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In the Australian Outback, a young boy named Cody rescues and befriends a rare giant eagle named Marahute, who shows him her nest and eggs. Later on, the boy unknowingly falls into an animal trap set by Percival C. McLeach, a local poacher wanted by the Australian Rangers. When McLeach finds one of the eagle's feather... | [
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In the Australian Outback, a young boy named Cody rescues and befriends a rare giant eagle named Marahute, who shows him her nest and eggs. Later on, the boy unknowingly falls into an animal trap set by Percival C. McLeach, a local poacher wanted by the Australian Rangers. When McLeach finds one of the eagle's feather... | [
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In the Australian Outback, a young boy named Cody rescues and befriends a rare giant eagle named Marahute, who shows him her nest and eggs. Later on, the boy unknowingly falls into an animal trap set by Percival C. McLeach, a local poacher wanted by the Australian Rangers. When McLeach finds one of the eagle's feather... | [
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"Bernard, Bianca, and Jake",
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In the Australian Outback, a young boy named Cody rescues and befriends a rare giant eagle named Marahute, who shows him her nest and eggs. Later on, the boy unknowingly falls into an animal trap set by Percival C. McLeach, a local poacher wanted by the Australian Rangers. When McLeach finds one of the eagle's feather... | [
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"Maharute and her nest",
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In the Australian Outback, a young boy named Cody rescues and befriends a rare giant eagle named Marahute, who shows him her nest and eggs. Later on, the boy unknowingly falls into an animal trap set by Percival C. McLeach, a local poacher wanted by the Australian Rangers. When McLeach finds one of the eagle's feather... | [
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"Because Cody was protecting Maharute",
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"He is a poacher and exploits animals for profit",
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"Percival tricks Cody into thinking Maharute is dead",
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The play's double plotline concerns the romance between Letitia Hardy and Doricourt, as well as the relationship between Sir George Touchwood and his wife, Lady Frances Touchwood. The story comes to a dĂŠnouement at the masquerade ball of the last act. As described by the press office of the Oregon Shakespeare Festiva... | [
[
"Because she wishes to marry someone who adores her equally.",
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] | [
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" The play's double plotline concerns the romance between Letitia Hardy and Doricourt, as well as the relationship between Sir George Touchwood and his wife, Lady Frances Touchwood. The story comes to a dĂŠnouement at the masquerade ball of the last act. As described by the press office of the Oregon Shakespeare Fe... | [
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The play's double plotline concerns the romance between Letitia Hardy and Doricourt, as well as the relationship between Sir George Touchwood and his wife, Lady Frances Touchwood. The story comes to a dĂŠnouement at the masquerade ball of the last act. As described by the press office of the Oregon Shakespeare Festiva... | [
[
"By turning her into a fine lady.",
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] | [
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"content": "How does Sir George's aquaintance plan to change Lady Frances?",
"role": "user"
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] | 1,025 | [
" The play's double plotline concerns the romance between Letitia Hardy and Doricourt, as well as the relationship between Sir George Touchwood and his wife, Lady Frances Touchwood. The story comes to a dĂŠnouement at the masquerade ball of the last act. As described by the press office of the Oregon Shakespeare Fe... | [
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The play's double plotline concerns the romance between Letitia Hardy and Doricourt, as well as the relationship between Sir George Touchwood and his wife, Lady Frances Touchwood. The story comes to a dĂŠnouement at the masquerade ball of the last act. As described by the press office of the Oregon Shakespeare Festiva... | [
[
"By a fashionable life.",
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] | [
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"content": "Sir George believes that his wife Lady Frances is corrupted by what?",
"role": "user"
}
] | 1,026 | [
" The play's double plotline concerns the romance between Letitia Hardy and Doricourt, as well as the relationship between Sir George Touchwood and his wife, Lady Frances Touchwood. The story comes to a dĂŠnouement at the masquerade ball of the last act. As described by the press office of the Oregon Shakespeare Fe... | [
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The play's double plotline concerns the romance between Letitia Hardy and Doricourt, as well as the relationship between Sir George Touchwood and his wife, Lady Frances Touchwood. The story comes to a dĂŠnouement at the masquerade ball of the last act. As described by the press office of the Oregon Shakespeare Festiva... | [
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"Jealousy",
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] | [
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"content": "What feeling does Sir George harbor toward his lovely country-bred wife?",
"role": "user"
}
] | 1,027 | [
" The play's double plotline concerns the romance between Letitia Hardy and Doricourt, as well as the relationship between Sir George Touchwood and his wife, Lady Frances Touchwood. The story comes to a dĂŠnouement at the masquerade ball of the last act. As described by the press office of the Oregon Shakespeare Fe... | [
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The play's double plotline concerns the romance between Letitia Hardy and Doricourt, as well as the relationship between Sir George Touchwood and his wife, Lady Frances Touchwood. The story comes to a dĂŠnouement at the masquerade ball of the last act. As described by the press office of the Oregon Shakespeare Festiva... | [
[
"To spite the jealous Sir George.",
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]
] | [
{
"content": "Why does Sir George's aquaintance plan to turn Lady Frances into a fine lady?",
"role": "user"
}
] | 1,028 | [
" The play's double plotline concerns the romance between Letitia Hardy and Doricourt, as well as the relationship between Sir George Touchwood and his wife, Lady Frances Touchwood. The story comes to a dĂŠnouement at the masquerade ball of the last act. As described by the press office of the Oregon Shakespeare Fe... | [
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The play's double plotline concerns the romance between Letitia Hardy and Doricourt, as well as the relationship between Sir George Touchwood and his wife, Lady Frances Touchwood. The story comes to a dĂŠnouement at the masquerade ball of the last act. As described by the press office of the Oregon Shakespeare Festiva... | [
[
"Lady Francis is Sir George's wife.",
"Wife"
]
] | [
{
"content": "What is Lady Francis' relationship to Sir George?",
"role": "user"
}
] | 1,029 | [
" The play's double plotline concerns the romance between Letitia Hardy and Doricourt, as well as the relationship between Sir George Touchwood and his wife, Lady Frances Touchwood. The story comes to a dĂŠnouement at the masquerade ball of the last act. As described by the press office of the Oregon Shakespeare Fe... | [
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1013,
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1011,
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The play's double plotline concerns the romance between Letitia Hardy and Doricourt, as well as the relationship between Sir George Touchwood and his wife, Lady Frances Touchwood. The story comes to a dĂŠnouement at the masquerade ball of the last act. As described by the press office of the Oregon Shakespeare Festiva... | [
[
"Doricourt",
"Doricourt"
]
] | [
{
"content": "To whom has Letitia Hardy been promised?",
"role": "user"
}
] | 1,030 | [
" The play's double plotline concerns the romance between Letitia Hardy and Doricourt, as well as the relationship between Sir George Touchwood and his wife, Lady Frances Touchwood. The story comes to a dĂŠnouement at the masquerade ball of the last act. As described by the press office of the Oregon Shakespeare Fe... | [
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1013,
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The play's double plotline concerns the romance between Letitia Hardy and Doricourt, as well as the relationship between Sir George Touchwood and his wife, Lady Frances Touchwood. The story comes to a dĂŠnouement at the masquerade ball of the last act. As described by the press office of the Oregon Shakespeare Festiva... | [
[
"With indifference.",
"He is unmoved by her"
]
] | [
{
"content": "Upon meeting how does Doricourt treat Letitia?",
"role": "user"
}
] | 1,031 | [
" The play's double plotline concerns the romance between Letitia Hardy and Doricourt, as well as the relationship between Sir George Touchwood and his wife, Lady Frances Touchwood. The story comes to a dĂŠnouement at the masquerade ball of the last act. As described by the press office of the Oregon Shakespeare Fe... | [
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1013,
1014,
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1011,
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The play's double plotline concerns the romance between Letitia Hardy and Doricourt, as well as the relationship between Sir George Touchwood and his wife, Lady Frances Touchwood. The story comes to a dĂŠnouement at the masquerade ball of the last act. As described by the press office of the Oregon Shakespeare Festiva... | [
[
"Letitia is hopelessly in love with Doricourt.",
"She is charmed by him"
]
] | [
{
"content": "How does Letitia feel about Doricourt?",
"role": "user"
}
] | 1,032 | [
" The play's double plotline concerns the romance between Letitia Hardy and Doricourt, as well as the relationship between Sir George Touchwood and his wife, Lady Frances Touchwood. The story comes to a dĂŠnouement at the masquerade ball of the last act. As described by the press office of the Oregon Shakespeare Fe... | [
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1013,
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1011,
