranded, it is Thomas O’Malley who steps up to guide them back home. His street smarts and resourcefulness play a vital role in their journey.
Thomas O’Malley is known for his witty one-liners.
Throughout the film, Thomas O’Malley entertains the audience with his quick wit and humorous one-liners. He adds a touch of comedic relief to the story, keeping viewers entertained.
He forms an emotional bond with the Aristocats.
As Thomas O’Malley spends more time with the Aristocats, a deep emotional bond forms between them. They learn to trust and rely on each other, highlighting the importance of friendship and companionship.
Thomas O’Malley is an iconic character in Disney history.
With his cool demeanor and endearing personality, Thomas O’Malley has secured his place as an iconic character in Disney history. He continues to captivate audiences of all ages, standing the test of time.
He values individuality and uniqueness.
Thomas O’Malley celebrates the individuality and uniqueness of each character in the film. He encourages them to embrace their true selves, regardless of their backgrounds or circumstances.
Thomas O’Malley teaches important life lessons.
Through his adventures and interactions with the Aristocats, Thomas O’Malley imparts valuable life lessons such as the importance of love, loyalty, and the power of family bonds.
Conclusion
Thomas O’Malley, the charming alley cat from Disney’s “The Aristocats,” has captured the hearts of audiences for years. With his smooth voice, streetwise attitude, and love for adventure, it’s no wonder why he remains a beloved character. Throughout the film, Thomas O’Malley showcases his wit, courage, and loyalty as he helps the Aristocats find their way back home while winning the affection of Duchess along the way.
From his catchy musical numbers to his charismatic personality, Thomas O’Malley is a true icon in the world of cartoon characters. Whether you’re a fan of his slick dance moves or his mischievous charm, it’s hard not to be captivated by this lovable feline. So next time you watch “The Aristocats,” keep an eye out for Thomas O’Malley and enjoy his memorable moments throughout the film.
FAQs
1. Who voices Thomas O’Malley in “The Aristocats”?
Thomas O’Malley is voiced by Phil Harris, known for his distinctive voice and roles in other Disney films such as Baloo in “The Jungle Book.”
2. What breed of cat is Thomas O’Malley?
Thomas O’Malley is an alley cat, which means his exact breed is unknown. However, he is often portrayed as a carefree and adventurous orange tabby cat.
3. Does Thomas O’Malley have any special abilities?
While Thomas O’Malley doesn’t possess any supernatural powers, he is known for his quick wit, agility, and resourcefulness. These traits help him navigate various challenges throughout the film.
4. What is Thomas O’Malley’s role in “The Aristocats”?
Thomas O’Malley plays a key role in helping the Aristocats, Duchess and her kittens, return home after they get abandoned in the countryside. He becomes their loyal friend and protector throughout their journey.
5. Does Thomas O’Malley have any memorable songs?
Yes, Thomas O’Malley has several memorable songs in “The Aristocats,” including “‘O’Malley, the Alley Cat” and “Ev’rybody Wants to Be a Cat.” These songs showcase his smooth voice and playful personality.
|
||||
wrong_mix_domain_starring_00035
|
FactBench
|
2
| 21
|
https://hellorayo.co.uk/hits-radio/entertainment/movies/aristocats-remake/
|
en
|
Disney confirm live-action remake of The Aristocats is on the way
|
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[
""
] | null |
[
"Emma Dodds"
] |
2023-03-29T13:42:55+00:00
|
Disney have confirmed that a live-action remake of The Aristocats is now in the works! Here's everything we know so far about the upcoming film...
|
en
|
/tesla/static/favicons/rayo/favicon.svg
|
Hits Radio
|
https://hellorayo.co.uk/hits-radio/entertainment/movies/aristocats-remake/
|
Everybody Wants To Be A Cat, after all 😻
Another animated Disney classic is receiving the live-action treatment! After the success of The Lion King, The Jungle Book and Dumbo - with many more on the way including The Little Mermaid - Disney have turned their attentions to another favoured animal-themed film... The Aristocats!
The beloved 1970 animation followed the story of a family of cats, who are cruelly kidnapped by their wealthy owner's butler in a bid to replace them in her will - and their journey back home, with many jaunts along the way.
Now, Disney have named musician, DJ and actor Questlove, best known as drummer and joint frontman of US TV host Jimmy Fallon's house band the Roots. He also served as one of the producers for the cast recording of worldwide theatre hit Hamilton.
Taking to Instagram, Questlove shared a snap of Variety's report of his appointment, writing alongside in a caption: 'They chose I to chase the cat… I basically have 2 life goals: 1. Don’t dismiss my dreams & 2. Get out of my own way.'
Although there's no word yet on casting or release date, we do know that the film will be a "blend" of live-action performances as well as CGI, according to Variety, who also report that the screenplay is being adapted by Will Gluck and Keith Bunin.
Will Gluck is known for writing the likes of Friends with Benefits, the 2014 musical adaptation of Annie and the 2018 live-action remake of Peter Rabbit, as well as its 2021 sequel. Keith Bunin was a writer on Disney's 2020 flick Onward.
The original film starred Hollywood superstar Eva Gabor as the main cat Duchess, mother of the three kittens, with longtime Disney collaborator Phil Harris as her love interest Thomas O'Malley, who can also be heard as Baloo in The Jungle Book and Little John in Robin Hood.
Fellow Disney star Sterling Holloway performed the role of mouse sidekick Roquefort. He had previous roles in Dumbo, Bambi, Alice in Wonderland and The Jungle Book - although he's possibly most famous as the voice of Winnie the Pooh.
American musician and The Shining actor Scatman Crothers performed as Scat Cat, and Mary Poppins actress Hermione Baddeley voiced the cats' owner Adelaide.
Scroll through to see which Disney live-action remakes have been released so far:
Read more:
All the important dates you need to know for Disney's live-action remakes
The Little Mermaid: Cast give spine-tingling performance in first full-length trailer
All of the Disney films coming out in 2023
How to listen to Hits Radio:
Turn it up with Hits Radio! Home of Fleur East, Sam Thompson and Gemma Atkinson playing the biggest hits and the biggest throwbacks, alongside the biggest laughs and life-changing competitions. Tune in on FM, DAB, online or ask your Smart Speaker to 'Play Hits Radio'.
|
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wrong_mix_domain_starring_00035
|
FactBench
|
0
| 38
|
https://pdfcoffee.com/10000-premium-words-pdf-free.html
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en
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10000 premium words
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[
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[
"Guest"
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GOING MEDICAL TEST FRIEND COME DEC SERVER PC STUDY APPLICATION CART STAFF ARTICLES SAN FEEDBACK AGAIN PLAY LOOKING ISSUE...
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en
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pdfcoffee.com
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https://pdfcoffee.com/10000-premium-words-pdf-free.html
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Citation preview
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AUGUST QUOTE LANGUAGE STORY SELL OPTIONS EXPERIENCE RATES CREATE KEY BODY YOUNG AMERICA IMPORTANT FIELD FEW EAST PAPER SINGLE II AGE ACTIVITIES CLUB EXAMPLE GIRLS ADDITIONAL PASSWORD Z LATEST SOMETHING ROAD GIFT QUESTION CHANGES NIGHT CA HARD TEXAS OCT PAY FOUR POKER STATUS BROWSE ISSUE RANGE BUILDING SELLER COURT FEBRUARY ALWAYS RESULT AUDIO LIGHT WRITE WAR NOV OFFER BLUE GROUPS
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DOUBTFUL CONSULTATIVE RATIFIED INSECURE EXPLOSIONS LST AIS CONVEYOR NORMATIVE TRUNKS GARETH SURG RST LONGTIME VERSATILITY ECM MCKAY LOTHIAN FEM SPE INTRICATE STRATA SOLVER ANI LACIE SOLVENTS DEPOSITORY HUBERT PROCLAMATION BEAUTIES HYBRIDS KUDOS GILLIAN DARRELL JENS CREAMS IRRESPECTIVE POO HANDBOOKS AGM IMPOSITION SHAWNEE CROWLEY ENSURED BUTALBITAL KIDNAPPED SAI CEREALS OUTRAGE POOP SCRUBS ORCHESTRAL ARTIFACT MDOT COLDWELL QS DEPTS BELLINGHAM VETERINARIAN DRIPPING
MERSEYSIDE CSO KRONA AFTERWARD DISSEMINATE DEVOTE FACETS MUSIQUE FRIGHTENED NOISES AMBIGUITY BOOTHS DISCOURAGE ELUSIVE SPECULATIVE PUGET MADEIRA COASTERS INTIMACY GEOLOGIC FLEETWOOD HALLWAY FELDMAN WHEY RIPPING ENDOCRINOLOGY REPLICAS MEI POLYGON MCG HOB RELOADED GARRY ESTER KWAZULU SERVO RIPARIAN ANNAN THRIVING HAMPERS BRAGG GRACIOUS GUELPH TENUATE SNAIL CURATOR CURT JAIME DEMISE THEORETICALLY GROOVES SUTRA MOWER CONVEYED GAMESTATS LVL SWINE FAXING MEYERS TYPOGRAPHICAL
ELLISON TESTSUITE ADO TROPHIES QUICKEN STRESSFUL WERDEN HERON EXTRANET REMASTERED TEAC GRAFT NEG MOTH CROSSINGS DERRICK RMA EASTWOOD MASH HANDSPRING GERM ENVOY GERBER BRECKENRIDGE DURAN PUG ANTOINE AQUARIUS DOMINGO RESEMBLES STENCIL DOORWAY SRP SCIFI GRANDSON TAT CATALINA REDDING REDIRECTION ACCOMPANIMENT DERIVATION SHOWCASES WARDEN VOIR TUG HMV REFINERY MARGARITA CLANS INSTITUTED NOTARY ABORT DRS SCHROEDER INDENT THI SOCIOLOGICAL CHARDONNAY REMOVALS ANTRIM
OFFENDING FORGETTING MACEDONIAN ACCELERATING VOTRE GUESTHOUSE RESERVOIRS BARLOW TYRONE HALLE EDGED BZ INSIDERS ENCOMPASS DUVET SPADE HERMES GLARE METAPHYSICAL DECODE LOONEY INSIGNIFICANT EXCHANGING PLEDGES MENTALITY BRIGHAM TURBULENT MTS JEWELERS PIP PUP JUNEAU DILUTION FORTUNES SULTAN MASKED CASING VETERINARIANS PLOTTED COLOURFUL GRIDS SIGHTINGS BINUTILS SPACER MICROPROCESSOR HALEY DELOITTE CLAIBORNE CLIE CDM GENEROUSLY SPILLS ASSISTIVE AMOUNTED CHRONOGRAPH REFUNDED SUNNYVALE ICY REPRESSION REAPER
HONORING SPAMCOP FACTO LOVIN EMBRACING CLIMATIC MINIMISE BROADEN SALINITY NBSP BEGGING SPECIALISING HANDOUT WHARTON ROUTLEDGE RAMIREZ SUI FREDDY BUSHES CONTEND HAIKU RESTRAINTS PAISLEY TELEMARKETING CUTOFF TRUNCATED GIBBONS NITRIC VISUALS CCS BREADS SEG ATOP GLOVER RAILROADS UNICORN NORMANDY MARTINA MCLAUGHLIN FLOATS HEADLIGHT KEMP JUSTICES ORDERLY SLA PIPERMAIL SONNERIES WAFER CLINICIANS PUCK ENTERTAINERS TRIPP PETERTHOENY BLOCKERS STASH ROOFS REEFS JAMAICAN SEMEN HOVER
ENDOGENOUS QUARANTINE MEMOREX SHOWTIME NARCOTICS DETRIMENTAL OCEANFRONT MOLDS ELIAS FLANGE REALPLAYER MCC HOU SUBSISTENCE CHILLED FOE CITADEL MPAA GOGH TOPOGRAPHY ALLENTOWN LEAFLETS ROMERO BNWT WRINKLE CONTEMPLATED PREDEFINED ADOLESCENCE NUN HARMON INDULGE BERNHARD HEARTH BUZZNET EDNA EMBARRASSED AGGRESSIVELY MELODIC COINCIDE ISI NAICS TRANSGENIC AXIM MAYNARD BROOKFIELD ENDORSEMENTS GENOA ENLIGHTENED VISCOSITY CLIPPINGS RADICALS CVE BENGALS ESTIMATOR CLS CONCURRENTLY PENETRATE STRIDE CATASTROPHE LEAFS
GREATNESS ELECTRICIAN MAYFIELD FTSE ARCHIE SAMUI PARASITES BLEACH ENTERTAINED INVENTORS UNAUTHORISED FERRET LOUISA AGONY WOLVERINE MARSEILLE TALLER DOUBLING STUPIDITY MOOR INDIVIDUALIZED ECN STEPHENSON ENRICH FOREGROUND REVELATIONS REPLYING RAFFLE SHREDDER INCAPABLE PARTE ACKNOWLEDGMENT EMBEDDING HYDROLOGY MASCOT LUBE LAUNCHER MECH LABYRINTH AFRICANS SWAY PRIMERS UNDERGONE LACEY PREACH CAREGIVER TRIANGULAR DISABLING CONES LUPUS SACHS INVERSION THANKFULLY QTEK OY TAXED PRESUMPTION EXCITATION TWN SALESMAN
HATFIELD CONSTANTINE CONFEDERATION KEANE PETALS GATOR IMPRISONED MEMBERLIST UTD NORDSTROM ROSEVILLE HELLER DISHWASHERS WALLA REMIXES COZUMEL REPLICATE TAPED MCGRATH DOCKS BIOMETRIC LANDOWNERS SUL INCUBATION AGGREGATES WRANGLER JUNO DEUX DEFIANCE ASYMMETRIC BULLY CYTOCHROME VALIANT XFM CONSTRUCTIONS YOUNGSTERS SPS TOAD SHURE BREASTED BANGING VERTIGO UNSATISFACTORY MCS FLUENT RHYME DONATING ANTEC GIVEAWAY CMC ALYSSA CNT RENTER VMWARE EROS PATEL AAN HONEYWELL MCINTOSH SUFFICE
NIGHTCLUBS BARRINGTON LUXOR CATERERS CAPACITORS ROCKEFELLER CONVENED CHECKBOX NAH ACCUSATIONS DEBATED ITINERARIES STALLION REAGENTS CHRISTOPH WALKERS EEK EQUIPMENTS NECESSITIES ENSEMBL WEEKDAYS CAMELOT COMPUTATIONS WINERIES VDC BOOKER MATTEL DESERTED DIVERSIFICATION WSDL MATIC XYZ KEEPERS ANTIOXIDANT LOGICALLY CARAVANS ESRB ARCHOS ORANGES BUM PRESSE OLGA SEMESTERS NARUTO CONTENDS SNORT OCCUPANTS STORYLINE MELROSE STREAMLINED ANALYSING AIRWAY ICONV ORGANISER VIM COMMAS VICKY LUMINOUS CROWE HELVETICA
SSP SUBMITTER UNPARALLELED ANYHOW CAMBRIA WATERFALLS OBTAINS ANTWERP ULRICH HARDENED PRIMAL STRAITS ICP UPHELD MANIFESTATION WIR MALT SUBSETS BLAZERS JUPITERMEDIA MERRITT TRIAD WEBPAGES YP CLINIQUE FITCH CHARTING SINAI UGM FIXATION BSA LENOVO ENDOWED ALAMOS CAMEO ATTIRE BLAINE LEACH GRAVITATIONAL TYPEWRITER CYRILLIC PREVACID POMONA GODDARD DESIGNEE FANNY SUNNI PLAGIARISM MILKY NETFLIX COMBS MONOXIDE UPLAND GROUPEE HARDIN COLORECTAL OUTAGE UNCONSTITUTIONAL CHUNKY ADOPTS
RAPTOR IMA COULTER MACAO IAIN MTN SNAPS DEFENDS DEPICTS PBX PILGRIMAGE QUANTIFY DMESG ELEVATORS ELFWOOD SUBSTITUTIONS LANCOME GALLERIA INV HILLSBOROUGH BOOKLETS PLN OHNE CIN MSP GLUTEN NARROWED SPANKED ORTHOPAEDIC MEDI NRT EIGHTEENTH HURST INSCRIPTION ASCENT OBISPO MINOGUE TURBINES NOTEPAD PISA TEDIOUS PODS UNIVERSALLY CRAPPY GOLFER AFS RECEIVABLES CHEWING SCRIPPS ACCOMMODATED TENDENCIES LIVERMORE ROWLAND WELDED CONFORMS CIRQUE OST MARXISM REGGIE ESCONDIDO
DIFFRACTION AHA OUTLINING SUBTRACT BOSNIAN REFRESHMENTS DEPICT COILS CALLERS HYDRATION HAVENT PREFERENTIAL DRE NAVEL ARBITRATOR INTERNS QUOTAS PROLIFIC NURSERIES METHODOLOGICAL AARP GETTYSBURG ISERIES MENLO WALKTHROUGH FOOTSTEPS INDEFINITELY SUCKER BUMPS BIKINIS FRIGHTENING WILDLY SABLE AOPEN RETARDED BOOKCROSSING ADDICTS EPITHELIAL DRASTICALLY NEATLY SINGLETON SPANIEL SOMERVILLE WORTHLESS CLARKS GIT SPOOL GROUPWARE MATCHMAKING DICT JEOPARDY DESCRIPTORS ROVERS VOICED AERONAUTICS RADIOGRAPHY NORSK NPS AFR ANNOY
EXPR CLAP EJB ASPIRING REFEREED DAZZLING CORNELIUS AFI SCIENTIFICALLY GRANDPA CORNISH GUESSED KENNELS SERA TOXIN AXIOM STAMINA HARDNESS ABOUND POYNTER CURING SOCRATES AZTEC CONFER VENTS MATER ONEIDA FILMMAKER AIKEN CROWNED SANDSTONE ADAPTING GROUNDING SMARTPHONES CALVERT FIDUCIARY CRANES ROOSTER BAYESIAN SACCHAROMYCES CFP PROCTOR PREHISTORIC HUMPS BALKANS OSI DICTATE JOKER ZIMMERMAN JAVIER ROMANTICS TRIMMER BOOKKEEPING HMO HIKES KICKOFF WIPED CONTOURS MAGICK ABDOMEN
HILLSBORO BADEN BLM TUDOR FRACTAL PAWS MTG VILLAINS POKE PRAYED INEFFICIENT HEIRS PARASITE GUILDFORD TWILL THERAPEUTICS SHORTCOMINGS CURES DISRUPTIVE KICKER PROTEASE CONCENTRATES PRECLUDE ABRAMS MORENO NEWSFORGE FASTING TIMEX DUFFY LOUDLY RACERS HORSESHOE ZEUS CONSTELLATION RECITAL CMA PAIRING UTRECHT KIRKLAND FREUD BEDTIME THINKERS GUJARAT HUME DKNY REMINISCENT RAPPORT EPHESIANS CATFISH DOPE DOUBLETREE BRINK TRANSEX TDD HOTPOINT TRUSS KILN ANTHOLOGIES RETIREES PEACHES
DEPRESSING DCC BTU INVESTIGATES STRANGELY CHELMSFORD NARRATIVES SUD SKIPPER GY DRAINS ANONYMITY GOTHAM LYLE MAXIMA UNIFICATION SOUS PINOT RESPONSIVENESS TESTIMONIAL KHAKI GAZETTEER DISTRIBUTES JACOBSON KDA NAVIGATING IMITREX MONASH BINGHAMTON CONNOLLY HOMOLOGY SLOUGH PRODIGY EMBOSSED MOULD JOCK RPMS PSYCHEDELIC BLASTS GYN RHINESTONE POORER ELY ANGLIA DYED QUADRATIC DISSATISFIED PHILHARMONIC DYNAMICAL CANTONESE QURAN TURNOVR KEYCHAIN SHAKERS BOURBON STAGGERING BISMARCK HOE RUBBED WASP
INHIBITED BOOKSELLER LEXICAL OPENSSL UGG MATHEMATICA KARACHI MISSOULA ABILENE FDID FUSS MUIR UTERUS SNES SWAT PUNE TRASHY CHIMES EXPENDED WEBCT WEBBER PVR HANDYCAM AGGREGATED ZN STRATEGICALLY DMS ANUS PICO DNR EXHIBITING GIMME DEPUTIES EMERGENT ERIKA AUTHENTICATE ALIGNING NEE BEAUFORT NAUTILUS RADICALLY DOULTON TERMINATING PLATTER RTP DRACULA UMM MODDING CHAMBERLAIN EAP STEAMBOAT BREWSTER INFERRED SHAMAN LETRA CROFT ISM UPLIFTING MANDRIVA SETI
EXTRACELLULAR PENAL EXCLUSIONS JAIPUR PAGEANT HENLEY PURCHASERS STOCKPORT EIFFEL PLYWOOD DNP MORBIDITY WIMAX EFFEXOR BINDERS PITCHERS CUSTODIAL COMBI INTEGRATOR SONNERIE TERI TRACTS SECTORAL TROMBONE POSTSECONDARY MORALLY RBD HOSIERY YT AMBULATORY LOOKIN REPTILE XFF CAMOUFLAGE BECKHAM OVERDUE DISPENSERS COWAN FIREBIRD QU MOHAWK RIOTS SHOWBIZ HASSAN SCHWARZ HBOX WAIKIKI PERSUADED TEASING REJECTING EMPHASIZING UNBOUND QUENTIN LNG PDS ANTIQUA SHEPARD SACRIFICES DELINQUENT CONTRASTING
NESTLE CORRESPONDENTS BOXERS GUTHRIE IMPERFECT DISGUISE ELEVENTH EMBASSIES ASICS BARBEQUE WORKOUTS LAPSE INI MRC SEAMLESSLY WALLY NCC GIRLFRIENDS PHENOMENAL SONGBOOK CIVILIZATIONS HEPATIC FRIENDSHIPS COPELAND MARJORIE SHRUB KINDRED RECONSIDER SANCTIONED SWANSON AQUIFER PARFUMS CONDEMN RENEGADE LDL PGS AWAITS HUE XGA AUGMENTED AMENDS SVENSK FULLEST SHAFTS FINER YS STEREOTYPES MARLINS BURDENS INVOCATION SHELLY GILLESPIE EXITING BROOCH SAGINAW POLYURETHANE MOTIFS SEKS TEXTUS JOHANSSON
NINETEEN SPRAYING GRIFFITHS HAMBURGER REACTIVITY INVADERS EDMOND LIEBERMAN VOLUNTEERED WINDCHILL SWOLLEN LISTE STOREFRONT GRASSES SCATTER EOF STEWARD ITO CHERISHED SMACK INCIDENTALLY CODEINE TETEX CHEERLEADING WELLBEING SINE PKWY DEPLETED HOLINESS DIVINITY CAMPAIGNING HAIRDRYER TOUGHER SHERLOCK PUNITIVE COMPREHEND CLOAK EXON OUTSOURCE THIER SIEBEL CAPTIONS PAMPHLET CLIPPER KF UMBRELLAS CHROMOSOMES PRICELESS MIG ASSASSIN EMAILING EXPLOITING CYNICAL TORO MANIC ETCHED NOVOTEL BRAY CHOKE NDP
TRANSMITTERS NICOLA MINIDV UNDERWENT COLLABORATING TUXEDO RECEPTUS MICHELIN COMFORTS APPOINTS BICYCLING ITT KEENE RACHAEL SWALLOWED BLUEBERRY SCHUMACHER IMPERIALISM MOUTHS SOCIOECONOMIC HALTER LEY HAMSTER BUSHNELL ERGONOMICS FINALIZE IKE LUMENS PUMPKINS SUDANESE SOFTPEDIA IFF SHRINKING ROAR NOVELIST FACEPLATE PACKER IBS POTOMAC ARROYO TIPPED AMIDST INSURGENTS WANDA ETCHING DISCOURAGED GALL OBLIVION GRAVY BROWARD GLOBUS INHERIT PIR SPRINKLE STITCHING RECO SOFTCORE ADVISABLE LOI MEME
REFERENCING GLADSTONE TYP GUANGZHOU JUGS CONGREGATIONS HANDING PAYER ZE BEFOREHAND NADER LABORER MILITANTS RESINS WATCHER VIBRATIONS APES STRAWBERRIES ABBAS MOODS COUGAR MONTROSE DOBSON SURREAL IVES SOAKED IRRADIATION REDESIGNED RASTER ABRIDGED CREDENTIAL CHECKLISTS QUIRKY OSCILLATOR PALATE FINALISTS ENCRYPT MGT THIERRY SNEAKERS INCONTINENCE PAJAMAS MASCULINE MURDOCH DALI LUBRICANT REALIZES KAHN QUESTS MGR PETITIONERS OUTSOURCED CONSTABLE JODY SAYINGS UNCONDITIONAL PLASMID VUE SCHIAVO UNBEATABLE
PROGRESSIVELY UPSTATE LYMPHOCYTES TOPPING REPAYMENTS BAIRD CHILLING TRANSLUCENT TRANSSEXUALS FUELED GLAZE NEWCOMER BRANCHING MEX XANGA UNMARRIED SVERIGE EXTRAIT PELVIC MONOCHROME ACTIVATING ANTIOXIDANTS GYNECOLOGY UNEXPECTEDLY MYTHTV FUNNIEST BONA PROBABILISTIC SCORPION MIRRORED COOPERATING CALIBRATED SEL PHASED ANATOMICAL GODZILLA EWEEK AIRBUS SIMPLEX WEBHOME MISDEMEANOR AEROBICS SABRINA TOBIAS SALLE INFRA STRASBOURG COMMEMORATIVE CONDOR GATED GAAP IMPLICITLY SASHA EBAYER EWING HMC AUSTEN ASSURANCES BITRATE KARNATAKA
COMEDIAN RASCAL NID AMISH ROBERTA FFM DUH HYPERLINKS DIZZY CLITORIS OUTBREAKS ANNUITIES HSE SLIT CRIBS WHITENING OCCUPYING RELIANT SUBCONTRACTOR FENDI GIVEAWAYS DEPICTING ORDNANCE WAH PSYCH HYDROCHLORIDE VERGE RANSOM MAGNIFICATION NOMAD TWELFTH DAGGER THORN PREAMBLE MOR PROPONENTS PRICELINE ECCO SPINS SOLICIT PROVOKING BACKPACKERS ORCHIDS BUCKETS KOHLER IRB INITIALIZED AVA SILVERADO AMR SPOIL ECU PSYCHIATRIST LAUDER SOLDERING PHONO CRD DARYL BLAZING TRP
PALERMO LEHMAN DAIHATSU GRANTEE ENHANCER ANGLERS SNAPPED ALLIGATOR DETECTIVES ROCHELLE ROTTWEILER NOMENCLATURE ABDULLAH FILEFRONT INVADE VISUALIZE PSD REGULATES ADB HOSES BIDPAY RENDEZVOUS IAS STRIVES TRAPPING GARDENERS CLEMENS TURNTABLE DEUTERONOMY DIMINISH SCREENINGS BRITANNIA PIVOTAL PAI HEUER FIC MANIFESTATIONS NIX TAK LINENO STITCHES PROMULGATED MEDIOCRE FDI PROVO PASSPORTS CHECKINS AYRSHIRE PLATING INVENT EAGERLY LYCRA PLANCK DAMASCUS YUGIOH REACTORS NPC REFORMATION KINGSLEY CAREERBUILDER
HYPOCRISY GILLETTE FLUORIDE PARISHES STACKING COCHRAN SUOMI SISSY TROOPER TRANG BUN CALCULATES COMPENDIUM THUNDERSTORMS DISAPPEARS CIP TRANSCRIPTIONAL HYMNS MONOTONE FINALIZED REFEREES PALSY DEERFIELD PROPOSITIONS LSC LOCOMOTIVE COCHRANE DEBATING ELDORADO ESMTP CUFFS CONSERVANCY OTRS OMIM PROSPEROUS FAMINE DIELECTRIC ORALLY ELLIPTICAL ANAND ELECTROPHORESIS GRABBING JOGGING SPRINKLER STIPULATED IMBALANCE PERSUASIVE CINE HORRORS SCARLETT BEARER PASTORS XEN NOVAK ACQUAINTED DEPENDENTS DIZZINESS BACKCOUNTRY ARTISTDIRECT OUTBOARD
TURE BRILLIANCE NICKY ORIGINATE PITCHES RESPECTABLE SCC LOCKHEED RAJ HORACE PROHIBITING DISAPPEARANCE IANA MORALS ELMO INVADED UNMATCHED SCRANTON SPOILED IXUS PINPOINT MONET GABBANA PICKLE NEUMANN OUTTA DIETING ANDHRA RALF QUAKER HAUNTING MANIPULATING TANGENT TEMPEST APPRAISERS PETRA XENON DOMINIQUE HYBRIDIZATION WAVING ANH ABERCROMBIE TRAX OTHEROSFS DAI SSC UNEVEN DANBURY PLATA PLURALITY NOFX WARRINGTON SHARMA ADVENTUROUS ROCKERS PALLIATIVE RECIEVE LUIGI BAYOU ACCUEIL
CUFFLINKS QUEUES RELISTED BEEP DUNEDIN REMANUFACTURED CONFLUENCE STAFFED BLOSSOMS SUCCEEDS ORPHANS LOUDER LIGHTSPEED GRILLING STALIN BOILERS KAYE BPS REUNIONS CAMO SHOUTBOX TOMS YELLING HOMESCHOOL CCG LIFEHOUSE WINDSURFING TROUGH LEANED QUADRANT DISCREPANCY SLID PATTAYA RELOCATED ANTIOCH UNTREATED MKDIR RIAA DIVISIONAL CHIHUAHUA MCCONNELL TONIC RESELL CHANDIGARH CENTRINO OSBOURNE MAGNUS BURNOUT CLASSPATH DESIGNATIONS HARROW JIG SPL RECKLESS MICROWAVES RAINING PEASANT VADER COLISEUM EPHEDRA
QUA SPAWNING ENDOTHELIAL FIGURING CITRATE EDUARDO CRUSHING SNOWMAN THORPE ORDAINED EDMONDS HODGES SAUCER CHINOOK POTTY MICROBIOL SHOOTERS PASSOVER NORWALK BACILLUS FK BYZANTINE TOMAS TRIANGLES CLA SPOOKY CURVATURE RITES SIDEWAYS DEVIOUS BELLEVILLE VENEZUELAN DREAMER ACKNOWLEDGING ESTUARY BURGLARY CBR COLBY POUCHES PAB HOM SUBPOENA THRILLING SPECTACLE HONS SENTIMENTS INTERPRETIVE DITTO BAREBACK NANA EXTENDER WAITER GLUCOSAMINE PROJ ODDLY MODESTO DESIGNJET TYPHOON LAUNCHCAST REFERRER
ZHEJIANG SUCHEN RAFT CUL NUTSHELL ARROGANT RICCI HERMANN SUPERHERO INDUCES TOOLING TOMOGRAPHY THRIFT BERMAN VOCALIST SAE TIDBITS ADMIRED STUNTS CYSTIC PACIFICA KOSTENLOS ANNIVERSARIES IAEA INFRASTRUCTURES LITTLETON YOUTHFUL COMMENTERS CALI FAIRWAY POSTDOCTORAL STUMBLED PRS FAIRCHILD SSB EMITTED SPINNER EVANSTON HOMEOPATHIC ORDINARILY HINES SUFFICIENCY TEMPERED SLIPPING SOLITUDE CYLINDRICAL CPD DESTROYER BRAKING ECE FIDE UNDESIRABLE PLATELET MESSAGEBOARD MONGOLIAN WEAKLY PARSLEY UNDUE SETBACK STUNNED
SMITHS MAGYAR RECIPEZAAR INSTALLERS HOSTILITY GROVES SUBCATEGORY PURSUITS MARKOV REFLUX FACTBOOK TUPLE FIBROMYALGIA ADAPTATIONS JURISPRUDENCE ROOTSWEB CULVER INVARIABLY LECTURERS PROGRESSED BROW ELVES BRATZ KEARNEY GRAEME BUCHAREST KIMBALL NTL CHANT LACOSTE TURNKEY SPRAYS RENTERS TIMBERLAKE ZACK MARKHAM GELS IFRAMES TIGHTEN THINKGEEK NAFTA REVOLVER ADVERTISMENT MOUNTAINEERING SCREWDRIVER HUTCH BECKETT CROWNS INTERMEDIARY MATTED APRICOT TUFTS HOMESCHOOLING DEALERSHIPS CUCKOLD SAKURA BYU UNRELIABLE JUPITERWEB ROSEWOOD
PARRY EXISTENT PHOSPHATASE MAHAL KILLINGS TONGUES DICTATOR ROBYN JEHOVAH FANATICS ADIRONDACK CASABLANCA COEUR PERPENDICULAR SDP PULASKI MANTRA SOURCED CAROUSEL FAY MPUMALANGA HEDGEHOG RAVES MAMMA ENTAILS FOLLY THERMOSTAT WHEELING SHARPE INFARCTION HAWTHORN MURAL BANKRUPT POLYPROPYLENE MAILBOXES SOUTHEND MAXELL WAGER TUNDRA VARS YOUNGSTOWN FARMLAND PURGE SKATER IEP IMHO INTERPOLATION ADJOURNMENT PITFALLS DISRUPT STATIONED AMBROSE NIGHTMARES RAMPAGE AGGRAVATED FINK JURASSIC DEEM GPG GNUPG
MELVILLE CAVERN ENE SUMNER DESCENDED DISGUSTING FLAX WEAKENED IMPOSES WITHDREW ALIASING COMIX TART GUERRILLA SOLVES HIROSHIMA SPOONS JIANG PERSONA OSCARS POSER BOOSTING KNOWNSITE MACARTHUR TRAM DISTINCTIONS POWERHOUSE PEABODY DEODORANT YOURE ALIA COMPULSIVE ICED PERKY FAULKNER REINFORCING SCARCELY EXTENSIBLE EXCUSED MTB FUSED CATHETER MADELEINE ROARING PRACTICUM WITCHCRAFT STOPPER FIBRES PHOTOCOPY CULLEN ZIPCODE MCPHERSON SAHARAN CRESTED PIXMA HUBBELL LESBIENNE TIMEFRAME STUMP SCALP
GUNN DISARMAMENT AED ACTIN ERWIN INTERVIEWER VMS WNO CONDUCTORS DBI CRITICISMS WAIKATO SYSLOG ORR GASTROENTEROLOGY HADLEY TRAVELMATE COMPOSTING DIPLOMAT MACKIE SYLVESTER CHOI UVA MELON FGA TABLESPOON MANGANESE SIREN OCEANOGRAPHY VASTLY CLASP STARDUST OLIVES RADIOLOGICAL NINO COMMANDO SUMMONS LUCRATIVE POROUS BATHTUB SHREWSBURY URDU AEDST GREER MOTORWAY BILE SIEGEL CARA ESE ILS HINDUISM ELEVATIONS REPOSITORIES FREAKY GUANGDONG MERLOT THIRST ENDEAVORS CIV SPORTSMAN
SPIELBERG SCRATCHING LESLEY THOM IODINE PHOEBE PHONEID SALINAS LEGGED UNILATERAL WIPES FRO KRONE DSN URGENTLY SHRI EXPOSES AEGIS NATURES COLLOQUIUM MATROX LIBERALISM VK SPRINGSTEEN UHF FATALITIES SUPPLEMENTATION MEER DERRY SUISSE EMBODIED ALTEC MOHAMMAD FRANKENSTEIN PARC VERBOSE HEIR PHY SUCCESSORS ECCENTRIC YARMOUTH MARBELLA TRANSPORTS STH AMOUR ITERATOR RECIEVED SLC CFL DETERMINISTIC NCI PREDICTOR SALMONELLA NGA NANTUCKET VIEWABLE SUBNET MAXIMISE ILLUSTRATIVE LOTR
PROSECUTED SAILED ISN CHALETS REIMBURSED LAU CRAVING ADVOCATING TITEL LEAKING WATERMARK ESCAPING TOTES POSSESSING SUICIDAL CRUISERS MASONIC FORAGE MOHAMED DYSLEXIA HUBBLE THUGS LOCO HELLENIC ORGANICS DEARBORN FEDS KWH ETHEL YIDDISH DOPAMINE MULTIPLIER WINZIP SACD PAYOFF DISTINCTLY SPV SONAR ASSERTIONS BABA PEBBLE MONTICELLO FLASHER STAFFS SUBCONTRACTORS ETS EVANGELISM HOO DENOMINATION ABORTIONS PATCHED PATRIOTISM BATTLING LESION TICKLE BANDIT AKIRA PROGESTERONE ACQUAINTANCE ETHYL
LAMBS EARTHLINK CARAMEL IMMUNODEFICIENCY WASHBURN XTRA CAPITALIZED CEOS MAINT PANCREAS LOOM BLOUSE OCTOPUS XENA NEURO ARA RECEPTIONIST HEIGHTENED CHESTS CESSNA AMBITIONS TRU FELINE ZOMBIES GRUB ULCER CAMBODIAN INTERAGENCY SLEW ACTIVISION SYNCHRONIZE JENN JUEGOS TITTIES TAY HORNETS CROSSFIRE MENSTRUAL CANALS NEGATIVES ANKARA THREADING DUET INTOLERANCE AMMONIUM SPANDEX ZEPHYR HDMI TAMARA CTC CAPCOM TEARING CATO MUFFINS PEACHTREE NAAR AUTOR FANNIE HANDYMAN AEG
FOOTHILLS ETHIC HARLAN TAXON LCS INDEFINITE SLACKWARE COUGARS ATRIUM THINE SUPERIORITY GESTURES EARCH AMBIENCE GENET NEMESIS ENGEL CONFESSIONAL PHOTOPOST CARDIGAN UO INFOR NEURONAL TAUNTON EVAPORATION DEVISE CARROLLTON ABOLIS
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wrong_mix_domain_starring_00035
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FactBench
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2
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https://cartoonresearch.com/index.php/disneys-grammy-nominated-aristocats-storyteller-album/
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en
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Disney’s Grammy-Nominated “Aristocats” Storyteller Album
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The cats with the finest address in Paree made their debut 50 years ago this year, so here’s a look at the Storyteller album that recreated the story of the film on two continents.
From the WALT DISNEY STUDIO
The Story of
THE ARISTOCATS
Disneyland Records – Storyteller Series STER-3995 (12” 33 rpm LP with Book / Stereo & Mono)
Released in August, 1970. Executive Producer: Jimmy Johnson. Producer/Musical Director: Tutti Camarata. Vocal Director: Mike Sammes. Orchestrations: Brian Fahey. Vocal Assistance: Robie Lester. Story: Larry Clemmons, Vance Gerry, Ken Anderson, Frank Thomas, Eric Larson, Julius Svensen, Ralph Wright, from a Story by Tom McGowan, Tom Rowe. Recorded in Hollywood at Sunset Sound Recorders and London at Abbey Road Studios. Running Time: 44 minutes.
Voices: From Film Cast: Sterling Holloway (Roquefort/Narrator); Phil Harris (O’Malley).
From Studio Cast: Robie Lester (Duchess, Toulouse, Frou-Frou, Madame Bonfamille); Susan Novack (Marie); Gregory Novack (Berlioz); Sam Edwards (Edgar); Victor Sweier (Vocalist).
From Soundtrack: Pat Buttram (Napoleon); George Lindsey (Lafayette); Carole Shelley (Amelia Gabble); Monica Evans (Abigail Gabble).
Songs: “The Aristocats,” “Scales and Arpeggios,” “She Never Felt Alone” by Richard M. Sherman, Robert B. Sherman; “Thomas O’Malley Cat” by Terry Gilkyson; “Ev’rybody Wants to Wants to Be A Cat” by Floyd Huddleston, Al Rinker.
The early seventies were a time of change (time to rearrange) for Disneyland and Buena Vista Records, as an extension of the changes at Walt Disney Productions post-Walt, the record business and what kids and parents were buying and the ever-increasing challenges of time and budget.
Unlike the previous Jungle Book storyteller, a smashing success utilizing original soundtrack dialogue, the decision was made to forego using any dialogue from The Aristocats except the slapstick sequence with the two country dogs and the witty sequence between the geese and O’Malley. Obviously based on the “Pigeon sisters” from Neil Simon’s play and movie The Odd Couple, Amelia and Abigail Gabble were voiced by the same actors Monica Evans and Carole Shelley (who went on to be in the original cast of Wicked among many other films and shows). Evans and Shelley returned to Disney to voice Maid Marian and Lady Kluck for 1973’s Robin Hood (please visit this Spin).
Phil Harris’ soundtrack dialogue with the geese was not used. Instead he re-recorded his dialogue and it was added in to Shelley and Evans soundtracks. His knack for vocal timing in his interaction with the studio cast members does, however, sound as if he might have been there with them. Based on the layout of Sunset Sound, Harris could have been in Studio “A” while the other actors were in the isolation booth nearby. There was a window so they could see each other. His voice has a different sound quality, as if he is in a different room. The combo for Harris’ solos may have also been done at Sunset with him and a small combo, with other elements added in London.
This is the last Disney animated film to be produced by Disneyland Records President Jimmy Johnson and Musical Director Tutti Camarata’s creative and technical group, and to be dramatized with what might be called “The Sunset Players,” the stock company that Tutti and Jimmy assembled over the previous decade when soundtrack dialogue was not cleared for commercial recordings. For this album, they included Robie Lester, Sam Edwards and Sterling Holloway (who was under contract to Disneyland Records for a time). Others included Dal McKennon, Ginny Tyler, Teri York, Thurl Ravenscroft, Bill Lee, Ron Howard, Jimmy Macdonald and Gerry Hoff. The last live-action Disney film to be done by members of this “company” was The Boatniks in the same year. 1971’s Bedknobs and Broomsticks had only a narrator, Dal McKennon.
Inexplicably, this album is stereophonic even though 99% of it plays in mono. The music was recorded and released in stereo on Disneyland’s “songs-only” LP, Songs from the Aristocats and Other Cat Songs, which we explored in this Spin, but they are not heard on stereo on the Storyteller.
The only stereo section on the whole LP is the scene in which Roquefort the mouse (Holloway) joins the cats in drinking the milk that had been drugged by Edgar the butler. His voice comes from one channel and that is it for the stereo effect. One theory is that mono music tracks were mistakenly delivered to the editor for mixing the story and songs. Between the arrangements, the sound quality and the engineering, the mono sound is quite good, although it’s highly recommended to seek out the Camarata stereo tracks either on the DQ-1333 vinyl LP or the Legacy CD.
Walt Disney Productions’
THE ARISTOCATS
Disneyland Records Little Book & Record LLP-349 (7” 33 rpm LLP with Book / Mono)
Released in September, 1970. Executive Producer: Jimmy Johnson. Producer/Musical Director: Tutti Camarata. Disneyland Story Reader: Lois Lane. Narration Recorded in London at Abbey Road Studios. Running Time: 9 minutes.
The first version of The Aristocats on the little book and record read-along series featured British singer Lois Wilkinson (under her stage name of “Lois Lane,” from the comic book heroine of the same name). Her wonderfully elegant pronunciation of “AAH-ristocats” was of special note. Two songs from the Camarata version appeared on side two.
Walt Disney Productions’
THE ARISTOCATS
Disneyland Records Storyteller Book & Cassette 513-B (Audio Cassette with Book / Mono)
Revised in 1987. Producer: Ted Kryczko. Storyteller: Linda Gary. Music: Disneyland Record Stock Library. Running Time: 10 minutes.
Disneyland Records was in the midst of change when the second read-along of The Aristocats was made. Read-along and album producer Jymn Magon had moved on to Walt Disney Television Animation with such classics as Disney’s Adventures of the Gummi Bears (see this Spin) and Duck Tales (see this Spin), and one of his successors Bambi Moé was also at WDTVA as an Associate Producer of Music (and later Vice-President). Ted Kryczko has enjoyed the career associated with Walt Disney Records, on staff and freelance. To this day, he produces CD read-alongs for the publishing division, as does longtime Disney records producer and restoration pioneer Randy Thornton.
Most of Disneyland’s post-1977 read-along series featured a full cast, but there were a few exceptions. Two were this title and It’s a Small World, both narrated by Linda Gary (the voice of Maleficent in the Disneyland show Fantasmic!, Queen Marlena on He-Man and the Masters of the Universe, Aunt May on Marvel’s 1994 Spider-Man).
The text was adapted from the 1970 book with music from the Disney read-along music library by such composers as Gary Powell and Jim Andron. The two Camarata versions of “The Aristocats” and “Ev’rybody Wants to Be a Cat” finish out the recording. The original, complete George Bruns score was not yet available for commercial recordings in the United States as yet. Randy Thornton’s Walt Disney Records Legacy Collection soundtrack album was another 18 years away.
By this time, Disneyland/Vista Records, along with most of the children’s record industry had decided to transition completely from seven-inch vinyl 45 and 33 1/3 rpm records to cassettes, following the consumer use of cassettes in their homes and cars. Unless some limited run of Aristocats vinyl LLP and book sets existed somewhere, the cassette seems to have been the only format in which this was available. The following year, all Disney albums would shift from vinyl to CD or cassette (but not forever!)
GIVE A LITTLE LISTEN
The Whimsical World of Charles Lane
Crusty character actor Charles Lane, who passed away at the ripe old age of 101 102 in 2007, is best remembered for his 72-year career playing cranky bureaucrats in everything from It’s a Wonderful Life to I Love Lucy. He was the go-to modern-day Scrooge for countless mid-century TV sitcoms spoofing Dickens’ A Christmas Carol. Few probably remember that he gave a scene-stealing comedy performance for Disney as the voice of Magoo-like lawyer George Hautecourt in The Aristocats. Even fewer realize that he recorded stories for children, like the two following gems that he performed for a Los Angeles company in 1981. If he were here now, one of his more familiar characters might say something like, “Well–get on with it. Watch them! Hurry up, I haven’t got all day.”
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Flickr photos, groups, and tags related to the "carering" Flickr tag.
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French postcard by Editions du Globe, Paris, no. 730. Photo: Sam Lévin.
Christine Carère (1930-2008), was a French actress. She began her career in the theatre and then moved on to French cinema. Between 1951 and 1958 she appeared in about twenty, mainly French films, but she also acted in a few Italian and American films.
Christiane Èlisabeth Jeanne Marie Pelleterat de Borde, known as Christine Carrère or Christine Carère was born in Dijon in 1930. She began acting in the theatre, then moved on to French cinema. In 1951, she had a small role in Olivia/The Pit of Loneliness (Jacqueline Audry, 1951), starring Edwige Feuillère and Simone Simon. The film, based on the 1950 semi-autobiographical novel of the same name by Dorothy Bussy, is a landmark of lesbian representation. Between 1951 and 1958 Carère appeared in about twenty films. She had a supporting part in the French historical comedy Un caprice de Caroline chérie/A Caprice of Darling Caroline (Jean Devaivre, 1953) starring Martine Carol. In Italy, she acted between 1953 and 1954, in the coming-of-age comedy-drama Terza liceo/High School (Luciano Emmer, 1954), and the melodrama Una donna libera/A Free Woman (Vittorio Cottafavi, 1954) starring Françoise Christophe. Back in France, she played the female lead in the musical comedy Tout chante autour de moi/Everything sings around me (Pierre Gout, 1954) which was the debut film vehicle for the pop star Mouloudji. She also co-starred with the French singer Georges Guétary in the French-German romantic comedy Le chemin du paradis/The Road to Paradise (Willi Forst, Hans Wolff, 1956), the French version of the German film Die Drei von der Tankstelle/The Three from the Filling Station (Hans Wolff, 1955), which was itself a remake of a 1930 film. She then appeared with Fernandel and Carmen Sevilla in the historical comedy Don Juan (John Berry, 1956), a co-production between France, Italy, and Spain, based on the legend of Don Juan.
Christine Carère was brought to Hollywood to appear in A Certain Smile (Jean Negulesco, 1958), starring Rossano Brazzi and Joan Fontaine. She then starred opposite singer Pat Boone in the American musical comedy Mardi Gras (Edmund Goulding, 1958). But her American career was brief. In 1957 she married French actor and singer Philippe Nicaud and two years after her marriage she left the cinema. Her final film was the American musical comedy A Private's Affair (Raoul Walsh, 1959), starring Sal Mineo. In the 1960s she acted mainly in television serials. In the US, she starred with Robert Goulet in the spy series Blue Light (1966) about the adventures of an American double agent in Nazi Germany during World War II. It was credited for its gritty depiction of espionage in World War II and for the difficult moral choices it posed. A theatrical movie, I Deal in Danger, was created by editing Blue Light's first four episodes together into a continuous story, and was released in 1966 after Blue Light's cancellation. In 1985, Carère's name reappeared, when she and her husband were among the screenwriters of the comedy La cage aux folles 3 - 'Elles' se marient/La Cage aux Folles 3: The Wedding (Georges Lautner, 1985), the third and final installment in the La Cage aux Folles series with Michel Serrault and Ugo Tognazzi. Christine Carère died in 2008 in Fréjus, France, at the age of 78. With Philippe Nicaud, she had two children.
Sources: Wikipedia (French, Italian, and English) and IMDb.
And, please check out our blog European Film Star Postcards.
French postcard by Editions du Globe, Paris, no. 844. Photo: Sam Lévin.
Christine Carère (1930-2008), was a French actress. She began her career in the theatre and then moved on to French cinema. Between 1951 and 1958 she appeared in about twenty, mainly French films, but she also acted in a few Italian and American films.
Christiane Èlisabeth Jeanne Marie Pelleterat de Borde, known as Christine Carrère or Christine Carère was born in Dijon in 1930. She began acting in the theatre, then moved on to French cinema. In 1951, she had a small role in Olivia/The Pit of Loneliness (Jacqueline Audry, 1951), starring Edwige Feuillère and Simone Simon. The film, based on the 1950 semi-autobiographical novel of the same name by Dorothy Bussy, is a landmark of lesbian representation. Between 1951 and 1958 Carère appeared in about twenty films. She had a supporting part in the French historical comedy Un caprice de Caroline chérie/A Caprice of Darling Caroline (Jean Devaivre, 1953) starring Martine Carol. In Italy, she acted between 1953 and 1954, in the coming-of-age comedy-drama Terza liceo/High School (Luciano Emmer, 1954), and the melodrama Una donna libera/A Free Woman (Vittorio Cottafavi, 1954) starring Françoise Christophe. Back in France, she played the female lead in the musical comedy Tout chante autour de moi/Everything sings around me (Pierre Gout, 1954) which was the debut film vehicle for the pop star Mouloudji. She also co-starred with the French singer Georges Guétary in the French-German romantic comedy Le chemin du paradis/The Road to Paradise (Willi Forst, Hans Wolff, 1956), the French version of the German film Die Drei von der Tankstelle/The Three from the Filling Station (Hans Wolff, 1955), which was itself a remake of a 1930 film. She then appeared with Fernandel and Carmen Sevilla in the historical comedy Don Juan (John Berry, 1956), a co-production between France, Italy, and Spain, based on the legend of Don Juan.
Christine Carère was brought to Hollywood to appear in A Certain Smile (Jean Negulesco, 1958), starring Rossano Brazzi and Joan Fontaine. She then starred opposite singer Pat Boone in the American musical comedy Mardi Gras (Edmund Goulding, 1958). But her American career was brief. In 1957 she married French actor and singer Philippe Nicaud and two years after her marriage she left the cinema. Her final film was the American musical comedy A Private's Affair (Raoul Walsh, 1959), starring Sal Mineo. In the 1960s she acted mainly in television serials. In the US, she starred with Robert Goulet in the spy series Blue Light (1966) about the adventures of an American double agent in Nazi Germany during World War II. It was credited for its gritty depiction of espionage in World War II and for the difficult moral choices it posed. A theatrical movie, I Deal in Danger, was created by editing Blue Light's first four episodes together into a continuous story, and was released in 1966 after Blue Light's cancellation. In 1985, Carère's name reappeared, when she and her husband were among the screenwriters of the comedy La cage aux folles 3 - 'Elles' se marient/La Cage aux Folles 3: The Wedding (Georges Lautner, 1985), the third and final installment in the La Cage aux Folles series with Michel Serrault and Ugo Tognazzi. Christine Carère died in 2008 in Fréjus, France, at the age of 78. With Philippe Nicaud, she had two children.
Sources: Wikipedia (French, Italian, and English) and IMDb.
And, please check out our blog European Film Star Postcards.
French postcard by Editions P.I., Paris, no. 981. Photo: Sam Lévin.
Christine Carère (1930-2008), was a French actress. She began her career in the theatre and then moved on to French cinema. Between 1951 and 1958 she appeared in about twenty, mainly French films, but she also acted in a few Italian and American films.
Christiane Èlisabeth Jeanne Marie Pelleterat de Borde, known as Christine Carrère or Christine Carère was born in Dijon in 1930. She began acting in the theatre, then moved on to French cinema. In 1951, she had a small role in Olivia/The Pit of Loneliness (Jacqueline Audry, 1951), starring Edwige Feuillère and Simone Simon. The film, based on the 1950 semi-autobiographical novel of the same name by Dorothy Bussy, is a landmark of lesbian representation. Between 1951 and 1958 Carère appeared in about twenty films. She had a supporting part in the French historical comedy Un caprice de Caroline chérie/A Caprice of Darling Caroline (Jean Devaivre, 1953) starring Martine Carol. In Italy, she acted between 1953 and 1954, in the coming-of-age comedy-drama Terza liceo/High School (Luciano Emmer, 1954), and the melodrama Una donna libera/A Free Woman (Vittorio Cottafavi, 1954) starring Françoise Christophe. Back in France, she played the female lead in the musical comedy Tout chante autour de moi/Everything sings around me (Pierre Gout, 1954) which was the debut film vehicle for the pop star Mouloudji. She also co-starred with the French singer Georges Guétary in the French-German romantic comedy Le chemin du paradis/The Road to Paradise (Willi Forst, Hans Wolff, 1956), the French version of the German film Die Drei von der Tankstelle/The Three from the Filling Station (Hans Wolff, 1955), which was itself a remake of a 1930 film. She then appeared with Fernandel and Carmen Sevilla in the historical comedy Don Juan (John Berry, 1956), a co-production between France, Italy, and Spain, based on the legend of Don Juan.
Christine Carère was brought to Hollywood to appear in A Certain Smile (Jean Negulesco, 1958), starring Rossano Brazzi and Joan Fontaine. She then starred opposite singer Pat Boone in the American musical comedy Mardi Gras (Edmund Goulding, 1958). But her American career was brief. In 1957 she married French actor and singer Philippe Nicaud and two years after her marriage she left the cinema. Her final film was the American musical comedy A Private's Affair (Raoul Walsh, 1959), starring Sal Mineo. In the 1960s she acted mainly in television serials. In the US, she starred with Robert Goulet in the spy series Blue Light (1966) about the adventures of an American double agent in Nazi Germany during World War II. It was credited for its gritty depiction of espionage in World War II and for the difficult moral choices it posed. A theatrical movie, I Deal in Danger, was created by editing Blue Light's first four episodes together into a continuous story, and was released in 1966 after Blue Light's cancellation. In 1985, Carère's name reappeared, when she and her husband were among the screenwriters of the comedy La cage aux folles 3 - 'Elles' se marient/La Cage aux Folles 3: The Wedding (Georges Lautner, 1985), the third and final installment in the La Cage aux Folles series with Michel Serrault and Ugo Tognazzi. Christine Carère died in 2008 in Fréjus, France, at the age of 78. With Philippe Nicaud, she had two children.
Sources: Wikipedia (French, Italian, and English) and IMDb.
And, please check out our blog European Film Star Postcards.
French postcard by Editions P.I., Paris, no. 908. Photo: Sam Lévin.
Christine Carère (1930-2008), was a French actress. She began her career in the theatre and then moved on to French cinema. Between 1951 and 1958 she appeared in about twenty, mainly French films, but she also acted in a few Italian and American films.
Christiane Èlisabeth Jeanne Marie Pelleterat de Borde, known as Christine Carrère or Christine Carère was born in Dijon in 1930. She began acting in the theatre, then moved on to French cinema. In 1951, she had a small role in Olivia/The Pit of Loneliness (Jacqueline Audry, 1951), starring Edwige Feuillère and Simone Simon. The film, based on the 1950 semi-autobiographical novel of the same name by Dorothy Bussy, is a landmark of lesbian representation. Between 1951 and 1958 Carère appeared in about twenty films. She had a supporting part in the French historical comedy Un caprice de Caroline chérie/A Caprice of Darling Caroline (Jean Devaivre, 1953) starring Martine Carol. In Italy, she acted between 1953 and 1954, in the coming-of-age comedy-drama Terza liceo/High School (Luciano Emmer, 1954), and the melodrama Una donna libera/A Free Woman (Vittorio Cottafavi, 1954) starring Françoise Christophe. Back in France, she played the female lead in the musical comedy Tout chante autour de moi/Everything sings around me (Pierre Gout, 1954) which was the debut film vehicle for the pop star Mouloudji. She also co-starred with the French singer Georges Guétary in the French-German romantic comedy Le chemin du paradis/The Road to Paradise (Willi Forst, Hans Wolff, 1956), the French version of the German film Die Drei von der Tankstelle/The Three from the Filling Station (Hans Wolff, 1955), which was itself a remake of a 1930 film. She then appeared with Fernandel and Carmen Sevilla in the historical comedy Don Juan (John Berry, 1956), a co-production between France, Italy, and Spain, based on the legend of Don Juan.
Christine Carère was brought to Hollywood to appear in A Certain Smile (Jean Negulesco, 1958), starring Rossano Brazzi and Joan Fontaine. She then starred opposite singer Pat Boone in the American musical comedy Mardi Gras (Edmund Goulding, 1958). But her American career was brief. In 1957 she married French actor and singer Philippe Nicaud and two years after her marriage she left the cinema. Her final film was the American musical comedy A Private's Affair (Raoul Walsh, 1959), starring Sal Mineo. In the 1960s she acted mainly in television serials. In the US, she starred with Robert Goulet in the spy series Blue Light (1966) about the adventures of an American double agent in Nazi Germany during World War II. It was credited for its gritty depiction of espionage in World War II and for the difficult moral choices it posed. A theatrical movie, I Deal in Danger, was created by editing Blue Light's first four episodes together into a continuous story, and was released in 1966 after Blue Light's cancellation. In 1985, Carère's name reappeared, when she and her husband were among the screenwriters of the comedy La cage aux folles 3 - 'Elles' se marient/La Cage aux Folles 3: The Wedding (Georges Lautner, 1985), the third and final installment in the La Cage aux Folles series with Michel Serrault and Ugo Tognazzi. Christine Carère died in 2008 in Fréjus, France, at the age of 78. With Philippe Nicaud, she had two children.
Sources: Wikipedia (French, Italian, and English) and IMDb.
And, please check out our blog European Film Star Postcards.
Dutch postcard by Uitgeverij Takken, Utrecht, no. AX 4213. Photo: 20th Century Fox. Pat Boone in Journey to the Center of the Earth (Henri Levin, 1959).
Pat Boone (1934) is an American singer and actor who was the second-biggest charting artist of the late 1950s, behind only Elvis Presley. Initially, he performed Rock and Roll, but later in his career, he switched to gospel music. Over the years he has had many hit songs including 'Moody River', 'Speedy Gonzales', and 'Bernardine. He sold more than 45 million records, had 38 Top 40 hits, and appeared in more than 12 Hollywood films.
Charles Eugene Patrick (Pat) Boone was born in Jacksonville, Florida, in 1934. His father, Archie Altman Boone, was a building contractor and his mother, Margaret Virginia (née Pritchard), was a nurse. His younger brother, Nick Boone, also had a popular music career under the name Nick Todd. Pat grew up in Nashville, Tennessee, and attended David Lipscombe College, North Texas State College and Columbia University from which he received a Bachelor of Science degree in 1958. Boone began his career by performing in Nashville's Centennial Park and started recording for Republic Records in 1954. In 1955 he released a cover of the single 'Ain't That a Shame' by Fats Domino, and significantly broke the sales records of the original version. A number-one single in 1956 by Boone was a second cover and a revival of a then seven-year-old song 'I Almost Lost My Mind', by Ivory Joe Hunter, which was originally covered by another black star, Nat King Cole. It is representative of the early period of Boone's career, which mainly focused on polishing rhythm-and-blues hits into more accessible versions, allowing the Rock and Roll tunes to reach a much wider audience. Boone was also criticised for his homogenised, sanitized versions. He succeeded in removing all of the more suggestive lyrics from his cover of Little Richard's 'Long Tall Sally'. He changed the original's, "I saw Uncle John with Long Tall Sally,/He saw Aunt Mary comin' and he ducked back in the alley" to, "Long Tall Sally's got a lot on the ball,/And nobody cares if she's long and tall." However, Little Richard himself once said: "It was Pat Boone who made me a millionaire". Boone had the image of a fresh-faced smooth guy, who appealed to both teenagers and their parents. His singing style, a full baritone, followed in the footsteps of his idol Bing Crosby. Soon he switched more and more to singing ballads. At the end of the 1950s, Pat Boone was only surpassed in popularity by Elvis Presley. And just like Elvis, he made an attempt at some acting. Although he made considerably fewer films than Elvis, it is said that his films were of considerably higher quality. Several film studios pursued him and he decided to go with 20th Century Fox, which had made Elvis Presley's first film. Fox reworked the play 'Bernardine' into a vehicle for Boone. The resulting film, Bernardine (Henry Levin, 1957), with Terry Moore and Janet Gaynor, was a solid hit, earning $3.75 million in the US. His recording for the title song of his second film, April Love (Henry Levin, 1957), in which he co-starred with Shirley Jones, was nominated for an Oscar. At the age of 23, he began hosting a half-hour ABC variety television series, The Pat Boone Chevy Showroom, which aired for 115 episodes (1957–1960). His recording of 'A Wonderful Time Up There' in 1958 became the first million-selling record with religious lyrics. Seeing himself as a devout born-again Christian, he refused music and film roles that went against his moral standards, including roles with the then-sex symbol Marilyn Monroe. In each of his film contracts, there was a term specifying that kissing his partner could not be forced on him by the director due to his religious convictions. Less popular was the musical comedy Mardi Gras (Edmund Goulding, 1958) with Christine Carère. However, the Science-Fiction adventure, Journey to the Center of the Earth (Henri Levin, 1959), with James Mason and Arlene Dahl, was a huge hit.
Pat Boone wrote the lyrics for the title song for the film Exodus (Otto Preminger, 1960), which he titled 'This Land Is Mine'. He produced and starred in a documentary, Salute to the Teenagers (1960), but did not make a film for a while, studying acting with Sanford Meisner. He returned with a military comedy, All Hands on Deck (Norman Taurog, 1961), a mild hit. He starred opposite Bobby Darin and Ann-Margret in another remake, State Fair (José Ferrer, 1962), but it was another box office disappointment. Musicals were becoming less fashionable in Hollywood. An invasion of British pop groups such as The Rolling Stones, The Beatles, and The Kinks ended Pat Boone's career as a hit machine, although he continued to make records in the 1960s. During the early 1960s, Boone starred in a handful of British films, produced by his own Cooga Mooga productions. In one of these, The Yellow Canary (1963), he attempted to shake up his established image by portraying a nasty, ill-tempered rock star. In the 1960s, he also began writing self-help books for adolescents, including the best-seller 'Twixt Twelve and Twenty'. In the 1970s, he switched to gospel music and country and continued to perform in other media, especially radio. Later, he was a disc jockey for a popular American old-time radio station and runs his own record company, which re-releases records from the 1950s that no longer have a place on major record labels. Boone married Shirley Lee Foley, daughter of Red Foley, in 1953 and they had four daughters: Cherry, Lindy, Debby and Laury. In the 1960s and 1970s, the family toured as gospel artists and made gospel albums such as 'The Pat Boone Family' and 'The Family Who Prays'. In 1997, Boone released an album entitled 'No More Mr. Nice Guy', which featured a collection of heavy metal covers polished to fit the Pat Boone style. To advertise the album, he appeared at the American Music Awards ceremony in black leather. He lost his respectable image in one fell swoop, at least among large sections of his following among conservative Christians. Because of this action, he was fired from Gospel America, a television programme of the Trinity Broadcasting Network. However, the music from this CD was often used during the intermission of hard rock and heavy metal concerts, and the CD was appreciated by the somewhat older guard of hard rockers who saw the humour in it and could appreciate the performance of the songs, which included a choir and a full orchestra. In 2003, his gospel recordings were recognised by Nashville's Gospel Music Association and added to the Gospel Music Hall of Fame. Boone lived in Los Angeles for many years with his wife Shirley Foley. They were influential members of the 'Church on the Road', the Inglewood Church of Christ in San Fernando Valley. Shirley (84) passed away in January 2019, they had been married for 65 years.
Sources: Hal Erickson (AllMovie), Wikipedia (Dutch and English), and IMDb.
And, please check out our blog European Film Star Postcards.
French postcard by Ste. Anne, Marseille. Photo: Sam Lévin.
Christine Carère (1930-2008), was a French actress. She began her career in the theatre and then moved on to French cinema. Between 1951 and 1958 she appeared in about twenty, mainly French films, but she also acted in a few Italian and American films.
Christiane Èlisabeth Jeanne Marie Pelleterat de Borde, known as Christine Carrère or Christine Carère was born in Dijon in 1930. She began acting in the theatre, then moved on to French cinema. In 1951, she had a small role in Olivia/The Pit of Loneliness (Jacqueline Audry, 1951), starring Edwige Feuillère and Simone Simon. The film, based on the 1950 semi-autobiographical novel of the same name by Dorothy Bussy, is a landmark of lesbian representation. Between 1951 and 1958 Carère appeared in about twenty films. She had a supporting part in the French historical comedy Un caprice de Caroline chérie/A Caprice of Darling Caroline (Jean Devaivre, 1953) starring Martine Carol. In Italy, she acted between 1953 and 1954, in the coming-of-age comedy-drama Terza liceo/High School (Luciano Emmer, 1954), and the melodrama Una donna libera/A Free Woman (Vittorio Cottafavi, 1954) starring Françoise Christophe. Back in France, she played the female lead in the musical comedy Tout chante autour de moi/Everything sings around me (Pierre Gout, 1954) which was the debut film vehicle for the pop star Mouloudji. She also co-starred with the French singer Georges Guétary in the French-German romantic comedy Le chemin du paradis/The Road to Paradise (Willi Forst, Hans Wolff, 1956), the French version of the German film Die Drei von der Tankstelle/The Three from the Filling Station (Hans Wolff, 1955), which was itself a remake of a 1930 film. She then appeared with Fernandel and Carmen Sevilla in the historical comedy Don Juan (John Berry, 1956), a co-production between France, Italy, and Spain, based on the legend of Don Juan.
Christine Carère was brought to Hollywood to appear in A Certain Smile (Jean Negulesco, 1958), starring Rossano Brazzi and Joan Fontaine. She then starred opposite singer Pat Boone in the American musical comedy Mardi Gras (Edmund Goulding, 1958). But her American career was brief. In 1957 she married French actor and singer Philippe Nicaud and two years after her marriage she left the cinema. Her final film was the American musical comedy A Private's Affair (Raoul Walsh, 1959), starring Sal Mineo. In the 1960s she acted mainly in television serials. In the US, she starred with Robert Goulet in the spy series Blue Light (1966) about the adventures of an American double agent in Nazi Germany during World War II. It was credited for its gritty depiction of espionage in World War II and for the difficult moral choices it posed. A theatrical movie, I Deal in Danger, was created by editing Blue Light's first four episodes together into a continuous story, and was released in 1966 after Blue Light's cancellation. In 1985, Carère's name reappeared, when she and her husband were among the screenwriters of the comedy La cage aux folles 3 - 'Elles' se marient/La Cage aux Folles 3: The Wedding (Georges Lautner, 1985), the third and final installment in the La Cage aux Folles series with Michel Serrault and Ugo Tognazzi. Christine Carère died in 2008 in Fréjus, France, at the age of 78. With Philippe Nicaud, she had two children.
Sources: Wikipedia (French, Italian, and English) and IMDb.
And, please check out our blog European Film Star Postcards.
French postcard by Editions du Globe, Paris, no. 201. Photo: Sam Lévin.
Christine Carère (1930-2008), was a French actress. She began her career in the theatre and then moved on to French cinema. Between 1951 and 1958 she appeared in about twenty, mainly French films, but she also acted in a few Italian and American films.
Christiane Èlisabeth Jeanne Marie Pelleterat de Borde, known as Christine Carrère or Christine Carère was born in Dijon in 1930. She began acting in the theatre, then moved on to French cinema. In 1951, she had a small role in Olivia/The Pit of Loneliness (Jacqueline Audry, 1951), starring Edwige Feuillère and Simone Simon. The film, based on the 1950 semi-autobiographical novel of the same name by Dorothy Bussy, is a landmark of lesbian representation. Between 1951 and 1958 Carère appeared in about twenty films. She had a supporting part in the French historical comedy Un caprice de Caroline chérie/A Caprice of Darling Caroline (Jean Devaivre, 1953) starring Martine Carol. In Italy, she acted between 1953 and 1954, in the coming-of-age comedy-drama Terza liceo/High School (Luciano Emmer, 1954), and the melodrama Una donna libera/A Free Woman (Vittorio Cottafavi, 1954) starring Françoise Christophe. Back in France, she played the female lead in the musical comedy Tout chante autour de moi/Everything sings around me (Pierre Gout, 1954) which was the debut film vehicle for the pop star Mouloudji. She also co-starred with the French singer Georges Guétary in the French-German romantic comedy Le chemin du paradis/The Road to Paradise (Willi Forst, Hans Wolff, 1956), the French version of the German film Die Drei von der Tankstelle/The Three from the Filling Station (Hans Wolff, 1955), which was itself a remake of a 1930 film. She then appeared with Fernandel and Carmen Sevilla in the historical comedy Don Juan (John Berry, 1956), a co-production between France, Italy, and Spain, based on the legend of Don Juan.
Christine Carère was brought to Hollywood to appear in A Certain Smile (Jean Negulesco, 1958), starring Rossano Brazzi and Joan Fontaine. She then starred opposite singer Pat Boone in the American musical comedy Mardi Gras (Edmund Goulding, 1958). But her American career was brief. In 1957 she married French actor and singer Philippe Nicaud and two years after her marriage she left the cinema. Her final film was the American musical comedy A Private's Affair (Raoul Walsh, 1959), starring Sal Mineo. In the 1960s she acted mainly in television serials. In the US, she starred with Robert Goulet in the spy series Blue Light (1966) about the adventures of an American double agent in Nazi Germany during World War II. It was credited for its gritty depiction of espionage in World War II and for the difficult moral choices it posed. A theatrical movie, I Deal in Danger, was created by editing Blue Light's first four episodes together into a continuous story, and was released in 1966 after Blue Light's cancellation. In 1985, Carère's name reappeared, when she and her husband were among the screenwriters of the comedy La cage aux folles 3 - 'Elles' se marient/La Cage aux Folles 3: The Wedding (Georges Lautner, 1985), the third and final installment in the La Cage aux Folles series with Michel Serrault and Ugo Tognazzi. Christine Carère died in 2008 in Fréjus, France, at the age of 78. With Philippe Nicaud, she had two children.
Sources: Wikipedia (French, Italian, and English) and IMDb.
And, please check out our blog European Film Star Postcards.
German postcard by Krüger, no. 902/357. Photo: Georg Michalke.
French brunette Dominique Boschero (1934) is famous among cult film fans for her roles in dozens of Italian giallos and spaghetti westerns. The gorgeous actress appeared in a surprisingly large amount of films from the mid-1950’s to the mid 1980’s.
Dominique Boschero was born in Paris, France in 1934. She is the sister of actor-producer Martial Boschero. Their parents were Italian and when World War II broke out, the 5-year old Dominique was trusted in the hands of her grandparents in Frassino, a small Italian mountain village with a few hundred of inhabitants. There she grew up. At 15, she returned to Paris and started to work as a janitor in a hospital and later as a seamstress. With her tall length and her dark beauty she found work as a model. Soon her beautiful face was on the covers of Paris’ premiere fashion magazines. At the age of 18, she made her stage debut as a showgirl at the Paris music-hall La Nouvelle Eve (The New Eve). She also played small or uncredited roles in French films, such as Club de Femmes/Club of Women (1956, Ralph Habib) with Nicole Courcel and Dany Carrel, but a year later she had a bigger part in Printemps a Paris/Springtime in Paris (1957, Jean-Claude Roy) with Christine Carère and Philippe Nicaud. She got another bigger role in Delannoy's Le baron de l'ecluse/The Baron of the Locks (1960, Jean Delannoy) starring Jean Gabin and Micheline Presle. Following an interview with the Italian magazine Epoca she was noticed by an Italian producer, who invited her to come to the capital of the European cinema at the time, Rome.
Dominique Boschero headed off to Italy, beginning her Italian career with the western comedy Un dollaro di fifa/A Dollar of Funk (1960, Giorgio Simonelli), a spoof of Rio Bravo (1959, Howard Hawks), which also starred Ugo Tognazzi and Walter Chiari. She then appeared in a few peplums (sword and sandal films). Most notably was her winning performance as 'Queen of the Bird Men' in Ulisse contro Ercole/Ulysses Against Hercules (1962, Mario Caiano) starring Georges Marchal. Then she made a major impact as femme fatale in several spy films. She appeared in early German/Italian examples of the genre such as Heißer Hafen Hong Kong/Hong Kong Hot Harbor (1962, Jürgen Roland) with Marianne Koch, and Das geheimnis der chinesischen Nelke/The Secret of the Chinese Carnation (1964, Rudolf Zehetgruber) starring Paul Dahlke. In the latter she appeared as a voluptuous vamp in a deadly plot of three different groups of plotting agents. They all chase after a microfilm with a secret formula for a new rocket fuel. Then, she appeared opposite Giancarlo Giannini in his film debut, the interesting thriller Libido (1965, Ernesto Gastaldi, Vittorio Salerno). Boschero played another leading role in Furia in Marakech/Fury at Marrakesh (1966, Mino Loy, Luciano Martino). According to Tom Lisanti and Louis Paul, authors of the study Film Fatales, her ‘ultimate screen appearance’, was “her screen-stealing turn in the bizarre uninhibited wacky, wild and completely unbelievable secret agent-super hero hybrid” Come Rubare la Corona d’Inghilterra/Argoman the Fantastic Superman (1967, Sergio Grieco). Boschero at first appears as a seemingly lost and helpless woman who seduces Argoman (Roger Browne) and then turns out to be a mastermind villain. At the climax of the film, she sadistically tortures Argoman and tries to remove his magic powers permanently. At IMDb, reviewer Gulaq-2 writes: “A CAMP classic of maximum proportions, which ruled the world in the late sixties, conquering all the known B-movies markets”.
In the 1970’s, Dominique Boschero continued popping up in a few giallos, e.g. Chi l'ha vista morire?/Who Saw Her Die (1972, Aldo Lado) starring former James Bond George Lazenby, and Tutti i colori del buio/All the Colors of the Dark (1972, Sergio Martino) with George Hilton and Edwige Fenech. She also appeared in the spaghetti western Los buitres cavarán tu fosa/And the Crows Will Dig Your Grave (1972, Juan Bosch), the Italian-Belgian sex comedy Je suis une call-girl/I am a call-girl (1973, Jack Guy), and the horror film Il prato macchiato di rosso/The Bloodstained Lawn (1973, Riccardo Ghione) with Nino Castelnuovo. IMDb reviewer Babycarrot67 calls this horror film a guilty pleasure: “An obvious commentary on the rich and powerful exploiting the more unfortunate members of society, this film does not take itself very seriously, and most of the cast, especially Marina Malfatti as one of the aristocrats, appears to be having a good time. The film's claustrophobic atmosphere gives it just enough feeling of unease to make it a credible horror film, and the film's overall weirdness and eccentricity help it cross over the finish line of viewer satisfaction. This film could be the definition of a motion picture "guilty pleasure" although one should not feel guilty during the viewing.” . Boschero had a romance with Claudio Camaso (Claudio Volonté), the brother of actor Gianmaria Volonté. Camaso was involved with an alleged bomb in the Vatican. This scandal and her cursed relationship with the actor who eventually committed suicide in jail in 1977, slowed down her career. In 1974 Boschero retired from the cinema and withdrew to Frassino. She later would have a relation with the singer Franco Califano. In 1986 she returned on television in the soap series Passioni/Passions (1986, Riccardo Donna). Dominique Boschero lives in Frassino, North-West Italy, where she is involved in the investigation and preservation of the occitan language. From the end of the 1960’s she is interested in this subject after meeting François Fontan, founder of the Parti nationaliste occitan, and the poet Antonio Bodrero (Barba Toni Baudrier).
Sources: Tom Lisanti and Louis Paul (Film Fatales: women in espionage films and television, 1962-1973), European Film Review, Wikipedia (French and Italian) and IMDb.
French postcard by Editions P.I., Paris, presented by Les Carboines Korès "Carboplane", no. 940. Photo: 20th Century Fox.
Christine Carère (1930-2008), was a French actress. She began her career in the theatre and then moved on to French cinema. Between 1951 and 1958 she appeared in about twenty, mainly French films, but she also acted in a few Italian and American films.
Christiane Èlisabeth Jeanne Marie Pelleterat de Borde, known as Christine Carrère or Christine Carère was born in Dijon in 1930. She began acting in the theatre, then moved on to French cinema. In 1951, she had a small role in Olivia/The Pit of Loneliness (Jacqueline Audry, 1951), starring Edwige Feuillère and Simone Simon. The film, based on the 1950 semi-autobiographical novel of the same name by Dorothy Bussy, is a landmark of lesbian representation. Between 1951 and 1958 Carère appeared in about twenty films. She had a supporting part in the French historical comedy Un caprice de Caroline chérie/A Caprice of Darling Caroline (Jean Devaivre, 1953) starring Martine Carol. In Italy, she acted between 1953 and 1954, in the coming-of-age comedy-drama Terza liceo/High School (Luciano Emmer, 1954), and the melodrama Una donna libera/A Free Woman (Vittorio Cottafavi, 1954) starring Françoise Christophe. Back in France, she played the female lead in the musical comedy Tout chante autour de moi/Everything sings around me (Pierre Gout, 1954) which was the debut film vehicle for the pop star Mouloudji. She also co-starred with the French singer Georges Guétary in the French-German romantic comedy Le chemin du paradis/The Road to Paradise (Willi Forst, Hans Wolff, 1956), the French version of the German film Die Drei von der Tankstelle/The Three from the Filling Station (Hans Wolff, 1955), which was itself a remake of a 1930 film. She then appeared with Fernandel and Carmen Sevilla in the historical comedy Don Juan (John Berry, 1956), a co-production between France, Italy, and Spain, based on the legend of Don Juan.
