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On Christmas Eve, New York City Police Detective John McClane arrives in Los Angeles. He aims to reconcile with his estranged wife, Holly, at the Christmas party of her employer, the fictional Nakatomi corporation. McClane is driven to the party by Argyle, an airport limousine driver. While McClane changes clothes, th... | [
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"Hans Gruber",
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"content": "Who shows up at the Christmas party with heavily armed terrorists?",
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" On Christmas Eve, New York City Police Detective John McClane arrives in Los Angeles. He aims to reconcile with his estranged wife, Holly, at the Christmas party of her employer, the fictional Nakatomi corporation. McClane is driven to the party by Argyle, an airport limousine driver. While McClane changes clothe... | [
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On Christmas Eve, New York City Police Detective John McClane arrives in Los Angeles. He aims to reconcile with his estranged wife, Holly, at the Christmas party of her employer, the fictional Nakatomi corporation. McClane is driven to the party by Argyle, an airport limousine driver. While McClane changes clothes, th... | [
[
"Stealing $640 million in bearer bonds",
"Stealing the bearer bonds"
]
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"content": "What do Gruber and the terrorists use terrorism as a distraction for?",
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" On Christmas Eve, New York City Police Detective John McClane arrives in Los Angeles. He aims to reconcile with his estranged wife, Holly, at the Christmas party of her employer, the fictional Nakatomi corporation. McClane is driven to the party by Argyle, an airport limousine driver. While McClane changes clothe... | [
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On Christmas Eve, New York City Police Detective John McClane arrives in Los Angeles. He aims to reconcile with his estranged wife, Holly, at the Christmas party of her employer, the fictional Nakatomi corporation. McClane is driven to the party by Argyle, an airport limousine driver. While McClane changes clothes, th... | [
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"He refuses to cooperate",
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"content": "Why does Gruber murder Takagi?",
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" On Christmas Eve, New York City Police Detective John McClane arrives in Los Angeles. He aims to reconcile with his estranged wife, Holly, at the Christmas party of her employer, the fictional Nakatomi corporation. McClane is driven to the party by Argyle, an airport limousine driver. While McClane changes clothe... | [
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On Christmas Eve, New York City Police Detective John McClane arrives in Los Angeles. He aims to reconcile with his estranged wife, Holly, at the Christmas party of her employer, the fictional Nakatomi corporation. McClane is driven to the party by Argyle, an airport limousine driver. While McClane changes clothes, th... | [
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"The gun is unloaded",
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"content": "Why doesn't Gruber shoot McClane?",
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" On Christmas Eve, New York City Police Detective John McClane arrives in Los Angeles. He aims to reconcile with his estranged wife, Holly, at the Christmas party of her employer, the fictional Nakatomi corporation. McClane is driven to the party by Argyle, an airport limousine driver. While McClane changes clothe... | [
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On Christmas Eve, New York City Police Detective John McClane arrives in Los Angeles. He aims to reconcile with his estranged wife, Holly, at the Christmas party of her employer, the fictional Nakatomi corporation. McClane is driven to the party by Argyle, an airport limousine driver. While McClane changes clothes, th... | [
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"The roof",
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"content": "Where do the criminals order the hostages to go?",
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" On Christmas Eve, New York City Police Detective John McClane arrives in Los Angeles. He aims to reconcile with his estranged wife, Holly, at the Christmas party of her employer, the fictional Nakatomi corporation. McClane is driven to the party by Argyle, an airport limousine driver. While McClane changes clothe... | [
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On Christmas Eve, New York City Police Detective John McClane arrives in Los Angeles. He aims to reconcile with his estranged wife, Holly, at the Christmas party of her employer, the fictional Nakatomi corporation. McClane is driven to the party by Argyle, an airport limousine driver. While McClane changes clothes, th... | [
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"Argyle",
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"content": "Who knocks Theo unconscious?",
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" On Christmas Eve, New York City Police Detective John McClane arrives in Los Angeles. He aims to reconcile with his estranged wife, Holly, at the Christmas party of her employer, the fictional Nakatomi corporation. McClane is driven to the party by Argyle, an airport limousine driver. While McClane changes clothe... | [
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On Christmas Eve, New York City Police Detective John McClane arrives in Los Angeles. He aims to reconcile with his estranged wife, Holly, at the Christmas party of her employer, the fictional Nakatomi corporation. McClane is driven to the party by Argyle, an airport limousine driver. While McClane changes clothes, th... | [
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"Karl",
"Gruber."
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"content": "Who, disguised as a hostage attempts to shoot McClane?",
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" On Christmas Eve, New York City Police Detective John McClane arrives in Los Angeles. He aims to reconcile with his estranged wife, Holly, at the Christmas party of her employer, the fictional Nakatomi corporation. McClane is driven to the party by Argyle, an airport limousine driver. While McClane changes clothe... | [
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On Christmas Eve, New York City Police Detective John McClane arrives in Los Angeles. He aims to reconcile with his estranged wife, Holly, at the Christmas party of her employer, the fictional Nakatomi corporation. McClane is driven to the party by Argyle, an airport limousine driver. While McClane changes clothes, th... | [
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"Limo",
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"content": "What vehicle does Argyle drive McClane and Holly away in?",
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" On Christmas Eve, New York City Police Detective John McClane arrives in Los Angeles. He aims to reconcile with his estranged wife, Holly, at the Christmas party of her employer, the fictional Nakatomi corporation. McClane is driven to the party by Argyle, an airport limousine driver. While McClane changes clothe... | [
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On Christmas Eve, New York City Police Detective John McClane arrives in Los Angeles. He aims to reconcile with his estranged wife, Holly, at the Christmas party of her employer, the fictional Nakatomi corporation. McClane is driven to the party by Argyle, an airport limousine driver. While McClane changes clothes, th... | [
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"Los Angeles",
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" On Christmas Eve, New York City Police Detective John McClane arrives in Los Angeles. He aims to reconcile with his estranged wife, Holly, at the Christmas party of her employer, the fictional Nakatomi corporation. McClane is driven to the party by Argyle, an airport limousine driver. While McClane changes clothe... | [
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On Christmas Eve, New York City Police Detective John McClane arrives in Los Angeles. He aims to reconcile with his estranged wife, Holly, at the Christmas party of her employer, the fictional Nakatomi corporation. McClane is driven to the party by Argyle, an airport limousine driver. While McClane changes clothes, th... | [
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"John McClane",
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"content": "Who slips away from the terrorists?",
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" On Christmas Eve, New York City Police Detective John McClane arrives in Los Angeles. He aims to reconcile with his estranged wife, Holly, at the Christmas party of her employer, the fictional Nakatomi corporation. McClane is driven to the party by Argyle, an airport limousine driver. While McClane changes clothe... | [
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On Christmas Eve, New York City Police Detective John McClane arrives in Los Angeles. He aims to reconcile with his estranged wife, Holly, at the Christmas party of her employer, the fictional Nakatomi corporation. McClane is driven to the party by Argyle, an airport limousine driver. While McClane changes clothes, th... | [
[
"New York City police detective",
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"content": "What is John McClane's job?",
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" On Christmas Eve, New York City Police Detective John McClane arrives in Los Angeles. He aims to reconcile with his estranged wife, Holly, at the Christmas party of her employer, the fictional Nakatomi corporation. McClane is driven to the party by Argyle, an airport limousine driver. While McClane changes clothe... | [
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On Christmas Eve, New York City Police Detective John McClane arrives in Los Angeles. He aims to reconcile with his estranged wife, Holly, at the Christmas party of her employer, the fictional Nakatomi corporation. McClane is driven to the party by Argyle, an airport limousine driver. While McClane changes clothes, th... | [
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"640 million",
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"content": "How much money in bearer bonds do the terrorists intend to steal?",