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The play's double plotline concerns the romance between Letitia Hardy and Doricourt, as well as the relationship between Sir George Touchwood and his wife, Lady Frances Touchwood. The story comes to a dĂŠnouement at the masquerade ball of the last act. As described by the press office of the Oregon Shakespeare Festiva... | [
[
"Lady Francis, his wife.",
"Lady Frances"
]
] | [
{
"content": "Of whom is Sir George madly jealous?",
"role": "user"
}
] | 1,033 | [
" The play's double plotline concerns the romance between Letitia Hardy and Doricourt, as well as the relationship between Sir George Touchwood and his wife, Lady Frances Touchwood. The story comes to a dĂŠnouement at the masquerade ball of the last act. As described by the press office of the Oregon Shakespeare Fe... | [
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1013,
1014,
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1011,
1010
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The play's double plotline concerns the romance between Letitia Hardy and Doricourt, as well as the relationship between Sir George Touchwood and his wife, Lady Frances Touchwood. The story comes to a dĂŠnouement at the masquerade ball of the last act. As described by the press office of the Oregon Shakespeare Festiva... | [
[
"The Eighteenth.",
"18th century"
]
] | [
{
"content": "What century is the tale set in?",
"role": "user"
}
] | 1,034 | [
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1013,
1014,
1015,
1011,
1010
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The play's double plotline concerns the romance between Letitia Hardy and Doricourt, as well as the relationship between Sir George Touchwood and his wife, Lady Frances Touchwood. The story comes to a dĂŠnouement at the masquerade ball of the last act. As described by the press office of the Oregon Shakespeare Festiva... | [
[
"London",
"London"
]
] | [
{
"content": "What city is the tale set in?",
"role": "user"
}
] | 1,035 | [
" The play's double plotline concerns the romance between Letitia Hardy and Doricourt, as well as the relationship between Sir George Touchwood and his wife, Lady Frances Touchwood. The story comes to a dĂŠnouement at the masquerade ball of the last act. As described by the press office of the Oregon Shakespeare Fe... | [
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1013,
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1015,
1011,
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The play's double plotline concerns the romance between Letitia Hardy and Doricourt, as well as the relationship between Sir George Touchwood and his wife, Lady Frances Touchwood. The story comes to a dĂŠnouement at the masquerade ball of the last act. As described by the press office of the Oregon Shakespeare Festiva... | [
[
"Dangerously sophisticated.",
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]
] | [
{
"content": "What does George fear his country wife might become?",
"role": "user"
}
] | 1,036 | [
" The play's double plotline concerns the romance between Letitia Hardy and Doricourt, as well as the relationship between Sir George Touchwood and his wife, Lady Frances Touchwood. The story comes to a dĂŠnouement at the masquerade ball of the last act. As described by the press office of the Oregon Shakespeare Fe... | [
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1012,
1013,
1014,
1015,
1011,
1010
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The play's double plotline concerns the romance between Letitia Hardy and Doricourt, as well as the relationship between Sir George Touchwood and his wife, Lady Frances Touchwood. The story comes to a dĂŠnouement at the masquerade ball of the last act. As described by the press office of the Oregon Shakespeare Festiva... | [
[
"A Masquerade Ball.",
"A masquerade ball"
]
] | [
{
"content": "In which social occasion does the drama unfold?",
"role": "user"
}
] | 1,037 | [
" The play's double plotline concerns the romance between Letitia Hardy and Doricourt, as well as the relationship between Sir George Touchwood and his wife, Lady Frances Touchwood. The story comes to a dĂŠnouement at the masquerade ball of the last act. As described by the press office of the Oregon Shakespeare Fe... | [
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1012,
1013,
1014,
1015,
1011,
1010
] | train |
The play's double plotline concerns the romance between Letitia Hardy and Doricourt, as well as the relationship between Sir George Touchwood and his wife, Lady Frances Touchwood. The story comes to a dĂŠnouement at the masquerade ball of the last act. As described by the press office of the Oregon Shakespeare Festiva... | [
[
"One where he is equally in love with her.",
"One where he loves her equal to how much she loves him"
]
] | [
{
"content": "What type of love relationship is Letitia seeking to elicit from Doricourt?",
"role": "user"
}
] | 1,038 | [
" The play's double plotline concerns the romance between Letitia Hardy and Doricourt, as well as the relationship between Sir George Touchwood and his wife, Lady Frances Touchwood. The story comes to a dĂŠnouement at the masquerade ball of the last act. As described by the press office of the Oregon Shakespeare Fe... | [
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1012,
1013,
1014,
1015,
1011,
1010
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The biblical portion of the play, a retelling of the Visitation of the Shepherds, comes only after a longer, invented story that mirrors it, in which the shepherds, before visiting the holy baby outside in a manger, must first rescue one of their sheep that has been hidden in a cradle indoors by a comically evil sheep... | [
[
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{
"content": "Who is the first shepherd?",
"role": "user"
}
] | 1,039 | [
" The biblical portion of the play, a retelling of the Visitation of the Shepherds, comes only after a longer, invented story that mirrors it, in which the shepherds, before visiting the holy baby outside in a manger, must first rescue one of their sheep that has been hidden in a cradle indoors by a comically evil ... | [
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1042,
1043,
1044,
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The biblical portion of the play, a retelling of the Visitation of the Shepherds, comes only after a longer, invented story that mirrors it, in which the shepherds, before visiting the holy baby outside in a manger, must first rescue one of their sheep that has been hidden in a cradle indoors by a comically evil sheep... | [
[
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] | [
{
"content": "Whose wife is described as a whale sized woman?",
"role": "user"
}
] | 1,040 | [
" The biblical portion of the play, a retelling of the Visitation of the Shepherds, comes only after a longer, invented story that mirrors it, in which the shepherds, before visiting the holy baby outside in a manger, must first rescue one of their sheep that has been hidden in a cradle indoors by a comically evil ... | [
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1042,
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The biblical portion of the play, a retelling of the Visitation of the Shepherds, comes only after a longer, invented story that mirrors it, in which the shepherds, before visiting the holy baby outside in a manger, must first rescue one of their sheep that has been hidden in a cradle indoors by a comically evil sheep... | [
[
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] | [
{
"content": "What shepherd complains about recent floods being similar to Noah's flood?",
"role": "user"
}
] | 1,041 | [
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1042,
1043,
1044,
1040,
1039
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The biblical portion of the play, a retelling of the Visitation of the Shepherds, comes only after a longer, invented story that mirrors it, in which the shepherds, before visiting the holy baby outside in a manger, must first rescue one of their sheep that has been hidden in a cradle indoors by a comically evil sheep... | [
[
"Mak",
"Mak "
]
] | [
{
"content": "Who pretends to be a yeoman?",
"role": "user"
}
] | 1,042 | [
" The biblical portion of the play, a retelling of the Visitation of the Shepherds, comes only after a longer, invented story that mirrors it, in which the shepherds, before visiting the holy baby outside in a manger, must first rescue one of their sheep that has been hidden in a cradle indoors by a comically evil ... | [
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1043,
1044,
1040,
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The biblical portion of the play, a retelling of the Visitation of the Shepherds, comes only after a longer, invented story that mirrors it, in which the shepherds, before visiting the holy baby outside in a manger, must first rescue one of their sheep that has been hidden in a cradle indoors by a comically evil sheep... | [
[
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] | [
{
"content": "What type of punishment does Mak threaten the shepherds with?",
"role": "user"
}
] | 1,043 | [
" The biblical portion of the play, a retelling of the Visitation of the Shepherds, comes only after a longer, invented story that mirrors it, in which the shepherds, before visiting the holy baby outside in a manger, must first rescue one of their sheep that has been hidden in a cradle indoors by a comically evil ... | [
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1041,
1042,
1044,
1040,
1039
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The biblical portion of the play, a retelling of the Visitation of the Shepherds, comes only after a longer, invented story that mirrors it, in which the shepherds, before visiting the holy baby outside in a manger, must first rescue one of their sheep that has been hidden in a cradle indoors by a comically evil sheep... | [
[
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] | [
{
"content": "What does the spell do that Mak puts on the shepherds?",
"role": "user"
}
] | 1,044 | [
" The biblical portion of the play, a retelling of the Visitation of the Shepherds, comes only after a longer, invented story that mirrors it, in which the shepherds, before visiting the holy baby outside in a manger, must first rescue one of their sheep that has been hidden in a cradle indoors by a comically evil ... | [
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1041,
1042,
1043,
1040,
1039
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The biblical portion of the play, a retelling of the Visitation of the Shepherds, comes only after a longer, invented story that mirrors it, in which the shepherds, before visiting the holy baby outside in a manger, must first rescue one of their sheep that has been hidden in a cradle indoors by a comically evil sheep... | [
[
"Gill",
"Gill."