Christine Carère was brought to Hollywood to appear in A Certain Smile (Jean Negulesco, 1958), starring Rossano Brazzi and Joan Fontaine. She then starred opposite singer Pat Boone in the American musical comedy Mardi Gras (Edmund Goulding, 1958). But her American career was brief. In 1957 she married French actor and singer Philippe Nicaud and two years after her marriage she left the cinema. Her final film was the American musical comedy A Private's Affair (Raoul Walsh, 1959), starring Sal Mineo. In the 1960s she acted mainly in television serials. In the US, she starred with Robert Goulet in the spy series Blue Light (1966) about the adventures of an American double agent in Nazi Germany during World War II. It was credited for its gritty depiction of espionage in World War II and for the difficult moral choices it posed. A theatrical movie, I Deal in Danger, was created by editing Blue Light's first four episodes together into a continuous story, and was released in 1966 after Blue Light's cancellation. In 1985, Carère's name reappeared, when she and her husband were among the screenwriters of the comedy La cage aux folles 3 - 'Elles' se marient/La Cage aux Folles 3: The Wedding (Georges Lautner, 1985), the third and final installment in the La Cage aux Folles series with Michel Serrault and Ugo Tognazzi. Christine Carère died in 2008 in Fréjus, France, at the age of 78. With Philippe Nicaud, she had two children.
Sources: Wikipedia (French, Italian, and English) and IMDb.
And, please check out our blog European Film Star Postcards.
German collectors card in the "Deutsche Film-Lieblinge" series I. Photo: Margit Saad in Der Zigeunerbaron/The Gypsy Baron (Arthur Maria Rabenalt, 1954).
German actress Margit Saad (1929) was a mysterious, exotic beauty, who worked largely in German film and television. During the 1960s, she also made occasional English-language appearances.
Margit Daisy Saad was born in Munich, Bavaria in 1929. She is the daughter of the Lebanese language professor Fuad Jabbour Saad and German language teacher Agnes Saad, born Diepgen. Margit studied acting at the Otto-Falckenberg-Schule in Munich. To finance her studies, she worked as a model. She had her first stage engagement in Düsseldorf and made her screen debut in the Austrian comedy Eva erbt das Paradies... ein Abenteuer im Salzkammergut/Eva Inherits Paradise (Franz Antel, 1951), starring Maria Andergast. She also appeared as a nun in the West German drama Hinter Klostermauern/The Unholy Intruders (Harald Reinl, 1952) starring Olga Tschechowa, Frits van Dongen (a.k.a.k Philp Dorn) and Katharina Mayberg. She played leading roles in the romantic musical Südliche Nächte/Southern Nights (Robert A. Stemmle, 1953), the operetta Baron Tzigane/Gypsy Baron (Arthur Maria Rabenalt, 1954) with Georges Guétary, and the romantic comedy Drei Mädels vom Rhein (Ernst Jacoby, 1955). In the Swedish-German coproduction Sommarflickan (Håkan Bergström, Thomas Engel, 1955), she had a part opposite Maj-Britt Nilsson and Karlheinz Böhm. A popular success was the West German crime-comedy Peter Voss, der Millionendieb/Peter Voss, Thief of Millions (Wolfgang Becker, 1958) featuring O.W. Fischer. It was based on the 1913 novel Peter Voss, Thief of Millions by Ewald Gerhard Seeliger, which had been previously adapted into three films. In France, she appeared in Les dragueurs/The Dredgers (Jean-Pierre Mocky, 1959). Other films that year were Heiße Ware/Hot goods (Paul May, 1959) with Ivan Desny, and the teen musical Melodie und Rhythmus/ Melody and Rhythms (John Olden, 1959) with teen idol Peter Kraus.
In 1960 Margit Saad starred in the British drama The Criminal (Joseph Losey, 1960) with Stanley Baker and Sam Wanamaker. Mario Gauci at IMDb: “While essentially character-driven, the film's seedy milieu and sadistic streak allows for a number of vivid sequences (though the race-track robbery itself is rather thrown away!) including the wild party held at Baker's flat on being released from prison (highlighting sexy Margit Saad who subsequently replaces Jill Bennett as Baker's moll), the equally chaotic prison riot, Baker's escape from the penitentiary (having been betrayed after the robbery and recaptured) and the inevitable showdown with the ruthless Wanamaker.” She followed it up with appearances in other British films such as The Rebel (Robert Day, 1961) with Tony Hancock and George Sanders, and the low budget thriller Playback (Quentin Lawrence, 1962). The latter was one of a series of British films based on Edgar Wallace novels, released between 1960 and 1965. On TV she appeared opposite Roger Moore in an episode of The Saint, The Saint Sees It Through (Robert S. Baker, 1964). And in the cinema, she supported TV comedians Eric Morecambe and Ernie Wise in The Magnificent Two (Cliff Owen, 1967). In Germany, she co-starred with Stewart Granger in the Edgar Wallace crime film Das Geheimnis der drei Dschunken/Code Name Alpha (Ernst Hofbauer, 1965). In 1966, Saad appeared in an episode of the American television espionage series Blue Light, starring Robert Goulet and Christine Carere. It was edited together with three other episodes into the feature film I Deal in Danger (Walter Grauman, 1966), which includes her appearance. Later she also appeared in Grauman’s war film The Last Escape (Walter Grauman, 1969) starring Stuart Whitman. It was her last film, but she continued to appear incidentally on German TV. Saad also started to direct TV films, including the drama Die Geschichte vom guten alten Herrn und dem schonen Madchen/The story of the good old gentleman and the beautiful girl (1986) with Peter Pasetti. From 1957 till his death in 1988, Margit Saad was married to noted French opera director Jean-Pierre Ponnelle. They had one son, conductor Pierre-Dominique Ponnelle.
Sources: British Film Institute, Wikipedia (English and German) and IMDb.
And, please check out our blog European Film Star Postcards.
Dutch postcard by Uitgeverij Takken, Utrecht, no. AX 4211. Photo: 20th Century Fox.
Pat Boone (1934) is an American singer and actor who was the second-biggest charting artist of the late 1950s, behind only Elvis Presley. Initially, he performed Rock and Roll, but later in his career, he switched to gospel music. Over the years he has had many hit songs including 'Moody River', 'Speedy Gonzales', and 'Bernardine. He sold more than 45 million records, had 38 Top 40 hits, and appeared in more than 12 Hollywood films.
Charles Eugene Patrick (Pat) Boone was born in Jacksonville, Florida, in 1934. His father, Archie Altman Boone, was a building contractor and his mother, Margaret Virginia (née Pritchard), was a nurse. His younger brother, Nick Boone, also had a popular music career under the name Nick Todd. Pat grew up in Nashville, Tennessee, and attended David Lipscombe College, North Texas State College and Columbia University from which he received a Bachelor of Science degree in 1958. Boone began his career by performing in Nashville's Centennial Park and started recording for Republic Records in 1954. In 1955 he released a cover of the single 'Ain't That a Shame' by Fats Domino, and significantly broke the sales records of the original version. A number-one single in 1956 by Boone was a second cover and a revival of a then seven-year-old song 'I Almost Lost My Mind', by Ivory Joe Hunter, which was originally covered by another black star, Nat King Cole. It is representative of the early period of Boone's career, which mainly focused on polishing rhythm-and-blues hits into more accessible versions, allowing the Rock and Roll tunes to reach a much wider audience. Boone was also criticised for his homogenised, sanitized versions. He succeeded in removing all of the more suggestive lyrics from his cover of Little Richard's 'Long Tall Sally'. He changed the original's, "I saw Uncle John with Long Tall Sally,/He saw Aunt Mary comin' and he ducked back in the alley" to, "Long Tall Sally's got a lot on the ball,/And nobody cares if she's long and tall." However, Little Richard himself once said: "It was Pat Boone who made me a millionaire". Boone had the image of a fresh-faced smooth guy, who appealed to both teenagers and their parents. His singing style, a full baritone, followed in the footsteps of his idol Bing Crosby. Soon he switched more and more to singing ballads. At the end of the 1950s, Pat Boone was only surpassed in popularity by Elvis Presley. And just like Elvis, he made an attempt at some acting. Although he made considerably fewer films than Elvis, it is said that his films were of considerably higher quality. Several film studios pursued him and he decided to go with 20th Century Fox, which had made Elvis Presley's first film. Fox reworked the play 'Bernardine' into a vehicle for Boone. The resulting film, Bernardine (Henry Levin, 1957), with Terry Moore and Janet Gaynor, was a solid hit, earning $3.75 million in the US. His recording for the title song of his second film, April Love (Henry Levin, 1957), in which he co-starred with Shirley Jones, was nominated for an Oscar. At the age of 23, he began hosting a half-hour ABC variety television series, The Pat Boone Chevy Showroom, which aired for 115 episodes (1957–1960). His recording of 'A Wonderful Time Up There' in 1958 became the first million-selling record with religious lyrics. Seeing himself as a devout born-again Christian, he refused music and film roles that went against his moral standards, including roles with the then-sex symbol Marilyn Monroe. In each of his film contracts, there was a term specifying that kissing his partner could not be forced on him by the director due to his religious convictions. Less popular was the musical comedy Mardi Gras (Edmund Goulding, 1958) with Christine Carère. However, the Science-Fiction adventure, Journey to the Center of the Earth (Henri Levin, 1959), with James Mason and Arlene Dahl, was a huge hit.
Pat Boone wrote the lyrics for the title song for the film Exodus (Otto Preminger, 1960), which he titled 'This Land Is Mine'. He produced and starred in a documentary, Salute to the Teenagers (1960), but did not make a film for a while, studying acting with Sanford Meisner. He returned with a military comedy, All Hands on Deck (Norman Taurog, 1961), a mild hit. He starred opposite Bobby Darin and Ann-Margret in another remake, State Fair (José Ferrer, 1962), but it was another box office disappointment. Musicals were becoming less fashionable in Hollywood. An invasion of British pop groups such as The Rolling Stones, The Beatles, and The Kinks ended Pat Boone's career as a hit machine, although he continued to make records in the 1960s. During the early 1960s, Boone starred in a handful of British films, produced by his own Cooga Mooga productions. In one of these, The Yellow Canary (1963), he attempted to shake up his established image by portraying a nasty, ill-tempered rock star. In the 1960s, he also began writing self-help books for adolescents, including the best-seller 'Twixt Twelve and Twenty'. In the 1970s, he switched to gospel music and country and continued to perform in other media, especially radio. Later, he was a disc jockey for a popular American old-time radio station and runs his own record company, which re-releases records from the 1950s that no longer have a place on major record labels. Boone married Shirley Lee Foley, daughter of Red Foley, in 1953 and they had four daughters: Cherry, Lindy, Debby and Laury. In the 1960s and 1970s, the family toured as gospel artists and made gospel albums such as 'The Pat Boone Family' and 'The Family Who Prays'. In 1997, Boone released an album entitled 'No More Mr. Nice Guy', which featured a collection of heavy metal covers polished to fit the Pat Boone style. To advertise the album, he appeared at the American Music Awards ceremony in black leather. He lost his respectable image in one fell swoop, at least among large sections of his following among conservative Christians. Because of this action, he was fired from Gospel America, a television programme of the Trinity Broadcasting Network. However, the music from this CD was often used during the intermission of hard rock and heavy metal concerts, and the CD was appreciated by the somewhat older guard of hard rockers who saw the humour in it and could appreciate the performance of the songs, which included a choir and a full orchestra. In 2003, his gospel recordings were recognised by Nashville's Gospel Music Association and added to the Gospel Music Hall of Fame. Boone lived in Los Angeles for many years with his wife Shirley Foley. They were influential members of the 'Church on the Road', the Inglewood Church of Christ in San Fernando Valley. Shirley (84) passed away in January 2019, they had been married for 65 years.
Sources: Hal Erickson (AllMovie), Wikipedia (Dutch and English), and IMDb.
And, please check out our blog European Film Star Postcards.
Dutch postcard by Gebr. Spanjersberg N.V., no. 5008. Photo: London. Pat Boone, Val Benedict, and Ronnie Burns in Bernardine (Henry Levin, 1957).
Pat Boone (1934) is an American singer and actor who was the second-biggest charting artist of the late 1950s, behind only Elvis Presley. Initially, he performed Rock and Roll, but later in his career, he switched to gospel music. Over the years he has had many hit songs including 'Moody River', 'Speedy Gonzales', and 'Bernardine. He sold more than 45 million records, had 38 Top 40 hits, and appeared in more than 12 Hollywood films.
Charles Eugene Patrick (Pat) Boone was born in Jacksonville, Florida, in 1934. His father, Archie Altman Boone, was a building contractor and his mother, Margaret Virginia (née Pritchard), was a nurse. His younger brother, Nick Boone, also had a popular music career under the name Nick Todd. Pat grew up in Nashville, Tennessee, and attended David Lipscombe College, North Texas State College and Columbia University from which he received a Bachelor of Science degree in 1958. Boone began his career by performing in Nashville's Centennial Park and started recording for Republic Records in 1954. In 1955 he released a cover of the single 'Ain't That a Shame' by Fats Domino, and significantly broke the sales records of the original version. A number-one single in 1956 by Boone was a second cover and a revival of a then seven-year-old song 'I Almost Lost My Mind', by Ivory Joe Hunter, which was originally covered by another black star, Nat King Cole. It is representative of the early period of Boone's career, which mainly focused on polishing rhythm-and-blues hits into more accessible versions, allowing the Rock and Roll tunes to reach a much wider audience. Boone was also criticised for his homogenised, sanitized versions. He succeeded in removing all of the more suggestive lyrics from his cover of Little Richard's 'Long Tall Sally'. He changed the original's, "I saw Uncle John with Long Tall Sally,/He saw Aunt Mary comin' and he ducked back in the alley" to, "Long Tall Sally's got a lot on the ball,/And nobody cares if she's long and tall." However, Little Richard himself once said: "It was Pat Boone who made me a millionaire". Boone had the image of a fresh-faced smooth guy, who appealed to both teenagers and their parents. His singing style, a full baritone, followed in the footsteps of his idol Bing Crosby. Soon he switched more and more to singing ballads. At the end of the 1950s, Pat Boone was only surpassed in popularity by Elvis Presley. And just like Elvis, he made an attempt at some acting. Although he made considerably fewer films than Elvis, it is said that his films were of considerably higher quality. Several film studios pursued him and he decided to go with 20th Century Fox, which had made Elvis Presley's first film. Fox reworked the play 'Bernardine' into a vehicle for Boone. The resulting film, Bernardine (Henry Levin, 1957), with Terry Moore and Janet Gaynor, was a solid hit, earning $3.75 million in the US. His recording for the title song of his second film, April Love (Henry Levin, 1957), in which he co-starred with Shirley Jones, was nominated for an Oscar. At the age of 23, he began hosting a half-hour ABC variety television series, The Pat Boone Chevy Showroom, which aired for 115 episodes (1957–1960). His recording of 'A Wonderful Time Up There' in 1958 became the first million-selling record with religious lyrics. Seeing himself as a devout born-again Christian, he refused music and film roles that went against his moral standards, including roles with the then-sex symbol Marilyn Monroe. In each of his film contracts, there was a term specifying that kissing his partner could not be forced on him by the director due to his religious convictions. Less popular was the musical comedy Mardi Gras (Edmund Goulding, 1958) with Christine Carère. However, the Science-Fiction adventure, Journey to the Center of the Earth (Henri Levin, 1959), with James Mason and Arlene Dahl, was a huge hit.
Pat Boone wrote the lyrics for the title song for the film Exodus (Otto Preminger, 1960), which he titled 'This Land Is Mine'. He produced and starred in a documentary, Salute to the Teenagers (1960), but did not make a film for a while, studying acting with Sanford Meisner. He returned with a military comedy, All Hands on Deck (Norman Taurog, 1961), a mild hit. He starred opposite Bobby Darin and Ann-Margret in another remake, State Fair (José Ferrer, 1962), but it was another box office disappointment. Musicals were becoming less fashionable in Hollywood. An invasion of British pop groups such as The Rolling Stones, The Beatles, and The Kinks ended Pat Boone's career as a hit machine, although he continued to make records in the 1960s. During the early 1960s, Boone starred in a handful of British films, produced by his own Cooga Mooga productions. In one of these, The Yellow Canary (1963), he attempted to shake up his established image by portraying a nasty, ill-tempered rock star. In the 1960s, he also began writing self-help books for adolescents, including the best-seller 'Twixt Twelve and Twenty'. In the 1970s, he switched to gospel music and country and continued to perform in other media, especially radio. Later, he was a disc jockey for a popular American old-time radio station and runs his own record company, which re-releases records from the 1950s that no longer have a place on major record labels. Boone married Shirley Lee Foley, daughter of Red Foley, in 1953 and they had four daughters: Cherry, Lindy, Debby and Laury. In the 1960s and 1970s, the family toured as gospel artists and made gospel albums such as 'The Pat Boone Family' and 'The Family Who Prays'. In 1997, Boone released an album entitled 'No More Mr. Nice Guy', which featured a collection of heavy metal covers polished to fit the Pat Boone style. To advertise the album, he appeared at the American Music Awards ceremony in black leather. He lost his respectable image in one fell swoop, at least among large sections of his following among conservative Christians. Because of this action, he was fired from Gospel America, a television programme of the Trinity Broadcasting Network. However, the music from this CD was often used during the intermission of hard rock and heavy metal concerts, and the CD was appreciated by the somewhat older guard of hard rockers who saw the humour in it and could appreciate the performance of the songs, which included a choir and a full orchestra. In 2003, his gospel recordings were recognised by Nashville's Gospel Music Association and added to the Gospel Music Hall of Fame. Boone lived in Los Angeles for many years with his wife Shirley Foley. They were influential members of the 'Church on the Road', the Inglewood Church of Christ in San Fernando Valley. Shirley (84) passed away in January 2019, they had been married for 65 years.
Sources: Hal Erickson (AllMovie), Wikipedia (Dutch and English), and IMDb.
And, please check out our blog European Film Star Postcards.
French postcard by Editions du Globe, Paris, no. 312. Photo: Sam Lévin.
Christine Carère (1930-2008), was a French actress. She began her career in the theatre and then moved on to French cinema. Between 1951 and 1958 she appeared in about twenty, mainly French films, but she also acted in a few Italian and American films.
Christiane Èlisabeth Jeanne Marie Pelleterat de Borde, known as Christine Carrère or Christine Carère was born in Dijon in 1930. She began acting in the theatre, then moved on to French cinema. In 1951, she had a small role in Olivia/The Pit of Loneliness (Jacqueline Audry, 1951), starring Edwige Feuillère and Simone Simon. The film, based on the 1950 semi-autobiographical novel of the same name by Dorothy Bussy, is a landmark of lesbian representation. Between 1951 and 1958 Carère appeared in about twenty films. She had a supporting part in the French historical comedy Un caprice de Caroline chérie/A Caprice of Darling Caroline (Jean Devaivre, 1953) starring Martine Carol. In Italy, she acted between 1953 and 1954, in the coming-of-age comedy-drama Terza liceo/High School (Luciano Emmer, 1954), and the melodrama Una donna libera/A Free Woman (Vittorio Cottafavi, 1954) starring Françoise Christophe. Back in France, she played the female lead in the musical comedy Tout chante autour de moi/Everything sings around me (Pierre Gout, 1954) which was the debut film vehicle for the pop star Mouloudji. She also co-starred with the French singer Georges Guétary in the French-German romantic comedy Le chemin du paradis/The Road to Paradise (Willi Forst, Hans Wolff, 1956), the French version of the German film Die Drei von der Tankstelle/The Three from the Filling Station (Hans Wolff, 1955), which was itself a remake of a 1930 film. She then appeared with Fernandel and Carmen Sevilla in the historical comedy Don Juan (John Berry, 1956), a co-production between France, Italy, and Spain, based on the legend of Don Juan.
Christine Carère was brought to Hollywood to appear in A Certain Smile (Jean Negulesco, 1958), starring Rossano Brazzi and Joan Fontaine. She then starred opposite singer Pat Boone in the American musical comedy Mardi Gras (Edmund Goulding, 1958). But her American career was brief. In 1957 she married French actor and singer Philippe Nicaud and two years after her marriage she left the cinema. Her final film was the American musical comedy A Private's Affair (Raoul Walsh, 1959), starring Sal Mineo. In the 1960s she acted mainly in television serials. In the US, she starred with Robert Goulet in the spy series Blue Light (1966) about the adventures of an American double agent in Nazi Germany during World War II. It was credited for its gritty depiction of espionage in World War II and for the difficult moral choices it posed. A theatrical movie, I Deal in Danger, was created by editing Blue Light's first four episodes together into a continuous story, and was released in 1966 after Blue Light's cancellation. In 1985, Carère's name reappeared, when she and her husband were among the screenwriters of the comedy La cage aux folles 3 - 'Elles' se marient/La Cage aux Folles 3: The Wedding (Georges Lautner, 1985), the third and final installment in the La Cage aux Folles series with Michel Serrault and Ugo Tognazzi. Christine Carère died in 2008 in Fréjus, France, at the age of 78. With Philippe Nicaud, she had two children.
Sources: Wikipedia (French, Italian, and English) and IMDb.
And, please check out our blog European Film Star Postcards.
Dutch postcard by Uitgeverij Takken, Utrecht, no. AX 3845. Photo: 20th Century Fox. Christine Carère and Pat Boone in Mardi Gras (Edmund Goulding, 1958).
Christine Carère (1930-2008), was a French actress. She began her career in the theatre and then moved on to French cinema. Between 1951 and 1958 she appeared in about twenty, mainly French films, but she also acted in a few Italian and American films.
Christiane Èlisabeth Jeanne Marie Pelleterat de Borde, known as Christine Carrère or Christine Carère was born in Dijon in 1930. She began acting in the theatre, then moved on to French cinema. In 1951, she had a small role in Olivia/The Pit of Loneliness (Jacqueline Audry, 1951), starring Edwige Feuillère and Simone Simon. The film, based on the 1950 semi-autobiographical novel of the same name by Dorothy Bussy, is a landmark of lesbian representation. Between 1951 and 1958 Carère appeared in about twenty films. She had a supporting part in the French historical comedy Un caprice de Caroline chérie/A Caprice of Darling Caroline (Jean Devaivre, 1953) starring Martine Carol. In Italy, she acted between 1953 and 1954, in the coming-of-age comedy-drama Terza liceo/High School (Luciano Emmer, 1954), and the melodrama Una donna libera/A Free Woman (Vittorio Cottafavi, 1954) starring Françoise Christophe. Back in France, she played the female lead in the musical comedy Tout chante autour de moi/Everything sings around me (Pierre Gout, 1954) which was the debut film vehicle for the pop star Mouloudji. She also co-starred with the French singer Georges Guétary in the French-German romantic comedy Le chemin du paradis/The Road to Paradise (Willi Forst, Hans Wolff, 1956), the French version of the German film Die Drei von der Tankstelle/The Three from the Filling Station (Hans Wolff, 1955), which was itself a remake of a 1930 film. She then appeared with Fernandel and Carmen Sevilla in the historical comedy Don Juan (John Berry, 1956), a co-production between France, Italy, and Spain, based on the legend of Don Juan.
Christine Carère was brought to Hollywood to appear in A Certain Smile (Jean Negulesco, 1958), starring Rossano Brazzi and Joan Fontaine. She then starred opposite singer Pat Boone in the American musical comedy Mardi Gras (Edmund Goulding, 1958). But her American career was brief. In 1957 she married French actor and singer Philippe Nicaud and two years after her marriage she left the cinema. Her final film was the American musical comedy A Private's Affair (Raoul Walsh, 1959), starring Sal Mineo. In the 1960s she acted mainly in television serials. In the US, she starred with Robert Goulet in the spy series Blue Light (1966) about the adventures of an American double agent in Nazi Germany during World War II. It was credited for its gritty depiction of espionage in World War II and for the difficult moral choices it posed. A theatrical movie, I Deal in Danger, was created by editing Blue Light's first four episodes together into a continuous story, and was released in 1966 after Blue Light's cancellation. In 1985, Carère's name reappeared, when she and her husband were among the screenwriters of the comedy La cage aux folles 3 - 'Elles' se marient/La Cage aux Folles 3: The Wedding (Georges Lautner, 1985), the third and final installment in the La Cage aux Folles series with Michel Serrault and Ugo Tognazzi. Christine Carère died in 2008 in Fréjus, France, at the age of 78. With Philippe Nicaud, she had two children.
Sources: Wikipedia (French, Italian, and English) and IMDb.
And, please check out our blog European Film Star Postcards.
Dutch postcard. Sent by mail in 1964.
Pat Boone (1934) is an American singer and actor who was the second-biggest charting artist of the late 1950s, behind only Elvis Presley. Initially, he performed Rock and Roll, but later in his career, he switched to gospel music. Over the years he has had many hit songs including 'Moody River', 'Speedy Gonzales', and 'Bernardine. He sold more than 45 million records, had 38 Top 40 hits, and appeared in more than 12 Hollywood films.
Charles Eugene Patrick (Pat) Boone was born in Jacksonville, Florida, in 1934. His father, Archie Altman Boone, was a building contractor and his mother, Margaret Virginia (née Pritchard), was a nurse. His younger brother, Nick Boone, also had a popular music career under the name Nick Todd. Pat grew up in Nashville, Tennessee, and attended David Lipscombe College, North Texas State College, and Columbia University from which he received a Bachelor of Science degree in 1958. Boone began his career by performing in Nashville's Centennial Park and started recording for Republic Records in 1954. In 1955 he released a cover of the single 'Ain't That a Shame' by Fats Domino, and significantly broke the sales records of the original version. A number-one single in 1956 by Boone was a second cover and a revival of a then seven-year-old song 'I Almost Lost My Mind', by Ivory Joe Hunter, which was originally covered by another black star, Nat King Cole. It is representative of the early period of Boone's career, which mainly focused on polishing rhythm-and-blues hits into more accessible versions, allowing the Rock and Roll tunes to reach a much wider audience. Boone was also criticised for his homogenised, sanitized versions. He succeeded in removing all of the more suggestive lyrics from his cover of Little Richard's 'Long Tall Sally'. He changed the original's, "I saw Uncle John with Long Tall Sally,/He saw Aunt Mary comin' and he ducked back in the alley" to, "Long Tall Sally's got a lot on the ball,/And nobody cares if she's long and tall." However, Little Richard himself once said: "It was Pat Boone who made me a millionaire". Boone had the image of a fresh-faced smooth guy, who appealed to both teenagers and their parents. His singing style, a full baritone, followed in the footsteps of his idol Bing Crosby. Soon he switched more and more to singing ballads. At the end of the 1950s, Pat Boone was only surpassed in popularity by Elvis Presley. And just like Elvis, he made an attempt at some acting. Although he made considerably fewer films than Elvis, it is said that his films were of considerably higher quality. Several film studios pursued him and he decided to go with 20th Century Fox, which had made Elvis Presley's first film. Fox reworked the play 'Bernardine' into a vehicle for Boone. The resulting film, Bernardine (Henry Levin, 1957), with Terry Moore and Janet Gaynor, was a solid hit, earning $3.75 million in the US. His recording for the title song of his second film, April Love (Henry Levin, 1957), in which he co-starred with Shirley Jones, was nominated for an Oscar. At the age of 23, he began hosting a half-hour ABC variety television series, The Pat Boone Chevy Showroom, which aired for 115 episodes (1957–1960). His recording of 'A Wonderful Time Up There' in 1958 became the first million-selling record with religious lyrics. Seeing himself as a devout born-again Christian, he refused music and film roles that went against his moral standards, including roles with the then-sex symbol Marilyn Monroe. In each of his film contracts, there was a term specifying that kissing his partner could not be forced on him by the director due to his religious convictions. Less popular was the musical comedy Mardi Gras (Edmund Goulding, 1958) with Christine Carère. However, the Science-Fiction adventure, Journey to the Center of the Earth (Henri Levin, 1959), with James Mason and Arlene Dahl, was a huge hit.
Pat Boone wrote the lyrics for the title song for the film Exodus (Otto Preminger, 1960), which he titled 'This Land Is Mine'. He produced and starred in a documentary, Salute to the Teenagers (1960), but did not make a film for a while, studying acting with Sanford Meisner. He returned with a military comedy, All Hands on Deck (Norman Taurog, 1961), a mild hit. He starred opposite Bobby Darin and Ann-Margret in another remake, State Fair (José Ferrer, 1962), but it was another box office disappointment. Musicals were becoming less fashionable in Hollywood. An invasion of British pop groups such as The Rolling Stones, The Beatles, and The Kinks ended Pat Boone's career as a hit machine, although he continued to make records in the 1960s. During the early 1960s, Boone starred in a handful of British films, produced by his own Cooga Mooga productions. In one of these, The Yellow Canary (1963), he attempted to shake up his established image by portraying a nasty, ill-tempered rock star. In the 1960s, he also began writing self-help books for adolescents, including the best-seller 'Twixt Twelve and Twenty'. In the 1970s, he switched to gospel music and country and continued to perform in other media, especially radio. Later, he was a disc jockey for a popular American old-time radio station and runs his own record company, which re-releases records from the 1950s that no longer have a place on major record labels. Boone married Shirley Lee Foley, daughter of Red Foley, in 1953 and they had four daughters: Cherry, Lindy, Debby and Laury. In the 1960s and 1970s, the family toured as gospel artists and made gospel albums such as 'The Pat Boone Family' and 'The Family Who Prays'. In 1997, Boone released an album entitled 'No More Mr. Nice Guy', which featured a collection of heavy metal covers polished to fit the Pat Boone style. To advertise the album, he appeared at the American Music Awards ceremony in black leather. He lost his respectable image in one fell swoop, at least among large sections of his following among conservative Christians. Because of this action, he was fired from Gospel America, a television programme of the Trinity Broadcasting Network. However, the music from this CD was often used during the intermission of hard rock and heavy metal concerts, and the CD was appreciated by the somewhat older guard of hard rockers who saw the humour in it and could appreciate the performance of the songs, which included a choir and a full orchestra. In 2003, his gospel recordings were recognised by Nashville's Gospel Music Association and added to the Gospel Music Hall of Fame. Boone lived in Los Angeles for many years with his wife Shirley Foley. They were influential members of the 'Church on the Road', the Inglewood Church of Christ in San Fernando Valley. Shirley (84) passed away in January 2019, they had been married for 65 years.
Sources: Hal Erickson (AllMovie), Wikipedia (Dutch and English), and IMDb.
And, please check out our blog European Film Star Postcards.
Dutch postcard by Uitgeverij Takken, Utrecht, no. AX 3843. Photo: 20th Century Fox. Christine Carère and Pat Boone in Mardi Gras (Edmund Goulding, 1958).
Christine Carère (1930-2008), was a French actress. She began her career in the theatre and then moved on to French cinema. Between 1951 and 1958 she appeared in about twenty, mainly French films, but she also acted in a few Italian and American films.
Christiane Èlisabeth Jeanne Marie Pelleterat de Borde, known as Christine Carrère or Christine Carère was born in Dijon in 1930. She began acting in the theatre, then moved on to French cinema. In 1951, she had a small role in Olivia/The Pit of Loneliness (Jacqueline Audry, 1951), starring Edwige Feuillère and Simone Simon. The film, based on the 1950 semi-autobiographical novel of the same name by Dorothy Bussy, is a landmark of lesbian representation. Between 1951 and 1958 Carère appeared in about twenty films. She had a supporting part in the French historical comedy Un caprice de Caroline chérie/A Caprice of Darling Caroline (Jean Devaivre, 1953) starring Martine Carol. In Italy, she acted between 1953 and 1954, in the coming-of-age comedy-drama Terza liceo/High School (Luciano Emmer, 1954), and the melodrama Una donna libera/A Free Woman (Vittorio Cottafavi, 1954) starring Françoise Christophe. Back in France, she played the female lead in the musical comedy Tout chante autour de moi/Everything sings around me (Pierre Gout, 1954) which was the debut film vehicle for the pop star Mouloudji. She also co-starred with the French singer Georges Guétary in the French-German romantic comedy Le chemin du paradis/The Road to Paradise (Willi Forst, Hans Wolff, 1956), the French version of the German film Die Drei von der Tankstelle/The Three from the Filling Station (Hans Wolff, 1955), which was itself a remake of a 1930 film. She then appeared with Fernandel and Carmen Sevilla in the historical comedy Don Juan (John Berry, 1956), a co-production between France, Italy, and Spain, based on the legend of Don Juan.
Christine Carère was brought to Hollywood to appear in A Certain Smile (Jean Negulesco, 1958), starring Rossano Brazzi and Joan Fontaine. She then starred opposite singer Pat Boone in the American musical comedy Mardi Gras (Edmund Goulding, 1958). But her American career was brief. In 1957 she married French actor and singer Philippe Nicaud and two years after her marriage she left the cinema. Her final film was the American musical comedy A Private's Affair (Raoul Walsh, 1959), starring Sal Mineo. In the 1960s she acted mainly in television serials. In the US, she starred with Robert Goulet in the spy series Blue Light (1966) about the adventures of an American double agent in Nazi Germany during World War II. It was credited for its gritty depiction of espionage in World War II and for the difficult moral choices it posed. A theatrical movie, I Deal in Danger, was created by editing Blue Light's first four episodes together into a continuous story, and was released in 1966 after Blue Light's cancellation. In 1985, Carère's name reappeared, when she and her husband were among the screenwriters of the comedy La cage aux folles 3 - 'Elles' se marient/La Cage aux Folles 3: The Wedding (Georges Lautner, 1985), the third and final installment in the La Cage aux Folles series with Michel Serrault and Ugo Tognazzi. Christine Carère died in 2008 in Fréjus, France, at the age of 78. With Philippe Nicaud, she had two children.
Sources: Wikipedia (French, Italian, and English) and IMDb.
And, please check out our blog European Film Star Postcards.
Dutch postcard by Uitgeverij Takken, Utrecht,, no. 3313. Photo: 20th Century Fox. Pat Boone in Bernardine (Henry Levin, 1957).
Pat Boone (1934) is an American singer and actor who was the second-biggest charting artist of the late 1950s, behind only Elvis Presley. Initially, he performed Rock and Roll, but later in his career, he switched to gospel music. Over the years he has had many hit songs including 'Moody River', 'Speedy Gonzales', and 'Bernardine. He sold more than 45 million records, had 38 Top 40 hits, and appeared in more than 12 Hollywood films.
Charles Eugene Patrick (Pat) Boone was born in Jacksonville, Florida, in 1934. His father, Archie Altman Boone, was a building contractor and his mother, Margaret Virginia (née Pritchard), was a nurse. His younger brother, Nick Boone, also had a popular music career under the name Nick Todd. Pat grew up in Nashville, Tennessee, and attended David Lipscombe College, North Texas State College, and Columbia University from which he received a Bachelor of Science degree in 1958. Boone began his career by performing in Nashville's Centennial Park and started recording for Republic Records in 1954. In 1955 he released a cover of the single 'Ain't That a Shame' by Fats Domino, and significantly broke the sales records of the original version. A number-one single in 1956 by Boone was a second cover and a revival of a then seven-year-old song 'I Almost Lost My Mind', by Ivory Joe Hunter, which was originally covered by another black star, Nat King Cole. It is representative of the early period of Boone's career, which mainly focused on polishing rhythm-and-blues hits into more accessible versions, allowing the Rock and Roll tunes to reach a much wider audience. Boone was also criticised for his homogenised, sanitized versions. He succeeded in removing all of the more suggestive lyrics from his cover of Little Richard's 'Long Tall Sally'. He changed the original's, "I saw Uncle John with Long Tall Sally,/He saw Aunt Mary comin' and he ducked back in the alley" to, "Long Tall Sally's got a lot on the ball,/And nobody cares if she's long and tall." However, Little Richard himself once said: "It was Pat Boone who made me a millionaire". Boone had the image of a fresh-faced smooth guy, who appealed to both teenagers and their parents. His singing style, a full baritone, followed in the footsteps of his idol Bing Crosby. Soon he switched more and more to singing ballads. At the end of the 1950s, Pat Boone was only surpassed in popularity by Elvis Presley. And just like Elvis, he made an attempt at some acting. Although he made considerably fewer films than Elvis, it is said that his films were of considerably higher quality. Several film studios pursued him and he decided to go with 20th Century Fox, which had made Elvis Presley's first film. Fox reworked the play 'Bernardine' into a vehicle for Boone. The resulting film, Bernardine (Henry Levin, 1957), with Terry Moore and Janet Gaynor, was a solid hit, earning $3.75 million in the US. His recording for the title song of his second film, April Love (Henry Levin, 1957), in which he co-starred with Shirley Jones, was nominated for an Oscar. At the age of 23, he began hosting a half-hour ABC variety television series, The Pat Boone Chevy Showroom, which aired for 115 episodes (1957–1960). His recording of 'A Wonderful Time Up There' in 1958 became the first million-selling record with religious lyrics. Seeing himself as a devout born-again Christian, he refused music and film roles that went against his moral standards, including roles with the then-sex symbol Marilyn Monroe. In each of his film contracts, there was a term specifying that kissing his partner could not be forced on him by the director due to his religious convictions. Less popular was the musical comedy Mardi Gras (Edmund Goulding, 1958) with Christine Carère. However, the Science-Fiction adventure, Journey to the Center of the Earth (Henri Levin, 1959), with James Mason and Arlene Dahl, was a huge hit.
Pat Boone wrote the lyrics for the title song for the film Exodus (Otto Preminger, 1960), which he titled 'This Land Is Mine'. He produced and starred in a documentary, Salute to the Teenagers (1960), but did not make a film for a while, studying acting with Sanford Meisner. He returned with a military comedy, All Hands on Deck (Norman Taurog, 1961), a mild hit. He starred opposite Bobby Darin and Ann-Margret in another remake, State Fair (José Ferrer, 1962), but it was another box office disappointment. Musicals were becoming less fashionable in Hollywood. An invasion of British pop groups such as The Rolling Stones, The Beatles, and The Kinks ended Pat Boone's career as a hit machine, although he continued to make records in the 1960s. During the early 1960s, Boone starred in a handful of British films, produced by his own Cooga Mooga productions. In one of these, The Yellow Canary (1963), he attempted to shake up his established image by portraying a nasty, ill-tempered rock star. In the 1960s, he also began writing self-help books for adolescents, including the best-seller 'Twixt Twelve and Twenty'. In the 1970s, he switched to gospel music and country and continued to perform in other media, especially radio. Later, he was a disc jockey for a popular American old-time radio station and runs his own record company, which re-releases records from the 1950s that no longer have a place on major record labels. Boone married Shirley Lee Foley, daughter of Red Foley, in 1953 and they had four daughters: Cherry, Lindy, Debby and Laury. In the 1960s and 1970s, the family toured as gospel artists and made gospel albums such as 'The Pat Boone Family' and 'The Family Who Prays'. In 1997, Boone released an album entitled 'No More Mr. Nice Guy', which featured a collection of heavy metal covers polished to fit the Pat Boone style. To advertise the album, he appeared at the American Music Awards ceremony in black leather. He lost his respectable image in one fell swoop, at least among large sections of his following among conservative Christians. Because of this action, he was fired from Gospel America, a television programme of the Trinity Broadcasting Network. However, the music from this CD was often used during the intermission of hard rock and heavy metal concerts, and the CD was appreciated by the somewhat older guard of hard rockers who saw the humour in it and could appreciate the performance of the songs, which included a choir and a full orchestra. In 2003, his gospel recordings were recognised by Nashville's Gospel Music Association and added to the Gospel Music Hall of Fame. Boone lived in Los Angeles for many years with his wife Shirley Foley. They were influential members of the 'Church on the Road', the Inglewood Church of Christ in San Fernando Valley. Shirley (84) passed away in January 2019, they had been married for 65 years.
Sources: Hal Erickson (AllMovie), Wikipedia (Dutch and English), and IMDb.
And, please check out our blog European Film Star Postcards.
Spanish postcard by Postal Oscarcolor, no. 100, 1964.
Pat Boone (1934) is an American singer and actor who was the second-biggest charting artist of the late 1950s, behind only Elvis Presley. Initially, he performed Rock and Roll, but later in his career, he switched to gospel music. Over the years he has had many hit songs including 'Moody River', 'Speedy Gonzales', and 'Bernardine. He sold more than 45 million records, had 38 Top 40 hits, and appeared in more than 12 Hollywood films.
Charles Eugene Patrick (Pat) Boone was born in Jacksonville, Florida, in 1934. His father, Archie Altman Boone, was a building contractor and his mother, Margaret Virginia (née Pritchard), was a nurse. His younger brother, Nick Boone, also had a popular music career under the name Nick Todd. Pat grew up in Nashville, Tennessee and attended David Lipscombe College, North Texas State College and Columbia University from which he received a Bachelor of Science degree in 1958. Boone began his career by performing in Nashville's Centennial Park and started recording for Republic Records in 1954. In 1955 he released a cover of the single 'Ain't That a Shame' by Fats Domino, and significantly broke the sales records of the original version. A number-one single in 1956 by Boone was a second cover and a revival of a then seven-year-old song 'I Almost Lost My Mind', by Ivory Joe Hunter, which was originally covered by another black star, Nat King Cole. It is representative of the early period of Boone's career, which mainly focused on polishing rhythm-and-blues hits into more accessible versions, allowing the Rock and Roll tunes to reach a much wider audience. Boone was also criticised for his homogenised, sanitized versions. He succeeded in removing all of the more suggestive lyrics from his cover of Little Richard's 'Long Tall Sally'. He changed the original's, "I saw Uncle John with Long Tall Sally,/He saw Aunt Mary comin' and he ducked back in the alley" to, "Long Tall Sally's got a lot on the ball,/And nobody cares if she's long and tall." However, Little Richard himself once said: "It was Pat Boone who made me a millionaire". Boone had the image of a fresh-faced smooth guy, who appealed to both teenagers and their parents. His singing style, a full baritone, followed in the footsteps of his idol Bing Crosby. Soon he switched more and more to singing ballads. At the end of the 1950s, Pat Boone was only surpassed in popularity by Elvis Presley. And just like Elvis, he made an attempt at some acting. Although he made considerably fewer films than Elvis, it is said that his films were of considerably higher quality. Several film studios pursued him and he decided to go with 20th Century Fox, which had made Elvis Presley's first film. Fox reworked the play 'Bernardine' into a vehicle for Boone. The resulting film, Bernardine (Henry Levin, 1957), with Terry Moore and Janet Gaynor, was a solid hit, earning $3.75 million in the US. His recording for the title song of his second film, April Love (Henry Levin, 1957), in which he co-starred with Shirley Jones, was nominated for an Oscar. At the age of 23, he began hosting a half-hour ABC variety television series, The Pat Boone Chevy Showroom, which aired for 115 episodes (1957–1960). His recording of 'A Wonderful Time Up There' in 1958 became the first million-selling record with religious lyrics. Seeing himself as a devout born-again Christian, he refused music and film roles that went against his moral standards, including roles with the then-sex symbol Marilyn Monroe. In each of his film contracts, there was a term specifying that kissing his partner could not be forced on him by the director due to his religious convictions. Less popular was the musical comedy Mardi Gras (Edmund Goulding, 1958) with Christine Carère. However, the Science-Fiction adventure, Journey to the Center of the Earth (Henri Levin, 1959), with James Mason and Arlene Dahl, was a huge hit.
Pat Boone wrote the lyrics for the title song for the film Exodus (Otto Preminger, 1960), which he titled 'This Land Is Mine'. He produced and starred in a documentary, Salute to the Teenagers (1960), but did not make a film for a while, studying acting with Sanford Meisner. He returned with a military comedy, All Hands on Deck (Norman Taurog, 1961), a mild hit. He starred opposite Bobby Darin and Ann-Margret in another remake, State Fair (José Ferrer, 1962), but it was another box office disappointment. Musicals were becoming less fashionable in Hollywood. An invasion of British pop groups such as The Rolling Stones, The Beatles, and The Kinks ended Pat Boone's career as a hit machine, although he continued to make records in the 1960s. During the early 1960s, Boone starred in a handful of British films, produced by his own Cooga Mooga productions. In one of these, The Yellow Canary (1963), he attempted to shake up his established image by portraying a nasty, ill-tempered rock star. In the 1960s, he also began writing self-help books for adolescents, including the best-seller 'Twixt Twelve and Twenty'. In the 1970s, he switched to gospel music and country and continued to perform in other media, especially radio. Later, he was a disc jockey for a popular American old-time radio station and runs his own record company, which re-releases records from the 1950s that no longer have a place on major record labels. Boone married Shirley Lee Foley, daughter of Red Foley, in 1953 and they had four daughters: Cherry, Lindy, Debby and Laury. In the 1960s and 1970s, the family toured as gospel artists and made gospel albums such as 'The Pat Boone Family' and 'The Family Who Prays'. In 1997, Boone released an album entitled 'No More Mr. Nice Guy', which featured a collection of heavy metal covers polished to fit the Pat Boone style. To advertise the album, he appeared at the American Music Awards ceremony in black leather. He lost his respectable image in one fell swoop, at least among large sections of his following among conservative Christians. Because of this action, he was fired from Gospel America, a television programme of the Trinity Broadcasting Network. However, the music from this CD was often used during the intermission of hard rock and heavy metal concerts, and the CD was appreciated by the somewhat older guard of hard rockers who saw the humour in it and could appreciate the performance of the songs, which included a choir and a full orchestra. In 2003, his gospel recordings were recognised by Nashville's Gospel Music Association and added to the Gospel Music Hall of Fame. Boone lived in Los Angeles for many years with his wife Shirley Foley. They were influential members of the 'Church on the Road', the Inglewood Church of Christ in San Fernando Valley. Shirley (84) passed away in January 2019, they had been married for 65 years.
Sources: Hal Erickson (AllMovie), Wikipedia (Dutch and English), and IMDb.
And, please check out our blog European Film Star Postcards.
ROMA ARCHEOLOGICA & RESTAURO ARCHITETTURA 2023. NPR Interviews Dr. Marla Stone (AAR Fellow, 1996) and Dr. Ruth Ben-Ghiat (AAR Resident, 2022); in: "Italy has kept its fascist monuments and buildings. The reasons are complex." NPR / Weekend Edition. Washington DC, USA (25/02/2023). S.v., Dr. Arch. Rossana Vinci, "Architettura fascista non fascista." Archilovers (26/10/2017) & Arch. Giuseppe Terragni; in: Dr. Arch. Elisabetta Terragni (1991). wp.me/pbMWvy-3WE
Foto: ITALY & THE USA – NPR Interviews Dr. Marla Stone (AAR Fellow, 1996) and Dr. Ruth Ben-Ghiat (AAR Resident, 2022); in: “Italy has kept its fascist monuments and buildings. The reasons are complex.” NPR / Weekend Edition. Washington DC, USA (25/02/2023).
www.flickr.com/photos/imperial_fora_of_rome/52771622811
1). ROME - NPR Interviews Dr. Marla Stone (AAR Fellow, 1996) and Dr. Ruth Ben-Ghiat (AAR Resident, 2022); in: "Italy has kept its fascist monuments and buildings. The reasons are complex." NPR / Weekend Edition. Washington DC, USA (25/02/2023).
ROME — Cinema Troisi is an art movie house in central Rome. Its stark, white, minimalist façade contrasts with the ornate 19th-century buildings nearby.
It was built in the 1930s as the headquarters of the Fascist Youth Organization — the GIL.
But there is no plaque explaining its link to the dictatorship.
Italian rap music plays in the background as young people mill around the lobby café.
They seem indifferent to the building's fascist origins, including 20-year-old Christian Carere, who works here.
"It's evolution," he says. "A building is born as a structure. But inside, its purpose can change. For example, first it's a butcher shop and two years later it becomes a discotheque."
Across town, a fascist-era sports center has become a skate-boarder's paradise.
The sound of young men swooshing and twirling echoes on long slabs of marble and mosaic pavement that glorify the fascist regime. The intricate designs spell out late dictator Benito Mussolini's slogan, "many enemies, much honor," and include large Ms for his name.
Looming over the mosaics is a 57-foot-tall obelisk. Built in 1932 to mark the regime's 10th anniversary, the inscription is "Mussolini Dux" — Latin for Leader Mussolini.
Nelly Porcu, an athlete from the island of Sardinia who has been training for a marathon in the sports center, seems annoyed more by the obelisk's design than its historical meaning.
"I think it's really tacky, so kitsch, cheesy," she laughs.
In fact, most Italians ignore the history of the obelisk, the mosaics and the bigger-than-life male nude statues encircling the sports center, says historian Lucia Ceci.
"It's as if they've become part of the landscape, while they're very shocking — and rightly so — for foreigners, tourists, journalists and diplomats," she says.
Italy never fully reckoned with its fascist past.
After World War II, prompted by the Allies, Germany underwent an intense de-Nazification program.
Not so Italy — there was no equivalent de-fascistization. The country is still filled with buildings and street names that evoke its 20-year dictatorship.
A century after Mussolini took power with the March on Rome, there finally is a new website that maps monuments and plaques commemorating the regime.
Historian Ceci, one of the website's coordinators, says the project started seven years ago. It is backed by the Ferruccio Parri National Institute in Milan, named after an anti-fascist partisan who went on to become the first prime minister of postwar, newly democratic Italy in 1945.
Ceci says the mapping project was inspired by debates in other countries —including the United States — over how to treat monuments glorifying colonialism and slave owners.
Ceci and her fellow researchers do not call for the destruction of fascist-era monuments. But they want to add explanatory plaques that contextualize their origins. The aim is to promote a reckoning of the legacy of the regime.
"Otherwise," she says, "the message continues to be that fascism brought modernity to the city, hiding the dictatorship, the persecutions, the discriminations and the war."
Fascist buildings are still in use, their origins little noticed
In 1935, standing before a crowd of thousands, his jaw jutting forward, Mussolini announced the invasion of Ethiopia and heralded Italians as a nation of "heroes, saints, poets, artists, navigators, colonizers and travelers."
Nearly 90 years later, those words remain inscribed on a building halfway between Rome and the sea.
At the top of a long flight of steps, stands what was once known as the Palace of Italian Civilization. It was built to celebrate Italy's conquest of Ethiopia, says historian of fascism Marla Stone.
"It's very much a celebration of war, conquest and empire," says Stone, "and the idea that fascism was going to expand and spread its message of nationalism, of strength, of masculinity. It's a very heavy, masculine building."
With 416 arches and statues celebrating heroism, philosophy and political genius, today it's known as the Square Colosseum and, since 2015, it's been global headquarters of the Fendi fashion house.
This is EUR, the neighborhood Mussolini had built from scratch in imitation of ancient Roman urban planning — an attempt to link his regime directly to the Roman Empire. A few blocks from the Square Colosseum is Palazzo degli Uffici, completed in 1939.
Its main entrance is flanked by a gigantic bas-relief in travertine marble. It starts at the top with the Romulus and Remus founding myth of Rome, winds down from the ancient empire and the Renaissance to Giuseppe Garibaldi and the creation of the Italian state, ending at the bottom with Mussolini, standing like a Roman general on a horse, surrounded by his legionnaires and supplicating women.
Historian Stone points out that the head of the dictator had been chopped off after World War II. But at some point it was put back, restored or replaced by a new one.
In front of the building there's a statue of a young man giving the fascist salute, left in place after the war. Rather, bronze straps were added to his hands, turning him into a boxer ostensibly hailing a victory. The original name, Genius of Fascism, was changed to Genius of Sport.
Stone laments that by not challenging the history of these monuments, the memory of fascism has been smoothly integrated into the Italian present.
"They're now seen as part of the Italian heritage," Stone says. "There are the ancient Roman monuments, there are the Renaissance monuments, the Baroque palaces. And then we have the heritage of fascism."
The victorious Allies chose not to confront Italy over its fascist legacy.
One reason why post-fascist Italy did not remove its monuments of the dictatorship might be there were simply too many buildings and the country too poor to rebuild them.
In 2017, American historian Ruth Ben-Ghiat wrote a piece for The New Yorker asking, "Why are so many fascist monuments still standing in Italy?"
She received sacks of hate mail from Italians accusing her of ignorance — unable to appreciate what they claimed was the aesthetic value of fascist architecture —and which many now call rationalist architecture.
Many Italians feel disconnected to fascism, says Ben-Ghiat, and the Allies — the United States and Britain mainly — are the reason.
"They were very worried about social unrest if they pursued very harsh amnesties or purges," she says.
Ben-Ghiat says the Allies sometimes covered up fascist paintings with cloth rather than destroy them.
Many Italians had joined the anti-fascist resistance during the war, and the postwar Communist Party was one of the strongest in Europe.
"It was the Cold War," she says, "and they decided to treat Italians as a good people who were led astray by a bad man."
While it was widely criticized in Italy, Ben-Ghiat's article also inspired historian Ceci and her fellow researchers to pursue the project of mapping fascist monuments.
When the website went public in November, it had identified 1,400 of them.
Ceci believes that's about half the monuments existing throughout the country.
In fact, visitors to the website are asked to suggest additional listings.
Fonte / source:
--- EUROPE - Sylvia Poggioli, "Italy has kept its fascist monuments and buildings. The reasons are complex." NPR / Weekend Edition.
Washington D.C., USA (25/02/2023).
www.npr.org/2023/02/25/1154783024/italy-monuments-fascist...
Foto: RARA 2023 / ROMA – Dr. Arch. Rossana Vinci, “Architettura fascista non fascista.” Archilovers (26/10/2017).
www.flickr.com/photos/imperial_fora_of_rome/52772037715
2). RARA 2023 / ROMA - Dr. Arch. Rossana Vinci, "Architettura fascista non fascista." Archilovers (26/10/2017). S.v., Ruth Ben Ghiat, The New Yorker (30/10/2017), AA.VV., Internazionale (30/10/2017); A.A.V.V., 24 Ore / Argomenti (08-12/10/2017); Ruth Ben Ghiat & Vera Fisogni (07/2017); Giuseppe Terragni; in: Dr. Arch. Elisabetta Terragni (1991), La Repubblica (03/08/2020) & LA REPUBBLICA (13|11|1983). wp.me/pbMWvy-XI
ROMA ARCHEOLOGICA & RESTAURO ARCHITETTURA 2023. NPR Interviews Dr. Marla Stone (AAR Fellow, 1996) and Dr. Ruth Ben-Ghiat (AAR Resident, 2022); in: "Italy has kept its fascist monuments and buildings. The reasons are complex." NPR / Weekend Edition. Washington DC, USA (25/02/2023). S.v., Dr. Arch. Rossana Vinci, "Architettura fascista non fascista." Archilovers (26/10/2017) & Arch. Giuseppe Terragni; in: Dr. Arch. Elisabetta Terragni (1991). wp.me/pbMWvy-3WE
Foto: ITALY & THE USA – NPR Interviews Dr. Marla Stone (AAR Fellow, 1996) and Dr. Ruth Ben-Ghiat (AAR Resident, 2022); in: “Italy has kept its fascist monuments and buildings. The reasons are complex.” NPR / Weekend Edition. Washington DC, USA (25/02/2023).
www.flickr.com/photos/imperial_fora_of_rome/52771622811
1). ROME - NPR Interviews Dr. Marla Stone (AAR Fellow, 1996) and Dr. Ruth Ben-Ghiat (AAR Resident, 2022); in: "Italy has kept its fascist monuments and buildings. The reasons are complex." NPR / Weekend Edition. Washington DC, USA (25/02/2023).
ROME — Cinema Troisi is an art movie house in central Rome. Its stark, white, minimalist façade contrasts with the ornate 19th-century buildings nearby.
It was built in the 1930s as the headquarters of the Fascist Youth Organization — the GIL.
But there is no plaque explaining its link to the dictatorship.
Italian rap music plays in the background as young people mill around the lobby café.
They seem indifferent to the building's fascist origins, including 20-year-old Christian Carere, who works here.
"It's evolution," he says. "A building is born as a structure. But inside, its purpose can change. For example, first it's a butcher shop and two years later it becomes a discotheque."
Across town, a fascist-era sports center has become a skate-boarder's paradise.
The sound of young men swooshing and twirling echoes on long slabs of marble and mosaic pavement that glorify the fascist regime. The intricate designs spell out late dictator Benito Mussolini's slogan, "many enemies, much honor," and include large Ms for his name.
Looming over the mosaics is a 57-foot-tall obelisk. Built in 1932 to mark the regime's 10th anniversary, the inscription is "Mussolini Dux" — Latin for Leader Mussolini.
Nelly Porcu, an athlete from the island of Sardinia who has been training for a marathon in the sports center, seems annoyed more by the obelisk's design than its historical meaning.
"I think it's really tacky, so kitsch, cheesy," she laughs.
In fact, most Italians ignore the history of the obelisk, the mosaics and the bigger-than-life male nude statues encircling the sports center, says historian Lucia Ceci.
"It's as if they've become part of the landscape, while they're very shocking — and rightly so — for foreigners, tourists, journalists and diplomats," she says.
Italy never fully reckoned with its fascist past.
After World War
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The Aristocats Production Animation Cels
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[] |
[] |
[
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[] | null |
Original Walt Disney production animation cels and drawings for sale from The Aristocats featuring Thomas O'Malley, Duchess, Edgar, Marie, Toulouse, Madame Bonfamille, Layfayette, Napoleon, Abigail, Amelia, Uncle Waldo, and many more!
|
en
|
untitledartgallery
|
https://www.untitledartgallery.com/the-aristocats
|
Dean ClDean Clark, Sterling Holloway, Scatman Crothers, and Roddy Maude-Roxby. ark, Sterling Holloway, Scatman Crothers, and Roddy Maude-Roxby.
The film is based on a story by Tom McGowan and Tom Rowe, and centers around a family of aristocratic cats. After the mistress's butler kidnaps them (to gain his mistress' fortune which was intended to go to the cats) an unlikely alley cat acquaintance helps them escape and be returned to their home.
Duchess is a long-haired purebred white Turkish Angora cat with blue eyes (shining like sapphires) and wearing a gold and jeweled collar that is studded with diamonds. She is the mother of three kittens; Marie, Berlioz, and Toulouse and her owner is the aristocratic Madame Adelaide Bonfamille. Duchess was voiced by Eva Gabor who was a Hungarian-born American socialite and actress. Robie Lester who was an American Grammy-nominated voice artist and singer, provided the singing voice for Duchess.
According to veteran Walt Disney animator Andreas Deja:
"Duchess was animated by quite a few artists, I would say that Ollie Johnston did some of the nicest scenes, educating the kittens etc.. Frank Thomas came up with good acting scenes as well, when Duchess meets O'Malley for the first time, and when she says goodbye to him at the end of the movie.
Milt Kahl set her basic design based on Ken Anderson's drawings. Below are a couple of beautiful exploratory sheets by Milt. As always it's great to see his mind at work in these drawings, he is trying hard to avoid formulas and to find unique arrangements of shapes that bring out her personality. There is so much knowledge of feline anatomy here, after all, Milt had just finished animation on Shere Khan and Bagheera."
Abraham DeLacey Giuseppe Casey Thomas O'Malley (simply known as Thomas O'Malley) the alley cat was also animated by Ollie Johnston and Milt Kahl. O'Malley was marvelously voiced by Phil Harris, who was an American singer, songwriter, jazz musician, actor, and comedian. Harris also worked as a voice actor for two other Walt Disney animated feature films: "The Jungle Book," 1967 as Baloo the Bear and "Robin Hood," 1973 as Little John (another bear).
Marie is a slender white Turkish Angora kitten, and the only female of Duchess's three kittens. She is a hopeless romantic and daydreamer, with her two most famous lines in the film being "Ladies do not start fights, but they can finish them!" and "How romantic!" Marie frequently is seen lost in her daydreams and tends to sigh often and deeply. Unfortunately she is somewhat danger-prone, as she is consistently in harm's way throughout the film; including a perilous fall off of a railway bridge and into a stream. Marie was wonderfully voiced by Liz English.
Toulouse is the oldest of the three kittens, he has green eyes, orange fur, a lighter orange stomach, and he wears a bright blue bow tie around his neck. He aspires to be an alley cat and he is known to puff up his chest and hiss to prove he is tough. Toulouse is a city in Haute-Garonne region of southwestern France; and because he aspires to be a painter and paints daily, he was very likely named after the famous French painter Henri de Toulouse-Lautrc. Toulouse was animated by Ollie Johnston and Frank Thomas and voiced by Gary Dubin.
Berlioz has blue eyes, dark gray fur with a lighter colored stomach. He wears a small red ribbon bow tie that is loosely tied around his neck, and that will occasionally fall apart. Berlioz is usually very quiet but can be mischievous, and he enjoys playing the piano. There is a wonderful scene in the film when his mother Duchess asks him to practice his "Scales and Arpeggios" with his sister Marie. Berlioz is not easily impressed and can get annoyed quickly, as he is usually the first to make a snide comment or give a skeptical look if things don't go his way. He as named after the French romantic composer Hector Berlioz, animated by Ollie Johnston and Eric Larson, and was voiced by Dean Clark (who was only 8 years old at the time).
Abigail and Amelia Gabble are a pair of British geese who are twin sisters and the nieces of Uncle Waldo. The pair first appear in the film when they are seen walking down a path adjacent to a river, when they spot Thomas O'Malley attempting to get to shore by grabbing onto a tree branch. They mistakenly think he is trying to learn to swim, but soon realize he is about to drown and they end up diving into the river to save him. Abigail wears a blue bonnet and was voiced by Monica Evans, who also would later provide the voice of Maid Marian in "Robin Hood." Amelia wears a pink bonnet and was voiced by Carole Shelley, who would later provide the voice of Lady Kluck in "Robin Hood." Both Abigail and Amelia were animated by Ollie Johnston and Frank Thomas.
Uncle Waldo is the uncle of Abigail and Amelia Gabble, he is an obese goose, has a buck orange beak, and is missing his tail feathers (that were lost as he was escaping from the Chef of Le Petit Cafe). Waldo wears a green top hat with a black satin ribbon, and is open at the top. Throughout the film Waldo is in an inebriated state, but is very good-natured and friendly. He has a distaste for white wine preferring British sherry, he can be loud and silly, but has a great relationship with his nieces.
Uncle Waldo was animated by Ollie Johnston and voiced by veteran Disney voice actor Bill Thompson. William Henry "Bill" Thompson, Jr. was an American radio comedian, actor, and voice actor whose career stretched from the 1930's until his death. He is best known as the original voice of Droopy in most of the MGM theatrical shorts from 1943-1958. He had a long career with Disney beginning in the 1950's. His roles include White Rabbit and Dodo from "Alice In Wonderland," Mr. Smee and Pirates from "Peter Pan," Jock, Bull, Joe, and the Policeman from "Lady and the Tramp," King Hubert from "Sleeping Beauty," and many more! Thompson's last role was Uncle Waldo, and he sadly died of septic shock at the young age of 58 in 1971; one year after "The Aristocats" was released.
Uncle Waldo first appears in the film as Duchess, O'Malley, Marie, Toulouse, Berlioz, Abigail, and Amelia are making their way back to Paris. As they pass in front of Le Petit Cafe, Waldo comes running out of the front door and the Gabble twins immediately notice that he is their uncle. Uncle Waldo is missing his tail feathers and looks very disheveled. Waldo shows the group the Le Petit Cafe's outside posted menu for the evening which he reads aloud, "Prime Country GOOSE A la Provencale Stuffed with Chestnuts Basted in White Wine." Waldo apparently was about to become dinner but managed to escaped unharmed (except for his missing tail feathers). Waldo states that because he is British he would have rather have been basted in Sherry. O'Malley, realizing Waldo is drunk, remarks that he must have been marinated rather than basted. Waldo becomes very loud and so Amelia and Abigail decide to lead him safely home and get him to bed. The dialog from this scene is below:
"Uncle Waldo. I do believe you've been drinking." - Amelia
"Oh, dear! What happened to your lovely tail feathers?" - Abigail
"Girls, it's outrageous! Why, you won't believe what they tried to do... to your poor old Uncle Waldo! [Hiccupping] Look. Look at this! It says here. [Reading] Prime Country Goose a la Provencal. Stuffed with chestnuts? And basted in... [ Sniffles ] white wine. [ Hiccups ]" - Uncle Waldo
"Basted? He's been marinated in it." - O'Malley
"Dreadful! Being British, I would have preferred sherry." - Uncle Waldo
This is an amazing key setup of original hand painted production animation cels of Duchess, O'Malley, Marie, Toulouse, Berlioz, Abigail, Amelia, and Uncle Waldo from "The Aristocats," 1970; all set on on their original key master hand painted production background. Given how few backgrounds that would be present in the film, such that all five cats could be placed to complete a key setup, having this many characters on their key master background is exceptionally rare! The piece was was prepared by Disney "especially for the Channel 28 Auction of 1971." The accompanying Walt Disney Productions letter is dated April 9, 1971 and hand signed in blue ink by the President of Disney Donn B. Tatum. KCET, virtual, and UHF digital Channel 28, is a PBS member station licensed to Los Angeles, California, United States, and is owned by the Public Media Group of Southern California. The key setup was used as both an auction fund raising item for the PBS station, as well as being used as a marketing tool for the Walt Disney Company. Also included with the key setup is the original Walt Disney Productions Certificate of Authenticity, as well as the original calligraphy mat with "Walt Disney's" lower left, "Aristocats" center, and the "Original WDP" stamp lower right. An absolutely beautiful image of the famous Aristocats family together with the three delightful geese characters of the film. Key setups are the holy grail for animation collectors, having the provenance letter, Walt Disney original certificate of authenticity, and calligraphy mat; all makes this a gem of any serious animation art collection!
|
|||||
wrong_mix_domain_starring_00035
|
FactBench
|
2
| 40
|
https://production.pro/show/aristocats-kids
|
en
|
Disney's The Aristocats KIDS
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[] |
[] |
[
""
] | null |
[] |
2018-06-11T21:58:39+00:00
|
Digital script for Disney's The Aristocats KIDS, in which everybody wants to be a cat in this stage adaptation of the animated classic motion picture.
|
en
|
ProductionPro
|
https://production.pro/show/aristocats-kids
|
Musical
Everybody wants to be a cat in Disney’s stage adaptation of the animated classic motion picture.
In the heart of Paris, a kind and eccentric millionairess wills her entire estate to Duchess, her high-society cat, and her three little kittens. Laughs and adventure ensue as the greedy, bumbling butler pulls off the ultimate catnap caper. Now it’s up to the rough-and-tumble alley cat, Thomas O’Malley, and his band of swingin’ jazz cats to save the day.
What’s included for Disney’s The Aristocats KIDS:
|
|||||
wrong_mix_domain_starring_00035
|
FactBench
|
2
| 17
|
https://www.ranker.com/list/the-aristocats-characters/reference
|
en
|
List of The Aristocats Characters
|
https://imgix.ranker.com/list_img_v2/14905/1414905/original/the-aristocats-characters-u1
|
https://imgix.ranker.com/list_img_v2/14905/1414905/original/the-aristocats-characters-u1
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[] |
[] |
[
""
] | null |
[
"Reference"
] |
2014-04-14T00:00:00
|
Explore this curated list of Aristocats characters and their names, including Edgar Balthazar, Duchess, and more.
|
en
|
/img/icons/touch-icon-iphone.png
|
Ranker
|
https://www.ranker.com/list/the-aristocats-characters/reference
|
In the realm of classic animation, few films capture the elegance, charm, and mischief of Parisian life quite like The Aristocats. At the heart of this enchanting tale is the Aristocats cast of characters, a diverse and memorable ensemble that brings to life the story of a refined feline family's unexpected adventure. From aristocratic elegance to street-wise sass, this cast has it all, making The Aristocats a beloved classic for generations.
Leading the charge is Duchess, the epitome of grace and motherhood, whose devotion to her kittens guides their journey back to their opulent home. But what's a story without a dash of villainy? Enter Edgar Balthazar, the bumbling butler whose greed-driven schemes set the whole escapade into motion. These characters, among others, weave a narrative rich in humor, heart, and a touch of suspense, proving that family and friendship can find us in the most unexpected places. So, let's leap onto the rooftops of Paris and get to know the unforgettable Aristocats cast of characters that has danced its way into our hearts.
|
||
wrong_mix_domain_starring_00035
|
FactBench
|
0
| 9
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https://www.yumpu.com/en/document/view/5574136/the-disney-song-encyclopedia-fieldi
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en
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The Disney Song Encyclopedia - fieldi
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The Disney Song Encyclopedia - fieldi
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en
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yumpu.com
|
https://www.yumpu.com/en/document/view/5574136/the-disney-song-encyclopedia-fieldi
|
Page 2 and 3: The Disney Song Encyclopedia Thomas
Page 4 and 5: For the Bleemer family, devoted Dis
Page 6: CONTENTS Preface vii Acknowledgment
Page 9 and 10: viii PREFACE craftsmanship, ambitio
Page 12: ACKNOWLEDGMENTS We would like to ex
Page 15 and 16: xiv A BRIEF HISTORY OF DISNEY MUSIC
Page 17 and 18: xvi A BRIEF HISTORY OF DISNEY MUSIC
Page 20 and 21: A “Absalom, My Absalom” is the
Page 22 and 23: “ALL THE CATS JOIN IN” 3 “Ali
Page 24 and 25: “ANOTHER PART OF ME” 5 “Anast
Page 26 and 27: “ARE WE DANCING?” 7 wrote the r
Page 28 and 29: “ATHENA’S SONG” 9 “At the B
Page 30 and 31: “THE BALLAD OF DAVY CROCKETT” 1
Page 32 and 33: “BE TRUE TO YOUR GROOVE” 13 son
Page 34 and 35: “BEING MRS. BANKS” 15 on a magi
Page 36 and 37: “THE BEST TIME OF YOUR LIFE” 17
Page 38 and 39: “BILL OF SALE” 19 “Beyond the
Page 40 and 41: “BLUE SHADOWS ON THE TRAIL” 21
Page 42 and 43: “BRAVE TOGETHER” 23 Gunn, playe
Page 44 and 45: “BUBBA DUCK THEME” 25 George Br
Page 46 and 47: C “Cabin Fever” is the farcical
Page 48 and 49: “CANDLE ON THE WATER” 29 “Can
Page 50 and 51: “CHILDREN” 31 exhausted and a w
Page 52 and 53:
“THE CIRCLE OF LIFE” 33 Tim Ric
Page 54 and 55:
“COMFORTING TO KNOW” 35 ambitio
Page 56 and 57:
“A CUT ABOVE THE REST” 37 song,
Page 58 and 59:
“DARKWING DUCK THEME” 39 tors,
Page 60 and 61:
“DIG IT” 41 the recording with
Page 62 and 63:
“A DREAM IS A WISH YOUR HEART MAK
Page 64 and 65:
“THE DWARFS’ YODEL SONG” 45
Page 66 and 67:
“ELABORATE LIVES” 47 on a giant
Page 68 and 69:
“ENTRY INTO JERUSALEM” 49 “En
Page 70 and 71:
“EVERYTHING HAS A USENESS” 51 h
Page 72 and 73:
“EV’RYBODY WANTS TO BE A CAT”
Page 74 and 75:
“FEE FI FO FUM” 55 giant peach.
Page 76 and 77:
“FIRST” 57 “Femininity” is
Page 78 and 79:
“THE FOREST OF NO RETURN” 59 Lo
Page 80 and 81:
“FUN WITH MUSIC DAY” 61 listed
Page 82 and 83:
G “The Galaxy Is Ours” is the r
Page 84 and 85:
“THE GNOME-MOBILE” 65 mated fil
Page 86 and 87:
“GOOD NEWS” 67 confronts the gi
Page 88 and 89:
“THE GRANDEST EASTER OF THEM ALL
Page 90 and 91:
“A GUY LIKE YOU” 71 “Grimpons
Page 92 and 93:
“HAPPY, HAPPY BIRTHDAY” 73 in t
Page 94 and 95:
“HEFFALUMPS AND WOOZLES” 75 sin
Page 96 and 97:
“HERE WE GO, ANOTHER PLAN” 77 p
Page 98 and 99:
“HOIST THE COLOURS” 79 “High
Page 100 and 101:
“HOW D’YE DO AND SHAKE HANDS”
Page 102 and 103:
“A HUNTIN’ MAN” 83 for the 20
Page 104 and 105:
“I DIDN’T KNOW I COULD FEEL THI
Page 106 and 107:
“I PUT A SPELL ON YOU” 87 punct
Page 108 and 109:
“I WANNA SCARE MYSELF” 89 film
Page 110 and 111:
“I’D LIKE TO BE YOU FOR A DAY
Page 112 and 113:
“I’LL ALWAYS BE IRISH” 93 of
Page 114 and 115:
“I’M LOOKING OUT FOR ME” 95 s
Page 116 and 117:
“IN THE DARKNESS” 97 scored by
Page 118 and 119:
“IT’S A SMALL WORLD (AFTER ALL)
Page 120 and 121:
“I’VE GOT NO STRINGS” 101 com
Page 122 and 123:
J “Jack’s Lament” is the eeri
Page 124 and 125:
“THE JOURNEY (WHO WILL RESCUE ME?
Page 126 and 127:
“JUST THE GOIN’” 107 “Just
Page 128 and 129:
K “Kanine Krunchies Commercial”
Page 130 and 131:
“KISS THE GIRL” 111 “King of
Page 132 and 133:
“LAZY COUNTRYSIDE” 113 “Lambe
Page 134 and 135:
“LET HER ALONE” 115 “Les Pois
Page 136 and 137:
“LET’S SING A GAY LITTLE SPRING
Page 138 and 139:
“LIGHT MAGIC THEME” 119 The Dis
Page 140 and 141:
“LITTLE EINSTEINS THEME” 121
Page 142 and 143:
“LOOK AT ME” 123 “Little Wood
Page 144 and 145:
“LOVE WILL FIND A WAY” 125 Osca
Page 146 and 147:
“A MAN HAS DREAMS” 127 ful piec
Page 148 and 149:
“MELODY TIME” 129 “Matecumbe
Page 150 and 151:
“MIDNIGHT MADNESS” 131 a cult f
Page 152 and 153:
“MON AMOUR PERDU” 133 “The Mo
Page 154 and 155:
“THE MORNING REPORT” 135 “The
Page 156 and 157:
“MY HERO IS YOU” 137 was popula
Page 158 and 159:
“MY, WHAT A HAPPY DAY” 139 “M
Page 160 and 161:
“NO OTHER WAY” 141 “Never Smi
Page 162 and 163:
“NOW OR NEVER” 143 is in love w
Page 164 and 165:
“THE OLD HOME GUARD” 145 overdu
Page 166 and 167:
“ON THE OPEN ROAD” 147 While no
Page 168 and 169:
“101 DALMATIANS” 149 opening cr
Page 170 and 171:
“ONLY SOLUTIONS” 151 2: Simba
Page 172 and 173:
“THE OZ-KAN HOP” 153 “Our Tow
Page 174 and 175:
“THE PATCHWORK GIRL” 155 Menken
Page 176 and 177:
“PERFECT WORLD” 157 (Bobby Dris
Page 178 and 179:
“A PIRATE’S LIFE (FOR ME)” 15
Page 180 and 181:
“PORTOBELLO ROAD” 161 nie the P
Page 182 and 183:
“PSALM 8” 163 the Macy’s Than
Page 184 and 185:
“RESCUE AID SOCIETY” 165 “Rea
Page 186 and 187:
“RUMBLY IN MY TUMBLY” 167 their
Page 188 and 189:
“SANTA’S WORKSHOP” 169 “Sai
Page 190 and 191:
“SCARECROW” 171 sequel to the p
Page 192 and 193:
“THE SHAGGY D. A.” 173 made eff
Page 194 and 195:
“SINCE I GAVE MY HEART AWAY” 17
Page 196 and 197:
“SMALL ONE” 177 nor Audley) app
Page 198 and 199:
“SOMEBODY RUBBED OUT MY ROBIN”
Page 200 and 201:
“THE SONG OF LIFE” 181 citizens
Page 202 and 203:
“SPIN AND MARTY THEME” 183 The
Page 204 and 205:
“STEADY AS A BEATING DRUM” 185
Page 206 and 207:
“STRAIGHT TO THE HEART OF LOVE”
Page 208 and 209:
“SUPER NOVA GIRL” 189 students
Page 210 and 211:
“SWEETHAVEN” 191 around a campf
Page 212 and 213:
“TALL PAUL” 193 The medium of t
Page 214 and 215:
“THAT’S ALL I NEED” 195 the f
Page 216 and 217:
“THERE IS LIFE” 197 vultures (J
Page 218 and 219:
“THIS IS HALLOWEEN” 199 “Thes
Page 220 and 221:
“THE TIKI TIKI TIKI ROOM” 201 R
Page 222 and 223:
“TOMORROW IS ANOTHER DAY” 203 t
Page 224 and 225:
“TRANSFORMATION” 205 As the jes
Page 226 and 227:
“’TWAS BRILLIG” 207 (James Ma
Page 228 and 229:
U “The Ugly Bug Ball” is the pl
Page 230 and 231:
V “Valentine Candy” is the refl
Page 232 and 233:
W “Wait Till He Sees You” is th
Page 234 and 235:
“THE WEEKENDERS THEME” 215 fun
Page 236 and 237:
“WE’RE ALL IN THIS TOGETHER”
Page 238 and 239:
“WHAT CAN YOU LOSE?” 219 “Wes
Page 240 and 241:
“WHAT’S WRONG WITH THAT?” 221
Page 242 and 243:
“WHEN THE LOVE BUG BITES” 223 D
Page 244 and 245:
“WHISTLE-STOP” 225 should do wi
Page 246 and 247:
“WHO’S AFRAID OF THE BIG BAD WO
Page 248 and 249:
“WINNIE THE POOH” 229 the anima
Page 250 and 251:
“WOODY’S ROUNDUP” 231 for hap
Page 252 and 253:
“THE WORLD IS LOOKING UP TO YOU
Page 254 and 255:
“WYNKEN, BLYNKEN AND NOD” 235
Page 256 and 257:
“YOU ARE THE MUSIC IN ME” 237 i
Page 258 and 259:
“YOU’LL BE IN MY HEART” 239 s
Page 260 and 261:
“YOU’VE GOT A FRIEND IN ME” 2
Page 262:
“ZORRO” 243 A hip version by Ri
Page 265 and 266:
246 APPENDIX A The Heave Ho Song Th
Page 268 and 269:
APPENDIX B: SONGWRITERS DIRECTORY F
Page 270 and 271:
SONGWRITERS DIRECTORY 251 Burke, So
Page 272 and 273:
SONGWRITERS DIRECTORY 253 Pooh’s
Page 274 and 275:
SONGWRITERS DIRECTORY 255 Hartman,
Page 276 and 277:
SONGWRITERS DIRECTORY 257 High Scho
Page 278 and 279:
SONGWRITERS DIRECTORY 259 Hannah Mo
Page 280 and 281:
SONGWRITERS DIRECTORY 261 Sawyer, D
Page 282 and 283:
SONGWRITERS DIRECTORY 263 Lilo and
Page 284 and 285:
APPENDIX C: SOURCES AND SONGS The A
Page 286 and 287:
SOURCES AND SONGS 267 The Barefoot
Page 288 and 289:
SOURCES AND SONGS 269 Cinderella (1
Page 290 and 291:
SOURCES AND SONGS 271 The Enchanted
Page 296 and 297:
SOURCES AND SONGS 277 Meet the Worl
Page 298 and 299:
SOURCES AND SONGS 279 Nurses (1991,
Page 300 and 301:
SOURCES AND SONGS 281 Children Ever
Page 302 and 303:
SOURCES AND SONGS 283 The Strongest
Page 304 and 305:
SOURCES AND SONGS 285 Treasure of M
Page 306 and 307:
APPENDIX D: GUIDE TO RECORDINGS, VI
Page 308 and 309:
GUIDE TO RECORDINGS, VIDEOS, AND DV
Page 310 and 311:
GUIDE TO RECORDINGS, VIDEOS, AND DV
Page 312 and 313:
GUIDE TO RECORDINGS, VIDEOS, AND DV
Page 314 and 315:
GUIDE TO RECORDINGS, VIDEOS, AND DV
Page 316 and 317:
GUIDE TO RECORDINGS, VIDEOS, AND DV
Page 318 and 319:
GUIDE TO RECORDINGS, VIDEOS, AND DV
Page 320 and 321:
GUIDE TO RECORDINGS, VIDEOS, AND DV
Page 322 and 323:
GUIDE TO RECORDINGS, VIDEOS, AND DV
Page 324 and 325:
GUIDE TO RECORDINGS, VIDEOS, AND DV
Page 326 and 327:
GUIDE TO RECORDINGS, VIDEOS, AND DV
Page 328 and 329:
GUIDE TO RECORDINGS, VIDEOS, AND DV
Page 330 and 331:
APPENDIX E: ACADEMY AWARDS FOR DISN
Page 332 and 333:
ACADEMY AWARDS FOR DISNEY SONGS AND
Page 334 and 335:
GLOSSARY OF SONG TERMS ballad A ter
Page 336 and 337:
GLOSSARY OF SONG TERMS 317 lyric A
Page 338 and 339:
BIBLIOGRAPHY Agay, Denes. Best Love
Page 340:
BIBLIOGRAPHY 321 Smith, Dave. Disne
Page 343 and 344:
324 INDEX Alderfer, Julie, 11 Alexa
Page 345 and 346:
326 INDEX Bradford, Don, 216 Bradfo
Page 347 and 348:
328 INDEX Copacabana, 201 Copeland,
Page 349 and 350:
330 INDEX Enchanted, 50, 74, 178, 1
Page 351 and 352:
332 INDEX Grayson, Carly, 40 Great
Page 353 and 354:
334 INDEX James and the Giant Peach
Page 355 and 356:
336 INDEX Life with Derek, 118 The
Page 357 and 358:
338 INDEX The Mighty Ducks, 132 Mig
Page 359 and 360:
340 INDEX Parker, Sarah Jessica, 88
Page 361 and 362:
342 INDEX Rupert, Michael, 11 Rupp,
Page 363 and 364:
344 INDEX Stoner, Allison, 152 Stot
Page 365 and 366:
346 INDEX Watters, Mark, 8, 22 Watt
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FactBench
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1
| 97
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https://hollywoodlife.com/2010/07/09/mean-girls-lindsay-lohan-replaced-by-meaghan-jette-martin/
|
en
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‘Mean Girls 2’ Star Meaghan Jette Martin Is The New Lindsay Lohan Whether She Likes It Or Not!
|
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[
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[
"Hollywood Life"
] |
2010-07-09T00:00:00
|
Meaghan is taking over the role that made Lindsay famous. Will a similar fate befall her? Should we offer you our congratulations or our condolences, Meaghan Jette Martin? You ARE the next Lindsay Lohan! The 18-year-old starlet is playing Jo, the lead role in Mean Girls 2, a made-for-TV follow-up to the 2004 film that made Lindsay a household name. Read more
|
en
|
Hollywood Life
|
https://hollywoodlife.com/2010/07/09/mean-girls-lindsay-lohan-replaced-by-meaghan-jette-martin/
|
Meaghan is taking over the role that made Lindsay famous. Will a similar fate befall her?