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" On Christmas Eve, New York City Police Detective John McClane arrives in Los Angeles. He aims to reconcile with his estranged wife, Holly, at the Christmas party of her employer, the fictional Nakatomi corporation. McClane is driven to the party by Argyle, an airport limousine driver. While McClane changes clothe... | [
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On Christmas Eve, New York City Police Detective John McClane arrives in Los Angeles. He aims to reconcile with his estranged wife, Holly, at the Christmas party of her employer, the fictional Nakatomi corporation. McClane is driven to the party by Argyle, an airport limousine driver. While McClane changes clothes, th... | [
[
"He uses Tony's radio.",
"Tony's radio"
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"content": "How does McClane contact the LAPD?",
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" On Christmas Eve, New York City Police Detective John McClane arrives in Los Angeles. He aims to reconcile with his estranged wife, Holly, at the Christmas party of her employer, the fictional Nakatomi corporation. McClane is driven to the party by Argyle, an airport limousine driver. While McClane changes clothe... | [
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On Christmas Eve, New York City Police Detective John McClane arrives in Los Angeles. He aims to reconcile with his estranged wife, Holly, at the Christmas party of her employer, the fictional Nakatomi corporation. McClane is driven to the party by Argyle, an airport limousine driver. While McClane changes clothes, th... | [
[
"from C-4 that McClane dropped",
"The floor they are on is blown up"
]
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{
"content": "How are James and Alexander killed?",
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" On Christmas Eve, New York City Police Detective John McClane arrives in Los Angeles. He aims to reconcile with his estranged wife, Holly, at the Christmas party of her employer, the fictional Nakatomi corporation. McClane is driven to the party by Argyle, an airport limousine driver. While McClane changes clothe... | [
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On Christmas Eve, New York City Police Detective John McClane arrives in Los Angeles. He aims to reconcile with his estranged wife, Holly, at the Christmas party of her employer, the fictional Nakatomi corporation. McClane is driven to the party by Argyle, an airport limousine driver. While McClane changes clothes, th... | [
[
"Gruber",
"Gruber."
]
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{
"content": "Who pretends to be an escaped hostage?",
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] | 12,314 | [
" On Christmas Eve, New York City Police Detective John McClane arrives in Los Angeles. He aims to reconcile with his estranged wife, Holly, at the Christmas party of her employer, the fictional Nakatomi corporation. McClane is driven to the party by Argyle, an airport limousine driver. While McClane changes clothe... | [
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On Christmas Eve, New York City Police Detective John McClane arrives in Los Angeles. He aims to reconcile with his estranged wife, Holly, at the Christmas party of her employer, the fictional Nakatomi corporation. McClane is driven to the party by Argyle, an airport limousine driver. While McClane changes clothes, th... | [
[
"Power is cut off to the building.",
"Loss of power"
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{
"content": "What disables the vault's final lock?",
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" On Christmas Eve, New York City Police Detective John McClane arrives in Los Angeles. He aims to reconcile with his estranged wife, Holly, at the Christmas party of her employer, the fictional Nakatomi corporation. McClane is driven to the party by Argyle, an airport limousine driver. While McClane changes clothe... | [
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On Christmas Eve, New York City Police Detective John McClane arrives in Los Angeles. He aims to reconcile with his estranged wife, Holly, at the Christmas party of her employer, the fictional Nakatomi corporation. McClane is driven to the party by Argyle, an airport limousine driver. While McClane changes clothes, th... | [
[
"Holly",
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{
"content": "Who is McClane's wife?",
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" On Christmas Eve, New York City Police Detective John McClane arrives in Los Angeles. He aims to reconcile with his estranged wife, Holly, at the Christmas party of her employer, the fictional Nakatomi corporation. McClane is driven to the party by Argyle, an airport limousine driver. While McClane changes clothe... | [
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On Christmas Eve, New York City Police Detective John McClane arrives in Los Angeles. He aims to reconcile with his estranged wife, Holly, at the Christmas party of her employer, the fictional Nakatomi corporation. McClane is driven to the party by Argyle, an airport limousine driver. While McClane changes clothes, th... | [
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"by laughing",
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"content": "How does McClane distract Gruber and Eddie?",
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" On Christmas Eve, New York City Police Detective John McClane arrives in Los Angeles. He aims to reconcile with his estranged wife, Holly, at the Christmas party of her employer, the fictional Nakatomi corporation. McClane is driven to the party by Argyle, an airport limousine driver. While McClane changes clothe... | [
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Henry Hill says, "As far back as I can remember, I always wanted to be a gangster", referring to his idolization of gangsters in his 1950s blue-collar, predominantly Italian-American neighborhood in East New York, Brooklyn. Wanting to be part of something significant, Henry quits school and goes to work for them. He i... | [
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"A gangster.",
"A gangster."
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"content": "What did Henry Hill always want to be?",
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" Henry Hill says, \"As far back as I can remember, I always wanted to be a gangster\", referring to his idolization of gangsters in his 1950s blue-collar, predominantly Italian-American neighborhood in East New York, Brooklyn. Wanting to be part of something significant, Henry quits school and goes to work for the... | [
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Henry Hill says, "As far back as I can remember, I always wanted to be a gangster", referring to his idolization of gangsters in his 1950s blue-collar, predominantly Italian-American neighborhood in East New York, Brooklyn. Wanting to be part of something significant, Henry quits school and goes to work for them. He i... | [
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"content": "What did Jimmy Conway tell Henry are the two most important lessons in life?",
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Henry Hill says, "As far back as I can remember, I always wanted to be a gangster", referring to his idolization of gangsters in his 1950s blue-collar, predominantly Italian-American neighborhood in East New York, Brooklyn. Wanting to be part of something significant, Henry quits school and goes to work for them. He i... | [
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"content": "Who is the mobster whom insults Tommy, resulting in him getting buried upstate?",
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" Henry Hill says, \"As far back as I can remember, I always wanted to be a gangster\", referring to his idolization of gangsters in his 1950s blue-collar, predominantly Italian-American neighborhood in East New York, Brooklyn. Wanting to be part of something significant, Henry quits school and goes to work for the... | [
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Henry Hill says, "As far back as I can remember, I always wanted to be a gangster", referring to his idolization of gangsters in his 1950s blue-collar, predominantly Italian-American neighborhood in East New York, Brooklyn. Wanting to be part of something significant, Henry quits school and goes to work for them. He i... | [
[
"Air France.",
"Air France"
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"content": "Which airline was robbed in late 1967?",
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" Henry Hill says, \"As far back as I can remember, I always wanted to be a gangster\", referring to his idolization of gangsters in his 1950s blue-collar, predominantly Italian-American neighborhood in East New York, Brooklyn. Wanting to be part of something significant, Henry quits school and goes to work for the... | [
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Henry Hill says, "As far back as I can remember, I always wanted to be a gangster", referring to his idolization of gangsters in his 1950s blue-collar, predominantly Italian-American neighborhood in East New York, Brooklyn. Wanting to be part of something significant, Henry quits school and goes to work for them. He i... | [
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"10 years. ",
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"content": "How long are Jimmy and Henry's prison sentences?",
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Henry Hill says, "As far back as I can remember, I always wanted to be a gangster", referring to his idolization of gangsters in his 1950s blue-collar, predominantly Italian-American neighborhood in East New York, Brooklyn. Wanting to be part of something significant, Henry quits school and goes to work for them. He i... | [
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"Drugs. ",
"he sells drugs"
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"content": "What does Henry sell in prison in order to support his family?",
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" Henry Hill says, \"As far back as I can remember, I always wanted to be a gangster\", referring to his idolization of gangsters in his 1950s blue-collar, predominantly Italian-American neighborhood in East New York, Brooklyn. Wanting to be part of something significant, Henry quits school and goes to work for the... | [
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Henry Hill says, "As far back as I can remember, I always wanted to be a gangster", referring to his idolization of gangsters in his 1950s blue-collar, predominantly Italian-American neighborhood in East New York, Brooklyn. Wanting to be part of something significant, Henry quits school and goes to work for them. He i... | [
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"$6 million. ",
"$6 million."