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] | [
{
"content": "Who is Mak married to?",
"role": "user"
}
] | 1,045 | [
" The biblical portion of the play, a retelling of the Visitation of the Shepherds, comes only after a longer, invented story that mirrors it, in which the shepherds, before visiting the holy baby outside in a manger, must first rescue one of their sheep that has been hidden in a cradle indoors by a comically evil ... | [
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1041,
1042,
1043,
1044,
1040,
1039
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The biblical portion of the play, a retelling of the Visitation of the Shepherds, comes only after a longer, invented story that mirrors it, in which the shepherds, before visiting the holy baby outside in a manger, must first rescue one of their sheep that has been hidden in a cradle indoors by a comically evil sheep... | [
[
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]
] | [
{
"content": "What city are the shepherds directed to go to see the Christ child?",
"role": "user"
}
] | 1,046 | [
" The biblical portion of the play, a retelling of the Visitation of the Shepherds, comes only after a longer, invented story that mirrors it, in which the shepherds, before visiting the holy baby outside in a manger, must first rescue one of their sheep that has been hidden in a cradle indoors by a comically evil ... | [
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1041,
1042,
1043,
1044,
1040,
1039
] | train |
The biblical portion of the play, a retelling of the Visitation of the Shepherds, comes only after a longer, invented story that mirrors it, in which the shepherds, before visiting the holy baby outside in a manger, must first rescue one of their sheep that has been hidden in a cradle indoors by a comically evil sheep... | [
[
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]
] | [
{
"content": "Why do the shepherds go back to Mak's house once they leave?",
"role": "user"
}
] | 1,047 | [
" The biblical portion of the play, a retelling of the Visitation of the Shepherds, comes only after a longer, invented story that mirrors it, in which the shepherds, before visiting the holy baby outside in a manger, must first rescue one of their sheep that has been hidden in a cradle indoors by a comically evil ... | [
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1041,
1042,
1043,
1044,
1040,
1039
] | train |
The biblical portion of the play, a retelling of the Visitation of the Shepherds, comes only after a longer, invented story that mirrors it, in which the shepherds, before visiting the holy baby outside in a manger, must first rescue one of their sheep that has been hidden in a cradle indoors by a comically evil sheep... | [
[
"Gib",
"Gib"
]
] | [
{
"content": "Who states that young men should be wary of marriage?",
"role": "user"
}
] | 1,048 | [
" The biblical portion of the play, a retelling of the Visitation of the Shepherds, comes only after a longer, invented story that mirrors it, in which the shepherds, before visiting the holy baby outside in a manger, must first rescue one of their sheep that has been hidden in a cradle indoors by a comically evil ... | [
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1041,
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The biblical portion of the play, a retelling of the Visitation of the Shepherds, comes only after a longer, invented story that mirrors it, in which the shepherds, before visiting the holy baby outside in a manger, must first rescue one of their sheep that has been hidden in a cradle indoors by a comically evil sheep... | [
[
"They are delayed by trying to find the sheep that was stolen from them by Mak.",
"they were trying to find their stolen sheep"
]
] | [
{
"content": "Why do the shepherds arrive late to see the Christ child?",
"role": "user"
}
] | 1,049 | [
" The biblical portion of the play, a retelling of the Visitation of the Shepherds, comes only after a longer, invented story that mirrors it, in which the shepherds, before visiting the holy baby outside in a manger, must first rescue one of their sheep that has been hidden in a cradle indoors by a comically evil ... | [
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1042,
1043,
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The biblical portion of the play, a retelling of the Visitation of the Shepherds, comes only after a longer, invented story that mirrors it, in which the shepherds, before visiting the holy baby outside in a manger, must first rescue one of their sheep that has been hidden in a cradle indoors by a comically evil sheep... | [
[
"Gib refers to \"Him that died for us all\" before Christ has been born, Mak invoking Christ and Pontius Pilate before Christ has been born, etc.",
"The game of tennis had not been invented yet."
]
] | [
{
"content": "What is a specific example of an anachronism in the story?",
"role": "user"
}
] | 1,050 | [
" The biblical portion of the play, a retelling of the Visitation of the Shepherds, comes only after a longer, invented story that mirrors it, in which the shepherds, before visiting the holy baby outside in a manger, must first rescue one of their sheep that has been hidden in a cradle indoors by a comically evil ... | [
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1041,
1042,
1043,
1044,
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The biblical portion of the play, a retelling of the Visitation of the Shepherds, comes only after a longer, invented story that mirrors it, in which the shepherds, before visiting the holy baby outside in a manger, must first rescue one of their sheep that has been hidden in a cradle indoors by a comically evil sheep... | [
[
"She pretends to be in labor with the twin of her unseen (and fake) new baby.",
"by pretending to be in labor with the twin that the sheep is being portrayed as"
]
] | [
{
"content": "How does Gill plan to get the shepherds to go away?",
"role": "user"
}
] | 1,051 | [
" The biblical portion of the play, a retelling of the Visitation of the Shepherds, comes only after a longer, invented story that mirrors it, in which the shepherds, before visiting the holy baby outside in a manger, must first rescue one of their sheep that has been hidden in a cradle indoors by a comically evil ... | [
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The biblical portion of the play, a retelling of the Visitation of the Shepherds, comes only after a longer, invented story that mirrors it, in which the shepherds, before visiting the holy baby outside in a manger, must first rescue one of their sheep that has been hidden in a cradle indoors by a comically evil sheep... | [
[
"So he can steal one of their sheep while they are asleep.",
"To steal a sheep "
]
] | [
{
"content": "Why does Mak want to stay overnight with the shepherds?",
"role": "user"
}
] | 1,052 | [
" The biblical portion of the play, a retelling of the Visitation of the Shepherds, comes only after a longer, invented story that mirrors it, in which the shepherds, before visiting the holy baby outside in a manger, must first rescue one of their sheep that has been hidden in a cradle indoors by a comically evil ... | [
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1041,
1042,
1043,
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The biblical portion of the play, a retelling of the Visitation of the Shepherds, comes only after a longer, invented story that mirrors it, in which the shepherds, before visiting the holy baby outside in a manger, must first rescue one of their sheep that has been hidden in a cradle indoors by a comically evil sheep... | [
[
"She convinces them the hidden sheep is a baby, and they return to bring the child gifts.",
"They find the sheep when they bring back gifts for the baby "
]
] | [
{
"content": "How does Gill's plan to trick the shepherds backfire?",
"role": "user"
}
] | 1,053 | [
" The biblical portion of the play, a retelling of the Visitation of the Shepherds, comes only after a longer, invented story that mirrors it, in which the shepherds, before visiting the holy baby outside in a manger, must first rescue one of their sheep that has been hidden in a cradle indoors by a comically evil ... | [
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1042,
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The biblical portion of the play, a retelling of the Visitation of the Shepherds, comes only after a longer, invented story that mirrors it, in which the shepherds, before visiting the holy baby outside in a manger, must first rescue one of their sheep that has been hidden in a cradle indoors by a comically evil sheep... | [
[
"They respect Mary for her mildness, whereas they insult and complain about their wives.",
"She seems very mild"
]
] | [
{
"content": "How do the shepherds' views of Mary contrast to their views of other women?",
"role": "user"
}
] | 1,054 | [
" The biblical portion of the play, a retelling of the Visitation of the Shepherds, comes only after a longer, invented story that mirrors it, in which the shepherds, before visiting the holy baby outside in a manger, must first rescue one of their sheep that has been hidden in a cradle indoors by a comically evil ... | [
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1041,
1042,
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The biblical portion of the play, a retelling of the Visitation of the Shepherds, comes only after a longer, invented story that mirrors it, in which the shepherds, before visiting the holy baby outside in a manger, must first rescue one of their sheep that has been hidden in a cradle indoors by a comically evil sheep... | [
[
"They treat Him reverentially, and praise His authority.",
"At first the recognize his authority, but then treat him like a baby."