Should we offer you our congratulations or our condolences, Meaghan Jette Martin? You ARE the next Lindsay Lohan!
The 18-year-old starlet is playing Jo, the lead role in Mean Girls 2, a made-for-TV follow-up to the 2004 film that made Lindsay a household name; the sequel began filming in Atlanta, Georgia July 7.
The similarities between the two girls are eerie: Lindsay, now 24, was also 18 when she shot the original flick. Both girls are also former Disney darlings: Lilo starred in Confessions of a Teenage Drama Queen and Herbie: Fully Loaded, while Las Vegas native Meaghan starred in Camp Rock 1 & 2 and the recently canceled (and utterly awesome) ABC Family series 10 Things I Hate About You.
Lindsay’s Mean Girls cast members included some pretty huge names – including Amanda Seyfried and Rachel McAdams – while Meaghan’s co-stars Jennifer Stone and Nicole Anderson are also established Disney stars themselves. Both girls also have barely-there careers as pop stars.
Unfortunately Mean Girls 2 isn’t going to the movie theater – it will only air on TV (but at least it’s saved from its anticipated straight-to-DVD fate) so maybe the lack of notoriety will keep Meaghan on the straight and narrow. We don’t want another hard-partying, SCRAM-wearing jailbird on our hands, now do we?
Laura Schreffler & Russ Weakland
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wrong_mix_domain_starring_00035
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FactBench
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2
| 94
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https://kids.kiddle.co/The_Aristocats
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en
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The Aristocats facts for kids
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Learn The Aristocats facts for kids
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en
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/images/wk/favicon-16x16.png
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https://kids.kiddle.co/The_Aristocats
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Quick facts for kids
The Aristocats Directed by Wolfgang Reitherman Produced by Winston Hibler
Wolfgang Reitherman Written by Ken Anderson
Larry Clemmons
Eric Cleworth
Vance Garry
Julius Svendsen
Frank Thomas
Ralph Wright Starring Phil Harris
Eva Gabor
Hermione Baddeley
Gary Dubin
Dean Clark
Sterling Holloway
Roddy Maude-Roxby
Liz English Music by Score:
George Bruns
Songs:
Richard and Robert Sherman
Floyd Huddleston
Al Rinker
Terry Gilkyson Studio Walt Disney Productions Distributed by Buena Vista Distribution Release date(s) December 11, 1970 (premiere)
December 24, 1970 (regular) Running time 78 minutes Country United States Language English Budget $4 million Money made $55.7 million
The Aristocats is a 1970 American animated movie. It was produced by Walt Disney Productions. It is the 20th movie in the Walt Disney Animated Classics series. The movie is based on a story by Tom McGowan and Tom Rowe. It is about a family of cats who are kidnapped by their owner's butler. It was originally released to theaters by Buena Vista Distribution on December 11, 1970, with a regular release on December 24, 1970. The title is a pun on the word aristocrats.
The movie's basic idea is an animated romantic musical comedy about talking cats in France. This idea had previously been used in the UPA animated feature Gay Purr-ee.
Disney planned to release a sequel, The Aristocats II in 2007. Production on that was canceled in early 2006.
The was the last movie to be approved by Walt Disney himself. Disney died before the movie was released.
The story
The movie takes place in Paris in 1910. A mother cat named Duchess and her three kittens, Marie, Berlioz, and Toulouse, are going to receive a fortune when their owner dies. But Edgar, their butler, does not like this and plans to send the cats away.
He places sleeping tablets in their dinner. At night, he plans on dropping them off in the countryside. Two hound dogs, Napoleon and Lafayette, attack him, and the cats are now stranded.
In the morning, they meet an alley cat named Abraham de Lacy Giuseppe Casey Thomas O'Malley (called just Thomas O'Malley). He helps them on their way back home. He even lets them stay at his "pad" (the place where he and his "gang", or friends, stay).
They finally get back home, but Edgar recatches them in a sack and plans to send them to Timbuktu, Africa. O'Malley, Scat Cat and his gang, Roquefort and Frou-Frou all fight Edgar, while Roquefort rescues Duchess and kittens. In the end, Edgar is kicked into the trunk, locked inside, and sent to Timbuktu himself. Madame Adelaide's will is rewritten to not include Edgar and include O'Malley, and she starts a charity foundation which gives a home to all the cats in Paris.
Production
This movie was the last one to be approved by Walt himself. It was the first one produced after his death. The movie took four years to produce. Its budget was 4,000,000. Five of Disney's legendary "Nine Old Men" worked on it, including the Disney crew that had been working 25 years on average.
Cast
Eva Gabor as Duchess
Phil Harris as Thomas O'Malley
Gary Dubin as Toulouse
Liz English as Marie
Dean Clark as Berlioz
Roddy Maude-Roxby as Edgar Balthazar
Scatman Crothers as Scat Cat
Sterling Holloway as Roquefort
Paul Winchell as Shun Gon
Lord Tim Hudson as Hit Cat
Vito Scotti as Peppo
Thurl Ravenscroft as Billy Boss
Pat Buttram as Napoleon
George Lindsey as Lafayette
Hermione Baddeley as Madame Adelaide Bonfamille
Charles Lane as Georges Hautecourt
Nancy Kulp as Frou-Frou
Monica Evans as Abigail Gabble
Carole Shelley as Amelia Gabble
Bill Thompson as Uncle Waldo
Peter Renaday as French Milkman/Le Petit Cafe Cook/Truck Movers (uncredited)
Mel Blanc as Frog (uncredited)
Crew
Story adaptation: Ken Anderson, Larry Clemmons, Eric Cleworth, Vance Gerry, Julius Svendsen, Frank Thomas, Ralph Wright
Based on a story by Tom McGowan and Tom Rowe
Supervising animators: Milt Kahl, Ollie Johnston, Frank Thomas, John Lounsbery
Animators: Hal King, Eric Cleworth, Fred Hellmich, Eric Larson, Julius Svendsen, Walt Stanchfield, David Michener
Effects animators: Dan MacManus, Dick Lucas
Layout: Don Griffith, Basil Davidovich, Sylvia Roemer
Backgrounds: Al Dempster, Bill Layne, Ralph Hulett
Production manager: Don Duckwall
Assistant directors: Ed Hansen, Dan Alguire
Supervising sound editor: Robert O. Cook
Film editor: Tom Acosta
Music editor: Evelyn Kennedy
Music composed and conducted by George Bruns
Score orchestrated by Walter Sheets
Produced by Wolfgang Reitherman and Winston Hibler
Directed by Wolfgang Reitherman
Release
The Aristocats was re-released to theaters on December 19, 1981 and April 10, 1987. It was released on VHS in the Masterpiece Collection series on April 24, 1996 and DVD on April 4, 2000 in the Gold Classic Collection line. The Aristocats Gold Collection disc was discontinued in 2006. A new single-disc Special Edition DVD (previously announced as a 2-Disc set) was released on February 5, 2008. The movie was also released on Blu-ray on August 21, 2012.
Brazil: February 20, 1971
Argentina: May 14, 1971
Australia: August 5, 1971
Italy: November 13, 1971
United Kingdom: November 22, 1971
Sweden: December 4, 1971
Spain: December 6, 1971
France: December 8, 1971
West Germany: December 16, 1971
Finland: December 17, 1971
Trinidad and Tobago: December 20, 1971
Denmark: December 26, 1971
Norway: December 26, 1971
Iceland: December 29, 1971
Hong Kong: January 20, 1972
Japan: March 11, 1972
Portugal: October 25-27, 1977, February 6, 1978, February 10, 1978, February 14-16, 1978
Mexico: December 6, 1978
Pakistan: April 20, 1981
Russia: March 27, 2008
Romania: March 27, 2008
Bulgaria: March 27, 2008
Soundtrack
"The Aristocats" - Maurice Chevalier "The Aristocats" is the title song from the movie. It was written by Robert & Richard Sherman at the end of their eight years with Walt Disney Productions. Maurice Chevalier came out of retirement to sing this song for the movie's soundtrack. He recorded it in English as well as in French translation ("Naturellement - les Aristocats!").
"Scales and Arpeggios" - Liz English, Gary Dubin, Dean Clark, Robie Lester
"Thomas O'Malley Cat" - Phil Harris
"Everybody Wants to Be a Cat" - Phil Harris, Scatman Crothers, Thurl Ravenscroft, Vito Scotti, Paul Winchell This song is sung by Scatman Crothers as Scat Cat, Phil Harris as Thomas O'Malley Cat, and Thurl Ravenscroft as Billy Boss the Russian Cat. It was also released as a 45 rpm single, in a version sung only by Phil Harris. That version doesn't have the cartoon voices of the other release. The soundtrack CD released in 1996 has an edited version of the song. The now politically incorrect lines sung by "Chinese Cat" voiced by Paul Winchell are removed.
"She Never Felt Alone" - Robie Lester
"Ev'rybody Wants to Be a Cat (reprise)" - Phil Harris, Scatman Crothers, Thurl Ravenscroft, Vito Scotti, Paul Winchell, Ruth Buzzi, Bill Thompson
Classic Disney: 60 Years of Musical Magic includes "Thomas O'Malley Cat" on the purple disc and "Everybody Wants to Be a Cat" on the orange disc. Disney's Greatest Hits includes "Ev'rybody Wants to Be a Cat" on the red disc.
See also
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wrong_mix_domain_starring_00035
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FactBench
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https://www.artistsandbeyond.com/meaghanmartin
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en
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Meaghan Martin — Artists and Beyond
|
http://static1.squarespace.com/static/5aebabab31d4df46f7c5c852/t/5f4da34a18a2ca52661eb7d6/1598923607455/Martin%2C+Meaghan.jpg?format=1500w
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[] |
[
""
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[] | null |
en
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https://images.squarespace-cdn.com/content/v1/5aebabab31d4df46f7c5c852/1588221294653-C93KUO3SDWYMTZPZZQFX/favicon.ico?format=100w
|
Artists and Beyond
|
https://www.artistsandbeyond.com/meaghanmartin
|
BIO
Meaghan Martin is an actor and singer who attended LAMDA (London Academy of Music and Dramatic Art). She is best known for starring as Tess Tyler in Disney's Camp Rock and Camp Rock 2. Meaghan has guest starred in tv shows such as House, Awkward, Melissa & Joey, Close to Home, and Jessie. She starred as Bianca Stratford in the critically-acclaimed TV adaptation of 10 Things I Hate About You. Meaghan has played a lead role in films such as Mean Girls 2, Geography Club and Dear Lemon Lima. She feels fortunate to have been a part of the video game Until Dawn and to continue to voice the role of Naminé in the Kingdom Hearts series, amongst other video game roles. Meaghan recently stepped into the role of Producer with the production of The Actor's Nightmare at the Park Theatre London. She has spent many years providing private acting coaching in Los Angeles & London and has enjoyed appearing as a guest lecturer at Emory University, The Actor's Community and more.
|
|||
wrong_mix_domain_starring_00035
|
FactBench
|
0
| 8
|
https://www.academia.edu/1876849/DISNEY
|
en
|
Sharpay Berry - Academia.edu
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[
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[
"Sharpay Berry",
"bath.academia.edu"
] |
2012-08-21T00:00:00
|
DISNEY
|
https://www.academia.edu/1876849/DISNEY
|
The academic assessment of the products of the Walt Disney Company is usually highly negative, drawing out their sexist, racist, and mercenary factors. Although such views are not easily denied, their strong ideology often hides how Disney texts actually operate and how their audiences interact with them. This article explores how recorded music is used in the Disney theme parks to condition audience response, finding a middle ground between an ideological view, exploring the part music plays in social control, and a hermeneutic view, seeing how music functions in articulating and enhancing the experiences in which Disney's guests participate. Disney's Imagineers draw on the language of film music to create a wide variety of narrative musical spaces that give guests the impression that they navigate through these carefully staged narratives as protagonists. Film-musicological models show that guests are encouraged to feel that they control the respective spaces, although filtering the model through critical theory will demonstrate that the spaces can actually be seen as controlling them. While critical theory and structuralist hermeneutics might seem at first like strange bedfellows, analyses of both the narratives themselves and of their social effects can usefully reflect each other, together providing a more nuanced view of Walt Disney World's experiential texts than has been presented either in the academy or by Disney itself. We are in 1940s Hollywood and the hotel band is playing from the garden on the other side of the grounds. A group of unknowing guests approaches the popular hotel. They fill the elevator to begin a tour of the extravagant building, but things quickly begin to go wrong. The band can no longer be heard; instead, eerie music coming from an unseen source begins to gain prominence. It is in a minor key and features a repeated motive produced by an electric guitar against thickening orchestral textures as the suspense mounts. Nearby, a motley crew of space explorers takes a trip through the far reaches of the galaxy to full orchestral accompaniment (although there isn't actually an orchestra present on board the spaceship). Not far from there, a family dressed in shorts and t-shirts happily takes pictures in the snow, accompanied by jaunty Christmas music. These experiences might sound like they take place in a local multiplex cursed with poor soundproofing, but the varied soundscapes are not happening in films at all. We are not watching stories about these people; we are these people: the hotel guests, the space explorers, and the happy family. We are at the Disney's Hollywood Studios theme park in Florida at the height of the Christmas season; we are surrounded by music, and there isn't a cola-stained cinema seat in sight. A visitor at any of the Disney parks will find it impossible to avoid music. It could be argued that Walt Disney World in Florida is itself the most complex musical text in history: a forty-square-mile space in which everything has a score. The little academic work that has been done on music in the theme parks, however, has focused on its role in helping guests (Disney-speak for customers) identify with Disney products intertextually and nostalgically, rather than analyzing in detail
As a medium of communication, a song has a great impact in children’s development. A small number of children song generate children to sing adult songs, however, there are some adult songs which are not suitable to children in relation to lyrics and theme. The incomprehension of the lyrics and meaning existed in the song can be psychologically influential for the child's development. This study analyzes the role of Walt Disney’s cartoon soundtracks for character education to children. This is a qualitative-descriptive research, taking observation and in-depth interview to 10 informants who have children of 7-11 years old in Yogyakarta, Indonesia. The results stated that the soundtracks How Far I'll Go and Let It Go bring positive characters in contents that are useful for character education. The character education taken from lyrics of the songs is conveyed and developed by vocabulary enrichment, discussion in easy-digested language, and storytelling. These require special time. The good changes in children’s good characters happen by time and process. Therefore, character education needs to be continued and developed in different ways. Keywords: character education; movie soundtrack; child development
For this project, I will first discuss the form and function of the "wishing song" and then examine specific wishing songs from a selection of films, placing the princess's "wish" in its historical and cultural context. The specific films I will focus on, such as Snow White and the Seven Dwarfs, Cinderella, The Little Mermaid, The Princess and the Frog, and Frozen, showcase the princesses' wishes, ranging from love to freedom while including historical and cultural contexts. This research will frame the creation of my own Disney princess and wishing song based on the main concepts in the films listed above.<br>While I am a finance major, music is my first love. I do love numbers, too, and thus chose to major in finance for career purposes. I have been singing since before I could form sentences and love all things Disney. Creating a new Princess for our current environment and the direction that Disney is moving would help me, my peers, and the youn...
Silencing doesn’t always refer to the removal of sound; it can also refer to the overwriting of a narrative or a recontextualization of events. Instead of removing a narrative – censorship that then leaves a gap to be questioned – changing the dialogue, inserting a new narrative, or changing the circumstances of remembering the events in question can reshape, obscure or even erase memories or associations of trauma. Consider, for example, the juxtaposition of lullabies and trauma in Disney films, specifically “Aloha Oe” in Lilo and Stitch, “Baby Mine” from Dumbo, and “You’ll Be in My Heart” from Tarzan. All three of these lullabies are situated in these films in the context of some sort of physical or emotional violence or trauma: in Tarzan the song helps to re-establish a sense of home after the audience witnesses the death of the eponymous character’s human parents; in Dumbo the lullaby recontextualizes the rather violent situation of the caged/enslaved elephants; and “Aloha Oe” is sung by Nani to Lilo in Lilo and Stitch to soften the trauma of their family being broken up by a government agency. However, music from Disney soundtracks exists both within the context of the films and outside of it: they are decontextualized as part of compilation albums, lullaby albums, played on the radio, and are incorporated into children’s choir and school concerts. Memory of music is complicated, and as Disney often plays lullabies over very sad moments, it is important to examine how the songs function in different spaces both within and outside of the films, and how the viewer then constructs meaning in between these varied contexts. As these songs are featured elsewhere, the songs become removed from the association they have with their particular placement in the films, and the connotations associated with them change. In effect, we can see through these instances, not only how music might shape perception and memory, but also, how memory of trauma or violence can be obscured.
The relationships between childhood and the media have been studied increasingly by means of Communication and Education. Their link with the identity, the habitat, the patrimony and cultural diversity has located these relationships focused on different psychological and multicultural studies as well as in critical pedagogy. This research is interested in knowing the effects in childhood of one of the parts of the audiovisual binomial: music in films, with a particular presence that takes place in the soundtrack. From a semiotic approach, this research explores some descriptive approaches and both content and musical analysis to attend to three contents: the characteristics of music in the two films selected for the research; the links between them and the film story and the representation of the world included, which is offered by the music, by analysing the animation films Happy Feet and The Lion King and carrying out a musical journey along their soundtracks. The analysis main goal is to know the effects of this kind of daily music that is close to children by means of films, by others and from others, their values and cultural domains. This research is part of a wider investigation that studies the effects of the music of the daily environment of children and young people, being focused on the study of the MEDIA, especially films and television. In short, our research has examined the way music and lyrics in the two selected animation films interact to produce meaning in children as spectators. The lyrics that act as presentation of the musical numbers of both films and their relationship with the songs that introduce have been thoughtfully analysed. The research has considered the planning of both films, the study of the music and outstanding musical numbers. Finally, they have been studied in a comparative way by means of content analysis of music and musical numbers. The results from the research have shown the support of the music to certain social groups and the characters' roles in detriment of other elements, the cultural domains as well as the role of music in the film story as narrator, as the one with the most knowledge, as the anticipatory element of the action. By means of these results, the research shows the way music in films for children often expresses much more than words. In conclusion, we can state that films soundtrack of and television programmes have considerable educational impact and social responsibility since it plays an important role in the construction of children and teenagers consciousness because it contributes to their cognitive, social and expressive, aesthetic and critic construction. The results of this research will be very useful as an orientation for the audiences, producers, television channels and educators as well for future curricular designs.
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|||||
wrong_mix_domain_starring_00035
|
FactBench
|
2
| 16
|
https://www.buzzfeed.com/adaenechi/the-aristocats-cast-live-action-remake
|
en
|
Questlove Is Making A "The Aristocats" Live-Action Movie, And Here's Who We Think Should Play The Characters
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"Ada Enechi"
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2023-07-18T10:04:03+00:00
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Michelle Yeoh, Ari Lennox, and Issa Rae... Sounds like a great film to me!
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en
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/static-assets/_next/static/images/favicon-496b7cee633e6a7dca162654e1bb39c9.ico
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BuzzFeed
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https://www.buzzfeed.com/adaenechi/the-aristocats-cast-live-action-remake
|
Michelle Yeoh, Ari Lennox, and Issa Rae... Sounds like a great film to me!
In case you missed it, Questlove has been announced to direct a live-action version of The Aristocats.
Questlove being involved guarantees that the music will be some of the best music we've ever heard in a Disney film! So, with that in mind, I've decided to offer a helping hand with who should be cast in this instant Disney classic.
Thomas O'Malley is Luke James
Duchess is Gabrielle Union
Marie is Mykal-Michelle Harris
Berlioz is Alan S. Kim
Toulouse is Divine Love Konadu-Sun
Madame Adelaide is Michelle Yeoh
Edgar Balthazar is Benedict Cumberbatch
Roquefort the Mouse is Keke Palmer
Frou-Frou is Issa Rae
Scat Cat is Questlove
Hi Cat is Kid Cudi
Peppo is Anderson .Paak
Billy Boss is Ari Lennox
Shun Gon is Jacob Collier
Napoleon and Lafayette are Keegan-Michael Key and Damon Wayans Jr.
I know I've missed some characters, but there are sooo many in The Aristocats! Are you excited for the live action? Let us know in the comments below.
Share This Article
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2
| 41
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https://www.nelsonyouththeatrecompany.nz/disneys-the-aristocats-kids/
|
en
|
Disney’s The Aristocats KIDS – Nelson Youth Theatre Company
|
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https://www.nelsonyouththeatrecompany.nz/disneys-the-aristocats-kids/
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‘Everybody wants to be a cat’ was the final song in this fabulous Disney musical brought to the stage with over 50 of Nelson’s up and coming actors.
I thoroughly enjoyed this fun show and was blown away by the talent on stage.
Without giving too much away, the story is about a mother cat and her kittens that get cat-napped from central Paris and dropped off in the countryside and must find their way back home with the help of Thomas O’Malley cat and his entourage.
I really enjoyed the stage presence, singing and acting by Duchess, played by Maia Eagle, and O’Malley, played by Tane Williams. The story had laughter, suspense and triumph and the whole cast never missed a beat.
I thought Roquefort the mouse, played by Catherine Kissell, was cast well. She was both humorous and spoke well in her role.
The singing and acting were entertaining, and from the reaction of the audience it was enjoyed by everyone. All the actors on stage were animated and looked like they were having as much fun as the audience. The costumes and makeup were fantastic and the backdrop added a depth to the show.
The show runs for 45 minutes so is perfect for all ages.
I can see so much potential with all the lead actors and can’t wait to see what the future holds for them. With this sort of talent in Nelson, the Nelson Youth Theatre is in great shape for years to come.
There was a full house for the opening night, and I am sure every show night will be the same. I wouldn’t wait for door sales as I am sure all shows will sell out fast.
Disney’s The Aristocats KIDS is on at the Theatre Royal until 30 September.
Classic story the cat’s whiskers for school holidays
Disney’s The Aristocats Kids is being bought to life at the Theatre Royal by the Nelson Youth Theatre. I had the pleasure of attending their first show and was delighted alongside the young audience by the condensed kid-friendly adaptation of the classic Disney film.
With a run time of just 45 minutes, this show is perfectly suited for younger children with catchy songs and memorable characters.
The standout performance of the show belonged to Catherine Kissell who played Roquefort the mouse. With her amazing stage presence and impeccable timing she bought this endearing character to life and kept the audience wanting more.
One minor critique was the choice of costumes for the main cats. It was disappointing that they didn’t include ears, whiskers and tails, as these details could have added more authenticity to the characters and enhanced the overall visual appeal. However, the actors’ performance compensated for this shortcoming.
Maia Eagle, who played Duchess, portrayed the graceful and elegant mother cat with grace and charm. Her singing voice was sweet and soothing, perfectly fitting her character. The chemistry between Duchess and her three kittens, Marie (Lily Williams), Berlioz (Natalia Piemontesi), and Toulouse (Giancarlo Piemontesi), was heartwarming, and their performances added depth to the story.
The fun of a live stage performance is that the audience gets to participate and this was evident by the booing that ensued when Edgar (Amelia Scowen) got up to no good and by the cheers for the mischievous O’Malley (Tane Williams).
Overall, “The Aristocats Kids” by Nelson Youth Theatre is a delightful production tailored specifically for young kids. With its catchy songs, talented cast, and engaging storyline, it offers an entertaining and memorable theatre experience for both children and their families.
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| 57
|
https://ardmorelittletheater.com/disneys-the-aristocats-kids/
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en
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Disney’s The Aristocats KIDS
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https://ardmorelittletheater.com/disneys-the-aristocats-kids/
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Kindergarten through 3rd Grade Summer Kids Theatre
Auditions:
Monday, June 26, 2023 from 5:30pm – 7:00pm
Download Audition Form
Location: The HFV Wilson Center at 625 E. Main Street
Performances:
July 26 & 27, 2023 at 6:30pm
(Wednesday & Thursday)
Directors: Doobie Potter and Al Bostick
Synopsis:
Based on the beloved Disney animated film, and featuring a jazzy, upbeat score, Disney’s The Aristocats KIDS is a non-stop thrill ride of feline fun, complete with unbelievable twists and turns.
In the heart of Paris, a kind and eccentric millionairess wills her entire estate to Duchess, her high-society cat, and her three little kittens. Laughs and adventure ensue as the greedy, bumbling butler pulls off the ultimate catnap caper. Now it’s up to the rough-and-tumble alley cat, Thomas O’Malley, and his band of swingin’ jazz cats to save the day.
About Auditions:
The HFV Wilson Center and Ardmore Little Theatre will team up to produce this production of Aristocats Kids. The two guest artist directing this production are Doobie Potter and Al Bostick. Both are Artist in Residence for the State and reside in Oklahoma City.
Auditions for the musical production of “Aristocats Kids” will take place at the HFV Wilson Center located at 625 E. Main Street. The auditions will be on Monday June 26th, from 5:30 – 7:00pm. Please sign up with the button above. If necessary, there may be a call back audition for some of the more major roles on Tuesday the 27th. Those kids would be notified by text or email.
The following is a handy list of how parents can help their children prepare for auditions.
1. They should be able to sing any favorite song of their choice. If they want they can sing Happy Birthday in a group.
2. They can recite anything by memory. A poem, a story they make up or have read.
They should be as animated as possible and can make up movements for their song, story or poem.
What we are looking for is imagination, spontaneity and ability to move on stage. All of the kids need to be able to be heard from the audience. There will be no microphones used. They need to use their, “outside”, voices.
We will be giving them simple directions and movements to see if they can follow them.
This production will be very fun. A combination of Ms. Potter’s and Mr. B’s creativity mixed in with what the kids will bring to the table.
The most important thing for parents to realize is the commitment. If your child is in the show they must be there everyday for the creative process. We will be learning our lines, blocking movement, learning songs and choreography. Also making props and costume pieces. They will all be part of the process, the puzzle, and when someone is missing, it throw the whole thing off.
There will be two performances at 6:30 on July 26th and 27th. The ticket price will be $5.00.
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1
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https://en.wikipedia.org/wiki/Meaghan_Martin
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en
|
Meaghan Martin
|
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2007-11-29T17:47:06+00:00
|
en
|
/static/apple-touch/wikipedia.png
|
https://en.wikipedia.org/wiki/Meaghan_Martin
|
American actress and singer (born 1992)
Meaghan Jette Martin ( ) (born February 17, 1992)[1] is an American actress and singer best known for her work in film, television, and theatre. She is best known for her starring role in the ABC Family television series, 10 Things I Hate About You as Bianca Stratford. She is also well known for her role as Tess Tyler in the Disney Channel television films Camp Rock and its sequel Camp Rock 2: The Final Jam. She has also had guest starring roles in House and Jessie, and played the recurring role of Julie #2 in multiple seasons of MTV's television series Awkward. Martin also starred as Jo Mitchell in Mean Girls 2. Martin is also known for lending her voice for Naminé in the video game series Kingdom Hearts (replacing Brittany Snow) as well as voicing and motion-capturing Jessica from the video game Until Dawn. In 2019, Martin made her professional London stage debut in The Actor's Nightmare at the Park Theatre in London.[2]
Early life
[edit]
Martin appeared in several community theater productions in Las Vegas such as Peter Pan and performed for her Showteam and later made her professional theater debut as Kendra in the Los Angeles production of 13 by Jason Robert Brown, directed by Todd Graff.[3][4]
Acting
[edit]
Martin started her acting career in 2007, in television programs such as Nickelodeon's Just Jordan and CBS's Close to Home, as well as a guest stint in the Disney Channel series The Suite Life of Zack & Cody. Martin was eventually cast as the lead antagonist Tess Tyler in the Disney Channel original film, Camp Rock, starring Demi Lovato and the Jonas Brothers. Martin was selected by TV Guide in 2008, as one of the "13 Hottest Young Stars to Watch".[5] She was the online host for the 2008 Disney Channel Games.
Martin voiced the character Naminé in all subsequent releases in Kingdom Hearts series, replacing Brittany Snow, who did not return to the series. Martin starred in the ABC Family sitcom 10 Things I Hate About You as Bianca (originated by Larisa Oleynik in the film version) and received rave reviews for her performance in the series. Mike Hale of The New York Times described Meaghan as "the high point of an excellent ensemble".[6] She also played the role of Megan Kennedy in the independent film Dear Lemon Lima which received the Audience Award for Best Narrative Feature at the Woodstock Film Festival.[7] Martin returned to reprise her role as Tess Tyler in Camp Rock 2: The Final Jam, premiered on September 3, 2010, on Disney Channel. In 2011, Martin played the main character Jo Mitchell in the television film Mean Girls 2, the sequel of the 2004 film Mean Girls. Martin also played the role of Aubrey in the feature film Sironia.
On June 16, 2011, Martin appeared for one night in Super Summer Theatre's live production of "Annie" at Spring Mountain Ranch in Las Vegas, Nevada, in the role of Star-To-Be. Martin is also starring in the web series Wendy as the title character alongside Tyler Blackburn. Wendy is a dark twist on 'Peter Pan'. The series premiered on macys.com on September 15, 2011. In 2013, Martin appeared in the film adaptation Geography Club as Trish, earning a nomination for Best Performance by an Actress in a Leading Role at L.A. Outfest. Entertainment Tonight wrote "Every year sees the release of one film so culturally important it should be required viewing. This year, that film is Geography Club".[citation needed]
Later in 2013, she appeared in the thriller The Good Mother which aired on Lifetime Channel and was cast as Julie #2 in MTV's Awkward, replacing Sophie Tilson. Martin voiced and motion-captured the character of Jessica in the PlayStation 4 exclusive Until Dawn opposite Rami Malek and Peter Stormare.
Played the role of Sharon opposite Evan Peters and Juno Temple in the drama feature film Safelight, written and directed by Tony Aloupis.
Martin trained as an actor in London, England. In September 2016 she graduated from the London Academy of Music and Dramatic Art (LAMDA).[8] After re-locating permanently to the UK, it was announced on April 9, 2019, that Martin would make her professional London stage debut in The Actor's Nightmare by Tony award-winning playwright Christopher Durang. The show is a dark satire exploring the entertainment industry. She starred in the world premiere production which played at London's Park Theatre, July 16 – August 10, 2019. The show received mixed reviews, though Martin received unanimously positive reviews for her performance, with The Stage writing "Meaghan Martin - best known for film work - makes a strong stage debut here, nailing her part as a stand-up comic desperate for approval, wincing anxiously every time her laugh track plays".[9] Michael Billington of The Guardian called Martin's performance "Chilling", writing: "Meaghan Martin plays, with a marvellous mix of ingratiation and panic, a collapsing standup who pleadingly asks: 'Do you find me funny or disturbing?' On a lighter note, Martin also appears to great effect as a Hollywood hustler meeting a dithering dramatist".[10]
Martin starred in award-winning short films Wives of the Landed Gentry and British political satire Bad News which premiered at the 2020 London Independent Film Festival at Vue Cinema West End.[11] Martin played Henrietta in the video game Kosmokrats with actor Bill Nighy. Martin also appeared in Naked Times directed by Jake Kuhn, premiering at the Cannes Straight 8 Film Festival.[12]
In December 2020, Martin played Lucy in the LGBTQ+ drama radio series Hell Cats for Audible, directed by Kate Saxon, alongside Adetomiwa Edun, Jonathan Bailey, and Erin Doherty. The series was a Critics Pick for The Sunday Times.[13] Martin filmed the short Before Seven directed by the Ray Sisters, starring in the lead role of Sage in the film.
In March 2021, Martin played Julie in a reading workshop of the play Smoke by Kim Davies, at the Arcola Theatre in London.[12] The play is a modern adaptation of Miss Julie exploring sexual consent at a BDSM party in New York. Martin starred in the 1950s drama short Tap Twice.[14][15]
In January 2022, it was announced that Martin will star in the UK premiere of the play Never Not Once at the Park Theatre running through February and March 2022, in a cast including Flora Montgomery and Amanda Bright.[16] The play is written by Carey Crim and directed by Katharine Farmer. Martin plays Eleanor, who is described as "bright, funny and completely happy apart from one small thing: she wants to know who her father is".[17] The play is a "searing new drama about the families we choose and the secrets that can pull them apart" and was the winner of the Jane Chambers Award for Feminist Writing and Eugene O'Neil Award in America.[18]
Never Not Once received positive 4 and 5 star reviews from critics including The Guardian, WhatsOnStage, The Upcoming, and London Theatre. The Guardian called the play "Gut-wrenching, weighty and forceful - a visceral interrogation of the lasting effects and consequences of rape".[19] The Upcoming said "This is a play for our time, the topics it discusses resonate in every corner of society".[20] Critics praised Martin's "superbly acted" performance.[21] Everything Theatre called Martin "spine-tingling and uncomfortably brilliant"[22] and The Arts Desk praised a "pitch-perfect Meaghan Martin".[23] London Theatre wrote "Eleanor is very believably acted by Meaghan Martin with a terrific sense of energy and disbelief at the havoc she has unleashed by her quest for the truth".[21] WhatsOnStage described Eleanor as "imbued with irresistible warmth and energy by Meaghan Martin".[24]
In March 2022, it was announced that Martin would star in the upcoming British rom-com feature film Ten Dates, alongside a cast including Rosie Day, Rhiannon Clements and Sagar Radia.[25] Filming began in April 2022. The film is due for release in February 2023.
Martin starred as Julie in the London première of the play Smoke by Kim Davies at the Southwark Playhouse in February 2023.[26] The production was produced by Katy Galloway Productions and featured Martin's real-life partner Oli Higginson in the opposite role of John.[27] Smoke is a modern adaption of August Strindberg's Miss Julie set at a BDSM party in New York City, and was co-directed by Polina Kalinina and Júlia Levai.[28] The play is described as a "piercingly witty and sometimes painful exploration of gender, sexuality and desire".[29]
Smoke opened at Southwark Playhouse on February 1, 2023, to very positive 4 and 5 star reviews from London critics including 5 stars from The Arts Desk and Theatre News, and 4 stars from WhatsOnStage, Theatre Weekly, London Theatre Reviews, and Everything Theatre.[30] In particular, Martin's performance was highly praised with WhatsOnStage writing "Higginson and Martin are delivering two of the most exciting performances on any current London stage".[31] WhatsOnStage goes on to say "what makes Smoke rise from thought-provoking shocker to unmissable event, is the quality of the acting. Meaghan Martin and Oli Higginson are astonishing. Tender, brutal and utterly convincing, the measured sensuality of their movements contrasting intriguingly with line deliveries so naturalistic they sound like improvisation, this stunning pair mine Davies's text for all its dark humour and ambiguity."[31] The Arts Desk 5 star review from critic Gary Naylor praised Davies' "dazzling Strindberg update" as a "complicated, clever and challenging play unafraid to treat its audience as grown-ups and all the more rewarding for that."[32] Naylor writes that "the co-directors, Polina Kalinina and Júlia Levai are extremely adept at constructing this delicious set up and get super performances from their leads", before concluding that "Meaghan Martin, perfectly captures the coquettish bravado of Julie, that curdles into confusion, fear, and a cruetly both inflicted and endured."[32]
As of its release on April 30 2023, Meaghan Martin can be seen starring in feature film Journey alongside Rafael Cebrian, Arcelia Ramirez and Gustavo Sanchez Parra.[33] Journey is a drama feature written and directed by Christopher Rodriguez and explores poignant themes of family, love, legacy, and immigration - shot on location on the border between the US and Mexico.[34]
Music
[edit]
Martin recorded two songs in Camp Rock, "Too Cool" and "2 Stars". Martin sang a version of "When You Wish Upon a Star" for the 2009 re-release of Disney's Pinocchio, as well as appearing in the related music video. The song debuted at number fifty-two on Billboard's Hot Dance Club Songs chart, becoming her first and only chart single. It has since peaked at number thirty-seven.
Martin also recorded a version of the Olivia Newton-John song "Magic" for the Wizards of Waverly Place soundtrack. Martin has partnered with Build-A-Bear Workshop for their "Love.Hugs.Peace" movement. For the ad campaign, Martin recorded a special version of "Let's Talk About Love". Martin also recorded two songs in Camp Rock 2: The Final Jam, "Tear it Down" and "Walkin in My Shoes", alongside the Camp Rock co-star Matthew "Mdot" Finley. Martin also appear on the collaborative song "It's On", which features the co-stars of the film. All songs appear in the soundtrack of the film.
Martin appeared in the music videos "Remember December" by Demi Lovato and "It's On" by the cast of Camp Rock 2: The Final Jam. Martin did not join the Jonas Brothers: Live in Concert tour, with Demi Lovato and the Camp Rock 2 cast, because she was filming Mean Girls 2.
Personal life
[edit]
Martin became engaged to British actor Oli Higginson in May 2016.[35] They were married on September 24, 2016, in London, UK.[36] Martin lives in East London.[citation needed]
Filmography
[edit]
Film
[edit]
Year Title Role Notes 2008 Camp Rock Tess Tyler Winner of Best Performance by an Actress in a TV movie at the Family Television Awards 2009 Dear Lemon Lima Megan Kennedy Audience Award winner for Best Narrative Feature at the Woodstock Film Festival
Nominated for Standout Performance at the Young Hollywood Awards
2010 Camp Rock 2: The Final Jam Tess Tyler Feature Film 2010 Privileged Vera Feature Film 2011 Mean Girls 2 Jo Mitchell Feature Film 2011 Sironia Aubrey Audience Award winner at the 2011 Austin Film Festival 2013 The Good Mother Melanie Television Film 2013 Geography Club Trish Nominated for Best Performance by an Actress in a Leading Role at L.A. Outfest 2014 Senior Project Natalia Bell Feature Film 2014 Time Does Not Pass Girl Short film 2015 Safelight Sharon Feature Film 2019 Wives of the Landed Gentry Lavinia Short film; also producer 2020 Unstable Bitches Grace Short film 2020 Bad News Gina Premiered at the London Independent Film Festival 2020 Naked Times Premiered at the Cannes Straight 8 Film Festival 2022 Before Seven Sage Short film 2022 Ten Dates Feature Film 2023 Journey Samantha Feature Film TBA Tap Twice Alice Short
Television
[edit]
Year Title Role Notes 2007 Just Jordan Ashley Episode: "Home Alone in the Diner" 2007 Close to Home Candy Episode: "Fall from Grace" 2007 The Suite Life of Zack & Cody Stacey Episode: "Sleepover Suite" 2008 Jonas Brothers: Living the Dream Herself Episode: "Hello Hollywood" 2008 Disney Channel's 3 Minute Game Show Herself / Host 6 episodes 2008 Disney Channel Games Herself / Online Host 5 episodes 2008 House Sarah Episode: "Joy to the World" 2008 Holly and Hal Moose: Our Uplifting Christmas Adventure Easton (voice) 2009–2010 10 Things I Hate About You Bianca Stratford Main role, 20 episodes 2011 Dr. Phil Herself Episode: "Mini Mean Girls" 2012 Wedding Band Jenna Episode: "I Love College" 2013 The Coppertop Flop Show Herself 2 episodes 2013–2016 Awkward Julie #2 Recurring role, 11 episodes 2014 Melissa & Joey Jordan 2 episodes 2015 Jessie Delphina / Kim Episode: "Rossed at Sea, Part 1"
Web
[edit]
Year Title Role Notes 2008 Jonas Brothers: Band In a Bus Herself Episode: "Video (Hometown) Girl" 2011 Wendy Wendy Series lead, 10 episodes 2018–2019 The Band Formerly Known As Paige 6 episodes
Video games
[edit]
Year Title Role Notes 2008 Kingdom Hearts Re: Chain of Memories Naminé Voice 2009 Kingdom Hearts 358/2 Days Naminé Voice 2010 Kingdom Hearts Birth by Sleep Naminé Voice 2011 Kingdom Hearts Re:coded Naminé Voice 2013 Kingdom Hearts HD 1.5 Remix Naminé Voice (Re: Chain of Memories archive footage) (358/2 Days HD cutscenes archive and new footage) 2014 Kingdom Hearts HD 2.5 Remix Naminé Voice (II Final Mix HD cutscene new footage) (Re:coded HD cutscenes archive and new footage) 2015 Until Dawn Jessica "Jess" Riley Voice and motion capture performance 2018 The Crew 2 June Wilder Voice 2019 Kingdom Hearts III Naminé Voice 2020 Kosmokrats Henrietta Voice 2021 Battlefield 2042 Female Voice 2021 Triangle Strategy Medina Alliam, Orlaea[37] Voice 2022 Arknights Hoshiguma, Quercus, Saileach Voice 2023 Xenoblade Chronicles 3: Future Redeemed Linka[38] Voice
Theatre
[edit]
Year Title Role Notes 2007 13 Kendra Kirk Douglas Theatre 2016 'Tis Pity She's a Whore Annabella London Academy of Music and Dramatic Art 2016 Othello Desdemona London Academy of Music and Dramatic Art 2019 The Actor's Nightmare Melissa Park Theatre in London 2021 Smoke Julie Arcola Theatre in London (Workshop reading) 2022 Never Not Once Eleanor Park Theatre in London 2022 The Least We Could Do Charlie The Other Palace in London 2023 Smoke Julie Southwark Playhouse in London
Radio
[edit]
Discography
[edit]
Year Title Notes 2009 "When You Wish Upon a Star" Disneymania 6 "Let's Talk About Love" Build-A-Bear Workshop Promo 2010 "Walkin' In My Shoes" (with Matthew "Mdot" Finley) Camp Rock 2: The Final Jam "Tear It Down" (with Matthew "Mdot" Finley) "It's On" (with the cast of Camp Rock 2: The Final Jam) 2011 "Meantime" Sironia "I'm All Yours" 2013 "Hate You" Geography Club
Other appearances
[edit]
Song Year Other artist(s) Album "We Rock" 2008 Cast of Camp Rock Camp Rock "Too Cool" — "2 Stars" "Our Time Is Here" Demi Lovato
Aaryn Doyle "Magic" 2009 — Wizards of Waverly Place "Walkin' In My Shoes" 2010 Matthew "Mdot" Finley Camp Rock 2: The Final Jam "Tear It Down"
Other credits
[edit]
Title Year Artist Credit A Little Bit Longer 2008 Jonas Brothers Vocals ("Video Girl")
Music videos
[edit]
As lead artist
[edit]
Year Title Director Ref. 2009 "When You Wish Upon a Star" Brandon Dickerson [39] "Let's Talk About Love" None [40]
Guest appearances
[edit]
Year Title Artist(s) Director Ref. 2008 "We Rock" (Cast Video) Cast of Camp Rock None [41] "Start the Party" Jordan Francis
Roshon Fegan Eric Covert [42] 2009 "I Want You to Want Me" (10 Things I Hate About You version) KSM Declan Whitebloom [43] "Remember December" Demi Lovato Tim Wheeler [44] 2010 "It's On" Cast of Camp Rock 2: The Final Jam Brandon Dickerson [45] 2011 "Save Me" Golden State featuring Tyler Blackburn None [46] 2012 "Bad for You" Midnight Mirage John W. MacDonald [47]
Awards
[edit]
Year Award Category Nominated work Result 2008 Family Television Awards Best Performance by an Actress in a TV Movie Camp Rock Won 2008 Popcorn Film Festival Audience Award (Best TV Movie Actress) Camp Rock Won 2009 Young Hollywood Awards Standout Performance Dear Lemon Lima Nominated 2010 Young Artist Awards Best Performance by an Actress in a Supporting Role (Comedy or Drama) 10 Things I Hate About You Nominated 2010 Popcorn Film Festival Audience Award (Best TV Actress) 10 Things I Hate About You Won 2010 Popcorn Film Festival Female Newcomer Nominated 2013 L.A. Outfest Best Performance by an Actress in a Leading Role Geography Club Nominated 2014 Family Television Awards Best Performance by an Actress in a TV Movie The Good Mother Won 2014 Young Hollywood Awards Fan favorite Actress Nominated
References
[edit]
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https://adamjahnke.substack.com/p/disney-plus-or-minus-the-aristocats
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Disney Plus-Or-Minus: The AristoCats
|
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[
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[
"Adam Jahnke"
] |
2022-04-21T13:50:08+00:00
|
When Walt Disney died in December 1966, he left behind a handful of animated and live-action projects in varying stages of production. Four years later, that stockpile was almost gone. The AristoCats, Disney’s twentieth animated feature and first since
|
en
|
https://substackcdn.com/icons/substack/favicon.ico
|
https://adamjahnke.substack.com/p/disney-plus-or-minus-the-aristocats
|
When Walt Disney died in December 1966, he left behind a handful of animated and live-action projects in varying stages of production. Four years later, that stockpile was almost gone. The AristoCats, Disney’s twentieth animated feature and first since The Jungle Book in 1967, would be the studio’s first feature-length cartoon produced entirely without Walt’s guiding hand. So perhaps it isn’t too surprising that it feels a lot like some of their earlier work.
Walt was involved in the project’s earliest development. In 1961, he had tasked producer Harry Tytle and director Tom McGowan with finding animal stories for the Wonderful World Of Color TV series. McGowan had made the popular short The Hound That Thought He Was A Raccoon and Walt wanted more stuff like that. Here’s where things get a little tricky. According to some sources, McGowan found a kid’s book about a mother cat and her three kittens set in New York City. Tytle thought New York was boring and suggested transplanting the story to Paris, since One Hundred And One Dalmatians had benefited from its London setting. Others claim that the film is inspired by a true story about a group of cats who really did inherit a fortune left them by their eccentric owner in 1910 Paris.
Now, I don’t know if either one of those stories is true. If it was a book, I don’t know who wrote it, what it was called or when it was published. And presumably Walt would have had to buy the rights to this thing if it existed. As for it being a true story, the internet has tons of stories about rich weirdos bequeathing their money to their pets. But sources that make the claim for The AristoCats are noticeably light on specifics. Could it have happened? Sure, why not. But I wouldn’t swear to it under oath.
Regardless of where the story originated, Tytle, McGowan and cowriter Tom Rowe envisioned it as a live-action production. Boris Karloff was in mind to play the devious butler, which is wild to think about. As usual, the script went through numerous revisions, none of which pleased Rowe. One by one, the original production trio of Tytle, McGowan and Rowe would either quit or be reassigned.
Sometime in 1963, Walt decided the story was better suited to animation. With the animation department fully committed to The Jungle Book, Walt put the project on hold. Shortly before his death, he handed it to longtime employee Ken Anderson. Anderson and Wolfgang Reitherman tossed out most of the old work and came up with a more cat-centric story. Walt approved the new direction and signed off on some early sketches before his death.
Once The Jungle Book was completed, the animation department turned their attention to The AristoCats (the studio has never been entirely consistent with the title stylization but since the official on-screen title has a capital “C”, that’s what I’m going with). A team of seven Disney veterans cracked the story, including Anderson, Larry Clemmons, Vance Gerry, Frank Thomas, Eric Cleworth, Julius Svendsen, and Ralph Wright. Winston Hibler was originally going to produce the picture but it had been a while since he’d worked on the animation side. Most of his 60s work had been in live-action, mostly animal and nature movies like the recent King Of The Grizzlies. When Hibler ran into trouble, Reitherman took over the production.
The version of The AristoCats that hit screens on Christmas Eve, 1970, was markedly different from the one Tytle, McGowan and Rowe had come up with. A secondary human character, a maid named Elvira, was dropped entirely. New animal characters like Roquefort the mouse (voiced by Disney Legend Sterling Holloway) were either added or had their roles expanded. The Parisian atmosphere Tytle felt was so important gradually fell by the wayside. Harry Tytle walked away from animation and returned to live-action. Tom Rowe tried suing the studio but since this had always been a work-for-hire gig, he didn’t get far. It’s a surprisingly bumpy origin for what ended up being a pleasant but innocuous movie.
I don’t necessarily want to say The AristoCats straight-up borrows elements that worked in earlier Disney movies but it’s impossible not to see the similarities. The family of cats trying to make their way home across the French countryside recalls One Hundred And One Dalmatians. The dynamic between Duchess and O’Malley gives off some serious Lady And The Tramp vibes. And while The AristoCats team reportedly tried to differentiate Phil Harris’s O’Malley from his performance in The Jungle Book, they didn’t try very hard. O’Malley is basically Baloo in cat form.
The story of The AristoCats is one of the simplest in the Disney library. Madame Bonfamille (voiced by Disney regular Hermione Baddeley, last seen in The Happiest Millionaire) is a retired opera star living alone in Paris with her beloved cat, Duchess (Eva Gabor), and her three kittens, Berlioz (Dean Clark), Toulouse (Gary Dubin), and Marie (Liz English). She sends for her ancient lawyer, Georges (Charles Lane, last seen in The Gnome-Mobile), to dictate her will. She wants to leave her entire estate to her cats. Once their nine lives are up, the rest will go to her devoted butler, Edgar (British comedian and performance artist Roddy Maude-Roxby).
Being paid to live in a Parisian mansion with a bunch of cats sounds like a pretty sweet gig to me but it’s not enough for Edgar. He wants to inherit the whole thing right away, so he douses the cats’ cream with sleeping tablets and abandons them far out in the country. He may have had a more insidious plan in mind but his motorcycle ride is interrupted by a couple of farm dogs, Napoleon and Lafayette (voiced by Gabor’s Green Acres costar Pat Buttram and George “Goober” Lindsey from The Andy Griffith Show…don’t bother asking why two French dogs sound like hicks from the American South).
The cats aren’t on their own for long before they meet Abraham de Lacey Giuseppe Casey Thomas O’Malley, an easygoing alley cat. O’Malley finagles a ride back to Paris on a milk truck, then ends up going along when Marie falls off and needs rescuing. And in a lot of ways, that’s kind of the whole story. Oh sure, other stuff happens. The cats meet up with a couple of vacationing British geese (Monica Evans and Carole Shelley) and their drunk Uncle Waldo (Bill Thompson in his final role). Edgar has to go back and retrieve some incriminating evidence from Napoleon and Lafayette. And, of course, we meet O’Malley’s jazz-loving friends, led by Scat Cat (the great Scatman Crothers, stepping in to voice a role originally intended for Louis Armstrong). But none of it really advances the story.
Things wrap up when Duchess and the kittens get back home and O’Malley reluctantly says goodbye. But they’re quickly intercepted by Edgar, who locks them in a trunk bound for Timbuktu. Roquefort runs after O’Malley, who sends him off for the other alley cats. The animals all team up to defeat Edgar and O’Malley ends up becoming a stepfather to the kittens. The movie’s practically over before you even realize it got started.
Now, there are a lot of problems with The AristoCats and many of them revolve around Edgar. He is by far the least interesting villain Disney ever came up with. His plan doesn’t make a lot of sense, especially considering Madame Bonfamille seems a long way from kicking the bucket. Even if he had succeeded in getting rid of the cats, what’s to stop her from just going out and adopting more? If your bad guy’s evil plan is essentially to wait patiently, your central conflict might not be as dramatic as you think.
The AristoCats also manages to feel both needlessly padded out and like it’s missing pieces at the same time. Napoleon and Lafayette are fun characters, so I understand the desire to bring them back. But why do they never once interact with the cats themselves? They really feel like they’re in their own movie that has nothing to do with Duchess and O’Malley.
There’s a similar problem with the geese. Practically their entire journey to Paris takes place off-screen. One minute they’re in the middle of nowhere, the next they’re walking up to the café. They’re pretty important characters for a hot second, then they wander off, never to be seen again. Unlike the dogs, the geese aren’t really funny enough to make much impression. They’re just kind of there until they’re not and you forget all about them.
At this point, you’re probably thinking I don’t like The AristoCats all that much. That’s not actually true. It’s a testament to the Disney animation crew that this is still an enjoyable movie despite its familiarity and story problems. In a way, it feels like Walt Disney’s Greatest Hits. There’s nothing remotely new here but the band can still play all your old favorites and that’s just fine.
A big part of what makes The AristoCats work is the music. This isn’t really a musical, in the sense that you could remove every single song and not effect the story one iota. The Sherman Brothers wrote quite a few songs but most of them ended up not being used. Of the few that made the cut, “Scales & Arpeggios” walks a fine line between endearing and annoying. I think it’s cute but I’d understand if someone hated it.
The Shermans also contributed the title song, which is probably the most French thing about the movie. Maurice Chevalier had retired after his appearance in Monkeys, Go Home! back in 1967 but the Shermans were able to coax him back for one last recording session. It ended up being his final work before his death in 1972.
Terry Gilkyson’s Jungle Book song, “The Bare Necessities”, had been nominated for an Oscar, so it makes sense that Disney would want him to come up with another signature song for Phil Harris. “Thomas O’Malley Cat” does not stray far from the “Bare Necessities” formula. It’s an okay song but nowhere near as memorable as Baloo’s big number.
Of course, the song everyone remembers is “Ev’rybody Wants To Be A Cat” by Floyd Huddleston and Al Rinker. Huddleston and Rinker first teamed up in the late 40s, writing hundreds of songs at Decca Records. This would be Rinker’s only work at Disney but we’ll see Huddleston in this column again. Their AristoCats song doesn’t sound much like anything you’d have heard in 1910 but it’s pretty terrific, changing direction repeatedly and building to a show-stopping finale.
The whole sequence is lively and beautifully animated, which makes the lazy ethnic stereotyping of the cats even more unfortunate. Supposedly these cats have names but in the credits, they’re just referred to as Russian Cat (the incomparable Thurl Ravenscroft), Italian Cat (Vito Scotti, who we just saw in The Boatniks), English Cat (Lord Tim Hudson, one of the Beatle Vultures in The Jungle Book) and (sigh) Chinese Cat (Paul Winchell, immediately recognizable as the voice of Tigger). And sure, all four of them are broad, over-the-top exaggerations, so it’s not like anyone was going out of their way to specifically insult Asians. But Chinese Cat is the one everyone singles out because he is objectively terrible.
We’ve already seen plenty of examples of Disney’s…shall we say…checkered history of depicting people (and animals) of color and no doubt we’ll see even more. And yes, it is important to view these films within the context of their times and Disney was by no means alone in perpetuating Asian stereotypes. But it is worth noting that these kinds of Asian characters held on a lot longer than stereotypes of other cultures and ethnicities and movies like The AristoCats are partially to blame.
Obviously, the studio thought whatever Paul Winchell was doing was funny and this was going to be a breakout character. He’s the only member of the band singled out with a character box on the original poster above. That poster actually makes it worse by referring to him as “Oriental Cat”. It also says he’s the leader of the band, which isn’t true. Scat Cat is clearly in charge. The character’s bad enough as it is without calling attention to him and trying to build him up. So while we should be able to look back at The AristoCats and forgive it as a product of less enlightened attitudes, that doesn’t mean we shouldn’t cringe a little (or a lot) when Chinese Cat pops up.
Despite its flaws, The AristoCats was a big hit, winning over audiences and most critics. It did even better overseas, becoming the highest grossing film of 1971 in the UK, Germany and even France. The painted Parisian backgrounds are genuinely lovely. Maybe the movie plays more authentically when it’s dubbed in French.
It’s a little surprising that Disney has yet to return to The AristoCats well, although it’s not for lack of trying. Back in 2000, the studio began developing an animated TV series based on the film that would have followed teenage versions of Toulouse, Marie and Berlioz. Then in 2005, Disneytoon Studios, the direct-to-video branch of the company, announced they’d be making The Aristocats 2. This was going to be a computer-animated feature following the older Marie as she falls in love. Those plans were dropped after John Lasseter took the reins of the studio, realized almost all the Disneytoon movies were garbage that cheapened the brand, and shut the whole thing down. Now the studio is working on a live-action remake because of course they are.
Whether or not the public realized it at the time, the legendary Disney animation studio was in trouble. Without Walt to steer the ship, the department was beginning to cut corners and recycle proven formulas. We’ve already been seeing fewer and fewer animated features in this column. Sad to say, that trend is only going to continue. It’s a shame because The AristoCats proves that even an uninspired Disney cartoon is still pretty darn good.
VERDICT: Disney Plus
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https://www.non-disneyinternationaldubbingcredits.com/aristocats--the-aristocats-danish-voice-cast.html
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en
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Aristocats / The Aristocats Danish Voice Cast
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Aristocats
|
en
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WILLDUBGURU
|
https://www.non-disneyinternationaldubbingcredits.com/aristocats--the-aristocats-danish-voice-cast.html
|
Aristocats
1971 Dub :
Voice Cast :
Character's Name
Voice Actor
Thomas O'Malley
Preben Neergaard
Duchess
Susanne Bruun-Koppel
Edgar
Bjørn Watt Boolsen
Madame Adelaide Bonfamille
Kirsten Rolffes
Georges Hautecourt
Jesper Klein
Roquefort
Ove Sprogøe
Marie
Birgitte Sphüler
Berlioz
Morten Torp
Toulouse
Christian Hjerild Nissen
Napoleon
Torben Hundahl
Lafayette
Walt Rosenberg
Abigail Gabble
Mime Fønss
Amelia Gabble
Vera Gebuhr
Uncle Waldo
Onkel Vralte
Jesper Klein
Frou-Frou
?
Scat Cat
Otto Brandenburg
English Cat
Hip Cat
?
Italian Cat
Giuseppi
?
Russian Cat
Russerkat
?
Chinese Cat
Kinakat
?
Milkman
Melkemand
?
Title Singer
Titel-Sang
?
Additional Voices :
H.C. Andersen
Jørgen Petersen
Technical Credits :
Occupation
Person's Name
Director
Instruktør
Sven Methling
Translation
Oversættelse
Victor Skaarup
Technician
Tekniker
Henning Enemark
Dubbing Studio
Nordisk Films Studier
1994 Dub :
Transcription :
Character's Name
Voice Actor
Thomas O'Malley
Søren Pilmark
Duchess
Duchesse
Nastja Maria Arcel
Edgar
Waage Sandø
Madame Adelaide Bonfamille
Lise Ringheim
Georges Hautecourt
Ole Fick
Roquefort
Henrik Koefoed
Marie
Mille Hoffmeyer Lehfeldt
Berlioz
Daniel Kellermann
Toulouse
Albert Matthies
Napoleon
Torben Sekov
Lafayette
Peter Zhelder
Abigail Gabble
Bente Eskesen
Amelia Gabble
Kirsten Cenius
Uncle Waldo
Onkel Vralte
John Martinus
Frou-Frou
Charlotte Sieling
Scat Cat
Otto Brandenburg
English Cat
Hip Cat
Lars Thiesgaard
Italian Cat
Giuseppi
Henrik Koefoed
Russian Cat
Russerkat
Niels Weyde
Chinese Cat
Kinakat
Chresten Simonsen
Milkman
Melkemand
Lars Thiesgaard
Title Singer
Titel-Sang
Henning Moritzen
Technical Credits :
Occupation
Person's Name
Director
Instruktion
Lars Thiesgaard
Translation
Dansk oversættelse, dialog
Anne Vibeke Mortensen
Musical Director
Sanginstruktion
Chresten Simonsen
Lyricist
Dansk oversættelse, sang
Victor Skaarup
Jesper Kjær
Producer
Svend Christiansen
- Sun Studio
Danish Recording - Songs & Dialogues
Dansk sang og dialog optagelse
Brian Witøft
Benni Boss
Danish Mixing
Dansk Mix
Brian Witøft
Benni Boss
Per Meinertsen
Recording Studio
Teknik
Sun Studio
Sources :
danskefilmstemmer.dk
Danish DVD Release
Trivia :
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wrong_mix_domain_starring_00035
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FactBench
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2
| 36
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https://www.coralvillearts.org/212/Disneys-The-Aristocats-Kids
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en
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Disney's The Aristocats Kids
|
https://www.coralvillearts.org/images/favicon.ico
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https://www.coralvillearts.org/images/favicon.ico
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Based on the beloved Disney animated film, and featuring a jazzy, upbeat score, Disney’s The Aristocats KIDS is a non-stop thrill ride of feline fun, complete with unbelievable twists and turns. Showcasing our youngest performers (K-8th grade) in a delightfully adapted 45-minute production!
|
en
|
/images/favicon.ico
| null |
Production Team
Directors — Kent Reynolds and Jacob Kilburg
Stage Manager — Shannon Knipfer
Set Designer — Marianna Coffey
Lighting Designer — Merric Bower
Costume Designer — Jackie Allen
Sound Designer — Tim Moffitt
Cast
Madison Jurgens — Madame
Luke Reimer — Edgar
Claire Reimer — Duchess
Henry Schau — Toulouse
Kenna Boss — Marie
Emmett Courtright — Berlioz
Tyler Hoth — Roquefort
Solomon Shaffer — Thomas O'Malley
Eli Farmer — Napoleon
Sophie Bergman — Lafayette
Lola Spencer — Vichy
Nathin Seaman G'sell — Ssoise
Emma Lai — Amelia Gabble
Maple Miller — Abigail Gabble
Grey Linley — Scat Cat
Lovella Varner — Hep Cat
Jack Grimes — Slick Cat
Lily Farrar — Wacky Cat
Ella Hardy — Mad Cat
Sadie Mahoney — Alley Cat
Miranda Rose Zimmerman — Alley Cat
Freya Diss — Alley Cat
Clara Visser — Alley Cat
Lily Doobay — Alley Cat
Join the Crew
From light board operators to set painters, it takes a village to make a production. If you have skills in theatre production, or would like to learn, we'd love to have you on our team. Volunteers are frequently needed in the following areas:
Light Board Operator
Sound Board Operator
Assistant Stage Managers
Lighting and Sound assistants
Scenic Construction
Scenic Painting
|
|||
wrong_mix_domain_starring_00035
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FactBench
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1
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https://books.google.com/books/about/Meaghan_Jette_Martin.html%3Fid%3D9_lgEAAAQBAJ
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en
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Google Books
|
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[] |
[
""
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https://books.google.com/
|
Search the world's most comprehensive index of full-text books.
My library
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wrong_mix_domain_starring_00035
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FactBench
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http://www.cardpostage.com/zorn.htm
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FactBench
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https://www.answers.com/movies-and-television/Did_they_change_the_actor_for_tess_in_camp_rock_2
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Did they change the actor for tess in camp rock 2?
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No they did not it is still Meaghan Martin.
|
en
|
/favicon.ico
|
Answers
|
https://www.answers.com/movies-and-television/Did_they_change_the_actor_for_tess_in_camp_rock_2
|
What is tess on camp rock last name?
In the movie Camp Rock, Tess's last name is Tyler.
In Camp Rock 2 is Tess in the team of Camp Star or Camp Rock?
in camp rock 2 the final jam, tess tyler is a TRATIOR and joins camp star but at the end she asks brown if she can go to camp rock next summer!!
|
||||
wrong_mix_domain_starring_00035
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FactBench
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https://disney.fandom.com/wiki/Meaghan_Martin
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en
|
Meaghan Martin
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https://static.wikia.nocookie.net/disney/images/0/08/Meaghan_Martin.jpg/revision/latest?cb=20180826005915
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https://static.wikia.nocookie.net/disney/images/0/08/Meaghan_Martin.jpg/revision/latest?cb=20180826005915
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2024-07-12T14:06:28+00:00
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Meaghan Jette Martin is an American actress, voice actress, and singer, best known for her role as Tess Tyler in the movie Camp Rock and its sequel. She also sang a cover version of "When You Wish Upon a Star" for the Pinocchio Platinum Edition and voiced the character Naminé in all subsequent...
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https://static.wikia.nocookie.net/disney/images/4/4a/Site-favicon.ico/revision/latest?cb=20210616080713
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Disney Wiki
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https://disney.fandom.com/wiki/Meaghan_Martin
|
Meaghan Jette Martin is an American actress, voice actress, and singer, best known for her role as Tess Tyler in the movie Camp Rock and its sequel.
She also sang a cover version of "When You Wish Upon a Star" for the Pinocchio Platinum Edition and voiced the character Naminé in all subsequent releases in the Kingdom Hearts series, replacing Brittany Snow, who did not return to the series.
In addition, she portrayed Bianca Stratford in the 2009-2010 TV series adaptation of the 1999 Touchstone Pictures film 10 Things I Hate About You, Stacey in the The Suite Life of Zack & Cody episode "Sleepover Suite", and Delphina/Kim in the Jessie episode "Rossed at Sea, Part 1".
Roles[]
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https://www.etonline.com/from-moana-to-the-aristocats-your-guide-to-live-action-remakes-of-animated-classics-200666
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From 'Moana' to 'The Aristocats': Your Guide to Live-Action Remakes of Animated Classics
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[
"Entertainment Tonight",
"Music",
"News",
"The Little Mermaid"
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"Zoe Phillips"
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2023-04-03T12:35:00-07:00
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'The Little Mermaid' is the latest in a long-standing trend of turning animated characters into live-action ones.
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Entertainment Tonight
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https://www.etonline.com/from-moana-to-the-aristocats-your-guide-to-live-action-remakes-of-animated-classics-200666
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Walt Disney released the first-ever full-length animated feature, Snow White and the Seven Dwarfs, in 1937, sparking an artistic movement that has since allowed audiences across the world to fall in love with countless animated characters, creatures, animals and more.
Now nearly a century later, Disney also leads the movement to retell these beloved classics with live-action techniques, making waves for fresh takes on films like Cinderella, Beauty and the Beast, The Lion King, and, just around the corner, The Little Mermaid.
Here is ET's guide to the live-action remakes of your favorite animated films.
THE DISNEY PRINCESSES
Snow White and the Seven Dwarfs (1937): Adaptation Coming
Based on the Brothers Grimm fairy tale, Snow White was the first full-length animated feature film and Disney's first princess.
Disney is currently in production on a live-action remake starring Rachel Zegler as the titular princess. Gal Gadot will also star, along with Andrew Burnap and Martin Klebba. The project does not yet have a release date, but Zegler was spotted in costume on set in May 2022.
Though still far from finished, the project is not free from controversy. Shortly after her casting announcement, Zegler spoke out about racist criticism she received from fans angry about a Latina woman playing Snow White. Later, actor Peter Dinklage said he was "taken aback" by Disney's decision to adapt the film, criticizing the studio for promoting a "backward" depiction of people with dwarfism. The studio responded to the latter complaint, saying they had consulted with the dwarfism community and were working to avoid reinforcing the stereotypes presented in the original film.
Cinderella (1950): Adaptation Released in 2015
Cinderella's story may be one of Hollywood's most beloved. This princess' tale has been told and retold dozens of times throughout the 20th and 21st centuries, including Disney's original animated film in 1950. The studio released a live-action adaptation of the movie in 2015 starring Lily James as Cinderella, with Richard Madden as the prince and Cate Blanchett as the evil stepmother.
The adaptation was nominated for Best Costume Design at the 2016 Academy Awards.
Sleeping Beauty (1959): Maleficent Adaptations
Though Disney has never adapted its original 1959 Sleeping Beauty under the same title, the studio did release Maleficent in 2014, a retelling of the same narrative from the point of view of the kingdom's evil fairy.
Elle Fanning played Princess Aurora in 2014, with Angelina Jolie as Maleficent. Both actresses reprised their roles in 2019 for a sequel to the original adaptation, Maleficent: Mistress of Evil.
The 2014 film was nominated for Best Costume Design at the 2015 Academy Awards, and the sequel was nominated for Best Hair and Makeup Design in 2020.
The Little Mermaid (1989): Adaptation Coming May 2023
A live-action Ariel will soon be part of (y)our world. Based on the original 1989 animated feature, starring Jodi Benson as the beloved mermaid Ariel, Disney's 2023 adaptation will star Halle Bailey in the same role. The casting made waves for its racial inclusivity, and the teaser trailer's release in 2022 spawned a trend of parents sharing videos of their young Black daughters reacting to the princess' reveal.
Bailey also faced backlash for her casting, having to push against racist claims that casting a Black actress went against the original fairy tale, but Benson supported Bailey's portrayal from the beginning of the adaptation's announcement.
"I'm SO proud of you & your beautiful performance as Ariel," Benson wrote on Instagram after the teaser trailer's release at the D23 Expo. "It was so wonderful to celebrate with your family."
The live-action film will also feature Daveed Diggs, Melissa McCarthy, Javier Bardem, Jacob Tremblay and Awkwafina. It is set for theatrical release on May 26, 2023.
Beauty and the Beast (1991): Adaptation Released in 2017
Beauty and the Beast, the origin story for Princess Belle, was Disney's 30th animated feature film at the time of its release in 1991. The studio then released a live-action adaptation of the beloved fairy tale in 2017, making it the second live-action retelling of their original princesses, after Cinderella.
Emma Watson took on the princess role for the 2017 release. The adaptation also featured Dan Stevens, Luke Evans, Kevin Kline, Josh Gad, Ewan McGregor, Stanley Tucci, Audra McDonald, Gugu Mbatha-Raw, Ian McKellen and Emma Thompson.
At the time of its release, some sources believed it to be the most expensive movie musical ever made (the New York Times reported a cost of $300 million), but the gamble paid off: the film eventually passed $1 billion at the box office, and was nominated for Best Costume Design and Best Production Design at the 2018 Oscars.
Aladdin (1992): Adaptation Released in 2019, Another One on Its Way?
Though Disney's Aladdin is technically the story about its titular protagonist, it also houses one of the franchise's original princesses: Jasmine. Linda Larkin voiced the princess in the 1991 animated feature, and Lea Salonga provided the singing voice. Robin Williams starred as the Genie, and Scott Weinger played Aladdin.
Disney released a live-action adaptation of the film in 2019 starring Naomi Scott as Jasmine, with Mena Massoud as Aladdin and Will Smith as the Genie.
Following the film's box office success, several outlets reported in 2019 that Disney was exploring a live-action sequel, ostensibly an adaptation of the animated sequel from 1994.
In 2022, Billy Magnussen also told ScreenRant that Disney+ was in production on a live-action spinoff series featuring his character, Prince Anders.
Pocahontas (1995): No Adaptation
Pocahontas remains one of the few original princesses that Disney has reportedly never considered for a live-action adaptation. Though the original movie performed well at the box office -- and even won two Academy Awards -- its depiction of Native Americans and American colonizers is probably best left alone. In 2019, composer Alan Menken said the story would be too tricky to adapt.
"I don't know if we'll ever be able to do Pocahontas, I think that story is going to be difficult. With modern sensibilities, it'd be hard – you're going to offend somebody – so I don't know," Menken said.
Mulan (1998): Adaptation Released in 2020
Mulan marks the final member of Disney's original princess lineup, and her original 1998 film remains a fan-favorite. Disney released a live-action adaptation in 2020. Ming-Na Wen played the princess in the original film, and Lea Salonga provided the singing voice. Yifei Liu took on the role for the adaptation.
The film's release was unfortunately marred by controversy. Much of the movie was filmed in the autonomous region of Xinjiang, where China holds detention camps for Uyghur Muslims and other religious minorities. Human Rights Watch stated in 2017 that the areas "are contrary to China’s constitution and violate international human rights law."
Audiences called for a boycott of the film following this news, along with word that Liu, the film's star, had released a statement publicly supporting the Hong Kong police who many argued had used excessive force in response to the unrest of the city's 2019 uprisings.
Disney CFO Christine McCarthy acknowledged the conflict -- including the fact that Disney thanked the Chinese government in the film's credits -- in 2020, saying that it's standard practice "to acknowledge in a film's credits the national and local governments that allowed you to film there. So, in our credits, it recognized both China and locations in New Zealand," she said. "I would just leave it at that, but it has generated a lot of issues for us."
The Princess and the Frog (2009): No Adaptation
Writer Stella Meghie told The Hollywood Reporter in 2022 that she had pitched a live-action adaptation of Princess Tiana's story, but nothing came of the offer. Disney has not announced if they will adapt The Princess and the Frog.
Tangled (2010): No Adaptation
Disney had not announced any live-action adaptation of Tangled, which tells the story of Rapunzel.
Brave (2012): No Adaptation
Disney has not announced any live-action adaption of Brave, which tells the story of Princess Merida. A live-action Merida did appear, however, as a recurring character on the television show Once Upon a Time. She was portrayed by Amy Manson.
Frozen (2013): No Adaptation
Disney has not announced plans to adapt Princesses Anna and Elsa's story as a live-action film.
Moana (2016): Adaptation Coming
Dwayne Johnson announced in April 2023 that production is underway for a live-action adaptation of Disney's 2016 Moana, the story of a Polynesian princess. Johnson voiced Maui, demigod and mentor for Moana, in the original movie.
"#MAUI changed my life (miss you grandpa) and I’m honored to partner with @DisneyStudios to tell our story thru the realm of music & dance, which at the core is who we are as Polynesian people🪝," Johnson wrote on Twitter.
OTHER DISNEY ANIMATION
Pinocchio (1940): Adaptation Released in 2022
Pinocchio was the second animated feature created by Disney, after Snow White and the Seven Dwarfs. The studio released a live-action adaptation of the film in 2022, featuring Tom Hanks as the story's woodcarver, Geppetto. Cynthia Erivo played the Blue Fairy, with Benjamin Evan Ainsworth as Pinocchio, Joseph Gordon-Levitt as Jiminy Cricket, and Keegan-Michael Key as Honest John.
Though the film was initially planned as a theatrical release, COVID-19 delays ultimately pushed the movie to be released directly to Disney+.
Fantasia (1940): The Sorcerer's Apprentice Released in 2010
Though Disney has never recreated the entirety of its 1940 musical anthology classic, the 2010 live-action Sorcerer's Apprentice recreates the original movie's most famous sequence. The film starred Nicolas Cage as Balthazar Blake, the young apprentice of the sorcerer Yen Sid, who was originally played by Mickey Mouse in the 1940 film.
Dumbo (1941): Adaptation Released in 2019
First released in 1941, Disney released a live-action adaptation of Dumbo in 2019. Tim Burton directed the film, with Colin Farrell starring as the protagonist circus equestrian. Michael Keaton, Danny DeVito, Eva Green and Alan Arkin filled out the main cast.