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"content": "How much money was stolen during the Lufthansa heist?",
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"She flushes them down the toilet. ",
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"content": "Where does Karen put the drugs during the raid on their house?",
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"content": "How much money does Paulie give Henry before turning his back on him?",
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Henry Hill says, "As far back as I can remember, I always wanted to be a gangster", referring to his idolization of gangsters in his 1950s blue-collar, predominantly Italian-American neighborhood in East New York, Brooklyn. Wanting to be part of something significant, Henry quits school and goes to work for them. He i... | [
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"He enrolls in the Witness Protection Program, having given testimony to ensure Jimmy and Paulie's convictions.",
"Gets arrested in Seattle on drug charges but remains clean, separates from Karen"
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"content": "What happens to Henry at the end?",
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Henry Hill says, "As far back as I can remember, I always wanted to be a gangster", referring to his idolization of gangsters in his 1950s blue-collar, predominantly Italian-American neighborhood in East New York, Brooklyn. Wanting to be part of something significant, Henry quits school and goes to work for them. He i... | [
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] | 12,328 | [
" Henry Hill says, \"As far back as I can remember, I always wanted to be a gangster\", referring to his idolization of gangsters in his 1950s blue-collar, predominantly Italian-American neighborhood in East New York, Brooklyn. Wanting to be part of something significant, Henry quits school and goes to work for the... | [
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Henry Hill says, "As far back as I can remember, I always wanted to be a gangster", referring to his idolization of gangsters in his 1950s blue-collar, predominantly Italian-American neighborhood in East New York, Brooklyn. Wanting to be part of something significant, Henry quits school and goes to work for them. He i... | [
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] | 12,329 | [
" Henry Hill says, \"As far back as I can remember, I always wanted to be a gangster\", referring to his idolization of gangsters in his 1950s blue-collar, predominantly Italian-American neighborhood in East New York, Brooklyn. Wanting to be part of something significant, Henry quits school and goes to work for the... | [
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Henry Hill says, "As far back as I can remember, I always wanted to be a gangster", referring to his idolization of gangsters in his 1950s blue-collar, predominantly Italian-American neighborhood in East New York, Brooklyn. Wanting to be part of something significant, Henry quits school and goes to work for them. He i... | [
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] | 12,330 | [
" Henry Hill says, \"As far back as I can remember, I always wanted to be a gangster\", referring to his idolization of gangsters in his 1950s blue-collar, predominantly Italian-American neighborhood in East New York, Brooklyn. Wanting to be part of something significant, Henry quits school and goes to work for the... | [
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Henry Hill says, "As far back as I can remember, I always wanted to be a gangster", referring to his idolization of gangsters in his 1950s blue-collar, predominantly Italian-American neighborhood in East New York, Brooklyn. Wanting to be part of something significant, Henry quits school and goes to work for them. He i... | [
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"content": "Where do the gang spend most of their nights?",
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] | 12,331 | [
" Henry Hill says, \"As far back as I can remember, I always wanted to be a gangster\", referring to his idolization of gangsters in his 1950s blue-collar, predominantly Italian-American neighborhood in East New York, Brooklyn. Wanting to be part of something significant, Henry quits school and goes to work for the... | [
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Henry Hill says, "As far back as I can remember, I always wanted to be a gangster", referring to his idolization of gangsters in his 1950s blue-collar, predominantly Italian-American neighborhood in East New York, Brooklyn. Wanting to be part of something significant, Henry quits school and goes to work for them. He i... | [
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"content": "What initially troubles Karen?",
"role": "user"
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] | 12,332 | [
" Henry Hill says, \"As far back as I can remember, I always wanted to be a gangster\", referring to his idolization of gangsters in his 1950s blue-collar, predominantly Italian-American neighborhood in East New York, Brooklyn. Wanting to be part of something significant, Henry quits school and goes to work for the... | [
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Henry Hill says, "As far back as I can remember, I always wanted to be a gangster", referring to his idolization of gangsters in his 1950s blue-collar, predominantly Italian-American neighborhood in East New York, Brooklyn. Wanting to be part of something significant, Henry quits school and goes to work for them. He i... | [
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{
"content": "Who insults Tommy?",
"role": "user"
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] | 12,333 | [
" Henry Hill says, \"As far back as I can remember, I always wanted to be a gangster\", referring to his idolization of gangsters in his 1950s blue-collar, predominantly Italian-American neighborhood in East New York, Brooklyn. Wanting to be part of something significant, Henry quits school and goes to work for the... | [
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Henry Hill says, "As far back as I can remember, I always wanted to be a gangster", referring to his idolization of gangsters in his 1950s blue-collar, predominantly Italian-American neighborhood in East New York, Brooklyn. Wanting to be part of something significant, Henry quits school and goes to work for them. He i... | [
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"Henry",
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"content": "Whose car do they use to hide Billy's Boddy?",
"role": "user"
}
] | 12,334 | [
" Henry Hill says, \"As far back as I can remember, I always wanted to be a gangster\", referring to his idolization of gangsters in his 1950s blue-collar, predominantly Italian-American neighborhood in East New York, Brooklyn. Wanting to be part of something significant, Henry quits school and goes to work for the... | [
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Henry Hill says, "As far back as I can remember, I always wanted to be a gangster", referring to his idolization of gangsters in his 1950s blue-collar, predominantly Italian-American neighborhood in East New York, Brooklyn. Wanting to be part of something significant, Henry quits school and goes to work for them. He i... | [
[
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{
"content": "Who turns in Henry and Jimmy?",
"role": "user"
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] | 12,335 | [
" Henry Hill says, \"As far back as I can remember, I always wanted to be a gangster\", referring to his idolization of gangsters in his 1950s blue-collar, predominantly Italian-American neighborhood in East New York, Brooklyn. Wanting to be part of something significant, Henry quits school and goes to work for the... | [
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Henry Hill says, "As far back as I can remember, I always wanted to be a gangster", referring to his idolization of gangsters in his 1950s blue-collar, predominantly Italian-American neighborhood in East New York, Brooklyn. Wanting to be part of something significant, Henry quits school and goes to work for them. He i... | [
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"Smuggled drugs",
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] | [
{
"content": "What does Henry sell in prison?",
"role": "user"
}
] | 12,336 | [
" Henry Hill says, \"As far back as I can remember, I always wanted to be a gangster\", referring to his idolization of gangsters in his 1950s blue-collar, predominantly Italian-American neighborhood in East New York, Brooklyn. Wanting to be part of something significant, Henry quits school and goes to work for the... | [
