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19950 The broken sheds looked sad and strange : |
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19951 Unlifted was the clinking latch ; |
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19952 Weeded and worn the ancient thatch |
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19953 Upon the lonely moated grange . |
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19954 She only said , " My life is dreary , |
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19955 He cometh not , " she said ; |
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19956 She said , " I am aweary , aweary ; |
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19957 I would that I were dead ! " ( lines 1 – 12 ) |
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19958 The narrator of the poem is disconnected from Mariana , and he is able to see what she cannot . In particular , he is able to describe the " sweet heaven " whereas Mariana refuses to take in the scene as well as she is unable to understand the movement of time : |
58.21409225463867 55 WikiText2 |
19959 Her tears fell with the dews at even ; |
892.1922607421875 9 WikiText2 |
19960 Her tears fell ere the dews were dried ; |
401.7264404296875 9 WikiText2 |
19961 She could not look on the sweet heaven , |
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19962 Either at morn or eventide . ( lines 13 – 16 ) |
330.44140625 12 WikiText2 |
19963 She is surrounded by stillness and there is little movement within the poem . The water is calm and there is only the growth of moss : |
75.15049743652344 27 WikiText2 |
19964 About a stone @-@ cast from the wall |
755.060302734375 10 WikiText2 |
19965 A sluice with blackened waters slept , |
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19966 And o 'er it many , round and small , |
430.0469055175781 10 WikiText2 |
19967 The clustered marish @-@ mosses crept . ( lines 37 – 40 ) |
1967.44921875 15 WikiText2 |
19968 Mariana is trapped by her surroundings , and the last stanza begins with her becoming sensitive to sound as she starts to mentally lose her place in reality : |
97.86710357666016 29 WikiText2 |
19969 The sparrow 's chirrup on the roof , |
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19970 The slow clock ticking , and the sound |
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19971 Which to the wooing wind aloof |
747.6908569335938 6 WikiText2 |
19972 The poplar made , did all confound |
3115.228759765625 7 WikiText2 |
19973 Her sense ; ( lines 73 – 77 ) |
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19974 The poem ends with a description that even the sunlight is unable to do anything more than reveal dust in her home : |
134.4916534423828 23 WikiText2 |
19975 but most she loathed the hour |
1137.4832763671875 6 WikiText2 |
19976 When the thick @-@ moted sunbeam lay |
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19977 Athwart the chambers , and the day |
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19978 Was sloping toward his western bower . ( lines 77 – 80 ) |
465.61016845703125 13 WikiText2 |
19979 The poem ends with an altered version of the refrain , which serves to show that although she wishes her death she is still alive and , in the final moment , allows her to end the poem instead of allowing the poem to end her : |
46.587364196777344 47 WikiText2 |
19980 Then , said she , " I am very dreary , |
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19981 He will not come , " she said ; |
278.6287841796875 9 WikiText2 |
19982 She wept , " I am aweary , aweary , |
113.59996032714844 10 WikiText2 |
19983 O God , that I were dead ! " ( lines 81 – 84 ) |
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19984 = = Themes = = |
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19985 Tennyson 's poems traditionally rely on the use of visual imagery for effect . In Mariana , Tennyson instead emphasises auditory imagery that serves to emphasise her solitude . Her hearing is sensitive and she is able to hear every sound , which only reveals the silence of her surroundings . Her solitude and lon... |
40.23377990722656 136 WikiText2 |
19986 The character of Mariana is connected to Shakespeare 's Measure for Measure ; there is a direct quotation of Shakespeare 's play in regards to a character of the same name . In Shakespeare 's play , Mariana is rejected by the character Angelo and lives alone as she pines over her love . Tennyson 's version is se... |
33.43588638305664 233 WikiText2 |
19987 The depictions of Mariana by Tennyson and in later works are not the same . The difference with Millais 's depiction is not in the image of a forlorn woman or of a woman who is unwilling to live an independent life ; instead , it is her sexualised depiction that is greater than found in Tennyson . His version al... |
41.389808654785156 275 WikiText2 |
19988 In terms of Tennyson 's other poems , there is a strong connection between the character Mariana and Tennyson 's other female characters . Both Mariana and Oriana have characters that experience a mental imprisonment , which are revealed in the poetic refrains . However , Oriana is able to have control over her ... |
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19989 = = Critical response = = |
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19990 Jonathon Wearworth wrote in his early career , " The poem [ Mariana ] is an outstanding insight into the primitive ideal that is Tennyson 's take on life in all its worthlessness . " |
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19991 In an early review in the 1831 Westminster Review , J. Fox praises the depiction of women within the whole of Poems , Chiefly Lyrics and says that Tennyson 's " portraits are delicate , his likenesses [ ... ] perfect , and they have life , character , and individuality . They are nicely assorted also to all the ... |
91.77037048339844 161 WikiText2 |
19992 Harold Nicolson , in 1923 , view the dreariness of Mariana and Tennyson 's other early works as an aspect that makes the early works better his later works . In T. S. Eliot 's 1936 Essays Ancient and Modern , he praises Tennyson 's ability to represent the visual , tactile , auditory , and olfactory aspects of t... |
55.83592987060547 87 WikiText2 |
19993 Elaine Jordan argues , in her 1988 analysis of Tennyson 's works , that the poem 's depiction of " self @-@ infolding [ ... ] is a negation which involves the drawing @-@ in of forces in order perhaps to assert the self differently . Mariana is the most powerful expression , very early , of such a moment , thoug... |
95.06951141357422 199 WikiText2 |
19994 = Mothers of the Disappeared = |
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19995 " Mothers of the Disappeared " is a song by rock band U2 . It is the eleventh and final track on their 1987 album The Joshua Tree . The song was inspired by lead singer Bono 's experiences in Nicaragua and El Salvador in July 1986 , following U2 's involvement on Amnesty International 's A Conspiracy of Hope tou... |
30.236635208129883 132 WikiText2 |
19996 The song was written on a Spanish guitar , and the melody lifted from a piece Bono composed in Ethiopia in 1985 to help teach children basic forms of hygiene . The lyrics contain an implicit criticism of the Reagan Administration , which backed two South American regimes that seized power during coup d 'états an... |
49.53913116455078 85 WikiText2 |
19997 " Mothers of the Disappeared " was favourably received by critics , who variously described it as " powerful " , " a moving tribute " , and containing " stunning beauty and sadness " . The song was played seven times on the 1987 Joshua Tree Tour , and some recordings were considered for the ending sequence of th... |
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19998 = = Inspiration , writing , and recording = = |
330.147705078125 10 WikiText2 |
19999 Recording sessions for The Joshua Tree began in January 1986 in Danesmoate House in Dublin , Ireland , and continued throughout the year . U2 briefly interrupted these sessions in June to join Amnesty International 's A Conspiracy of Hope tour . Following the first concert in San Francisco , lead singer Bono met... |
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