]
] | [
{
"content": "How do the shepherds treat the Christ child differently than they would another baby?",
"role": "user"
}
] | 1,055 | [
" The biblical portion of the play, a retelling of the Visitation of the Shepherds, comes only after a longer, invented story that mirrors it, in which the shepherds, before visiting the holy baby outside in a manger, must first rescue one of their sheep that has been hidden in a cradle indoors by a comically evil ... | [
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1042,
1043,
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1040,
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The biblical portion of the play, a retelling of the Visitation of the Shepherds, comes only after a longer, invented story that mirrors it, in which the shepherds, before visiting the holy baby outside in a manger, must first rescue one of their sheep that has been hidden in a cradle indoors by a comically evil sheep... | [
[
"They coo and talk \"baby talk\" to Him, they give Him gifts a child would like.",
"By talking to him in baby talk."
]
] | [
{
"content": "How do the shepherds treat the Christ child the same as they would another baby?",
"role": "user"
}
] | 1,056 | [
" The biblical portion of the play, a retelling of the Visitation of the Shepherds, comes only after a longer, invented story that mirrors it, in which the shepherds, before visiting the holy baby outside in a manger, must first rescue one of their sheep that has been hidden in a cradle indoors by a comically evil ... | [
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1041,
1042,
1043,
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The biblical portion of the play, a retelling of the Visitation of the Shepherds, comes only after a longer, invented story that mirrors it, in which the shepherds, before visiting the holy baby outside in a manger, must first rescue one of their sheep that has been hidden in a cradle indoors by a comically evil sheep... | [
[
"gib complains about the weather and then the plight of married men.",
"Weather and marriage."
]
] | [
{
"content": "What does gib complain about?",
"role": "user"
}
] | 1,057 | [
" The biblical portion of the play, a retelling of the Visitation of the Shepherds, comes only after a longer, invented story that mirrors it, in which the shepherds, before visiting the holy baby outside in a manger, must first rescue one of their sheep that has been hidden in a cradle indoors by a comically evil ... | [
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1041,
1042,
1043,
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The biblical portion of the play, a retelling of the Visitation of the Shepherds, comes only after a longer, invented story that mirrors it, in which the shepherds, before visiting the holy baby outside in a manger, must first rescue one of their sheep that has been hidden in a cradle indoors by a comically evil sheep... | [
[
"he complains about thirst , hunger and floods.",
"Employers, hunger and floods "
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] | [
{
"content": "What does daw compalin about?",
"role": "user"
}
] | 1,058 | [
" The biblical portion of the play, a retelling of the Visitation of the Shepherds, comes only after a longer, invented story that mirrors it, in which the shepherds, before visiting the holy baby outside in a manger, must first rescue one of their sheep that has been hidden in a cradle indoors by a comically evil ... | [
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1041,
1042,
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The biblical portion of the play, a retelling of the Visitation of the Shepherds, comes only after a longer, invented story that mirrors it, in which the shepherds, before visiting the holy baby outside in a manger, must first rescue one of their sheep that has been hidden in a cradle indoors by a comically evil sheep... | [
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"he complains about poverty, cold weather and arrogance of local gentry. ",
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] | [
{
"content": "What does coll complain about?",
"role": "user"
}
] | 1,059 | [
" The biblical portion of the play, a retelling of the Visitation of the Shepherds, comes only after a longer, invented story that mirrors it, in which the shepherds, before visiting the holy baby outside in a manger, must first rescue one of their sheep that has been hidden in a cradle indoors by a comically evil ... | [
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1041,
1042,
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1040,
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The biblical portion of the play, a retelling of the Visitation of the Shepherds, comes only after a longer, invented story that mirrors it, in which the shepherds, before visiting the holy baby outside in a manger, must first rescue one of their sheep that has been hidden in a cradle indoors by a comically evil sheep... | [
[
"mak is a well known good for nothing thief.gill is the name of maks wife.",
"Mak is a well known thief and his wife is Gill "
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] | [
{
"content": "Who is mak and what is name of his wife?",
"role": "user"
}
] | 1,060 | [
" The biblical portion of the play, a retelling of the Visitation of the Shepherds, comes only after a longer, invented story that mirrors it, in which the shepherds, before visiting the holy baby outside in a manger, must first rescue one of their sheep that has been hidden in a cradle indoors by a comically evil ... | [
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1041,
1042,
1043,
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1040,
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The biblical portion of the play, a retelling of the Visitation of the Shepherds, comes only after a longer, invented story that mirrors it, in which the shepherds, before visiting the holy baby outside in a manger, must first rescue one of their sheep that has been hidden in a cradle indoors by a comically evil sheep... | [
[
"the shepherds decided to roll mak in a canvas and throw him up and down till he feels exhausted.",
"Rolling him in canvas and throwing him up and down until the throwers were exhausted."