Bambi (1942): Adaptation Coming
Disney announced in 2020 it would release a live-action CGI adaptation of Bambi, originally released in 1942. At the time of the announcement, creators said the film would act as a "companion piece" to the existing remakes of The Lion King and The Jungle Book, as all three required similar VFX technology to render the photorealistic animals.
Disney has not yet set a release date for the film.
Peter Pan (1953): Peter Pan & Wendy Coming April 2023
Disney's 1953 Peter Pan also introduced Disney audiences to fan-favorite Tinker Bell, originally a Disney princess before moving to lead the Disney Fairies franchise. Peter Pan and Tinker Bell, along with friends Wendy, Michael and John (and enemies Captain Hook and Smee) have made numerous live-action appearances over the years. Disney is now gearing up to release its own adaptation, Peter Pan & Wendy, on April 28, 2023. The film will be released directly to Disney+.
Disney is also rumored to be working on another adaptation, Tink, with Reese Witherspoon providing the voice for Tinker Bell, but the status of this project is less certain.
Alice in Wonderland (1954): Adaptations Released in 2010 and 2016
Tim Burton first directed a live-action version of Alice in Wonderland in 2010, though the film was not billed as a direct adaptation of Disney's 1954 original. Johnny Depp starred as the Mad Hatter, with Mia Wasikowska as Alice, Helena Bonham Carter as the Red Queen and Anne Hathaway as the White Queen.
All four actors reprised their role's for Burton's 2016 sequel, Alice in Wonderland: Through the Looking Glass.
Lady and the Tramp (1955): Adaptation Released in 2019
Disney released a live-action CGI adaptation of its 1955 film in 2019. The film featured voice acting from Tessa Thompson, Justin Theroux, Janelle Monáe and Sam Elliott, with live-action appearances from Thomas Mann, Kiersey Clemons, Yvette Nicole Brown, F. Murray Abraham, Adrian Martinez and Ken Jeong.
The film was released directly to Disney+.
One Hundred and One Dalmatians (1961): Adaptations Released in 1996 and 2021, One More to Come
Disney first released One Hundred and One Dalmatians in 1961. The studio later adapted the movie for live-action in 1996 (this time styled as 101 Dalmatians).
In 2021, Disney released Cruella, a live-action origin story for the film's beloved villain. Emma Stone starred as the titular protagonist, and Emma Thompson played Cruella's boss.
Disney confirmed it was in production on a sequel in 2021.
Winnie the Pooh (1961): Christopher Robin Adaptation in 2018
Disney acquired rights to the Winnie the Pooh character in 1961, and he soon became a Disney franchise adapted into dozens of animated shorts and feature-length films. Fans saw Disney's first-ever live-action adaptation of the beloved bear in 2018's Christopher Robin.
The Sword and the Stone (1963): Adaptation Coming
The original The Sword and the Stone was Disney's 18th animated feature film and the final movie released prior to Walt Disney's death. The studio first announced plans to release a live-action adaptation of the film in 2015, and named Juan Carlos Fresnadillo as the director in 2018. The release date for the project is still unknown.
Robin Hood (1973): Adaptation Coming
Disney first brought the Robin Hood story to life through its beloved anthropomorphic characters in the 1973 animated film. The live-action adaptation, announced in 2020, will use CGI to do the same.
The film, directed by Carlos Lopez Estrada, will be released on Disney+, but further release details are unknown.
The Jungle Book (1967): Adaptation Released in 2016, Sequel Under Way
Disney released a live-action CGI adaptation of its original 1967 The Jungle Book in 2016. The film featured Bill Murray, Ben Kingsley, Scarlett Johansson and Lupita Nyong’o.
Disney is now working on a live-action CGI sequel, though the release date is unknown. Netflix released an unrelated (but also live-action) depiction of the same tale in 2018, titled Mowgli: Legend of the Jungle.
George of the Jungle (1967): Adaptation Released 1997
First introduced as an animated spoof of Tarzan, George of the Jungle was a beloved television program of the 1960s. In 1997, Brendan Fraser starred in a live-action film based on the same character. The studio later released a sequel, George of the Jungle 2, in 2003.
The Aristocats (1970): Adaptation Coming
Deadline reported in March 2023 that Disney had started production on a live-action CGI adaptation of The Aristocats with Will Gluck and Keith Bunin writing the screenplay. Questlove will direct the project.
The Lion King (1994): Adaptation Released in 2019, Prequel Under Way
Disney released a photorealistic CGI adaptation of its original Lion King in 2019. The film featured the voices of Donald Glover and Beyoncé as protagonists Simba and Nala, with Seth Rogen, Chiwetel Ejiofor, Alfre Woodard, Billy Eichner, John Kani, John Oliver, Florence Kasumba, Eric André, Keegan-Michael Key, JD McCrary and Shahadi Wright Joseph filling out the rest of the cast.
Disney later confirmed it was in production on a prequel, Mufasa: The Lion King, which will not, contrary to fan rumors at the time, be an adaptation of the original film's 1998 sequel.
Mufasa: The Lion King is currently scheduled for release July 5, 2024.
The Hunchback of Notre Dame (1996): Adaptation Coming
Disney first announced plans for a live-action adaptation of its 1996 animated The Hunchback in Notre Dame in 2019. Tony-winning playwright David Henry Hwang will write the script, this time titled Hunchback, with Alan Menken and Stephen Schwartz penning the film's music. Josh Gad is also rumored to be part of the film's cast.
Disney has not released any further information about the project.
Hercules (1997): Adaptation Coming
Disney announced in 2020 that MCU visionaries the Russo brothers would lead a live-action adaptation of Hercules. In 2022, Joe Russo told Variety that their adaptation will be "a little bit more experimental in tone, a little bit more experimental in execution."
Russo maintained that the film would remain a musical, but with a modern twist. "There are questions about how you translate it as a musical," he said. "Audiences today have been trained by TikTok, right? What is their expectation of what that musical looks like and feels like? That can be a lot of fun and help us push the boundaries a little bit on how you execute a modern musical."
The live-action flick does not yet have a release date.
Lilo & Stitch (2002): Adaptation Coming
News of a live-action Lilo & Stitch first made headlines in 2018, but resurfaced in 2023 when Zach Galifianakis was named part of the film's cast, though it remains unclear which character.
Disney has not yet announced a release date for the project.
NON-DISNEY ANIMATION
The Flintstones (1960): Adaptations Released in 1994 and 2000
Originally a beloved animated sitcom of the 1960s, The Flintstones first became a live-action feature film in 1994. Among others, the movie featured Elizabeth Taylor in her final theatrical film appearance. A prequel for the movie, titled The Flintstones in Viva Rock Vegas, was released in 2000.
How the Grinch Stole Christmas! (1966): Adaptation Released in 2000
The Grinch's first screen appearance was in 1966's popular animated television Christmas special, featuring the narration and voice acting of Boris Karloff. In 2000, Jim Carrey starred as the titular green creature in Universal's live-action How the Grinch Stole Christmas.
Scooby-Doo (1969): Adaptations Released in 2002 and 2004
Originally an animated television series that premiered in 1969, Scooby-Doo and his band of friends have received numerous adaptations throughout the half a century since then. Warner Bros. Pictures released Scooby-Doo: The Movie in 2002, starring Freddie Prinze Jr., Sarah Michelle Gellar, Matthew Lillard, Linda Cardellini and Rowan Atkinson. The studio then released a sequel, Scooby-Doo 2: Monsters Unleashed, in 2004.
The Cat in the Hat (1971): Adaptation Released in 2003
Similar to Dr. Seuss' Grinch, The Cat in the Hat began as an animated special in 1971. Universal released a live-action adaptation of the story in 2003, starring Mike Myers in the title role. Alec Baldwin, Kelly Preston, Dakota Fanning, Spencer Breslin, Amy Hill and Sean Hayes rounded out the cast.
Charlotte's Web (1973): Adaptation Released 2006
Charlotte's Web was first adapted for the screen with the 1973 animated feature. Henry Gibson, Debbie Reynolds and Tony Randall voiced the film's main protagonists. Paramount Pictures released a live-action version of the story in 2006, starring Julia Roberts, Dominic Scott Kay, Dakota Fanning and Steve Buscemi.
Clifford the Big Red Dog (2000): Adaptation Released 2021
Originally a beloved animated character from PBS Kids, Clifford got his own animated movie, Clifford's Really Big Movie, in 2004. Paramount Pictures then released a live-action film, Clifford the Big Red Dog, in 2021.
Dora the Explorer (2000): Adaptation Released in 2019, Spinoff Series Under Way
Fans first fell in love with Dora on the animated Nickelodeon series, Dora the Explorer, which ran from 2000 to 2014. Her character has since been the subject of many franchise adaptations, including Paramount's 2019 live-action feature film, Dora and the Lost City of Gold. The film starred Isabela Moner, Eugenio Derbez, Michael Peña, Eva Longoria and Danny Trejo.
In February 2022, Paramount announced via the Paramount+ Twitter account that the streamer is developing a live-action spinoff series, along with a second animated spinoff. No further release information is available for either.
How to Train Your Dragon (2010): Adaptation Coming
DreamWorks announced plans for a live-action adaptation of How to Train Your Dragon in 2023. Dean DeBlois, the writer-director of all three animated films, will also lead the live-action version. The film is due to hit theaters on March 10, 2025.
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The Aristocats - Cast, Ages, Trivia
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Learn about The Aristocats: discover its actor ranked by popularity, see when it released, view trivia, and more.
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Famous Birthdays
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https://www.famousbirthdays.com/movies/aristocats.html
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About
A smooth talking tomcat helps a Parisian family of felines make it back home in time to inherit their owner's fortune after being kidnapped. The movie was Disney's 20th animated feature.
Trivia
The project began as an original script set to air as a two-part live-action episode for Disney's Wonderful World of Color. It was based on a story by Tom McGowan and Tom Rowe.
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Meaghan Jette Martin ( born February 17, 1992) is an American actress and singer. She was best known for her role as Tess Tyler in the Disney Channel television film, Camp Rock and its sequel. Martin starred in the ABC Family television series, 10 Things I Hate About You as Bianca Stratford. Martin
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https://alchetron.com/Meaghan-Martin
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Topic trailer meaghan martin
Meaghan Jette Martin (; born February 17, 1992) is an American actress and singer. She was best known for her role as Tess Tyler in the Disney Channel television film, Camp Rock and its sequel. Martin starred in the ABC Family television series, 10 Things I Hate About You as Bianca Stratford. Martin also guest stars on The Coppertop Flop Show. Martin is also known for lending her voice for Naminé in the video game series Kingdom Hearts as well as voicing and motion capturing Jessica from the video game Until Dawn.
Contents
Topic trailer meaghan martin
Meaghan martin performs you
Early life
Acting
Music
Personal life
Filmography
References
Meaghan martin performs you
Early life
Martin was born in Las Vegas, Nevada and has two brothers and one sister. She started modeling at age five. Martin also appeared in several community theater productions in Las Vegas such as Peter Pan and performed for her Showteam and later made her professional theater debut in a Los Angeles production of 13. She appeared in several television commercials such as for Cabbage Patch Kids and Barbie.
Acting
Martin made her acting debut in 2006, with the television pilot Cooking Rocks! It was followed by roles in programs such as Nickelodeon’s Just Jordan and CBS’s Close to Home, as well as a guest stint in the Disney Channel series The Suite Life of Zack & Cody. Martin eventually cast as the lead antagonist Tess Tyler in the Disney Channel original movie, Camp Rock, starring Demi Lovato and the Jonas Brothers. Martin was selected by TV Guide in 2008, as one of the "13 Hottest Young Stars to Watch". She was the online host for the 2008 Disney Channel Games.
Martin voiced the character Naminé in all subsequent releases in Kingdom Hearts series, replacing Brittany Snow, who did not return to the series. Martin starred in the ABC Family sitcom 10 Things I Hate About You as Bianca (originated by Larisa Oleynik in the film version). She also had the role of Megan Kennedy in the independent film Dear Lemon Lima. Martin returned to reprise her role as Tess Tyler in Camp Rock 2: The Final Jam, premiered on September 3, 2010 on Disney Channel. In 2011, Martin played the main character Jo in the television film Mean Girls 2, the sequel of the 2004 film Mean Girls. Martin also played the role of Aubrey in the film Sironia.
On June 16, 2011, Martin appeared for one night in Super Summer Theatre's live production of "Annie" at Spring Mountain Ranch in Las Vegas, Nevada in the role of Star-To-Be. Martin is also starring in Wendy (web series) as Wendy alongside Tyler Blackburn. Wendy is a dark twist on 'Peter Pan'. The series premiered on macys.com on September 15, 2011. In 2013, Martin appeared in the film adaptation Geography Club as Trish, while she appeared in the thriller The Good Mother was aired on Lifetime Channel. Martin voiced the character of Jessica in the PlayStation 4 exclusive Until Dawn Martin voiced the character of Emma in the PlayStation 4 exclusive Glowlight. Martin received very positive reviews for her voice work in the game. The game was nominated for various awards. The game has proved to be popular among audiences and has sold past expectations, with a sequel in the works and a spin-off; Until Dawn: Rush of Blood being released in the future for the PlayStation VR.
Martin trained as an actor in London, England. She completed her Masters in Classical Acting in September 2016 at the London Academy of Music and Dramatic Art (LAMDA).
Music
Martin recorded two songs in Camp Rock, "Too Cool" and "2 Stars". Martin sang a version of "When You Wish Upon a Star" for the 2009 re-release of Disney's Pinocchio, as well as appearing in the related music video. The song debuted at number fifty-two on Billboard's Hot Dance Club Songs chart, becoming her first and only chart single. It has since peaked at number thirty-seven.
Martin also recorded a version of the Olivia Newton-John song "Magic" for the Wizards of Waverly Place soundtrack. Martin has partnered with Build-A-Bear Workshop for their "Love.Hugs.Peace" movement. For the ad campaign, Martin recorded a special version of "Let's Talk About Love". Martin also recorded two songs in Camp Rock 2: The Final Jam, "Tear it Down" and "Walkin in My Shoes", alongside the Camp Rock co-star Matthew "Mdot" Finley. Martin also appear on the collaborative song "It's On", which features the co-stars of the film. All songs appear in the soundtrack of the film.
Martin appeared in the music video "Remember December" by Demi Lovato. Martin did not join the Jonas Brothers Live in Concert tour, with Demi Lovato and the cast of Camp Rock 2: The Final Jam, because she was filming Mean Girls 2.
Personal life
Martin became engaged to British actor Oli Higginson in May 2016. They were married on September 24, 2016 in London, England.
Filmography
Actress
2023
Journey as
Samantha
2023
Xenoblade Chronicles 3: Future Redeemed (Video Game) as
Linka (English version, voice)
2023
Atomic Heart (Video Game) as
Twins (English version, voice)
2023
Ten Dates (Video Game) as
Kathleen
2022
Xenoblade Chronicles 3 (Video Game) as
Linka (English version, voice)
2022
Before Seven (Short) as
Sage
2022
Triangle Strategy (Video Game) as
Medina / Orlaea (voice)
2021
Battlefield 2042 (Video Game) as
US Soldier (voice)
2020
Kosmokrats (Video Game) as
Henrietta (voice)
2020
The Naked Times (Short)
2020
Bad News (Short) as
Gina
2020
Unstable Bitches (Short) as
Grace
2019
Wives of the Landed Gentry (Short) as
Lavinia
2019
Arknights (Video Game) as
Hoshiguma / Saileach / Quercus (English version, voice)
2019
Kingdom Hearts III (Video Game) as
Naminé (English version, voice)
2011
Awkward. (TV Series) as
Julie #2
- The Graduates (2015) - Julie #2
- Reality Does Not Bite (2015) - Julie #2
- Say No to the Dress (2015) - Julie #2
- An Indecent Promposal (2015) - Julie #2
- Now You See Me, Now I Don't (2015) - Julie #2
- Jenna in Wonderland (2015) - Julie #2
- Short Circuit Party (2015) - Julie #2
- #drama (2014) - Julie #2
- Bonfire of the Vanities (2014) - Julie #2
- No Woman Is an Island (2014) - Julie #2
- Redefining Jenna (2013) - Julie #2
- Pilot (2011) - Julie #2 (uncredited)
2015
Until Dawn (Video Game) as
Jessica
2015
Jessie (TV Series) as
Delphina
- Rossed at Sea: Part 1 (2015) - Delphina
2015
Safelight as
Sharon
2014
Time Does Not Pass (Short) as
Girl
2014
Kingdom Hearts HD 2.5 Remix (Video Game) as
Naminé (English version, voice, as Meaghan Jette Martin)
2014
Senior Project as
Natalia
2014
Melissa & Joey (TV Series) as
Jordan
- More Than Roommates (2014) - Jordan
- Catch & Release (2014) - Jordan
2013
The Good Mother (TV Movie) as
Melanie
2013
Geography Club as
Trish
2012
Wedding Band (TV Series) as
Jenna
- I Love College (2012) - Jenna
2012
Midnight Mirage: Bad for You (Music Video) as
Meaghan Martin
2011
Wendy (TV Series) as
Wendy
- Fairytail (2011) - Wendy
- Violence (2011) - Wendy
- Repentance (2011) - Wendy
- High Hopes (2011) - Wendy
- Catch Me (2011) - Wendy
- Crushed (2011) - Wendy
- To Believe (2011) - Wendy
- Follow Me (2011) - Wendy
- Darkness and Light (2011) - Wendy
- In a Dream (2011) - Wendy
2011
Sironia as
Aubrey (as Meaghan Jette Martin)
2011
Golden State Feat. Tyler Blackburn: Save Me (Music Video) as
Love Intrest
2011
Mean Girls 2 (TV Movie) as
Johanna 'Jo' Mitchell
2010
Privileged (Video) as
Vera (as Meaghan Jette Martin)
2010
Kingdom Hearts Re: coded (Video Game) as
Naminé (English version, voice)
2010
Camp Rock 2: The Final Jam (TV Movie) as
Tess
2009
10 Things I Hate About You (TV Series) as
Bianca Stratford
- Revolution (2010) - Bianca Stratford (as Meaghan Jette Martin)
- Ain't No Mountain High Enough (2010) - Bianca Stratford (as Meaghan Jette Martin)
- Changes (2010) - Bianca Stratford (as Meaghan Jette Martin)
- Just One Kiss (2010) - Bianca Stratford (as Meaghan Jette Martin)
- Too Much Information (2010) - Bianca Stratford (as Meaghan Jette Martin)
- The Winner Takes It All (2010) - Bianca Stratford (as Meaghan Jette Martin)
- Meat Is Murder (2010) - Bianca Stratford (as Meaghan Jette Martin)
- Great Expectations (2010) - Bianca Stratford (as Meaghan Jette Martin)
- Don't Trust Me (2010) - Bianca Stratford (as Meaghan Jette Martin)
- Da Repercussions (2010) - Bianca Stratford (as Meaghan Jette Martin)
- Don't Leave Me This Way (2009) - Bianca Stratford (as Meaghan Jette Martin)
- Fight for Your Right (2009) - Bianca Stratford (as Meaghan Jette Martin)
- Dance Little Sister (2009) - Bianca Stratford (as Meaghan Jette Martin)
- Light My Fire (2009) - Bianca Stratford (as Meaghan Jette Martin)
- You Can't Always Get What You Want (2009) - Bianca Stratford (as Meaghan Jette Martin)
- Don't Give Up (2009) - Bianca Stratford (as Meaghan Jette Martin)
- Don't Give a Damn About My Bad Reputation (2009) - Bianca Stratford (as Meaghan Jette Martin)
- Won't Get Fooled Again (2009) - Bianca Stratford (as Meaghan Jette Martin)
- I Want You to Want Me (2009) - Bianca Stratford (as Meaghan Jette Martin)
- Pilot (2009) - Bianca Stratford (as Meaghan Jette Martin)
2010
Cast of Camp Rock 2: It's On (Music Video) as
Meaghan Martin
2010
Kingdom Hearts: Birth by Sleep (Video Game) as
Naminé (English version, voice, as Meaghan Jette Martin)
2009
Meaghan Jette Martin: When You Wish Upon a Star (Short) as
Meaghan Jette Martin
2009
Demi Lovato: Remember December (Music Video) as
Friend
2009
Dear Lemon Lima as
Megan Kennedy (as Meaghan Jette Martin)
2009
Kingdom Hearts: 358/2 Days (Video Game) as
Naminé (English version, voice, as Meaghan Jette Martin)
2008
Holly and Hal Moose: Our Uplifting Christmas Adventure (TV Movie) as
Easton (voice)
2008
Jordan Francis: Start the Party (Short) as
Dancer
2008
House M.D. (TV Series) as
Sarah
- Joy to the World (2008) - Sarah (as Meaghan Jette Martin)
2008
Camp Rock (TV Movie) as
Tess (as Meaghan Jette Martin)
2007
The Suite Life of Zack & Cody (TV Series) as
Stacey
- Sleepover Suite (2007) - Stacey (as Meaghan Jette Martin)
2007
Close to Home (TV Series) as
Candy
- Fall from Grace (2007) - Candy (as Meaghan Jette Martin)
2007
Kingdom Hearts Re: Chain of Memories (Video Game) as
Naminé (English version, voice, as Meaghan Jette Martin)
2007
Just Jordan (TV Series) as
Ashley
- Home Alone in the Diner (2007) - Ashley (as Meaghan Jette Martin)
Producer
2019
Wives of the Landed Gentry (Short) (producer)
Soundtrack
2013
Geography Club (performer: "Hate You") / (writer: "Hate You")
2011
Sironia (performer: "Meantime", "I'm all yours")
2010
Camp Rock 2: The Final Jam (TV Movie) (performer: "It's On", "Tear It Down")
2010
10 Things I Hate About You (TV Series) (performer - 1 episode)
- The Winner Takes It All (2010) - (performer: "Kids in America" - uncredited)
2009
Wizards of Waverly Place: The Movie (TV Movie) (performer: "Magic")
2008
Camp Rock (TV Movie) (performer: "Too Cool", "2 Stars", "We Rock", "Our Time Is Here" (scenes deleted))
Self
2022
The Victor Hong Berries (Podcast Series) as
Self - Guest
- Meaghan Martin (2022) - Self - Guest
2014
Membership Has Its Privileges: Making Geography Club (Video documentary short) as
Self
2014
Made in Hollywood (TV Series) as
Self - Guest
- Episode dated 3 February 2014 (2014) - Self - Guest
2013
The Coppertop Flop Show (TV Series short) as
Self
- Calum's Splishy Splashy Land (2013) - Self (as Meaghan Jette Martin)
- Food Enthusiast (2013) - Self (as Meaghan Jette Martin)
2012
Defeat the Label (Short) as
Self
2011
Dr. Phil (TV Series) as
Self
- Mini Mean Girls (2011) - Self
2008
Disney 365 (TV Series documentary) as
Self
- Camp Rock 2: The Final Jam Premiere (2010) - Self
- Camp Rock Premiere (2008) - (as Meaghan Jette Martin)
2010
Road to Camp Rock 2: The Final Jam (TV Series) as
Self / Tess Tyler
2010
Katelyn Tarver TV (TV Series) as
Self
- Cambio (2010) - Self
2009
Disney Parks Christmas Parade Special (TV Special) as
Self
2009
Leo Little's Big Show (TV Series short) as
Self - Guest
- Pinocchio Platinum Edition (2009) - Self - Guest (as Meaghan Jette Martin)
2009
Jonas Brothers: The 3D Concert Experience (Documentary) as
Meaghan Martin (uncredited)
2008
Disney Channel's Totally New Year (TV Movie documentary) as
Self (as Meaghan Jette Martin)
2008
The Disney Channel Games (TV Mini Series) as
Self - Online Hostess
- Episode #1.5 (2008) - Self - Online Hostess (as Meaghan Jette Martin)
- Episode #1.4 (2008) - Self - Online Hostess (as Meaghan Jette Martin)
- Episode #1.3 (2008) - Self - Online Hostess (as Meaghan Jette Martin)
- Episode #1.2 (2008) - Self - Online Hostess (as Meaghan Jette Martin)
- Episode #1.1 (2008) - Self - Online Hostess (as Meaghan Jette Martin)
2008
Camp Rock: How to Be a Rock Star (Video documentary short) as
Self
2008
3-Minute Game Show (TV Series) as
Self - Hostess
- Camp Rock: Part 2 (2008) - Self - Hostess (as Meaghan Jette Martin)
- Camp Rock: Part 3 (2008) - Self - Hostess (as Meaghan Jette Martin)
- Camp Rock: Part 6 (2008) - Self - Hostess (as Meaghan Jette Martin)
- Camp Rock: Part 4 (2008) - Self - Hostess (as Meaghan Jette Martin)
- Camp Rock: Part 5 (2008) - Self - Hostess (as Meaghan Jette Martin)
- Camp Rock: Part 1 (2008) - Self - Hostess (as Meaghan Jette Martin)
2008
Jonas Brothers: Living the Dream (TV Series) as
Self
- Hello Hollywood (2008) - Self (as Meaghan Jette Martin)
Archive Footage
2017
Kingdom Hearts HD 1.5 + 2.5 Remix (Video Game) as
Naminé (as Meaghan Jette Martin)
2013
Awkward.: Most Awkward Moments (TV Movie) as
Julie #2
2013
Kingdom Hearts HD 1.5 Remix (Video Game) as
Naminé (as Meaghan Jette Martin)
References
Meaghan Martin Wikipedia
(Text) CC BY-SA
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1970 American romantic comedy animated film
Not to be confused with The Aristocrats.
The AristocatsDirected byWolfgang ReithermanStory byBased on
"The Aristocats"
by
Tom McGowan
Tom Rowe
Produced byWinston Hibler
Wolfgang ReithermanStarringEdited byTom AcostaMusic byGeorge Bruns
Production
company
Distributed byBuena Vista Distribution
Release dates
Running time
79 minutesCountryUnited StatesLanguageEnglishBudget$4 million[1]Box office$191 million[2]
The Aristocats is a 1970 American animated comedy film produced by Walt Disney Productions and distributed by Buena Vista Distribution. It is directed by Wolfgang Reitherman and written by Ken Anderson, Larry Clemmons, Eric Cleworth, Vance Gerry, Julius Svendsen, Frank Thomas and Ralph Wright. It is the final Disney animated film made with the involvement of Walt Disney Productions' co-founder Roy O. Disney before his death on December 20, 1971. The film is based on a story by Tom McGowan and Tom Rowe, and revolves around a family of aristocratic cats, and how an alley cat acquaintance helps them after a butler has kidnapped them to gain his mistress's fortune which was intended to go to them. The film features the voices of Phil Harris, Eva Gabor, Hermione Baddeley, Dean Clark, Sterling Holloway, Scatman Crothers, and Roddy Maude-Roxby.
In 1962, The Aristocats project began as an original script for a two-part live-action episode for Walt Disney's Wonderful World of Color, developed by writers Tom McGowan and Tom Rowe and producer Harry Tytle. Following two years of rewrites, Tytle suggested the project would be more suitable for an animated film, in which Disney temporarily shelved the project while The Jungle Book (1967) advanced into production. When The Jungle Book was nearly complete, Disney appointed Ken Anderson to develop preliminary work on The Aristocats, making it the last film project to be personally approved by Disney before his death. Longtime Disney collaborators Robert and Richard Sherman composed multiple songs for the film, though only two made it in the finished product.
The Aristocats was released on December 24, 1970, to generally positive reviews from film critics. It was also a commercial success. A live-action remake is currently in development, with Questlove attached to direct.
Plot
In 1910, mother cat Duchess and her three kittens, Berlioz, Marie, and Toulouse, live in Paris with retired opera diva Madame Adelaide Bonfamille, and her English butler, Edgar. The cats are pampered pets that live a luxurious lifestyle and are very cultured in art and music, like their owner.
While preparing her will with elderly lawyer Georges Hautecourt, Madame declares that her vast fortune will be first left to her cats, then revert to Edgar once they all pass away. Edgar overhears this through a speaking tube and, after erroneously calculating that he will die before he can claim his inheritance, plots to eliminate the cats. He sedates them by putting sleeping pills in a dish of cream, then drives them on his motorcycle out to the countryside in a basket. There, he is ambushed by two hounds named Napoleon and Lafayette, losing his hat, sidecar, umbrella, shoes, and the basket before escaping. The cats are left stranded in the countryside, while Madame Adelaide, Roquefort the mouse, and Frou-Frou the horse discover their absence.
The next morning, Duchess meets an alley cat named Thomas O'Malley, who offers to guide her and the kittens to Paris. The group briefly hitchhikes in a milk truck before being chased out by the driver. Later, while crossing a railroad trestle, the cats narrowly avoid an oncoming train, and Marie falls into a river. O'Malley immediately dives in and rescues her, and is himself rescued by Amelia and Abigail Gabble, two English geese on holiday. The geese lead the cats to the outskirts of Paris, then depart to reunite with their inebriated Uncle Waldo. Meanwhile, Edgar returns to the countryside to retrieve his possessions (the only evidence that can incriminate him) from Napoleon and Lafayette and, after some difficulty, ultimately succeeds.
Traveling across the rooftops of the city, the cats meet up with O'Malley's friend Scat Cat who performs the song "Ev'rybody Wants to Be a Cat" with several other cat musicians. After the band has departed, O'Malley and Duchess converse on a nearby rooftop while the kittens listen at a windowsill. Duchess' loyalty to Madame prompts her to decline O'Malley's marriage proposal. The next day, Duchess and the kittens return to Madame's mansion. Edgar finds them before Madame does, and places them in a sack, deciding to ship them to Timbuktu.
Roquefort catches up with O'Malley at Duchess’ instruction, and O'Malley returns to the mansion, sending Roquefort to find Scat Cat and his gang. Though he struggles to explain the situation to the alley cats, Roquefort successfully brings them to O'Malley's aid. O'Malley, the alley cats, and Frou-Frou fight Edgar, while Roquefort frees Duchess and the kittens. At the end of the fight, Edgar is locked in his own packing-case and sent to Timbuktu himself.
The Aristocats return to Madame Adelaide, who, unaware of the reason for Edgar's departure, rewrites her will to exclude him. After adopting O'Malley into the family, Madame establishes a charity foundation, housing Paris' stray cats in the mansion. Scat Cat and his gang are the first to move in, and reprise their song so loudly that the two hound dogs can hear it out in the countryside.
Voice cast
Phil Harris as J. Thomas O'Malley (full name: Abraham de Lacy Giuseppe Casey Thomas O'Malley) – a feral cat who befriends Duchess and her kittens, becoming a father figure and a step-father to the kittens and falling in love with Duchess. For cultural reasons, the Italian dubbing of the film changes him to “Romeo, er mejo der Colosseo” ("The best [cat] of the Colosseum" in Romanesco dialect), an Italian cat from Rome speaking with a strong Roman accent; the reason for this change is that alley cats were well-known for frequenting the Colosseum at the time.
Eva Gabor as Duchess – Madame Adelaide's refined and elegant Turkish Angora cat[citation needed] and mother of the three kittens, who believes she is forced to choose between loyalty to Madame and her own attachment to Thomas O'Malley at the end of the film. Robie Lester provided the singing voice for Duchess.
Gary Dubin as Toulouse – the oldest kitten, who idolizes all alley cats, especially O’Malley. He wants to appear tough, but is actually fairly laidback and easygoing. He is also a talented painter, loosely based on French painter Henri de Toulouse-Lautrec.
Liz English as Marie – the middle kitten and the only girl. She is a dreamer. She comes off as spoiled, often imperious, sassy or snobbish towards her brothers, but does her best to be like her mother. She is an accomplished singer. She is named after the queen of France Marie Antoinette.
Dean Clark as Berlioz – the youngest kitten. He may seem quiet, but is quite mischievous. He is sweet-natured, but easily annoyed and hard to impress, often the first to make a snide remark. He is a talented pianist, named after the French composer Hector Berlioz.[3]
Sterling Holloway as Roquefort – a house mouse and a friend of the cats who assists in the expulsion of Edgar.
Scatman Crothers as Scat Cat – O’Malley's best friend and leader of a gang of jazz-playing alley cats. Scat Cat plays the trumpet.
Paul Winchell as Shun Gon – a Chinese cat in Scat Cat's gang. He plays both the piano and drums made from pots.
Lord Tim Hudson as Hit Cat – an English cat in Scat Cat's gang. He plays acoustic guitar.
Vito Scotti as Peppo – an Italian cat in Scat Cat's gang. He plays the concertina.
Thurl Ravenscroft as Billy Boss – a Russian cat in Scat Cat's gang. He plays the double bass.
Nancy Kulp as Frou-Frou – Madame Adelaide’s Palomino carriage horse and Roquefort's companion, who subdues Edgar. Ruth Buzzi provided her singing voice.
Pat Buttram as Napoleon – a bloodhound who attacks Edgar when he intrudes on the farm where he lives. Whenever his cohort Lafayette makes a suggestion, Napoleon insists that he is in charge, then adopts Lafayette's suggestion as his own.
George Lindsey as Lafayette – a Basset Hound and Napoleon's companion. He sometimes proves smarter than Napoleon but is also more timid.
Hermione Baddeley as Madame Adelaide Bonfamille – a wealthy former opera singer and the owner of Duchess and her kittens.
Charles Lane as Georges Hautecourt – Madame Adelaide’s eccentric lawyer, who is also her oldest friend. He is extremely lively, despite his advanced age.
Roddy Maude-Roxby as Edgar Balthazar – Madame Adelaide's greedy but dim-witted butler, who tries to get rid of her cats in order to inherit her fortune.
Monica Evans as Abigail Gabble – Amelia's twin sister, a goose who befriends the cats.
Carole Shelley as Amelia Gabble – Abigail's twin sister, a goose who befriends the cats.
Bill Thompson as Uncle Waldo – the drunken gander uncle of Abigail and Amelia. This was Thompson's final film role.
Peter Renaday as French Milkman/Le Petit Cafe Cook/Truck Movers (uncredited)
Production
Story development
On December 9, 1961, Walt Disney suggested that Harry Tytle and Tom McGowan find some animal stories to adapt as a two-part live-action episode for the Wonderful World of Color television program. By New Year's 1962, McGowan had found several stories including a children's book about a mother cat and her kittens set in New York City. However, Tytle felt that the London setting had added a significant element to One Hundred and One Dalmatians (1961) and suggested setting the story of the cats in Paris. Following a rough storyline, the story became about two servants—a butler and a maid—who were in line to inherit a fortune of an eccentric mistress after the pet cats died and focused on their feeble and foolish attempts to eliminate the felines. Boris Karloff and Françoise Rosay were in mind to portray the butler and the distressed Madame. A subplot centered around a mother cat hiding her kittens to keep them out of danger in a variety of different homes and locales around Paris. During the filming of Escapade in Florence (1962), McGowan brought Tytle the story that had been written by Tom Rowe, an American writer who was living in Paris.
By August 1962, they sent the completed story treatment to Burbank, where it was returned as "rejected" by the Disney studios. McGowan, upset at the rejection, suggested selling the treatment elsewhere, but later learned Disney was staying at the Connaught in London. McGowan then slipped the treatment into an envelope for Disney to read at the hotel desk. Disney contacted McGowan, stating he had liked the treatment and would meet with Tytle in Lisbon, Portugal. On August 29, during their flight back to London, Disney told Tytle to purchase the story for a live-action theatrical film, with McGowan as director. Disney also recommended further story revisions, one of which was eliminating one of the kitten characters.
The script revisions were later made in January and February 1963. In June 1963, Rowe had written a letter to Disney addressing his displeasure of the script revisions, in which Tytle responded to Rowe that the changes Disney approved of would be kept. However, the project was temporarily shelved, and in August 1963, Tytle suggested that The Aristocats should be reworked into an animated feature, to which Disney agreed. At Disney's recommendation, Tytle presented the project to Wolfgang Reitherman, who was directing The Jungle Book (1967), who agreed it would work as an animated film.[9] For that reason, Disney temporarily shelved the project as the animation department was occupied with The Jungle Book (1967).[10] In April 1964, story artist Otto Englander was assigned to work on the project. In November 1964, during a story meeting, Disney felt the cats should talk amongst themselves but never in front of the humans, in a similar approach as in One Hundred and One Dalmatians (1961). Because of the production delays, studio producer Bill Anderson advised Tytle to centralize his efforts on live action projects, and he was subsequently replaced by Winston Hibler.
In 1966, Disney assigned Ken Anderson to determine whether The Aristocats would be suitable for an animated feature. With occasional guidance from Reitherman, Anderson worked from scratch and simplified the two stories into a story that focused more on the cats.[10] Disney saw the preliminary sketches and approved the project shortly before his death.[12] After The Jungle Book (1967) was completed, the animation department began work on The Aristocats.[10] Reitherman assumed the producing duties, and later tossed out the more emotional story of Duchess's obsession to find human adopters befitting of her kittens' talents. Instead, the film would be retooled as an adventure comedy in the vein of One Hundred and One Dalmatians (1961). Furthermore, the character Elvira, the maid, who was intended to be voiced by Elsa Lanchester, was removed from the story placing Edgar as the central villain in order to better simplify the storyline.[9]
Casting
As with The Jungle Book (1967), the characters were patterned on the personalities of the voice actors.[10] In 1966, Disney contacted Phil Harris to improvise the script, and shortly after, he was cast to voice Thomas O'Malley. To differentiate the character from Baloo, Reitherman noted O'Malley was "more based on Clark Gable than Wallace Beery, who was partly the model for Baloo."[10] Furthermore, Reitherman cast Eva Gabor as Duchess, remarking she had "the freshest femme voice we've ever had", and Sterling Holloway as Roquefort.[10] Louis Armstrong was initially reported to voice Scat Cat,[13] but he had to back out of the project due to illness.[14] Out of desperation, Scatman Crothers was hired to voice the character under the direction to imitate Armstrong.[15] Pat Buttram and George Lindsey were cast as the farm dogs, which proved to be popular with the filmmakers that another scene was included to have the dogs when Edgar returns to the farm to retrieve his displaced hat and umbrella.
Animation
Ken Anderson spent eighteen months developing the design of the characters.[16] Five of Disney's legendary "Nine Old Men" worked on it, including the Disney crew that had been working 25 years on average.[17] Originally, O'Malley was going to be drawn with stripes to have him resemble a tabby cat, but this was dropped after Reitherman remembered the difficulty in animating Shere Khan in The Jungle Book.[9]
Music
The Aristocats was the last Disney animated feature Robert and Richard Sherman worked on as staff songwriters, growing frustrated by the studio's management following Disney's death. While employed, the Sherman Brothers completed their work on the film, but they would not return to Disney until they were asked to compose songs for The Tigger Movie (2000).[18]
The Sherman Brothers composed multiple songs, but only the title song and "Scales and Arpeggios" were included in the film. Desiring to capture the essence of France, the Sherman Brothers composed the song "The Aristocats". Disney film producer Bill Anderson suggested Maurice Chevalier should sing the title song.[19] Following the suggestion, Richard Sherman imitated Chevalier's voice as he performed a demo for the song. Chevalier received the demo and was brought out of retirement to sing the song. Deleted songs that were intended for the film included "Pourquoi?" sung by Hermione Baddeley as Madame Bonfamille, its reprise, and "She Never Felt Alone" sung by Robie Lester as Duchess.[20][21]
For the show-stopping musical number, the Sherman Brothers composed "Le Jazz Hot", but "Ev'rybody Wants to Be a Cat", composed by Floyd Huddleston and Al Rinker, was used instead. Lastly, a villainous song was envisioned to be sung by Edgar and his assistant Elvira as a romantic duet, but the song was dropped when Elvira was removed from the story.[23] Another deleted song was for Thomas O'Malley titled "My Way's The Highway", but the filmmakers had Terry Gilkyson compose the eponymous song "Thomas O'Malley Cat". Gilkyson explained, "It was the same song, but they orchestrated it twice. They used the simpler one, because they may have thought the other too elaborate or too hot. It was a jazz version with a full orchestra."
The instrumental music was composed by George Bruns, who drew from his background with jazz bands in the 1940s and decided to feature the accordion-like musette for French flavor.[25]
On Classic Disney: 60 Years of Musical Magic, this includes "Thomas O'Malley Cat" on the purple disc and "Ev'rybody Wants to Be a Cat" on the orange disc. On Disney's Greatest Hits, this includes "Ev'rybody Wants to Be a Cat" on the red disc.
On August 21, 2015, in honor of the film's 45th anniversary, a new soundtrack was released as part of Walt Disney Records: The Legacy Collection. The release includes the songs and score as used in the film, along with The Lost Chords of the Aristocats (featuring songs written for the film but not used), and previously released album versions of the songs as bonus tracks.[26]
Songs
Original songs performed in the film include:
Release
The Aristocats was originally released to theaters on December 24, 1970. The film was released as a double feature with Niok, the Orphan Elephant (1957).[27] It was re-released in theaters in 1980 and 1987.
Home media
It was released on VHS in Europe on January 1, 1990, and in the UK in 1995. It was first released on VHS in North America on April 24, 1996, as part of the Masterpiece Collection.
In January 2000, Walt Disney Home Video launched the Gold Classic Collection, and The Aristocats was released on VHS and DVD on April 4, 2000.[28] The DVD contained the film in its 1.33:1 aspect ratio enhanced with Dolby 2.0 surround sound.[29] The Gold Collection release was quietly discontinued in 2006. A new single-disc Special Edition DVD (previously announced as a 2-Disc set) was released on February 5, 2008.
Disney released the film on Blu-ray for the first time on August 21, 2012.[30][31] The 2-disc Special Edition Blu-ray/DVD combo (both in Blu-ray and DVD packaging) featured a new digital transfer and new bonus material.[32] A single disc DVD edition was also released on the same day.[33]
In honor of Disney's 100th anniversary, The Aristocats was re-released on February 28, 2023 as a Disney100 Edition (BLU-RAY + DVD).[34] A Walmart-exclusive package, released the same day, contains a collectible commemorative pin.[35]
Reception
Box office
By January 1972, The Aristocats had earned $10.1 million in box office rentals from the United States and Canada.[36] Overseas, the film became the most popular "general release" movie at the British box office in 1971 with rentals of $2.6 million.[37][38]
The Aristocats was the most widely-attended film in France in 1971, with 12.7 million in ticket admissions. It is currently the 20th highest-grossing film of all-time in France, earning $3.6 million in box office rentals.[39][38][40] That same year, the film was the most widely-attended film released in Germany with ticket admissions of 11.3 million. It is currently Germany's 11th highest-grossing film of all-time.[41] By the end of its initial theatrical run, the film had earned domestic rentals of $11 million and $17 million in international countries,[42] for a worldwide rental of $28 million.[43]
The film was re-released to theaters in the United States on December 19, 1980, where it grossed an additional $18 million and again on April 10, 1987, where it grossed $17 million.[44] The film grossed $32 million worldwide from an international re-release in 1994, including $11 million in France.[45][46] The Aristocats has had a lifetime gross of $55.7 million in the United States and Canada,[47] and its total lifetime worldwide box office gross is $191 million.[2]
Critical reaction
Howard Thompson of The New York Times praised the film as "grand fun all the way, nicely flavored with tunes, and topped with one of the funniest jam sessions ever by a bunch of scraggly Bohemians headed by one Scat Cat."[48] Roger Ebert, writing for the Chicago Sun-Times, awarded the film three stars out of four, summarizing The Aristocats as "light and pleasant and funny, the characterization is strong, and the voices of Phil Harris (O'Malley the Alley Cat) and Eva Gabor (Duchess, the mother cat) are charming in their absolute rightness."[49] Charles Champlin of the Los Angeles Times wrote that the film "has a gentle good-natured charm which will delight the small-fry and their elders alike." He praised the animation, but remarked that the film "lacks a certain kind of vigor, boldness and dash, a kind of a hard-focused emphasis which you would say was a Disney trademark."[50] Arthur D. Murphy of Variety praised the film writing the film is "[h]elped immeasurably by the voices of Phil Harris, Eva Gabor, Sterling Holloway, Scatman Crothers and others, plus some outstanding animation, songs, sentiment, some excellent dialog and even a touch of psychedelia."[51] Stefan Kanfer, reviewing for Time magazine, noted that "[t]he melodies in Disney's earlier efforts have been richer. But for integration of music, comedy and plot, The Aristocats has no rivals."[52]
Gene Siskel of the Chicago Tribune felt the film's "artwork and story do not compare to the truly great Disney films Snow White, Pinocchio, Bambi and Dumbo but there is enough juvenile humor to keep the children in their seats for the 78 minutes."[53] For its 1987 re-release, animation historian Charles Solomon expressed criticism for its episodic plot, anachronisms, and borrowed plot elements from earlier Disney animated features, but nevertheless wrote "[b]ut even at their least original, the Disney artists provide better animation--and more entertainment--than the recent animated features hawking The Care Bears, Rainbow Brite and Transformers."[54] Writing in his book The Disney Films, Disney historian and film critic Leonard Maltin wrote that "[t]he worst that one could say of The AristoCats is that it is unmemorable. It's smoothly executed, of course, and enjoyable, but neither its superficial story nor its characters have any resonance."[55] Additionally, in his book Of Mice and Magic, Maltin criticized the film for re-using Phil Harris to replicate The Jungle Book's Baloo, dismissing the character Thomas O'Malley as "essentially the same character, dictated by the same voice personality."[56]
On review aggregator Rotten Tomatoes, 64% of 33 critics gave the film a positive review, with an average rating of 5.8/10, earning it a score of "Fresh". The website's consensus states, "Though The Aristocats is a mostly middling effort for Disney, it is redeemed by terrific work from its voice cast and some jazzy tunes."[57] On Metacritic, the film holds a weighted average score of 66 out of 100, based on 12 critics, indicating "generally favorable reviews".[58]
Controversy
In 2021, the film was one of several that Disney limited to viewers 7 years of age and older on their streaming service Disney+, stating that the character Shun Gon was a racist stereotype of East Asian people.[59]
Accolades
The film is recognized by American Film Institute in these lists:
2008: AFI's 10 Top 10:
Nominated Animation Film[60]
Other media
Cancelled sequel
In 2005, Disneytoon Studios originally planned to make a follow-up to the film, along with sequels to Chicken Little (2005) and Meet the Robinsons (2007).[61] Originally intended to be a 2D animated feature, Disney executives decided to produce the film in computer animation in order to garner more interest.[62] Additionally, the story was meant to center around Marie, Duchess's daughter, who becomes smitten by another kitten aboard a luxury cruise ship. However, she and her family must soon take on a jewel thief on the open seas.[63] The project was cancelled when John Lasseter was named Disney's new chief creative officer, in which he called off all future sequels Disneytoon had planned and instead make original productions or spin-offs.[61]
Cancelled TV series
In 2000, a television series, titled The Aristocats: The Animated Series, was commissioned by Disney Television Animation. The series would follow Marie, Toulouse, and Berlioz (now teenagers and also anthropomorphic), along with a new character named Delancey. The series was scheduled to be released sometime in 2002, but production was put on hold in 2001. It would restart production in 2003, with a release scheduled for late 2006 or 2007, only for it to be scrapped after Disney's acquisition of Pixar.[citation needed]
Live-action adaptation
In January 2022, it was announced that a live-action remake is in development with Will Gluck producing under his Olive Bridge Entertainment banner and Keith Bunin writing the script with Gluck.[64] Questlove was attached to direct the film in March 2023.[65]
Video games
Thomas O'Malley, Duchess, Berlioz, Marie, and Toulouse were added to the kingdom builder mobile game Disney Magic Kingdoms in September 2023.[66]
See also
List of highest-grossing animated films
List of highest-grossing films in France
List of American films of 1970
List of animated feature films of 1970
List of Walt Disney Pictures films
List of Disney theatrical animated features
References
Bibliography
Koenig, David (1997). Mouse Under Glass: Secrets of Disney Animation & Theme Parks. Irvine, California: Bonaventure Press. ISBN 978-0-964-06051-7.
Tytle, Harry (1997). One of "Walt's Boys": An Insider's Account of Disney's Golden Years. A.S.A.P. Publishing. pp. 193–197. OCLC 801247518.
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2014-11-03T00:00:00
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Disclaimer: This blog is purely recreational and not for profit. Any material, including images and/or video footage, are property of their respective companies, unless stated otherwise. The authors’ claim no ownership of this material. The opinions expressed therein reflect those of the authors and are not to be viewed as factual documentation The Modern Era…
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en
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https://s1.wp.com/i/favicon.ico
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The Disney Odyssey
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https://thedisneyodyssey.wordpress.com/2014/11/03/classic-no-20-the-aristocats/
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Disclaimer: This blog is purely recreational and not for profit. Any material, including images and/or video footage, are property of their respective companies, unless stated otherwise. The authors’ claim no ownership of this material. The opinions expressed therein reflect those of the authors and are not to be viewed as factual documentation
The Modern Era (Post-Walt) continues with The Aristocats, a film with many similarities to its most immediate predecessors, but with a noteworthy difference: this was the first film in the animated canon to be released after Walt’s death, in which none of his personal touches were incorporated, although allegedly there was a lot of ‘What would Walt do?’ circulating at the studio. However, although it was released four years after his death, Walt did approve it and had involvement – but not in terms of what the film would turn out to be.
Walt approved the film in the early 1960s, and originally, The Aristocats was set up as a live action double feature for Walt Disney’s Wonderful World of Colour conceived by Tom McGowen, Harry Tytle, and later Tom Rowe. They were inspired by a story featuring cats in New York, and the setting was changed to Paris, as they felt that the London setting in One Hundred and One Dalmatians made a huge difference to the film’s atmosphere. Walt did a lot of collaboration with McGowen, Tytle and Rowe, and the film was very different, even when they changed the idea to making it an animated feature. Edgar the Butler was accompanied by Elvira the Maid (voiced by Elsa Lanchester), there were no scenes with the geese or the dogs, the Sherman Brothers were to write all of the songs, etc… However there was a lot of politics in the studio at that point, which worsened when Walt died, as The Aristocats changed over the years to what it is now. Rowe even sued the studio. Tytle melancholically reflects, ‘In my opinion, the resulting film lost the very element we tried to build, the Parisian atmosphere and characters, all the French charm. I honestly think the original story that Walt bought was much better’.
So … aside from dark politics at Disney, The Aristocats (as we know it now) was in development for four years. It features a cast of ‘big names’, with Eva Gabor, Phil Harris, Pat Buttram, George Lindsey, Scatman Crothers, Monica Evans, Carole Shelley and Hermione Baddeley, many of whom were popular stars in the entertainment industry. We imagine that we will be seeing a lot more of this pop culture seeping through the canon from here on out.
No Original Trailer Time …
Editorial Note: If an original trailer ever pops up – we will of course edit it in and delightfully lampoon it.
Protagonist[s]
Voiced by Hungarian actress, Eva Gabor, Duchess is a white Turkish Angora cat:
Whose eyes are like sapphires
Aghhhhhh!
That’s better
She is an elegant, kind-hearted and ladylike mother of three kittens, who no matter what anyone says, do have different fathers (perhaps local neighbourhood purebred Tom cats – no Mr Stork in this story!). It is very easy to make comparison with Lady from Lady and the Tramp, being both purebred pets from fancy houses that fall for a loveable rogue-like stray. However, while Lady was clearly an ingénue, to the degree that she was naïve about the world outside of her own home, and was very angry when she discovered that player Tramp had had many lady friends before her, Duchess, despite being a house cat, seems to be much more worldly, confident and self-assured. She sees straight through O’Malley and is aware that he has ‘been around’ so to be speak, and of course she plays the flirtation game just as heavily as him.
We are glad that they did not go for the stereotypical path and make Duchess a clichéd rich priss (which would have been easy, considering it was and likely still is, a cinematic trope – rogue-like cad on a road trip with aristocratic spoiled brat). Even though she is out of her comfort zone, and is initially frightened in the stormy weather, she takes it all in her stride, admitting graciously that they need help getting back, and not moaning about their predicament. She even enjoys the journey back, particularly the party with the alley cats, embracing the experience. However despite her appreciation towards the idea of a life with Thomas O’Malley (and consequently having a father figure for her children), her loyalty and love for her owner or ‘Mistress’ as Duchess calls her, never wavers. She cares for her and is concerned for her all on her own, aware that she misses them dreadfully. As well as Madame, her children are her priority; in earlier scenes, she is keen that they behave like ‘charming ladies and gentlemen’, encouraging them in artistic pursuits, and when they are lost, making sure that they are safe and reassuring them not to be frightened, being strong for her children. As a character, she does not particularly learn much, except that she should not be so trusting, as she discovers when Edgar sticks them in a bag during the climax.
Thomas O’Malley, or to give him his full name: Abraham d’Lacey Guiseppe Casey Thomas O’Malley …
(Special Note from Both: At one point, O’Malley refers to himself as J. Thomas O’Malley, likely a nod to J. Pat O’Malley who somehow is not in this film … although it makes no sense as none of O’Malley’s ‘first names’ began with ‘j’ … bravo Terry Gilkyson)
… is voiced by Phil Harris, and there is enough of a distinction between this character and Baloo, even though Harris’ voice-work isn’t that different. Even Harris said, ‘I’m just playing myself again’ admitting that the character was very similar to Baloo. The male/female dynamic between O’Malley and Duchess enables the character to be much more of a smooth talking schmoozer (something that Baloo never had much cause to be in a largely male-dominated cast). Much like Tramp, O’Malley is a streetwise, worldly type, who has presumably broken many hearts along the way. This is never stated outright – like it was with Tramp – but it is implied, particularly when he looks at the camera and says “Come to think of it O’Malley you’re not a cat, you’re a rat! Right? Right!”
(Special Note from Both: This is such an odd moment, that it’s actually become one of our favourite parts of the film!)
Despite this he proves to be a consistently reliable presence, almost instantly. Although taken aback initially by the discovery that Duchess has three children, he quickly regains his composure and helps them find their way home – placing himself at risk in the process. Even though O’Malley initially seems like a schmoozer as he flirts with Duchess, he turns out not to be a cad, but actually genuine. We had a moment when watching the film when we suddenly said, having the same thought at the same time, that he is like Pierce Brosnan’s character in Mrs Doubtfire – seems initially like a schmoozer but you discover that he is actually quite smitten by not only his girlfriend but her kids as well.
People Cats change … pushing 40 8 … don’t want to spend the rest of my life by myself … three terrific kids, especially that little Natalie Marie
(Special Note from Both: Perhaps one of the kittens’ biological fathers will turn up in the sequel, pretending to be a female nanny, only to overhear O’Malley during a conversation with Scat Cat, saying that the guy is a loser … then O’Malley will become the victim of a run-by-fruiting)
O’Malley’s willingness to help the children in particular is an admirable character trait, but the problem is that he does not really have much of an arc as a character.
(Special Note from David: It seems that much of his development as a character has already taken place, and his resolution to be a good guy – “you’re not a cat, you’re a rat!” – is all we get to see)
(Special Note from Melissa: However he does become a house cat – which again is pretty much lifted from Tramp’s arc)
Both O’Malley and Duchess are animated in such masculine and feminine ways, that are very human-like, and yet simultaneously their movements are so distinctively cat-like – overall the anthropomorphic animation is top-notch. Their romance is best played during the flirtatious scene in which they first meet – in a way it is a step beyond maturity in a relationship that we previously saw with Lady and Tramp, likely because Duchess is more knowing – and their sensuous scene on the rooftop, which features a few iconographic Disney images:
Antagonist
Edgar, voiced by English actor Roddy Maude-Roxby, is probably the most sympathetic villain in the Disney canon (with emphasis on ‘pathetic’): the poor man demonstrates an exceptionally high tolerance for the cats, as well as Madame Adelaide Bonfamille’s annoying old friend, Georges, who almost kills him travelling up the stairs, and yet he discovers that he stands to inherit nothing in Madame’s Will (apart from continuing to take care of the cats). Years and years of labour for no reward; understandably he does not take the news very well. It’s not often we are given cause to feel sorry for the villain.
But then he drugs the cats by putting an excessive amount of sleeping pills in their cream (or “crème-de-la-crème-a-la-Edgar”) and smuggles them away at night, leaving them by a river. This is quite a dastardly thing to do, but his ineptitude whilst attempting to carry it out somehow enables him to remain sympathetic; particularly when he runs afoul of two dogs who chase him relentlessly. Even though the kidnapping was a botched operation, he somehow manages to make the front cover of the newspaper.
(Special Note from David: It would have been more plausible had he made the cover of Poof:
Initially a pleasant man, he clearly goes mad throughout the film, and practically has a breakdown as he becomes obsessed with getting the cats out of the picture. Although he is a devoted Butler, we discover that at heart he is a social climber, and looks forward to a life of wealth and status when Madame eventually passes.
(Special Note from Melissa: This is credited to our friend Kol, but she made a great point when she said that Edgar is like Shakespeare’s Malvolio from Twelfth Night. Malvolio is also a servant character that again you don’t know whether to feel sorry for him or dislike him. Plus like Edgar, although he is devoted, he is a social climber)
I’ll be revenged on the whole pack of you
But when you consider previous heinous and despicable villains in the canon, Edgar is a largely ineffective villain, too clumsy to ever create much of a sense of threat, and too justified in his motives to ever be truly hated. But he pays for his actions nonetheless, as it is more than likely he will either suffocate or die of dehydration on the way to Timbuktu.
(Special Note from David: That’s actually rather dark! Oh well, never mind, let’s have a dance number!)
To the character’s credit he does have some good moments; both of his reactions when overhearing Madame and Georges discussing the will are hilarious …
… laughing at his own bad jokes, and firing a champagne cork right at Roquefort the mouse. The voice acting is excellent, although would perhaps be better suited to a well-meaning support character rather than a villain. You really don’t know whether to feel sorry for him or dislike him. Poor sod – he really should have thought it through. Even if the cats had inherited the estate and money, he still could have taken advantage of that. The cats were hardly going to use it!
Or he could have always gone down this route:
Supporting Cast
The three kittens, Toulouse, Marie and Berlioz are pretty straightforward characters, all of whom exhibit individual character traits (more of an effort was made with them than with the Dalmatian puppies). Named after icons in France, artist Henri de Toulouse-Lautrec, composer Hector Berlioz, and former Queen of France Marie Antoinette, they all possess qualities that their namesakes possess; Toulouse paints, Berlioz plays piano and Marie … well she possesses the ability to make sassy remarks. They are believable as young siblings, who fight and tease each other; the two boys gang up on their sister, and she manages to hold her own. Marie tries to mimic her mother’s ‘ladylike’ behaviour and has a superiority complex over her brothers. She likes the notion of romance, and often fawns over O’Malley’s speeches towards Duchess. It is frustrating that Marie is always the one who needs to be saved, because any of the male kittens could easily have been in danger too. Toulouse often tries to appear tough and is the most playful and outgoing kitten, while Berlioz is quieter and somewhat grumpier than his brother.
(Special Note from Melissa: Perhaps they are making a comment on the difference between painters and musicians?)
One moment with the kittens that really tickled us is when they take O’Malley literally when they overhear him telling Duchess that they’ll ‘fly together on a magic carpet’, as quite rightly, kids have tendency to take things literally.
Don’t even try and explain O’Malley
(Special Note from Melissa: Even as a kid, I took O’Malley literally. I thought I was going to see ‘A Whole New World’ with cats and was gutted)
Roquefort the mouse is an unusual presence within the film. He is a well-meaning but befuddled character who is concerned for the cats’ welfare.
Although he is a bit of a freeloader who has his routine down to a fine art: ‘It just so happens … I have a cracker with me’
Out of all of Sterling Holloway’s characters thus-far, Roquefort is the most involved in the main storyline, and yet strangely manages to be almost entirely superfluous (apart from during the final scenes in which he does prove rather useful). Our theory is that this character was created solely so that Sterling Holloway could make weird noises.
He is almost as incompetent as Edgar … almost
One of the original creators of The Aristocats was annoyed that they inserted a mouse into the film: ‘We didn’t have a mouse in the original story; I, for one, felt it was a cliché and not vital to a cat story. For once, I wanted to do a cat story without a mouse’.
Also why does he have no eyeballs???
Madame Adelaide Bonfamille, voiced by Hermione Baddeley, is a glamorous and eccentric lady who is a lover of the arts and her fluffy pets. We see little of her in the film, which is unfortunate as she is an interesting figure from what we know about her. She was once an opera star, but it is unknown as to whether she ever married or had any children – it is just that now she has no living relatives. From what we see, her family are her cats, as she dotes on her Duchess and kittens so much that she is willing to leave her entire fortune to them, instead of the long-suffering butler. She does insist that Edgar would get the fortune when the cats die … no matter how you try and justify it, it is a mad idea, but then again it does sound like the stuff of eccentric billionaires that pops up in headlines. Madame makes ‘Crazy Cat Lady’ fashionable as she pulls it off with a flair, with an excellent wardrobe that she possesses, and of course her long white hair. If this were made as a live action feature, Vanessa Redgrave would surely play her – she is that elegant!
My home for ALL the alley cats of Paris!
She does not seem unhappy about having no living relatives, and although she would appear to be a lonely figure, she never feels alone as long as she has her cats. Again she is curious character, and you do wonder about her past.
(Special Note from Melissa: Perhaps she should go to Italy and find her long lost love from fifty years ago …)
So … do you still have all those cats?
(Special Tangent from Melissa: Madame Adelaide Bonfamille could easily have a film of her own that would likely, despite being set in Paris, star a British cast, end up being a sleeper hit, play at all the Picturehouse cinemas and win several Baftas – probably Best Actress and Best Costume Design. It would follow her opera career, the loves and losses she encountered, a stuffy mother pushing her about why she isn’t married yet (likely played by Helen McCrory … or Miranda Richardson putting on a French accent even though no one else is) and an eccentric composer father who encourages her to follow her dreams as an opera star (likely played by Bill Nighy). She would probably be played by an up and coming young female British actress and then by Vanessa Redgrave in her older years, with Georges being played by Jim Broadbent. Edgar would likely be played by the downtrodden Molesley from Downton Abbey.
And I come after the cats???
… But that likely will not happen. Probably 99.9% will not happen)
Anyway Georges Hautecourt, voiced by Charles Lane, is Adelaide’s attorney and her ‘oldest and dearest friend’. Also a lover of the arts, and eccentric to boot, it is no wonder the two of them are friends. He is an enjoyable figure to watch, as he is so delightfully animated and voiced that again it is a pity that we only see him in two scenes. He just seems like such a happy fellow in everything he does and he is unaware that he really should not climb stairs …
He seems like what Mr Dawes Sr could have been had he lived after the first time in which he laughed:
Ta ra ra boom de ay! Hahahaha wooden leg named Smith. Should have gone to the opera years ago hahahaha …
But even eccentric Georges thought that the idea of Adelaide leaving her fortune to her cats was mad (‘To your cats???’) … come to think of it, had Edgar listened further instead of scheming, perhaps he might have heard Georges advise her against the idea, especially as later Adelaide says ‘If Edgar had known about the will, I’m sure he never would have left …’. Yes it could mean that she thought he would have been thrilled by the will in which he is second to the cats, but still … we’ll never know.
On another note, ever wondered what Mary and Bert would look like decades later?
Also Georges seems to be driving Brum …
And Georges’s mischievous spirit was reincarnated into Brum
Scat Cat and his gang of Alley Cats are old pals of O’Malley’s; they serve as entertainment in the Everybody Wants to Be a Cat sequence and are a source of assistance in the climax.
It is a bit of a throwback to the pound scene in Lady and the Tramp (except far less miserable) as the cats are all cultural stereotypes – Black American, English, Asian, Russian (voiced by the very recognisable Thurl Ravenscroft!) and Italian. Some of these work fine, are enjoyable and are not inappropriate, but THIS one:
Just … no. Please NO. Just stop Disney, stop it right now.
Louis Armstrong was originally meant to voice Scat Cat, and the character was even modelled on him both facially and physically, including his trademark trumpet and the gap between his front teeth, but unfortunately Louis had to pull out due to illness. Scatman Crothers took on the role instead, and was advised to ‘Pretend you’re Satchmo’.
For a film that is supposedly set in Paris in 1910, this jazz band of cats does seem rather anachronistic. Now it is not as if Disney has never been guilty of anachronisms but in this case, it is much more obvious because (apart from there being talking animals and surreal slapstick of course), it is a rather realistic setting and they made a deliberate effort to say that it was 1910. Jazz did not become popular in France until after WWI, and to be honest the pad that the cats inhabit looks more like a 1960s haven.
This cat alone embodies the 1960s!
We wonder if they should have just, like One Hundred and One Dalmatians, set it in the present day. It seems like they wanted to; Paris would still look beautiful and it could still be set in an aristocratic house.
Napoleon and Lafayette are a mildly amusing and dim-witted double-act, but they have absolutely no bearing on the plot and unfortunately get bogged down in repetitive material. Napoleon’s Sherlock Holmes-esque ability to identify the properties of modes of transport and shoes purely based on the noises they make, is quite an entertaining trait, but beyond that there’s not much to either character. Although he has Holmes-like qualities, he of course has the voice of Pat Buttram, so there is absolutely no way he could sound like a pastiche of Holmes.
(Special Note from Melissa: Now if The Aristocats had been made today and they cast Benedict Cumberbatch and Martin Freeman in these roles … we may have excused their having no bearing on the plot)
The rule-of-three system comes into effect in the form of an unfunny joke wherein Napoleon enforces his status as the leader, before stating the obvious. There’s not enough variance in this joke to warrant using it three times. With names like Napoleon and Lafayette, you would think that they would be French stereotypes, but instead they have cast Southern American actors known for performances in Westerns, Pat Buttram and George Lindsey.
(Special Note from Melissa: Even as a child I used to speculate ‘What are these characters doing here?’ They just seem so superfluous. If they wanted to make a short about dogs that pestered a man on the verge of a breakdown – they should have just done that)
They do have humorous moments, but because they do not ever interact with the main characters or have any impact on the plot itself, it slows the pacing right down.
Even Amelia and Abigail are more useful as they at least save O’Malley’s life and lead the cats to Paris. Yes, now Amelia and Abigail Gabble are geese who apparently are based on the Pigeon Sisters, Gwendolyn and Cecily from The Odd Couple, played by the same actresses who played those roles, Monica Evans and Carole Shelley. As we can see, pop culture reference is becoming more and more integrated. However even though they are a specific reference, it does seem to be satirising how in that era, English ladies would go on European tours, often in pairs (think E.M Forster and D.H. Lawrence)
A giggly and proper duo, they are another pair of eccentrics in the film, as they live in their own bubble, unaware that O’Malley is nearly drowning but instead thinking that he is trying to learn how to swim and they spend so much time together that they find each other’s ‘jokes’ very amusing. They play on their ‘properness’ as they go from thinking that O’Malley is charming and handsome, flattered by his flirty remark that he ‘thought they were swans’, to judging him as a cad and a philanderer with a crooked smile and eyes that are too close together when they discover that he is not married (GASP!)
Scandalous!
(Special Note from Melissa: As a child, I thought that the ‘Goose Walk’ was the funniest thing ever)
Their Uncle Waldo is in one scene, voiced by Bill Thompson (a veteran of Disney who we love for his classic reading of the line from Alice in Wonderland ‘Well … there goes Bill’). The point of him is a gag – a chef was trying to cook him and had either ‘basted’ or ‘marinated’ him in white wine … alive … for some reason. We think that chef needs to go back to cookery school. Unless they are trying to insinuate that everyone in Paris is either mad or on the verge of a breakdown.
Like this poor fellow (best visual gag in the film)
But in a nutshell, the gag is that Uncle Waldo is drunk because of an incompetent chef. That’s it.
Artwork and Imagery
This may sound blunt, but as Walt disliked the use of Xerox in animation, to the degree that he scorned at the animation of One Hundred and One Dalmatians, and made sure that the backgrounds in The Jungle Book were his preferred painted backgrounds, it seems as if The Aristocrats is a case of ‘Walt’s not here to criticise. We can do what we like!’ The pencil lines are much more prominent, and we noticed it not only in the characters but also in the backgrounds, looking much more like Dalmatians and The Sword in the Stone than The Jungle Book.
See the black lines in the backgrounds
The human characters in particular look sketchy, as the pencil lines have not been particularly cleaned up:
There is a LOT of recycled animation, not only from other films, but also recycling moments from itself:
How many times did we see this?
Furthermore, there are design inconsistencies:
Also there are glitches reminiscent of the blank faces incident in Peter Pan:
Toulouse and Berlioz have no eyeballs!
The animators did research to capture the authenticity of Paris in the early 1900s, looking at many books and periodicals. One of the artists had spent a month painting in Paris, and based some of it on his own memories. At times, the backgrounds are reminiscent of bohemian French artists, and even Toulouse Lautrec. Here are some particularly beautiful shots from The Aristocats:
Music
George Bruns offers his usual style in terms of the underscore, with some new touches. There are touches of French style in the underscore, through accordion musical sequences. Also whenever Edgar is smuggling away into the night, the underscore has a Pink Panther-esque tone and style, playing up the crime drama in the film.
The Sherman Brothers had left Disney after having completed work on The Jungle Book to follow up new projects, but did come back to the studio for a brief period to work on The Aristocats and Bedknobs and Broomsticks. This would be the last full length feature film in the Animated Classics canon to involve the Sherman Brothers (except for Winnie the Pooh but they are rather more a collection of shorts), and unfortunately they weren’t really utilised to their fullest potential; only two songs in the final film were their compositions.
(Special Note from Both: We were both really surprised to discover during the opening credits that the most famous song from the film, Everybody Wants to Be a Cat wasn’t one of theirs!)
The Aristocats plays over the opening credits and is a fun, lively number packed with French flavour. It has a very classic, cabaret feel to it, as it was sung by the legendary French entertainer, Maurice Chevalier, who was coaxed out of retirement by the Sherman Brothers for the purposes of performing this song. This song was his last musical performance in a film, as he would pass away in 1972. Chevalier, whether jesting or not, said that he imitated Richard Sherman (on the demo) imitating him.
Scales and Arpeggios is a fairly by-the-numbers tune written by the Sherman Brothers, it almost seems like a description of the creative process rather than a finished product. It is a pleasant number, but is sung horribly by Marie and Berlioz (unlike Karen Dotrice’s singing in The Perfect Nanny, the bad-singing is not charming, it’s very tinny and goes on for ages!). Albeit it sounds realistic of everyday kids ‘singing’, but it does not sound pleasant until Duchess joins in – the saving grace!
Thomas O’Malley Cat is performed by Phil Harris, and is used as the introduction to his character: he makes his entrance while singing it. Much like The Bare Necessities, this song was written by Terry Gilkyson. It is a fun and catchy jazz number, with trumpet fanfares in between each line, and a swaggering finger-clicking beat. To an extent, it is a ‘chat-up line’ song, as O’Malley spends nearly the entire song flirting with Duchess as he ‘shows off’.
It sounds even better in Danish!
Everybody Wants to Be a Cat, written by Floyd Huddleston and Al Rinker, is probably the most recognisable song from the film. It is a very energetic jazz number that embraces the free-form nature of improvised jazz. It starts off gentle and relaxed, turning into a fast-paced swinging number with all of the band playing, then into a languorous romantic mood as Duchess plays the harp and sings a rather sultry verse, and finally spontaneously livens up so much that the band break through several floors and go on singing and playing with their smashed-up instruments into the night, never quite ending the song. The song has the natural rhythm of a party – starts slow, livens up, slows down again, then concludes with a final touch of wildness. It joins I Wanna Be Like You in the ‘dance song’ catalogue!
Plus the kittens sing their own version as they fall asleep. Which is – at least – brief.
It is also reprised at the end when Madame has clearly gone mad as she has opened her home to ‘all the alley cats of Paris’. This sounds rather familiar:
We’ll have an alley cat plantation, and then we’ll… erm.. huh! That is a tricky rhyme! No wonder they gave up on it before! Throw in another reprise!
Strangely enough Frou Frou and Uncle Waldo also sing about how everybody wants to be a cat, while Napoleon and Lafayette just look puzzled (probably wondering why they are even in this film).
Something that is very unfortunate is that the Sherman Brothers wrote another song for the film called Pourquoi? to be performed by Madame at the start of the film, and then later reprised in the form of She Never Felt Alone. Curiously the latter number is credited in the opening titles, even though it wasn’t used, apart from a few of the lyrics which are spoken rather than sung, and a little of the melody as underscore.
(Special Note from David: That’s pretty sloppy, guys!)
Pourquoi cleverly plays on ‘pour’ as onomatopoeic ‘purr’ and of course using French lexicon, and thus fitting for French felines! Those witty Sherman Brothers! Both Pourquoi and She Never Felt Alone would have enhanced the film’s soundtrack – as they are very sweet numbers, which exhibited the Sherman Brothers’ penchant for word-play – but it would have also improved upon the story, and of course the character of Madame. We know so little about her in the film, and these songs emphasise her operatic career and of course her love for her cats.
Story
Walt had been less involved in films such as One Hundred and One Dalmatians and The Sword in the Stone and consequently he wasn’t too pleased with how they turned out, and unfortunately a great deal of the problems that those films had, can also be found in The Aristocats. The studio were clearly struggling without Walt, or at least a leader figure, and in The Aristocats a lot of ideas were re-used, presumably in the hope that: “this worked before, so it will work again”. This is not to say that Walt himself was the only reason why a film would work or not, but something we’ve noticed throughout the canon is that whenever Walt was more directly involved, a feature would have more focus; it would keep the story on track.
For us, it is the story where the film really falls down. It is like a thinner and lighter version of Lady and the Tramp, as characters had flaws and failings in that film, whereas in The Aristocats, the writers seem unwilling to highlight those flaws for the fear that we may dislike the characters as a result.
(Special Note from Both: For anyone who has ever seen The Philadelphia Story and High Society, it is just like that – making initially flawed characters into spotless, less believable ones)
For us, strange decisions were made in the making of The Aristocats, such as cutting Pourquoi and She Never Felt Alone, meaning that the emotional gravitas of Madame losing her cats is lessened, as well as Duchess’s reasoning for wanting to return. Something that we love about Disney is that they are prepared to go to very emotional and sentimental places, and by cutting these sentimental songs, it delivers a message that they are suddenly ‘too cool for school’, especially when they replace sentimental scenes with superfluous ones that involve characters that have next to nothing to do with the main action. Yes Napoleon and Lafayette; again their scenes really slow the action down, and unlike many previous supporting characters, their ‘plot’ does not interweave the main plotline. As we said before, it does seem as if they wanted to make a short about dogs (or that they believed that viewers who are not ‘cat people’ may sneer at the film unless there are non-cat scenes). Why did they not have Napoleon and Lafayette turn up in the climax? That could have been an opportunity for them to impact the story – perhaps they track Edgar down all the way to Paris? Join the fight? Get him arrested? Hand the ‘evidence’ to the police? Anything! But no, they just … forget about them until the end, only to slap on a repeated joke.
Anyway much like The Jungle Book this film has a very simple story, but there is far too much aimless meandering, padding out the running time. Every scene in The Jungle Book was connected to the narrative, but in The Aristocats there is a pointless sub-plot involving Edgar attempting to retrieve his hat and umbrella which is really drawn out; a plotline which – incidentally – never factors into the main storyline. Some of the ‘padding’ is entertaining, but the story does have a tendency to wander off, as if while making the film, they wanted to make several other films and stuffed them into one film. In terms of threat and tension in the storyline, Edgar is so weak, ineffective and not that bright that the threat is never that prominent. We knew he would botch up the Timbuktu plan in the climax because he’d botched up everything before that:
Remember me as mediocre at best
David’s Verdict
This is another film that I remember from childhood, and so when it came around to re-watching it there were a few moments that were already engrained in my subconscious memory. I remembered Toulouse’s painting of Edgar, the line “crème-de-la-crème-a-la-Edgar” (although I slightly misremembered it), Phil Harris’ voice-acting, and the song Everybody Wants To Be A Cat. As such I have some fondness for this film, but the effect of nostalgia only influences my enjoyment to an extent.
There’s not a great deal within this film that hadn’t already been done before – and done a lot better – in Lady and the Tramp. The lead characters are very similar, and the main storyline follows a similar premise, but rather than taking this setup and doing something different with it (or developing it further) this feels like a simplified version. Not only that, it meanders quite heavily and there is a lot of filler; not to mention one of the ‘meh-est’ endings of the canon.
I really think that the storyline and the film in general would have been improved if the other Sherman Brothers’ songs had been included; it would have given the film more heart, and given more development to the characters. Instead there is just an odd moment where Madame Adelaide looks out of a window for a while (which is where She Never Felt Alone was supposed to be). The film-makers were clearly struggling without Walt, and the film is full of a lot of recycled ideas, but I can’t understand why they chose not to include Pourquoi/She Never Felt Alone in a film with so much padding.
Edgar has some entertaining moments, but is far too sympathetic, and never really threatening. The majority of the supporting characters aren’t much to shout about either (following on from The Jungle Book which had such an entertaining ensemble), and several of them out-stay their welcome: particularly Napoleon and Lafayette.
I do enjoy the soundtrack – apart from Scales and Arpeggios – which is probably the best thing about the film, although it would have been great to have heard Louis Armstrong singing Everybody Wants To Be A Cat. I also like O’Malley as a character, but I’m not sure how much of that is down to him being voiced by Phil Harris.
Melissa’s Verdict
As a child, I adored The Aristocats; I had cuddly toys of Duchess, Marie, Berlioz and Toulouse (which are still around in the cupboard somewhere!), and I am sure either my sister and I or my friends and I used to play that we were the ‘Aristocats’ in the garden. Strangely enough, I did not have it on video, but we definitely used to rent it or borrow it frequently. It was not until I was older that I got a copy of it on DVD. It is not exactly that it is a film that is ‘not as good as I remember’, because I am very fond of the film and to an extent some of my feelings about it haven’t changed. As a child, I thought that the subplot with Edgar and the dogs dragged on and I used to be tempted to fast-forward those bits because I would want to get back to the cats. I still feel that way, and I am even more aware of it, as the film just seems to come to a halt every time those scenes take place. I agree with David that the film’s ending is ‘meh’ as it is packed full of recycled animation and concludes with a joke that has already been done by characters that had nothing to do with the main action.
