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3450 A few weeks after Of Human Feelings was recorded , Mwanga went to Japan to negotiate a deal with Trio Records to have the album released on Phrase Text . Trio , who had previously released a compilation of Coleman 's 1966 to 1971 live performances in Paris , prepared to press the album once Mwanga provided the la... |
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3451 According to jazz writer Francis Davis , " a modest commercial breakthrough seemed imminent " for Coleman , who appeared to be regaining his celebrity . German musicologist Peter Niklas Wilson said the album may have been the most tuneful and commercial @-@ sounding of his career at that point . The album 's clea... |
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3452 Of Human Feelings received considerable acclaim from contemporary critics . In a review for Esquire , Gary Giddins hailed it as another landmark album from Coleman and his most accomplished work of harmolodics , partly because of compositions which he found clearly expressed and occasionally timeless . In his opi... |
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3453 Purist critics in jazz complained about the music 's incorporation of danceable beats and electric guitar . In Stereo Review , Chris Albertson deemed the combination of saxophone and bizarre funk occasionally captivating but ultimately unfocused . Dan Sullivan of the Los Angeles Times argued that the album 's sup... |
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3454 Coleman received $ 25 @,@ 000 for the publishing rights to Of Human Feelings but said his managers sold it for less than the recording costs and that he did not receive any of its royalties . According to Stan Bernstein , Coleman had financial expectations that were " unrealistic in this business unless you 're M... |
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3455 In a 1986 article for The New York Times on Coleman 's work with Prime Time , Robert Palmer said Of Human Feelings was still innovative and radical by the standards of other music in 1982 , three years after it was recorded . Because writers and musicians had heard its test pressing in 1979 , the album 's mix of ... |
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3456 = = Track listing = = |
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3457 All compositions by Ornette Coleman . |
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3458 Side one |
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3459 " Sleep Talk " – 3 : 34 |
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3460 " Jump Street " – 4 : 24 |
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3461 " Him and Her " – 4 : 20 |
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3462 " Air Ship " – 6 : 11 |
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3463 Side two |
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3464 " What Is the Name of That Song ? " – 3 : 58 |
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3465 " Job Mob " – 4 : 57 |
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3466 " Love Words " – 2 : 54 |
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3467 " Times Square " – 6 : 03 |
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3468 = = Personnel = = |
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3469 Credits are adapted from the album 's liner notes . |
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3470 = = = Musicians = = = |
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3471 Denardo Coleman – drums |
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3472 Ornette Coleman – alto saxophone , production |
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3473 Charlie Ellerbee – guitar |
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3474 Bern Nix – guitar |
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3475 Jamaaladeen Tacuma – bass guitar |
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3476 Calvin Weston – drums |
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3477 = = = Additional personnel = = = |
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3478 Susan Bernstein – cover painting |
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3479 Peter Corriston – cover design |
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3480 Joe Gastwirt – mastering |
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3481 Ron Saint Germain – engineering |
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3482 Ron Goldstein – executive direction |
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3483 Harold Jarowsky – second engineering |
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3484 Steven Mark Needham – photography |
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3485 Ken Robertson – tape operation |
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3486 = Dangerously in Love Tour = |
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3487 The Dangerously in Love Tour was the debut concert tour by American recording artist Beyoncé . Although the tour was intended to showcase songs from her debut solo album , Dangerously in Love , ( 2003 ) the set list also contained a special segment dedicated to Beyoncé 's girl group Destiny 's Child and featured ... |
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3488 = = Background and development = = |
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3489 The Dangerously In Love Tour was the debut solo concert tour by American recording artist Beyoncé . The tour was intended to showcase songs from Beyoncé ' debut solo album , Dangerously in Love released in 2003 . However , the set list also contained a special segment of her show dedicated to her girl group Desti... |
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3490 = = Synopsis and reception = = |
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3491 Dave Simpson of The Guardian described the opening of the show during his review : " Some while after Beyoncé is due on stage , a voice announces that the support act won 't be appearing and that Beyoncé will be with us ' in a moment ' . Like everything else – hits , boots , hair and sponsorship deals – moments a... |
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3492 Simpson of The Guardian reviewed the opening show of the tour negatively , grading it with two out of five stars . He was negative about Beyoncé ' clothing during the show , saying : " The delays may well be down to Beyoncé 's wardrobe , which could trouble Imelda Marcos . There are skimpy skirts , tails ( for a ... |
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3493 " Clearly , the armies of industry professionals that put Beyoncé together aren 't sure of her core audience . A vague Saturday night TV , family entertainment feel gradually gives way to a more intriguing cross between Liza Minelli showbiz and thumping R & B. However , a ticker tape festooned Crazy In Love and a... |
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3494 = = Broadcasts and recordings = = |
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3495 On November 10 , 2003 , Beyoncé performed at the Wembley Arena in London ; this was later put on a DVD , titled Live at Wembley , which was released in April 2004 . It was accompanied by a CD comprising three previously @-@ unreleased studio recorded songs and one remix each of " Crazy in Love " , " Baby Boy " an... |
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3496 = = Set list = = |
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3497 " Baby Boy " |
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3498 " Naughty Girl " |
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3499 " Fever " |
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