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|---|---|---|---|---|---|---|---|
other | О -- ни сор -- ва -- ли по цвет -- ку, | ||||||
other | И сад был весь о -- пу -- сто -- шен | ||||||
other | \set stanza = #"3. " | ||||||
other | „Как ты спле -- тешь те -- перь ве -- нок? | ||||||
other | Втво -- ем са -- ду нет бо -- льше роз!“ | ||||||
other | „Вы по -- за -- бы -- ли, что ши -- пы | ||||||
other | Ос -- та -- лись мне“, ска -- зал Хрис -- тос. | ||||||
other | \set stanza = #"4. " | ||||||
other | И из ши -- пов о -- ни спле -- ли | ||||||
other | Ве -- нок ко -- лю -- чий для не -- го, | ||||||
other | И ка -- пли кро -- ви вме -- сто роз | ||||||
other | Че -- ло у -- кра -- си -- ли е -- го. | ||||||
other | » | ||||||
other | </score> | ||||||
other | The relative major (G major) is prominent in Tchaikovsky's harmonization, as the following fragment, (from the choral arrangement) illustrates: | ||||||
other | <score vorbis="1"> | ||||||
other | \new Staff « | ||||||
other | \addlyrics { | ||||||
other | » | ||||||
other | \new Staff « | ||||||
other | </score> | ||||||
other | The original version of the music, for solo voice and piano, was published as part of Tchaikovsky's "Songs for Chidren", Op. | ||||||
other | 54, in 1884. | ||||||
other | The orchestra arrangement was made for tenor Dmitri Usatov, who premiered it in April 1884 at the Bolshoi Theatre. | ||||||
other | The choral arrangement was premiered by the Chorus of the Imperial Opera under the direction of Fyodor Becker in March 1889. | ||||||
other | Both the orchestral and choral arrangements were published in 1890. | ||||||
other | The choral arrangement was subsequently performed under Tchaikovsky's direction at the official opening concert of Carnegie Hall in May 1891. | ||||||
other | According to the "New York Times" review, it "made a great hit", with the composer being "called out twice after it with great enthusiasm". | ||||||
other | An English translation, "When Jesus Christ was yet a child", was made by Geoffrey Dearmer and published in "The English Carol Book" in 1913. | ||||||
other | The song was the basis of Anton Arensky's Variations on a Theme by Tchaikovsky, Op. | ||||||
other | 35a (1894), for string orchestra. | ||||||
other | Ministry of Health and Medical Services (Solomon Islands) | ||||||
other | Ministry of Health and Medical Services (MHMS) is a government ministry of the Solomon Islands. | ||||||
other | Its head office is in Honiara. | ||||||
other | The divisions in the ministry are Administration & Management, Health Care, Health Improvement, Health Policy and Planning. | ||||||
other | The health care division operates hospitals in the country. | ||||||
other | MHMS | ||||||
other | MHMS may refer to: | ||||||
other | Keep On Chooglin' (song) | ||||||
other | "Keep On Chooglin'" is a song written by John Fogerty that was first released as the final song on Creedence Clearwater Revival's 1969 album "Bayou Country". | ||||||
other | The song was often used to close Creedence Clearwater Revival concerts and was later covered by several other artists including Fogerty as a solo artist. | ||||||
other | The song popularized the neologism "chooglin'." | ||||||
other | According to John Fogerty, he began working on "Keep On Chooglin'" (as well as "Born on the Bayou" and "Proud Mary," which also appeared on "Bayou Country") during his time in the US Army Reserves. | ||||||
other | He continued working on those songs after his discharge and throughout most of 1968, during which time he came up with the idea to cross-reference the songs as part of a "swamp bayou myth." | ||||||
other | John Fogerty biographer Thomas M. Kitts describes "Keep On Chooglin'" as "an energetic rave." | ||||||
other | The song builds into a boogie as John Fogerty plays variations on the opening guitar riff and incorporates solos on his harmonica. | ||||||
other | John Fogerty claims that some of his guitar playing on "Keep on Chooglin'" is based on the playing of Charlie Christian. | ||||||
other | Kitts describes Doug Clifford's drums as "pounding," Stu Cook's bass guitar as "thumping" and Tom Fogerty's rhythm guitar chords as "slashing." | ||||||
other | Music writer Steven L. Hamelman praises Clifford's drumming on the song as "a brilliant groove, never wavering." | ||||||
other | The song popularized the term "chooglin', which may have been invented by Fogerty." | ||||||
other | The lyrics tell the listener that he or she should "keep on chooglin'." | ||||||
other | John Fogerty explained the term chooglin' as "what happens when 'you got to ball and have a good time.'" | ||||||
other | Similar to Fogerty's explanation, Cook viewed chooglin' as a metaphor for sex. | ||||||
other | Lyrics of the song such as "Here comes Louie, works in the sewer, he gonna choogle tonight" imply that chooglin' is especially done by the working class, but other lyrics such as "if you can choose it, who can refuse it, y'all be chooglin' tonight" imply that everyone can choogle. | ||||||
other | Clifford described the message to keep on chooglin' as inspirational, "It means keep on going, keep on truckin'. | ||||||
other | Things may be bad and look bleak, but believe in yourself, pull up the old bootstraps and get the job done." | ||||||