The story, the antagonist and the support are primarily where the film falls down for me – there is so much padding and meandering, seemingly because they wanted to keep the antagonist occupied until the cats found their way home. As a villain, Edgar is so pathetic, and no matter what, the idea of leaving everything to your cats instead of your faithful butler just seems downright unfair (it is a rather pro-ruling class film isn’t it?). Catnapping is awful but he is a serial bungler and while amusing at times, he really falls flat next to many villains that have come before, especially since he is the only antagonist in the film. Of course there are things that I do like about The Aristocats. Everybody Wants to Be a Cat, The Aristocats and Thomas O’Malley Cat are terrific songs, and they have been stuck in my head since we watched it. I enjoy the jazz and Parisian-inspired underscore (in fact I wished that they had amplified the French atmosphere even more in the film), there is some lovely artwork and voice work in the film, the protagonists are likeable (with some sassy dialogue and romantic moments), I like the eccentricities in certain characters, the kittens had cute moments and there are very amusing visual gags. The Aristocats is light, easy-going and charming entertainment that makes me feel nostalgic, but a little more heart could have gone a long way, and perhaps by adding back in the songs with Madame and the development to her character, thus providing an emotional anchor. Take out the padding, make the villain more threatening, clean up the story and develop the characters that really matter rather than stretching itself thin with superfluous characters that amount to nothing, and the film would have been much better.
Legacy
The Aristocats, released in December 1970, did well at the box office. At Variety, a critic called it ‘marvellous to behold’, featuring ‘outstanding animation, songs, sentiment, some excellent dialog and even a touch of psychedelia’. Although we don’t have Bosley anymore, Roger Ebert has appeared: ‘The Aristocats is in there with the good ones. It is light and pleasant and funny, the characterization is strong, and the voices of Phil Harris (O’Malley the Alley Cat) and Eva Gabor (Duchess, the mother cat) are charming in their absolute rightness’. At The New York Times, a critic wrote, ‘Bless the Walt Disney organization for The Aristocats, as funny, warm and sweet an animated, cartoon, package as ever gave a movie marquee a Christmas glow. The colour feature is a joy and—fortunately for everybody, young and young-hearted—theatres are playing it all over the metropolitan area. Talk about cats, man—these aristocats have it’. The film’s songs were nominated for a Grammy, and the film itself won ‘Best Children’s Film’ at the Sant Jordi Awards.
The Aristocats is the last film in which Eric Larson worked as an animator; from this point onwards, he would go on to teach and train animators. It was Disney veteran, Bill Thompson’s final film. A sequel for The Aristocats was in developed during the Pit of Despair Sequel Years, but fortunately it was cancelled when John Lasseter took over the studio.
Thank you so much for reading! We hope that you enjoyed it – comment below and let us know what you think
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https://www.laughingplace.com/w/disney-entertainment/blu-ray-review-disney-legacy-animated-film-collection-2/
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Blu-Ray Review: Disney Legacy Animated Film Collection
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2023-11-29T04:13:08+00:00
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Take a look inside the Disney Legacy Animated Film Collection, the 100-film Blu-Ray box set, in our review and unboxing of this limited edition release.
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en
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LaughingPlace.com
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https://www.laughingplace.com/w/disney-entertainment/blu-ray-review-disney-legacy-animated-film-collection-2/
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When I was a kid, I kept my Disney VHS collection in a chest that I called my “Disney Vault.” I was obsessive enough that I had my movies in chronological order, based on Dave Smith’s official list, with index cards for “classics” I didn’t have yet. In other words, ever since studios began releasing large multi-film box sets, I’ve been hoping Disney would do something like this. And so when the Disney Legacy Animated Film Collection was announced at Destination D23, I was pretty excited about the news. While the set isn’t exactly what I’d hoped for and comes with a monumental price tag ($1,499.96!!!), sentimentality won its battle over my conscience. After lengthy delays (release date November 14th, received November 28th), I can finally crack open the WalMart exclusive set and give my honest review (note: It appears to be sold out, as the listing is no longer available).
Themed to Disney’s 100th anniversary, a legacy that began with the Walt Disney Animation Studios, the box set includes all 61 animated features by that entity, from Snow White and the Seven Dwarfs through Strange World. It also includes all 27 films from Pixar Animation Studios, ranging from Toy Story through Elemental. That’s 94 films, so to bring the total to 100, the theatrically released Disney Toon Studios projects were thrown in, starting with A Goofy Movie and excluding any big-screen outings of animated series like DuckTales, Recess, Doug, and Teacher’s Pet. With those stipulations, the set was still at 99 titles, so the first Tinker Bell film was added, which had an international theatrical release (but so, too, did many other DisneyToon Studios titles that were direct-to-video domestically).
100 advertised films, but 116 discs when you account for the bonus discs included with 16 Pixar films. Most of the discs are clones of their most recent releases, so long as that release predates this sets announcement. For example, Snow White and the Seven Dwarfs is not the 2023 4K restoration on a Blu-Ray disc (shown for size comparison in the first image), but a clone of the 2016 Signature Collection disc. Cinderella, on the other hand, contains the most recent restoration used on its 4K re-release. Those hoping for a new pressing of The Sword in the Stone will be disappointed to hear that this disc is the same from 2013 (trailers and all) and not the improved restoration streaming on Disney+.
Discs that are newly authored tend to be for titles that were previously released with multiple films on the same disc. The Rescuers and The Rescuers Down Under each have a new disc just for that film, as do Saludos Amigos and The Three Caballeros (the transfers themselves are the same, with Saludos Amigos remaining uncensored). Direct-to-video sequels (by DisneyToon Studios) have been removed from The Fox and the Hound, The Hunchback of Notre Dame, Mulan, Atlantis: The Lost Empire, The Emperor’s New Groove, and Brother Bear. All of these films have a new static menus set to score, with minor animated effects added in. In most cases, bonus features were included, although Hunchback lost all of them, most notably its commentary and making-of featurette (they aren’t on the digital copy, either). Atlantis loses its filmmaker commentary. In the case of Pocahontas and Lilo & Stitch, the discs included are previously released standalone versions, without the sequels. This means that the version of Lilo & Stitch in this set is the UK censored “pizza box” version that is also streaming on Disney+.
In addition to the discs, the set includes collectible crystal mouse ears, provided by Arribas Bros., who has shops in Disney Parks around the world. The ears are engraved with the Disney100 logo and come in their own box, stored separately from the box set.
Packaging & Design
The Disney Legacy Animated Film Collection was shipped in a generic white box, the interior of which features icons from the films included in the set. The heavy box was enveloped by foam shippers, one of which has space for the boxed crystal ears.
Being a heavy box set, our shipment was dented in one corner, which impacted the set itself.
The boxset itself was shrink-wrapped. A sheet on the back of the package contained details only for the Pixar films in the set. It was attached to the box by three sticky dots.
The backside of this sheet included information about the set’s contents.
The box set has a satin matte finish, with gold embossed outlines and fireworks that refract light. The castle features subtle inner details.
The outer box uses a magnetic clasp to secure it shut. The three books inside hold all of the discs. Additional foam padding was included for safe transport.
The binding of each book pops out when opened, becoming a stand for the set.
Each book features a quote by Walt Disney, along with a table of contents.
The last page of each book contains a key to all of the icons within that volume’s artwork.
Discs have been given a uniform white and gold design. Discs are housed in a scratch-prone sleeve on the edge of the cardboard pages. A character or icon has been assigned to each film (note: Hyacinth Hippo was assigned to Fantasia 2000 despite only appearing in the first Fantasia).
The last page of the third volume contains an envelope of paper ephemera.
It holds an individually numbered certificate of authenticity, produced on translucent paper.
A small “exclusive” lithograph from Disney’s Wish has the box set’s logo embossed in the corner (a larger print of this same image has been given away at other Disney events).
And this space also holds an envelope full of digital copy codes. There’s a unique code for each film, redeemable through Movies Anywhere, which limits users to 5 code entries per day.
Bonus Features
Note: Bonus features with an asterisk are only included with the digital copy. They can’t be found on a disc included with the set.
Snow White and The Seven Dwarfs (1937)
Audio Commentary by Walt Disney and John Canemaker
In Walt's Words: Snow White and the Seven Dwarfs
Iconography
@DisneyAnimation: Designing Disney's First Princess
The Fairest Facts of Them All: 7 Facts You May Now Know About Snow White
Snow White in Seventy Seconds
Alternate Sequence: The Prince Meets Snow White
Disney's First Feature: The Making of Snow White and the Seven Dwarfs
Bringing Snow White To Life
Hyperion Studios Tour
Decoding The Exposure Sheet
Snow White Returns
Deleted Scenes
Soup Eating Sequence
Bed Building Sequence
Story Meetings
The Dwarfs
The Huntsman
Animation Voice Talent
*Short: Hungry Hobos
Pinocchio (1940)
Walt's Story Meetings: Pleasure Island
In Walt's Words – "Pinocchio"
The Pinocchio Project: "When You Wish Upon a Star"
Short: "Poor Papa"
No Strings Attached: The Making Of Pinocchio
The Sweatbox
Geppettos Then And Now
Live-Action Reference Footage
"When You Wish Upon A Star" Music Video By Meaghan Jette Martin
A Wish Come True: The Making Of Pinocchio
Storyboard To Final Film Comparison
Audio Commentary by Leonard Maltin, Eric Goldberg, and J.B. Kaufman
Deleted Scenes
The Story of the Grandfather Tree
In the Belly of the Whale
Alternate Ending
Publicity
Original Theatrical Trailer – 1940
Theatrical Trailer – 1984
Theatrical Trailer – 1992
Fantasia (1940)
Audio Commentaries
Walt Disney, hosted by John Canemaker
Brian Sibley
The Schultheis Notebook: A Disney Treasure
Interactive Art Gallery
The Interstitials
Introduction
Toccata and Fugue in D Minor
Alternate Concept – Reconstructed Story Reel
The Nutcracker Suite
Introduction
Excerpt: "The Story of the Animated Drawing"
The Sorcerer’s Apprentice
Introduction
Deleted Animation: Mickey with the Broom
Story Reel
The Rite of Spring
Introduction
Excerpt: "Tricks of Our Trade"
The Pastoral Symphony
Introduction
Dance of the Hours
Introduction
Excerpt: "Tricks of Our Trade"
Unused Rough Animation
Night on Bald Mountain
Introduction
Excerpt: "The Plausible Impossible"
Ave Maria
Introduction
The Fantasia That Never Was
Introduction
Clair de Lune
The Ride of the Valkyries – Story Reel
The Swan of Tuonela – Story Reel
Invitation to the Dance – Story Reel
Adventures in a Perambulator – Story Reel
Publicity
Original Theatrical Trailer
1990 50th Anniversary Trailer
Dumbo (1941)
Deleted Scenes
The Mouse's Tale
Are You a Man or a Mouse?
Taking Flight: The Making of Dumbo
The Magic Of Dumbo: A Ride of Passage
Audio Commentary by Pete Docter, Paula Sigman, and Andreas Deja
Cine-Explore
Sound Design Excerpt from The Reluctant Dragon
Original Walt Disney Television Introduction
Celebrating Dumbo
Short: The Flying Mouse
Short: Elmer Elephant
Galleries
“What Do You See?” Game
“What Do You Know?” Game
Bambi (1942)
Studio Stories: Bambi
The Bambi Effect
Deleted Scenes
Bambi's Ice and Snow
The Grasshopper
Two Leaves
Bambi Stuck on a Reed
Winter Grass
Short: Africa Before Dark
Short: The Old Mill
Bambi Fawn Facts
Deleted Song: "Twitterpated"
The Making of Bambi – A Prince is Born
Tricks of Our Trade (Excerpt)
Inside the Disney Archives
The Golden Age
Original Theatrical Trailer (0:56)
*Celebrating Tyrus Wong
Saludos Amigos (1943)
None
The Three Caballeros (1945)
None
Make Mine Music (1946)
Short: The Band Concert
Short: Music Land
Short: Farmyard Symphony
Fun And Fancy Free (1947)
None
Melody Time (1948)
Short: Casey Bats Again
Short: Lambert the Sheepish Lion
Short: Donald Applecore
The Adventures of Ichabod and Mr. Toad (1949)
The Legend of Sleepy Hollow Storybook (6:29)
Cinderella (1950)
In Walt’s Words: The Envisioning of Cinderella
Try This Trivia on for Size
Diane Disney Miller Introduction
From Rags to Riches: The Making of Cinderella
The Cinderella That Almost Was
The Magic of the Glass Slipper: A Cinderella Story
The Real Fairy Godmother
Alternate Opening Sequence
Storyboard to Film Comparison: Opening Sequence
From Walt’s Table: A Tribute to the Nine Old Men
The Art of Mary Blair
Behind the Magic: A New Disney Princess Fantasyland
1922 Laugh-O-Grams: Cinderella
Excerpt from The Mickey Mouse Club with Helen Stanley
Radio Programs
Village Store Excerpt
Gulf Oil Presents
Scouting the Stars
Theatrical Trailers
1950 Original Release Trailer
1965 Reissue Trailer
1973 Reissue Trailer
1981 Reissue Trailer
1987 Reissue Trailer #1
1987 Reissue Trailer #2
Alice in Wonderland (1951)
Through the Keyhole: A Companion's Guide to Wonderland
Reference Footage: Alice and the Doorknob
Pencil Test: Alice Shrinks
“I'm Odd” Unused Song
Short: Thru the Mirror
One Hour in Wonderland
Alice's Wonderland
Theatrical Trailers
Walt Disney TV Introductions
Operation Wonderland
The Fred Waring Show (excerpt)
Abandoned Content
From Wonderland to Neverland: The Evolution of a Song
Deleted Storyboard Concept: Alice Daydreams in the Park
Original Song Demos
"Beware the Jabberwock"
"Everything Has a Useness"
"So They Say"
"Dream Caravan"
"Beautiful Soup"
"If You'll Believe in Me"
Art Gallery
Peter Pan (1953)
Stories from Walt's Office: Walt & Flight
A Darling Conversation with Wendy & John: Kathryn Beaumont and Paul Collins
"You Can Fly"-Oke
"Never Smile at a Crocodile"-Oke
You Can Fly: The Making of Peter Pan
Tinker Bell: A Fairy's Tale
The Peter Pan That Almost Was
The Peter Pan Story
Growing Up with Nine Old Men
Audio Commentary by Roy E. Disney
"Never Land": The Lost Song
In Walt's Words: "Why I Made Peter Pan"
Music Video: "Never Land" (Performed by Paige O'Hara)
Music Video: "The Second Star to the Right" (Performed by T-Squad)
Deleted Scenes
The Journey Home
Alternate Arrival
Deleted Songs
"The Pirate's Song"
"Never Smile at a Crocodile"
"The Boatswain Song"
Lady and the Tramp (1955)
Inside Walt's Story Meetings
Walt & His Dogs
Stories from Walt's Office
How to Make a Meatball and Other Fun Facts About Lady and The Tramp
Diane Disney Miller: Remembering Dad
Never-Recorded Song: "I'm Free as the Breeze"
Deleted Scenes
Introduction of Boris
Waiting for Baby
Dog Show
*Turning The Tables
*The Arrival Of Baby
*Baby Arrives
*Lady's Sweater
*Lady's Pedigree: The Making Of Lady And The Tramp
*Finding Lady: The Art Of The Storyboard
*Original 1943 Storyboard Version Of The Film
*PuppyPedia: Going To The Dogs
Sleeping Beauty (1959)
Audio Commentary with John Lasseter, Andreas Deja, and Leonard Maltin
In Walt's Words: Sleeping Beauty
Fun Facts Behind Sleeping Beauty
Deleted Scenes
The Curse is Fulfilled
The Fair with Deleted Character, The Vulture
Arrival Of Maleficent: Alternate Version
*Alternate Opening
Art of Evil: Generations Of Disney Villains
@DisneyAnimation: Artists in Motion, Extended Edition
Beauty-Oke: "Once Upon A Dream".
Picture Perfect: The Making Of Sleeping Beauty
*Stories From Walt's Office: Designing the Studio
*The Sound Of Beauty: Restoring A Classic
*"Once Upon a Dream" Music Video by Emily Osment
*Four Artists Paint One Tree
*Eyvind Earle: A Man And His Art
*Sequence 8
*Storyboard Sequences + Intro
*Live Action Reference
*Original Theatrical Trailer
*Once Upon A Parade, Starring Sarah Hyland
*Short: Grand Canyon
One Hundred and One Dalmatians (1961)
In Walt's Words: 101 Dalmatians
Cruella DeVil: Marc Davis' Last Animated Character
Color and Line: The Visual Design of 101 Dalmatians
The Further Adventures Of Thunderbolt
The Further Adventures Of Thunderbolt: Behind the Scenes
Lucky Dogs
Walt Disney Presents "The Best Doggoned Dog in the World"
Redefining the Line: The Making of 101 Dalmatians
Cruella De Vil: Drawn to be Bad
"Sincerely Yours, Walt Disney"
Cruella's Lost Role
Dalmatians 101
"Cruella De Vil" Music Video By Selena Gomez
Demo Recordings and Alternate Versions
"Dalmatian Plantation"
“Cruella DeVil”
“Kanine Crunchies”
Trailers & TV Spots
1961 Original Release
1969 Reissue
1979 Reissue
1985 Reissue
Promotional Radio Spots
1961 Original Release
1969 Reissue
1979 Reissue
The Sword in the Stone (1963)
Alternate Opening
Music Magic: The Sherman Brothers
All About Magic Excerpt
Short: A Knight for a Day
Short: Brave Little Tailor
The Jungle Book (1967)
Audio Commentary with Richard M. Sherman, Andreas Deja, and Bruce Reitherman
Introduction By Diane Disney Miller
Introduction By Richard M. Sherman
Music, Memories & Mowgli: A Conversation with Richard M. Sherman, Diane Disney Miller and Floyd Norman
I Wanna Be Like You: Hangin' Out At Disney's Animal Kingdom
@DisneyAnimation: Sparking Creativity
DisneyPedia: Junglemania!
The Making of The Jungle Book
Disney’s Kipling: Walt's Magic Touch On A Literary Classic
The Lure Of The Jungle Book
Mowgli's Return To The Wild
Frank & Ollie
Deleted Scenes
Mowgli And The Hunter – Alternate Ending
Rocky The Rhino
"I Wan'na Be Like You" Music Video Performed by the Jonas Brothers
The Aristocats (1970)
The Lost Open
The Sherman Brothers: The Aristocats of Disney Songs
Deleted Song: "She Never Felt Alone."
"Oui Oui Marie" Music Video by D!tto
"The Great Cat Family” Excerpt
Short: Bath Day
Robin Hood (1973)
Deleted Storyline "Love Letters"
Alternate Ending
Robin Hood Art Gallery
Robin Hood Storybook
Oo-De-Lally Sing-Along
Short: Ye Olden Days
The Many Adventures of Winnie the Pooh (1977)
Pooh Play-Along
Mini Adventures of Winnie the Pooh
"If I Wasn't So Small"
"Piglet's Drawings
"The Expedition”
"Geniuses"
"The Honey Song"
Short: A Day for Eeyore
The Story Behind the Masterpiece
“Winnie the Pooh” Music Video by Carly Simon
The Rescuers (1977)
Deleted Song: "Peoplitis"
Water Birds – A True Life Adventure
Short: Three Blind Mouseketeers
Sing-Along Song: "Someone's Waiting for You."
The Fox and The Hound (1981)
Unlikely Friends
The Black Cauldron (1985)
Deleted Scene: The Fairfolk
Short: Trick or Treat
The Great Mouse Detective (1986)
Making of The Great Mouse Detective
So You Think You Can Sleuth?
Sing-Along Song: "World's Greatest Criminal Mind"
Oliver & Company (1988)
The Making of Oliver & Company
Short: Lend a Paw
Short: Puss Cafe
Disney's Animated Animals
Publicity
1988 theatrical trailer
1996 re-release trailer
TV spot
The Little Mermaid (1989)
Audio Commentary with Ron Clements, John Musker, and Alan Menken
Alan Menken and the Leading Ladies
"What I Want From You Is…Your Voice"
Stories From Walt's Office: Gadgets and Gizmos
#Treasuresuntold
“Part of Your World” Music Video Performed by DCapella
Deleted Character: Harold the Merman
Under the Scene: The Art of Live Action Reference
Howard's Lecture
*@Disney Animation
*Part of Her World: Jodi Benson's Voyage to New Fantasyland
*Crab-E-Oke Sing-Along
*Deleted Scenes
*"Fathom's Below" (Alternate Version)
*"Backstage with Sebastian"
*"Poor Unfortunate Souls" (Alternate Version)
*"Sebastian Lost in the Castle"
*"Advice from Sebastian"
*"Fight with Ursula" (Alternate Ending)
*"Silence is Golden" (Song Demo)
*Treasures Untold: The Making of The Little Mermaid
*Short: The Little Match Girl
*Storm Warning: Special Effects Unit
*The Little Mermaid: The Story Behind the Story
*Under the Sea Early Presentation Reel
*Original Theatrical Trailer
*John & Ron Make Caricatures of Each Other
*Animators Comment on their Characters
*The Little Mermaid Handshake
*“Part of Your World” Music Video Performed by Carly Rae Jepsen
*“Kiss the Girl” Music Video Performed by Ashley Tisdale
*Disneypedia: Life Under the Sea
*Behind The Ride that Almost Was
*Under the Sea Adventure: Ride the Attraction
*"Part of Your World" – A Look Back
The Rescuers Down Under (1990)
The Making of The Rescuers Down Under
Beauty and the Beast (1991)
Special Edition Viewing Option
Audio Commentary by Kirk Wise, Gary Trousdale, Don Hahn, and Alan Menken (Original Theatrical Release Only)
Alan Menken & Friends: 25 Years of Musical Inspiration
Always Belle…
#1074: Walt, Fairy Tales & Beauty and the Beast
The Recording Sessions
25 Fun Facts About Beauty and the Beast
Beauty and the Beast Sneak Peek
*Work-in-Progress Version
*Beyond Beauty: The Untold Stories Behind the Making of Beauty and the Beast
*Deleted Scene: Belle in the Library
*Alternate Story Open
*Broadway Beginnings
*Composing a Classic: A Musical Conversation with Alan Menken
*Deleted Song Sequence: “Human Again”
*Music Videos
*Jordin Sparks “Beauty and the Beast” (3:26) – The American Idol winner performs the song in a flowing dress in a decrepit mansion. (Diamond Edition)
*Celine Dion and Peabo Bryson “Beauty and the Beast” (4:24) – Celine Dion introduces her 1991 music video where the two singers perform from the recording studio. (Platinum Edition)
*Early Presentation Reel
*Alternate Version: “Be Our Guest”
*Alternate Score: “The Transformation”
*Animation Tests: Rough & Clean Ups
*The Transformation: Pencil Version
*A Transformation: Glen Keane
*Camera Move Test
*Trailers & TV Spots
*Original Release Trailer
*Large Format Release Trailer
*TV Spot # 1 (0:32)
*TV Spot # 2 (0:32)
*TV Spot #3 (0:32)
*TV Spot #4 (0:16)
Aladdin (1992)
Audio Commentaries
Filmmaker’s Audio Commentary – Directors John Musker and Ron Clements, co-producer Amy Pell
Animator’s Audio Commentary – Andreas Deja, Will Finn, Eric Goldberg and Glen Keane
Aladdin on Aladdin
Let’s Not Be Too Hasty: The Voices of Aladdin
Alternate Endings
Genie Outtakes
Aladdin: Creating Broadway Magic
Genie 101
Ron and John: You Ain’t Never Had a Friend Like Me
*Drawing Genie
*Inside the Genie’s Lamp: Guided Tour
*The Genie World Tour
*Alan Menken: Musical Renaissance Man
*The Art of Aladdin: Art review with Filmmaker’s Commentary
*Unboxing Aladdin
*Original Theatrical Trailer
*Deleted Scenes
*Aladdin & Jasmine’s First Meeting
*Aladdin in the Lap of Luxury
*Music Videos
*“Proud of Your Boy” Performed by Clay Aiken
*“A Whole New World” Performed by Jessica Simpson and Nick Lachey
*“A Whole New World” Performed by Regina Belle & Peabo Bryson
*Diamond in the Rough
*The Art of Aladdin: Art Review with Filmmaker’s Commentary
Tim Burton’s The Nightmare Before Christmas (1993)
Audio Commentary with Tim Burton, Henry Selick, and Danny Elfman
“What’s This? Jack’s Haunted Mansion Holiday Tour”
Tim Burton’s Early Film – Frankenweenie from 1984
Tim Burton’s Original Poem Narrated by Christopher Lee
The Making of Tim Burton’s The Nightmare Before Christmas
Deleted Storyboards
Behemoth Singing
Oogie Boogie with Dancing Bugs
Alternate Identity of Oogie Boogie
Deleted Animated Sequences
Vampire Hockey Players
Lock, Shock and Barrel
Oogie Boogie Shadow Dance
Storyboard-to-Film Comparison
Posters and Trailers
Posters
Teaser Trailer
Trailer
The Lion King (1994)
Audio Commentary with Roger Allers, Rob Minkoff, and Don Hahn
Visualizing a Villain
The Recording Sessions
Inside the Story Room
Nathan and Matthew: The Extended Lion King Conversation
Bloopers & Outtakes
The Morning Report: Extended Scene
Deleted & Alternate Scenes
Zazu Flatters Mufasa
“King of the Wild”
Scar Wants Nala as his Queen
Simba and Nala Reunited
Zazu Flatters Scar
*The Lion King: A Memoir – Don Hahn
*The Animator’s Reunion
*Storyboard-to-Film Comparison
*Early Concept: Timon & Pumbaa Find Simba
*Early Concept: Simba’s Presenation
*Abandoned Scenes: Warthog Rhapsody
*Computer Animation
*Early Presenation Reel
*Platinum Edition Deleted Scenes
*Bug Football
*“Hakuna Matata” (Timon’s Verse)
*“Can You Feel the Love Tonight”
*Stage Journey
*Pride of The Lion King
*Musical Origins
*Screen to Stage
*Musical Texture
*Setting the Stage
*Leaps of Fantasy
*Film Journey
*Origins
*Production Research Trip.
*Art: African Influence
*Reflections
*Storyboard Process
*Character Design
*Mufasa
*Simba
*Scar
*Rafiki
*Timon and Pumbaa
*Zazu
*Hyenas
*Story Journey
*Story Origins
*Timeless Themes
*The Story Comes to Life
*Animal Journey
*Lions
*Meerkats
*Warthogs
*Hyenas
*Disney & Animals
*Music & More
*The Making of The Morning Report
*Musical Inspiration
*Landmark Songwriting
*Orchestral Color
*Scoring Emotion
*Music: African Influence
*Full Circle
*“Circle of Life” Music Video by Elton John
*“Can You Feel the Love Tonight” Music Video by Elton John
*“Circle of Life” Music Video by Disney Channel’s Circle of Stars
*Making of “Circle of Life” Music Video
*“Hakuna Matata” Multi-Language Reel
*International Release
*DVD Sound Design
A Goofy Movie (1995)
None
Pocahontas (1995)
Audio Commentary with James Pentecost, Eric Goldberg, and Mike Gabriel
Drawing Inspiration: The Lost Story of Hiawatha
Deleted Song, "If I Never Knew You" (with or without commentary)
The Music of Pocahontas
Deleted Scenes
Below Deck After Thomas’ Rescue
“Dancing to the Wedding Drum”
Transition to “Just Around the River Bend”
Pocahontas Dresses as an English Woman
Wiggins Gets Mud Thrown at Him
“In the Middle of the River”
John Smith Escapes
“Just Around the River Bend”
Miscellaneous Scenes
Short: Little Hiawatha
*The Making of Pocahontas
*Early Presentation Reel (with or without commentary)
*The Premiere in Central Park
*Multi-Language Reel: “Colors of the Wind”
*Design
*Creating Pocahontas
*Creating John Smith
*Creating Ratcliffe
*Ratcliffe Test Animation
*Creating Grandmother Willow
*Grandmother Willow Test Animation
*Creating Meeko
*Meeko Test Animation
*Creating Flit
*Flit Test Animation
*Creating Percy
*Thomas Test Animation
*Kekata Test Animation
*Deleted Character Test Animation – Redfeather
*Creating Art Design, Layout & Backgrounds
*Production
*Storyboard to Film Comparison
*Production Progression
*Sing-Along: “Colors of the Wind”
*Sing-Along: “Just Around the River Bend”
*“Colors of the Wind” Music Video by Vanessa Williams
*“If I Never Knew You” Music Video by Jon Secada and Shanice Wilson
Toy Story (1995)
Toy Story 3 Sneak Peek: "The Story"
Audio Commentary with John Lasseter, Andrew Stanton, Pete Docter, Ralph Eggleston, Bill Reeves, Ralph Guggenheim, and Bonnie Arnold
Buzz Lightyear Mission Logs: Blast Off
Paths to Pixar: Artists
Studio Stories: John's Car
Studio Stories: Baby AJ
Studio Stories: Scooter Races
Buzz Takes Manhattan
Black Friday: The Toy Story You Never Saw
Filmmakers Reflect
Making Toy Story
The Legacy of Toy Story
Designing Toy Story
Deleted Scenes
Torture
Rain
Alt. Opening: Buzz Show
Alt. Opening: Shootout
Woody’s Nightmare
Eastern Gate
Shakes the Rattle
Sid’s Comuppance
Design
Galleries
3D Visualization
Color
Story
Green Army Men Pitch
Andy’s New Toy Story Reel
The Chase Storyboard to Film Comparison
Production
Production Tour
Layout Tricks
Animation Tour
Multi-Language Reel
Music & Sound
“You’ve Got a Friend in Me” Music Video by Randy Newman and Lyle Lovett
Designing Sound
Randy Newman Demos
Publicity
Character Interviews
Trailers
TV Spots
Posters
Toys & Stuff
Toy Story Treats
*Toy’s-Eye View
*Toy Box Trivia
James and the Giant Peach (1996)
The Making of James and the Giant Peach
“Good News” Music Video by Randy Newman
Theatrical Trailer
The Hunchback of Notre Dame (1996)
None
Hercules (1997)
The Making of Hercules
"No Importa la Distancia" Music Video by Ricky Martin.
Sing-Along: "Zero to Hero"
Mulan (1998)
Audio Commentary by Pam Coats, Tony Bancroft, and Barry Cook
Mulan's Fun Facts
Deleted Scenes
Keem ‘Em Guessing
The Prologue Chronicle
Shadow Puppets Prologue
The Betrothal
Shan-Yu Destroys the Village
Mulan’s Daydream
The Emperor’s Dream
The Journey Begins
Discovering Mulan
The Ballad of Hua Mulan
Early Presentation Reel 1995
Early Presentation Reel 1996
Story Artists' Journey
Finding Mulan
Storyboard-to-Film Comparison: Mushu Breaks the Dragon
Design
Art Design
Character Design
Ballad of Color
Production
Mushu Awakens
Matchmaker Meets Mulan
Digital Production
The Hun Charge
Digital Dim Sum
Music
Songs of Mulan
Mulan's International Journey
Multi-Language Presentation
Music Video: "I'll Make a Man Out of You" performed in Mandarin by Jackie Chan
Music Video: "Reflection" performed by Christina Aguilera
Music Video: "Reflejo" performed by Lucero
Music Video: "True to Your Heart" performed by Stevie Wonder & 98 Degrees
Music Video: "True to Your Heart" performed by Raven
A Bug’s Life (1998)
Short: Geri's Game
Short: The Grasshopper and the Ants
Filmmakers' Roundtable
A Bug's Life – The First Draft
Audio Commentary
Pre-Production
Fleabie Reel
Storyboard Pitch
Storyboard-to-Film Comparison
Research
Design (Character Turnarounds)
Production
Behind the Scenes of A Bug's Life
Voice Casting
Early Tests
Progression Demonstration: “Flaming Death Sequence”
Trailers
Abandoned Sequences
P.T.’s Office
Original Museum Opening
Outtakes
Character Interviews
Tarzan (1999)
Audio Commentary by Chris Buck, Kevin Lima, and Bonnie Arnold
History and Development
From Burroughs to Disney
Early Presentation Reel
Research Trip to Africa
The Characters of Tarzan
Creating Tarzan
Animating Tarzan
Creating Jane and Porter
Creating Kala and Kerchak
Creating Terk and Tantor
Creating Clayton
Animation Production
The Deep Canvas Process
Deep Canvas Demonstration
Production Progression Demonstration
Intercontinental Filmmaking
Story & Editorial
Building the Story
Storyboard-to-Film Comparison
Music & More
The Making of the Music
Tarzan Goes International
Music Video: “You'll Be in My Heart" by Phil Collins
Music Video: "Strangers Like Me" by Phil Collins
Music Video: "Trashin' the Camp" by Phil Collins and N'Sync
Phil Collins Song Demo
Deleted Scenes
Alternate Opening
Terk Finds the Humans' Camp
Riverboat Fight
DisneyPedia: Living in the Jungle
Publicity
Toy Story 2 (1999)
Toy Story 3 Sneak Peek: "The Characters"
Audio Commentary by John Lasseter, Lee Unkrich, Ash Brannon, and Andrew Stanton
Buzz Lightyear Mission Logs: International Space Station
Paths to Pixar: Technical Artists
Studio Stories: Toy Story 2 Sleep Deprivation Lab
Studio Stories: Pinocchio
Studio Stories: The Movie Vanishes
Pixar's Zoetrope
Celebrating Our Friend Joe Ranft
Making Toy Story 2
John Lasseter Profile
Cast of Characters
Toy Box
Outtakes
Jessie's Gag
Riders in the Sky Music Medley
Autographed Pictures
Who's the Coolest Toy?
Deleted Scenes
Godzilla Rex
Crossing the Road
Design
Galleries
3D Visualization
Color
Production
Designing Woody’s Past
Making Woody’s Roundup
Production Tour
Early Animation Tests
Special Effects
International Scene
Music & Sound
Designing Sound
Making the Songs
Music Video: “Woody’s Roundup” by Riders in the Sky
“Jesse’s Song” Demo by Randy Newman
Publicity
Character Interviews
Trailers
TV Spots
Posters
Baseball Woody
Fantasia/2000 (2000)
Fantasia 2000 Audio Commentaries
Segment Animation and Art Directors
Roy Disney, James Levine, and Donald W. Ernst
Short: Destino
Dali & Disney: A Date with Destino
Musicana
The Interstitials
Proof of Concept Test
Symphony No. 5
Early Concept #1 – May 1993
Early Concept #2 – September 1993
CGI Test of Early Concept #2
Early Concept #3
Proof of Concept Story Reel – June 1998
Pines of Rome
Creating “Pines of Rome”
Penguin Subplot: Abandoned Concept
Original Ending: Abandoned Concept
Storyboard-to-Film Comparison
Rhapsody in Blue
The Stages of Animation
Storyboard-to-Film Comparison
Piano Concerto #2
Creating “Piano Concerto #2, Allegro, Opus 102
Alternate Rat Sequence: Abandoned Concept
Original Ending: Abandoned Concept
Tin Soldier Production Progression
Carnival of the Animals
Creating “Carnival of the Animals”
Early Story Reel – September 1994
Original Ending
The Sorcerer’s Apprentice
Introduction
Deleted Animation: Mickey with the Broom
Story Reel
Pomp and Circumstance
Creating “Pomp and Circumstance”
“Icarus Duck”: Abandoned Concept
“Noah’s Dove”: Abandoned Concept
Firebird Suite – 1919 Version
Creating “Firebird Suite – 1919 Version”
Story Reel
Effects Animation: Firebird Eruption
Original Ending
Sprite Awakens Production Progression
Publicity
Trailers
TV Spots
The Tigger Movie (2000)
A Tigger Tale
Mini Adventures of Winnie the Pooh
Pooh & Tigger
The Most Wonderful Thing About Tiggers
Eeyore’s House
Someone Like Tigger
What Tigger’s Do Best
Lullabee
The Super Bounce
Tigger Goes Ice Skating
The Jagular
Unbouncing Tigger
Sing-Along: "Round My Family Tree"
Music Video: "Your Heart Will Lead You Home" by Kenny Loggins
Dinosaur (2000)
Audio Commentary by Rob Zondag, Eric Leighton,Neil Eskuri, and Neil Krepela
Short: Blu-Scape – "Origins"
The Monster Cloud
The Emperor’s New Groove (2000)
None
Atlantis: The Lost Empire (2001)
The Making of Atlantis
Deleted Scenes (SD, 16 minutes): Four abandoned scenes, the first (
The Viking Prologue
The Squid Bats
The Lava Whales
The Land Beast
How to Speak Atlantean
Atlantis: Fact or Fiction?
Theatrical Trailers
Monsters, Inc. (2001) – 2 Discs
Short: Toy Story Tunes: Partysaurus Rex
Short: For the Birds
Short: Mike's New Car
Filmmakers' Round Table
Audio Commentary by Rete Docter, Lee Unkrich, Andrew Stanton, and John Lasseter
Monsters, Inc. Ride and Go Seek: Building Monstropolis in Japan
Roz's 100 Door Challenge
Pixar Fun Factory Tour
Story
Story Is King
Monsters Are Real
Original Treatment
Story Pitch: Back to Work
Banished Concepts
Intro to Banished Concepts
Assistant Sulley
End of Day
Bad Scare
Scream Refinery
Original Sulley Intro
Storyboard to Film Comparison
Storyreel
Final Color
Split-Screen Comparison
Art Gallery
Designing Monstropolis
Set Dressing Intro
Location Flyarounds
Monster File
Cast of Characters
What Makes a Great Monster?
Animation
Animation Process
Early Tests
Opening Title Animation
Hard Parts
Shots Department
Production Demonstration
Music & Sound
Monster Song
Sound Design
Release
The Premiere
Trailers
TV Spots
International Inserts
Multi-Langauge Clip Reel
Toys
Outtakes and Company Play
New Monster Adventures
Monster TV Treats
Music Video: "If I Didn't Have You" by Billy Crystal and John Goodman
Ponkickies 21
Behind the Screams: On the Job with Mike & Sulley
Orientation
Welcome to Monsters, Inc.
Your First Day
History of the Monster World
Return to Never Land (2002)
Deleted Scenes
Jane and Hook Meet for the First Time
Gift for Tink
I'll Try
Hook's Song: “I'll Give You One Guess"
"Lullaby: Second Star to the Right."
Pixie Previews
Hide and Tink
Dust Up
Shooting Stars
Volley Bug
Just Desserts
Music Video: "I'll Try" by Jonatha Brooke
Lilo & Stitch (2002)
Hula Lesson
Animating the Hula
DisneyPedia: Hawai’i – The Islands of Aloha
Big Island of Hawai’i
Oahu
Maui
Kuai’i
Lana’i
Moloka’i
Music
Music Video: “Burnin’ Love” by Wynonna
Music Video: “I Can’t Help Falling in Love With You” by A*Teens
Young Voices of Hawai’i
Music Video: “Your Ohana”
Audio Commentary by Clark Spencer, Chris Sanders, and Dean DeBlois
A Stitch in Time
“Inter-Stitch-ials”: Theatrical Teaser Trailers
Beauty and the Beast
Aladdin
The Little Mermaid
The Lion King
*The Story Room
*The Look of Lilo & Stitch
*On Location with the Directors
*Deleted Scenes and Early Versions
*Stitch’s Trial
*Gantu’s Challenge
*The Untimely Death of Pudge the Fish
*Bedtime Story
*The 747 Sequence
*Model Citizen – Mayhem on the Beach
*Jumba Attacks
*The 747 Sequence with Stitch’s Gang
Treasure Planet (2002)
Laurie Metcalf Introduction
Audio Commentary by Roy Conli, John Musker, Ron Clements, Glen Keane, John Ripa, and Ian Gooding
Story
“Treasure Island” Trailer
Music
Music Video: “I'm Still Here” by John Rzeznik
Art Design
The Brandywine School
The 70/30 Law
The Characters
The Hook Test
Silver Arm Test
3D Character/2D World
Maquettes
Animation
Delbert Doppler
Silver Progression Animation
Pencil Animation: Amelia's Cabin
Rough Animation to Film Comparison
Dimensional Staging
Pose Camera
Effects Animation
Layout Demonstrations
Treasure Planet Found
Lighting
Release
Original Teaser Trailer
Original Theatrical Trailer
Disney's Animation Magic
Deleted Scenes
Original Prologue: Adult Jim
Jim Meets Ethan
Alternate Ending: Rebuilding the Benbow
R.L.S. Legacy: Virtual 3D Tour
Technical Tour
Nautical Tour
DisneyPedia: The Life of a Pirate Revealed
The Jungle Book 2 (2003)
Synopsis of the Original Movie The Jungle Book
The Legacy of The Jungle Book
Deleted Scenes
I Got You Beat
Braver
Music and More
Sing-Along Track
Music Video: “W-I-L-D”
Music Video: “Jungle Rhythm”
Piglet’s Big Movie (2003)
None
Finding Nemo (2003) – 2 Discs
Cine-Explore with Andrew Stanton, Lee Unkrich & Bob Peterson
Finding Nemo: A Filmmakers' Roundtable
Reinventing the Submarine Voyage
A Lesson in Flashbacks
Making Nemo
Deleted Scenes
Alt. Opening
Crush the Hippie
Shark Volleyball
Frantic Dad
Scent of Lavender
Sewage
Prologue: Bedtime Story
Soap Opera/Gill Lies
Short: Knick Knack
Aquarium
Art Review
Exploring the Reef
Studio Tour
Glenn McQueen Tribute
Voice Acting
Animation
Old School
Deleted Scenes
Outtakes
Publicity Pieces
Mr. Ray's Encyclopedia
Brother Bear (2003)
Audio Commentary by Rutt and Tuke
Paths of Discovery: The Making of Brother Bear
Deleted Scenes
Where's Koda
Confession
Muri the Squirrel
Koda's Outtakes
The Fishing Song
Sing-Along: “On My Way”
Sing-Along: “Transformation”
Music Video: “Look Through My Eyes” by Phil Collins
Bear Legends: Native American Tales
Making Noise: The Art of Foley
Art Review
Home on the Range (2004)
Audio Commentary by Alice Dewey Goldstone, Will Finn, and John Sanford
Deleted Scenes
Heroes, Villains and Cows
Slim for President
Coyote Chase
Meet Lucky Jack
Music Video: “Anytime You Need A Friend” by The Beu Sisters
Art Review
Trailblazers: The Making of Home on the Range
Short: A Dairy Tale: The Three Little Pigs
Yodelmentary
Joke Corral – Heard of Jokes (Animated Short)
The Incredibles (2004) – 2 Discs
Audio Commentaries
Brad Bird and John Walker
Tony Fucile, Steven Hunter, Alan Barillaro, Gini Santos, David DeVan, Jureha Yokoo, Dave Mullins, John Kahrs, Robert Russ, Angus MacLane, Travis Hathaway, Doug Frankel, and Peter Sohn
Short: Boundin' (with Optional Commentary)
Short: Jack-Jack Attack (with Optional Visual Commentary)
The Incredibles Revisited
Paths to Pixar: Story Artists
Studio Stories: Gary's Birthday
Ending with a Bang: Making the End Credits
The New Nomanisan: A Top Secret Redevelopment Plan
Deleted Scenes
Alternate Opening
Snug
Vipers
Bob in Traffic
Helen Confronts Bob
Helen’s Nightmare
Making of The Incredibles
Story
Character Design
E Volution
Building Humans
Building Extras
Set Design
Sound
Music
Lighting
Tools
Mr. Incredible and Pals (with Optional Commentary by Mr. Incredible and Frozone)
NSA Files
Who Is Bud Luckey?
Vowellett — An Essay by Sarah Vowell
Art Gallery
Easter Eggs
Teaser Trailer
Pooh’s Heffalump Movie (2005)
None
Chicken Little (2005)
Audio Commentary by Randy Fullmer, Mark Dindal, and Steve Goldberg
Filmmakers Q&A
Alien Invasion Game
Deleted Scenes
Alternate Opening #1: Chicken Little Storybook
Alternate Opening #2: Cooking with Klaus
Original Opening with Chicken Little As a Girl
Lunch Break
Mayor Lurkey's Pep Talk
Buck's Apology
Something Must Be Done
Lunch Room B
Music and More
Music Video: “Shake Your Tail Feather” by The Cheetah Girls
Music Video: “One Little Slip: by Barenaked Ladies
Karaoke: “One Little Slip”
Sing-Along: “One Little Slip”
Hatching Chicken Little: The Making of the Movie
Easter Eggs
Cars (2006)
Cine-Explore by John Lasseter
Cine-Explore by Eben F. Ostby, William Cone, Bob Pauley, Scott Clark, Doug Sweetland, Jean-Claude Kalache, Tia Wallace Kratter, Tim Milliron, Sophie Vincelette, Steve Purcell, Dan Scanlon, James Ford Murphy, and Bobby Podesta
Cine-Explore Documentary Shorts
Radiator Springs
Character Design
Animation and Acting
Real World Racing: Getting Geeky with Details
Hudson Hornet
Graphics
Darrell Waltrip Museum Tour
The Inspiration for Cars
Carfinder Game
Short: One Man Band
Short: Mater and the Ghostlight
Epilogue in HD
Boundin' Cars
Deleted Scenes
Top Down Truck Stop
Lost
Community Service
Motorama Girls
Traffic School
Meet the Robinsons (2007)
Audio Commentary by Stephen J. Anderson
Inventing the Robinsons
Deleted Scenes
Arriving in the Future
Meeting Carl
Bowler Hat Guy's Redemption
Wilbur's Plan
Dinner with the Robinsons
Alternate Ending
Keep Moving Forward: Inventions That Shaped the World
Bowler Hat Barrage Game
Family Function 5000: Family Tree Game
Music Video: “Little Wonders” by Rob Thomas
Music Video: “Kids of the Future” by Jonas Brothers
Isolated Effects Track
Ratatouille (2007)
Cine Explore by Brad Bird and Brad Lewis
Cine Explore: Animation Briefings
Mushroom and Cheese
Caught
Linguini is Made
Reuinited
Homecoming: Old Issues
Homecoming: Silence Game
Emile Returns: Motorcycle Ride
Emile Returns: Demoted to Rat
Car Escape
Colette Moves On
Rats Cook
The Review
La Ratatouille
Cine Explore: Documentary Shorts
Care and Feeding For Your CG Rat
Building Paris
Tiny Rat Cameraman
A Woman in a Man's World
Behind the Swinging Doors
Something New
Where the Color Isn't
My Dad, the Composer
Good Enough to Eat
2D Animation
Cine-Explore:Deleted Scenes
Chez Gusteau
First Day
Meet Gusteau
Deleted Shots R.I.P.
Fine Food and Film: A Conversation with Brad Bird and Thomas Keller
Short: Lifted
Short: Your Friend the Rat
Remembering Dan Lee
The Will
Easter Eggs
Wall•E (2008) – 2 Discs
Cine-Explore with director Andrew Stanton
Geek Track with Lindsey Collins, Bill Wise, Derek Thompson & Angus MacLane
Short: Presto
Short: BURN-E (with Optional Picture-in-Picture Storyboards)
Wall-E's Treasures and Trinkets
Lots of Bots Storybook
Axoim Arcade
Sneak Peek: Wall-E's Tour of the Universe
Deleted Scenes
Garbage Air Lock
Dumped
Secret Files
Docking
The Imperfect Lens: Creating the Look of WALL-E
Animation Sound Design: Building Worlds from the Sound Up
Captain's Log: The Evolution of Humans
Trash Planet
Notes on a Score
Life of a Shot: Deconstructing the Pixar Process
Robo-Everything
WALL-E & EVE
BnL Shorts
Captaining the Axiom
Operation Cleanup
Meet the BnL Bots
The History of Buy n Large
All Aboard the Axiom
3D Set Flythroughs
Galleries
Trailers
“The Pixar Story” by Leslie Iwerks
*Go Live
*Truck Tour
Tinker Bell (2008)
The Magical Guide to Pixie Hollow
Tinker Trainer Game
Ever Wonder
Music Video: “Fly to Your Heart” by Selena Gomez
Creating Pixie Hollow
Deleted Scenes
Queen Clarion’s Pixie Dust
Fairies Venture to the Mainland
Becoming a Garden Fairy
Tinker Bell’s Tinkering Talents
Vidia Tricks Tinker Bell
Fairies Express Tinker Bell’s Importance
Bolt (2008)
Short: Super Rhino
Deleted Scenes
Dog Fight in Vegas
River Sequence
In Session: With John Travolta and Miley Cyrus
Music Video: “I Thought I Lost You” by John Travolta and Miley Cyrus
A New Breed of Directors: A Filmmakers' Journey
Act, Speak! The Voices of Bolt
Creating the World of Bolt
Art Gallery
Bolt's Be-Awesome Mission Game
Up (2009) – 2 Discs
Cine-Explore Commentary by Pete Docter and Bob Peterson
Short: Partly Cloudy
Short: Dug's Special Mission
Adventure is Out There
The Many Endings of Muntz
Geriatric Hero
Canine Companions
Wilderness Explorer
Our Giant Flightless Friend
Homemakers of Pixar
Balloons and Flight
Composing for Characters
Married Life
Global Guardian Badge Game
Up Promo Montage
Worldwide Trailers
The Princess and the Frog (2009)
Audio Commentary by Ron Clements, John Musker, and Peter Del Vecho
Work-In-Progress Version
Deleted Scenes
Advice from Mama
Alternate Louis Introduction (partially animated)
Stop and Smell the Roses
Naveen Confided in Ray
Bringing Life to Animation
Magic in the Bayou: The Making of a Princess
The Return to Hand Drawn Animation
The Disney Legacy
Disney's Newest Princess
The Princess and the Animator
Conjuring the Villain
A Return to the Animated Musical
Art Gallery
What Do You See? Princess Portraits Game
Music Video: “Never Knew I Needed” by Ne-Yo
Toy Story 3 (2010)
Short: Day & Night
Buzz Lightyear Mission Logs: The Science of Adventure
Toys!
Cine-Explore Picture-in-Picture Commentary with Lee Unkrich and Darla K. Anderson
Beyond the Toybox: An Alternative Commentary Track with Jason Katz, Bob Pauley, Guido Quaroni, Bobby Podesta, and Michael Venturini
Film Fans Featurettes
Roundin' Up a Western Opening
Bonnie's Playtime: A Story Roundtable
Beginnings: Setting a Story in Motion
Life of a Shot
Making of Day & Night
Paths to Pixar: Editorial
Studio Stories: Where's Gordon?
Studio Stories: Cereal Bar
Studio Stories: Clean Start
Family Play Features
The Gang's All Here
Goodbye Andy
Accidental Toymakers
A Toy's Eye View: Creating a Whole New Land
Epilogue
Toy Story Trivia Dash Game
Publicity Goodies
Grab Bag
Ken's Dating Tips
Lots-o-Hugging Bear Commercials
Making Of Lots-o-Hugging Bear Commercials
Dancing with the Stars at Pixar
TS3 Silence Trailer
TS3 Anti-Piracy Trailer
Character Intros
Poster Gallery
Audition: Ken and Barbie
Audition: Ken
Audition: Jessie
Audition: Woody
Cars 2 sneak peak
*Pixar Goes to Prison
Tangled (2010)
Deleted Scenes
The Jaunty Moose
Chemistry Develops
Vigor the Visionary
Original Storybook Openings
Version 1
Version 2
50th Animated Motion Picture Countdown
Extended Songs
“When Will My Life Begin”
“Mother Knows Best”
Untangled: The Making of a Fairy Tale
Tangled Teasers
Cars 2 (2011) – 2 Discs
Audio Commentary by John Lasseter and Brad Lewis
Short: Hawaiian Vacation
Short: Air Mater
Deleted Scenes
Tell Tale
Paris Race
Germany
Oktoberfest
Alternate Opening: Prague Chase
Extended Scene: Tokyo Race, Lap One
The Origins of Cars 2
Somewhere in the Pacific
Making Lemon-aides
Brawl at Big Bentley
Spyfield
Streets of Paris
Munich
Mater-hosen
Finding Porto Corsa
The Heart of Italy
International Insurance
Mater Takes Tokyo
Many Nations, One Race
Motorama
He Lives! Making the Finn McMissile Toy
Animation Pit Stop
Spy Training Shorts
London
Paris
Tokyo
Set Explorations
Art Slideshows
Trailers
Sneak Peek: The Nuts & Bolts of Cars Land
Easter Eggs
Winnie the Pooh (2011)
Winnie the Pooh and His Story Too
Deleted Scenes
The Tummy Song
Rabbit's Friends And Relations
Extended Eeyore Introduction
Alternate Tigger Introduction
Pooh Searches For A Tail
Short: The Ballad of Nessie
The Mini Adventures of Winnie the Pooh: “Pooh's Balloon"
Creating the Perfect Winnie the Pooh Nursery
Brave (2012) – 2 Discs
Audio Commentary by Mark Andrews, Steve Purcell, Brian Larsen, and editor Nick Smith
Short: La Luna
Short: The Legend of Mor'du
Behind the Scenes
Brave Old World
Merida & Elinor
Bears
Brawl in the Hall
Wonder Moss
Magic
Clan Pixar
Once Upon a Scene
Extended Scenes
Meet the Lords
Triplets' Distraction
The Ruins
Blockade
Promotional Pieces
Feast Your Eyes Montage
Relics
Clan Dun Broch
Launch
Flying Guts Theater
Trailers
Fergus & Mor'Du: An Alternate Opening
Fallen Warriors
Dirty Hairy People
It is English… Sort Of
Angus
The Tapestry
Art Galleries
Frankenweenie (2012)
Miniatures in Motion: Bringing Frankenweenie to Life
Frankenweenie Touring Exhibit
Original Live-Action Frankenweenie Short
Short: Captain Sparky vs. The Flying Saucers
Music Video: "Pet Sematary" by Plain White T’s
Wreck-It Ralph (2012)
Short: Paperman
Bit by Bit: Creating the Worlds of Wreck-It Ralph
Alternate & Deleted Scenes
Ralph in Hero's Duty Prison
The Maize Maze
Vanellope's Volcano
Extreme EZ Livin'
Video Game Commercials
Fix-It Felix, Jr.
Hero's Duty
Sugar Rush
Fix-It Felix Hammer
Monsters University (2013) – 2 Discs
Short: The Blue Umbrella
Audio Commentary by Dan Scanlon, Kori Rae, and Kelsey Mann
Campus Life
Story School
Scare Games
Monthropology
Welcome to MU
Music Appreciation
Scare Tactics
Color and Light
Paths to Pixar: MU Edition
Furry Monsters: A Technical Retrospective
Deleted Scenes
Rivalry
Recon
Movie Night
Drama Class
Promo Picks
Set Flythroughs
Art Galleries
Planes (2013)
Franz's Song
Klay's Flight Plan
Deleted Scenes
Training Montage
Taj Mahal
Meet The Racers
El Chupacabra
Ripslinger
Dusty
Ishani
Top Ten Flyers
Frozen (2013)
D'Frosted: Disney's Journey from Hans Christian Andersen to Frozen
The Making of Frozen
Deleted Scenes
Never Underestimate the Power of Elsa
The Dressing Room
Meet Kristoff #1
Meet Kristoff #2
Music Videos
"Let it Go" by Demi Lovato
"Libre Soy" by Martina Stoessel
"All'alba Sorgero" by Stoessel
“Bebaskan” by Marsha Milan
Short: Get a Horse!
Original Teaser Trailer
*13 Things You May Not Know About Frozen
Planes: Fire & Rescue (2014)
Short: Vitaminamulch: Air Spectacular
Welcome to Piston Peak!
CHoPs TV Promo
Air Attack: Firefighters from the Sky
Deleted Scenes
Honkers
Dusty's Dream No More
Music Video: “Still I Fly” by Spencer Lee
Additional Animated Shorts
Dipper
Smoke Jumpers
Big Hero 6 (2014)
Short: Feast
The Origin of Big Hero 6: Hiro's Journey
Big Animator 6: The Characters Behind the Characters
Deleted Scenes
Prologue
Silent Sparrow
Yokai's Crew
Every Great Super Hero Origin Story Starts with a Grappling Hook
Big Hero 6 Theatrical Teaser
Inside Out (2015) – 2 Discs
Audio Commentary by Pete Docter, Ronnie del Carmen, Patrick Lin & Bill Hader
Short: Lava
Short: Riley's First Date?
Paths to Pixar: The Women of Inside Out
Mixed Emotions
The Good Dinosaur Sneak Peek
Story of the Story
Mapping the Mind
Our Dads, the Filmmakers
Into the Unknown: The Sound of Inside Out
The Misunderstood Art of Animation Film Editing
Mind Candy
mind thinking
we should cry
socks of horror
my bad
5 seconds rule
Deleted Scenes
Riley Grows Up
Joy's Decline
Misdirection
Construction
Trailers
The Good Dinosaur (2015)
Audio Commentary with Peter Sohn, Kelsey Mann, Sanjay Bakshi, Michael Venturini, and Sharon Calahan
Short: Sanjay's Super Team
True Lies About Dinosaurs
Recyclosaurus
The Filmmakers' Journey
Every Part of the Dinosaur
Following the T-Rex Trail
Deleted Scenes
The Attack
Building the Silo
Waiting for Poppa
Dino Bites
Hide and Seek
Trailers
Zootopia (2016)
Research: A True-Life Adventure
The Origin of an Animal Tale
Zoology: The Roundtables
Characters
Environments
Animation
Scoretopia
Z.P.D. Forensic Files
Music Video: "Try Everything" by Shakira
Deleted Characters
Deleted Scenes
Alternate Opening
Wild Times Pitch
Homesick Hopps
Detective Work
Alternate Jumbo Pops
Hopps' Apartment
The Taming Party
Finding Dory (2016) – 2 Discs
Short: Piper
Short: Marine Life Interviews
The Octopus That Nearly Broke Pixar
What Were We Talking About?
Casual Carpool
Animation & Acting
Deep in the Kelp
Creature Features
Audio Commentary by Andrew Stanton, Angus MacLane, and Lindsey Collins
Behind the Scenes
Skating & Sketching with Jason Deamer
Dory's Theme
Rough Day on the Reef
Finding Nemo as Told by Emoji
Fish Schticks
Living Aquariums
Deleted Scenes
Losing Nemo
Sleep Swimming
Little Tension in Clown Town
Meeting Hank
The Pig
Dory Dumped
Starting Over
Trailers
*Piper: Exploring the Shore
*Piper Art Gallery
*Tank Gang
*Hidden Secrets of Finding Dory
Moana (2016)
Short: Inner Workings
Maui Mini-Movie: Gone Fishing
Voice of the Islands
Things You Didn't Know About…
Ron, John, Auli'i & Dwayne
Mark, Opetaia, & Lin-Manuel
Island Fashion
The Elements of…
Mini-Maui
Water
Lava
Hair
They Know the Way: Making the Music of Moana
Deleted Song: "Warrior Face"
Fishing for Easter Eggs
Deleted Scenes
Grandmother's Warning/Legend of Maui
Canoe Race
Father, Daughter, Boat
Education of Moana
Discussing Moana's Future
Race the Wind/Ties That Bind
Under the Sea
Music Video: "How Far I'll Go" Performed by Alessia Cara
"How Far I'll Go" Around the World
Audio Commentary by John Musker and Ron Clements
Cars 3 (2017) – 2 Discs
Short: Lou
Short: Miss Fritter's Racing Skoool
Ready for the Race
Cruz Ramirez: The Yellow Car That Could
Audio Commentary by Brian Fee, Kevin Reher, Andrea Warren, and Jay Ward
Behind the Scenes
Generations: The Story of Cars 3
Let's. Get. Crazy
Cars to Die(cast) For
Legendary
World's Fastest Billboard
Fly Throughs
My First Car
Deleted Scenes
The Boogie Woogie
Lug Nuts
Jars of Dirt
The Bolt
More Than New Paint
Trailers
Promos
Coco (2017) – 2 Discs
Welcome to the Fiesta
Mi Familia
Dante
How to Draw a Skeleton
Audio Commentary by Lee Unkrich, Adrian Molina, and Darla Anderson
A Thousand Pictures a Day
The Music of Coco
Land of Our Ancestors
Fashion Through the Ages
The Real Guitar
Paths to Pixar: Coco
How to Make Papel Picado
You Got the Part!
Deleted Scenes
Día del los Muertos
The Way of the Riveras
Celebrity Tour
The Bus Escape
Alebrije Attack
The Family Fix
To the Bridge
Trailers & Promos
*Music Video: “Remember Me” by Miguel and Natalia Lafourcade
Incredibles 2 (2018) – 2 Discs
Audio Commentary by Brad Bird, Alan Barillaro, Tony Fucile, Dave Mullins, and Bret Parker
Short: Bao
Short: Auntie Edna
Strong Coffee: A Lesson in Animation with Brad Bird
Super Stuff
Heroes & Villains
Ralph Eggleston: Production Designer
Paths to Pixar: Everyday Heroes
SuperBaby
Making "Bao"
Deleted Scenes
Suburban Escape
Kari Revisited
Return of the Supers
Chewed Out
Late Audition
Slow Day
Frozone and Honey
Restaurant Robbery
Fashion Show
Security Breakdown
Outtakes & Stories
Raccoon Fight Story
Evelyn Animation Outtakes
Puppet Animator Interview
Outtakes Goofy Arms Story
SuperBaby Music Video
Character Theme Songs
Vintage Toy Commercial TV Spots
Toolkit Montage
Global "Incredibles 2" Trailers
*The Coolest Guy in Show Business
*Super Scene Breakdowns
Ralph Breaks the Internet (2018)
Surfing for Easter Eggs
The Music of Ralph Breaks the Internet
BuzzzTube Cats
How We Broke The Internet
Deleted Scenes
Into the Internet
Opposites
Domestic Hell
Bubble of One
Recruiting Grandma
Music Videos
“Zero” by Imagines Dragons
“In This Place” by Julia Michaels
*Baby Drivers – Slaughter Racing School
*Character Gallery
*Trivia Challenge
Toy Story 4 (2019) – 2 Discs
Bo Rebooted
Toy Stories
Audio Commentary by Josh Cooley and Mark Nielsen
Let’s Ride with Ally Maki
Woody & Buzz
Anatomy of a Scene: Playground
Toy Views
Toy Box
Deleted Scenes
Scamming Playtime
Bo Knows Hippos
Desperate Toys
Knock-Offs
Recruit Duke
She’s the One
Trailers and Promo
*Deleted Scene: Bonnies Playtime
*Anatomy of a Scene: Prologue
Frozen 2 (2019)
Outtakes
Did You Know???
The Spirits of “Frozen 2″
Scoring a Sequel
Deleted Scenes
Prologue
Secret Room
Elsa’s Dream
Hard Nokk’s
A Place of Our Own
Deleted Songs
“Home”
“I Wanna Get This Right”
Gale Tests
“Into the Unknown” in 29 Languages
Music Videos
“Into the Unknown” by Panic! At the Disco
“Lost in the Woods” by Weezer
*Meet the Lopezes
*Deleted Song: “Unmeltable Me”
Onward (2020) – 2 Discs
Quest for Story
Citizens of New Mushroomton
Audio Commentary by Dan Scanlon and Kori Rae
Heart's Fire
Dragon High
Wizard Rock
Fantasy Is Our Destiny
Deleted Scenes
Unstoppable
Training
Mismanaged
Partnership
Trees Warning
Sirens
Trailers & Promos
Soul (2020) – 2 Discs
Not Your Average Joe
Astral Taffy
Audio Commentary by Pete Doctor, Dana Murray, and Kemp Powers
Pretty Deep for a Cartoon
Into the Zone: The Music and Sound of Soul
Soul, Improvised
Jazz Greats
Deleted Scenes
Mentor Orientation
Clubhouse Forgery
Home Lessons
Living the Dream
Press Shot
Trailers
Raya and the Last Dragon (2021)
Short: Us Again
Us Again Introduction
Taste of Raya
Raya: Bringing It Home
Martial Artists
We Are Kumandra
Outtakes
Fun Facts & Easter Eggs
The Story Behind the Storyboard with John Ripa
Deleted Scenes
The Bridge
Escaping Namaari
Dragon Blade
Meet Boun
The Heart of the Dragon
Luca (2021)
Our Italian Inspiration
Secretly a Sea Monster
Best Friends
Deleted Scenes
Starfish Hunt – Alternate Opening
Isola Mare – Alternate Opening
Festa del Mare
Here Comes Giulia
Gelato Trouble
Sea Monster Cannery
Trailers
*Getting the Scales
Encanto (2021)
Short: Far From the Tree
Familia Lo Es Todo
Discover Colombia
A Journey Through Music
Let’s Talk About Bruno
Our Casita
Outtakes
Journey to Colombia
Deleted Scenes
Chores!
Another Way In
Isabela Goes Into the Woods
Back to the Mural
Turning Red (2022)
Audio Commentary by Domee Shi, Lindsey Collins, and Mahyar Abousaeedi
Life of a Shot
Build Your Own Boy Band
Ani-Mei-Tion
Deleted Scenes
Intro Meilin
Taming The Panda
The Debate
Fei And Christina Hang
4*TOWN Dilemma
Roping In Leo
Easter Egg – Robutton Deleted Scene
Lightyear (2022)
Building the World of Lightyear
The Zap Patrol
Toyetic
Deleted Scenes
The Dump
Polly
Meet Izzy
Up in the Lair
Tilted Ship
Fathership
Audio Commentary by Angus MacLane, Jason Headley, and Jeremy Lasky
Strange World (2022)
Anatomy of a Scene: Creating A Strange World
Strange Science
Creature Feature
The Hidden Secrets of Strange World
Outtakes
Deleted Scenes
The Ballad of Jaeger Clade
Lightning Lynx
Funerals and Promises
Searcher and Ethan
Elemental (2023)
Short: Carl’s Date
Ember and Wade
Next Stop: Element City
Deleted Scenes
Mom Rejects Wade
Dante Challenge
Brook Dinner
*Intro Ember
*Beach Proposal
Audio Commentary by Peter Sohn, Sanjay Bakshi, Mike Venturini, and Gwendelyn Enderoglu
*Paths to Pixar: The Immigrant Experience
Final Thoughts
Walt Disney Studios Home Entertainment has produced an attractive box set with The Disney Legacy Animated Film Collection. The unique book packaging, with the transforming stand, makes for a cool experience. However, the lack of exclusive discs (save for Pooh’s Heffalump Movie) doesn’t add much incentive for diehard collectors to pick this up. But as the set (limited to 1,100 copies) appears to have sold out already, it appears Disney had a good understanding of the market and price point for this release. However, if they were to revisit this concept again in the future, I’d be much more interested in a chronological Walt Disney Animation Studios set that includes many shorts and actually spans 100 years’s worth of content rather than cramming in titles just to hit that milestone number.
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wrong_mix_domain_starring_00035
|
FactBench
|
2
| 31
|
https://d23.com/a-to-z/aristocats-the-film/
|
en
|
Aristocats, The (film)
|
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2013-04-03T11:32:37+00:00
|
Duchess a mother cat and her three kittens are catnapped by a greedy butler who hopes to gain the inheritance left to the family of cats by their owner.
|
en
|
D23
|
https://d23.com/a-to-z/aristocats-the-film/
|
Aristocats, The (film) Animated feature in which a pedigreed mother cat, Duchess, and her three kittens, Toulouse, Berlioz, and Marie, are catnapped by a greedy butler named Edgar who hopes to gain by getting the inheritance left to the family of cats by their owner, Madame Bonfamille. Things look hopeless for the cats until they are befriended by Thomas O’Malley, an easygoing alley cat. After the cats have many misadventures getting back to Paris, the villainous butler is frustrated when a gang of alley cats and a mouse named Roquefort join O’Malley to rescue Duchess and her kittens. Premiere in Los Angeles on December 11, l970; general release on December 24, 1970. Directed by Wolfgang Reitherman. 78 min. Features the voices of Phil Harris (Thomas O’Malley), Eva Gabor (Duchess), Sterling Holloway (Roquefort), Scatman Crothers (Scat Cat), Paul Winchell (Chinese Cat), Lord Tim Hudson (English Cat), Vito Scotti (Italian Cat), Thurl Ravenscroft (Russian Cat), Dean Clark (Berlioz), Liz English (Marie), Gary Dubin (Toulouse), Nancy Kulp (Frou-Frou), Charles Lane (Georges Hautecourt), Hermione Baddeley (Madame Adelaide Bonfamille), Roddy Maude-Roxby (Edgar), Bill Thompson (Uncle Waldo), George Lindsey (Lafayette), Pat Buttram (Napoleon), Monica Evans (Abigail Gabble), Carole Shelley (Amelia Gabble), Pete Renoudet (French Milkman), and Maurice Chevalier, who sang the title tune. This was the first feature-length animated cartoon completed without Walt Disney. The song “Ev’rybody Wants To Be A Cat,” was written by Floyd Huddleston and Al Rinker. “Thomas O’Malley” was written by Terry Gilkyson, and Richard and Robert Sherman composed “The Aristocats,” “She Never Felt Alone,” and “Scales and Arpeggios.” For the background musical score, George Bruns featured the accordionlike musette for French flavor and with his considerable background with jazz bands in the 1940s, provided a great deal of jazz music. The film was four years in the making, budgeted at over $4 million, and included more than 325,000 drawings made by 35 animators, with twenty main sequences to the film having 1,125 separate scenes using 900 painted backgrounds. The project employed some 250 people. The film was a box office success, earning reissues in 1980 and 1987. Released on video in 1996.
|
|||||
wrong_mix_domain_starring_00035
|
FactBench
|
2
| 70
|
https://www.rotoscopers.com/2016/07/22/disney-canon-countdown-20-the-aristocats/
|
en
|
Disney Canon Countdown 20: ‘The AristoCats’
|
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[] |
[] |
[
""
] | null |
[
"Kajsa Rain Forden"
] |
2016-07-22T00:00:00
|
The AristoCats, the last Disney canon film approved by Walt Disney himself, began the Bronze Age in Disney history as another comedic animal adventure.
|
en
|
Rotoscopers
|
https://www.rotoscopers.com/2016/07/22/disney-canon-countdown-20-the-aristocats/
|
The AristoCats, the last Disney canon film approved by Walt Disney himself, began the Bronze Age in Disney history as another comedic animal adventure. Featuring the voice talents of Maurice Chevalier, Eva Gabor, Phil Harris, and Pat Buttram, and music from George Bruns and the Sherman Brothers, the film released in 1970 to positive reviews and box office success.
Set in Paris, The AristoCats starts out simple, introducing the audience to the enchanting Madame Adelaide Bonfamille (that’s ‘good family,’ in case you were wondering), her exasperated butler Edgar, and the entire feline family—mother Duchess and kittens Toulouse, Berlioz, and Marie. Everything seems fairly normal and happy; why wouldn’t a wealthy cat lady with her own butler be happy? Then, the family gets a visitor: Georges Hautecourt, the family lawyer. With Edgar listening in through what I can only call the world’s first intercom system, we find out that Madame will be leaving her whole estate to her cats. This is where we find out just how villainous and slightly crazy Edgar is.
The entire conflict of The AristoCats stems from Edgar believing he must get rid of the cats so he can inherit everything. This premise disregards at least two major points: (1) Madame may live for a long time yet, and (2) what was Edgar planning to do to Madame after getting rid of the kittens? Following in the footsteps of Cruella de Vil, Edgar is one of Disney’s most frightening villains because he’s generically normal (he and Cruella would probably have a lot in common) and yet determined to cause serious trauma to both a family of kittens and their elderly owner. With his priorities slightly askew, how could he know that he would automatically inherit? What if his deception (Lord forbid) causes the will to come into effect prematurely? Would there be an active legal search for the kittens? Also, why couldn’t he just go for Madame to begin with and be in control of everything afterward? I mean, the cats inherit, sure, but they can’t exactly report him for embezzlement or fraud if he uses the money for his own benefit. Ultimately, there are a few too many questions surrounding Edgar’s decisions and his clear lack of experience in the criminal field.
Aside from the villainous Edgar, we come to the obligatory animated Disney romance—the wealthy Duchess falls for the charming alley cat, Thomas O’Malley (and her kids fall for him too). Aside from the rather calm but banterful romance, this is the part of the film where Marie proves the most annoyingly accident-prone of all cats. Ever. The whole sequence consists of Marie falling at most inconvenient times in the most inconvenient places. Alright, so she only falls twice. The second time, though, is straight into a fast-moving river. While bearably annoying, I can forgive Marie her clumsiness at this point because it brings the audience to arguably the best Disney sisters to ever be animated: Abigail and Amelia Gabble.
The Gabble twins help the entire group back to Paris, with incredible English wit and heartwarming giggles. In addition to cracking up the audience, the sisters introduce us to Uncle Waldo—“Prime Country Goose à la Provençale, stuffed with chestnuts and basted in white wine”—who proves to be one of Disney’s best drunks. Many of the best quotes from The AristoCats come from Uncle Waldo’s inebriated scene: “Basted? He’s been marinated,” “Being British, I would’ve prefered sherry,” “Birds of a feather must ‘hic’ together,” and several more background lines as he and his nieces head off through the streets of Paris.
The AristoCats, although not always considered one of Disney’s top classics, is a heartwarming showcase of a wonderful sense of humor and well-written banter, despite a loose story with a few holes. Much of the Bronze Age would follow a similar humor and use simple storylines. As the first era without Walt Disney’s distinct touch, the Bronze Age, led by The AristoCats, maintains the classical magic and artistry of early Disney films.
Do you love The AristoCats? Is it one of your Disney favorites?
Edited by: Kelly Conley
|
|||||
wrong_mix_domain_starring_00035
|
FactBench
|
2
| 30
|
https://ecct.org/get-involved-on-stage/f/cast-list-disneys-the-aristocats-kids
|
en
|
"Disney's The Aristocats Kids"
|
[
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[] |
[] |
[
""
] | null |
[] | null |
Congratulations to the cast!
|
en
|
//img1.wsimg.com/isteam/ip/1dfbad30-6fa8-43a6-9b0f-226e1eef5840/Ecct%20White%20Letters.png/:/rs=w:57,h:57,m
|
Eau Claire Children's Theater
|
https://ecct.org/get-involved-on-stage/f/cast-list-disneys-the-aristocats-kids
|
This smash-hit musical sensation reimagines the famous Biblical story of Joseph through vivid spectacle. After being betrayed by his brothers, Joseph navigates life's difficulties while discovering his unique gift, helping save a country and reunite his family.
This show, full of iconic songs, including "One More Angel in Heaven," "Any Dream Will Do," and "Close Every Door," is perfect for audiences of all ages. Join ECCT for this enduring classic, July 24-28.
|
||||
wrong_mix_domain_starring_00035
|
FactBench
|
2
| 67
|
https://vocal.media/geeks/the-aristocats-a-movie-review
|
en
|
The Aristocats - A Movie Review
|
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'The Aristocats' is a classic film for all ages about how wonderful it is to be a cat.
|
en
|
Geeks
|
https://vocal.media/geeks/the-aristocats-a-movie-review
|
Everybody wants to be a cat. Because a cat’s the only cat who knows where it’s at.
The Aristocats is a 1970 Animated Disney film about a cat named Duchess and her three kittens. The butler of a wealthy aristocrat steals the kittens as an attempt to inherit the fortune. Now the kittens must rely on the trust of an ally tomcat to get back home safely.
As a child, I adored The Aristocats. Coming back to the film as an adult it is a sweet story about a family of cats who learn survival skills. This was the first Disney picture released after the death of Walt Disney. The Aristocats is a classic film for all ages about how wonderful it is to be a cat.
Duchess is a wonderful mother to her kittens. That is her best quality. She has not experienced life in the outside world being spoiled at the hands of her loving owner. Putting her survival instincts to the test, Duchess does not let perpetual helplessness get in the way of protecting her children.
Berlioz, Marie, and Toulouse make the whole film with their beloved antics. The young kittens spend most of the film arguing, getting themselves into trouble, or just being plain adorable. Marie is my favorite because she is snarky and likes to start fights. My favorite scene is when the kittens practice their scales on the piano. It is an adorable sequence.
When I was a kid, I thought that O’Malley was a tiger rather than an alley cat. He still does, in my opinion. Agreeing to help Duchess get home, he ends up learning a remarkable lesson about family. He is always there for the kittens and even opens Duchess up to the world.
One moment that had a big impact on me was when the kittens lamented about not having a father. As I have mentioned, while Duchess is a great mother I feel like she expected a little too much of her children. Duchess and O’Malley talk about the difference between their worlds. It felt like a genuine scene.
Madame Adelaide is a kind woman who cherishes her cats. Who could forget Edgar, the bungling villain of the story who goes through many escapades? And Frou-Frou and Roquefort are the best companions ever. I forgot about most of the secondary characters upon my most recent watch of the film.
The dogs who hilariously chase Edgar on his motorcycle is an incredible animation sequence. However, it felt more like filler. Arguably it does not add much to the film.
Voice talents include Eva Gabor, Phill Harris, Roddy Maud-Roxby, Sterling Holloway, Dean Clark, Liz English, Gary Dubin, Pat Buttram, George Lindsay, Charles Lane, Hermione Baddely, and many more. The musical ensemble for the singing cats was terrific. I am curious as to how recording went for the young child actors.
The animation is different compared to other Disney films. I paused the screen to examine Madame Adelaide’s design. Every scene in the film is very detailed and catches every close-up and angle with excellent coloring.
Wolfgang Reitherman created a visually superb, humorous, and entertaining film for all audiences to enjoy. ‘Everybody Wants to be a Cat’ is the best number. The moral of The Aristocats is that you have to live life. Get out and see the world. It doesn’t matter what your background is, you should always give different friendships a chance. You can learn so much.
For anyone who is a cat lover, you are sure to enjoy The Aristocats. It is a sweet story from beginning to end.
|
|||||
wrong_mix_domain_starring_00035
|
FactBench
|
0
| 2
|
https://en.wikipedia.org/wiki/Dubbing
|
en
|
Wikipedia
|
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[] |
[] |
[
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[
"Contributors to Wikimedia projects"
] |
2001-11-21T14:17:29+00:00
|
en
|
/static/apple-touch/wikipedia.png
|
https://en.wikipedia.org/wiki/Dubbing
|
Post-production process used in filmmaking and video production
For other uses, see Dubbing (disambiguation).
Dubbing (re-recording and mixing) is a post-production process used in filmmaking and video production, often in concert with sound design, in which additional or supplementary recordings (doubles) are lip-synced and "mixed" with original production sound to create the finished soundtrack.
The process usually takes place on a dub stage. After sound editors edit and prepare all the necessary tracks—dialogue, automated dialogue replacement (ADR), effects, Foley, and music—the dubbing mixers proceed to balance all of the elements and record the finished soundtrack. Dubbing is sometimes confused with ADR,[further explanation needed] also known as "additional dialogue replacement",[clarification needed][1][2][3] "automated dialogue recording" and "looping",[4][5] in which the original actors re-record and synchronize audio segments.