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Henry Hill says, "As far back as I can remember, I always wanted to be a gangster", referring to his idolization of gangsters in his 1950s blue-collar, predominantly Italian-American neighborhood in East New York, Brooklyn. Wanting to be part of something significant, Henry quits school and goes to work for them. He i... | [
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] | [
{
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"role": "user"
}
] | 12,337 | [
" Henry Hill says, \"As far back as I can remember, I always wanted to be a gangster\", referring to his idolization of gangsters in his 1950s blue-collar, predominantly Italian-American neighborhood in East New York, Brooklyn. Wanting to be part of something significant, Henry quits school and goes to work for the... | [
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Henry Hill says, "As far back as I can remember, I always wanted to be a gangster", referring to his idolization of gangsters in his 1950s blue-collar, predominantly Italian-American neighborhood in East New York, Brooklyn. Wanting to be part of something significant, Henry quits school and goes to work for them. He i... | [
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"Cocaine",
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] | [
{
"content": "What does Karen flush down the toilet to hide from the FBI?",
"role": "user"
}
] | 12,338 | [
" Henry Hill says, \"As far back as I can remember, I always wanted to be a gangster\", referring to his idolization of gangsters in his 1950s blue-collar, predominantly Italian-American neighborhood in East New York, Brooklyn. Wanting to be part of something significant, Henry quits school and goes to work for the... | [
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Henry Hill says, "As far back as I can remember, I always wanted to be a gangster", referring to his idolization of gangsters in his 1950s blue-collar, predominantly Italian-American neighborhood in East New York, Brooklyn. Wanting to be part of something significant, Henry quits school and goes to work for them. He i... | [
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] | [
{
"content": "What motivates Henry to enter the Witness Protection Program?",
"role": "user"
}
] | 12,339 | [
" Henry Hill says, \"As far back as I can remember, I always wanted to be a gangster\", referring to his idolization of gangsters in his 1950s blue-collar, predominantly Italian-American neighborhood in East New York, Brooklyn. Wanting to be part of something significant, Henry quits school and goes to work for the... | [
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Henry Hill says, "As far back as I can remember, I always wanted to be a gangster", referring to his idolization of gangsters in his 1950s blue-collar, predominantly Italian-American neighborhood in East New York, Brooklyn. Wanting to be part of something significant, Henry quits school and goes to work for them. He i... | [
[
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] | [
{
"content": "Where did Paul Cicero die?",
"role": "user"
}
] | 12,340 | [
" Henry Hill says, \"As far back as I can remember, I always wanted to be a gangster\", referring to his idolization of gangsters in his 1950s blue-collar, predominantly Italian-American neighborhood in East New York, Brooklyn. Wanting to be part of something significant, Henry quits school and goes to work for the... | [
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Henry Hill says, "As far back as I can remember, I always wanted to be a gangster", referring to his idolization of gangsters in his 1950s blue-collar, predominantly Italian-American neighborhood in East New York, Brooklyn. Wanting to be part of something significant, Henry quits school and goes to work for them. He i... | [
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{
"content": "At what heist did Henry and his associates $6 million?",
"role": "user"
}
] | 12,341 | [
" Henry Hill says, \"As far back as I can remember, I always wanted to be a gangster\", referring to his idolization of gangsters in his 1950s blue-collar, predominantly Italian-American neighborhood in East New York, Brooklyn. Wanting to be part of something significant, Henry quits school and goes to work for the... | [
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Henry Hill says, "As far back as I can remember, I always wanted to be a gangster", referring to his idolization of gangsters in his 1950s blue-collar, predominantly Italian-American neighborhood in East New York, Brooklyn. Wanting to be part of something significant, Henry quits school and goes to work for them. He i... | [
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] | [
{
"content": "What does Henry quit school to do?",
"role": "user"
}
] | 12,342 | [
" Henry Hill says, \"As far back as I can remember, I always wanted to be a gangster\", referring to his idolization of gangsters in his 1950s blue-collar, predominantly Italian-American neighborhood in East New York, Brooklyn. Wanting to be part of something significant, Henry quits school and goes to work for the... | [
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Henry Hill says, "As far back as I can remember, I always wanted to be a gangster", referring to his idolization of gangsters in his 1950s blue-collar, predominantly Italian-American neighborhood in East New York, Brooklyn. Wanting to be part of something significant, Henry quits school and goes to work for them. He i... | [
[
"Billy Batts",
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] | [
{
"content": "Who does Tommy and Jimmy kill because Tommy was insulted?",
"role": "user"
}
] | 12,343 | [
" Henry Hill says, \"As far back as I can remember, I always wanted to be a gangster\", referring to his idolization of gangsters in his 1950s blue-collar, predominantly Italian-American neighborhood in East New York, Brooklyn. Wanting to be part of something significant, Henry quits school and goes to work for the... | [
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Henry Hill says, "As far back as I can remember, I always wanted to be a gangster", referring to his idolization of gangsters in his 1950s blue-collar, predominantly Italian-American neighborhood in East New York, Brooklyn. Wanting to be part of something significant, Henry quits school and goes to work for them. He i... | [
[
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] | [
{
"content": "Who is Henry's mistress?",
"role": "user"
}
] | 12,344 | [
" Henry Hill says, \"As far back as I can remember, I always wanted to be a gangster\", referring to his idolization of gangsters in his 1950s blue-collar, predominantly Italian-American neighborhood in East New York, Brooklyn. Wanting to be part of something significant, Henry quits school and goes to work for the... | [
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Henry Hill says, "As far back as I can remember, I always wanted to be a gangster", referring to his idolization of gangsters in his 1950s blue-collar, predominantly Italian-American neighborhood in East New York, Brooklyn. Wanting to be part of something significant, Henry quits school and goes to work for them. He i... | [
[
"The burial site is going to be developed.",
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] | [
{
"content": "Why does Billy's body need to be exhumed?",
"role": "user"
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] | 12,345 | [
" Henry Hill says, \"As far back as I can remember, I always wanted to be a gangster\", referring to his idolization of gangsters in his 1950s blue-collar, predominantly Italian-American neighborhood in East New York, Brooklyn. Wanting to be part of something significant, Henry quits school and goes to work for the... | [
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Henry Hill says, "As far back as I can remember, I always wanted to be a gangster", referring to his idolization of gangsters in his 1950s blue-collar, predominantly Italian-American neighborhood in East New York, Brooklyn. Wanting to be part of something significant, Henry quits school and goes to work for them. He i... | [
[
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] | [
{
"content": "What does Henry do to support his family while in prison?",
"role": "user"
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] | 12,346 | [
" Henry Hill says, \"As far back as I can remember, I always wanted to be a gangster\", referring to his idolization of gangsters in his 1950s blue-collar, predominantly Italian-American neighborhood in East New York, Brooklyn. Wanting to be part of something significant, Henry quits school and goes to work for the... | [