]
] | [
{
"content": "What punishment was decided for mak?",
"role": "user"
}
] | 1,061 | [
" The biblical portion of the play, a retelling of the Visitation of the Shepherds, comes only after a longer, invented story that mirrors it, in which the shepherds, before visiting the holy baby outside in a manger, must first rescue one of their sheep that has been hidden in a cradle indoors by a comically evil ... | [
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1042,
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The biblical portion of the play, a retelling of the Visitation of the Shepherds, comes only after a longer, invented story that mirrors it, in which the shepherds, before visiting the holy baby outside in a manger, must first rescue one of their sheep that has been hidden in a cradle indoors by a comically evil sheep... | [
[
"they went to give gifts to the baby.",
"a sheep is missing"
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] | [
{
"content": "Why did shepherds go back to maks house?",
"role": "user"
}
] | 1,062 | [
" The biblical portion of the play, a retelling of the Visitation of the Shepherds, comes only after a longer, invented story that mirrors it, in which the shepherds, before visiting the holy baby outside in a manger, must first rescue one of their sheep that has been hidden in a cradle indoors by a comically evil ... | [
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1041,
1042,
1043,
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1040,
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The biblical portion of the play, a retelling of the Visitation of the Shepherds, comes only after a longer, invented story that mirrors it, in which the shepherds, before visiting the holy baby outside in a manger, must first rescue one of their sheep that has been hidden in a cradle indoors by a comically evil sheep... | [
[
"The shepherds saw their sheep as they removed the swaddling clothes",
"Their sheep"
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] | [
{
"content": "What did the shepherds see in cradle?",
"role": "user"
}
] | 1,063 | [
" The biblical portion of the play, a retelling of the Visitation of the Shepherds, comes only after a longer, invented story that mirrors it, in which the shepherds, before visiting the holy baby outside in a manger, must first rescue one of their sheep that has been hidden in a cradle indoors by a comically evil ... | [
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1041,
1042,
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1040,
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The biblical portion of the play, a retelling of the Visitation of the Shepherds, comes only after a longer, invented story that mirrors it, in which the shepherds, before visiting the holy baby outside in a manger, must first rescue one of their sheep that has been hidden in a cradle indoors by a comically evil sheep... | [
[
"the angel told them to go to bedlam to see Christs child.",
"To go to Bethlehem."
]
] | [
{
"content": "What did the angel that appeared told them?",
"role": "user"
}
] | 1,064 | [
" The biblical portion of the play, a retelling of the Visitation of the Shepherds, comes only after a longer, invented story that mirrors it, in which the shepherds, before visiting the holy baby outside in a manger, must first rescue one of their sheep that has been hidden in a cradle indoors by a comically evil ... | [
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1041,
1042,
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The biblical portion of the play, a retelling of the Visitation of the Shepherds, comes only after a longer, invented story that mirrors it, in which the shepherds, before visiting the holy baby outside in a manger, must first rescue one of their sheep that has been hidden in a cradle indoors by a comically evil sheep... | [
[
"they gave a bird,ball and a bob of cherries.",
"They gave him a bob of cherries, a bird, and a ball."
]
] | [
{
"content": "What did the three shepherds give to the baby?",
"role": "user"
}
] | 1,065 | [
" The biblical portion of the play, a retelling of the Visitation of the Shepherds, comes only after a longer, invented story that mirrors it, in which the shepherds, before visiting the holy baby outside in a manger, must first rescue one of their sheep that has been hidden in a cradle indoors by a comically evil ... | [
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1042,
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1040,
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The biblical portion of the play, a retelling of the Visitation of the Shepherds, comes only after a longer, invented story that mirrors it, in which the shepherds, before visiting the holy baby outside in a manger, must first rescue one of their sheep that has been hidden in a cradle indoors by a comically evil sheep... | [
[
"he made the plan to steel one of their sheep as they slept.",
"Pretending to be a yeoman."
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] | [
{
"content": "What was maks plan?",
"role": "user"
}
] | 1,066 | [
" The biblical portion of the play, a retelling of the Visitation of the Shepherds, comes only after a longer, invented story that mirrors it, in which the shepherds, before visiting the holy baby outside in a manger, must first rescue one of their sheep that has been hidden in a cradle indoors by a comically evil ... | [
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1042,
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1040,
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The film is set in the Qing Dynasty during the 43rd year (1779) of the reign of the Qianlong Emperor. Li Mu Bai (Chow Yun-fat) is an accomplished Wudang swordsman. Long ago, his master was murdered by Jade Fox (Cheng Pei-pei), a woman who sought to learn Wudang skills. Mu Bai is also a good friend of Yu Shu Lien (Mich... | [
[
"A Wudang swordsman.",
"An accomplished Wudang swordsman."
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] | [
{
"content": "Who is Li Mu Bai?",
"role": "user"
}
] | 1,067 | [
" The film is set in the Qing Dynasty during the 43rd year (1779) of the reign of the Qianlong Emperor. Li Mu Bai (Chow Yun-fat) is an accomplished Wudang swordsman. Long ago, his master was murdered by Jade Fox (Cheng Pei-pei), a woman who sought to learn Wudang skills. Mu Bai is also a good friend of Yu Shu Lien ... | [
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The film is set in the Qing Dynasty during the 43rd year (1779) of the reign of the Qianlong Emperor. Li Mu Bai (Chow Yun-fat) is an accomplished Wudang swordsman. Long ago, his master was murdered by Jade Fox (Cheng Pei-pei), a woman who sought to learn Wudang skills. Mu Bai is also a good friend of Yu Shu Lien (Mich... | [
[
"The Green Destiny.",
"Green Destiny"
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{
"content": "What is the name of Mu Bai's sword?",
"role": "user"
}
] | 1,068 | [
" The film is set in the Qing Dynasty during the 43rd year (1779) of the reign of the Qianlong Emperor. Li Mu Bai (Chow Yun-fat) is an accomplished Wudang swordsman. Long ago, his master was murdered by Jade Fox (Cheng Pei-pei), a woman who sought to learn Wudang skills. Mu Bai is also a good friend of Yu Shu Lien ... | [
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1067,
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The film is set in the Qing Dynasty during the 43rd year (1779) of the reign of the Qianlong Emperor. Li Mu Bai (Chow Yun-fat) is an accomplished Wudang swordsman. Long ago, his master was murdered by Jade Fox (Cheng Pei-pei), a woman who sought to learn Wudang skills. Mu Bai is also a good friend of Yu Shu Lien (Mich... | [
[
"Governor Yu.",
"Governor Yu"
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] | [
{
"content": "Who is Jen's father?",
"role": "user"
}
] | 1,069 | [
" The film is set in the Qing Dynasty during the 43rd year (1779) of the reign of the Qianlong Emperor. Li Mu Bai (Chow Yun-fat) is an accomplished Wudang swordsman. Long ago, his master was murdered by Jade Fox (Cheng Pei-pei), a woman who sought to learn Wudang skills. Mu Bai is also a good friend of Yu Shu Lien ... | [
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1067,
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The film is set in the Qing Dynasty during the 43rd year (1779) of the reign of the Qianlong Emperor. Li Mu Bai (Chow Yun-fat) is an accomplished Wudang swordsman. Long ago, his master was murdered by Jade Fox (Cheng Pei-pei), a woman who sought to learn Wudang skills. Mu Bai is also a good friend of Yu Shu Lien (Mich... | [