Outside the film industry, the term "dubbing" commonly refers to the replacement of the actor's voices with those of different performers speaking another language, which is called "revoicing" in the film industry.[1][further explanation needed] The term "dubbing" is only used when talking about replacing a previous voice, usually in another language. When a voice is created from scratch for animations, the term "original voice" is always used because, in some cases, these media are partially finished before the voice is implemented. The voice work would still be part of the creation process, thus being considered the official voice.
Origins
[edit]
Films, videos, and sometimes video games are often dubbed into the local language of a foreign market. In foreign distribution, dubbing is common in theatrically released films, television films, television series, cartoons, anime and telenovelas.[6]
In many countries dubbing was adopted, at least in part, for political reasons. In authoritarian states such as Fascist Italy and Francoist Spain, dubbing could be used to enforce particular ideological agendas, excising negative references to the nation and its leaders and promoting standardised national languages at the expense of local dialects and minority languages. In post-Nazi Germany, dubbing was used to downplay events in the country's recent past, as in the case of the dub of Alfred Hitchcock's Notorious, where the Nazi organisation upon which the film's plot centres was changed to a drug smuggling enterprise.[7] First post-WWII movie dub was Konstantin Zaslonov (1949) dubbed from Russian into the Czech language.[8] In Western Europe after World War II, dubbing was attractive to many film producers as it helped to enable co-production between companies in different countries, in turn allowing them to pool resources and benefit from financial support from multiple governments. Use of dubbing meant that multi-national casts could be assembled and were able to use their preferred language for their performances, with appropriate post-production dubs being carried out before distributing versions of the film in the appropriate language for each territory.[7]
Methods
[edit]
ADR/post-sync
[edit]
Automated dialogue replacement (ADR) is the process of re-recording dialogue by the original actor (or a replacement actor) after the filming process to improve audio quality or make changes to the originally scripted dialog. In the early days of talkies, a loop of film would be cut and spliced together for each of the scenes that needed to be rerecorded, then one-by-one the loops would be loaded onto a projector. For each scene the loop would be played over and over while the voice actor performed the lines trying to synchronize them to the filmed performance. This was known as "looping" or a "looping session". Loading and reloading the film loops while the talent and recording crew stood by was a tedious process. Later, video tape and then digital technology replaced the film loops and the process became known as automated dialogue replacement (ADR).[10][11]
In conventional film production, a production sound mixer records dialogue during filming. During post-production, a supervising sound editor, or ADR supervisor, reviews all of the dialogue in the film and decides which lines must be re-recorded. ADR is recorded during an ADR session, which takes place in a specialized sound studio. Multiple takes are recorded and the most suitable take becomes the final version, or portions of multiple takes may be edited together.[12] The ADR process does not always take place in a post-production studio. The process may be recorded on location, with mobile equipment. ADR can also be recorded without showing the actor the image they must match, but by having them listen to the performance, since some actors[who?] believe that watching themselves act can degrade subsequent performances. The director may be present during ADR, or alternatively, they may leave it up to a trusted sound editor, an ADR specialist, and the performers.
As of 2020, the automated process includes sophisticated techniques including automatically displaying lines on-screen for the talent, automated cues, shifting the audio track for accurate synchronization, and time-fitting algorithms for stretching or compressing portions of a spoken line. There is even software that can sort out spoken words from ambient sounds in the original filmed soundtrack and detect the peaks of the dialog and automatically time-fit the new dubbed performance to the original to create perfect synchronization.[13]
Sometimes, an actor other than the original actor is used during ADR. One famous example is the Star Wars character Darth Vader, portrayed by David Prowse; in post-production, James Earl Jones dubbed the voice of Vader.[14] In India, the process is simply known as "dubbing", while in the UK, it is also called "post-synchronization" or "post-sync". The insertion of voice actor performances for animation, such as computer generated imagery or animated cartoons, is often referred to as ADR although it generally does not replace existing dialogue.
The ADR process may be used to:
remove extraneous sounds such as production equipment noise, traffic, wind, or other undesirable sounds from the environment
change the original lines recorded on set to clarify context
improve diction or modify an accent
improve comedic timing or dramatic timing
correct technical issues with synchronization
use a studio-quality singing performance or provide a voice-double for actors who are poor vocalists
add or remove content for legal purposes (such as removing an unauthorized trademarked name)
add or remove a product placement
correct a misspoken line not caught during filming.
replace "foul language" for TV broadcasts of the media or if the scene in question has a young actor involved.
Other examples include:
Jean Hagen provided Debbie Reynolds' voice in two scenes of Singin' in the Rain (1952). Ironically, the film's story has Reynolds' character, Kathy Seldon, dubbing the voice for Hagen's character, Lina Lamont, due to Lina's grating voice and strong New York accent. Hagen used her own normal melodious voice to portray Kathy dubbing for Lina. The film, which takes place in Hollywood as talking pictures are taking over from silent films, also portrays another character, Cosmo Brown, played by Donald O'Connor, as inventing the idea of using one actor to provide the voice for another.
Marni Nixon provided the singing voice for the character Eliza Doolittle, otherwise played by Audrey Hepburn, in the 1964 musical film My Fair Lady. Nixon was also the singing voices for Deborah Kerr in The King and I and Natalie Wood in West Side Story, among many others.
Ray Park, who acted as Darth Maul from Star Wars: Episode I – The Phantom Menace, had his voice dubbed over by Peter Serafinowicz
Frenchmen Philippe Noiret and Jacques Perrin, who were dubbed into Italian for Cinema Paradiso
Austrian bodybuilder Arnold Schwarzenegger, dubbed for Hercules in New York
Argentine boxer Carlos Monzón, dubbed by a professional actor for the lead in the drama La Mary
Gert Fröbe, who played Auric Goldfinger in the James Bond film Goldfinger, dubbed by Michael Collins
George Lazenby's James Bond in On Her Majesty's Secret Service, dubbed for a portion of the film by George Baker, since Bond was undercover and impersonating Baker's own character.
Andie MacDowell's Jane, in Greystoke: The Legend of Tarzan, Lord of the Apes, who was dubbed by Glenn Close
Tom Hardy, who portrayed Bane in The Dark Knight Rises, re-dubbed half of his own lines for ease of viewer comprehension
Harvey Keitel was dubbed by Roy Dotrice in post production for Saturn 3
Dave Coulier dubbed replacement of swear words for Richard Pryor in multiple TV versions of his movies
Doug Jones was dubbed by Laurence Fishburne in post production for Fantastic Four: Rise of the Silver Surfer
Rythmo band
[edit]
An alternative method to dubbing, called "rythmo band" (or "lip-sync band"), has historically been used in Canada and France.[citation needed] It provides a more precise guide[further explanation needed] for the actors, directors, and technicians, and can be used to complement the traditional ADR method. The "band" is actually a clear 35 mm film leader on which the dialogue is hand-written in India ink, together with numerous additional indications for the actor—including laughs, cries, length of syllables, mouth sounds, breaths, and mouth openings and closings. The rythmo band is projected in the studio and scrolls in perfect synchronization with the picture.[citation needed]
Studio time is used more efficiently, since with the aid of scrolling text, picture, and audio cues, actors can read more lines per hour than with ADR alone (only picture and audio). With ADR, actors can average 10–12 lines per hour, while rythmo band can facilitate the reading of 35-50 lines per hour.[15]
However, the preparation of a rythmo band is a time-consuming process involving a series of specialists organized in a production line. This has prevented the technique from being more widely adopted, but software emulations of rythmo band technology overcome the disadvantages of the traditional rythmo band process and significantly reduce the time needed to prepare a dubbing session.[citation needed]
Translation process
[edit]
For dubs into a language other than the original language, the dubbing process includes the following tasks:
Translation
Dialog writing:
Take segmentation
Insertion of dubbing symbols
Dialogue writing and the emulation of natural discourse
Lip-sync
Sometimes the translator performs all five tasks. In other cases, the translator just submits a rough translation and a dialogue writer does the rest. However, the language expertise of translator and dialog writing is different; translators must be proficient in the source language, while dialog writers must be proficient in the target language.
Dialog writing
[edit]
The dialogue writer's role is to make the translation sound natural in the target language, and to make the translation sound like a credible dialogue instead of merely a translated text.[16]
Another task of dialogue writers is to check whether a translation matches an on-screen character's mouth movements or not, by reading aloud simultaneously with the character. The dialogue writer often stays in the recording setting with the actors or the voice talents, to ensure that the dialogue is being spoken in the way that it was written to be, and to avoid any ambiguity in the way the dialogue is to be read (focusing on emphasis, intonation, pronunciation, articulation, pronouncing foreign words correctly, etc.). The overall goal is to make sure the script creates the illusion of authenticity of the spoken language. A successful localization product is one that feels like the original character is speaking the target language. Therefore, in the localization process, the position of the dialogue writing or song writing is extremely important.
Global use
[edit]
Localization
[edit]
Localization is the practice of adapting a film or television series from one region of the world for another. In contrast to pure translation, localization encompasses adapting the content to suit the target audience. For example, culture-specific references may be replaced and footage may be removed or added.[17]
Dub localization is a contentious issue in cinephilia among aficionados of foreign filmmaking and television programs, particularly anime fans. While some localization is virtually inevitable in translation, the controversy surrounding how much localization is "too much" is often discussed in such communities, especially when the final dub product is significantly different from the original. Some fans frown on any extensive localization, while others expect it, and to varying degrees, appreciate it.
The new voice track is usually spoken by a voice actor. In many countries, actors who regularly perform this duty remain little-known, with the exception of particular circles (such as anime fandom) or when their voices have become synonymous with roles or actors whose voices they usually dub. In the United States, many of these voice artists may employ pseudonyms or go uncredited due to Screen Actors Guild regulations or the desire to dissociate themselves from the role.[18]
Africa
[edit]
North Africa, Western Asia
[edit]
In Algeria, Morocco, and Tunisia, most foreign movies (especially Hollywood productions) are shown dubbed in French. These movies are usually imported directly from French film distributors. The choice of movies dubbed into French can be explained by the widespread use of the French language. Another important factor is that local theaters and private media companies do not dub in local languages in order to avoid high costs, but also because of the lack of both expertise and demand.[citation needed]
Beginning in the 1980s, dubbed series and movies for children in Modern Standard Arabic became a popular choice among most TV channels, cinemas and VHS/DVD stores. However, dubbed films are still imported, and dubbing is performed in the Levant countries with a strong tradition of dubbing (mainly Syria, Lebanon and Jordan). Egypt was the first Arab country in charge of dubbing Disney movies in 1975 and used to do it exclusively in Egyptian Arabic rather than Modern Standard Arabic until 2011, and since then many other companies started dubbing their productions in this dialect. Beginning with Encanto, Disney movies are now dubbed in both dialects.[19]
In the Arabic-speaking countries, children's shows (mainly cartoons & kids sitcoms) are dubbed in Arabic, or Arabic subtitles are used. The only exception was telenovelas dubbed in Standard Arabic, or dialects, but also Turkish series, most notably Gümüş, in Syrian Arabic.[20]
An example of Arabic voice actors that dub for certain performers is Safi Mohammed for Elijah Wood.[citation needed]
In Tunisia, the Tunisia National Television (TNT), the public broadcaster of Tunisia, is not allowed to show any content in any language other than Arabic, which forces it to broadcast only dubbed content (this restriction was recently removed for commercials). During the 1970s and 1980s, TNT (known as ERTT at the time) started dubbing famous cartoons in Tunisian and Standard Arabic. However, in the private sector, television channels are not subject to the language rule.[citation needed]
South Africa
[edit]
In South Africa, many television programs were dubbed in Afrikaans, with the original soundtrack (usually in English, but sometimes Dutch or German) "simulcast" in FM stereo on Radio 2000.[21] These included US series such as The Six Million Dollar Man (Steve Austin: Die Man van Staal),[22][23] Miami Vice (Misdaad in Miami),[24] Beverly Hills 90210,[25] and the German detective series Derrick.[26]
As a result of the boycott by the British actors' union Equity, which banned the sale of most British television programs, the puppet series The Adventures of Rupert Bear was dubbed into South African English, as the original voices had been recorded by Equity voice artists.[27]
This practice has declined as a result of the reduction of airtime for the language on SABC TV, and the increase of locally produced material in Afrikaans on other channels like KykNet. Similarly, many programs, such as The Jeffersons, were dubbed into Zulu,[28] but this has also declined as local drama production has increased. However, some animated films, such as Maya the Bee, have been dubbed in both Afrikaans and Zulu by local artists.[29] In 2018, eExtra began showing the Turkish drama series Paramparça dubbed in Afrikaans as Gebroke Harte or "Broken Hearts", the first foreign drama to be dubbed in the language for twenty years.[30]
Uganda
[edit]
Uganda's own film industry is fairly small, and foreign movies are commonly watched. The English sound track is often accompanied by the Luganda translation and comments, provided by an Ugandan "video jockey" (VJ). VJ's interpreting and narration may be available in a recorded form or live.[31]
Asia
[edit]
Azerbaijan
[edit]
In Azerbaijan, foreign movies are released in their original language with Azerbaijani subtitles in cinemas. Additionally, some theaters offer Russian and Turkish versions. According to the law, films intended for theatrical release must either be dubbed or subtitled. All television channels are required to broadcast movies and TV shows with dubbed audio. In the past, voice-over was commonly used, but in the last decade, channels have improved the quality by adopting full dubbing.
DVD releases are typically imported from Russia or Turkey. The absence of detailed laws, limited regulations, monitoring, and industry interest contribute to ongoing debates on how movies and series should be released.[32] However, certain series and movies (The Kingdom of Solomon, Mokhtarnameh, and Prophet Joseph etc.), have been fully dubbed and released, including availability in home media formats.
China
[edit]
China has a long tradition of dubbing foreign films into Mandarin Chinese, starting in the 1930s. While during the Republic of China era Western motion pictures may have been imported and dubbed into Chinese, since 1950 Soviet movies became the main import,[33] sometimes even surpassing the local production.[34] In Communist China, most European movies were dubbed in Shanghai, whereas Asian and Soviet films were usually dubbed in Changchun.[35] During the Cultural Revolution, North Korean, Romanian and Albanian films became popular.[36] Beginning in the late 1970s, in addition to films, popular TV series from the United States, Japan, Brazil, and Mexico were also dubbed.[34] The Shanghai Film Dubbing Studio has been the most well-known studio in the film dubbing industry in China. In order to generate high-quality products, they divide each film into short segments, each one lasting only a few minutes, and then work on the segments one-by-one. In addition to the correct meaning in translation, they make tremendous effort to match the lips of the actors to the dialogue. As a result, the dubbing in these films generally is not readily detected. The cast of dubbers is acknowledged at the end of a dubbed film. Several dubbing actors and actresses of the Shanghai Film Dubbing Studio have become well-known celebrities, such as Qiu Yuefeng, Bi Ke, Li Zi, and Liu Guangning. In recent years, however, especially in the larger cities on the east and south coasts, it has become increasingly common for movie theaters to show subtitled versions with the original soundtracks intact.
Motion pictures are also dubbed into the languages of some of China's autonomous regions. Notably, the Translation Department of the Tibetan Autonomous Region Movie Company (西藏自治区电影公司译制科)[37] has been dubbing movies into the Tibetan language since the 1960s. In the early decades, it would dub 25 to 30 movies each year, the number rising to 60-75 by the early 2010s.[37][38] Motion pictures are dubbed for China's Mongol- and Uyghur-speaking markets as well.[39]
Chinese television dramas are often dubbed in Standard Mandarin by professional voice actors to remove accents, improve poor performances, or change lines to comply with local censorship laws.[40]
Hong Kong
[edit]
In Hong Kong, foreign television programs, except for English-language and Mandarin television programs, are dubbed in Cantonese. English-language and Mandarin programs are generally shown in their original with subtitles. Foreign films, such as most live-action and animated films (such as anime and Disney), are usually dubbed in Cantonese. However most cinemas also offer subtitled versions of English-language films.
For the most part, foreign films and TV programs, both live-action and animated, are generally dubbed in both Mandarin and Cantonese. For example, in The Lord of the Rings film series, Elijah Wood's character Frodo Baggins was dubbed into Mandarin by Jiang Guangtao for China and Taiwan. For the Cantonese localization, there were actually two dubs for Hong Kong and Macau. In the first Cantonese dub, he was voiced by Leung Wai Tak, while in the second Cantonese dub, he was voiced by Bosco Tang.
Taiwan
[edit]
Taiwan dubs some foreign films and TV series in Mandarin Chinese. Until the mid-1990s, the major national terrestrial channels both dubbed and subtitled all foreign programs and films and, for some popular programs, the original voices were offered in second audio program. Gradually, however, both terrestrial and cable channels stopped dubbing for prime time U.S. shows and films, while subtitling continued.
In the 2000s, the dubbing practice has differed depending on the nature and origin of the program. Animations, children's shows and some educational programs on PTS are mostly dubbed. English live-action movies and shows are not dubbed in theaters or on television. Japanese TV dramas are no longer dubbed, while Korean dramas, Hong Kong dramas and dramas from other Asian countries are still often dubbed. Korean variety shows are not dubbed. Japanese and Korean films on Asian movie channels are still dubbed. In theaters, most foreign films are not dubbed, while animated films and some films meant for children offer a dubbed version. Hong Kong live-action films have a long tradition of being dubbed into Mandarin, while more famous films offer a Cantonese version.
Georgia
[edit]
In Georgia, original soundtracks are kept in films and TV series, but with voice-over translation. There are exceptions, such as some children's cartoons.
India
[edit]
In India, where "foreign films" are synonymous with "Hollywood films", dubbing is done mostly in Hindi, Tamil and Telugu. Dubbing is rarely done with the other major Indian languages, namely Bengali, Gujarati, Kannada, Malayalam, Marathi, and Odia, due to lack of significant market size. Despite this, some Kannada and Malayalam dubs of children television programs can be seen on the Sun TV channel. The dubbed versions are released into the towns and lower tier settlements of the respective states (where English penetration is low), often with the English-language originals released in the metropolitan areas. In all other states, the English originals are released along with the dubbed versions, where often the dubbed version collections are more outstanding than the originals. Spider-Man 3 was also done in the Bhojpuri language, a language popular in eastern India in addition to Hindi, Tamil and Telugu. A Good Day to Die Hard, the most recent installment in the Die Hard franchise, was the first ever Hollywood film to receive a Punjabi language dub as well.
Most TV channels mention neither the Indian-language dubbing credits, nor its staff, at the end of the original ending credits, since changing the credits casting for the original actors or voice actors involves a huge budget for modifying, making it somewhat difficult to find information for the dubbed versions. The same situation is encountered for films. Sometimes foreign programs and films receive more than one dub, such as for example, Jumanji, Dragonheart and Van Helsing having two Hindi dubs. Information for the Hindi, Tamil and Telugu voice actors who have done the voices for specific actors and for their roles on foreign films and television programs are published in local Indian data magazines, for those that are involved in the dubbing industry in India. But on a few occasions, there are some foreign productions that do credit the dubbing cast, such as animated films like the Barbie films, and some Disney films. Disney Channel original series released on DVD with their Hindi dubs show a list of the artists in the Hindi dub credits, after the original ending credits. Theatrical releases and VCD releases of foreign films do not credit the dubbing cast or staff. The DVD releases, however, do have credits for the dubbing staff, if they are released multilingual. As of recently, information for the dubbing staff of foreign productions have been expanding due to high demands of people wanting to know the voice actors behind characters in foreign works.
Indonesia
[edit]
Unlike movie theaters in most Asian countries, those in Indonesia show foreign movies with subtitles. Then a few months or years later, those movies appear on TV either dubbed in Indonesian or subtitled. Kids shows are mostly dubbed, though even in cartoon series, songs typically are not dubbed, but in big movies such as Disney movies, both speaking and singing voice are cast for the Indonesian dub. Adult films are mostly subtitled but sometimes they can be dubbed as well, and because there are not many Indonesian voice actors, multiple characters might have the exact same voice.
When it comes to reality shows, whether the show is dubbed or not differs. For example, the Japanese competition show TV Champion Japan are fully dubbed, while other reality shows are aired with Indonesian subtitles. All Malay language TV shows, including animated ones, are subtitled instead, likely due to the language's mutual intelligibility with Indonesian.
Iran
[edit]
In Iran, International foreign films and television programs are dubbed in Persian. Dubbing began in 1946 with the advent of movies and cinemas in the country. Since then, foreign movies have always been dubbed for the cinema and TV foreign films and television programs are subtitled in Persian. Using various voice actors and adding local hints and witticisms to the original contents, dubbing played a major role in attracting people to the cinemas and developing an interest in other cultures. The dubbing art in Iran reached its apex during the 1960s and 1970s with the inflow of American, European and Hindi movies.
The most famous musicals of the time, such as My Fair Lady and The Sound of Music, were translated, adjusted and performed in Persian by the voice artists. Since the 1990s, for political reasons and under pressure from the state, the dubbing industry has declined, with movies dubbed only for the state TV channels. During recent years, DVDs with Persian subtitles have found a market among viewers for the same reason, but most people still prefer the Persian-speaking dubbed versions. Recently, privately operated companies started dubbing TV series by hiring famous dubbers. However, the dubs which these companies make are often unauthorized and vary greatly in terms of quality.
A list of Persian voice actors that associate with their actor counterparts are listed here.
Persian dubbing artists Actor(s)/Actress(es) Notes Amir Houshang Zand James Franco
Matthew Perry
Simon Pegg
Tom Hiddleston
Orlando Bloom
James McAvoy Saeed Mozaffari Brad Pitt
Jackie Chan
Michael Keaton
Kevin Bacon
Christopher Walken
Willem Dafoe Iraj Nazerian Orson Welles
Marlon Brando
Lino Ventura
Gene Hackman
Charles Bronson
Sylvester Stallone
Rock Hudson Dubbed for Welles as Charles Foster Kane in Citizen Kane and dubbed for Brando as Vito Corleone in The Godfather. Bahram Zand Robert De Niro
Mel Gibson
Russell Crowe
Jeremy Brett
Roger Hanin Jalal Maghami James Cagney
Robert Redford
Omar Sharif Khosro Khosroshahi Alain Delon
Dustin Hoffman
Al Pacino Shervin Ghetei Johnny Depp
Tobey Maguire
Mark Wahlberg
Ryan Reynolds
Martin Freeman Manouchehr valizadeh Tom Cruise
Will Smith
Jamie Foxx
Eddie Murphy
Adam Sandler George Petrossi Chris Hemsworth
Nicolas Cage
Jim Carrey
Denzel Washington
Kurt Russell Afshin Zinoori Elijah Wood
Daniel Radcliffe
Leonardo DiCaprio
Matt Damon Dubbed for Wood as Frodo Baggins in The Lord of the Rings and dubbed for Radcliffe as Harry Potter in the titular film series from 3 to 5.
Israel
[edit]
In Israel, only children's movies and TV programming are dubbed in Hebrew. In programs aimed at teenagers and adults, dubbing is never considered for translation, not only because of its high costs, but also because the audience is mainly multi-lingual. Most viewers in Israel speak at least one European language in addition to Hebrew, and a large part of the audience also speaks Arabic. Therefore, most viewers prefer to hear the original soundtrack, aided by Hebrew subtitles. Another problem is that dubbing does not allow for translation into two different languages simultaneously, as is often the case of Israeli television channels that use subtitles in Hebrew and another language (like Russian) simultaneously.
Japan
[edit]
In Japan, many television programs appear on Japanese television subtitled or dubbed if they are intended for children. When the American film Morocco was released in Japan in 1931, subtitles became the mainstream method of translating TV programs and films in Japan. Later, around the 1950s, foreign television programs and films began to be shown dubbed in Japanese on television. The first ones to be dubbed into Japanese were the 1940s Superman cartoons in 1955.
Due to the lack of video software for domestic television, video software was imported from abroad. When the television program was shown on television, it was mostly dubbed. There was a character limit for a small TV screen at a lower resolution, and this method was not suitable for the poor elderly and illiterate eye, as was audio dubbing. Presently, TV shows and movies (both those aimed at all ages and adults-only) are shown dubbed with the original language and Japanese subtitles, while providing the original language option when the same film is released on VHS, DVD and Blu-ray. Laserdisc releases of Hollywood films were almost always subtitled, films alike Godzilla: King of the Monsters.
Adult cartoons such as South Park and The Simpsons are shown dubbed in Japanese on the WOWOW TV channel. South Park: Bigger, Longer and Uncut was dubbed in Japanese by different actors instead of the same Japanese dubbing-actors from the cartoon because it was handled by a different Japanese dubbing studio, and it was marketed for the Kansai market. In Japanese theaters, foreign-language movies, except those intended for children, are usually shown in their original version with Japanese subtitles. Foreign films usually contain multiple Japanese-dubbing versions, but with several different original Japanese-dubbing voice actors, depending upon which TV station they are aired. NHK, Nippon TV, Fuji TV, TV Asahi, and TBS usually follow this practice, as do software releases on VHS, Laserdisc, DVD and Blu-ray. As for recent foreign films being released, there are now some film theaters in Japan that show both dubbed and subtitled editions.
On 22 June 2009, 20th Century Fox's Japanese division has opened up a Blu-ray lineup known as "Emperor of Dubbing", dedicated at having multiple Japanese dubs of popular English-language films (mostly Hollywood films) as well as retaining the original scripts, releasing them altogether in special Blu-ray releases. These also feature a new dub created exclusively for that release as a director's cut, or a new dub made with a better surround sound mix to match that of the original English mix (as most older Japanese dubbings were made on mono mixes to be aired on TV). Other companies have followed practice, like Universal Pictures's Japanese division NBCUniversal Entertainment Japan opening up "Reprint of Memories", along with Warner Bros Japan having "Power of Dubbing", which act in a similar way by re-packaging all the multiple Japanese dubs of popular films and putting them out as Special Blu-ray releases.
"Japanese dub-over artists" provide the voices for certain performers, such as those listed in the following table:
Japanese dubbing artists Actor(s)/Actress(es) Notes Hiroya Ishimaru Jackie Chan Officially approved by Chan. Tesshō Genda Arnold Schwarzenegger Officially approved by Schwarzenegger. Isao Sasaki Sylvester Stallone
Elvis Presley
David Hasselhoff Masashi Ebara Tom Hanks
Bill Murray
Wesley Snipes
Robin Williams Kōichi Yamadera Jim Carrey
Will Smith
Jean-Claude Van Damme
Eddie Murphy Officially approved by Carrey, Murphy and Smith. Kenyu Horiuchi Brad Pitt
Charlie Sheen
Ben Stiller
John Stamos Officially approved by Pitt. Takeshi Kusao Leonardo DiCaprio Dubbed throughout his 1990s films. Daisuke Namikawa Elijah Wood
Hayden Christensen
Leonardo DiCaprio Officially approved by Christensen and Wood. Yūya Uchida Leonardo DiCaprio
Ryan Gosling Rikiya Koyama George Clooney
Kiefer Sutherland Officially approved by Sutherland and Clooney. Kunio Murai Harrison Ford Officially approved by Ford. Tsutomu Isobe Harrison Ford
Mel Gibson
Chow Yun-fat Kazuhiro Yamaji Russell Crowe
Hugh Jackman
Jason Statham
Sean Penn Hiroe Oka Kate Winslet
Charlize Theron
Kirsten Dunst Marika Hayashi Kate Winslet Masane Tsukayama Kevin Costner
Liam Neeson
Ed Harris
Robert De Niro Akio Ōtsuka Nicolas Cage
Steven Seagal
Denzel Washington
Dolph Lundgren Masato Sako Gary Oldman Mayumi Sako Rachel McAdams
Scarlett Johansson Shinpachi Tsuji Gary Oldman
Colm Meaney Hōchū Ōtsuka Jean-Claude Van Damme
Jeff Goldblum
Donnie Yen
Gary Oldman Dubbed for Oldman in a few films and later dubs of his earlier films. Jūrōta Kosugi Billy Blanks
David Duchovny
Luke Perry
Daniel Craig Hiroaki Hirata Johnny Depp
Matt Damon
Noah Wyle
Matt LeBlanc Officially approved by Depp. Keiji Fujiwara Robert Downey Jr. Toshiyuki Morikawa Tom Cruise
Ewan McGregor
Adam Sandler
Keanu Reeves Officially approved by Cruise and McGregor. Masako Ikeda Audrey Hepburn Noriko Ohara Jane Fonda
Brigitte Bardot Reiko Mutō Elizabeth Taylor Gorō Naya Charlton Heston
Clark Gable
Lee Van Cleef Officially approved by Heston. Kiyoshi Kobayashi James Coburn
Lee Marvin Officially approved by Coburn. Yasuo Yamada Clint Eastwood
Jean-Paul Belmondo Officially approved by Eastwood. Chikao Ōtsuka Charles Bronson
Richard Widmark Kenji Utsumi Oliver Reed
Steve McQueen Genzō Wakayama Sean Connery
Gene Barry
Peter Graves
Raymond Burr Officially approved by Graves and Burr. Osamu Kobayashi Yul Brynner Masato Yamanouchi Montgomery Clift
Tyrone Power Akiji Kobayashi John Wayne Iemasa Kayumi Frank Sinatra
Donald Sutherland
Christopher Lee Michio Hazama Roy Scheider
Steve Martin
Dean Martin
Sylvester Stallone Nachi Nozawa Alain Delon
Al Pacino
Giuliano Gemma
Bruce Willis Kei Tomiyama Rick Moranis Tadashi Nakamura Leslie Nielsen Hirotaka Suzuoki Tom Cruise
John Travolta Dubbed throughout his 1990s films. Yurika Hino Ingrid Bergman
Winona Ryder
Kate Winslet
Julianne Moore Kotono Mitsuishi Ellen Pompeo Chie Nakamura Kirsten Dunst Yūko Nagashima Sarah Jessica Parker Atomu Shimojō Eddie Murphy Shūichi Ikeda Jet Li Tōru Furuya Yuen Biao Ryōtarō Okiayu Scott Foley
Taylor Kitsch
Stephen Fung
Lin Gengxin Officially approved by Foley. Yū Mizushima Sammo Hung
Mark Hamill Officially approved by Sammo Hung. Takayuki Sugō Jean Reno
Tommy Lee Jones
Ed Harris Rica Matsumoto Sandra Bullock
Renée Zellweger Yoshito Yasuhara Mickey Rourke
Kevin Bacon
Gary Oldman Maaya Sakamoto Natalie Portman Takako Honda Milla Jovovich
Hilary Swank
Halle Berry Officially approved by Jovovich. Kinryū Arimoto Christopher Walken Takanobu Hozumi Christopher Lloyd Takeshi Aono Christopher Lloyd
Joe Pesci Taichirō Hirokawa Roger Moore
Tony Curtis
Michael Hui
Robert Redford Hideyuki Tanaka Pierce Brosnan
Michael Biehn Yoshisada Sakaguchi Morgan Freeman Masaru Ikeda Danny Glover
Morgan Freeman Masahito Kawanago Justin Long Mika Doi Julia Roberts Wataru Takagi Jack Black Taiten Kusunoki Dwayne Johnson Daisuke Ono Benjamin McKenzie Shunsuke Sakuya Patrick Wilson
Ben Affleck Satoshi Mikami Benedict Cumberbatch Daisuke Hirakawa Orlando Bloom Yuhko Kaida Anne Hathaway Mie Sonozaki Anne Hathaway
Kirsten Dunst Shinobu Adachi Jennifer Aniston Kōsei Hirota Danny Trejo Hiroshi Yanaka John Cusack Koichi Chiba Christopher Lee Tetsuo Kanao Will Patton Norihiro Inoue Anthony Edwards Kazue Komiya Bette Midler Toshiko Sawada Anjelica Huston Toshiko Fujita Glenn Close Shigeru Ushiyama William Fichtner Megumi Han Chloë Grace Moretz Shin-ichiro Miki Daniel Wu Kazuo Kumakura Alfred Hitchcock Naoya Uchida Bruce Willis
Woody Harrelson Keiko Toda Jodie Foster Gara Takashima Demi Moore
Andie MacDowell
Amy Yasbeck
Emma Thompson Mami Koyama Sharon Stone Yūko Sasaki Robin Wright Atsuko Tanaka Nicole Kidman
Monica Bellucci
Kate Beckinsale Rica Fukami Catherine Zeta-Jones Misa Watanabe Cameron Diaz Yutaka Aoyama Steve Buscemi Banjō Ginga Michael Clarke Duncan Daisuke Gōri Michael Clarke Duncan Naomi Kusumi John Goodman Bin Shimada Mark Hamill
Steve Carell Haruhiko Jō Geoffrey Rush Junpei Morita Hugh Grant
Matthew McConaughey
Colin Firth Katsuhisa Hōki Ving Rhames Hiroshi Iwasaki Stanley Tucci Kinya Aikawa Jack Lemmon Taro Ishida Gene Hackman Ryoko Shiraishi Miley Cyrus Takashi Taniguchi Tommy Lee Jones Kazuko Yanaga Sigourney Weaver Hiroshi Tsuchida Joseph Gordon-Levitt Takaya Hashi Alan Rickman Yoshimasa Hosoya Taylor Lautner Ben Hiura Bruce Willis
John Malkovich
Richard Dreyfuss Yūji Mitsuya Michael J. Fox Yū Hayashi Shia LaBeouf Fuminori Komatsu Shia LaBeouf Kenshō Ono Daniel Radcliffe Yumi Sudō Hilary Duff
Hayden Panettiere
Emma Watson Yūki Tokiwa Rupert Grint
Daryl Sabara Shūhei Sakaguchi Chris Pine
Lee Byung-hun Kazuya Takahashi Lee Byung-hun Akira Ishida Lee Joon-gi Mitsuaki Madono Kwon Sang-woo Masato Hagiwara Bae Yong-joon Yumi Tōma Kim Ha-neul Hiroki Tōchi Will Smith
Sam Worthington
Wentworth Miller Hisao Egawa Dominic Purcell Mitsuru Miyamoto Keanu Reeves
Ethan Hawke
Adrien Brody Atsuko Yuya Angelina Jolie Yasuyoshi Hara Kurt Russell Unshō Ishizuka Liam Neeson Shinji Ogawa Michael Douglas
Dustin Hoffman
Timothy Dalton Takuya Kirimoto Bradley Cooper Mugihito Patrick Stewart Fumihiko Tachiki Forest Whitaker
Michael Rooker Masakazu Morita Zac Efron Hiroshi Arikawa Ian McKellen Kōsei Tomita Ernest Borgnine Shūichirō Moriyama Telly Savalas Akira Kume Humphrey Bogart Katsunosuke Hori William Hurt Hiroko Suzuki Jacqueline Bisset Manabu Ino Tobey Maguire Tamio Ōki Christopher Plummer Yasuyuki Kase Paul Bettany
Ryan Reynolds Yuzuru Fujimoto James Earl Jones Saori Yumiba Keira Knightley Minoru Uchida Henry Fonda Munenori Oyamada Henry Fonda Tomoko Shiota Cate Blanchett Mabuki Andō Jennifer Garner Asao Koike Peter Falk Ryō Kurosawa Gary Cooper Yōsuke Kondō William Holden Hōsei Komatsu Anthony Quinn Nobuo Kawai Paul Newman Akio Miyabe Steve McQueen Akira Kimura Glenn Ford Kōji Nakata Jeffrey Hunter Ushio Shima Karl Malden Kei Taguchi Richard Burton Hikaru Urano James Stewart Nobuo Tanaka Sidney Poitier Shinsuke Chikaishi Jerry Lewis Takao Inoue Rock Hudson Aiko Konoshima Sophia Loren Reiko Tajima Kathleen Turner Ranko Mizuki Ingrid Bergman Tatsuya Jō Gregory Peck Michiko Ōtsuka Lauren Bacall Hiroko Ushida Bridgit Mendler Tadashi Mutō Jesse Eisenberg
Malaysia
[edit]
Foreign-language programmes and films that air on TV2 are shown in their original language but have subtitles in Malay.
Pakistan
[edit]
In Pakistan "foreign films", and cartoons are not normally dubbed locally. Instead, foreign films, anime and cartoons, such as those shown on Nickelodeon Pakistan and Cartoon Network Pakistan, are dubbed in Hindi in India, as Hindi and Urdu, the national language of Pakistan, are mutually intelligible. However, soap operas from Turkey are now dubbed in Urdu and have gained increased popularity at the expense of Indian soap operas in Hindi.[41] This has led to protests from local producers that these are a threat to Pakistan's television industry, with local productions being moved out of peak viewing time or dropped altogether.[42] Similarly, politicians leaders have expressed concerns over their content, given Turkey's less conservative culture.[43]
Philippines
[edit]
In the Philippines, the media industry generally has mixed practices regarding whether to dub television programs or films, even within the same kind of medium. In general, the decision whether to dub a video production depends on a variety of factors such as the target audience of the channel or programming bloc on which the feature will be aired, its genre, and/or outlet of transmission (e.g. TV or cinema, free or pay-TV).
Free-to-air TV
[edit]
The prevalence of media needing to be dubbed has resulted in a talent pool that is very capable of syncing voice to lip, especially for shows broadcast by the country's three largest networks. It is not uncommon in the Filipino dub industry to have most of the voices in a series dubbing by only a handful of voice talents. Programs originally in English used to usually air in their original language on free-to-air television.
Since the late 1990s/early 2000s, however, more originally English-language programs that air on major free-to-air networks or their affiliates (e.g. TV5, GMA, GTV, the defunct ABS-CBN) have been dubbed into Filipino. Even the former Studio 23 (now S+A), once known for its airing programs in English, had later adopted Filipino language dubbing for some of its foreign programs. Children's programs from cable networks Nickelodeon, Cartoon Network, and the former Disney Channel shown on TV5 and GMA have long been dubbed into Filipino or another Philippine regional language. Animated Disney films are often dubbed in Filipino except for the singing scenes, which are shown in their original language (though in recent years, there has been an increase in number of Disney musicals having their songs also translated such as Frozen).
Dubbing has also been less common in smaller free-to-air networks such as the former RPN 9 (now CNN Philippines) whereby the original-language version of the program is aired. Dramas from Asia and Latin America have always been dubbed into Filipino, and each program from these genres feature their unique set of Filipino-speaking voice actors.
Pay TV
[edit]
The original language-version of TV programs is also usually available on cable/satellite channels such as AXN, HBO, and Warner TV Philippines. However, some pay-TV channels do specialize in showing foreign shows and films dubbed into Filipino. Cinema One, ABS-CBN's cable movie channel, shows some films originally in languages other than English dubbed into Filipino. ABS-CBN's Kapamilya Channel also dubs its foreign language programmes. Nat Geo Wild airs most programs dubbed into Filipino for Philippine audiences, being one of the few cable channels to do so. Tagalized Movie Channel and Tag airs Hollywood and Asian movies dubbed in Filipino. The former Fox Filipino aired some English, Latin, and Asian series dubbed in Filipino such as The Walking Dead, Devious Maids, La Teniente, Kdabra, and some selected programs from Channel M. The defunct channel HERO TV, which focused on anime series, dubbed all its foreign programs into Filipino. This was in contrast to Animax, where their anime programs are dubbed in English.
Cinema
[edit]
Foreign films, especially English films shown in local cinemas, are almost always shown in their original language. Non-English foreign films make use of English subtitles. Unlike other countries, children's films originally in English are not dubbed in cinemas.
A list of voice actors with their associates that they dub into Filipino are listed here.
Filipino dubbing artists Actor(s)/Actress(es) Notes Ryan Ang Elijah Wood Sherwin Revestir Kirsten Dunst Joonee Gamboa Will Smith Jennifer Paz Jennifer Lawrence Diether Ocampo Travis Willingham, Josh Peck Claudine Barretto Moira Kelly, Gabrielle Union, Julianne Buescher Patrick Garcia Daniel Radcliffe, Drake Bell Piolo Pascual Rob Lowe Jolina Magdangal Miranda Cosgrove, Rashida Jones Heart Evangelista Kari Wahlgren, Eden Riegel Miles Ocampo Diamond White Izzy Canillo Max Charles, Joshua Rush Kathryn Bernardo Ariel Winter, Alyson Stoner Alden Richards Ross Lynch Angel Aquino Neve Campbell
Singapore
[edit]
In multilingual Singapore, dubbing is rare for western programs. English-language programs on the free-to-air terrestrial channels are usually subtitled in Chinese or Malay. Chinese, Malay and Tamil programs (except for news bulletins and other live shows), usually have subtitles in English and the original language during the prime time hours. Dual sound programs, such as Korean and Japanese dramas, offer sound in the original languages with subtitles, Mandarin-dubbed and subtitled, or English-dubbed. The deliberate policy to encourage Mandarin among citizens made it required by law for programs in other Chinese dialects (Hokkien, Cantonese and Teochew) to be dubbed into Mandarin, with the exception of traditional operas. Cantonese and Hokkien shows from Hong Kong and Taiwan, respectively, are available on VCD and DVD. In a recent development, news bulletins are subtitled into the language of the channel they air on.
South Korea
[edit]
In South Korea, anime that are imported from Japan are generally shown dubbed in Korean on television. However, some anime is censored, such as Japanese letters or content being edited for a suitable Korean audience. Western cartoons are dubbed in Korean as well, such as Nickelodeon cartoons like SpongeBob SquarePants and Danny Phantom. Several English-language (mostly American) live-action films are dubbed in Korean, but they are not shown in theaters. Instead they are only broadcast on South Korean television networks (KBS, MBC, SBS, EBS), while DVD import releases of these films are shown with Korean subtitles, such as The Wizard of Oz, Mary Poppins, the Star Wars films, and Avatar. This may be due to the fact that the six American major film studios may not own any rights to the Korean dubs of their live-action films that the Korean television networks have dubbed and aired. Even if they do not own the rights, Korean or non-Korean viewers can record from Korean-dubbed live-action films from television broadcasting onto DVDs with DVRs.
Sometimes, video games are dubbed in Korean. Examples would be the Halo series, the Jak & Daxter series, and the God of War series. For the Halo games, Lee Jeong Gu provides his Korean voice to the main protagonist Master Chief (replacing Steve Downes's voice), while Kim So Hyeong voices Chieftain Tartarus, one of the main antagonists (replacing Kevin Michael Richardson's voice).
The following South Korean voice-over artists are usually identified with the following actors:
South Korean dubbing artists Actor(s)/Actress(es) Notes Ahn Ji-hwan Johnny Depp Bae Jung-Mi Kirsten Dunst Bak Il Pierce Brosnan
Michael Douglas Park Ki-Ryang Mark Hamill Dubbed Hamill as Luke Skywalker in the Star Wars film series. Bak Yeong-hee Carrie Fisher
Winona Ryder Dubbed Fisher as Princess Leia in the Star Wars film series. Kang Hee-Sun Julia Roberts
Sharon Stone Ham Soo-Jung Winona Ryder Kim Hwan-Jin George Clooney
Charlie Sheen Jang Yoo-Jin Meryl Streep Chung Misook Sandra Bullock
Emma Watson Dubbed Watson as Hermione Granger in the Harry Potter film series. Jung So-Young Kirsten Dunst Kim Kwan-cheol Denzel Washington Kwon Young-Ho John Candy Dubbed Candy as Gus Polinski in the SBS dub of Home Alone. Kim So-hyeong Terrence Howard Kim Youngsun Elijah Wood Lee Jung-Goo Nicolas Cage
Richard Gere
Sylvester Stallone
Bruce Willis Park Jo-Ho Nicolas Cage So Yeon Keira Knightley Son Jung-Ah Susan Sarandon
Sigourney Weaver Dubbed Weaver as Ellen Ripley in the Alien titular film series. Song Do-yeong Kim Basinger
Meg Ryan Yang Ji-Woon Kevin Costner
Robert De Niro
Harrison Ford
Mel Gibson Yoo Hae-Moo Samuel L. Jackson Yoon So-Ra Demi Moore
Michelle Pfeiffer Yoo Kang-Jin Sean Connery
Thailand
[edit]
In Thailand, foreign television programs are dubbed in Thai, but the original soundtrack is often simultaneously carried on a NICAM audio track on terrestrial broadcast, and alternate audio tracks on satellite broadcast. Previously, terrestrial stations simulcasted the original soundtrack on the radio.[44] On pay-TV, many channels carry foreign-language movies and television programs with subtitles. Movie theaters in Bangkok and some larger cities show both the subtitled version and the dubbed version of English-language movies. In big cities like Bangkok, Thai-language movies have English subtitles.
This list features a collection of Thai voice actors and actresses that have dubbed for these featured performers.
Thai dubbing artists Actor(s)/Actress(es) Notes Ing Achita Pramote Na Ayuttaya [th] Elijah Wood A Thailand actor and singer who dubbed for Wood as Frodo Baggins in the Kapook version of The Lord of the Rings. Tonsak Unon [th] Dubbed for Wood as Frodo Baggins in the Channel 7 version of The Lord of the Rings. Sirichai Charoenkitthonkun [th] Dubbed for Wood as Frodo Baggins in The Hobbit. Sitsom Mutthanukunwong [th] Adam Sandler Santisuk Promsiri Gary Oldman Dubbed for Oldman as Sirius Black in the Harry Potter film series. Ming Khwan Chiaprasoet [th] Kirsten Dunst Dubbed for Dunst as Mary Jane Watson in the original Spider-Man trilogy. Leo Putt Tobey Maguire Dubbed for Maguire as Peter Parker / Spider-Man in the original Spider-Man trilogy. Sansoen Phokkhasombat [th] James Franco Dubbed for Franco as Harry Osborn in the original Spider-Man trilogy. Nueatwong Srisang [th] Daniel Radcliffe Dubbed for Radcliffe as Harry Potter in the titular film series. He dubbed for this character in all films except for the third one where he was dubbed by a different actor. Pachara Tammon [th] Dubbed for Radcliffe as Harry Potter in the third Harry Potter film. Bismillah Nana [th] Emma Watson Thai actress and singer who dubbed for Watson as Hermione Granger in the Harry Potter film series. Supphaki Seksuwan [th] Rupert Grint Dubbed for Grint as Ron Weasley in the Harry Potter film series. Patra Suvarnabhumi [th] Tom Felton Dubbed for Felton as Draco Malfoy in the Harry Potter film series. Suphap Chaiwisutthikun [th] Sean Astin Dubbed for Astin as Samwise Gamgee in the Kapook version of The Lord of the Rings. Wanchai Paowiboon [th] Dubbed for Astin as Samwise Gamgee in the Channel 7 version of The Lord of the Rings. Krin Aksorndee [th] Leonardo DiCaprio
Dean O'Gorman Dubbed for O'Gorman as Fíli in The Hobbit. Nattapong Theansawatkit [th] Sam Worthington
Aidan Turner Dubbed for Turner as Kíli in The Hobbit. Itthipol Mameket William Moseley Dubbed for Moseley as Peter Pevensie in The Chronicles of Narnia: The Lion, The Witch and the Wardrobe. Chakkrit Hanwichai [th] Bruce Willis
Robin Williams † Bancha Mebut [th] Jonathan Hyde Unknown dubbing artist Sean Connery 'Pancake' Khemanit Jamikorn Rachel Weisz Only replaced her voice for Saphira in the Thai dub of Eragon. And this was the only role that she took over regarding Weisz. Unknown dubbing artist Mark Hamill
Vietnam
[edit]
In Vietnam, foreign-language films and programs are often subtitled or voice-overed on television in Vietnamese. They were not dubbed until 1985. Rio was considered to be the very first American Hollywood film to be entirely dubbed in Vietnamese. Since then, children's films that came out afterwards have been released dubbed in theaters. HTV3 has dubbed television programs for children, including Ben 10, and Ned's Declassified School Survival Guide, by using various voice actors to dub over the character roles.[45][46]
Sooner afterwards, more programs started to get dubbed. Also dubbed into Vietnamese are most films and TV series produced in Asia-Pacific countries such as China and Japan, most notably HTV3 offers anime dubbed into Vietnamese. Pokémon got a Vietnamese dub in early 2014 on HTV3 starting with the Best Wishes series. While characters kept their original names, due to a controversy regarding Pokémon's cries being re-dubbed, it was switched to VTV2 in September 2015 when the XY series debuted. Sailor Moon also has been dubbed for HTV3 in early 2015.
Europe
[edit]
Kids/family films and programming
[edit]
In North-West Europe, Poland, Portugal, Balkan, Baltic and Nordic countries, generally only movies and TV shows intended for children are dubbed, while TV shows and movies for older audiences are subtitled (although animated productions have a tradition of being dubbed). For movies in cinemas with clear target audiences (both below and above 10–11 years of age), both a dubbed and a subtitled version are usually available.
Belgium
[edit]
In the Dutch-speaking part of Belgium (Flanders), movies and TV series are shown in their original language with subtitles, with the exception of most movies made for a young audience. In the latter case, sometimes separate versions are recorded in the Netherlands and in Flanders (for instance, several Walt Disney films and Harry Potter films). These dubbed versions only differ from each other in their use of different voice actors and different pronunciation, while the text is almost the same.
In the French-speaking part of Belgium (Wallonia), the range of French-dubbed versions is approximately as wide as the German range, where nearly all movies and TV series are dubbed.
Bosnia and Herzegovina
[edit]
Bosnia and Herzegovina usually uses Serbian and Croatian dubs (due to their mutual intelligibility), but they have dubbed some cartoons in Bosnian by themselves, for example My Little Pony: Friendship Is Magic. Children's programs (both animated and live-action) are airing dubbed (in Serbian, Croatian or Bosnian), while every other program is subtitled (in Bosnian).
Bulgaria
[edit]
After November 10, 1991, there was a large-scale influx of American animation production in Bulgaria, which can be classified as follows: A/ Films that in the years of the Iron Curtain either did not reach Bulgaria or were not dubbed according to the generally accepted world standard. For example: Sleeping Beauty /1959/, One Hundred and One Dalmatians /1961/, Jungle Book /1967/, The Aristocats /1970/, Robin Hood /1973/ and many others entered the Bulgarian market after 1991. B/ New first-run films created after 1991: Ice Age, Toy Story, Tangled, The Lion King, Mulan, etc. After 1991, BNT was the first to obtain the rights to voice and broadcast Disney series - 101 Dalmatians, Woody Woodpecker, Mickey Mouse, Tom and Jerry, etc. The first full-length animated films were dubbed at Boyana Film Studio, Dolly Media Studio (1992) and Ars Digital Studio (1994). In 1999, Alexandra Audio Studio took over the Disney production from BNT, which lost the rights to do the voice-overs due to a highly outdated technology park. In 2019 Andarta Studio joined the sound business, and in 2005 Profilms Studio, which are still working. In Bulgaria, there are two forms of Bulgarian dubbing. The first is the so-called "voiceover" dubbing, typical of the Bulgarian television market, in which the voice-over is based on the back-camera technology of the 1970s, with the voice superimposed on the original phonogram. This inexpensive way of voice-over is preferred only because of its low cost. But unfortunately it is a rather outdated technological form that does not meet the technical requirements of the new times. The second, considered basic in many European countries and the only one acceptable today, is synchronous dubbing, a radically different technology with much higher sound quality and speech synchronisation capabilities. This new method is defined as post-synchronous /non-synchronous/ dubbing of the product, in which the dialogue component of the phonogram is completely produced in Bulgarian, similar to the process in film production, in order for it to completely replace the original. In this sense, dubbing is considered by the production companies as one of the final elements of the overall post-production process of their films, and therefore their control over all the activities performed is complete.
Croatia
[edit]
In Croatia, foreign live-action films and television series are always subtitled, while most children's programs and animated movies are dubbed into Croatian. The practice of dubbing began in the 1980s in some animated shows and continued in 90's, 00's and forward in other shows and films, the latter ones being released in home media. Recently, more efforts have been made to introduce dubbing, but public reception has been poor in some exceptions. Regardless of language, Croatian audiences prefer subtitling to dubbing; however, dubbing is still popular in animated series and films. Some previously popular animated shows (such as Sailor Moon) lost their appeal completely after the practice of dubbing began, and the dubbing was eventually removed from the programs, even though most animated shows shown on television and some on home media have been well received by people watching dubbed versions of them. This situation is similar with theater movies, with only those intended for children being dubbed. Also, there has been an effort to impose dubbing by Nova TV, with La Fea Más Bella (2006–2007) translated as Ružna ljepotica (literally, "The Ugly Beauty"), a Mexican telenovela, but it failed.
On 1 October 2008, Nova TV launched its sister channel Mini TV, the first Croatian television channel for children with programming entirely dubbed into Croatian.[47] RTL followed suit with the launch of RTL Kockica in 2014.[48]
Since the 2010s, the dubbing of live-action television series and films aimed at children, teenagers and young adults has been on the rise. With the launch of Nickelodeon's Croatian audio track in 2011, Studio NET was the first in Croatia to focus on "serious production of live-action dubbing,"[49] with most of Nickelodeon's major teen live-action titles such as iCarly (2007–2012), Sam & Cat (2013–2014), The Thundermans (2013–2018) and Victorious (2010–2013) receiving a Croatian dub. With the rise of streaming television in the 2020s, NET and various other studios also began producing Croatian dubs for Netflix; although the focus is still on dubbing animated series and films, a notable amount of live-action programming aimed at younger audiences has also been dubbed for Netflix, such as Chupa (2023), Geek Girl (2024), Heartstopper (2022–2024), I Woke Up a Vampire (2023), Matilda the Musical (2022) and Spy Kids: Armageddon (2023).[50] However, to this day, all television programming and theatre releases aimed at adult audiences are still released with subtitles.
Some of Croatian dubbing is also broadcast in Bosnia and Herzegovina.
Estonia
[edit]
In Estonia, only foreign children's films are dubbed in cinemas and on Estonian broadcast TV channels. As a rule, all other foreign films are shown with their original "pure" language soundtrack along with subtitles. On TV, the subtitles are almost always available in the Estonian language by default settings, and sometimes also in Russian and English upon request. In the cinemas, the subtitles are usually presented in Estonian and Russian languages. Cartoons and animated series are voiced by dubbing or voiceover. Estonian-language television channels use subtitles for English, Russian, and other foreign language audio. However, Russian-language TV channels tend to use dubbing more often, since most of them are produced and broadcast from Russia (as opposed to the few Russian-language channels broadcast from Estonia).
Greece
[edit]
In Greece, most cartoon films have dubs. Usually when a movie has a Greek dub the dub is shown in cinemas but subtitled versions are shown as well. Foreign TV shows for adults are shown in their original versions with subtitles, most cartoons, for example, The Flintstones and The Jetsons were always dubbed, while Family Guy and American Dad! are always subtitled and contain the original English dialogue, since they are mostly for adults rather than children. Some Japanese anime series are dubbed in Greek (such as Pokémon, Dragon Ball, Digimon, Pichi Pichi Pitch, Sailor Moon, Candy Candy etc.).[51] Some Mexican TV series (like Rubí and La usurpadora) are dubbed into Greek. However, when Skai TV was re-launched in April 2006, the network opted for dubbing almost all foreign shows in Greek, unlike other Greek channels which had always broadcast most foreign-language programmes in their original language with subtitles.
Ireland
[edit]
Ireland usually receives the same film versions as the UK. However, some films have been dubbed into Irish by TG4. Children's cartoons on TV are also occasionally dubbed into Irish.
Netherlands
[edit]
In the Netherlands, for the most part, Dutch versions are only made for children's and family films. Animated movies are shown in theaters with Dutch subtitles or dubbing, but usually those cinemas with more screening rooms also provide the original subtitled version.
Nordic countries
[edit]
In the Nordic countries, dubbing is used only in animated features (except adult animated features which only use subtitles) and other films for younger audiences. Some cinemas in the major cities may also screen the original version, usually as the last showing of the day, or in a smaller auditorium in a multiplex.
In television programs with off-screen narration, both the original audio and on-screen voices are usually subtitled in their native languages.
The Nordic countries are often treated as a common market issuing DVD and Blu-ray releases with original audio and user choosable subtitle options in Danish, Finnish, Norwegian and Swedish. The covers often have text in all four languages as well, but are sometimes unique for each country. Some releases may include other European language audio and/or subtitles (i.e. German, Greek, Hungarian or Italian). as well as original audio in most cases.
In Finland, the dubbed version from Sweden may also be available at certain cinemas for children of the 5% Swedish-speaking minority, but only in cities or towns with a significant percentage of Swedish speakers. Most DVD and Blu-ray releases usually only have the original audio, except for animated television series telenovelas, which have both Finnish and Swedish language tracks, in addition to the original audio and subtitles in both languages.
In Finnish movie theaters, films for adult audiences have both Finnish and Swedish subtitles, the Finnish printed in basic font and the Swedish printed below the Finnish in a cursive font. In the early ages of television, foreign TV shows and movies were voiced by narrator in Finland. Later, Finnish subtitles became a practice on Finnish television. As in many other countries, dubbing is not preferred outside of children's programs. A good example of this is The Simpsons Movie. While the original version was well-received, the Finnish-dubbed version received poor reviews, with some critics even calling it a disaster.[citation needed] On the other hand, many dubs of Disney's animated television series and movies have been well-received, both critically and by the public.
In Iceland, the dubbed version of film and TV was originally Danish with some translated into Icelandic but Icelandic has taken over. LazyTown, an Icelandic TV show originally filmed in English, was dubbed into Icelandic, amongst thirty-two other languages.
North Macedonia
[edit]
North Macedonia dubbed many cartoons in Macedonian, but they also air some Serbian dubs. Children's programs are airing dubbed (in Macedonian or Serbian), while every other program is subtitled (in Macedonian). They use Serbian dubs for Disney movies, because there are no Macedonian Disney dubs.
Portugal
[edit]
In Portugal, dubbing was banned under a 1948 law as a way of protecting the domestic film industry and reducing access to culture as most of the population was illiterate.[52] Until 1994, animated movies, as well as other TV series for children, were shown subtitled in Portugal along with imported Brazilian Portuguese dubs due to the lack of interest from Portuguese companies in the dubbing industry. This lack of interest was justified, since there were already quality dubbed copies of shows and movies in Portuguese made by Brazilians. The Lion King was the first feature film to be dubbed in European Portuguese.[53] Currently, all movies for children are dubbed. Subtitles are preferred in Portugal, used in every foreign-language documentary, TV series and film. The exception to this preference is when children are the target audience.[54]
While on TV, children's shows and movies are always dubbed, in cinemas, films with a clear juvenile target can be found in two versions, one dubbed (identified by the letters V.P. for versão portuguesa - "Portuguese version") and another subtitled version (V.O. for versão original - "original version"). This duality applies only to juvenile films. Others use subtitles only. While the quality of these dubs is recognized (some have already received international recognition and prizes), original versions with subtitles are usually preferred by the adults. Presently, live action series and movies are always shown in their original language format with Portuguese subtitles. Streaming services also offer some content for adults dubbed in Portuguese, although there they provide an option to select the original language. There are also a few examples of Anime which were dubbed into European Portuguese (i.e. Dragon Ball and Naruto) Netflix is now offering foreign language films aimed at older audiences and TV series (M/12, M/14 and M/16) dubbed into Portuguese in addition to offering the original version with subtitles.
Romania
[edit]
In Romania, virtually all programs intended for children are dubbed in Romanian. Animated movies are shown in theaters with Romanian dubbing. However, cinemas with more screening rooms usually also provide the original subtitled version. Other foreign TV shows and movies are shown in the original language with Romanian subtitles. Subtitles are usually preferred in the Romanian market. According to "Special Eurobarometer 243" (graph QA11.8) of the European Commission (research carried out in November and December 2005), 62% of Romanians prefer to watch foreign films and programs with subtitles (rather than dubbed), 22% prefer dubbing, and 16% declined to answer.[55] This is led by the assumption that watching movies in their original versions is very useful for learning foreign languages. However, according to the same Eurobarometer, virtually no Romanian found this method—watching movies in their original version—to be the most efficient way to learn foreign languages, compared to 53 percent who preferred language lessons at school.[55]
Some programmes that are broadcast on The Fishing & Hunting Channel are subtitled. TV Paprika used to broadcast voice-overed programmes, but it was replaced with subtitles. Some promos for films shown on TV1000 use voice-overs; but the films are subtitled. Examples shown here, at 2:11, 4:25, 5:09 and 7:15. Kanal D tried in March 2023 to introduce the first Turkish series dubbed in Romanian, Kirmizi Oda, but it failed after the criticism received on social media from viewers and low ratings. As result, the series went on a subtitled version after two episodes.
Serbia
[edit]
Serbian language dubs are made mainly for Serbia, but they also broadcast in Montenegro and Bosnia and Herzegovina. Children's animated movies and some live-action movies and TV series are dubbed into Serbian, while live-action films and TV series for adults are always airing subtitled, because in the region of former Yugoslavia people prefer subtitling for live-action formats. An exception to this is the Turkish soap opera Lale Devri that was dubbed in 2011, and aired on RTV Pink, but because of negative reception, the rest of the TV series was aired subtitled.
The dubbing of cartoon series in former Yugoslavia during the 1980s had a twist of its own: famous Serbian actors, such as Nikola Simić, Mića Tatić, Nada Blam and others provided the voices for characters of Disney, Warner Bros., MGM and other companies, frequently using region-specific phrases and sentences and, thus, adding a dose of local humor to the translation of the original lines. These phrases became immensely popular and are still being used for tongue-in-cheek comments in specific situations. These dubs are today considered cult dubs. The only dub made after 1980s and 1990s ones that has a cult following is the SpongeBob SquarePants dub, broadcast by B92 between 2002–2017, because of the memorable translation with regional humor, akin to the translations seen in 1980s Yugoslavian dubs.
Some Serbian dubs are also broadcast in North Macedonia, while cult dubs made during Yugoslavia were aired all over the country (today's Croatia, Bosnia and Herzegovina, Montenegro, Slovenia, North Macedonia and Serbia).
In the 21st-century, prominent dubbing/voice actors in Serbia include actors Marko Marković, Vladislava Đorđević, Jelena Gavrilović, Dragan Vujić, Milan Antonić, Boris Milivojević, Radovan Vujović, Goran Jevtić, Ivan Bosiljčić, Gordan Kičić, Slobodan Stefanović, Dubravko Jovanović, Dragan Mićanović, Slobodan Ninković, Branislav Lečić, Jakov Jevtović, Ivan Jevtović, Katarina Žutić, Anica Dobra, Voja Brajović, Nebojša Glogovac and Dejan Lutkić.[56][57][58][59]
Slovenia
[edit]
In Slovenia, all foreign films and television programs are subtitled with the exception of children's movies and TV shows (both animated or live-action). While dubbed versions are always shown in cinemas and later on TV channels, cinemas will sometimes play subtitled versions of children's movies as well.[citation needed]
United Kingdom
[edit]
In the United Kingdom, the vast majority of foreign language films are subtitled, although mostly animated films are dubbed in English. These usually originate from North America, as opposed to being dubbed locally. Foreign language serials shown on BBC Four are subtitled into English (although open subtitles are dropped during dialogues with English language segments already). There have, however, been notable examples of films and TV programs successfully dubbed in the UK, such as the Japanese Monkey and French Magic Roundabout series. When airing films on television, channels in the UK often choose subtitling over dubbing, even if a dubbing in English exists. It is also a fairly common practice for animation aimed at preschool children to be re-dubbed with British voice actors replacing the original voices, such as Spin Master Entertainment's PAW Patrol series, although this is not done with shows aimed at older audiences. The off-screen narrated portions of some programs and reality shows that originate from North America are also redone with British English voices. The 2020 Bavarian show on Netflix, Freud, has also been dubbed to English.
Some animated films and TV programs are also dubbed into Welsh and Scottish Gaelic.
Hinterland displays a not so common example of a bilingual production. Each scene is filmed twice, in the English and Welsh languages, apart from a few scenes where Welsh with subtitles is used for the English version.[60]
General films and programming
[edit]
In the French-, Italian-, Spanish-, German-, Russian-, Polish-, Czech-, Slovak- and Hungarian-speaking markets of Europe, almost all foreign films and television shows are dubbed (with the main exception being the majority of theatrical releases of adult-audience movies in the Czech Republic and Slovakia). There are few opportunities to watch foreign movies in their original versions. In Spain, Italy, Germany and Austria, even in the largest cities, there are few cinemas that screen original versions with subtitles, or without any translation. However, digital pay-TV programming is often available in the original language, including the latest movies. Prior to the rise of DVDs (and later Video on Demand and Streaming), which in these countries are mostly issued with multi-language audio tracks, original-language films (those in languages other than the country's official language) were rare, whether in theaters, on TV, or on home video, and subtitled versions were considered a product for small niche markets such as intellectual or art films.
Albania
[edit]
The first movie dubbed in Albanian was The Great Warrior Skanderbeg in 1954 and since then, there have been thousands of popular titles dubbed in Albanian by different dubbing studios. All animated movies and children's programs are dubbed into Albanian (though typically, songs are left in English or the original language of the program with Albanian subtitles). Many live-action movies are dubbed as well. TV series nevertheless are usually not dubbed, they are subtitled except for a few Mexican, Brazilian and Turkish soap operas, like: Por Ti, Celebridade, A Casa das Sete Mulheres, Paramparça, etc. As for documentaries, Albania usually uses voice-over.
France
[edit]
In France, dubbing is the norm. Most movies with a theatrical release, including all those from major distributors, are dubbed. Those that are not, are foreign independent films whose budget for international distribution is limited, or foreign art films with a niche audience.
Almost all theaters show movies with their French dubbing ("VF", short for version française). Some of them also offer screenings in the original language ("VO", short for version originale), generally accompanied with French subtitles ("VOST", short for version originale sous-titrée). A minority of theaters (usually small ones) screen exclusively in the original language. According to the CNC (National Centre for Cinematography), VOST screenings accounted for 16.4% of tickets sold in France.[when?][citation needed]
In addition, dubbing is required for home entertainment and television screenings. However, since the advent of digital television, foreign programs are broadcast to television viewers in both languages (sometimes, French with audio description is also aired); while the French-language track is selected by default, viewers can switch to the original-language track and enable French subtitles. As a special case, the binational television channel Arte broadcasts both the French and German dubbing, in addition to the original-language version.
Some voice actors that have dubbed for celebrities in the European French language are listed below.
European French dubbing artists Actor(s)/Actress(es) Notes Benoît Allemane Morgan Freeman Adrien Antoine Chris Hemsworth
Sam Worthington
Adrien Brody
Henry Cavill
Channing Tatum
Ashton Kutcher
Zachary Quinto Jacques Balutin Elliott Gould
Paul Michael Glaser Michèle Bardollet Barbra Streisand
Bette Midler
Joan Collins Magali Barney Alyssa Milano Michel Bedetti Corey Burton Chloé Berthier Kirsten Dunst Claude Bertrand Bud Spencer
Burt Lancaster
Roger Moore
Charles Bronson
John Wayne Laura Blanc Jennifer Garner
Kate Beckinsale Damien Boisseau Matt Damon
Edward Norton
James Marsden
Josh Hartnett
Sam Rockwell
Patrick Dempsey
Casper Van Dien Roger Carel Peter Sellers
Peter Ustinov
Jack Lemmon Marc Cassot Paul Newman
Richard Harris
Michael Gambon Bruno Choël Ewan McGregor
Mark Wahlberg
Johnny Depp
Jason Bateman
Matthew McConaughey
Greg Kinnear
Rob Lowe Dominique Collignon-Maurin Mark Hamill
Nicolas Cage
Kevin Kline Jérémie Covillault Benedict Cumberbatch
Tom Hardy
Joel Edgerton
Javier Bardem Emmanuel Curtil Jim Carrey
Kyle Chandler
Johnny Knoxville
Mike Myers Maïk Darah Whoopi Goldberg
Queen Latifah
Angela Bassett
Madonna Richard Darbois Harrison Ford
Danny Glover
Richard Gere
Dan Aykroyd
Jeff Goldblum
William Hurt
Patrick Swayze Jean Davy Errol Flynn
Robert Taylor
Orson Welles
Cary Grant
James Mason
Charlton Heston
Victor Mature Béatrice Delfe Susan Sarandon
Diane Keaton
Geraldine Chaplin
Farrah Fawcett Thierry Desroses Samuel L. Jackson
Wesley Snipes
Cuba Gooding Jr.
Forest Whitaker Jean-Claude Donda Jim Broadbent
Ken Stott
William H. Macy
Joe Pantoliano Alain Dorval Sylvester Stallone
Nick Nolte Danièle Douet Nicole Kidman
Carrie-Anne Moss
Kristin Scott Thomas Bruno Dubernat Neal McDonough
Blair Underwood
Taye Diggs Patrice Dubois Mark Wahlberg
Paul Rudd
Josh Duhamel
Seann William Scott Paule Emmanuele Shelley Winters
Elizabeth Taylor
Lois Maxwell Xavier Fagnon Seth Rogen
Jason Momoa
Dylan McDermott
Michael Weatherly Serge Faliu Adam Sandler
Charlie Sheen
Chris Tucker
Kal Penn
Terrence Howard
Emilio Estevez Patrick Floersheim Michael Douglas
Jeff Bridges
Ed Harris
Robin Williams Emmanuel Garijo Chris Pine
Michael Peña
Hayden Christensen
Liam Hemsworth Alexandre Gillet Elijah Wood
Joshua Jackson
Ryan Gosling
Ben Foster
David Charvet Claude Giraud Robert Redford
Tommy Lee Jones
Alan Rickman Claire Guibert Doris Day
Linda Darnell
Marilyn Monroe
Susan Hayward Pierre Hatet Christopher Lloyd
Rip Torn
Tom Selleck
Mark Hamill Barbara Kelsch Milla Jovovich
Gwyneth Paltrow
Charlize Theron David Krüger Dwayne Johnson
Michael Shannon
Chris Pratt Gabriel Le Doze Gary Oldman
Kevin Spacey
Gabriel Byrne
Alfred Molina
Philip Seymour Hoffman
Toni Servillo
Chris Noth Raymond Loyer John Wayne
Charlton Heston
Robert Ryan
Johnny Weissmuller Marie-Eugénie Maréchal Kirsten Dunst
Elizabeth Banks
Amanda Seyfried Jean-Pierre Michaël Brad Pitt
Keanu Reeves
Ethan Hawke
Ben Affleck
Michael Fassbender
Jude Law
Timothy Olyphant Jean-Claude Michel Sean Connery
Clint Eastwood
Robert Mitchum
Rock Hudson
Charlton Heston Céline Montsarrat Julia Roberts
Cheryl Ladd
Morgan Fairchild Laurent Morteau Jeff Bennett
Will Forte
Thomas Lennon
Jason Segel Jean-Pierre Moulin Anthony Hopkins
Jack Nicholson
Donald Sutherland Charles Pestel Elijah Wood
Jonah Hill Patrick Poivey Bruce Willis
Don Johnson
Tom Cruise
Mickey Rourke Jacqueline Porel Deborah Kerr
Audrey Hepburn
Lana Turner Dorothée Pousséo Mary-Kate Olsen
Ashley Olsen
Piper Perabo
Brittany Murphy
Isla Fisher Perette Pradier Faye Dunaway
Jacqueline Bisset
Kate Jackson Jean-Philippe Puymartin Tom Hanks
Tom Cruise
Christian Slater
Quentin Tarantino
Marc Dacascos Lita Recio Barbara Stanwyck
Marlene Dietrich
Agnes Moorehead
Bette Davis Michel Roux Tony Curtis
Peter Sellers
Elvis Presley
Jack Lemmon Roger Rudel Kirk Douglas
Frank Sinatra
Tyrone Power
Fred Astaire
Gene Kelly Martine Sarcey Audrey Hepburn
Julie Andrews
Joanne Woodward
Elizabeth Montgomery Serge Sauvion Burt Reynolds
Peter Falk Évelyn Séléna Glenn Close
Helen Mirren
Jane Fonda
Jane Seymour
Linda Gray Yoann Sover Zac Efron
Dave Franco
Jackson Rathbone
Chad Michael Murray Pierre Tessier Ryan Reynolds
Greg Germann Jacques Thébault Audie Murphy
Steve McQueen
Robert Conrad
Patrick McGoohan Frédérique Tirmont Emma Thompson
Meryl Streep
Sigourney Weawer
Mia Farrow
Susan Sarandon Roger Tréville James Stewart
Robert Mitchum Philippe Valmont Luke Wilson
Christian Bale
James Franco Alexis Victor Bradley Cooper
Josh Duhamel
Patrick Wilson
James McAvoy
Jude Law
Tom Hiddleston
Joseph Gordon-Levitt Caroline Victoria Anne Hathaway
Amy Adams
Katie Holmes
Anna Paquin Michel Vigné Mickey Rourke
Michael Wincott
Ron Perlman Marie Vincent Demi Moore
Kirstie Alley
Germany, Austria, Switzerland
[edit]
The Germanophone dubbing market is the largest in Europe. Germany has the most foreign-movie-dubbing studios per capita and per given area in the world and according to the German newspaper Die Welt 52% of all voice actors currently work in the German dubbing industry. In Germany and Austria, practically all films, shows, television series and foreign soap operas are shown in dubbed versions created for the German market. Dubbing films is a traditional and common practice in German-speaking Europe, since subtitles are not accepted and used as much as in other European countries. According to a European study, Austria is the country with the highest rejection rate (more than 70 percent) of subtitles, followed by Italy, Spain and Germany.[citation needed] In German-speaking markets, computer and video games feature German text menus and are generally dubbed into the German language if speaking parts exist.
Unlike in Austria and Germany, cinemas in German-speaking Switzerland historically strongly preferred subtitled versions of foreign-language films. Swiss film distributors commissioned dual-language prints with both German and French subtitles as the primary version, with the dubbed version also shown. In recent years, however, there has been a shift towards dubbed versions, which now account for the majority of showings.[61] Television broadcasts of foreign films and programming have historically been dubbed.
Swiss and Austrian television stations have increasingly been broadcasting foreign-language movies and TV programs with multiple soundtracks, allowing the viewer to choose between the original language (e.g. English) and the channel's local language (German, French, or Italian, according to the location).
Although German-speaking voice actors play only a secondary role, they are still notable for providing familiar voices to well-known actors. Famous foreign actors are known and recognized for their German voice, and the German audience is used to them, so dubbing is also a matter of authenticity. However, in larger cities, there are theaters where movies can be seen in their original versions, as English has become somewhat more popular among young educated viewers. On German mainstream television, films are never broadcast with subtitles, but pay-per-view programming is often available in the original language. Subtitled niche and art films are sometimes aired on smaller networks.
German-dubbed versions sometimes diverge greatly from the original, especially in adding humorous elements absent from the original. In extreme cases, such as The Persuaders! or Erik the Viking, the German-dubbed version was more successful than the English original. Often, translation adds sexually explicit gags the U.S. versions might not be allowed to use. For example, in Bewitched, the translators changed "The Do Not Disturb sign will hang on the door tonight" to "The only hanging thing tonight will be the Do Not Disturb sign". This practice was the most prevalent from the 1960s to 80s, from the 1990s onwards it became much less common.
Some movies dubbed in Austria diverge from the German Standard version in addressing other people but only when the movies are dubbed into certain Austrian dialect versions. (Mr. and Mrs. are translated into Herr and Frau which is usually not translated in order to be in lip-sync). Sometimes even English pronounced first names are translated and are pronounced into the correct German equivalent (English name "Bert" became Southern German pronounced name "Bertl" which is an abbreviation for any name either beginning or even ending with "bert", e.g. "Berthold" or "Albert".)
Some movies dubbed before reunification exist in different versions for the east and the west. They use different translations, and often differ in the style of dubbing.
Some of the well-known German dubbing voice artists are listed below.
German dubbing artists Actor(s)/Actress(es) Notes Peer Augustinski Robin Williams Marie Bierstedt Kirsten Dunst
Anna Faris
Kate Beckinsale Susanna Bonaséwicz Isabelle Huppert
Sissy Spacek Hallgerd Bruckhaus Meryl Streep
Sigourney Weaver Christian Brückner Robert De Niro Michael Chevalier Charles Bronson
Omar Sharif Thomas Danneberg Arnold Schwarzenegger
Sylvester Stallone
Nick Nolte Marion Degler Sophia Loren
Audrey Hepburn Eckart Dux Anthony Perkins Arne Elsholtz Tom Hanks
Bill Murray Max Felder Rupert Grint
Taylor Lautner Rosemarie Fendel Elizabeth Taylor
Jeanne Moreau Gisela Fritsch Judi Dench Frank Glaubrecht Al Pacino
Pierce Brosnan
Kevin Costner Daniela Hoffmann Julia Roberts Gert Günther Hoffmann Paul Newman
Sean Connery Hansi Jochmann Jodie Foster Martin Keßler Nicolas Cage
Vin Diesel
Temuera Morrison Also dubs Dee Bradley Baker in his role as the Clone troopers. Renate Küster Faye Dunaway
Jane Fonda Manfred Lehmann Bruce Willis Margot Leonard Marilyn Monroe
Brigitte Bardot Lutz Mackensey Rowan Atkinson
Christopher Lloyd Arnold Marquis John Wayne Ulrich Matthes Kenneth Branagh Dubbed him as Henry V of England in the 1989 film Henry V. Hartmut Neugebauer Gene Hackman
John Goodman
Robbie Coltrane Veronika Neugebauer Neve Campbell Timmo Niesner Elijah Wood
Tom Welling
Peter Sarsgaard
Topher Grace The Official German voice artist for Elijah Wood since 1999. Heinz Petruo As Darth Vader Thomas Petruo Gary Oldman Gabrielle Pietermann Emma Watson
Selena Gomez
Meaghan Jette Martin
Anna Kendrick Nico Sablik Daniel Radcliffe Dubbed him as Harry Potter for the rest of the titular film series, starting with the third film. Udo Schenk Gary Oldman Dennis Schmidt-Foß Ryan Reynolds
Chris Evans Siegmar Schneider James Stewart Tim Schwarzmaier Daniel Radcliffe Dubbed him as Harry Potter of the first two installments of the titular film series. Achime Schülke Most well known as the German Voice of Spud Georg Thomalla Jack Lemmon Jürgen Thormann Michael Caine Andreas von der Meden David Hasselhoff Dubbed him in a majority of his work, including Baywatch and The SpongeBob SquarePants Movie. Dietmar Wunder Adam Sandler
Cuba Gooding Jr.