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Henry Hill says, "As far back as I can remember, I always wanted to be a gangster", referring to his idolization of gangsters in his 1950s blue-collar, predominantly Italian-American neighborhood in East New York, Brooklyn. Wanting to be part of something significant, Henry quits school and goes to work for them. He i... | [
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"role": "user"
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] | 12,347 | [
" Henry Hill says, \"As far back as I can remember, I always wanted to be a gangster\", referring to his idolization of gangsters in his 1950s blue-collar, predominantly Italian-American neighborhood in East New York, Brooklyn. Wanting to be part of something significant, Henry quits school and goes to work for the... | [
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In the summer of 1972, Vada Sultenfuss is an 11-year-old tomboyish girl and a hypochondriac. Harry Sultenfuss, Vada's father, is an awkward widower who does not understand his daughter, so he constantly ignores her. His profession as a funeral director has led his daughter to develop an obsession with death. Vada regu... | [
[
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{
"content": "Who is Vada?",
"role": "user"
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] | 12,348 | [
" In the summer of 1972, Vada Sultenfuss is an 11-year-old tomboyish girl and a hypochondriac. Harry Sultenfuss, Vada's father, is an awkward widower who does not understand his daughter, so he constantly ignores her. His profession as a funeral director has led his daughter to develop an obsession with death. Vada... | [
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In the summer of 1972, Vada Sultenfuss is an 11-year-old tomboyish girl and a hypochondriac. Harry Sultenfuss, Vada's father, is an awkward widower who does not understand his daughter, so he constantly ignores her. His profession as a funeral director has led his daughter to develop an obsession with death. Vada regu... | [
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{
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"role": "user"
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] | 12,349 | [
" In the summer of 1972, Vada Sultenfuss is an 11-year-old tomboyish girl and a hypochondriac. Harry Sultenfuss, Vada's father, is an awkward widower who does not understand his daughter, so he constantly ignores her. His profession as a funeral director has led his daughter to develop an obsession with death. Vada... | [
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In the summer of 1972, Vada Sultenfuss is an 11-year-old tomboyish girl and a hypochondriac. Harry Sultenfuss, Vada's father, is an awkward widower who does not understand his daughter, so he constantly ignores her. His profession as a funeral director has led his daughter to develop an obsession with death. Vada regu... | [
[
"Thomas J. Sennett. ",
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{
"content": "Who is Vada's best friend?",
"role": "user"
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] | 12,350 | [
" In the summer of 1972, Vada Sultenfuss is an 11-year-old tomboyish girl and a hypochondriac. Harry Sultenfuss, Vada's father, is an awkward widower who does not understand his daughter, so he constantly ignores her. His profession as a funeral director has led his daughter to develop an obsession with death. Vada... | [
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In the summer of 1972, Vada Sultenfuss is an 11-year-old tomboyish girl and a hypochondriac. Harry Sultenfuss, Vada's father, is an awkward widower who does not understand his daughter, so he constantly ignores her. His profession as a funeral director has led his daughter to develop an obsession with death. Vada regu... | [
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"Everything.",
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{
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"role": "user"
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] | 12,351 | [
" In the summer of 1972, Vada Sultenfuss is an 11-year-old tomboyish girl and a hypochondriac. Harry Sultenfuss, Vada's father, is an awkward widower who does not understand his daughter, so he constantly ignores her. His profession as a funeral director has led his daughter to develop an obsession with death. Vada... | [
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In the summer of 1972, Vada Sultenfuss is an 11-year-old tomboyish girl and a hypochondriac. Harry Sultenfuss, Vada's father, is an awkward widower who does not understand his daughter, so he constantly ignores her. His profession as a funeral director has led his daughter to develop an obsession with death. Vada regu... | [
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"Thomas J. ",
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{
"content": "Who does Vada want to run away with?",
"role": "user"
}
] | 12,352 | [
" In the summer of 1972, Vada Sultenfuss is an 11-year-old tomboyish girl and a hypochondriac. Harry Sultenfuss, Vada's father, is an awkward widower who does not understand his daughter, so he constantly ignores her. His profession as a funeral director has led his daughter to develop an obsession with death. Vada... | [
1.0000001192092896,
1.0000001192092896,
1.0000001192092896,
1.0000001192092896,
1.0000001192092896,
1.0000001192092896
] | [
12350,
12351,
12353,
12349,
12348
] | train |
In the summer of 1972, Vada Sultenfuss is an 11-year-old tomboyish girl and a hypochondriac. Harry Sultenfuss, Vada's father, is an awkward widower who does not understand his daughter, so he constantly ignores her. His profession as a funeral director has led his daughter to develop an obsession with death. Vada regu... | [
[
"A kiss.",
"first kiss"
]
] | [
{
"content": "What do Vada and Thomas J share under the tree?",
"role": "user"
}
] | 12,353 | [
" In the summer of 1972, Vada Sultenfuss is an 11-year-old tomboyish girl and a hypochondriac. Harry Sultenfuss, Vada's father, is an awkward widower who does not understand his daughter, so he constantly ignores her. His profession as a funeral director has led his daughter to develop an obsession with death. Vada... | [
1.0000001192092896,
1.0000001192092896,
1.0000001192092896,
1.0000001192092896,
1.0000001192092896,
1.0000001192092896
] | [
12350,
12351,
12352,
12349,
12348
] | train |
In the summer of 1972, Vada Sultenfuss is an 11-year-old tomboyish girl and a hypochondriac. Harry Sultenfuss, Vada's father, is an awkward widower who does not understand his daughter, so he constantly ignores her. His profession as a funeral director has led his daughter to develop an obsession with death. Vada regu... | [
[
"He is attacked by bees. ",
"Bee stings"
]
] | [
{
"content": "How does Thomas J die?",
"role": "user"
}
] | 12,354 | [
" In the summer of 1972, Vada Sultenfuss is an 11-year-old tomboyish girl and a hypochondriac. Harry Sultenfuss, Vada's father, is an awkward widower who does not understand his daughter, so he constantly ignores her. His profession as a funeral director has led his daughter to develop an obsession with death. Vada... | [
1.0000001192092896,
1.0000001192092896,
1.0000001192092896,
1.0000001192092896,
1.0000001192092896,
1.0000001192092896
] | [
12350,
12351,
12352,
12353,
12349,
12348
] | train |
In the summer of 1972, Vada Sultenfuss is an 11-year-old tomboyish girl and a hypochondriac. Harry Sultenfuss, Vada's father, is an awkward widower who does not understand his daughter, so he constantly ignores her. His profession as a funeral director has led his daughter to develop an obsession with death. Vada regu... | [
[
"She runs away.",
"She runs away."
]
] | [
{
"content": "What does Vada do when her emotions become so strong?",
"role": "user"
}
] | 12,355 | [
" In the summer of 1972, Vada Sultenfuss is an 11-year-old tomboyish girl and a hypochondriac. Harry Sultenfuss, Vada's father, is an awkward widower who does not understand his daughter, so he constantly ignores her. His profession as a funeral director has led his daughter to develop an obsession with death. Vada... | [
1.0000001192092896,
1.0000001192092896,
1.0000001192092896,
1.0000001192092896,
1.0000001192092896,
1.0000001192092896
] | [
12350,
12351,
12352,
12353,
12349,
12348
] | train |
In the summer of 1972, Vada Sultenfuss is an 11-year-old tomboyish girl and a hypochondriac. Harry Sultenfuss, Vada's father, is an awkward widower who does not understand his daughter, so he constantly ignores her. His profession as a funeral director has led his daughter to develop an obsession with death. Vada regu... | [
[
"The loss of her best friend. ",
"the loss of her best freind."
