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Leslie Felperin, reviewing for The Guardian, described the film as "an emotionally rich study of friendship" with "excellent lead performances, strong cinematography," and praised the director for creating "a realist work about impoverished young men from a rural northern Indian town" that is "neither dumbed down nor sanitised for westerners."
Writing for Variety, Siddhant Adlakha called Homebound — "the first time in ages that a mainstream Hindi-language production has felt vital - at least since Ghaywan's own Masaan," and described it as "a moving character piece, as well as a searing indictment of modern India." He also praised Khatter and Jethwa's performances as "immensely endearing and unpredictable." Shrishti Negi of News18 India concurred, citing Variety's praise of the duo's performances.
Writing for The Hindu, Anuj Kumar described the film as "a deeply immersive and emotionally resonant cinematic experience, that is both specific to the pandemic and universal in its tone and tenor," and concluded by calling it "a significant document of our times when social trust seems to be in a long-term decline."
Santanu Das of Hindustan Times said "Neeraj Ghaywan film hailed as 'deeply empathetic' with particular praise for Ishaan Khatter".
Anupama Chopra of The Hollywood Reporter India wrote Homebound is A Stunning Portrait of Systemic Cruelty and Defiant Courage
Aseem Chhabra, writing for BBC Culture, highlighted the film’s exploration of caste and religious identities and noted that its depiction of marginalized communities resonated strongly with festival audiences.Renuka Vyavahare, writing for The Times of India, gave the movie 5 out of 5 stars and wrote, “Homebound raises many questions. How did we get here? What has made us so bereft of empathy and compassion? A soul-stirring observation of a world growing cold, this is filmmaking at its finest.”
Shubhra Gupta of The Indian Express gave 3.5 stars out of 5 and said that "Neeraj Ghaywan's second feature in a decade may or may not bring an Oscar home, but what it offers is compassion and cautious optimism, something we so desperately need in these times.
Subhash K Jha writing for News 24 gave 5 stars out of 5 and stated that "I have seldom seen a film where not a single frame can be removed without seriously damaging the end product. This is it."
Deepa Gahlot of Rediff.com rated it 4/5 stars and commented that "The film is deeply moving and the director's view of social reality is profoundly compassionate."
Anna MM Vetticad writing for The Economic Times said in her concluding remarks that "Homebound is shorn of Amar Akbar Anthony-style melodrama and overt messaging that once characterised Hindi film portrayals of communal harmony. Shoaib and Chandan's devotion to each other speaks for itself, serving as an urgent reminder of the amity that survives among us against all odds."
Accolades
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In December 2025, Homebound was one of 15 films shortlisted for the 98th Academy Awards for Best International Feature Film award.
Controversy
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In December 2025, author and journalist Puja Changoiwala alleged plagiarism, saying that the producers of Homebound plagiarized her 2021 novel Homebound. She said that they "have not only misappropriated the title of my book, but have also blatantly reproduced substantial portions of my novel in the second half of the film—including its scenes, dialogue, narrative structure, sequence of events, and other creative expressions.” She subsequently initiated legal proceedings.
Dharma Productions denied these claims stating: "The allegations of copyright infringement are unfounded, and Dharma categorically denies the same. A legal notice has been received and duly responded to by Dharma’s legal counsel. Homebound is an officially licensed adaptation inspired by the New York Times article by Basharat Peer, with all requisite rights lawfully acquired and due credit duly provided." Screenwriter Sumit Roy, who co-authored Homebound's screenplay said that he was neither familiar with the author who made the allegations against the film, nor with her novel, and that the claims are "unfounded." With regard to the title of the screenplay, Roy said that they "debated many titles before settling on Homebound. Roy also said that his screenplay was influenced by Bengali filmmaker Satyajit Ray, commenting that "everything I said about Ray and how his humanism influenced Homebound remains as valuable as ever."