Daniel Craig
Hungary
[edit]
In Hungary, dubbing is almost universally common. Almost every foreign movie or TV show released in Hungary is dubbed into Hungarian.[62] The history of dubbing dates back to the 1950s, when the country was still under communist rule.[63] One of the most iconic Hungarian dubs was of the American cartoon The Flintstones, with a local translation by József Romhányi.[64] The Internetes Szinkron Adatbázis (ISzDB) is the largest Hungarian database for film dubs, with information for many live action and animated films.[65] On page 59 of the Eurobarometer, 84% of Hungarians said that they prefer dubbing over subtitles.[55]
In the socialist era, every film was dubbed with professional and mostly popular actors. Care was taken to make sure the same voice actor would lend their voice to the same original actor. In the early 1990s, as cinemas tried to keep up with showing newly-released films, subtitling became dominant in the cinema. This, in turn, forced TV channels to make their own cheap versions of dubbed soundtracks for the movies they presented, resulting in a constant degrading of dubbing quality. Once this became customary, cinema distributors resumed the habit of dubbing for popular productions, presenting them in a below-average quality. However, every feature is presented with the original soundtrack in at least one cinema in large towns and cities.
However, in Hungary, most documentary films and series (for example, those on Discovery Channel, National Geographic Channel) are made with voiceovers, as is the case with most other countries that favor dubbing. Some old movies and series, or ones that provide non-translatable jokes and conversations (for example, the Mr. Bean television series), are shown only with subtitles.
There is a more recent problem arising from dubbing included on DVD releases. Many generations have grown up with an original (and, by current technological standards, outdated) soundtrack, which is either technologically (mono or bad quality stereo sound) or legally (expired soundtrack license) unsuitable for a DVD release. Many original features are released on DVD with a new soundtrack, which in some cases proves to be extremely unpopular, thus forcing DVD producers to include the original soundtrack. In some rare cases, the Hungarian voicetrack is left out altogether. This happened notably with Warner Home Video Hungary, which ignored the existence of Hungarian voicetracks completely, as they did not want to pay the licenses for the voicetracks to be included on their new DVD releases, which appear with improved picture quality, but very poor subtitling.
Italy
[edit]
Dubbing is systematic in Italy, with a tradition going back to 1930. In Mussolini's fascist Italy, the release of movies in foreign languages was banned in 1938 for political reasons. Rome is the main base of the dubbing industry, where major productions, such as movies, dramas, documentaries, and some animation films are dubbed. However, many animated works (especially anime products) are dubbed in Milan, as well as other minor productions. Virtually every foreign film of every genre and target audience—as well as TV shows—are dubbed into Italian. Some theatres in the bigger cities include original language shows in their schedules, even if this is an uncommon practice. Subtitles may be available on late-night programs on mainstream TV channels. Pay-TV and streaming services provide films in the dubbed version as well as in their original language.
Early in their careers, actors such as Alberto Sordi or Nino Manfredi worked extensively as dubbing actors. At a certain point, shooting scenes in MOS (motor-only sync or motor-only shot) was a common practice in Italian cinema; all dialogue was dubbed in post-production. A notable instance is The Good, the Bad, and the Ugly, in which all actors had to dub in their own voices.
Because many films would feature multinational casts, dubbing became necessary to ensure dialogue would be comprehensible regardless of the dub language. The presence of foreign actors also meant that some directors would have actors recite gibberish or otherwise unrelated words since the end goal was simply to have general lip movements over which to add dialogue.
A typical example of this practice was La Strada, which starred two Americans; Anthony Quinn and Richard Basehart, in leading roles. Rather than have dialogue spoken phonetically or have multiple languages at the same time (which would require lines to be translated multiple times), actors would instead count numbers corresponding to the number of lines. Liliana Betti, assistant to director Federico Fellini, described the system as such: "Instead of lines, the actor has to count off numbers in their normal order. For instance, a line of fifteen words equals an enumeration of up to thirty. The actor merely counts till thirty: 1-2-3-4-5-6-7. etc." Fellini used this system, which he coined "numerological diction," in many of his films. Other directors adopted similar systems.
Dubbing may also be used for artistic purposes. It was common for even Italian-speaking performers to have their dialogue dubbed by separate voice actors if their actual voice is thought to be unfitting or some otherwise unsuitable. Fellini, who was particularly fond of the dubbing process, heavily relied on dubbing Italian actors, whom he often chose among non-professionals based just on their appearance, employing voice actors to entirely dub and sometimes improvise the dialogue. Some voice actors, such as Carlo Croccolo, Oreste Lionello or Elio Pandolfi, were even cast to dub over the voices of multiple characters in the same film. A similar process was sometimes applied with professional actors: for example, in Django, lead actor Franco Nero was dubbed by Nando Gazzolo because he was thought to sound too youthful for the grizzled character he portrayed. Claudia Cardinale, one of the major actresses of the 1960s and 70s, had a heavy accent from her Tunisian background, and was likewise dubbed for the first decade of her career. This practice was generally phased out in the 1990s, with the widespread adoption of sync sound.
Video games are generally either dubbed into Italian (for instance, the Assassin's Creed, Halo, Batman: Arkham, and Harry Potter series) or released with the original audio tracks providing Italian subtitles.
As for documentaries, Italy usually uses voice-over.
The most important Italian voice actors and actresses, as well as the main celebrities dubbed in their careers, are listed below.
Italian dubbing artists Voice actor/actress Years active Main actors/actresses dubbed Notes Tina Lattanzi 1923–1988 Greta Garbo
Joan Crawford
Marlene Dietrich
Greer Garson
Rita Hayworth
Myrna Loy Famous for her deep, seductive, and adaptable voice, she was the main dubbing actress for femmes fatales in the 1930s and 1940s. Famous interpretations of animation roles were the Evil Queen in Snow White and the Seven Dwarfs, Lady Tremaine in Cinderella, the Queen of Hearts in Alice in Wonderland and Maleficent in Sleeping Beauty. Andreina Pagnani 1924–1981 Marlene Dietrich
Bette Davis
Ginger Rogers
Norma Shearer Active primarily as a theatre actress, her intense and nuanced voice made her one of the most prominent and esteemed dub actresses of her generation (along with Lydia Simoneschi, Rosetta Calavetta, Giovanna Scotto and Tina Lattanzi). Carlo Romano 1927–1975 Jerry Lewis
Lou Costello
Bob Hope
Rod Steiger
Eli Wallach
Nigel Bruce
Louis de Funès
Peter Lorre
William Bendix
Fernando Sancho
Jason Robards He was the official Italian voice of Jerry Lewis, Bob Hope and Lou Costello; he was also well-known for dubbing the role of Don Camillo played by French actor Fernandel. Rosetta Calavetta 1930–1993 Marilyn Monroe
Lana Turner
Doris Day
Eleanor Parker
Ava Gardner
Veronica Lake She was the official Italian voice of Lana Turner, Marilyn Monroe and Doris Day. Mario Besesti 1932–1968 Charles Laughton
Thomas Mitchell
Edward Arnold
Edgar Buchanan
Charles Coburn
Raymond Massey He was considered one of the most significant dubbing artists of the Classical Hollywood cinema and worked on some of the early Disney animated films. He was the main dubber of all the actors listed. Miranda Bonansea 1932–2009 Shirley Temple
Judy Garland
Anne Francis
Linda Hunt
June Allyson
Jean Simmons She was the official Italian voice of Shirley Temple. Pino Locchi 1932–1994 Sean Connery
Giuliano Gemma
Tony Curtis
Charles Bronson
Sidney Poitier
Roger Moore
Jean-Paul Belmondo
Terence Hill
Clint Eastwood
Elvis Presley
Ringo Starr He was the official Italian voice of Sean Connery until 1994 and the primary Italian voice of James Bond. Lydia Simoneschi 1932–1976 Sophia Loren
Ingrid Bergman
Maureen O'Hara
Barbara Stanwyck
Susan Hayward
Jennifer Jones
Bette Davis
Joan Fontaine Considered the "queen" of Italian dubbing actresses (together with Rosetta Calavetta, Rita Savagnone, and Dhia Cristiani), she dubbed most of the classic Hollywood female stars at least once in her 40-year career. Cesare Barbetti 1934–2006 Robert Redford
Robert Duvall
Steve McQueen
Jean-Louis Trintignant
Dean Jones
Warren Beatty
Steve Martin
James Fox
William Shatner
Jon Voight
Kevin Kline
John Lennon Beginning his career as a child actor, he is best known for being the official Italian voice of Robert Redford and for dubbing most of the films of Robert Duvall, Steve McQueen, Warren Beatty and Dean Jones. Emilio Cigoli 1935–1980 Orson Welles
Gregory Peck
Gary Cooper
John Wayne
Burt Lancaster
William Holden
Charlton Heston
Clark Gable
Jean Gabin
Lee Van Cleef
Steve Reeves
Vincent Price Considered the "King" of Italian dubbing actors (together with Giulio Panicali and Gualtiero De Angelis), he dubbed 7000 films from 1936 to 1980. Giulio Panicali 1935–1973 Tyrone Power
Robert Taylor
Glenn Ford
Ray Milland
Robert Mitchum
Kirk Douglas
Henry Fonda Dhia Cristiani 1936–1975 Anne Baxter
Esther Williams
Virginia Mayo
Rhonda Fleming
Yvonne Sanson
Joanne Dru Gualtiero De Angelis 1936–1980 James Stewart
Cary Grant
Errol Flynn
Dean Martin
Henry Fonda Lauro Gazzolo 1938–1970 Walter Brennan
Bud Abbott
Peter Lorre
Sam Jaffe
Alan Napier Giuseppe Rinaldi 1939–1987 James Dean
Paul Newman
Rock Hudson
Jack Lemmon
Peter Sellers
Van Johnson
Marlon Brando
Frank Sinatra Luciano De Ambrosis 1942–present James Caan
Burt Reynolds
Dennis Farina He is known for playing the lead role as a child actor in Vittorio De Sica's film The Children Are Watching Us. Since 1994, he replaced Pino Locchi as the main Italian voice of Sean Connery. He dubbed most of the roles of the listed actors. Gianni Musy 1942–2011 Michael Gambon
Richard Harris
Christopher Plummer
Max von Sydow
Ian McKellen He is best known for dubbing the roles of Albus Dumbledore (played by Richard Harris first, then by Michael Gambon) in the Harry Potter film series and Gandalf (played by Ian McKellen) in the Lord of the Rings trilogy (replaced by Gigi Proietti after 2011). He also dubbed most of the roles of Christopher Plummer and Max von Sydow. Massimo Turci 1942–1990 Russ Tamblyn
Paul McCartney Ferruccio Amendola 1943–2001 Robert De Niro
Dustin Hoffman
Sylvester Stallone
Tomas Milian
Al Pacino
Peter Falk The Italian voice of Robert De Niro, Dustin Hoffman, and Sylvester Stallone in almost each of their films from 1969 to 1995. He also dubbed the most famous interpretations of Al Pacino. He was chosen by Tomas Milian himself for his dubbed voice. Maria Pia Di Meo 1944–present Meryl Streep
Audrey Hepburn
Julie Andrews
Shirley MacLaine
Jane Fonda
Barbra Streisand
Sandra Dee
Julie Christie
Ursula Andress The most important female dubbing voice in Italy after 1960. Best known for being the official Italian voice of Meryl Streep, she dubbed most of the films of all the listed actresses. Corrado Gaipa 1946–1989 Lionel Stander
Lee J. Cobb
Orson Welles
Alec Guinness Best known for portraying Don Tommasino in The Godfather, he dubbed most of the roles of Lion Stander and Lee J. Cobb and some interpretations of Orson Welles between 1965 and 1972. He also dubbed Alec Guinness in the Star Wars classic trilogy. Renato Turi 1946–1991 Walter Matthau
Lee Marvin
Christopher Lee
Lee Van Cleef
John Carradine
Telly Savalas
Sidney Poitier
Charlton Heston
Charles Tingwell Enrico Maria Salerno 1946–1994 Clint Eastwood He was the Italian voice of Clint Eastwood in the Dollars Trilogy and Hang 'Em High. Nando Gazzolo 1948–2015 David Niven
Peter Cushing
Rex Harrison
Michael Caine
George C. Scott
Franco Nero
Henry Fonda Vittoria Febbi 1949–present Barbara Bouchet
Charlotte Rampling
Edwige Fenech
Liv Ullmann
Diane Keaton
Barbara Bach
Kathy Bates
Laura Gemser
Florinda Bolkan Flaminia Jandolo 1950–2019 Brigitte Bardot Rita Savagnone 1952–present Vanessa Redgrave
Edwige Fenech
Claudia Cardinale
Whoopi Goldberg
Elizabeth Taylor
Ingrid Bergman
Greta Garbo
Sophia Loren
Nieves Navarro
Ursula Andress
Florinda Bolkan
Dominique Sanda
Loredana Nusciak
Stefania Sandrelli Oreste Lionello 1953–2009 Woody Allen
Gene Wilder
Peter Sellers
George Harrison He was the official Italian voice of Woody Allen, dubbing almost all of his interpretations from 1965 to 2006. After his death, Allen claimed Lionello had made him «a better actor than I am, a funnier person than I am, and a hero» to Italian audiences.[66] He also dubbed most of the roles of Gene Wilder, Peter Sellers, and all the film appearanc
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https://rosenpublishing.com/product/meaghan-jette-martin
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Meaghan Jette Martin
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https://rosenpublishing.com/sites/rosenpublishing.com/themes/rosenpublishing/favicon.ico
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https://rosenpublishing.com/product/meaghan-jette-martin
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Before she was a Disney channel starlet, Meagen Jette Martin's first professional job was a model in a Disney fashion show when she was only five years old. Now, as the star Disney's "Camp Rock" movies, Martin is given a chance to do the two things she likes best: acting and singing. This book traces the young star's life from her childhood love of community theater to performing with the Jonas Brothers. The accessible volume features photographs of the teen actress as well as information on the hobbies and causes that she promotes in her downtime.
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https://sheboyganmuseum.org/everybody-wants-to-be-a-cat-kicking-off-the-summer-with-walt-disneys-the-aristocats/
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en
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"Everybody Wants to be a Cat!" Kicking off the Summer with Walt Disney's The Aristocats
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[] |
[
""
] | null |
[
"Travis Gross"
] |
2020-06-25T12:28:45
|
"Everybody Wants to be a Cat!" Kicking off the Summer with Walt Disney's The Aristocats A Classic Hollywood Blog We kicked off the official s ...
|
en
| null |
A Classic Hollywood Blog
We kicked off the official start of summer with an Outdoor Movie Night! It was the first in-person program the Sheboygan County Historical Museum has hosted since before the COVID-19 shutdown and we were thrilled with the turn out! We took precautions for our first time out of the gate with masks and social distancing squares for families and guests to sit in. It was a fun, safe event for our community, and we look forward to hosting more Outdoor Movie Nights as the summer goes on. Check out our Events Page for more information!
As most of you know, I am an avid film buff! I love Classic Hollywood history and one of my favorite aspects our movie nights, is the opportunity to share what it took to make the film, behind the scenes information, and fun facts. If you missed the chance to hear it in person or would like even more details, keep reading!
Chloe’s Fun Facts for The Aristocats:
Walt Disney’s The Aristocats, is celebrating its 50th Anniversary this year! It was first released Christmas Eve, 1970. The 20th Disney animated feature film, and the last film project to be approved by Walt Disney personally before his death, The Aristocats took almost a decade to come to fruition.
Overview –
In 1961, Walt suggested they find an animal story that could be adapted as 2-part live action segments for his immensely popular television show Walt Disney’s Wonderful World of Color. The writers found a children’s story about a family of cats in New York City. After the success of 101 Dalmatians in 1961, which took place in London, the location changed to Paris. They eagerly sent in the script to the studio executives… and it was “rejected.” They didn’t give up though and sent it directly to Walt himself who liked it and recommended they keep working on it.
By the summer of 1963, Walt recommended that the story be produced as an animated feature film vs. live action. The project would have to be shelved though until the animation department had finished with The
Jungle Book. Once The Jungle Book was completed and scheduled for release in 1967, the animation department started storyboards which Walt officially approved just before his death.
Walt Disney died December 15, 1966 at the age of 65. Walt had been a heavy smoker since WWI and would die from lung cancer as a result. While the studio grieved the loss of their leader, founding father and friend, they continued forward on The Aristocats.
Voice Cast –
Similar to The Jungle Book, the characters were patterned after the looks and personalities of the voice actors that played them.
Phil Harris who had just voiced Baloo in The Jungle Book was brought back to voice Thomas O’Malley. In early storyboards and sketches, Thomas O’Malley was supposed to have strips. This was dropped after the animators learned how difficult, time consuming and expensive it was to draw moving stripped animals after animating Shere Khan in The Jungle Book. Phil Harris was already at this time a well-established film and television actor, comedian, singer and jazz musician for over 50 years. His back to back work with the Disney studio continued with another role directly after finishing The Aristocats, voicing Little John in Disney’s Robin Hood which was released three years later.
Duchess was voiced by the glamorous Eva Gabor, one of the famous Gabor Sisters. Gabor was a Hungaian-American actress, businesswoman, singer and socialite who relocated to the US with hopes of a film career. She had a successful career in Broadway, television and film, but she is by far the best remembered for her role on the hit sitcom Green Acres where she starred as sweet and zanny Lisa Douglas from 1965 – 1971. Eva and her sisters Zsa Zsa and Magda were also famous for landing in the society and gossip columns regularly. Particularly their reputation for serial matrimony. Eva was married 5x, Magda was married 6x, and Zsa Zsa was married 9x! More than Elizabeth Taylor’s famous 7 marriages! Like Harris, Gabor would be invited back for another Disney project as the voice of Miss Bianca in The Rescuers released in 1977, as well as the sequel The Rescuers Down Under in 1990.
There are many other familiar voices in the film too.
The dogs Napoleon and Laffette – named after the French generals Napoleon Bonapart, the emperor of France, and Marquis de Lafayette, the nobleman that helped the Americans in the Revolutionary War – were played by Pat Bertram and George Lindsey. Bertram co-starred with Gabor on the show Green Acres playing Mr. Haney. George Lindsey was famous for playing Goober Plye, Goomer Plye’s cousin on The Andy Griffith Show. The actors were such a hit as the farm dogs during the filmmaking process, the animators decided to add another scene to showcase their talents. Thus, the fantastic, funny scene where Edgar returns to retrieve his hat and umbrella was included.
Sterling Holloway plays the mouse Roquefort (which is a certain kind of cheese by the way). A veteran Disney voice actor, he would become most famous as the voice of Winnie the Pooh a few years later.
The character of Scat Cat was originally supposed to be played by jazz great Louis Armstrong but he was unable to record due to illness. Scatman Crothers, the actor and jazz/blues musician, was brought on to replace him. He was instructed to pretend he was Louis though which is why the character still sounds similar to Armstrong.
Thurl Ravenscroft is the voice of the minor character, Russian Cat. His voice might be very familiar to you though! His two most famous roles were that of Tony the Tiger for Frosted Flakes for over 50 years, and recording the song “You’re a Mean One Mr. Grinch” for Dr. Seuss’ The Grinch Who Stole Christmas. A song we hear a lot at the Museum during Holiday Memories!
Music –
Speaking of songs, this was the last animated feature that Robert and Richard Sherman worked on as staff songwriters for Disney. The duo wrote more motion-picture musical song scores than any other songwriting team in film history. They had been writing songs for Disney since the late 1950s and had already won two Academy Awards for songs in Mary Poppins. They composed two of the songs in The Aristocats – The title song and “Scales and Arpeggios.”
The title song captured the essence of France and sets the tone for the film. They really wanted Maurice Chevalier, known as “Mr. Paris,” to sing the song but he was in retirement and hesitant to do any more recording work. Producer Bill Anderson suggested that the Sherman Brothers make a demo of the song imitating Chavalier and still send it to him. It worked, and the demo brought him out of retirement. It would be his last professional work before his death.
They also wrote a song for Madame Bonfamille (which means “good family” in French by the way) called “Pourquoi” that was supposed to be reprised by Duchess as “She Never Felt Alone.” The songs were cut, but the opening lyrics of the reprise were turned into dialog that you hear Duchess say as she explains why they must return to Paris. You can hear both songs and see original storyboards that went with them on YouTube. https://youtu.be/exIOVsVEQbY
The popular “Everybody Wants to be a Cat” was composed by two other songwriters though – Floyd Huddlestong and Al Rinker. The song provides the swingin’ show stoppin’ moment in the film. Fun Fact: Al Rinker started his music career in his teens when he performed with a young Bing Crosby. Bing Crosby was considered to voice Thomas O’Malley at one point.
Release and Reception –
The Aristocats was released to overall critical praise as a fun, family movie with a fantastic voice cast. It became popular around the world, and by the end of 1971, it was also fittingly the most popular movie in France. It is still the 18th highest grossing film of all time in France.
It has continued to be popular over the decades, introducing new generations to the feline adventure with theatrical re-releases. And it was released on VHS for the first time in 1996 as part of the Masterpiece Collection (which is how I first saw the film as a young girl and it is currently sitting on our movie shelf at home…Yes, we still have a VCR to watch all of my priceless VHS tapes), and later on DVD and now through streaming. We have come a loooong way in technology!
After 50 years, The Aristocats are still the swingin’est cats in town! After all, “Everybody wants to be a cat!”
“Groovy Man!”
Contributed by Chloe Seider, Program Coordinator and Classic Film Buff
|
||||||
wrong_mix_domain_starring_00035
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FactBench
|
2
| 91
|
https://theanimationcommendation.com/2013/02/09/forgottenminor-characters-20-georges-hautecourt/
|
en
|
Disney Canon-Forgotten/Minor Characters #20: Georges Hautecourt
|
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[
""
] | null |
[
"Author The Animation Commendation"
] |
2013-02-09T00:00:00
|
Well, even though Walt Disney has left us on our journey, his legacy still remains! Disney's 20th animated feature, although not worked on by Disney, was given the approval to go ahead before Walt had passed away! "The Aristocats", released in 1970, was the beginning of the post-Disney years and what I term the "Iffy…
|
en
|
https://s1.wp.com/i/favicon.ico
|
The Animation Commendation
|
https://theanimationcommendation.com/2013/02/09/forgottenminor-characters-20-georges-hautecourt/
|
Well, even though Walt Disney has left us on our journey, his legacy still remains! Disney’s 20th animated feature, although not worked on by Disney, was given the approval to go ahead before Walt had passed away! “The Aristocats”, released in 1970, was the beginning of the post-Disney years and what I term the “Iffy Era”. I don’t really consider the ’70s and ’80s as a “Dark Age”; but they definitely weren’t lucrative years!
“The Aristocats” in particular, is one of the films that many Disney fans rank near the bottom of their list and consider it somewhat boring. What do I say? I actually like this film very much!
The film is the story of a family of aristocratic cats to whom their rich lady owner wills all her money. Hearing that the cats inherit before him, the butler decides to do away with the cats once and for all!
Well no, he actually just kidnaps and abandons them by a road! He’s not extremely evil per se.
After discovering that they’re lost, the cats meet up with an alley cat, and together try to find their way home!
Yeah, I honestly can see why many people consider this film to be one of Disney’s most boring ones; but what can I say? I still like it very much!
ENOUGH OF THAT!
Now in a movie about cats, one can safely assume that the animals are extremely memorable. Besides the main cast, the movie also features other cats,
dogs,
geese,
a horse,
and a mouse dressed like Sherlock Holmes!
Umm…no it’s actually a mouse dressed like Sherlock Holmes with the voice of Winnie the Pooh!
So I knew that today’s forgotten/minor character would be found amongst the human characters. The two main characters were definitely too memorable: the rich cat lady, Madame Adelaide Bonfamille
and the menacing butler, Edgar!
Besides them, there’s an angry French milkman making a cameo,
an angry French chef making a cameo,
a drunk…umm…almost drunk…umm…”thinks he’s drunk” French man making a cameo,
and two delivery men making an extremely quick cameo with one of them ignoring the camera completely,
None of them had enough material to write about, so I chose the last human character available, Georges Hautecourt!
Now I know that he isn’t a minor character, and definitely not forgotten by the fans of this film! But if you go up to the random guy in the street and mention the name Georges Hautecourt to him, he’ll probably think of someone like this!
And if you show the same guy this picture,
he’ll probably think it’s Geri, the toy repairman from “Toy Story 2”.
So that level of obscurity is enough for me to give Georges the title today! Now who is Georges? He’s actually Madame Adelaide’s friend and lawyer who writes up the will for her. His entrance in the movie causes some “hilarity” since he’s over 88 years old and is oblivious to his age! Then again, he is voiced by Charles Lane!
But even though he’s old, he’s not extremely senile, because even he is shocked at Madame Adelaide’s instructions to leave everything to her cats! But being a good friend and lawyer, he does what he has been called to do.
He really serves no purpose otherwise; but if there was no will, there’d be no motive for Edgar, hence no lost cats, hence no adventures, hence no movie! And only Mr. Hautecourt’s official signature can make the document legal (I’m guessing, I know nothing about law and wills), so without the presence of Georges Hautecourt in this movie, there would have been no movie!
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wrong_mix_domain_starring_00035
|
FactBench
|
1
| 93
|
https://www.ocregister.com/2010/06/08/tween-pop-and-tv-stars-to-visit-oc-school/
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en
|
Tween pop and TV stars to visit O.C. school
|
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[
""
] | null |
[
"Peter Larsen",
"Orange County Register"
] |
2010-06-08T00:00:00
|
Honor Society, “Camp Rock” actress Meaghan Jette Martin and R&B singer Mateo will reward students at Rio Vista Elementary School in Anaheim on Tuesday for working hard to improve their reading skills. Reuben Skipper, a parent volunteer at the school, said students who met the incentive program goals were promised a good prize, though it wasn’t […]
|
en
|
Orange County Register
|
https://www.ocregister.com/2010/06/08/tween-pop-and-tv-stars-to-visit-oc-school/
|
Honor Society, “Camp Rock” actress Meaghan Jette Martin and R&B singer Mateo will reward students at Rio Vista Elementary School in Anaheim on Tuesday for working hard to improve their reading skills.
Reuben Skipper, a parent volunteer at the school, said students who met the incentive program goals were promised a good prize, though it wasn’t until Friday that plans for the event finally came together.
“I’ve been checking aroudn with all the different publicists and agents,” he says. “And I got in touch with the Jonas Brothers (management group) and they liked the idea and put together the idea of getting a few people to come over.”
|
|||||
wrong_mix_domain_starring_00035
|
FactBench
|
2
| 29
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https://www.mtishows.com/disneys-the-aristocats-kids
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en
|
Disney's The Aristocats KIDS
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[] |
[
""
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[] |
2019-09-05T13:44:00-04:00
|
en
|
https://www.mtishows.com/sites/all/themes/custom/mti_theme/favicon.ico
|
Music Theatre International
|
https://www.mtishows.com/disneys-the-aristocats-kids
|
Based on the beloved Disney animated film, and featuring a jazzy, upbeat score, Disney’s The Aristocats KIDS is a non-stop thrill ride of feline fun, complete with unbelievable twists and turns.
In the heart of Paris, a kind and eccentric millionairess wills her entire estate to Duchess, her high-society cat, and her three little kittens. Laughs and adventure ensue as the greedy, bumbling butler pulls off the ultimate catnap caper. Now it's up to the rough-and-tumble alley cat, Thomas O'Malley, and his band of swingin' jazz cats to save the day.
Disney's The Aristocats KIDS features plenty of exuberant group numbers and a cast that can be expanded by adding additional alley cats to the chorus.
|
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wrong_mix_domain_starring_00035
|
FactBench
|
2
| 44
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https://setsuled.livejournal.com/1577395.html
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en
|
Nobody Knows What it is to be a Cat
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https://l-files.livejournal.net/og_image/602556/6161?v=1603346515
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https://l-files.livejournal.net/og_image/602556/6161?v=1603346515
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The last movie to be approved by Walt Disney and the first to be made after his death, 1970's The Aristocats seems like a safe bet. The premise seems almost identical to Lady and the Tramp except with cats instead of dogs--a cat from the world of wealth and privilege finds herself cast out and her…
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https://setsuled.livejournal.com/1577395.html
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The last movie to be approved by Walt Disney and the first to be made after his death, 1970's The Aristocats seems like a safe bet. The premise seems almost identical to Lady and the Tramp except with cats instead of dogs--a cat from the world of wealth and privilege finds herself cast out and her saviour is a scruffy male cat from the wrong side of the tracks. The title of the film even seems to pick up more explicitly on the earlier film's subtextual theme of class. But, while The Aristocats has some great background art and animation, it falls well short of its predecessors in terms of story, character, and suspense.
I'd never really appreciated Disney films as suspense films until I found The Aristocats so utterly lacking in suspense. The characters never seem to be particularly threatened and they don't act like they are. Duchess (Eva Gabor) and her kittens never have anxiety about whether or not their mistress (Hermione Baddeley) loves them the way Lady does about her owners. The kittens never worry about being killed and turned into coats like the dalmatians. And no-one fears being eaten or torn to pieces by a tiger the way Mowgli did.
I'm reminded of my frequent complaints about a lack of suspense in Rebels and The Mandalorian. If this is some secret, set in stone part of Disney's charter, we certainly can't blame Walt Disney himself for it. Nor does this lethal timidity seem to be a permanent fixture after The Aristocats but it does crop up all too often and it's bad in a particular, consistent way. Maybe I could coin a term for it. Would "Mickey's Impotent Softball" be too graphic? I'm not sure I'm so good at coining terms.
Unlike Lady and the Tramp, the film spends much more time focused on the humans in the beginning. Even more than 101 Dalmatians which was at least narrated by Pongo. We get to know Madame Adelaide, the owner of Duchess and her kittens, an eccentric, well animated woman with the kind of large eyes usually reserved for younger characters.
We see her cute, ongoing flirtation with her even better animated lawyer. It's a shame they get the xerox treatment. Madame in particular is unjustly served by technology as her white hair shows seemingly every pencil mark.
I wonder if anyone's considered digitally polishing these movies or if Disney's too married to the idea that this was all a legitimate stylistic choice.
The backgrounds, at least, carry something of the beauty of the French fashion art that inspired them.
Disney's love affair with England--all Disney's animated films of the '60s were based on works by British authors--would finally seem to have broken with The Aristocats being set in Paris, having been written by Americans. Though the movie features a meandering, misguided detour with a group of geese who conspicuously refer to themselves as English again and again. Aside from the visual design, there's not much to give the film a French atmosphere except the opening song is sung by Maurice Chevalier. He performs one of the few remaining songs in the film composed by the Sherman Brothers who departed from the studio after this film, apparently upset by how the company was managed.
One of the most well remembered songs of the film, "Everybody Wants to be a Cat", was written by Floyd Huddleston and Al Rinker. It's performed by the various cats led by Scatman Crothers. Crothers was a last minute replacement for Louis Armstrong but he certainly does a fine job. His presence takes on a little more significance when I'm reminded of his later role in Ralph Bakshi's animated examination of racism and the black experience in America, Coonskin. Recently Disney added disclaimers to their animated films--I was unable to skip this statement at the beginning:
The Chinese cat featured in the "Everyboyy Wants to be a Cat" is certainly a dumb racial caricature--not quite as spiteful as some of the depictions from the '50s but certainly obnoxious. The disclaimer, though, is sure to be meaningless to the average five year old and unlikely to change the mind of the average adult. I suppose it fits with the general unsubstantiality of the "Everybody Wants to be a Cat" sequence which continues the strangeness of the film deliberately invoking economic class only to say absolutely nothing about it. Lady and the Tramp showed Tramp begging for scraps and had a reference to The Lower Depths. The Aristocats showed no apparent difference to how comfortably Duchess lived and how Scatman Crothers lived. The bohemian gang of cats seems to be a softcore fantasy version of Parisian poverty. One wishes this Mickey's Impotent Softball had an ounce of Coonskin's courage, or even just that of The Jungle Book.
After his success with his improvisations as Baloo in The Jungle Book, comedian Phil Harris was brought in to work the same magic with Thomas O'Malley the alley cat. He and Eva Gabor come off a little like Gabor and Eddie Albert in Green Acres but with less tension and chemistry. Harris deliberately chose to play Thomas differently to Baloo and comes off a bit sleazy, making it odd that Duchess naively acquiesces to everything he says and does. The film seems to be aiming for an It Happened One Night style road romance but the oddness of Thomas' arrogance paired with Duchess' dull, inexplicable placidity completely undermines the idea. When two lovers from different economic backgrounds fall in with each other, there ought to be at least a few sparks, that should be obvious.
One key difference to Lady and the Tramp's premise is that Duchess already has offspring from a previous relationship. No comment is made on it by any of the characters until the geese realise Thomas isn't the father of the kittens and they immediately start to decry the scandal. When Lady spent the night in the park with Tramp, any adult would have recognised the tone of the reactions she gets as being like reactions to a young woman having premarital, impulsive sex. But children could also appreciate the tension because, on the surface level, the scandal was to do with Lady having spent the whole night out. There's no such context in The Aristocats and combined with the lack of much character for Duchess, the whole thing falls pretty flat.
The movie also suffers from the absence of an interesting villain. A good villain isn't completely necessary to make a good film but The Aristocats has a lame villain--the butler (Roddy Maude-Roxby) who's trying to get rid of the cats so he can have all the inheritance Madame plans to leave to them. He's thwarted easily by two dogs who are never even aware of the cats' existence and who speak with southern American accents. The film ends on a deflatingly postmodern note as the two dogs argue over who will say the movie has ended.
The scene also reuses animation from earlier in the film without a background. It's hard to imagine how it could have been lazier.
The Aristocats could have been an interesting rumination on the rococo beauty seen in Madame's world contrasted with the hodgepodge aesthetic of Parisian bohemians and the value in each. It could've presented the conundrum of how both worlds can coexist without one of them suffering. Maybe that's a bit much to expect from a Disney film but this is the same company that made Pinocchio.
The Aristocats is available on Disney+.
Current Location: An apartment
Current Mood: busy
Current Music: "Mary Anne with the Shaky Hand" - The Who
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Storyline - The Alley Cats introduce Berlioz, Marie, Toulouse and their mother Duchess – the richest cats in all of Paris ("Prologue/The Aristocats"). When the Aristocats' beloved owner, Madame,...
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2023-07-27T11:45:01+00:00
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Thank you to all those who auditioned for our upcoming production of Aristocats, Kids! We are excited to start work with all of you soon! Alley CatsScat Cat – Cassidy HallockWacky Cat – Gwen HankinsMad Cat – Nina WeeksSlick Cat […]
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en
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Regional Performing Arts Co.
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https://regionalperformingarts.org/aristocats-kids-cast-list/
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Thank you to all those who auditioned for our upcoming production of Aristocats, Kids! We are excited to start work with all of you soon!
Alley Cats
Scat Cat – Cassidy Hallock
Wacky Cat – Gwen Hankins
Mad Cat – Nina Weeks
Slick Cat – Madalynn Cox
Hep Cat – Violet Ogrentz
Thomas O’Malley – Shannon Robertson
Alley Cat Ensemble
Aribelle Cox
Allison Flint
Lulu Hill
Amelia Malloy
Zoey Moreland
Lily Morley
Malachi Ramos
Aristocats
Duchess – Sofia Sotelo
Toulouse – Zachary Cox
Marie – Kimmy Fruth
Berlioz – Mason Akers
Madame’s House
Madame – Kyleigh Evans
Edgar – Belle Zabrecky
Roquefort – Cecily Massey
Country Dogs
Napolean – Rylee Campbell
Lafayette – Payton Campbell
Vichy – Emma Katich
Ssoise – Lillian Schnabel
Dog Army Ensemble
David Biggs
Maddie Dietrich
Belle Essany
Isabella Montejano
William Morley
Matilda Naughgle
Ava Rossi
Samantha Vanden Bout
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THIS TITLE IS PART OF THE "FILM IS TRUTH" VIDEO RENTAL LIBRARY
When Mitchie gets a chance to attend Camp Rock, her life takes an unpredictable twist, and she learns just how important it is to be true to yourself.
Starring Demi Lovato, Joe Jonas, Meaghan Jette Martin, Maria Canals-Barrera, Alyson Stoner
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THIS TITLE IS PART OF THE "FILM IS TRUTH" VIDEO RENTAL LIBRARY When Mitchie gets a chance to attend Camp Rock, her life takes an unpredictable twist, and she learns just how important it is to be true to yourself.Music, Comedy, Drama, Romance, Family, TV MoviePT1H35MG
Demi Lovato
Joe Jonas
Meaghan Jette Martin
Maria Canals-Barrera
Alyson Stoner
Matthew Diamond
Kevin Lafferty
Camp Rock"Camp Rock"
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Steve’s Wonderful Reviews of Disney: The Aristocats – Place to Be Nation
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The Aristocats
Release Date: December 11th, 1970 (released nationwide December 24th)
Inspiration: “The Aristocats” by Tom McGowan and Tom Rowe
Budget: $4 million
Domestic Gross: $55.7 million
Worldwide Gross: $191 million
Rotten Tomatoes Score: 66%
IMDB Score: 7.1/10
Storyline (per IMDB): Retired opera star Adelaide Bonfamille enjoys the good life in her Paris villa with even classier cat Duchess and three kittens: pianist Berlioz, painter Toulouse and sanctimonious Marie. When loyal butler Edgar overhears her will leaves everything to the cats until their death, he drugs and kidnaps them. However retired army dogs make his sidecar capsize on the country. Crafty stray cat Thomas O’Malley takes them under his wing back to Paris. Edgar tries to cover his tracks and catch them at return, but more animals turn on him, from the cart horse Frou-Frou to the tame mouse Roquefort and O’Malley’s jazz friends.
Pre-Watching Thoughts: We now enter a new decade as we roar right into the 1970s with the 20th film that Disney has released, and it is crazy to think that this is only the 20th film since Snow White came out back in 1937. This is one of those films that has garnered an interesting reputation as some think it is a fun film that still holds up to this day while others feel it is a lackluster installment and that time has not been kind to. This is another film that I always had a fondness for when I was a kid and it has been a very long time since I last saw it, so we will see if I feel it lands in the first opinion or the second opinion.
Voice Cast: As I have mentioned in the last few reviews, the number of returning actors is seemingly going down with every film going forward though we do have a few familiar voices for this film. For the returning actors, we have Phil Harris back as he voices Thomas O’Malley in a memorable role though I do wonder how many people watching this after watching the Jungle Book and realized it was the same actor that voiced Baloo since he does have a very distinctive voice. We also see Sterling Holloway return as he voices Roquefort the mouse in a fairly memorable role, and we also see Thurl Ravenscroft return as well as he voices Billy Boss of the Scat Cat Band in a good role. We also have the return of Tim Hudson as he voices Hit Cat of the Scat Cat Band in a fairly small role, and the final returning actor is Bill Thompson as he voices Uncle Waldo the goose in a small role. Leading the charge of the new voices is legendary actress Eva Gabor who voices Duchess in a very memorable and it wouldn’t be the last time we heard her in a Disney film, and a note is that Robie Lester provides the singing voice for Duchess. We then have the trio of Gary Dubin, Liz English, and Dean Clark as the kittens Toulouse, Marie, and Berlioz and they do a good job in giving the kittens their own personality and they have good singing performances as well. Next we have Roddy Maude-Roxby as Edgar Balthazar and he does a fine job in making this villain still have class and dignity for the most part, and then we have jazz artist Benjamin “Scatman” Crothers who voices Scat Cat and also provides the singing voice. Rounding out Scat Cat’s band were Paul Winchell who voices Shun Gon in a fairly controversial role and Vito Scotti as Pippo as they both provide pretty memorable moments during their appearances. We then have Pat Buttram and George Lindsay as Napoleon and Lafayette the dogs in a pair of fun roles, and they would become regular voices that we will hear throughout the rest of the decade. Next we have Hermione Baddeley who voices Madam Adelaide Bonfamille in a small role, but she makes the most of it even though we don’t get to hear her sing since the character was an opera star. We then have legendary actor Charles Lane who voices Georges Hauthcourt as he was starting to wind his career down, and then we have Nancy Kulp who voices Frou-Frou the horse in what would be her final film role and we should also mention Ruth Buzzi who provides the singing voice. We then have Monica Evans and Carole Shelley as Abigail and Amelia Gabble the geese and this wouldn’t be the last time they starred in a film together, and finally we have Peter Renaday who voices a few of the other humans that don’t play much of a role. There are a couple of actors here that would become regulars for the next couple of years as we transition out of the old guard from the last few decades and get a new group of carry the films for the next few years.
Hero/Prince: We do have a hero to talk about for this film and that is the street cat Thomas O’Malley, or as he reveals as his full name Abraham de Lacy Giuseppe Casey Thomas O’Malley the alley cat. We first meet him traveling the countryside when he comes across Duchess and the kittens after they were left behind by Edgar, and he helps get them back to Paris while keeping them out of danger including saving Marie on two occasions. After regroups with Scat Cat and his band, O’Malley returns Duchess and the kittens to their home only for Edgar to capture them again and Roquefort lets O’Malley know so he can help. While Roquefort gets Scat Cat and the band, O’Malley battles with Edgar and eventually Scat Cat and his cats arrive to help O’Malley free Duchess and the kittens while sending Edgar into the trunk to be shipped to Timbuktu. In the end, O’Malley, Scat Cat and his band are welcomed into Bonfamille’s home and he becomes like a father to the kittens. O’Malley is an interesting character in that he is clearly smitten with Duchess and she comes to like him, but she realizes her place is with her owner and O’Malley is willing to accept that as he thinks he is nothing more than an alley cat until he is welcomed in by Bonfamille. While he ultimately won’t rank that high when compared to the other heroes and princes, he is a good hero for this film.
Princess: N/A
Villain: Up to this point, we have had characters that are bad from the get-go and they are easily defined as villains, but for this film we have a villain that doesn’t start out like that and gets worse as the film goes on. This character is Edgar Balthazar who serves as Madam Adelaide Bonfamille’s butler and he is very faithful to her and the cats, but he begins to turn when he learns that the cats will inherit Bonfamille’s fortune before he will which leads him to plot to get rid of the cats. He first tries to dump them in the countryside only to run into Napoleon and Lafayette who chase him though he escapes albeit losing some items, and he returns to the same site to retrieve his items and put the dogs in their place. He thinks he has succeeded only to learn that Duchess and the kittens have been returned thanks to O’Malley so he decides to send them to Timbuktu in a trunk, but O’Malley, Scat Cat, and his friends save them while leaving Edgar in the trunk to be sent to Timbuktu instead. Edgar is an interesting villain in that he genuinely enjoyed serving Bonfamille and the cats, but as they say greed is a powerful motivator and he was willing to do anything to get rid of the cats so he could claim the fortune. He is a bit of a bumbling idiot and the fact that he is beaten by a bunch of animals does make him a bit of a loser, but he is still a good villain for this film even though he doesn’t rank too highly as a memorable villain.
Other Characters: It is a bit funny that I am including many of the main characters in this category, but that’s only because they don’t fit into any of the other categories so they have to be mentioned in here. Right at the top of that list is Duchess and her kittens Marie, Berlioz, and Toulouse who are under threat of Edgar who tries to get rid of them, but Thomas O’Malley takes care of them and eventually saves them before becoming part of their family. We then have the dogs Napoleon and Lafayette who deal with Edgar twice during the film and they steal some of his items after their first encounter, but Edgar gets his revenge and recovers his missing items while outsmarting them in the end. We then have Roquefort the mouse who is friends with Duchess and the kittens as he does what he can to help as well, including nearly being eaten by Scat Cat and his band before he mentions that he is a friend of O’Malley. Speaking of Scat Cat and his band, we have them next as they show their skills to Duchess and the kittens before helping O’Malley save them from Edgar and they are also welcomed in by Bonfamille. We then have Abigail and Amelia Gabble the geese who first “help” O’Malley from drowning before leading the cats into Paris where they meet up with their Uncle Waldo who is nearly turned into a meal by a chef. We also have Frou-Frou the horse who mainly keeps to herself until the end when she helps O’Malley and the cats save Duchess and the kittens before kicking Edgar into the trunk. We also have Madam Adelaide Bonfamille who is a retired opera singer who looks to leave her vast fortune to her cats which leads Edgar to try and get rid of them, and finally we have her lawyer Georges Hauthcourt who is a very eccentric man and helps Bonfamille pen her will. There does seem to be a trend of animals being the main characters and the humans playing a minor role, and we will see how much longer that lasts before the page turns on that.
Songs: Going into watching this film, I was under the belief that there were only two songs in the film but there were actually two other ones that I had forgotten about only because the two I remembered were far more memorable as we will talk about. The first song to mention is the title song “The Aristocats” sung at the beginning and a fun note is the man who sings it, Maurice Chevalier was brought out of retirement to sing it and it would be his last major film contribution prior to his death two years later. The next song to mention is “Scales and Arpeggios” sung by Duchess and the kittens which was a fine song though not that memorable, and then we have “Thomas O’Malley” which Thomas sings as he introduces himself to Duchess and he makes himself very likable through the song. Finally we have the song that is best remembered from this film which is “Everybody Wants to Be a Cat” sung by Scat Cat and his band, and it is a really fun song that has a real catchy beat and makes you want to dance. Once again, the majority of these songs work well for the film though they aren’t as memorable as some of the other songs that we have heard to this point and they won’t hold up well against songs yet to come.
Plot: Going into re-watching this film, I never knew that it was actually based off a novel and I always thought that it was just an original idea conceived by the folks at Disney, and not only that apparently the story was also inspired by a real life family of cats that inherited a fortune. This family of cats is owned by a former opera singer and she plans to leave her vast fortune to them much to the chagrin of her butler who is set to inherit the fortune when the cats pass away, and he tries to get rid of them so he can take the fortune for himself. A random alley cat named Thomas encounters Duchess and her kittens and he offers to take them back to Paris, and they encounter his friend Scat Cat and his band as he and Duchess start to bond though she can’t leave her owner behind. Thomas returns them to the house only for the butler to kidnap them again and try to ship them to Timbuktu, but Thomas and his friends Duchess and the kittens while leaving the butler to be sent to Timbuktu and Thomas is welcomed into the family. The plot itself was fairly basic with the classic trope of the street-tough boy meeting and falling in love with the high-class girl, and interloping that with having the once loyal worker turn bad to take the fortune for himself was not too much and helped keep the story going until the end.
Random Watching Thoughts: We are back to having a title song for the film; It is unique watching the animation in the background during the opening credits knowing we will see it again at some point in the film; The opening credits mention a song titled “She Never Felt Alone” which was ultimately cut from the film, so it was weird to see it called out here since we never hear it in the film; So this film was set in 1910 and Paris was looking as beautiful with no one realizing what was coming with World War I in a few years; Berlioz didn’t just ride on Frou-Frou’s back, he was on top of her head; Edgar seemed like such a loyal butler, it’s almost a shame what happened to him when greed took over; We never know what Hauthcourt’s age is though he has to be close to 100 if he says he’s not as spry as when he was 80; How many houses back in 1910 actually had an elevator inside them?; Hauthcourt seems to have that type of luck that he would escape any injury while Edgar takes the brunt of it; Bonfamille must’ve amassed a vast fortune from being an opera singer that she has that big of a mansion just for herself and her cats; I have always wondered if Hauthcourt and Bonfamille had feelings for each other or if they really are just good friends considering he serves as her lawyer; Amazing they are able to dance so seamlessly without stepping on either of the kittens as they go for their feet; Why would Hauthcourt first think Bonfamille wants to sue someone when she pretty much lives like a recluse?; I always find it weird when someone leaves their fortune to their pets, what are they really going to do with it? It would make more sense to donate it as I’m sure someone will put it to good use; Bonfamille must be real confident that Edgar will outlive the cats; Now the greed officially takes over Edgar and he becomes the villain; Strong words from Toulouse for saying that females never fight fair; Duchess is really trying hard to make sure the kittens are well-behaved, but kittens will act like kittens; A weird animation note I saw was Duchess’ paws turning to fingers when she adjusts Marie’s bow before going back to paws; For being a kitten and using his paws, Toulouse made a pretty good portrait of Edgar even though he was making fun of him; Berlioz got Duchess to break a bit when he called Edgar “Pickle-Puss”; Considering that he dumped the entire bottle of sleeping pills into the milk, it’s makes you wonder if Edgar was just wanting them to fall asleep or he wanted to kill them; Edgar nearly blows everything by almost tasting the milk; Berlioz is quite the piano player; Berlioz was just wanting to play the piano and Toulouse had to butt in, especially with his paws covered in paint; Crème de la crème de la Edgar; You would think that given how many sleeping pills he put in the milk that the cats would’ve gone out immediately; Of all the things Roquefort has to go with the milk, it would be a cracker; Why would Edgar poke his head out of the cat door and not just open the door slightly to see if anyone was there?; Do Napoleon and Lafayette belong to anyone as they are just there to go after any vehicle that drives past them if Lafayette says they bit 6 tires today?; I do wonder where Edgar was taking the cats before the dogs attacked him; Lafayette really put a hurting on Edgar’s leg by biting it repeatedly like that; That must be the weakest windmill ever if it got pushed that easily when Edgar ran through it; Somehow Toulouse managed to stay in the basket while the rest got thrown all over the place; Toulouse was onto Edgar the whole time as he briefly opened his eyes and saw him before they drove away; Of course Bonfamille would have a nightmare about Duchess and the kittens on the night that they are kidnapped by Edgar; It was admirable for Roquefort to go out into the storm to find Duchess and the kittens even though it would be for naught; What kind of a name is Abraham de Lacy Giuseppe Casey Thomas O’Malley and how did he come about getting that name?; Toulouse is thrilled to see an alley cat while Marie sees it as a potential love story between Thomas and Duchess; The way Thomas says this makes it seem like he’s pulled this same thing on other cats; Duchess immediately through Thomas’ sweet talk for a time; Now he refers to himself as J. Thomas O’Malley though none of his names start with a “J”; Thomas must have a lot of confidence that the truck is going to Paris and not going somewhere else; So I did look up about the idea of cats having 9 lives and they really don’t, but the saying comes from their ability to land on their feet and can withstand accidents without being fatally wounded; Thomas is quick to judge that humans don’t care about pets while Duchess thinks otherwise; The shot where Bonfamille is standing at the window with the light on makes it look like she is Lady Tremaine from Cinderella; Edgar was so proud of himself that he pulled off the perfect crime before realizing that he left some of his things behind as potential evidence; That was quite lucky that the truck that Thomas stopped was a food truck that had a thing of cream for the kittens to drink from; How many trains have the kittens actually seen that Toulouse knew what sounds to make?; That was a nice catch by Duchess; Marie nearly lost her life and Toulouse is upset that she fell off the bridge; So Abigail and Amelia are on vacation from England, but that was quite a journey for them to take; They see Thomas in the water trying to get to shore yet they think that he is learning to swim; Thomas tells the geese that he’s not Duchess’ husband and they immediately assume he is trying to play Duchess; They set them up in a V like when a flock of geese fly together and then they all have to waddle like them though you’ll notice Thomas walks normally; Waldo goes to Paris for a vacation and he nearly becomes the special of the day for the café, yet he’s upset that they used white wine and not sherry; Did Roquefort really think he was going to make it in that broken light the whole way?; So in a fun fact, Napoleon and Lafayette were only supposed to be in the one scene where they chase Edgar away, but the animators enjoyed the actors so much they added this extra bit where Edgar goes back to reclaim his missing items; Another fun fact is that Edgar was supposed to have an accomplice/romantic interest named Elmira who worked as a maid for Bonfamille and they were even going to have a duet in the film, but she was scrapped entirely and Edgar was made the sole villain; Edgar took a long time to realize his shoes were squeaking so loud that he finally had to take them off; Give Napoleon credit for guessing the type of shoes Edgar had just by listening to the squeak; He realizes the hat is getting pulled up yet Napoleon doesn’t think to look up; Leave it to having to scratch Napoleon repeatedly to finally reclaim his hat; What was the item that Napoleon referred to as a “bumbershoot”?; Lafayette says that he wasn’t hurt because he was hit on the head; I do wonder how the time worked to when Edgar was dealing with Napoleon and Lafayette if Duchess, Thomas, the kittens, and the geese arrived to Paris; He says that his pad is peaceful and quiet, but on cue the band starts playing and he knows Scat Cat and company are there; In another fun fact, legendary jazz artist Louie Armstrong was set to voice Scat Cat but had to pull out due to illness; In today’s stuff you would never see in 2020, Shun Gon the Chinese cat and his pretty racist dialogue; The kittens were complaining that they were tired, yet they had plenty of energy to sing and dance with the rest of the cats; I wouldn’t be surprised if some people suffered from epileptic seizures during this scene with the flashing lights; Given how loud some of the music was, it’s amazing that the whole city wasn’t shouting to turn it down especially as they were dancing and playing in the streets; You can tell that Duchess wants to be with Thomas but is not willing to leave Bonfamille so Thomas makes the sacrifice to take them back home; Roquefort’s way to stop Edgar is to tie his shoelaces together; So Edgar had time to get to his feet, untie his shoelaces, and grab a sack before letting the cats in; Kudos to Marie for being able to remember the whole name to try and tell Roquefort; Roquefort has so much trouble remembering Thomas’ name for Scat Cat and the gang and it is only when they are about to kill him when he is able to remember so they can get on his side; I don’t blame that guy for dumping out that wine when he sees Roquefort running behind the cats, he probably is questioning everything in life at that moment; It is weird of all the places that Edgar decides to send the cats, he chooses Timbuktu; Edgar made a quick recovery to getting knocked over by Frou-Frou to chasing after Thomas with that sickle, and then he made another quick recovery after getting knocked over on the ladder to trying to find Thomas in the hay with the pitchfork; Roquefort tells everyone to be quiet and they oblige so that he can open the padlock, and then they get back to what they were doing; Again, Edgar must have great pain tolerance if he took a giant haybale right to the head and didn’t get knocked out; Edgar gets knocked into the trunk and the padlock is not there, yet when it slides outside it looks like it has been padlocked shut; The way they talk about Edgar makes you wonder if they had him factored in some other way, but he was so obsessed with getting rid of the cats that he ultimately missed out; Thomas had quite the look on his face when Bonfamille mentioned potential future kittens; Roquefort appears when he hears the word “cheese” and gets blinded by the flash; She is quite the gracious host to be willing to welcome any and all of the alley cats of Paris; Again, the music is so loud that we see the geese dancing and singing to it, and even Napoleon and Lafayette can hear it out in the countryside; Napoleon says that as the leader he determines when it is the end, but then the actual words hit him in the side of the head so he decides it’s the end.
Overall Thoughts: Overall, this was a very solid film that was still very enjoyable though it was a step down from the Jungle Book, but in fairness it was going to take a great effort by this film to match the perfect score of that one. This is one of those films that some people are going to really like and some people are going to think it is a disappointment, and I’m on the side in that it was a good film and I was entertained. We are entering a very tumultuous decade for Disney as they were without their patriarch though they still had big things planned including the new theme park in Orlando, and we will see how the rest of the decade plays out for the animation department. As for this film, it is a pretty solid film that does hold up fairly well with time though it is not a classic like some of the films I’ve seen to this point.
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Login • Instagram
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Welcome back to Instagram. Sign in to check out what your friends, family & interests have been capturing & sharing around the world.
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https://voice-actors-from-the-world.fandom.com/wiki/The_AristoCats
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The AristoCats
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The Aristocats is a 1970 American animated feature film produced and released by Walt Disney Productions and features the voices of Eva Gabor, Hermione Baddeley, Phil Harris, Dean Clark, Sterling Holloway, Scatman Crothers, and Roddy Maude-Roxby. The 20th animated feature in the Walt Disney...
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Voice Actors from the world Wikia
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https://voice-actors-from-the-world.fandom.com/wiki/The_AristoCats
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The Aristocats is a 1970 American animated feature film produced and released by Walt Disney Productions and features the voices of Eva Gabor, Hermione Baddeley, Phil Harris, Dean Clark, Sterling Holloway, Scatman Crothers, and Roddy Maude-Roxby. The 20th animated feature in the Walt Disney Animated Classics series, the film is based on a story by Tom McGowan and Tom Rowe, and revolves around a family of aristocratic cats, and how an alley cat acquaintance helps them after a butler has kidnapped them to gain his mistress' fortune which was intended to go to them. It was originally released to theaters by Buena Vista Distribution on December 11, 1970.
The film is noted for being the last film project to actually be approved by Walt Disney himself, as he died in late 1966, before the film was released. He had, however, been working in the story development for The Rescuers (1977) as early as 1962. The Aristocats gained positive reviews on first release and was a box office success.
Cast[]
Image Character USA Mex Jap Jap(Additional Audio) Bra Ger Fra Ita Pol Neth Hun Swe Fin Nor Den Russ Por Nor(1994) Isr Egyp Egyp(2014) Thomas O'Malley Phil Harris Germán Valdés Teiji Ômiya Banjô Ginga Ênio Santos Edgar Ott Claude Bertrand Renzo Montagnani Andrzej Zieliński Louis Neefs Koós János Pekka Lehtosaari Henki Kolstad Søren Pilmark Vladimir Yerëmin Diogo Morgado Paul Åge Johannessen Danni Bassan Sami Maghawri Galal Al-Hagrasy Duchess Eva Gabor Teresita Escobar Shindō Noriko Ikuko Tani Ruth Schelske Brigitte Grothum Michèle André Melina Martello Karina Szafrańska Wieteke van Dort Csere Ágnes Carita Mäkelä AnneLise Tangstad Nastja Maria Arcel Anna Kamenkova Isabel Ribas Guri Schanke Limor Shapira Salwa Mohammad Ali Toulouse Gary Dubin Pili González Inaba Yūki Octávio Zordan Ralf Richardt Vladimir Vinitzki Riccardo Rossi Dominik Koniusz Sander van Zijl Gerő Gábor Hans Vallittu Ralph Bernstein Albert Matthies Maksim Karatysh Rui Cerejo Hans Fredrik Løvold Doron Ben Ami John Sameer Shihab AlDeenMahmoud Marie Liz English Rocío Brambila Naitō Manami Maria Manoela Angelika Pawlowski Isabelle Germain Emanuela Rossi Dominika Sell Barbro Gulikers Simonyi Piroska Maria Kukkonen Inger Lise Hansen Mille HoffmeyerLehfeldt Yekaterina Gul'chenko Joana Dinis JuliaOnsager Steen Ania Bukstein Yara 'Alaa Berlioz Dean Clark Arminda Hernández Sone Yōsuke Antonieta Matos Steffen Müller Mark Lesser Cinzia De Carolis Agnieszka Para Michiel Geelen Gallus Attila Tuukka Vuorinen Hilde Furulund Daniel Kellermann Ruslan Kuleshov Vasco Lourenço Kjetil G. Rogne Ran Ezra Nada Sameer Mohammad 'Amer Madame AdelaideBonfamille Hermione Baddeley Rosario MuñozLedo Kineko Nakamura Lourdes Mayer Gisela Reißmann Denise Grey Wanda Tettoni Aleksandra Koncewicz Emmy Lopes Dias Kassai Ilona Seela Sella Lise Ringheim Merete Skavlan Lyubov' Germanova Elsa Galvão Lise Fjeldstad Yael Amit Ahlam El-Gretly Edgar Roddy MaudeRoxby LuisManuel Pelayo Kawakubo Kiyoshi Milton Luís Klaus W. Krause JeanHenri Chambois Renato Turi Andrzej Tomecki Luc Lutz Gruber Hugó Ilkka Moisio Gisle Straume Waage Sandø Yuriy Derkach João Lagarto Helge Reiss Dov Reiser AymanAbdel Rahman Georges Hautecourt Charles Lane Juan DomingoMéndez Ryûji Saikachi Magalhães Graça Herbert Weißbach Fred Pasquali Oreste Lionello Aarre Karén Nikita Prozorovskiy Pedro Pinheiro Ohad Shachar Frou-Frou Nancy Kulp María Santander Kyôto Satomi Ai Sato Neyda Rodrigues Inge Landgut Jacques Provins Clelia Bernacchi Anna Apostolakis Lika Rulla Sónia Neves Roquefort Sterling Holloway José Manuel Rosano Kaneta Kimotsuki Naoki Tatsuta Cleonir dos Santos Harry Wüstenhagen Roger Carel Oreste Lionello Jacek Jarosz Arnold Gelderman József Kerekes Hans Lindgren Jarmo Koski Arve Opsahl Henrik Koefoed Aleksandr Len'kov André Maia Ivar Nørve Avi Hadash Khaled Essawy Nayer Naji Napoleon Pat Buttram Florencio Castelló Ryûji Saikachi Waldir Fiori Eduard Wandrey Jacques Dynam Mario Feliciani Włodzimierz Bednarski Esa Saario Nikolay Denisov Carlos Macedo Mo'men ElBardisi Lafayette George Lindsey Francisco Colmenero Kôsei Yagi Orlando Drummond Walter Gross Roger Carel Renato Cortesi Andrzej Arciszewski Veikko Honkanen Aleksandr Klyukvin Rui Paulo Ariel Forman Abigail Gabble Monica Evans Edith Byrd Akiko Takeguchi Therezinha Moreira Erika Rehhahn Sylviane Mathieu Solvejg D'Assunta Joanna Wizmur Elena Denisenko Lillian Barreto Amelia Gabble Carole Shelley Maruja Sen Fumiko Watanabe Ikuko Tatsu Selma Lopes Inge Wolffberg Nicole Riche Angiolina Quinterno Seela Sella Lyudmila Il'ina Uncle Waldo Bill Thompson Juan Domingo Méndez Kôsei Yagi Waldir Fiori Peter Schiff Jacques Hilling Gianni Bonagura Andrzej Gawroński Jarmo Koski Sergey Burunov André Maia Albert Cohen Scat Cat Scatman Crothers Flavio Ramírez Farfán Tadashi Yamazaki Monsueto Menezes Klaus Havenstein José Germain Corrado Gaipa Marian Opania Willem Duyn Szerémi Zoltán Pepe Ahlqvist FrimannFalck Clausen Otto Brandenburg Valeriy Yaromenko Pedro Malagueta Per Müller Haim Zinovitch MazharAbdel Men'em Jihad Abu Al-Enein Shun Gon Paul Winchell Arturo Mercado MBP-4 Dieter Kursawe Henri Tallourd Lorenzo Spadoni Arnold Gelderman Kokas László Jarmo Koski Roy Bjørnstad Chresten SpeggersSimonsen Sergey Burunov Rui Paulo Roy Sasson Ashraf Sewailam Hit Cat Lord Tim Hudson Francisco Colmenero MBP-4 Ingo Osterloh Steve Gadler Renato Cortesi Harrie Geelen Dobránszky Zoltán Esa Saario Willie Hoel Lars Thiesgaard Stas P'yekha Ohad Shachar 'Amr Yehya Peppo Vito Scotti Agustín López Zavala MBP-4 Oscar Sabo Junior Albert Augier Nino Scardina Arnold Gelderman Laklóth Aladár Esa Saario Erik Chr. Hurum Henrik Koefoed Nikita Prozorovskiy Ilan Leibowitz Nayer Naji Billy Boss Thurl Ravenscroft Carlos Petrel MBP-4 Michael Chevalier Michel Seldow Harrie Geelen Deák Mihály Esa Saario Niels Weyde Stas P'yekha Rui Paulo Yuval Zamir Firas Sa'id FranciscoColmenero French Milkman the Driver Peter Renaday Francisco Colmenero Kôichi Kitamura Aloysio de Oliveira Fernand Rauzena Mariusz Leszczyński Veikko Honkanen Shimon Cohen Le Petit Cafe Cook Peter Renaday Wolfgang Völz Aleksey Borzunov Shimon Cohen Frog N/A N/A Singer Maurice Chevalier Carlos Petrel Koga Tsutomu Ivon Curi Paul Kuhn Viktor Petrov
Songs[]
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Full Cast & Crew
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Aristocats (1970) cast and crew credits, including actors, actresses, directors, writers and more.
|
IMDb
|
https://www.imdb.com/title/tt0065421/fullcredits
|
Tom McGowan ... (based on a story by) & Tom Rowe ... (based on a story by)
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||||||
wrong_mix_domain_starring_00035
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FactBench
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1
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https://www.tvguide.com/celebrities/meaghan-jette-martin/3030389529/
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en
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Meaghan Jette Martin
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Learn more about Meaghan Jette Martin - movies and shows, full bio, photos, videos, and more at TV Guide
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en
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/favicon.ico
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TVGuide.com
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https://www.tvguide.com/celebrities/meaghan-jette-martin/3030389529/
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Pretty Little Liars' Tyler Blackburn Is Wendy's Modern Day "Brooding" Peter Pan
The classic story of Peter Pan is getting a modern retelling with the Alloy web series Wendy. Meaghan Martin stars as the titular character who must choose between the boy she loves, Jackson, and Pete (Tyler Blackburn), literally the boy of her dream. At first, it's not clear what is real and what's fake because of the mysterious nature in which Pete presents himself, but he becomes more tangible as the series goes on.
VIDEO: Meet Camp Rock 2's Rivals
In Disney's Camp Rock 2, Meaghan Martin reprises the role of Tess, the archrival of Mitchie (Demi Lovato) who joins the new Camp Star across town. VIDEO: The Jonas Brothers share their favorite behind-the-scenes moments from Camp Rock 2 In the video below, Martin tells TVGuide.com how Tess learns her lesson in the sequel, and how "her motivations are different" from the first time around...
The Jonas Brothers and Demi Lovato Get Ready to Rock
Reaching the set of Camp Rock 2: The Final Jam — tucked away in the wilderness about an hour outside of Toronto — requires passing through three separate security checkpoints manned by armed Mounties. It seems a little absurd, right up until a paparazzo darts out of the woods or the unmistakable wail of prowling tween girls pierces the calm. What precious commodity is being guarded behind those roadblocks? The Jonas Brothers and Demi Lovato, at work on the sequel to their megahit Disney Channel movie Camp Rock.OMG, indeed...
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wrong_mix_domain_starring_00035
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FactBench
|
2
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https://www.tumblr.com/ohmydisney/136052935380/10-things-you-didnt-know-about-the-aristocats
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en
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10 Things You Didn’t Know About The Aristocats
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2015-12-27T18:20:57+00:00
|
1. The Aristocats is based on real family of cats.
The film is based on a story by Tom McGowan and Tom Rowe, which centers around a real family of cats that inherited a fortune back in 1910.
2. Scat…
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en
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https://assets.tumblr.com/pop/manifest/favicon-0e3d244a.ico
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Tumblr
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https://www.tumblr.com/ohmydisney/136052935380/10-things-you-didnt-know-about-the-aristocats
|
1. The Aristocats is based on real family of cats. The film is based on a story by Tom McGowan and Tom Rowe, which centers around a real family of cats that inherited a fortune back in 1910.
2. Scat Cat was originally going to be voiced by Louis Armstrong. Animators modeled Scat Cat (originally named Satchmo Cat) after Louis Armstrong because they wanted him to voice the character. Everything down to the gap in his teeth to the way he played the trumpet was based on the singer. When Armstrong was too sick to play the part, Scatman Crothers was offered the role.
3. There were supposed to be four kittens. The original script featured a fourth kitten named Waterloo, but he was removed because the writers thought four kittens was too many.
4. The film was intended to be live action. Aristocats was meant to be a two-part live-action installment of Walt Disney’s Wonderful World of Color back in 1954. It was Walt himself who decided the story was better suited for animation.
5. Some of Napoleon and Lafayette’s barks were recycled. A couple of the barks heard in the film were actually recycled from the Twilight Bark scene in 101 Dalmatians.
6. A famous singer left retirement to sing the opening song. Composers Richard and Robert Sherman convinced Maurice Chevalier to come out of retirement to sing the film’s title song “The Aristocats.” We’re glad they did, because that song is great.
7. It was the last film to be approved by Walt Disney. The Aristocats was the final film to be approved by Walt Disney, the first to be completed after his death, and the last to include the phrase, “A Walt Disney Production” at the end.
8. O’Malley was based on and voiced by Phil Harris. Phil Harris, who is famous for playing Baloo in The Jungle Book, was used as inspiration for Thomas O’Malley. In fact, the writers let the actor change some of his lines to better suit his personality. The first song he sings bears a strong resemblance to Baloo’s famous tune “The Bear Necessities.”
9. Eva Gabor (Duchess) and Pat Buttram (Napoleon) were co-stars on a famous TV show during filming. While they were recording their parts for The Aristocats, the actors starred in the TV seriesGreen Acres.
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wrong_mix_domain_starring_00035
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FactBench
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2
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https://www.tiktok.com/%40riaab91/video/7281318260224560416
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en
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Make Your Day
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wrong_mix_domain_starring_00035
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FactBench
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2
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https://www.businessinsider.com/disney-characters-voiced-by-the-same-actor
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en
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Disney characters you probably didn't know were voiced by the same actor
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[
"Kirsten Acuna"
] |
2020-07-16T18:17:00+00:00
|
If you revisit Disney's earlier classics, you'll find many of the same voice actors helped bring some of your favorite characters to life.
|
en
|
/public/assets/BI/US/favicons/apple-touch-icon-192x192.png?v=2023-11
|
Business Insider
|
https://www.businessinsider.com/disney-characters-voiced-by-the-same-actor
|
This story is available exclusively to Business Insider subscribers. Become an Insider and start reading now. Have an account? .
Advertisement
Eleanor Audley voiced not one, but two iconic Disney villains.
Lady Tremaine from "Cinderella" and Maleficent ("Sleeping Beauty") were both voiced by Audley. "Cinderella" was one of Audley's first roles before she played Eunice Douglas on "Green Acres."
If you've been to Disney World or Disneyland, Audley also voiced Madame Leota on the Haunted Mansion ride.
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The voice of Winnie the Pooh is also the man behind Darkwing Duck, Chief Pohawtan, and one of the hyenas from "The Lion King."
Those are just a handful of the many animated roles the versatile Jim Cummings has voiced over the years. You may also recognize him as Ray from "The Princess and the Frog," Razoul in "Aladdin," Goofy's neighbor Pete, and Hondo Ohnaka in "The Clone Wars" animated series.
Most impressive is how seamlessly Cummings can slip from one role into another. You can see Cummings go from character to character using Darkwing Duck's famous catchphrase, "Let's Get Dangerous," here.
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Cogsworth in "Beauty and the Beast" is also the main villain in "Pocahontas."
"M*A*S*H" star David Ogden Stiers is also the narrator in "Beauty and the Beast" and Jumba in "Lilo & Stitch."
Max from "A Goofy Movie" is also the same voice of Kovu from "The Lion King" sequel.
Jason Marsden has voiced a lot of characters you may be familiar with ranging from Mungo on "Tarzan" and Haku in "Spirited Away" to Kid Flash on DC's animated "Young Justice" series.
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Tony Jay has voiced three Disney villains.
Frollo from "The Hunchback of Notre Dame" and Monsieur D'Arque ("Beauty and the Beast"), who attempts to take Belle's father to an asylum, are both voiced by Tony Jay. Jay also voiced Shere Khan on the "Talespin" TV series.
If the voice of the Old Man in "The Emperor's New Groove" sounded familiar, it's because it's the same voice behind Piglet.
John Fielder has been voicing Piglet since the late '60s. Before he died in 2005, he lent his voice to the small, but memorable role in "The Emperor's New Groove." If you can't place the character, he's the one who throws off the Emperor's groove and then warns Pacha not to do the same. You can watch the moment here.
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Scrooge McDuck shares a voice with Hiram Flaversham.
Alan Young voiced Scrooge one time before the release of Disney's "Sherlock Holmes" adaptation.
He continued to provide the voice for Uncle Scrooge until his death in 2016. David Tennant now voices the character on the rebooted "Ducktales" series.
If you recently watched "Fox and the Hound," you may have thought you heard Boomer's voice before.
Paul Winchell voiced both characters. You may also recognize him as the voice of Gargamel from "The Smurfs."
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Willow Tweed is also the voice of Ellie Mae in "The Rescuers."
Jeanette Nolan voiced Tod's adoptive mother and the leader of the Swamp Folks.
Pacha ("The Emperor's New Groove") is also the same voice of Sully in "Monsters, Inc."
John Goodman voices the lovable monster who helps get Boo home safely and the man who helps Emperor Kuzco open his heart to his community.
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Kaa the Snake is the same voice as the Cheshire cat and Bambi's skunk friend Flower.
Before Cummings, Sterling Holloway was the original voice of Winnie the Pooh on "The Magical World of Disney" and in 1977's "The Many Adventures of Winnie the Pooh."
John Ratzenberger appears in every Pixar movie.
Among the many characters that Ratzenberger has voiced are Hamm ("Toy Story"), the Underminer ("The Incredibles"), Mack ("Cars"), and the Yeti in "Monsters, Inc." You can see many of his roles here.
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Duke Weaselton and the Duke of Weselton are one and the same. Alan Tudyk voices them both along with the "Wreck-It Ralph" villain.
Alan Tudyk is quickly becoming a man of many voices in Disney Animation. In addition to voicing characters in "Zootopia" and "Frozen," you may also recognize him as the voice of KnowsMore in "Wreck-It Ralph 2" and Heihei in "Moana." He's also K-2SO in "Rogue One."
Outside of Disney, Tudyk voices several characters, including the Joker, on DC Universe's "Harley Quinn" animated series.
Baloo and Little John don't just look similar. They're also voiced by the same actor.
Between both movies, Phil Harris brought Thomas O'Malley, the alley cat, to life in "The Aristocats."
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The leading lady of "Robin Hood" was also one of the geese in "The Aristocats."
Maid Marian and Abigail the goose were both voiced by Monica Evans.
A fun fact is that Carole Shelley played Marian's friend Lady Kluck in "Robin Hood" and Abigail's sister, Amelia. Both of those characters wore baby blue.
The Nanny in "101 Dalmatians" is also Madam Mim in "The Sword in the Stone."
Martha Wentworth voiced a few characters in "101 Dalmatians," including Lucy the Goose and Queenie the cow.
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The Sheriff of Nottingham in "Robin Hood" is also the voice of Chief in "Fox and the Hound."
Pat Buttram also voiced Napoleon in "The Aristocats."
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James MacDonald voiced a few Disney mice.
MacDonald brought Cinderella's pals Jaq and Gus to life along with the Dormouse in "Alice in Wonderland."
He's also credited as doing the sounds for many different animals in Disney movies, including the growls of the bear in "Fox and the Hound" and the roars for Shere Khan and Bagheera in "The Jungle Book." He also provided the roars for Maleficent ("Sleeping Beauty") in dragon form and Elliott in 1977's "Pete's Dragon."
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Kathryn Beaumont voiced both Alice and Wendy Darling.
More recently, Beaumont voiced Kairi's grandmother in one of Disney's "Kingdom Hearts" video games. Her voice was also used for Alice and Wendy in the franchise's first game.
The voice of Kanga in "Winnie the Pooh" is also the main character from "Lady and the Tramp" and one of Aurora's fairy godmothers.
Barbara Luddy voiced the spunky Merryweather in "Sleeping Beauty" and Lady from "Lady and the Tramp." She most recently voiced Kanga in 2011 for the "Mini Adventures of Winnie the Pooh."
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Aunt Sarah, Cinderella's Fairy Godmother, and The Queen of Hearts are all voiced by Verna Felton.
Those aren't the only Disney roles Felton performed. She was also the voice of both Flora and Queen Leah in "Sleeping Beauty" and an elephant in "The Jungle Book."
Mr. Smee shares the same voice as the White Rabbit from "Alice in Wonderland" and Jock from "Lady and the Tramp."
Thompson also voiced the Dodo in "Alice in Wonderland," some of the pirates in "Peter Pan," King Hubert in "Sleeping Beauty," and was drunken Uncle Waldo in "The Aristocats."
Read next
Disney Movie
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wrong_mix_domain_starring_00035
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FactBench
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1
| 51
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https://bulkbookstore.com/meaghan-jette-martin-9781448863433-9781448863433
|
en
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Meaghan Jette Martin - 9781448863433
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By Gillian Houghton Gosman, ISBN: 9781448863433, Paperback. Bulk books at wholesale prices. Min. 25 copies. Free Shipping & Price Match Guarantee
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en
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Bulk Bookstore
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https://bulkbookstore.com/meaghan-jette-martin-9781448863433-9781448863433
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Before she was a Disney channel starlet, Meagen Jette Martin’s first professional job was a model in a Disney fashion show when she was only five years old. Now, as the star Disney’s “Camp Rock” movies, Martin is given a chance to do the two things she likes best: acting and singing. This book traces the young star’s life from her childhood love of community theater to performing with the Jonas Brothers. The accessible volume features photographs of the teen actress as well as information on the hobbies and causes that she promotes in her downtime.
This book title, Meaghan Jette Martin - 9781448863433, ISBN: 9781448863433, by Gillian Houghton Gosman, published by The Rosen Publishing Group, Inc (January 30, 2012) is available in paperback. Our minimum order quantity is 25 copies. All standard bulk book orders ship FREE in the continental USA and delivered in 4-10 business days.
Unlike Amazon and other retailers who may also offer Meaghan Jette Martin - 9781448863433 books on their website, we specialize in large quantities and provide personal service, from trusted, experienced, friendly people in Portland, Oregon. We offer a Price Match Guarantee, and QuickQuote form, to make purchasing quick and easy.
Prefer to work with a human being when you order Meaghan Jette Martin - 9781448863433 books in bulk? Our Book Specialists are standing by Monday-Friday 8-5 PST, ready to help!
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wrong_mix_domain_starring_00035
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FactBench
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2
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https://talkfilmsociety.com/columns/show-notes-on-dream-a-little-deeper-the-aristocats
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en
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Show Notes on Dream a Little Deeper: The Aristocats — Talk Film Society
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] |
[] |
[] |
[
""
] | null |
[
"Alex Isaak"
] |
2022-08-03T20:20:57-05:00
|
Show Notes on Episode 16.
|
en
|
https://images.squarespace-cdn.com/content/v1/57e05e534402434aa0f846c2/1577994975218-EVQK37IE874YEP674E2F/favicon.ico
|
Talk Film Society
|
https://talkfilmsociety.com/columns/show-notes-on-dream-a-little-deeper-the-aristocats
|
Rae Sumlin
Rae is a graphic designer from South Carolina who got her start designing movie posters. She also works with Film Cred and, because she grew up in Florida, loves Disney.
You can find Rae on Twitter @raesummy. She also wants our listeners to follow @FilmCred and check out her business instagram @thedesigndemon
Tazmyn-May Gebbett
Tazmyn is a 22-year-old actress, writer , poet, and book blogger based in London, England. They are a proud Disney fanatic.