]
] | [
{
"content": "Who does Vada write a poem about?",
"role": "user"
}
] | 12,356 | [
" In the summer of 1972, Vada Sultenfuss is an 11-year-old tomboyish girl and a hypochondriac. Harry Sultenfuss, Vada's father, is an awkward widower who does not understand his daughter, so he constantly ignores her. His profession as a funeral director has led his daughter to develop an obsession with death. Vada... | [
1.0000001192092896,
1.0000001192092896,
1.0000001192092896,
1.0000001192092896,
1.0000001192092896,
1.0000001192092896
] | [
12350,
12351,
12352,
12353,
12349,
12348
] | train |
In the summer of 1972, Vada Sultenfuss is an 11-year-old tomboyish girl and a hypochondriac. Harry Sultenfuss, Vada's father, is an awkward widower who does not understand his daughter, so he constantly ignores her. His profession as a funeral director has led his daughter to develop an obsession with death. Vada regu... | [
[
"an 11 year old hypochondriac tomboy",
"Tomboyish."
]
] | [
{
"content": "How is Vada described in the summer of 1972?",
"role": "user"
}
] | 12,357 | [
" In the summer of 1972, Vada Sultenfuss is an 11-year-old tomboyish girl and a hypochondriac. Harry Sultenfuss, Vada's father, is an awkward widower who does not understand his daughter, so he constantly ignores her. His profession as a funeral director has led his daughter to develop an obsession with death. Vada... | [
1.0000001192092896,
1.0000001192092896,
1.0000001192092896,
1.0000001192092896,
1.0000001192092896,
1.0000001192092896
] | [
12350,
12351,
12352,
12353,
12349,
12348
] | train |
In the summer of 1972, Vada Sultenfuss is an 11-year-old tomboyish girl and a hypochondriac. Harry Sultenfuss, Vada's father, is an awkward widower who does not understand his daughter, so he constantly ignores her. His profession as a funeral director has led his daughter to develop an obsession with death. Vada regu... | [
[
"He is Vada's best friend who has too many allergies to count",
"an unpopular boy with a lot of allergies"
]
] | [
{
"content": "Who is Thomas J. Sennett?",
"role": "user"
}
] | 12,358 | [
" In the summer of 1972, Vada Sultenfuss is an 11-year-old tomboyish girl and a hypochondriac. Harry Sultenfuss, Vada's father, is an awkward widower who does not understand his daughter, so he constantly ignores her. His profession as a funeral director has led his daughter to develop an obsession with death. Vada... | [
1.0000001192092896,
1.0000001192092896,
1.0000001192092896,
1.0000001192092896,
1.0000001192092896,
1.0000001192092896
] | [
12350,
12351,
12352,
12353,
12349,
12348
] | train |
In the summer of 1972, Vada Sultenfuss is an 11-year-old tomboyish girl and a hypochondriac. Harry Sultenfuss, Vada's father, is an awkward widower who does not understand his daughter, so he constantly ignores her. His profession as a funeral director has led his daughter to develop an obsession with death. Vada regu... | [
[
"that she killed her mother with her birth",
"That she killed her mother."
]
] | [
{
"content": "While Vada is taking her poetry class what does Vada admit that she fears most?",
"role": "user"
}
] | 12,359 | [
" In the summer of 1972, Vada Sultenfuss is an 11-year-old tomboyish girl and a hypochondriac. Harry Sultenfuss, Vada's father, is an awkward widower who does not understand his daughter, so he constantly ignores her. His profession as a funeral director has led his daughter to develop an obsession with death. Vada... | [
1.0000001192092896,
1.0000001192092896,
1.0000001192092896,
1.0000001192092896,
1.0000001192092896,
1.0000001192092896
] | [
12350,
12351,
12352,
12353,
12349,
12348
] | train |
In the summer of 1972, Vada Sultenfuss is an 11-year-old tomboyish girl and a hypochondriac. Harry Sultenfuss, Vada's father, is an awkward widower who does not understand his daughter, so he constantly ignores her. His profession as a funeral director has led his daughter to develop an obsession with death. Vada regu... | [
[
"she and Thomas J. try to break them up several times. ",
"She tries to break them up"
]
] | [
{
"content": "Although Vada became friends with Shelly, the make-up artist at the funeral home, how does Vada react to the news that Henry and Shelly are dating?",
"role": "user"
}
] | 12,360 | [
" In the summer of 1972, Vada Sultenfuss is an 11-year-old tomboyish girl and a hypochondriac. Harry Sultenfuss, Vada's father, is an awkward widower who does not understand his daughter, so he constantly ignores her. His profession as a funeral director has led his daughter to develop an obsession with death. Vada... | [
1.0000001192092896,
1.0000001192092896,
1.0000001192092896,
1.0000001192092896,
1.0000001192092896,
1.0000001192092896
] | [
12350,
12351,
12352,
12353,
12349,
12348
] | train |
In the summer of 1972, Vada Sultenfuss is an 11-year-old tomboyish girl and a hypochondriac. Harry Sultenfuss, Vada's father, is an awkward widower who does not understand his daughter, so he constantly ignores her. His profession as a funeral director has led his daughter to develop an obsession with death. Vada regu... | [
[
"Henry and Shelly announce they are engaged ",
"Shelly's engagement"
]
] | [
{
"content": "What causes Vada to want to run away with Thomas J.from the carnival?",
"role": "user"
}
] | 12,361 | [
" In the summer of 1972, Vada Sultenfuss is an 11-year-old tomboyish girl and a hypochondriac. Harry Sultenfuss, Vada's father, is an awkward widower who does not understand his daughter, so he constantly ignores her. His profession as a funeral director has led his daughter to develop an obsession with death. Vada... | [
1.0000001192092896,
1.0000001192092896,
1.0000001192092896,
1.0000001192092896,
1.0000001192092896,
1.0000001192092896
] | [
12350,
12351,
12352,
12353,
12349,
12348
] | train |
In the summer of 1972, Vada Sultenfuss is an 11-year-old tomboyish girl and a hypochondriac. Harry Sultenfuss, Vada's father, is an awkward widower who does not understand his daughter, so he constantly ignores her. His profession as a funeral director has led his daughter to develop an obsession with death. Vada regu... | [
[
"He kicks a beehive searching for Vada's mood ring, the allergic reaction to the bee stings kills him.",
"Allergic reaction to bee stings."
]
] | [
{
"content": "How does Thomas J. die?",
"role": "user"
}
] | 12,362 | [
" In the summer of 1972, Vada Sultenfuss is an 11-year-old tomboyish girl and a hypochondriac. Harry Sultenfuss, Vada's father, is an awkward widower who does not understand his daughter, so he constantly ignores her. His profession as a funeral director has led his daughter to develop an obsession with death. Vada... | [
1.0000001192092896,
1.0000001192092896,
1.0000001192092896,
1.0000001192092896,
1.0000001192092896,
1.0000001192092896
] | [
12350,
12351,
12352,
12353,
12349,
12348
] | train |
In the summer of 1972, Vada Sultenfuss is an 11-year-old tomboyish girl and a hypochondriac. Harry Sultenfuss, Vada's father, is an awkward widower who does not understand his daughter, so he constantly ignores her. His profession as a funeral director has led his daughter to develop an obsession with death. Vada regu... | [
[
"He's engaged to be married",
"That he's getting married."