[
"She murdered Mu Bai's master..",
"Because he murdered "
]
] | [
{
"content": "Why was Jade Fox hunted?",
"role": "user"
}
] | 1,070 | [
" The film is set in the Qing Dynasty during the 43rd year (1779) of the reign of the Qianlong Emperor. Li Mu Bai (Chow Yun-fat) is an accomplished Wudang swordsman. Long ago, his master was murdered by Jade Fox (Cheng Pei-pei), a woman who sought to learn Wudang skills. Mu Bai is also a good friend of Yu Shu Lien ... | [
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1067,
1068,
1069,
1093,
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The film is set in the Qing Dynasty during the 43rd year (1779) of the reign of the Qianlong Emperor. Li Mu Bai (Chow Yun-fat) is an accomplished Wudang swordsman. Long ago, his master was murdered by Jade Fox (Cheng Pei-pei), a woman who sought to learn Wudang skills. Mu Bai is also a good friend of Yu Shu Lien (Mich... | [
[
"She pretended to be Jen's governess.",
"She posed as Jen's governess"
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] | [
{
"content": "How did Jade Fox hide herself?",
"role": "user"
}
] | 1,071 | [
" The film is set in the Qing Dynasty during the 43rd year (1779) of the reign of the Qianlong Emperor. Li Mu Bai (Chow Yun-fat) is an accomplished Wudang swordsman. Long ago, his master was murdered by Jade Fox (Cheng Pei-pei), a woman who sought to learn Wudang skills. Mu Bai is also a good friend of Yu Shu Lien ... | [
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1067,
1068,
1069,
1093,
1092
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The film is set in the Qing Dynasty during the 43rd year (1779) of the reign of the Qianlong Emperor. Li Mu Bai (Chow Yun-fat) is an accomplished Wudang swordsman. Long ago, his master was murdered by Jade Fox (Cheng Pei-pei), a woman who sought to learn Wudang skills. Mu Bai is also a good friend of Yu Shu Lien (Mich... | [
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"The Wudang manual.",
"the Wudang manual"
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"content": "What made Jen leave here husband?",
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] | 1,073 | [
" The film is set in the Qing Dynasty during the 43rd year (1779) of the reign of the Qianlong Emperor. Li Mu Bai (Chow Yun-fat) is an accomplished Wudang swordsman. Long ago, his master was murdered by Jade Fox (Cheng Pei-pei), a woman who sought to learn Wudang skills. Mu Bai is also a good friend of Yu Shu Lien ... | [
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"content": "Who did Mu Bai truly love?",
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] | 1,074 | [
" The film is set in the Qing Dynasty during the 43rd year (1779) of the reign of the Qianlong Emperor. Li Mu Bai (Chow Yun-fat) is an accomplished Wudang swordsman. Long ago, his master was murdered by Jade Fox (Cheng Pei-pei), a woman who sought to learn Wudang skills. Mu Bai is also a good friend of Yu Shu Lien ... | [
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The film is set in the Qing Dynasty during the 43rd year (1779) of the reign of the Qianlong Emperor. Li Mu Bai (Chow Yun-fat) is an accomplished Wudang swordsman. Long ago, his master was murdered by Jade Fox (Cheng Pei-pei), a woman who sought to learn Wudang skills. Mu Bai is also a good friend of Yu Shu Lien (Mich... | [
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"content": "Who is Lo to Jen?",
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] | 1,075 | [
" The film is set in the Qing Dynasty during the 43rd year (1779) of the reign of the Qianlong Emperor. Li Mu Bai (Chow Yun-fat) is an accomplished Wudang swordsman. Long ago, his master was murdered by Jade Fox (Cheng Pei-pei), a woman who sought to learn Wudang skills. Mu Bai is also a good friend of Yu Shu Lien ... | [
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The film is set in the Qing Dynasty during the 43rd year (1779) of the reign of the Qianlong Emperor. Li Mu Bai (Chow Yun-fat) is an accomplished Wudang swordsman. Long ago, his master was murdered by Jade Fox (Cheng Pei-pei), a woman who sought to learn Wudang skills. Mu Bai is also a good friend of Yu Shu Lien (Mich... | [
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"content": "Why did the man not die when he jumped off of the cliff?",
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] | 1,076 | [
" The film is set in the Qing Dynasty during the 43rd year (1779) of the reign of the Qianlong Emperor. Li Mu Bai (Chow Yun-fat) is an accomplished Wudang swordsman. Long ago, his master was murdered by Jade Fox (Cheng Pei-pei), a woman who sought to learn Wudang skills. Mu Bai is also a good friend of Yu Shu Lien ... | [
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The film is set in the Qing Dynasty during the 43rd year (1779) of the reign of the Qianlong Emperor. Li Mu Bai (Chow Yun-fat) is an accomplished Wudang swordsman. Long ago, his master was murdered by Jade Fox (Cheng Pei-pei), a woman who sought to learn Wudang skills. Mu Bai is also a good friend of Yu Shu Lien (Mich... | [
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"A sword.",
"A sword."
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"content": "What is the Green Destiny?",
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] | 1,077 | [
" The film is set in the Qing Dynasty during the 43rd year (1779) of the reign of the Qianlong Emperor. Li Mu Bai (Chow Yun-fat) is an accomplished Wudang swordsman. Long ago, his master was murdered by Jade Fox (Cheng Pei-pei), a woman who sought to learn Wudang skills. Mu Bai is also a good friend of Yu Shu Lien ... | [
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The film is set in the Qing Dynasty during the 43rd year (1779) of the reign of the Qianlong Emperor. Li Mu Bai (Chow Yun-fat) is an accomplished Wudang swordsman. Long ago, his master was murdered by Jade Fox (Cheng Pei-pei), a woman who sought to learn Wudang skills. Mu Bai is also a good friend of Yu Shu Lien (Mich... | [
[
"Jen.",
"Fox"
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] | [
{
"content": "Who hid the superior fighting techniques?",
"role": "user"
}
] | 1,078 | [
" The film is set in the Qing Dynasty during the 43rd year (1779) of the reign of the Qianlong Emperor. Li Mu Bai (Chow Yun-fat) is an accomplished Wudang swordsman. Long ago, his master was murdered by Jade Fox (Cheng Pei-pei), a woman who sought to learn Wudang skills. Mu Bai is also a good friend of Yu Shu Lien ... | [
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The film is set in the Qing Dynasty during the 43rd year (1779) of the reign of the Qianlong Emperor. Li Mu Bai (Chow Yun-fat) is an accomplished Wudang swordsman. Long ago, his master was murdered by Jade Fox (Cheng Pei-pei), a woman who sought to learn Wudang skills. Mu Bai is also a good friend of Yu Shu Lien (Mich... | [
[
"A poisoned dart.",
"A poison dart."
]
] | [
{
"content": "What hits Fox in the neck?",
"role": "user"
}
] | 1,079 | [
" The film is set in the Qing Dynasty during the 43rd year (1779) of the reign of the Qianlong Emperor. Li Mu Bai (Chow Yun-fat) is an accomplished Wudang swordsman. Long ago, his master was murdered by Jade Fox (Cheng Pei-pei), a woman who sought to learn Wudang skills. Mu Bai is also a good friend of Yu Shu Lien ... | [
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The film is set in the Qing Dynasty during the 43rd year (1779) of the reign of the Qianlong Emperor. Li Mu Bai (Chow Yun-fat) is an accomplished Wudang swordsman. Long ago, his master was murdered by Jade Fox (Cheng Pei-pei), a woman who sought to learn Wudang skills. Mu Bai is also a good friend of Yu Shu Lien (Mich... | [
[
"Her comb.",
"Her comb"
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] | [
{
"content": "What did Lo steal from Jen?",
"role": "user"
}
] | 1,080 | [
" The film is set in the Qing Dynasty during the 43rd year (1779) of the reign of the Qianlong Emperor. Li Mu Bai (Chow Yun-fat) is an accomplished Wudang swordsman. Long ago, his master was murdered by Jade Fox (Cheng Pei-pei), a woman who sought to learn Wudang skills. Mu Bai is also a good friend of Yu Shu Lien ... | [
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The film is set in the Qing Dynasty during the 43rd year (1779) of the reign of the Qianlong Emperor. Li Mu Bai (Chow Yun-fat) is an accomplished Wudang swordsman. Long ago, his master was murdered by Jade Fox (Cheng Pei-pei), a woman who sought to learn Wudang skills. Mu Bai is also a good friend of Yu Shu Lien (Mich... | [