other | According to "Village Voice" critic Robert Christgau, the verb "choogle" "has more to do with vigor than with potency, more to do with simple activity than with sexuality." | ||||||
other | "Keep On Chooglin'" has some relationship to "Bootleg," another song from "Bayou Country" in that the singer appears to be a marginalized figure. | ||||||
other | The two songs also share similar riffs, and were both designed as "concert ravers." | ||||||
other | "Keep On Chooglin'" and "Bootleg" (as well as some other Creedence songs) were both used to demonstrate the similarities between different songs as part of Fogerty's defense in the lawsuit brought against him by Fantasy Records, in which Fantasy claimed that Fogerty's solo song "The Old Man Down the Road" copied the me... | ||||||
other | "Keep On Chooglin'" also relates to several other songs on "Bayou Country" as one of several songs that maintain an illusion that the band is from the Louisiana backwoods, a group that also includes "Born on the Bayou," "Proud Mary" and "Graveyard Train." | ||||||
other | Creedence Clearwater Revival often used "Keep On Chooglin'" as their final song in live concerts. | ||||||
other | Although the album version lasted a little under 8 minutes, in concert the song could extend for more than 15 minutes. | ||||||
other | Live versions have been included on several Creedence Clearwater Revival live albums, including "Live in Europe", "The Concert" and "Live at Woodstock". | ||||||
other | "Keep On Chooglin'" was included on the soundtrack of the 1980 Art Linson film "Where the Buffalo Roam". | ||||||
other | John Fogerty has frequently played "Keep On Chooglin'" in his live solo concerts. | ||||||
other | Versions have been included on several of his albums, including "The Long Road Home – In Concert" and "", as well as a special edition of "Revival". | ||||||
other | The Hammersmith Gorillas covered "Keep On Chooglin'" on their 1999 album "Gorilla Got Me". | ||||||
other | Lee Benoit covered it on his 2000 album "Dis 'N' Dat". | ||||||
other | 2010–11 USM Annaba season | ||||||
other | In the 2010–11 season, USM Annaba competed in the Ligue 1 for the 21st season, as well as the Algerian Cup. | ||||||
other | They competed in Ligue 1, and the Algerian Cup. | ||||||
other | <br> | ||||||
other | He Was There (When I Needed You) | ||||||
other | "He Was There (When I Needed You)" is a song written by Sue Richards that was originally recorded by American country artist Tammy Wynette. | ||||||
other | It was released as a single in March 1980 and became a top twenty hit on the "Billboard" country songs chart. | ||||||
other | "He Was There (When I Needed You)" was recorded in January 1980 at the Columbia Recording Studio in Nashville, Tennessee. | ||||||
other | The session featured tracks that would later appear on Wynette's 1980 album. | ||||||
other | The recording session was produced by Billy Sherrill and included renowned Nashville session musicians such as Johnny Gimble, Pete Drake and George Richey (Wynette's husband). | ||||||
other | The song reached number 17 on the "Billboard" Hot Country Singles chart. | ||||||
other | It released on her 1980 studio album "Only Lonely Sometimes". | ||||||
other | Andrzej Halicki | ||||||
other | Andrzej Halicki is a Polish politician currently serving as a Member of the European Parliament for the Civic Platform. | ||||||
other | Łukasz Kohut | ||||||
other | Łukasz Kohut is a Polish politician currently serving as a Member of the European Parliament for Spring. | ||||||
other | Starting Over (Tammy Wynette song) | ||||||
other | "Starting Over" is a song written by Bob McDill that was originally recorded by American country artist Tammy Wynette. | ||||||
other | It was released as a single in March 1980 and became a top twenty hit on the "Billboard" country songs chart. | ||||||
other | "Starting Over" was recorded in January 1980 at the Columbia Recording Studio in Nashville, Tennessee. | ||||||
other | The session featured tracks that would later appear on Wynette's 1980 album. | ||||||
other | The recording session was produced by Billy Sherrill and included renowned Nashville session musicians such as Johnny Gimble, Pete Drake and George Richey (Wynette's husband). | ||||||
other | The song reached number 17 on the "Billboard" Hot Country Singles chart. | ||||||
other | It released on her 1980 studio album "Only Lonely Sometimes". | ||||||
other | Sylwia Spurek | ||||||
other | Dr. Sylwia Iwona Spurek (born 29 January 1976) is a Polish politician, lawyer, attorney-at-law, lecturer and Doctor of Law. | ||||||
other | For 2015 to 2019 she was Deputy Polish Ombudsman (serving Polish Ombudsman at the time was Adam Bodnar). | ||||||
other | She was a Spring (part of the Progressive Alliance of Socialists and Democrats group) Member of the European Parliament (MEP) elected in the 2019 European parliamentary election. | ||||||
other | She left Spring on 28 October 2019 and is independent member of S&D. | ||||||
other | Sylwia Spurek was born on 29 January 1976 in Skarżysko-Kamienna, Poland. | ||||||
other | She graduated University of Lodz Faculty of Law and Administration (2000). |
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