You can follow Tazmyn’s Book Blog on YouTube and on Instagram @teabooksandtazmyn, and you can find their poetry account on Instagram @tazmynmaypoetry
Aaron Krusniak
Aaron Krusniak currently lives in Ann Arbor, MI and is working toward a Master’s in Urban and Regional Planning at the University of Michigan. His interests within urban planning mostly revolve around smart cities and how emerging technologies can impact the world’s cityscapes, particularly with regard to transportation, environmental sustainability, public policy, and justice. When he is not working, he likes to cook food with/for friends, swim, play tennis, buy houseplants he doesn’t need, and work on the daily crossword puzzle.
You can follow Aaron on twitter @aaronkrusniak
|
||
wrong_mix_domain_starring_00035
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FactBench
|
1
| 5
|
https://simple.wikipedia.org/wiki/Meaghan_Jette_Martin
|
en
|
Meaghan Jette Martin
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[] |
[
""
] | null |
[
"Contributors to Wikimedia projects"
] |
2009-04-19T08:44:13+00:00
|
en
|
/static/apple-touch/wikipedia.png
|
https://simple.wikipedia.org/wiki/Meaghan_Jette_Martin
|
Meaghan Jette Martin is an American actress and singer. She played the role of "Tess Tyler" in the Disney Channel movie Camp Rock. She has also been on The Suite Life of Zack & Cody, Close to Home, and Just Jordan.[1] She had two songs in Camp Rock, "Too Cool" and "2 Stars".[2] She also sang "When You Wish Upon a Star" on the 2009 DVD/Blu-ray release of Disney's Pinocchio.[3] She is the new voice of "Naminé" in Kingdom Hearts: Re:Chain of Memories. She has been given a role in the new ABC Family series 10 Things I Hate About You.[4] Martin will also star in Camp Rock 2, which is being made in 2009.[5]
|
||||||
wrong_mix_domain_starring_00035
|
FactBench
|
2
| 45
|
https://animatedviews.com/2012/the-aristocats-special-edition-blu-ray/
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en
|
The AristoCats: Special Edition – Animated Views
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https://animatedviews.com/2012/the-aristocats-special-edition-blu-ray/
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Walt Disney Productions (December 24 1970), Walt Disney Home Entertainment (August 21 2012), Blu-ray and DVD, 79 mins plus supplements, 1080p high-definition 1.66:1 widescreen, DTS-HD Master Audio 5.1, Rated G, Retail: $39.99
Storyboard:
Slinky feline Duchess (Eva Gabor) and her three pampered kittens, Berlioz, Marie and Toulouse, have it made when their eccentric Paris millionairess owner Madame Bonfamille plans to leave them her entire inheritance. This doesn’t go down too well with the snooping, untrustworthy butler Edgar, who feels his years of service should be rewarded rather than have to continue caring for the cats. Proving the old adage that “the butler did it”, Edgar hatches a plot to dispose of Duchess and her family, a plan that soon goes awry, leaving the kitties lost in the French countryside. Thinking that he’s gotten away with it clean, Edgar hasn’t counted on Duchess meeting up with alley cat Thomas O’Malley (Phil Harris) and an assortment of crazed geese and artistic bohemian hepcats who all offer to help Duchess and her kittens make the long trip home…
The Sweatbox Review:
At one time (and for a long while) the Disney film that got a bad rap and undue dismissal even from Disney fans themselves, The AristoCats has, largely thanks to success on home video and the children – now adults – that saw it originally in theaters, in recent years finally become something of a rediscovered classic. This is quite right and, as appreciative fans will tell you, long overdue, since the movie was actually always an important one in the Studio’s history, not to mention being very fun and highly entertaining! It’s often remarked that Mary Poppins and The Jungle Book were among the last films to carry Walt Disney’s thumbprints on them, but the truth is that Poppins was released two long years before his death, and of course he already had several films in production before he departed for that mother of all theme parks in the sky. Blackbeard’s Ghost, The Happiest Millionaire, Boy-Car-Girl, which eventually became The Love Bug…all these films had been in various states of production before he fell ill, and he had approved scripts, casting and even some finished music and songs.
It’s true that Walt passed away during the production of The Jungle Book, and that the huge success of that film could at least be partly attributed to audiences wanting to enjoy the Mousetro’s final animated picture, but Disney had actually already given the thumbs up to the animation department’s next feature. Devised by Ken Anderson in the mid-1960s, The AristoCats was very much a film that Walt Disney knew about and was involved in. In fact, it was Walt who decided the tale be told as an animated feature after it was initially suggested as a two-part live-action film for his weekly TV show. The big question, after he had died, was how to continue. The top brass, including Walt’s brother Roy O. Disney who was now effectively running the company, didn’t have a handle on how the animation unit worked. Walt had passed the reigns to director Woolie Reitherman, who had helmed various projects for the Studio throughout the 1960s and became the ringleader in pulling the team through The Jungle Book. With that film’s triumph very much to do with the way Reitherman kept production going throughout the turmoil of the loss of the company’s founder, he was a natural to continue in the role of overseeing the unit’s next outing.
In truth, it has to be admitted that The AristoCats is a slight reworking of One Hundred And One Dalmatians, crossed not with Lady And The Tramp as is often stated, but by way of Chuck Jones’ earlier UPA feature Gay Purr-ee, in which Judy Garland’s pampered feline is lost and has to fend for herself in the big city, and against a wandering (orange) lothario cat. Anderson’s concept added three kittens and a villainous element to the mix, and while unscrupulous butler Edgar is no Cruella De Vil, he’s still got some pretty dastardly plans for the kitties. Over time, Edgar’s cat-napping scheme goes bad, the cats are lost in the big city and mother cat Duchess has to fend for her young as well as against the advances of a wandering (orange) lothario, Thomas O’Malley, an alley cat with a warm heart. O’Malley provides a lot of grounding to the film, as well as a pass to stay with his swingin’ Parisian pal Scat Cat and his band of jazz-playing feline friends. With her neighborhood just around the corner, Duchess and the kittens should be home free, but the ever resourceful Edgar has come so far and is determined to see them off in order to claim his employer Madame Bonfamille’s vast inheritance.
With this darker and more complex plot than it ever gets credit for, a lot was riding on the success – or failure – of The AristoCats. If it had been an out and out failure, it could have spelled the end of Disney Animation as we knew it then. Luckily, audiences at the time made the film a more than modest success, paving the way for the Studio’s artists to continue drawing away. Since its debut, however, the film picked up something of a bland reputation, and I’m still rather puzzled as to work out why (forgiving some of the easy to target anachronisms such as why Edgar sees American dollar signs when he hears about the inheritance, and how all the signage in France is in English!). I wonder if it was because, as with Pocahontas coming on the back of the huge hit of The Lion King, it needed to follow up the kind of gigantic success it could never achieve even with all the cards stacked in its favor? A popular mentality seems to be that it’s “missing the Walt touch”, but then he had approved the story, and there were many other projects he either wasn’t directly involved in or had less to do with that never got this level of derision. Perhaps it was because The AristoCats fell into that middle ground where it was still not yet old enough to be labelled a grand classic in the Pinocchio or Bambi mould, and not successful enough to equal the popularity of the biggest recent blockbusters…?
It’s true that the film isn’t the most original of outings: the plot for one thing is begged, borrowed and stolen from other animated movies (there’s even one shot, with O’Malley falling off the back of a truck, that’s an exact duplicate of the same scene in Dalmatians), and is at times fairly episodic. It’s true that the Studio relaxed a little with the voice cast, bringing back the proven Jungle Book breakout star Phil Harris as the male lead, where he basically reprises his Baloo the bear, as he would again do even more transparently two years later in the Studio’s next, Robin Hood. As always the characters couldn’t be more the same: O’Malley possesses the same streetwise attitude and easy going nature that sees him slip effortlessly through life – he even gets to sing about his own Bare Necessities in a song (again by Terry Gilkyson) that, given a little more bounce, could jingle like a Baloo carbon copy – but snaps out of the haze and jumps into sincere action when the need arises. The rest of the cast, too, essentially continue the Jungle Book trend of playing caricatured versions of their established personalities, the most notable of which is Eva Gabor, who would go on to play the same kind of role in The Rescuers, and there are others – including the ever dependable Sterling Holloway – who had or would go on to voice other similar characters.
But there are very good things too: the Xerox-style artwork suggests a contemporary air even within the period 1910 setting, expertly delivering authentic-era, Parisian toned backgrounds reminiscent of Toulouse-Lautrec and the bohemian artists of Montmartre while making the film timeless for audiences of the day and still now. The animation is among the best the Studio produced during this age, at times outshining the animal work in The Jungle Book and laying the groundwork for the films to follow. It certainly surpasses the rather lazy approach to Robin Hood the Studio would tackle next (now there’s a safe movie that gets a lot of kudos for some reason!), and remained a quotable movie for recycled animation shots well into the Eisner/Katzenberg era, also unquestionably influencing Don Bluth’s own independent short, the delightful Banjo The Woodpile Cat, that has so many similarities they’re too numerous to mention, not least the casting of Scatman Crothers, later of Bluth’s semi-take on the same themes Banjo The Woodpile Cat, Bakshi’s infamous Coonskin and Kubrick’s The Shining, here playing a role originally intended for jazz legend Louis Armstrong (and not Jungle Book’s Louis Prima, as is usually inferred), of whom Walt was a big fan.
So The AristoCats became a hard film to pigeonhole in the Disney canon – on the one hand it’s a leftover from Walt’s time, on the other a transitional project that rested on the shoulders of many of the Nine Old Men and their need to prove their ability to continue without Walt. It’s also deserved of more than a little leeway for being an original project: for all of the derivative elements, The AristoCats was the first Disney feature not to be based on any source material since Lady And The Tramp some fifteen years before, making it, by my count, only the third Studio-generated concept after Dumbo, and the last until the mighty roar of The Lion King, itself an amalgamation of multiple influences. It’s these little aspects that seem to have finally filtered out into the fans and general audiences’ only recent acceptance of the film, and further places The AristoCats in a unique bracket of the Studio’s movies. If the story can be argued to stop in one place for a little too long, surely that’s the pay-off for being treated to an original screenplay?
And the story, simply put, is fun! It’s got a no-nonsense approach – the set up comes early and economically, delivered in a clever way and mapping out what Edgar must do in order to swing the plot into action. The butler’s attempts to drug and cat-nap the kitties in the dead of night is expertly played in pantomime, allowing the artists the time for some wonderful behaviour animation that actually rounds Edgar out as one of the Studio’s fullest and realistic personalities. His eventual run-in with country hounds Napoleon and Lafayette creates an exciting sequence and introduces two of the truly funniest, non-grating comics in the Disney line-up. On the way home, Duchess and the kittens’ narrow escape from a steam train is played strictly for suspense, distinctively without musical score, helping it to remain a strong memory that’s routinely influenced other movies. O’Malley’s eventual rescue of Marie feels very involving, we even get some sly pokes at the French penchant for wine in the form of a very drunk goose, Uncle Waldo, and the sight of a mouse, Roquefort, seemingly chasing a bunch of alley cats.
And, hey – we haven’t even yet touched on meeting Scat Cat and pals for the movie’s signature song, Ev’rybody Wants To Be A Cat! Unlike The Jungle Book, which is almost a perfect animated film but does dip badly after the double whammy exuberance of The Bare Necessities-I Wan’na Be Like You midway point, The AristoCats saves its swingin’ trick up its sleeve for later in the movie, and an enjoyable “final curtain” reprise. In fact, re-watching the movie again after so many times over the years, from the outset (where Maurice Chevalier famously came out of retirement in “respect for Walt Disney” to sing the Sherman Brothers’ jaunty opening scene setter) and through the many other highlights, it soon becomes clear that for all the negatives one could throw at The AristoCats, it is in fact very tight, without an ounce of fat on it, and with a momentum that strides along at a very even pace. It rests when it needs to, but usually fills in those moments with a subtle progression, to develop a character or set up a situation for a later payoff.
But because it’s almost so good, The AristoCats often found itself being compared to the much stronger titles from the Disney line-up, with which it can’t quite compete. Put it up against the similarly French-themed Ratatouille and it doesn’t stand a chance, but what other animated movie would? The episodic nature can’t entirely be excused, but then again what road movie can’t be called episodic? How about the derivatives? Point me in the direction of something that doesn’t have their elements cribbed from somewhere (even Ratatouille nods its head in this direction once or twice). Essentially, The AristoCats is a very good little movie that is very much more than the sum of its parts, and it has pleased me no end that in the last few years, those that grew up on it have stepped out in support and, in some cases, have named it as their favorite animated film. While I wouldn’t quite go that far myself, and even though it may not be totally purr-fect, you will find these jazzed-up, toe-tappin’ Cats have certainly got the cream!
Is This Thing Loaded?
After an initial 1.33:1 framed Gold Collection title release on DVD, a later special edition announcement for The AristoCats suggested that a two-disc set was in the works – but this was something to never materialize, the eventual disc simply providing a new 1.75:1 transfer (the film was created in the 1.37:1 open matte process, it was rumored a second disc might have simply contained an alternate ratio presentation and/or an extra helping of features destined one day for Blu-ray). Well, that day has come and unfortunately in terms of supplements there are no newly added revelations to what we have seen before, with Disney taking the usual BD route of actually dropping some of the more frivolous extras this time out. On loading the disc, Disney’s current roster of Sneak Peeks autoplay (or are selectable from their own menu option): here the likes of Cinderella’s Diamond Edition, Finding Nemo’s 3D return to theaters, Tinker Bell’s Secret Of The Wings, The Rescuers 2-Movie Collection, Beverly Hills Chihuahua 3 and Planes are previewed among other Disney promos.
New for this Blu-ray is The Lost Open and, no, that’s not a typo (it’s also how it appears on the disc’s menu), but considering that this 9½ minute HD featurette reveals an entirely different beginning to the film, shouldn’t it be The Lost Opening? Anyway, our host is the film’s co-songwriter, the wonderful Richard Sherman, who pops up amid a selection of abandoned AristoCats concept art to describe an alternate opening sequence in which Edgar was to originally have a besotted female maid, Elvira, helping him to attend to Madame Bonfamille’s needs. Hearing that Madame’s inheritance’s was to go to both of them, the greedy Edgar begins to woo Elvira with a song, performed here by Sherman. It seems Elvira was probably cut from the film as she would have largely been a redundant character, perhaps filling the same kind of role as Frou Frou in being suspicious of Edgar’s schemes, and the butler would have to, at some point, take care of her meddling…something that an otherwise light Disney feature might have had trouble resolving.
While the Studio could have simply recycled older AristoCats supplements, it’s nice to see them continue to bring new elements to their recent bunch of catalog releases, and The Lost Open provides a nice look at the film’s often overlooked development. More flippant, but also strangely absorbing, is a cobbled together Oui Oui Marie music video, also in HD. A hugely popular cartoon star in her own right in Japan, Duchess’ little kitten has a franchise all her own there, and this clip simply assembles various shots from the movie to accompany what could only be described as a Eurobeat mix, by D!tto, of vocoder-affected samplings of dialogue from Marie and her kitty-cat brothers. It really shouldn’t work…but it does, and despite this having nothing to do with the film or even making sense of its Oui Oui Marie title, I found myself returning to the clip, which runs to just under two minutes, quite a few times. Strange, bizarre, and typically Japanese in style, it’s a pointless but nevertheless totally captivating inclusion!
From the previous DVD, a Deleted Song: She Never Felt Alone is another delightful excursion with the always genial Richard Sherman, who plays us a few bars of a wistful song that is actually credited in the main titles, but seems to have been cut at the last minute. Sherman explains that he doesn’t know why the song was removed, but my guess would be for reasons of pacing: The AristoCats is an upbeat picture primarily – overall it could be described as a comedy thriller – leaving room only for a couple of spoken lines of this song in the completed version (hence the screen credit). Much like the reluctance to place a slow musical number in the later half of many recent Disney features, it was probably felt that a montage sequence and the reprise of the ballad would have ground things to a halt. Lucky for us, story sketches, concept art and original temp track demo recordings still exist, and these have been combined to present an idea of where and what this song moment and its reprise would have been like, running near eight minutes in total.
Following up on that song with its composers is The Sherman Brothers: The Aristocrats Of Disney Songs (the packaging and menu denote the Aristocats Of Disney Songs, but I’m going with the more suitable on-screen name also used on the DVD). It’s a nice idea but a little misplaced on this particular title, the truth being that the pair were in fact long gone from the Studio by the time The AristoCats hit screens, having left to seek work elsewhere after their champion Walt passed away. The Boys soon found themselves hard at work on other classic family musicals (Chitty Chitty Bang Bang, of course, The Slipper And The Rose and the original animated Charlotte’s Web among others), and so they weren’t at the Studio to protect the songs they had written for The AristoCats. Many fell by the wayside as the production twisted and turned through story development, with The Bare Necessities’ Terry Gilkyson again stepping in to provide Phil Harris’ character builder, while the movie’s big hit, Ev’rybody Wants To Be A Cat, was penned by Floyd Huddleston and Al Rinker, who would stay at the Studio and provide other songs for other projects.
But this is a nice tribute to the songwriters that gave us so many other memorable tunes over their many years writing for other Disney projects, and this featurette’s short nature, at only four and a half minutes, never really hinders things at all since the Brothers are always great value and pack in the anecdotes on their two full song contributions to this particular movie. It’s always a pleasure to sit in the company of the ever exuberant Richard Sherman and, due to this piece being recycled from several years ago, we again get to enjoy hearing from his brother Robert, who of course recently passed away. This new use of the piece doesn’t acknowledge that event but as a celebration of their creativity perhaps it didn’t need to: the Shermans’ work speaks for itself and will live on for many more generations yet. As an aside, the film’s songs can be played individually with optional lyrics onscreen as a Disney Song Selection option.
Seemingly stretching for material to include (hey, how about Ken Anderson’s Disney Family Album!?), we’re next offered a 13-minute sequence from a 1956 Wonderful World Of Disney program, an excerpt from The Great Cat Family. While this has nothing to do with the main feature and predates any development on the film by a decade, there is fun value in seeing any vintage Walt material, especially when it’s spruced up with exclusive animation like this slice is. While the link to The AristoCats is tenuous, it works, since Walt is expressing an interest in cats of the domesticated variety in general, and the lengthy animated sequence has fun in comically illustrating man’s fascination and long relationship with our feline friends. Think of this as the disc’s “Your Friend The Cat”, and that’s pretty much what you’ll get: some lovely, quality Disney animation – with one really stunning concept shot during an Egyptian hieroglyphic scene – rarely seen since its original broadcast. Pretty slinky!
Still stretching things a bit is the inclusion of a Figaro cartoon, Bath Day – hey, it’s got a itty bitty kitty in it, right!? Again having not an ounce of a connection with the made-24 years later main feature, it must be admitted that it’s probably the best of the three solo shorts (previously all available in the second Walt Disney Treasures: The Complete Pluto set) to feature Geppetto’s frisky little kitten, he does share the same feistiness as Berlioz or Toulouse, and he does have a run in with an orange alley cat’s layabout chums that might have been some inspiration for…oh, look…now I’m stretching too! Nevertheless, if the intent is to provide disc value, one can’t argue with this 6½ minute inclusion, and it’s always healthy to see the Studio doing things with their vintage material other than leaving it on a shelf.
That’s it for the Blu-ray but very pleasingly the FastPlay enabled enclosed DVD isn’t a freshly minted new authoring of the kind Disney has been doing lately, so instead of just featuring one (or none!) token extras the disc included here is actually a replica of The AristoCats’ previous DVD release, uniquely preserving several extras not carried over to the BD. On loading the disc into a computer, the ever-cumbersome InterActual Player launches…and in my case promptly crashed again! However, having experience the feature on the previous disc it should lead to some limited DVD-ROM extras based around Virtual Kitten “activity” that works much as the Virtual Puppy we were once offered to look after on Lady And The Tramp’s DVD Platinum Edition.
In a computer drive there are a few extra touches, such as a printable adoption certificate (though the accompanying music is pretty suspect!), and there’s a ser-top player edition too, even if there’s not much to do in either version apart from following the lead of the various icons (or “icaans” as the over enthusiastic voice-over host has them) and doing what the little (fairly ugly) approximations of Berlioz, Marie, Toulouse and a Figaro-like black kitty want to do. And if you don’t? Well they get bored, as did I. The Fun With Language Game fares a little better, not least for the entertaining educational value. Despite the odd title, the game centers on the title cats’ love of music, and the player must simply select the instrument called for. It’s aiming very young, of course, and the little notes could be more palpably applied to denote the instrument selected, but there are a handful of levels and it does what it does fairly enough.
The rest of the supplements pretty much repeat those to be found on the Blu-ray (there’s The Great Cat Family excerpt, the Sherman Brothers: AristoCats featurette and the deleted song), but best of all is a fairly sizable 68-image AristoCats Scapbook gallery, which showcases several of Ken Anderson’s Concept Art images that sold Walt on the animated film idea, and several pages of production drawings and stills taking us through Story Development, Character Design, Behind The Scenes, Publicity, Merchandise, the Premiere and even The AristoCats, or should that be the “Scat Cats”, characters at Disneyland. From the original Gold Edition, only a minor trivia game and a more welcome 1987 theatrical reissue trailer are missing (and could have easily been woven into the Scrapbook), but this is otherwise a nice smattering of extras that compliment the movie well enough.
Case Study:
Having gone through various multiple cover art treatments over the years, The AristoCats finally looks to have landed an incarnation that represents the best aspects of some of the original theatrical posters, rendered in a lovely and lush modern way. Placing the title in the center of the sleeve, with primary character faces on top and a focus on the remaining feline faces, the combination here isn’t actually far off one of the film’s earliest publicity sheets, and of course being Paris set we even get the Eiffel Tower too. Inside, there’s an insert with a Movie Rewards code that also unlocks an exclusive offer for a free download of The AristoCats: Disney Classics Storybook App for Apple users that seems to feature a few extra games.
The sleeve art is also replicated on a glossily embossed slipcover with Disney’s usual blu-border in place, of course, although as on the previous DVD, the title here has been blanded out again so as to read as a straight “Aristocats” rather than how the original posters and indeed the actual titling within the film’s frames has it, with the capital C emphasizing the title’s pun (not to be confused, as Paul Reiser has done, with the punchline to the joke in the hilariously filthy The Aristocrats comedians’ documentary!). As with all of Disney’s August 21 Blu-rays, one of the stickers on slipcover offers $10 off the title when purchased with another concurrent releases, good up to September 30 2012.
Ink And Paint:
I could bemoan the fact that The AristoCats has always been shown on VHS, LaserDisc and even initially on DVD in its “original theatrical aspect” of 1.33:1, but with the previous DVD (the one included here), Disney went all 16:9 on us and decided that the “original theatrical aspect” just now happened to be 1.75:1, a compromise ratio between the Academy framed animation and the wider-format screens that would crop the top and bottom theatrically (for the purposes of illustration the screengrabs for this review come from the bundled-in DVD). With this in mind, the artists did animate with these screen dimensions in mind, but those with the Gold Collection or LaserDisc edition may still want to hold on to those for the original aspect ratio dimensions.
Comparing them makes it clear that both framings are valid – back when The AristoCats was filmed the widely held belief was that future screenings of movies would be on the square-shaped televisions of the time only – but in fact the 1.33 doesn’t lose some of the tops of heads that the tighter framing on the top and bottom of the 1.75 formatting doesn’t allow for. Confounding us further is that this new HD transfer – assumedly from a different source since it reverts to the Buena Vista Distribution card and not the Walt Disney Pictures ident used on the DVD – presents the movie in a 1.66:1 ratio, which minimises the cropping of north and south in the image but protects the widescreen intentions, perhaps giving us the definitive screen presentation of the movie finally.
Pleasingly, The AristoCats also looks good in terms of a new digital restoration that betters even that previous DVD, which still suffers slightly from a mild gate weave and various nicks and scratches. Now the HD transfer – given a pristine digital wash in line with Disney’s premium Diamond Editions – truly warrants the “dazzling” sticker the DVD originally sported, this new imaging bringing out the Xerography of the artwork very fairly and especially giving the colors a nice boost. The backgrounds are supposed to look fairly subdued for the most part, jumping to saturated life for Ev’rybody Wants To Be A Cat, and here everything just looks purr-fect, beautiful even. What an unexpected and gorgeous surprise!
Scratch Tracks:
Originally released to selected theatrical engagements in the stereophonic sound process that Disney used for many of its prestige pictures in the early 1970s, the previous DVD expanded upon that to create a modern day 5.1 mix. The AristoCats’ score is among one of the most playful and layered in all of Disney, especially in the detective work scenes of Napoleon and Lafayette where composer George Bruns uses the kind of suspenseful orchestration that the likes of Lalo Schifrin was making a trademark of on shows such as Mission: Impossible, and this repeat of that same mix, now in lossless DTS, brings it out very nicely.
There were obviously good studio elements to work with and at times the track sounds much more modern than one would think: it seems there was an anticipation for the picture after Walt’s passing and The Jungle Book’s success that the sound recordists wanted to meet in terms of creativity, and the terrific music only helps the film sound rich and full. English, French and Spanish languages are all offered in subtitled or dubbed options, and it’s especially fun to watch with the French track enabled, where the foreign counterparts actually often bring an extra layer of dimension to their characters, for that extra touch of “Gallic authenticity”!
Final Cut:
Coming at a rough time for the Disney artists in the face of losing their guiding light and with heaps of pressure on them to still deliver the quality, ethics and box-office expected of a Walt Disney production, The AristoCats turns in a good-looking, entertaining and surprisingly contemporary feeling picture, despite its period setting, that was successful enough – especially hugely in France – to continue the Disney Animation tradition. That it was also one of the first Disney features I can remember seeing (originally as way back as from old 8mm excerpts!) probably has a part to play in my continuing to defend the picture!
In recent years I’m happy to see that home video has brought about a new recognition for the film and, by the time of this release, it seems it has earned its place high within the revered line up of Walt Disney’s final films and as one of his Studio’s true classics. With its cute felines and crazy cats, it’s a rare animated family movie where there really is something for everyone to enjoy, from little Marie’s hissyfits, to Edgar’s twisted scheming and Duchess and O’Malley’s unexpectedly mature romance. Looking and sounding the absolute best it ever has done, ev’rybody will want to own these cats – c’est magnifique!
Animated Classic or Back To The Drawing Board?
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We can provide an export of all datasets in various formats.
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Im Herzen von Paris vererbt eine gutherzige und exzentrische Millionärin ihren gesamten Besitz ihrer High-Society-Katze Duchess und deren drei Kätzchen. Spaß und Abenteuer beginnen, als der habgierige, unbeholfene Butler die Katzen verschwinden lässt. Jetzt liegt es am raubeinigen Straßenkater Thomas O'Malley und seinen swingenden Jazz-Katzen, die Katzen zurückzubringen. Mit seinen unwiderstehlichen Extras, inklusive einem virtuellen Katzenspiel, einem herzerwärmenden Song und vielem mehr, ist Aristocats ein Erlebnis für die ganze Familie.
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The Movie Database
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https://www.themoviedb.org/movie/10112-the-aristocats
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You need to be logged in to continue. Click here to login or here to sign up.
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FactBench
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https://kinocheck.com/person/19c8v/meaghan-jette-martin-1992
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en
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Meaghan Jette Martin - Movies, shows & videos
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All informations about every movie and show with the involvement of Meaghan Jette Martin
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KinoCheck
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https://kinocheck.com/person/19c8v/meaghan-jette-martin-1992
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Endless Love (2014)
A privileged girl and a charismatic boy's instant desire sparks a love affair made only more reckless by parents trying to keep them apart.
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wrong_mix_domain_starring_00035
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FactBench
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2
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http://norlinreelhistory.blogspot.com/2011/09/disneys-aristocats.html
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en
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Reel History: Disney's The Aristocats
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This is where things start getting funny. Without the direction of Walt, the Disney animated films started to slide. It all began with The A...
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http://norlinreelhistory.blogspot.com/favicon.ico
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http://norlinreelhistory.blogspot.com/2011/09/disneys-aristocats.html
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This is where things start getting funny. Without the direction of Walt, the Disney animated films started to slide. It all began with The Aristocats and lasted until The Little Mermaid. Don't get me wrong, some of the movies between these are pretty good, but no one would put them in the ranks of the classics like Pinocchio, Sleeping Beauty, Bambi and Cinderella. The Aristocats isn't a bad film per se, it's just a little bit tired. The story of a bunch of rich kittens getting stolen so the butler can get an inheritance isn't exactly a classic story, and it's surprisingly devoid of a solid moral. The story writers had a chance to further explore the issue of class, but it's like they just didn't feel like it. There is no strife between the two groups of cats, the poor completely willing to help out the rich cats, and the rich having no problem partying it up with the poor cats. Duchess doesn't have that upper class pretension, and Thomas O'Malley is far too eager to please the richer cats for the class issue to be even remotely touched upon. Even the romance between them seems to not have much of any flair to it. Another thing is though you definitely feel for the cats, what are they gonna do with all that money? They're cats!!! Should the butler have stolen them? No, but it does seem a bit of a slap in the face to him that Madame Adelaide is giving all her money to animals. Can you blame him for being a little upset?
T he story and characters may also seem a little familiar if you think too much about other animated films you have seen. In fact, though the story is not the same, the movie Gay Purr-ee, which came out in 1962, involves two cats in Paris and their love story. Even some of the characters in the movie are copies of past Disney characters or archetypes. Thomas O'Malley is basically the same character as Baloo the bear, this connection growing stronger knowing that the two characters are both voiced by Phil Harris. Also, the kittens seem to be every young, curious character that has been in a Disney movie. It's not unfamiliar territory for Disney.
OK, I know I'm being a little down on this movie, but after doing some research it became obvious that this may not be a terribly great Disney movie. The one thing I found a little distressing actually was the lack of information about the movie. This isn't just me either, as I have seen others mention in their blogs or reviews how little information there is on the production of The Aristocats. All I know is that this was the last movie to be OK'd by Disney himself, and that the movie was worked on by five of "Nine Old Men." Like with all the Disney movies until the 80's, Wolfgang Reitherman directed. Knowing that though, it just seems odd that they didn't go for a better story. Don't get me wrong, it has some great music, especially everyone's favorite, "Ev'rybody Wants to be a Cat." While the other songs aren't completely memorable, they are fitting for the setting. The Sherman Brothers even convinced Maurice Chevalier to come out of retirement and sing the English and French version of the title song.
One of the best parts of the movie though is the voice acting. There are a lot of familiar names from past Disney films, and even one that may be recognizable from other things. Like I mentioned before, Phil Harris voices O'Malley the streetwise alley cat. Harris voiced Baloo and went on to voice Little John in Robin Hood. Eva Gabor, who you may know from the sitcom Green Acres, voices Duchess the upperclass cat. Gabor would later voice Bianca for The Rescuers and The Rescuers Down Under. Scatman Crothers voices Scat Cat, one of the jazz musicians that is friends with O'Malley. You may know the musician by name only, or from voicing Hong Kong Phooey or Jazz in the old Transformers cartoon. And for all you horror nuts out there, he was also the groundskeeper in The Shining. The funny thing is that Scat Cat was originally going to be voiced by Louie Armstrong, but he pulled out at the last minute. Though they changed the name and voice, Scat Cat still looks a little like and has the same moves as Louie Armstrong. Sterling Holloway, who voiced Winnie the Pooh amongst a bunch of others voiced Roquefort the mouse. The last one I wanted to mention was the voice of one of the other Jazz cats, Billy Boss, who is voiced by Thurl Ravenscroft. Ravenscroft is best known f0r being the voice of Tony the Tiger for many years and the singer for The Grinch who Stole Christmas. For those who visit Disney World/Land, there are also a few attractions that use his voice.
I honestly don't even have any stats on how it did in the box office the first time around. All I know is that it was met with mixed reviews. This isn't to say that the movie doesn't have its fans. Many people love this movie, I'm just not one of them. One person who likes the movie especially is Snoop Dogg. You can read his review here. Trust me, it's worth it.
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2
| 28
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http://www.niagaraswatercooler.com/2017/03/emmet-belknap-performs-aristocats.html
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Niagara's Watercooler: Emmet Belknap Performs "The Aristocats"
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The Emmet Belknap Drama Club performed the first of three sold out performances of “The Aristocats” Thursday evening at the school’s audito...
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http://www.niagaraswatercooler.com/favicon.ico
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http://www.niagaraswatercooler.com/2017/03/emmet-belknap-performs-aristocats.html
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Emmet Belknap Performs "The Aristocats"
The Emmet Belknap Drama Club performed the first of three sold out performances of “The Aristocats” Thursday evening at the school’s auditorium. These are 5th and 6th grade kids, and their show was a whole lot of fun to watch. Again, this is not your typical high school musical, but Corliss is in this one. All I can say after watching it is, once they get to the high school, they will be a fine-honed machine entertaining the entire community.
I’ve heard each of the songs being sung in this musical for most of the past month or so. Corliss really gets into these shows and knows everyone’s lines by the time the show begins. She sang them well, but there is nothing like hearing the ensemble sing those songs together. At that age, I did a stage show, but I stayed in the back, out of the spotlight. These kids are not afraid to go right to the edge of the stage, showing the audience what they can do.
Nicholas Pickard played the lead role of the tomcat, Thomas O’Malley. With a natural twinkle in his eyes, he strutted on stage like he owned it, essentially capturing the very spirit of the lead alley cat. He shows just a hint of the trouble he can be while still holding onto the goodness he feels towards others in trouble.
The Aristocats are played by Marissa Taylor, Nico Radwanski, Kennedy Doran, and Sadie Igoe. The mother cat, Dutchess, was Taylor’s role. As the mother cat, she kept her kittens in line, and showed an air of maturity in doing that. The songs she sang were wonderful. She is a good singer. As cleverly as the show was done, I almost expected her to come out with the Zsa Zsa Gabor accent from the Disney movie.
Nico Radwanski makes sure every time he’s on stage that you’re going to notice him. As Toulouse, his mannerisms bring the character to life. His interaction with his castmates draws them all together closer and ends up making a better performance.
I love watching Sadie Igoe act, dance, and sing. As Marie, one of the Aristocats, her facial expressions give an incredible amount of depth to her role. Her sad eyes when the cats were in the travel crate to Timbuktu portrayed the desperation that the cats would have felt. Kennedy Doran was the quietest of the Aristocats. As the youngest of the cats, she followed the lead of her older siblings. She was the perfect little sister to Toulouse and Marie.
My favorite character of the night was Petra Bish as Edgar, the butler. She played betrayed and cantankerous very well. Her stomping around and conniving across the stage reminded me of my own 11-year old. All the stuff we get a face full of at home, but mostly hides when she’s in front of others. It must have been fun to let it all out on stage.
There are so many wonderful actors and actresses at Emmet Belknap it would be difficult to take the time to talk about each one. Collectively, they put on a great show for the packed auditorium. The singing and dancing was quite wonderful. I think it’s impressive that they all can remember all those lines, the songs, and the dance moves.
We have a wonderful theater in Lockport with the Palace Theater that relies on local actors and actresses to fill roles. With programs like the Emmet Belknap Drama Club, there is an ever-growing group of thespians who will continue to grace the stage long after their school days are over. This program solidifies the innate talents for each child. As they move through their school years together, they will only get better. They will hone their skills and learn to work together to make even greater shows as they reach high school and beyond.
All three shows for “The Aristocats” sold out ahead of the shows. It was with good reason. These kids are talented. They are good enough for a larger venue. Maybe next year they could utilize the high school stage to allow more people to enjoy their talents. Even better -- they could take out the wall at the back of the auditorium and open it to the music room upstairs. It’s an honest to goodness balcony up there. How cool would that be?
I'd like to extend a big congratulations to Kelly Tokash, Ericka Milczarski, Tim Martin, Naomi Moore, and all the others who helped to put on this terrific show. Enjoy the shows tonight and Saturday.
Craig Bacon enjoys watching young actors and actresses blossoming on stage in front of a receptive audience.
Photos courtesy Ericka Milczarski
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https://socialbutterflies.wordpress.com/category/meaghan-martin/
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en
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Social Butterflies
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Posts about Meaghan Martin written by SocialButterflies
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https://s1.wp.com/i/favicon.ico
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Social Butterflies
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https://socialbutterflies.wordpress.com/category/meaghan-martin/
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Meaghan Martin Performs Her Disney Hits!
Camp Rock 2 actress, Meaghan Martin performed at the Festival of Ballooning this past Saturday afternoon, and sang her Disney hits of ‘Too Cool’, ‘When You Wish Upon A Star’ and other fan favorites.
Outside of singing and her upcoming returning role on the Disney film, Camp Rock 2, Meaghan is currently working on an ABC Family project, ’10 Things I Hate About You’. As far as 10 Things goes, Meaghan admits it’s very different from anything she’s done thus far:
“It’s very different because I’m working with adults now, like almost all adults, even most of the people on the show with me. I’m the only one in the lead cast under 20. So it’s very different, but at the same time it’s exactly the same. We still have so much fun. I love coming to work every day, and I cannot emphasize how much I love it. I mean, it’s only when we’re working till three in the morning that I’m like, “Oh, my God, I can’t do this.” No, but it’s so—it makes it worth it.”
Meaghan Jette Martin Is College Bound
May 29, 2009, 2:57 am
Filed under: Meaghan Martin | Tags: 10 things, graduates, high school, Meaghan Martin
Meaghan Jette Martin updated her MySpace today to inform everyone the good news that she finished high school yesterday!
“So today I finished high school. DONE. completely and utterly finished. I walked into my school at 9:20 am and turned in my last packet of school work.”
Meaghan says it was a big moment, but she doesn’t know if she’s realized yet how huge of a change it is! “I always knew the day would come and I knew that it was coming soon… but it just seems so crazy to actually be there. I’m going to start college in January and I can easily say that I’m pretty scared out of my mind, but everyone around me has been very supportive and I think I’ll be able to manage.”
The good news continues as Meaghan gave news about her upcoming T.V. show, 10 Things:
“It’s the first day of shooting the new ABC Family TV series I am on “10 Things I Hate About You”. I have been waiting for this day since January 31st when my phone rang and the writer/executive producer told me that the show was going to be turned into a series. Actually, I take that back, I have been waiting for this day since the moment I decided I wanted to be an actress. I am so pumped to be working with a cast that I adore on a show that I truly love. I am beyond excited to get started and even more stoked for you guys to get to be involved when the show airs July 7th at 8 pm (be sure to watch every Tuesday at 8 after that hehehehe).”
Congrats Meaghan!
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2
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https://scifiwright.com/2023/08/review-aristocats-by-disney/
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en
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Review ARISTOCATS by Disney
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https://scifiwright.com/2023/08/review-aristocats-by-disney/
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I have been re-watching the classic Disney animated features in order, starting with SNOW WHITE. Seeing the films chronologically drives home the genius of Walt Disney himself, the mediocre period that followed his passing away, the wonder of the Disney Renaissance in the days of Howard Ashman and Alan Menken, the sad and sick degeneration thereafter, first into blandness, and next into wokeness.
ARISTOCATS (1970) is the first feature length animation put out by the studio after Walt’s passing, and, I am sad to report, it shows.
The animation quality is haphazard, the plot is slipshod, the characters are slapdash, the humor is slapstick, the scenes are uninteresting, the musical score is unmemorable, with the exception of one jazz piece, rousing but unfortunately pointless. The film is not recommended.
Despite all drawbacks, the voice acting can be complimented: Eva Gabor is simply charming as the voice of Duchess, the sleek and elegant white Turkish Angora (for the record, the same breed of cat as the white cat petted by Ernst Stavro Blofeld), and Phil Harris is avuncular and cheery as the silver-tongued and streetwise Tomas O’Malley the Alley Cat (for the record, his sole voice role not playing a bear).
Mice, alleys cats, and houndogs are likewise voiced by skilled character actors of longstanding repute in Hollywood, such as Sterling Holloway, Scatman Crothers, Pat Buttram, Thurl Ravenscroft, and George Lindsey of Gomer Pyle fame. The drunk uncle goose is the last voice work of the talented Bill Thompson who portrayed White Rabbit and Mr. Smee. The kittens are voiced by convincing child actors, without sounding stiff or forced, but they are never given any lines demanding emotions, aside from a mild pout or mild giggle or mild fretfulness.
ARISTOCATS is a post-Walt attempt to copy 101 DALMATIONS and LADY AND THE TRAMP, except with Parisian cats rather than London dogs. It copies the surface features and turn-of-the-century setting of those two better films, without recapturing the drama and theme, meanwhile removing any elements too complex or frightening for youngest children, such as a plot-twist, or a villain. The result is like twice-reheated leftovers: soggy, limp, stale, bland.
The story begins with a slow and unfunny bit of humor as a wobbly, cheerful, nearsighted and senile octogenarian, in the style of Mr. Magoo, drives recklessly and jig-dances to visit a retired opera star, unwittingly battering and humiliating the comedy-relief butler who tries to escort him up a tedious flight of marble stairs. The scene is overlong and leads nowhere, and this sets the tone for the remainder of the film.
The plot, such as it is, concerns a wealthy old widow who bequeaths her fortune to her pet cat, Duchess, and her three kittens, who are drugged by the comedy-relief butler and abandoned in the countryside, who also stands to inherit. Here they are met by Thomas O’Malley the Alley Cat, who, after a brief song, falls in love with Duchess, wins her heart, and leads the cat and kittens back to Paris. The best part of Tom is his name, which he recites in song: Abraham de Lacy Giuseppe Casey Thomas O’Malley.
There are tedious episodes when Duchess, towing her kittens, meets two giddy geese, their drunk uncle goose, and then meets a jazz band of stray cats. Even more tedious episodes involve the comedy-relief butler attempting to conceal his crime by retrieving his umbrella from two comedy-relief houndogs with (for some reason) thick hillbilly accents.
These endless scenes lend nothing to the plot, and could have been removed or reordered with no change to the rest of the film. They are filler.
Once back in Paris, instead of going straight home, we are treated to a scene of a clowder of jazz musicians smashing their instruments and destroying the delipidated house where they squat. This is the lively jazz scene mentioned above, and the only memorable song. It is built around the play on words of jazzbos being called “cats.” We get to see cats in swing dance, and the footage will be lazily reused when vixen Maid Marion dances with fox Robin Hood in the next Disney feature flick. It adds nothing to the plot, and nothing comes of it. It is merely a musical interlude added for the sake of the jazz number.
Tom and Duchess canoodle under the moon while the child spy on them, giggling; he invites her to live on the streets with him; she invites him to live in the mansion with her. This could have formed a conflict, but it is resolved by being ignored: Tom will be adopted by the old human widow, and wed to the young cat widow, without any decision on his part or theirs being foreshadowed, portrayed, or mentioned.
Back at the mansion, the butler makes a last attempt to abduct the cats, and locks them in a trunk, to ship them to Timbuktu. Meanwhile a friendly mouse, Roquefort, searches the alleys for Tom, seeking aid, but is captured and menaced by the jazz cats, who threaten to kill and eat him until he can remember Tom’s name – which he comically forgets until the last moment.
Then the jazz cats race to the mansion, attack the butler, and the mouse safe-cracks the pad-lock on the trunk and frees the trapped kittens. The butler is thrown into the trunk by the cats and shipped to Timbuktu.
In a final scene, Tom is adopted by the widow, and her lawyer is rewriting the will to excise the butler, whose villainy is never discovered by the widow.
As a villain, the butler is entirely incompetent and unmenacing. He cannot even threaten a basket of kittens. As comedy relief, he is singularly unfunny. If he were cruel or haughty or high-handed, seeing him humiliated by repeated slapstick might have a comedic appeal: but he is a man who is put-upon, clumsy, and dull-witted, so it is more like seeing life dump misfortunate on a dunce.
The plot is slipshod. In the opening, for example, the butler overhears that the old widow will leave her fortune to the cats until their deaths, whereupon he inherits. Why this would prompt him to cat-napping is unexplained: once the old widow is dead, the cats have no voice to complain if he uses the funds to live how he would, and if they did complain, he could kill them then.
Indeed, the whole tedious scene where he has poisoned the cat’s soup was underwhelming to me, as I thought he meant to kill them, not merely to drug them asleep. The scene could have had some tension if the kittens had noticed the friendly mouse with whom they shared their meal, being smaller, had succumbed first. An overlooked warning could have created a question as to whether the cats would be poisoned. But, no, there was no tension, and no point in having the mouse in the scene.
In the midsection, the odyssey back to Paris has no menace and no charm. There is no dramatic scene, as in 101 DALMATIONS, where loving parents are trekking through dark woods or driving snow, being hunted by criminals who mean to kill them, attempting to save not only their own starving and shivering children, but eighty-seven or so orphan puppies they are too kind-hearted to abandon. The Dalmatian puppies roll in soot to disguise their coats, and walk boldly past the devilish gaze of the puppy-killing villainess, who is literally named De Vil.
Contrariwise, Duchess is never required to display courage or cunning. I honestly do not recall whether the kittens in ARISTOCATS even skip a meal. If they do, the inconvenience is solved without drama or cleverness in short order.
Again, why the Butler abandons the cats by the riverside rather than drown them in the river is unclear. Had there been a scene where he were tempted to do so, but rejected the notion, that would have at least been a bit of character development.
But the kittens are left under a bridge on a road leading back to Paris, amid a pleasant countryside. No Cruella de Vil in a monstrous automobile is hunting for them, indeed, if anything, the police and the public may well be — at least, the news of the cat-napping was front-page, above the fold, lead story in the newspaper.
I must pause for an odd compliment. If one freeze-frames the shot of the open newspaper, the entire text of the news story is legible, written out in complete sentences actually describing the widow and the crime. This is not mere lorem ipsum text or stray marks. So some writer at Disney painstakingly composed this for a shot meant to be flashed across a movie screen in an eyeblink. Would that the same dedication to this level of detail had been present in the script itself. Then, perhaps, some writer on the staff would have entertained the notion of putting some risk, tension, drama, or entertainment into the script.
In the film 101 DALMATIONS, if the puppies are caught, they will be slain and skinned and made into a coat. In ARISTOCATS, if the kittens are caught by the butler, he will send them abroad, to prevent them from inheriting money kittens do not need and cannot use.
Other scenes float into view like Sargasso weed clouds, fouling the propellers of narrative, and slowing the progress. There is one scene where we see the widow sorrowing off the loss of her cats, who are her only companions. The scene is a static one. No new insight into her character is displayed.
The friendly mouse has a scene where he rushes out to search Paris for the missing cats, but nothing comes of this. Later, when he learns the butler is to blame, he hides in his broken motorcycle tail-light, hoping to stowaway and discover the whereabouts of the abductees, but instead he falls out of the wobbling bike going over a bump, and lands on the ground. Nothing is accomplished by this scene.
Indeed, only point of having the butler race out again on his motor-bike is to have him irked once again by the hillbilly houndogs. The whole slapstick by-play is pointless and repeated pointlessly. The dogs harass the butler by taking comedy-relief chomps at the seat of his pants and stealing his motorcycle sidecar, but for some reason, he never thinks to belabor them with a cudgel or blast them with a shotgun. The scene where Belle in BEAUTY AND THE BEAST attempts to fend off ravening wolves in the snow with a stick is dramatic and scary. The scene of slapstick harassment of the dimwitted butler by dimwitted houndogs who steal his hat is neither.
The houndogs are not attempting to protect the cats, nor even aware of them, nor is the butler ever in any real danger of his crime coming to light. There would be heroism if the dogs protected the cats, or there would be tension if there were risk of the criminal being caught, but there was neither. The scene was merely an elaborate slapstick: as if we saw a bank-robber sneaking away down a dark alley, only to slip in a mud puddle and fall face-first in a trashcan.
In the climax, why the friendly mouse needed to risk life and limb finding and cajoling jazz cats when he could have cracked the lock on the trunk to free the trapped kittens at any time is not explained, nor how he learned this skill. The butler is pushed into the trunk by the jazz cats, and it locks itself, and falls into the street just in time for a passing mail cart to see it, pick it up, and ship it to Timbuktu.
The characters are slapdash. Three kittens are introduced at their piano lessons and painting lessons, including a forgettable song number. Like the Siamese Cats in LADY AND THE TRAMP, they vandalize the room, with the difference that these are the allegedly the good guys. Apparently, being messy is supposed to be endearing rather than annoying.
The tedious scene establishes that the three kittens have no personality traits, aside from being cute: one is scrappy, one is a girl, and the third I cannot recall.
Duchess and Tom have one-dimensional traits: she is elegant, and he a lovable rogue. Except that he never does anything roguish.
Likewise, the lawyer, the widow, the butler, and the houndogs all have a one-word description to sum their characters, from which they never deviate. The lawyer is goofy, the widow aristocratic, the butler self-pitying, the houndogs are hicks. The mouse is nice. The jazz cats are cool. One could not devise a stock-character more cardboard if one tried.
Each jazz cat is from a different nation, and each speaks with an outrageous accent, and wears hat or buck teeth or something to signify his origin. The art of having a number of characters each having a single district trait or schtick is not itself a bad thing: the Seven Dwarves from SNOW WHITE AND THE SEVEN DWARVES, for example, each have a single defining trait after which they are named. But these are well defined, have conflicts and character arcs. They are solid enough to cast shadows, so to speak. The jazz cats are not.
In LADY AND THE TRAMP, the heart of the film was that the high-class dame was being drawn into the Tramp’s freewheeling low-class world, ending up in a muzzle or in jail, while he was tempted and drawn into domestication by the ladylike Lady: a picture-perfect example of the mating dance, portrayed simply enough for children to grasp. But there were actually scenes where the lure and the resistance were put on stage, good and bad, including one where the Tramp chases chickens out of sheer sport and high spirits, endangering her, as opposed to another where he protects her from bigger dogs, saving her.
In this film, there is a line or two in song or dialog where the cats talk about there being a possible problem with their instant and unexplained romance, but it never eventuates. Tom says he does not trust humans, but he is not shown not trusting them.
The romantic subplot is nonexistent. Duchess and Tom mutually attracted when first they meet, and no obstacle presents itself to bar the way of true love. He spins a line of blarney, and she buys it. There is no family feud, no evil witch or misunderstood identities, no pride and no prejudice. But neither is there anything in particular which should attract the two to each other, aside from Eva Gabor’s exotic accent.
More to the point, the fact that she is aristocratic — hence the name of the film — and he is an alley cat — hence his name — which should have been the main obstacle of their romance is never even brought up. If there is a line where he wonders if she is too high class for him, I cannot recall it to mind.
This absence of tension or plot-motion is most evident in the one scene where it should have been present: when Duchess meets the freeloading jazzbo cats. Their self-congratulatory song lyrics mock the type of square, old-fashioned music that, for some reason, these selfsame jazz cats find overwhelmingly mesmerizing when Duchess is playing on the harp.
This scene could have been a case of jazz cats being snobbish about classical music, or classy cat being snobbish about jazz music, and one slowly learns to appreciate the other. But, no, like with the romance encountering trivial obstacles, or none, or the journey home being a walking tour rather than a dangerous trek, no difference of taste, or class, or background are even mentioned.
For that matter, the father of the three kittens in never mentioned: Duchess is not a virgin, and this is not her first love, so it seems odd that there is not even a nod of acknowledgement in this direction. “You know, I can never replace your husband, Duke, but in my own way….” “Shush now, dahling! He was what he was, and you are what you are … and my children could use a man about the house…” Or something. Characters, to seem real, are supposed to have some sort of background.
Speaking of background, when doing background research for this column, I came across an interesting tidbit about the film’s origin. It was originally meant to be a live-action two-parter for Disney’s highly popular television show. The original conceit of the plot was that the cat would learn of the butler’s wicked design against them, and run to hide in various famous landmarks of Paris, encountering local color. The thing was supposed to be French in setting and theme.
Instead, this bland cartoon has no one and nothing particularly Gallic or Parisian about it, aside from the one short bit played of a Bizet opera on the phonograph. It could otherwise have taken place in any place or time circa the turn of the century. None of the characters are French: Tom, to judge by his name, is French Italian German Irish and Irish again, not to mention Abraham is Hebrew and Thomas is Aramaic.
The geese are English, the houndogs are Southern hillbillies. Each of the jazz cats is from a different nation and race, and at least one, to judge from his beads and sunglasses, is from the 1960s, eighty years in the future; but they all enjoy a music style decades before it was invented, complete with swing dancing. Eva Gabor has a clearly Hungarian accent.
As for the theme or point, there is none. A story about Dalmatian dogs trying to rescue their children, and ending up rescuing a hundred orphans, is a story about parental duty and philanthropic love; a story about a lady and a hobo tells that love conquers all divisions of class and rank. A story, to be a story, has to be a connected series of events, where one thing leads to another. But these scenes are maddingly disconnected one from the next.
The only story here is that when a company tries to recapture its past glory, but merely copies the surface features mechanically, unimaginatively, the film is an empty mockery.
To be sure, every Disney film will have someone to whom it is his favorite childhood memory. But, regardless, there are better and worse films made with more skill or less. This is one of the less.
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wrong_mix_domain_starring_00035
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FactBench
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2
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https://evolutionofdisneymusicpersonalproject.weebly.com/the-aristocats.html
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en
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The Aristocats
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Everybody Wants To Be a Cat - The Aristocats. (2013, March 3). Retrieved January 25, 2015, from http://www.thelivecat.com/everybody-wants-to-be-a-cat-the-aristocats/
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Evolution of disney music
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http://evolutionofdisneymusicpersonalproject.weebly.com/the-aristocats.html
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wrong_mix_domain_starring_00035
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FactBench
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1
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https://www.cinematerial.com/people/meaghan-jette-martin-i2449480
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en
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wrong_mix_domain_starring_00035
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FactBench
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https://outlawvern.com/2013/02/10/the-aristocats/
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VERN'S REVIEWS on the FILMS of CINEMA
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[
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2013-02-10T00:00:00
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For some reason I am reviewing THE ARISTOCATS. You gotta fuck around and try out different shit sometimes, as my dear grandmother used to say.
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en
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https://outlawvern.com/wp-content/themes/vern2012u/favicon.ico?v=2022
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VERN\'S REVIEWS on the FILMS of CINEMA
|
https://outlawvern.com/2013/02/10/the-aristocats/
|
For some reason I am reviewing THE ARISTOCATS. You gotta fuck around and try out different shit sometimes, as my dear grandmother used to say.
THE ARISTOCATS is not one of the better Walt Disney pictures in my opinion. It was the first one they made after Disney’s death, although he’d approved it before he died. It seems to rehash parts of LADY AND THE TRAMP and 101 DALMATIONS without being as good as either. At the beginning a nice old rich lady in Paris is drawing up her will and since she has no living relatives she wants to leave it all to her cat Duchess (Eva Gabor, the same voice as Miss Bianca in THE RESCUERS) and her three kittens. This is upsetting to her human butler, who responds by giving the cats date rape drugs and abandoning them out in the country.
For a second I was thinking I’d already seen this, it was so familiar, but then I realized I was thinking of GARFIELD: A TALE OF TWO KITTIES, which had almost the same plot. But great minds think alike, you know.
Duchess immediately runs into Thomas O’Malley (Phil Harris, the same voice as Baloo in THE JUNGLE BOOK). His low voice made me think it would be cool if Johnny Cash played him, but then I realized how much he sounds like John Wayne, and that’s really the type of character he is.
Thomas claims to be an alley cat, so I’m not sure why he’s out in nature. But he flirts with Duchess, calls her “baby” alot, and helps them travel back to Paris to confront the butler.
The crazy part is when Thomas brings these Aristocats over to the ramshackle house where he stays when he’s in Paris. He doesn’t have an owner – this is a squat or a flophouse or something. He hears that his friends the Scat Cats (led by the voice of Scatman Crothers) are in there and he says they should go somewhere else, ’cause “They’re not your type” and “they’re real swingers!” But Duchess wants to go in. She’s adventurous.
The Scat Cats play a song for them, “Everybody Wants to Be a Cat.” They’re jazz musicians. Man, I’ve seen THE CONNECTION, I know what’s going on here. These cats are shooting heroin in the bathroom. That’s probly why they wear hats and ties and stuff, to cover the track marks. Or to have something to tie off with. You can see why Thomas didn’t want to bring the kids in here. They get crazed, everything starts flashing different colors. During the climax the camera starts shaking up and down, even though they’re just drawings. That’s some intense music. Good song. Although I gotta say I could do without the out-of-the-blue Asian caricature, a cat playing piano with chopsticks. It doesn’t even fit the jazz theme. They had to go out of their way to get some racism in there.
Now let’s address the class issue. This is a story for the one-percenters who would think it was bad for a butler to be upset that he loyally served this lady for decades but she would rather give her estate to fucking animals than to him. It acts like he’s the crazy asshole. It’s suspicious of the help like white ladies in THE HELP.
I want to repeat, he is a human being who has bent over backwards to serve her needs for years and years and years. They are animals who eat out of a bowl on the floor and shit in a box. It is true that this is a world where animals can speak English to each other, fall in love and play jazz music, but no human knows about this, and even if they did, it would be clear that there is no sane reason to give your money to them and not to the human. They don’t have any way to use money, and if they did I guarantee you the Scat Cats steal it and blow every last cent on dope. Money is a human system, in my opinion, it was never meant for domestic animals. Where would they keep their wallets.
That’s how bad classism is. Even to a nice old lady like this, the servant class are lower than box-shitting domestic creatures that puke up hair on the floor all the time and think nothing of it. So there is some serious class conflict going on here. But within the animal world there’s not so much division. There’s a mouse named Rocquefort (Sterling Holloway, the same voice as Winnie the Pooh) who lives at the mansion and is more upset than anyone about the disappearance of the cats. He tries to investigate, but doesn’t call in the Rescuer Society. Maybe they don’t do cat cases. Or maybe he’s a dead beat dad or something and they’d bust him if he called them.
There’s also some geese who don’t fear the cats. The only inter-species tension is between Rocquefort and some alley cats, who threaten him until they find out O’Malley sent him. This suggests again that it’s a class issue. In this movie only the poor or working class have malice in their hearts.
To her credit, Duchess never seems put off by Thomas’s lower status or hobo lifestyle. She just thinks he’s great, and more in an accepting grandmotherly way than in a condescending touristy way, though obviously she knows she’s going back to her mansion ASAP. The rough part is how the movie acts like he’s this wonderful free-spirited cad, but at the end he lives with them at the masnion, and Madame even combs his hair like a square. I know it’s a happy ending because they’re in love and he likes those kids and everything, but this means no more wandering for Thomas O’Malley. No more falling into rivers. No more jazz? Well, I guess his junkie friends do come over at the end.
Anyway, not a great movie, but one of the only Disney cartoons about homeless junkies. And the background paintings are nice.
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FactBench
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1
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https://www.pinterest.com/ideas/meaghan-martin/942569548069/
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en
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wrong_mix_domain_starring_00035
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FactBench
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2
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https://open.spotify.com/track/6leM9X57rv4UaHtfuqiYyt
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en
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The Aristocats - Original
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1970-12-24T00:00:00
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Listen to The Aristocats - Original on Spotify. The Cast of The Aristocats · Song · 1970.
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en
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Spotify
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https://open.spotify.com/track/6leM9X57rv4UaHtfuqiYyt
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Sign into Premium to see lyrics
© 2021 FM Records
℗ 2021 FM Records
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wrong_mix_domain_starring_00035
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FactBench
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0
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http://www.posidestravel.com/artem2.htm
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Tour Operator Regione Campania
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FactBench
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https://simple.wikipedia.org/wiki/The_Aristocats
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Simple English Wikipedia, the free encyclopedia
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https://simple.wikipedia.org/static/favicon/wikipedia.ico
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2009-01-25T20:16:29+00:00
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https://simple.wikipedia.org/wiki/The_Aristocats
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The AristocatsDirected byWolfgang ReithermanStory byKen Anderson
Larry Clemmons
Eric Cleworth
Vance Garry
Julius Svendsen
Frank Thomas
Ralph WrightBased on"The Aristocats" by Tom McGowan and Tom RoweProduced byWinston Hibler
Wolfgang ReithermanStarringPhil Harris
Eva Gabor
Hermione Baddeley
Gary Dubin
Dean Clark
Sterling Holloway
Roddy Maude-Roxby
Liz EnglishMusic byGeorge Bruns
Production
company
Distributed byBuena Vista Distribution
Release dates
December 11, 1970 ( ) (premiere)
December 24, 1970 ( ) (United States)
Running time
78 minutesCountryUnited StatesLanguageEnglish Budget$4 million[1]Box office$191 million[2]
The Aristocats is a 1970 American animated musical adventure-romantic comedy movie. It was produced by Walt Disney Productions and released by Buena Vista Distribution. It is the 20th Disney animated movie. The movie is based on a story by Tom McGowan and Tom Rowe. It is about a family of aristocratic cats. They are kidnapped by their greedy butler, Edgar. Edgar wants to gain the fortune that the cats' owner has left to them in her will. An alley cat named Thomas O'Malley helps them make their way back home. O'Malley also helps them defeat Edgar. In the end, O'Malley becomes a part of the family. The movie was directed by Wolfgang Reitherman. It features the voices of Eva Gabor, Hermione Baddeley, Phil Harris, Dean Clark, Sterling Holloway, Scatman Crothers, and Roddy Maude-Roxby.
In 1962, The Aristocats began as an original script for a two-part live-action episode of Walt Disney's Wonderful World of Color. It was developed by writers Tom McGowan and Tom Rowe and producer Harry Tytle. Following two years of re-writes, Walt Disney said that the project would be better made as an animated movie. The project was placed in turnaround as The Jungle Book continued production. When The Jungle Book was nearly complete, Disney appointed Ken Anderson to develop preliminary work on The Aristocats. It was the last movie project to be approved by Walt Disney before his death on December 15, 1966. The Aristocats was the first Disney animated movie to be released under the Rating System. In this case, The Aristocats was Disney's first G-rated animated movie.
The Aristocats was released on December 11, 1970. It received positive reception and was a box office success.
The movie takes place in Paris in 1910. A mother cat named Duchess and her three kittens, Marie, Berlioz and Toulouse, are going to receive their owner's fortune when she dies. But Edgar, their English butler, does not like this and plans to send the cats away.
He places sleeping tablets in their dinner. At night, he plans on dropping them off in the countryside. Two hound dogs, Napoleon and Lafayette, attack him, and the cats are now stranded.
In the morning, they meet an alley cat named Thomas O'Malley. He helps them on their way back home. He even lets them stay at his "pad" (the place where he and his "gang", or friends, stay).
They finally make their way back home, but Edgar re-catches them in a sack and plans to send them to Timbuktu, Africa. O'Malley, Scat Cat and his gang, Roquefort the Mouse, and Frou-Frou the Horse all fight Edgar. Roquefort frees Duchess and the kittens. In the end, Edgar is kicked into the trunk, locked inside, and sent to Timbuktu himself. Madame Adelaide's will is re-written to not include Edgar and instead include O'Malley. She also starts a charity foundation. This foundation gives a home to all the creatures in Paris.
Eva Gabor as Duchess - Madame Adelaide's cat and mother of three kittens. She has to choose between loyalty to Madame and her own attachment to Thomas O'Malley, until the end of the movie. Robie Lester provided the uncredited singing voice for Duchess.
Phil Harris as Thomas O'Malley (full name: Abraham de Lacy Giuseppe Casey Thomas O'Malley) – A wild cat who befriends Duchess and her kittens. He becomes a father figure to the kittens and falls in love with Duchess.
Liz English as Marie - the youngest kitten. She is something of a singer.
Gary Dubin as Toulouse - the oldest kitten. He idolizes all alley-cats, especially Thomas. He is also a talented painter, and is loosely based on French painter Henri de Toulouse-Lautrec.
Dean Clark as Berlioz - the second-eldest kitten. He is somewhat shy. He is also a talented pianist, and is loosely based on French pianist Hector Berlioz.
Roddy Maude-Roxby as Edgar Balthazar - Madame Adelaide's dim-witted butler. He tries to get rid of the cats in order to gain her fortune.
Scatman Crothers as Scat Cat - Thomas's best friend and leader of a gang of jazz-playing alley cats. Scat Cat plays the trumpet.
Sterling Holloway as Roquefort - A house mouse and also a friend of the cats. He helps the animals defeat Edgar.
Paul Winchell as Shun Gon - a Chinese cat in Scat Cat's gang. Plays the piano and drums made out of pots.
Lord Hudson as Hit Cat - an English cat in Scat Cat's gang. Plays acoustic guitar.
Vito Scotti as Peppo - an Italian cat in Scat Cat's gang. Plays the accordion.
Thurl Ravenscroft as Billy Boss - a Russian cat in Scat Cat's gang. Plays the double bass.
Pat Buttram as Napoleon - a Bloodhound who attacks Edgar when he intrudes in the farm where Napoleon lives. Napoleon insists, whenever cohort Lafayette makes a suggestion, that he is in command, then adopts Lafayette's suggestion as his own.
George Lindsey as Lafayette - a Basset Hound and Napoleon's companion. He sometimes proves smarter than Napoleon, but is also more shy.
Hermione Baddeley as Madame Adelaide Bonfamille - a former opera singer and owner of Duchess and her kittens.
Charles Lane as Georges Hautecourt - Madame Bonfamille's lawyer. He is an eccentric, lively old man who provides comic relief by attempting stairs too steep for himself.
Nancy Kulp as Frou-Frou - Roquefort's horse companion, who subdues Edgar. Ruth Buzzi provided her uncredited singing voice.
Monica Evans as Abigail Gabble - a goose who befriends the cats.
Carole Shelley as Amelia Gabble - Abigail's twin sister.
Bill Thompson as Uncle Waldo - the drunken gander uncle of Abigail and Amelia.
Jimmy MacDonald as Frog (uncredited)
Peter Renaday as French Milkman/Le Petit Cafe Cook/Truck Movers (uncredited)
The Aristocats was released on VHS in Europe on January 1, 1990. It was first released on VHS in North America in the Walt Disney Masterpiece Collection series on April 24, 1996.
In January 2000, Walt Disney Home Video launched the Walt Disney Gold Classic Collection, with The Aristocats re-released on VHS and DVD on April 4, 2000.[3] The DVD contained the movie in its 1.33:1 aspect ratio and 2.0 Dolby surround sound.[4] The Gold Collection release was quietly discontinued in 2006. A new Special Edition DVD was released on February 5, 2008.
Disney released the movie for the first time on Blu-ray on August 21, 2012.[5][6] The 2-disc Special Edition Blu-ray/DVD combo (both in Blu-ray and DVD packaging) features a new digital transfer and new bonus material.[7] A single disc DVD edition was also released on the same day.[8]
"The Aristocats" - Maurice Chevalier "The Aristocats" is the title song from the movie. It was written by Robert and Richard M. Sherman at the end of their eight years with Walt Disney Productions. Maurice Chevalier came out of retirement to sing this song for the movie's soundtrack. He recorded it in English as well as in French translation ("Naturellement - les Aristocats!").
"Scales and Arpeggios" - Liz English, Gary Dubin, Dean Clark, Robie Lester
"Thomas O'Malley Cat" - Phil Harris
"Everybody Wants to Be a Cat" - Phil Harris, Scatman Crothers, Thurl Ravenscroft, Vito Scotti, Paul Winchell, Liz English, Lord Tim Hudson and Robie Lester; This song is sung by Scatman Crothers as Scat Cat, Phil Harris as Thomas O'Malley Cat, Robie Lester as Duchess's singing voice, Lord Tim Hudson as Hit Cat, Liz English as Marie, Vito Scotti as Peppo the Italian Cat and Thurl Ravenscroft as Billy Boss the Russian Cat. It was also released as a 45 rpm single, in a version sung only by Phil Harris. That version doesn't have the cartoon voices of the other release. The soundtrack CD released in 1996 has an edited version of the song. The now politically incorrect lines sung by "Chinese Cat" voiced by Paul Winchell are removed.
"She Never Felt Alone" - Robie Lester
"Ev'rybody Wants to Be a Cat (reprise)" - Phil Harris, Scatman Crothers, Thurl Ravenscroft, Vito Scotti, Paul Winchell, Ruth Buzzi, Bill Thompson, Lord Tim Hudson
Classic Disney: 60 Years of Musical Magic includes "Thomas O'Malley Cat" on the purple disc and "Everybody Wants to Be a Cat" on the orange disc. Disney's Greatest Hits includes "Ev'rybody Wants to Be a Cat" on the red disc.
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https://thewonderfulworldofcinema.wordpress.com/tag/the-aristocats/
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The Aristocats – The Wonderful World of Cinema
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[
"Virginie Pronovost"
] |
2015-11-06T21:46:10-05:00
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Posts about The Aristocats written by Virginie Pronovost
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en
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The Wonderful World of Cinema
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https://thewonderfulworldofcinema.wordpress.com/tag/the-aristocats/
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I’m not ashamed to say that I love watching animated features. Some people might say that it’s only for kids, but that’s not true. Otherwise, all those blogs wouldn’t be participating to One of My All-Time Favorite Cartoons Blogathon hosted by Movie Movie Blog Blog. And believe me, these articles are not written by five-years-old children! Cartoons can be appreciated by everybody. Some might be dedicated to a certain rank of age, animated films for adults only DO exist, but some others have no age ranking and can be appreciated by everybody. For this blogathon, I’ve decided to review an animated film that I love since I am a very young child: The Aristocats. It’s a movie I’ve seen so many times, and I still enjoyed watching my French version VHS copy. I know, I’ve told you that I always prefer to watch the original version of a film, but for animated films, I don’t really mind. And it takes place in Paris, so it doesn’t sound so inaccurate after all. 😉
The Aristocats was produced by Disney Studios and directed by Wolfgang Reitherman. It was based on a story by Tom McGowan and Tom Rowe. Even if Walt Disney was dead in 1970, this is the last Disney film from which the production was approved by the man himself. It also was the first movie to be produced after his death in 1966. It took four years. That’s another thing that amazed me with animated films, especially the old ones: it was a truly artistic work. The original cast regrouped the voices of Eva Gabor (Duchess), Phill Harris (Thomas O’Malley), Gary Dubin (Toulouse), Liz English (Marie), Dean Clark (Berlioz), Roddy Maude-Roxby (Edgar Balthazar), Scatman Crothers (Scat Cat), Sterling Holloway (Roquefort), Pat Buttram (Napoleon), George Lindsey (Lafayette), Hermione Baddeley (Madame Adelaide Bonfamille), Charles Lane (George Hautecourt), Nancy Kulp (Frou-Frou), Monica Evans (Abigail Gabble), Carole Shelley (Amelia Gabble) and Bill Thompson (Uncle Waldo). This film cost $4 M to produce and was a huge financial success earning almost $57M at the world box office.
Here are some members of the cast:
The story takes place in Paris in 1910. Madame Adelaide Bonfamille, a former opera singer, lives in a chic mansion with her butler, Edgar, and her four cats that she adores: Duchess (the mother) and her three kittens: Marie, Toulouse, and Berlioz. One day, Monsieur George Hautecourt, her friend and lawyer, comes to her house to prepare her will. She declares that her fortune will go to her cats and then, when they’ll be dead, to Edgar. This one, who has heard the conversation, thanks to his speaking tube, is very jealous and wants to be the first one to inherit the money. So, during the night, he decides to get rid of the cats. He kidnaps them and goes to the French countryside with his motorcycle. There, he is attacked by two dogs, Napoleon and Lafayette, and the basket with the cats falls off the motorcycle. Later during the night, the cats wake up in this unknown place. Very worried, they wonder what will happen to them. Fortunately, the following morning, they meet Thomas O’Malley, an alley-cat who will help them find their way to Paris. On the road, always accompanied by O’Malley, they will make interesting encounters and face many challenges.
As this is an animated film, we can not really talk about the actors, but there’s a lot to say about the CHARACTERS. As a matter of fact, I think this is one of Disney films that has the most interesting characters. The variety is awesome and it’s quite hard to choose a favourite:
Duchess is the mother cat. She is pretty, with her white fur and she’s a devoted mother. She is kind and has a beautiful singing voice. She also loves her mistress, Madame Bonnefamille, as much as this one loves her.
Toulouse is the oldest kitten. He paints and wants to become an alley-cat. He’s very fond of Thomas O’Malley and looks like him.
Marie is the 2nd-born kitten. She’s coquette and snobbish. She often plays the damsels in distress. She looks a lot like her mother and has a great complicity with her. Marie has a romantic soul and she’s a dreamer.
Berlioz his the youngest kitten. He is shy, but a great pianist. I just love this scene where he is scared by a frog!
Thomas O’Malley is an alley-cat. He travels a lot. He falls in love with Duchess and becomes a father figure for the three kittens. He also has a great singing voice.
Edgar Balthazar is the butler. He is the bad one in this story, but also a very funny character (against his will). Among all Disney villains, he is my favourite one, especially because he is so ridiculous.
Madame Bonnefamille is an old lady who LOVES her cats. She is devastated when she discovers that they have disappeared. She is a good lady and has a great heart. She’s rich, but she’s not snobbish.
Georges Hautecourt is the lawyer and friend of Madame Bonnefamille. He’s a very dynamic little old man and a real joker. He likes to dance and cause a lot of troubles to Edgar. He is simply hilarious.
Scat Cat is Thomas’s best friend and the leader of a cat jazz-band (yes yes!). He plays the trumpet.
Roquefort is a little mouse and a friend of Duchess and her kitten. Those cats don’t eat mice! When he’ll discover that the cats have disappeared, he will try to find them, but without success, as he’s just a little mouse.
Abigail and Amelia Gabble are two geese and twin sisters. They came from England and are in France for a vacation. They’ll meet Duchess, Thomas and the kittens in the French countryside. I just love those two, with their British accent, they are just funny and adorable! Their entrance is unforgettable, especially due to the way they walk!
Uncle Waldo is the drunk uncle of Abigail and Amelia. Duchess and Thomas O’Malley seem to find him very amusing.
Lafayette and Napoleon are the two dogs who attack Edgar (twice). Napoleon is the chief. He can recognize any sort of vehicle or pair of shoes only with the sound they make.
Finally, Frou-Frou is Madame Bonnefamille’s house. Just like Roquefort and Madame, she is devastated when she learns that the cats have disappeared. Frou-Frou is very coquette and wears a little hat.
My favourite character might be George Hautecourt, but I’m not sure. It’s very hard to choose! And those little kittens, they are just so cute!
***
Who says Disney movie says songs. The songs in this film are all great and make us want to sing while watching the film. The theme song during the opening credits is sung by no one else than Maurice Chevalier! My favourite Disney song comes from this film: Everybody Wants to Be a Cat. During this scene, it’s a real party. I’m more used to the French version than the original English one, but both are good! Anyway, cats who dance, sing and play music, that’s something we can only see in films and that’s what makes this media so unique! I love the Italian cat in this scene, when he tries to seduce Duchess. The move he does with his eyebrows worth a million! This a truly entertaining jazz score.
The Aristocats is a movie with a ton of great scenes and memorable lines. There are also many little moments that make this film unforgettable. I can think of the way Edgar’s hat jumps on the top of his head when he is on his motorcycle, the way the geese sisters walk, George Hautecourt mimics, when the three kittens pretend they are a train, when Berlioz plays piano, when Marie and her mother sing together, when Toulouse imitates an alley-cat, when Toulouse paints, when the cats dance, Edgar’s stupid smile, when George Hautecourt dances with Madame, etc. These little moments are endless and create a great composition.
Before taking a look at some of my favourite scenes, here are some of my favourite lines:
1- Abigail Gabble: Your husband is very charming and very handsome.
Thomas O’Malley: Well, you see, I’m not exactly her husband.
Amelia Gabble: Exactly? Either you are or you’re not.
Thomas O’Malley: All right. I’m not.
Abigail Gabble, Amelia Gabble: Oh?
Amelia Gabble: He’s scandalous.
Abigail Gabble: Indeed
Amelia Gabble: He’s absolutely positively a reprobate.
Abigail Gabble: A roue.
Amelia Gabble: His eyes are too close together.
Abigail Gabble: Very shifty, too.
Amelia Gabble: And look at his crooked smile!
Abigail Gabble: His chin is very weak, too.
Amelia Gabble: Obviously a philanderer who trifles with unsuspecting women’s hearts.
Marie: How romantic.
2- Napoleon: [listening] You’re not gonna believe this, but it’s a one wheel haystack!
3- Thomas O’Malley: You know something? I like Uncle Waldo.
Duchesse: [laughs] Especially when he’s marinated.
4- Thomas O’Malley: Hiya, chicks.
[Abigail and Amelia Gabble laugh]
Abigail Gabble: We’re not chickens. We’re geese.
Thomas O’Malley: [sarcastically] No. I thought you were swans.
5- Georges Hautecourt: Come on, Edgar. Last one upstairs is a nincompoop.
Edgar: Could we take the elevator this time, sir?
Georges Hautecourt: That birdcage? Poppycock! Elevators are for old people. Whoops!
6- George Hautecourt: [Trips and almost falls] Whoops! Not as spry as I was when I was eighty.
7- Edgar: Morning, Frou-Frou, my pretty steed.
[whispers]
Edgar: Can you keep a secret?
[out loud]
Edgar: Of course you can.
[chuckles]
Edgar: I’ve some news straight from the horse’s mouth. If you’ll pardon the expression, of course.
I’ll have to stop here because there are so many!
Except the “Everybody Want’s to Be a Cat” scene, another one I love is when George Hautecourt arrives at home and he is welcomed by the (poor) Edgar. I’ve told you he’s a dynamic little old man. Well, here is the proof. I’ve decided to share the French version because it’s the most complete one on YouTube (although some parts were cut). Don’t worry, I’m sure you’ll laugh even if you don’t understand everything!
I want to show you this scene when Edgar is attacked by the dogs for this little detail I was talking about: the way his hat jump. I just think it’s a very clever visual gag! This scene also shows how much Edgar is ridiculous.
I couldn’t find a video of this scene, but another favourite of mine is when Toulouse paints a portrait that looks like Edgar. It’s a comic moment because it’s not a very flattering portrait!
Oh dear! I have too many things to say about this film! I just love it! I’m writing this and it makes me want to watch it again and again! I’ll finish by mentioning the beauty of the drawings in this film. Of course, those were all hand-made and that’s what I find impressive with the old animated features. What’s especially beautiful visually in this film are the images of Paris.
The Aristocats has been a favourite of mine since I was five years old or something like that. It will always have a special place in my heart. It’s such a fun and entertaining film! I don’t know if you’ve seen it or when was the last time, but make sure you watch it or re-watch it. It’s simply a MUST! This also makes me want to review more animated films!
A big thanks to Movie Movie Blog Blog for hosting such a fun blogathon! Take time to check the other entries:
One of my All-Time Favourite Cartoons Blogathon
See you soon!
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