[
"Jade Fox.",
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] | [
{
"content": "Who was posing as Jen's governess?",
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] | 1,081 | [
" The film is set in the Qing Dynasty during the 43rd year (1779) of the reign of the Qianlong Emperor. Li Mu Bai (Chow Yun-fat) is an accomplished Wudang swordsman. Long ago, his master was murdered by Jade Fox (Cheng Pei-pei), a woman who sought to learn Wudang skills. Mu Bai is also a good friend of Yu Shu Lien ... | [
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The film is set in the Qing Dynasty during the 43rd year (1779) of the reign of the Qianlong Emperor. Li Mu Bai (Chow Yun-fat) is an accomplished Wudang swordsman. Long ago, his master was murdered by Jade Fox (Cheng Pei-pei), a woman who sought to learn Wudang skills. Mu Bai is also a good friend of Yu Shu Lien (Mich... | [
[
"The Wudang manual.",
"Wudang manual"
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] | [
{
"content": "What did Jen study to become a great fighter?",
"role": "user"
}
] | 1,082 | [
" The film is set in the Qing Dynasty during the 43rd year (1779) of the reign of the Qianlong Emperor. Li Mu Bai (Chow Yun-fat) is an accomplished Wudang swordsman. Long ago, his master was murdered by Jade Fox (Cheng Pei-pei), a woman who sought to learn Wudang skills. Mu Bai is also a good friend of Yu Shu Lien ... | [
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The film is set in the Qing Dynasty during the 43rd year (1779) of the reign of the Qianlong Emperor. Li Mu Bai (Chow Yun-fat) is an accomplished Wudang swordsman. Long ago, his master was murdered by Jade Fox (Cheng Pei-pei), a woman who sought to learn Wudang skills. Mu Bai is also a good friend of Yu Shu Lien (Mich... | [
[
"The Green Destiny.",
"the Green Destiny"
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] | [
{
"content": "What does Jen fight with?",
"role": "user"
}
] | 1,083 | [
" The film is set in the Qing Dynasty during the 43rd year (1779) of the reign of the Qianlong Emperor. Li Mu Bai (Chow Yun-fat) is an accomplished Wudang swordsman. Long ago, his master was murdered by Jade Fox (Cheng Pei-pei), a woman who sought to learn Wudang skills. Mu Bai is also a good friend of Yu Shu Lien ... | [
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The film is set in the Qing Dynasty during the 43rd year (1779) of the reign of the Qianlong Emperor. Li Mu Bai (Chow Yun-fat) is an accomplished Wudang swordsman. Long ago, his master was murdered by Jade Fox (Cheng Pei-pei), a woman who sought to learn Wudang skills. Mu Bai is also a good friend of Yu Shu Lien (Mich... | [
[
"To be back in the desert with Jen.",
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{
"content": "What does Lo wish for at the end of the story?",
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] | 1,084 | [
" The film is set in the Qing Dynasty during the 43rd year (1779) of the reign of the Qianlong Emperor. Li Mu Bai (Chow Yun-fat) is an accomplished Wudang swordsman. Long ago, his master was murdered by Jade Fox (Cheng Pei-pei), a woman who sought to learn Wudang skills. Mu Bai is also a good friend of Yu Shu Lien ... | [
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The film is set in the Qing Dynasty during the 43rd year (1779) of the reign of the Qianlong Emperor. Li Mu Bai (Chow Yun-fat) is an accomplished Wudang swordsman. Long ago, his master was murdered by Jade Fox (Cheng Pei-pei), a woman who sought to learn Wudang skills. Mu Bai is also a good friend of Yu Shu Lien (Mich... | [
[
"Green Destiny",
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{
"content": "What is the name of the legendary sword in the story?",
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}
] | 1,085 | [
" The film is set in the Qing Dynasty during the 43rd year (1779) of the reign of the Qianlong Emperor. Li Mu Bai (Chow Yun-fat) is an accomplished Wudang swordsman. Long ago, his master was murdered by Jade Fox (Cheng Pei-pei), a woman who sought to learn Wudang skills. Mu Bai is also a good friend of Yu Shu Lien ... | [
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The film is set in the Qing Dynasty during the 43rd year (1779) of the reign of the Qianlong Emperor. Li Mu Bai (Chow Yun-fat) is an accomplished Wudang swordsman. Long ago, his master was murdered by Jade Fox (Cheng Pei-pei), a woman who sought to learn Wudang skills. Mu Bai is also a good friend of Yu Shu Lien (Mich... | [
[
"Daughter",
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{
"content": "What is Jen's relationship to Governor Yu?",
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] | 1,086 | [
" The film is set in the Qing Dynasty during the 43rd year (1779) of the reign of the Qianlong Emperor. Li Mu Bai (Chow Yun-fat) is an accomplished Wudang swordsman. Long ago, his master was murdered by Jade Fox (Cheng Pei-pei), a woman who sought to learn Wudang skills. Mu Bai is also a good friend of Yu Shu Lien ... | [
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The film is set in the Qing Dynasty during the 43rd year (1779) of the reign of the Qianlong Emperor. Li Mu Bai (Chow Yun-fat) is an accomplished Wudang swordsman. Long ago, his master was murdered by Jade Fox (Cheng Pei-pei), a woman who sought to learn Wudang skills. Mu Bai is also a good friend of Yu Shu Lien (Mich... | [
[
"Wudang",
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{
"content": "What is the fighting style of Li Mu Bai?",
"role": "user"
}
] | 1,087 | [
" The film is set in the Qing Dynasty during the 43rd year (1779) of the reign of the Qianlong Emperor. Li Mu Bai (Chow Yun-fat) is an accomplished Wudang swordsman. Long ago, his master was murdered by Jade Fox (Cheng Pei-pei), a woman who sought to learn Wudang skills. Mu Bai is also a good friend of Yu Shu Lien ... | [
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The film is set in the Qing Dynasty during the 43rd year (1779) of the reign of the Qianlong Emperor. Li Mu Bai (Chow Yun-fat) is an accomplished Wudang swordsman. Long ago, his master was murdered by Jade Fox (Cheng Pei-pei), a woman who sought to learn Wudang skills. Mu Bai is also a good friend of Yu Shu Lien (Mich... | [
[
"Lo",
"Lo"
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{
"content": "What is the name of Jen's bandit lover?",
"role": "user"
}
] | 1,088 | [
" The film is set in the Qing Dynasty during the 43rd year (1779) of the reign of the Qianlong Emperor. Li Mu Bai (Chow Yun-fat) is an accomplished Wudang swordsman. Long ago, his master was murdered by Jade Fox (Cheng Pei-pei), a woman who sought to learn Wudang skills. Mu Bai is also a good friend of Yu Shu Lien ... | [
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The film is set in the Qing Dynasty during the 43rd year (1779) of the reign of the Qianlong Emperor. Li Mu Bai (Chow Yun-fat) is an accomplished Wudang swordsman. Long ago, his master was murdered by Jade Fox (Cheng Pei-pei), a woman who sought to learn Wudang skills. Mu Bai is also a good friend of Yu Shu Lien (Mich... | [
[
"Wait for Jen at Mount Wudang.",
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{
"content": "What does Jen's bandit lover do to hide from Jen's furious family?",
"role": "user"
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] | 1,089 | [
" The film is set in the Qing Dynasty during the 43rd year (1779) of the reign of the Qianlong Emperor. Li Mu Bai (Chow Yun-fat) is an accomplished Wudang swordsman. Long ago, his master was murdered by Jade Fox (Cheng Pei-pei), a woman who sought to learn Wudang skills. Mu Bai is also a good friend of Yu Shu Lien ... | [
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The film is set in the Qing Dynasty during the 43rd year (1779) of the reign of the Qianlong Emperor. Li Mu Bai (Chow Yun-fat) is an accomplished Wudang swordsman. Long ago, his master was murdered by Jade Fox (Cheng Pei-pei), a woman who sought to learn Wudang skills. Mu Bai is also a good friend of Yu Shu Lien (Mich... | [
[
"Because he interrupted her wedding.",
"He broke up her arranged wedding"
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] | [
{
"content": "Why is Jen's family furious with Jen's bandit lover?",
"role": "user"
}
] | 1,090 | [
" The film is set in the Qing Dynasty during the 43rd year (1779) of the reign of the Qianlong Emperor. Li Mu Bai (Chow Yun-fat) is an accomplished Wudang swordsman. Long ago, his master was murdered by Jade Fox (Cheng Pei-pei), a woman who sought to learn Wudang skills. Mu Bai is also a good friend of Yu Shu Lien ... | [