]
] | [
{
"content": "What news does Vada find out when she goes to Mr. Bixler's house? ",
"role": "user"
}
] | 12,363 | [
" In the summer of 1972, Vada Sultenfuss is an 11-year-old tomboyish girl and a hypochondriac. Harry Sultenfuss, Vada's father, is an awkward widower who does not understand his daughter, so he constantly ignores her. His profession as a funeral director has led his daughter to develop an obsession with death. Vada... | [
1.0000001192092896,
1.0000001192092896,
1.0000001192092896,
1.0000001192092896,
1.0000001192092896,
1.0000001192092896
] | [
12350,
12351,
12352,
12353,
12349,
12348
] | train |
In the summer of 1972, Vada Sultenfuss is an 11-year-old tomboyish girl and a hypochondriac. Harry Sultenfuss, Vada's father, is an awkward widower who does not understand his daughter, so he constantly ignores her. His profession as a funeral director has led his daughter to develop an obsession with death. Vada regu... | [
[
"the mood ring that Thomas J. died to get back",
"a mood ring"
]
] | [
{
"content": "What did Mrs. Sennett give Vada when she went to visit her?",
"role": "user"
}
] | 12,364 | [
" In the summer of 1972, Vada Sultenfuss is an 11-year-old tomboyish girl and a hypochondriac. Harry Sultenfuss, Vada's father, is an awkward widower who does not understand his daughter, so he constantly ignores her. His profession as a funeral director has led his daughter to develop an obsession with death. Vada... | [
1.0000001192092896,
1.0000001192092896,
1.0000001192092896,
1.0000001192092896,
1.0000001192092896,
1.0000001192092896
] | [
12350,
12351,
12352,
12353,
12349,
12348
] | train |
In the summer of 1972, Vada Sultenfuss is an 11-year-old tomboyish girl and a hypochondriac. Harry Sultenfuss, Vada's father, is an awkward widower who does not understand his daughter, so he constantly ignores her. His profession as a funeral director has led his daughter to develop an obsession with death. Vada regu... | [
[
"the loss of her best friend",
"Her best friend dying."
]
] | [
{
"content": "What is the poem about that Vada reads on the last day of writing class?",
"role": "user"
}
] | 12,365 | [
" In the summer of 1972, Vada Sultenfuss is an 11-year-old tomboyish girl and a hypochondriac. Harry Sultenfuss, Vada's father, is an awkward widower who does not understand his daughter, so he constantly ignores her. His profession as a funeral director has led his daughter to develop an obsession with death. Vada... | [
1.0000001192092896,
1.0000001192092896,
1.0000001192092896,
1.0000001192092896,
1.0000001192092896,
1.0000001192092896
] | [
12350,
12351,
12352,
12353,
12349,
12348
] | train |
In the summer of 1972, Vada Sultenfuss is an 11-year-old tomboyish girl and a hypochondriac. Harry Sultenfuss, Vada's father, is an awkward widower who does not understand his daughter, so he constantly ignores her. His profession as a funeral director has led his daughter to develop an obsession with death. Vada regu... | [
[
"Father, Grandmother, and Uncle Phil.",
"her dad and her grandmother and her Uncle Phil"
]
] | [
{
"content": "What family members does Vada have contact with?",
"role": "user"
}
] | 12,366 | [
" In the summer of 1972, Vada Sultenfuss is an 11-year-old tomboyish girl and a hypochondriac. Harry Sultenfuss, Vada's father, is an awkward widower who does not understand his daughter, so he constantly ignores her. His profession as a funeral director has led his daughter to develop an obsession with death. Vada... | [
1.0000001192092896,
1.0000001192092896,
1.0000001192092896,
1.0000001192092896,
1.0000001192092896,
1.0000001192092896
] | [
12350,
12351,
12352,
12353,
12349,
12348
] | train |
In the summer of 1972, Vada Sultenfuss is an 11-year-old tomboyish girl and a hypochondriac. Harry Sultenfuss, Vada's father, is an awkward widower who does not understand his daughter, so he constantly ignores her. His profession as a funeral director has led his daughter to develop an obsession with death. Vada regu... | [
[
"Vada's mother died two days after Vada's birth.",
"She died 2 days after giving birth"
]
] | [
{
"content": "What happened to Vada's mother?",
"role": "user"
}
] | 12,367 | [
" In the summer of 1972, Vada Sultenfuss is an 11-year-old tomboyish girl and a hypochondriac. Harry Sultenfuss, Vada's father, is an awkward widower who does not understand his daughter, so he constantly ignores her. His profession as a funeral director has led his daughter to develop an obsession with death. Vada... | [
1.0000001192092896,
1.0000001192092896,
1.0000001192092896,
1.0000001192092896,
1.0000001192092896,
1.0000001192092896
] | [
12350,
12351,
12352,
12353,
12349,
12348
] | train |
In the summer of 1972, Vada Sultenfuss is an 11-year-old tomboyish girl and a hypochondriac. Harry Sultenfuss, Vada's father, is an awkward widower who does not understand his daughter, so he constantly ignores her. His profession as a funeral director has led his daughter to develop an obsession with death. Vada regu... | [
[
"Vada is a hypochondriac.",
"She's a hypochondriac."
]
] | [
{
"content": "What does Vada suffer from?",
"role": "user"
}
] | 12,368 | [
" In the summer of 1972, Vada Sultenfuss is an 11-year-old tomboyish girl and a hypochondriac. Harry Sultenfuss, Vada's father, is an awkward widower who does not understand his daughter, so he constantly ignores her. His profession as a funeral director has led his daughter to develop an obsession with death. Vada... | [
1.0000001192092896,
1.0000001192092896,
1.0000001192092896,
1.0000001192092896,
1.0000001192092896,
1.0000001192092896
] | [
12350,
12351,
12352,
12353,
12349,
12348
] | train |
In the summer of 1972, Vada Sultenfuss is an 11-year-old tomboyish girl and a hypochondriac. Harry Sultenfuss, Vada's father, is an awkward widower who does not understand his daughter, so he constantly ignores her. His profession as a funeral director has led his daughter to develop an obsession with death. Vada regu... | [
[
"Thomas J. is Vada's best friend.",
"Thomas J"
]
] | [
{
"content": "Who is Vada's best friend?",
"role": "user"
}
] | 12,369 | [
" In the summer of 1972, Vada Sultenfuss is an 11-year-old tomboyish girl and a hypochondriac. Harry Sultenfuss, Vada's father, is an awkward widower who does not understand his daughter, so he constantly ignores her. His profession as a funeral director has led his daughter to develop an obsession with death. Vada... | [
1.0000001192092896,
1.0000001192092896,
1.0000001192092896,
1.0000001192092896,
1.0000001192092896,
1.0000001192092896
] | [
12350,
12351,
12352,
12353,
12349,
12348
] | train |
In the summer of 1972, Vada Sultenfuss is an 11-year-old tomboyish girl and a hypochondriac. Harry Sultenfuss, Vada's father, is an awkward widower who does not understand his daughter, so he constantly ignores her. His profession as a funeral director has led his daughter to develop an obsession with death. Vada regu... | [
[
"Vada steals the money from Shelley cookie jar.",
"Steals money from Shelly's cookie jar."