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List of submissions to the 98th Academy Awards for Best International Feature Film
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List of Indian submissions for the Academy Award for Best International Feature Film
References
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External links
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A Friendship, a Pandemic and a Death Beside the Highway by Basharat Peer, New York Times, July 31, 2020
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Homebound at IMDb 
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Homebound at Cannes Film Festival
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Homebound at TIFF
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TITLE: The_Eras_Tour
====================
The Eras Tour was the sixth concert tour by the American singer-songwriter Taylor Swift. It began in Glendale, Arizona, United States, on March 17, 2023, and concluded in Vancouver, British Columbia, Canada, on December 8, 2024. Spanning 149 shows in 51 cities across five continents, the Eras Tour had a large, cultural and socioeconomic impact. It became the highest-grossing tour of all time and the first to report revenue over $1 billion and $2 billion.
Annouced after the release of her tenth studio album Midnights (2022), Swift designed the tour as a retrospective tribute to all of her studio albums and their corresponding musical "eras". Running over 3.5 hours, the set list consisted of over 40 songs grouped into 10 acts that portrayed each album's mood and aesthetic. The show was revamped in May 2024 to incorporate her eleventh studio album, The Tortured Poets Department (2024). Critics praised the Eras Tour for its concept, production, and immersive ambience, as well as Swift's vocals, stage presence, and versatile showmanship.
The tour recorded unprecedented public demand, ticket sales and attendances, bolstering economies, businesses, and tourism worldwide, dominating social media and news cycles, and garnering tributes from governments and organizations. This also gave rise to multifarious issues: ticketing crashes that inspired a string of anti-scalping laws and price regulation policies; scrutiny of Ticketmaster for monopoly by US authorities; diplomatic tensions in Southeast Asia due to Singapore's exclusivity grant; poor venue management in Rio de Janeiro resulting in a death; a failed ISIS plot to attack the tour in Vienna; and a political scandal in the UK.
Swift disclosed and released various works throughout the tour: the re-recorded albums Speak Now (Taylor's Version) and 1989 (Taylor's Version) in 2023; editions of Midnights (2022) and The Tortured Poets Department; the music videos of "Karma", "I Can See You", and "I Can Do It with a Broken Heart"; and "Cruel Summer" as a single. An accompanying concert film, documenting the Los Angeles shows, was released to theaters worldwide on October 13, 2023, in an uncommon distribution deal circumventing major film studios. Met with critical acclaim, the film became the highest-grossing concert film in history. A photo book of the tour, The Eras Tour Book, was released on November 29, 2024. A behind-the-scenes series, The End of an Era, and a second concert film based on the Vancouver shows, The Final Show, were released on December 12, 2025, on Disney+. The tour's accolades include an iHeartRadio Music Award for Tour of the Century and six Guinness World Records. It also inspired Swift's twelfth studio album, The Life of a Showgirl (2025).
Background
=================
Taylor Swift's last concert tour, the Reputation Stadium Tour (2018), broke the record for the highest-grossing US tour in history. She cancelled a planned concert tour in support of her seventh studio album Lover (2019), due to the outbreak of the COVID-19 pandemic in 2020, and subsequently released three new studio albums: Folklore (2020), Evermore (2020), and Midnights (2022). As part of her re-recording project to claim ownership over the masters of her past albums, she released two re-recorded albums, Fearless (Taylor's Version) and Red (Taylor's Version), in 2021.
During her promotion of Midnights, on November 1, 2022, she announced the Eras Tour, which she described as "a journey through the musical eras of [her] career", on Good Morning America and through her social media accounts. Messina Touring Group, an Anschutz Entertainment Group (AEG) partner, was the tour's promoter. She first announced 27 US shows from March to August 2023, beginning in Glendale, Arizona, and ending in Inglewood, California. The opening acts were Paramore, Haim, Phoebe Bridgers, Beabadoobee, Girl in Red, Muna, Gayle, Gracie Abrams, and Owenn, each two of whom shared a tour date. Popular demand led Swift to announce eight additional US shows on November 4, and 17 the following week. A second US leg was announced on August 4, 2023, with Abrams as the opener. Billboard thought that the huge demand contributed to "the most chaos-inducing tour announcement of the decade".