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The film is set in the Qing Dynasty during the 43rd year (1779) of the reign of the Qianlong Emperor. Li Mu Bai (Chow Yun-fat) is an accomplished Wudang swordsman. Long ago, his master was murdered by Jade Fox (Cheng Pei-pei), a woman who sought to learn Wudang skills. Mu Bai is also a good friend of Yu Shu Lien (Mich... | [
[
"Throw it over a waterfall.",
"he throws it over a waterfall"
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] | [
{
"content": "What does Li Mu Bai decide to do with his sword after getting it back from Jen?",
"role": "user"
}
] | 1,091 | [
" The film is set in the Qing Dynasty during the 43rd year (1779) of the reign of the Qianlong Emperor. Li Mu Bai (Chow Yun-fat) is an accomplished Wudang swordsman. Long ago, his master was murdered by Jade Fox (Cheng Pei-pei), a woman who sought to learn Wudang skills. Mu Bai is also a good friend of Yu Shu Lien ... | [
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The film is set in the Qing Dynasty during the 43rd year (1779) of the reign of the Qianlong Emperor. Li Mu Bai (Chow Yun-fat) is an accomplished Wudang swordsman. Long ago, his master was murdered by Jade Fox (Cheng Pei-pei), a woman who sought to learn Wudang skills. Mu Bai is also a good friend of Yu Shu Lien (Mich... | [
[
"Yu Shu Lien",
"Yu Shu Lien"
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] | [
{
"content": "What is the name of Li Mu Bai's romantic interest in the story?",
"role": "user"
}
] | 1,092 | [
" The film is set in the Qing Dynasty during the 43rd year (1779) of the reign of the Qianlong Emperor. Li Mu Bai (Chow Yun-fat) is an accomplished Wudang swordsman. Long ago, his master was murdered by Jade Fox (Cheng Pei-pei), a woman who sought to learn Wudang skills. Mu Bai is also a good friend of Yu Shu Lien ... | [
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The film is set in the Qing Dynasty during the 43rd year (1779) of the reign of the Qianlong Emperor. Li Mu Bai (Chow Yun-fat) is an accomplished Wudang swordsman. Long ago, his master was murdered by Jade Fox (Cheng Pei-pei), a woman who sought to learn Wudang skills. Mu Bai is also a good friend of Yu Shu Lien (Mich... | [
[
"That she had been studying the Wudang manual.",
"Wudang's fighting techniques"
]
] | [
{
"content": "What does Jen keep secret from Jade Fox?",
"role": "user"
}
] | 1,093 | [
" The film is set in the Qing Dynasty during the 43rd year (1779) of the reign of the Qianlong Emperor. Li Mu Bai (Chow Yun-fat) is an accomplished Wudang swordsman. Long ago, his master was murdered by Jade Fox (Cheng Pei-pei), a woman who sought to learn Wudang skills. Mu Bai is also a good friend of Yu Shu Lien ... | [
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The film is set in the Qing Dynasty during the 43rd year (1779) of the reign of the Qianlong Emperor. Li Mu Bai (Chow Yun-fat) is an accomplished Wudang swordsman. Long ago, his master was murdered by Jade Fox (Cheng Pei-pei), a woman who sought to learn Wudang skills. Mu Bai is also a good friend of Yu Shu Lien (Mich... | [
[
"It is returned to Sir Te.",
"It is returned to Sir Te"
]
] | [
{
"content": "What is the fate of Li Mu Bai's legendary sword at the end of the story?",
"role": "user"
}
] | 1,094 | [
" The film is set in the Qing Dynasty during the 43rd year (1779) of the reign of the Qianlong Emperor. Li Mu Bai (Chow Yun-fat) is an accomplished Wudang swordsman. Long ago, his master was murdered by Jade Fox (Cheng Pei-pei), a woman who sought to learn Wudang skills. Mu Bai is also a good friend of Yu Shu Lien ... | [
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On Saturday, March 24, 1984, five students report at 7:00Â a.m. for all-day detention at Shermer High School in Shermer, Illinois. While not complete strangers, each of them comes from a different clique, and they seem to have nothing in common: the beautiful and pampered Claire Standish, the state champion wrestler A... | [
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"John Bender is a rebellious delinquent, which may be a product of his father's abuse. ",
"Rebellious. Father's abuse."
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"content": "What social \"clique\" does John Bender come from? What life events may lead him to be this way?",
"role": "user"
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" On Saturday, March 24, 1984, five students report at 7:00Â a.m. for all-day detention at Shermer High School in Shermer, Illinois. While not complete strangers, each of them comes from a different clique, and they seem to have nothing in common: the beautiful and pampered Claire Standish, the state champion wrest... | [
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On Saturday, March 24, 1984, five students report at 7:00Â a.m. for all-day detention at Shermer High School in Shermer, Illinois. While not complete strangers, each of them comes from a different clique, and they seem to have nothing in common: the beautiful and pampered Claire Standish, the state champion wrestler A... | [
[
"She is being pressured to lose her virginity. ",
"To have sex."
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"content": "How is Claire being pressured by her friends? ",
"role": "user"
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] | 1,096 | [
" On Saturday, March 24, 1984, five students report at 7:00Â a.m. for all-day detention at Shermer High School in Shermer, Illinois. While not complete strangers, each of them comes from a different clique, and they seem to have nothing in common: the beautiful and pampered Claire Standish, the state champion wrest... | [
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On Saturday, March 24, 1984, five students report at 7:00Â a.m. for all-day detention at Shermer High School in Shermer, Illinois. While not complete strangers, each of them comes from a different clique, and they seem to have nothing in common: the beautiful and pampered Claire Standish, the state champion wrestler A... | [
[
"A flair gun",
"A gun."
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"content": "With what item was Brian going to use to attempt to kill himself?",
"role": "user"
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" On Saturday, March 24, 1984, five students report at 7:00Â a.m. for all-day detention at Shermer High School in Shermer, Illinois. While not complete strangers, each of them comes from a different clique, and they seem to have nothing in common: the beautiful and pampered Claire Standish, the state champion wrest... | [
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On Saturday, March 24, 1984, five students report at 7:00Â a.m. for all-day detention at Shermer High School in Shermer, Illinois. While not complete strangers, each of them comes from a different clique, and they seem to have nothing in common: the beautiful and pampered Claire Standish, the state champion wrestler A... | [
[
"In his school locker.",
"His locker."
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{
"content": "Where did John Bender hide his stash of cannibis?",
"role": "user"
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] | 1,098 | [
" On Saturday, March 24, 1984, five students report at 7:00Â a.m. for all-day detention at Shermer High School in Shermer, Illinois. While not complete strangers, each of them comes from a different clique, and they seem to have nothing in common: the beautiful and pampered Claire Standish, the state champion wrest... | [
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On Saturday, March 24, 1984, five students report at 7:00Â a.m. for all-day detention at Shermer High School in Shermer, Illinois. While not complete strangers, each of them comes from a different clique, and they seem to have nothing in common: the beautiful and pampered Claire Standish, the state champion wrestler A... | [
[
"She rips the patch off of his jacket to keep. ",
"Takes his state championship patch from his letterman jacket"
]
] | [
{
"content": "What does Allison do after her and Andrew kiss?",
"role": "user"
}
] | 1,099 | [
" On Saturday, March 24, 1984, five students report at 7:00Â a.m. for all-day detention at Shermer High School in Shermer, Illinois. While not complete strangers, each of them comes from a different clique, and they seem to have nothing in common: the beautiful and pampered Claire Standish, the state champion wrest... | [
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