On June 2, 2023, Swift announced the Latin American shows of the Eras Tour, with Sabrina Carpenter as the opening act. A third show in Buenos Aires was announced on June 6, hours after the public sale commenced, due to high demand. Louta was announced as an additional opening act. Additional shows in Mexico City, Rio de Janeiro, and São Paulo were announced on June 12. Shows in Asia, Australia, and Europe were announced on June 20. From June to November 2023, new shows were added to the tour. In Asia-Pacific, six extra shows were added to Singapore, and two to Australia. In Europe, eight shows were added initially, followed by fourteen more, then two in London; Paramore was announced as the leg's opening act. Nine shows were also announced in Canada (Toronto and Vancouver), with Abrams as the opening act. In February 2024, a second show was added in Madrid after the venue's football club, Real Madrid, asked La Liga to reschedule their match to cover the "extraordinary demand".
Several politicians and government officials demanded the tour be brought to their country or city. Places such as Canada and Chile were expected to be part of the tour but were absent in Swift's announcement on June 20, drawing dismay and demands from fans and officials. Across Southeast Asia, fans decried the lack of shows in countries like the Philippines, Malaysia, Thailand and Hong Kong and demanded the tour be brought to there. In particular, her return to the Philippines had been highly anticipated. Some journalists and fans opined that unlike venues in Japan and Singapore—the only Asian countries that are a part of the Eras Tour—those in Hong Kong, the Philippines and Thailand might not have the proper infrastructure that is required to host the tour. In addition, Hong Kong and mainland China reopened to foreigners much later than most other places following the COVID-19 pandemic lockdowns, which may have affected touring plans, as per South China Morning Post. In Malaysia, legal opposition to LGBT rights and the ban on pop concerts during Ramadan were cited as potential reasons.
Ticket sales
=================
Ticket sales for the Eras Tour were handled by various ticketing agencies around the world, such as Ticketmaster, over several dates. Met with unprecedented, record-setting demand, tickets at every venue sold out in hours. Sales faced technical malfunctions in many countries; bulk purchases of tickets by scalpers and bots were reported at numerous venues, resulting in tickets being listed on resale platforms for exorbitant prices. StubHub noted that the Eras Tour ticket sales were "tracking to be the best-selling of any artist [they've] seen". Jay Marciano, CEO of AEG, stated that Swift outright refused to impose dynamic pricing on the tickets in the purview of her fans.
US and Canada
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The first US leg was set to go on sale to the general public on November 18, 2022. Due to Swift's multi-year partnership with Capital One, their cardholders had presale access, which was set to begin on November 15. Fans registered for the Ticketmaster Verified Fan program from November 1 through 9 to receive a presale code that granted exclusive access to the TaylorSwiftTix Presale on November 15; those who purchased merchandise from Swift's website received "boosts", and previous Lover Fest ticket holders also received preferred access to the presale if they registered using the same Ticketmaster account. Swift confirmed ticket prices in advance, abandoning the "platinum ticket" model; they ranged from US$49 to $449, while VIP packages ranged from $199 to $899. According to Ticketmaster, the TaylorSwiftTix Presale provided "the best opportunity to get more tickets into the hands of fans who want to attend the show" by evading bots and scalpers. It also noted that if demand from the program "exceeds supply", it is possible that "verified fans may be selected at random to participate in the presale." It later reported that it received a record 3.5 million verified fan registrations for the Eras Tour. Ahead of the second leg's presale on August 11, Ticketmaster estimated that 14 million users were vying for roughly 625,000 tickets.
Ticketmaster handled the Canadian sales as well, using the Verified Fan program. Members of the Royal Bank of Canada's Avion Rewards program received exclusive access to a separate presale. An estimated 31 million people registered for the Toronto Verified Fan presale, equal to over 77 percent of Canada's population.
Latin America
=================