]
] | [
{
"content": "How does Vada pay for the poetry class that Mr. Bixler teaches?",
"role": "user"
}
] | 12,370 | [
" In the summer of 1972, Vada Sultenfuss is an 11-year-old tomboyish girl and a hypochondriac. Harry Sultenfuss, Vada's father, is an awkward widower who does not understand his daughter, so he constantly ignores her. His profession as a funeral director has led his daughter to develop an obsession with death. Vada... | [
1.0000001192092896,
1.0000001192092896,
1.0000001192092896,
1.0000001192092896,
1.0000001192092896,
1.0000001192092896
] | [
12350,
12351,
12352,
12353,
12349,
12348
] | train |
In the summer of 1972, Vada Sultenfuss is an 11-year-old tomboyish girl and a hypochondriac. Harry Sultenfuss, Vada's father, is an awkward widower who does not understand his daughter, so he constantly ignores her. His profession as a funeral director has led his daughter to develop an obsession with death. Vada regu... | [
[
"Thomas J return to the behive to retrieve Vada's mood ring that she lost there.",
"to find Vada's mood ring"
]
] | [
{
"content": "Why does Thomas J return to the beehive that was knocked down?",
"role": "user"
}
] | 12,371 | [
" In the summer of 1972, Vada Sultenfuss is an 11-year-old tomboyish girl and a hypochondriac. Harry Sultenfuss, Vada's father, is an awkward widower who does not understand his daughter, so he constantly ignores her. His profession as a funeral director has led his daughter to develop an obsession with death. Vada... | [
1.0000001192092896,
1.0000001192092896,
1.0000001192092896,
1.0000001192092896,
1.0000001192092896,
1.0000001192092896
] | [
12350,
12351,
12352,
12353,
12349,
12348
] | train |
In the summer of 1972, Vada Sultenfuss is an 11-year-old tomboyish girl and a hypochondriac. Harry Sultenfuss, Vada's father, is an awkward widower who does not understand his daughter, so he constantly ignores her. His profession as a funeral director has led his daughter to develop an obsession with death. Vada regu... | [
[
"Vada goes to her teacher Mr. Bixler.",
"Mr. Bixler."
]
] | [
{
"content": "When Vada is overcome with emotion at Thomas J's funeral, who does she turn to?",
"role": "user"
}
] | 12,372 | [
" In the summer of 1972, Vada Sultenfuss is an 11-year-old tomboyish girl and a hypochondriac. Harry Sultenfuss, Vada's father, is an awkward widower who does not understand his daughter, so he constantly ignores her. His profession as a funeral director has led his daughter to develop an obsession with death. Vada... | [
1.0000001192092896,
1.0000001192092896,
1.0000001192092896,
1.0000001192092896,
1.0000001192092896,
1.0000001192092896
] | [
12350,
12351,
12352,
12353,
12349,
12348
] | train |
In the summer of 1972, Vada Sultenfuss is an 11-year-old tomboyish girl and a hypochondriac. Harry Sultenfuss, Vada's father, is an awkward widower who does not understand his daughter, so he constantly ignores her. His profession as a funeral director has led his daughter to develop an obsession with death. Vada regu... | [
[
"Mr. Bixler is getting married.",
"he's about to get married"
]
] | [
{
"content": "Why is Mr. Bixler not able to help Vada during this time of grief?",
"role": "user"
}
] | 12,373 | [
" In the summer of 1972, Vada Sultenfuss is an 11-year-old tomboyish girl and a hypochondriac. Harry Sultenfuss, Vada's father, is an awkward widower who does not understand his daughter, so he constantly ignores her. His profession as a funeral director has led his daughter to develop an obsession with death. Vada... | [
1.0000001192092896,
1.0000001192092896,
1.0000001192092896,
1.0000001192092896,
1.0000001192092896,
1.0000001192092896
] | [
12350,
12351,
12352,
12353,
12349,
12348
] | train |
In the summer of 1972, Vada Sultenfuss is an 11-year-old tomboyish girl and a hypochondriac. Harry Sultenfuss, Vada's father, is an awkward widower who does not understand his daughter, so he constantly ignores her. His profession as a funeral director has led his daughter to develop an obsession with death. Vada regu... | [
[
"Vada blames herself for the death of her mother.",
"That her mother's death wasn't her fault."
]
] | [
{
"content": "What is finally discovered as the deep seeded event that has caused Vada so much guild?",
"role": "user"
}
] | 12,374 | [
" In the summer of 1972, Vada Sultenfuss is an 11-year-old tomboyish girl and a hypochondriac. Harry Sultenfuss, Vada's father, is an awkward widower who does not understand his daughter, so he constantly ignores her. His profession as a funeral director has led his daughter to develop an obsession with death. Vada... | [
1.0000001192092896,
1.0000001192092896,
1.0000001192092896,
1.0000001192092896,
1.0000001192092896,
1.0000001192092896
] | [
12350,
12351,
12352,
12353,
12349,
12348
] | train |
In the summer of 1972, Vada Sultenfuss is an 11-year-old tomboyish girl and a hypochondriac. Harry Sultenfuss, Vada's father, is an awkward widower who does not understand his daughter, so he constantly ignores her. His profession as a funeral director has led his daughter to develop an obsession with death. Vada regu... | [
[
"The loss of her best friend, Thomas J.",
"the loss of Thomas"
]
] | [
{
"content": "What is Vada's poem that was written in Mr. Bixler's class about?",
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" In the summer of 1972, Vada Sultenfuss is an 11-year-old tomboyish girl and a hypochondriac. Harry Sultenfuss, Vada's father, is an awkward widower who does not understand his daughter, so he constantly ignores her. His profession as a funeral director has led his daughter to develop an obsession with death. Vada... | [
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The House of the Wolfings is a romantically reconstructed portrait of the lives of the Germanic Gothic tribes, written in an archaic style and incorporating a large amount of poetry. Morris combines his own idealistic views with what was actually known at the time of his subjects' folkways and language. He portrays th... | [
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"content": "What lives does the story represent? ",
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The House of the Wolfings is a romantically reconstructed portrait of the lives of the Germanic Gothic tribes, written in an archaic style and incorporating a large amount of poetry. Morris combines his own idealistic views with what was actually known at the time of his subjects' folkways and language. He portrays th... | [
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"content": "What people are the Gothic tribes defending themselves from? ",
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] | 12,377 | [
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The House of the Wolfings is a romantically reconstructed portrait of the lives of the Germanic Gothic tribes, written in an archaic style and incorporating a large amount of poetry. Morris combines his own idealistic views with what was actually known at the time of his subjects' folkways and language. He portrays th... | [
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"Odin and Tyr",
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"content": "What Gods do the Goths worship? ",
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] | 12,378 | [
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The House of the Wolfings is a romantically reconstructed portrait of the lives of the Germanic Gothic tribes, written in an archaic style and incorporating a large amount of poetry. Morris combines his own idealistic views with what was actually known at the time of his subjects' folkways and language. He portrays th... | [
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"Horses",
"Horses."
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"content": "What do the Goths sacrifice to the Gods?",
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] | 12,379 | [
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The House of the Wolfings is a romantically reconstructed portrait of the lives of the Germanic Gothic tribes, written in an archaic style and incorporating a large amount of poetry. Morris combines his own idealistic views with what was actually known at the time of his subjects' folkways and language. He portrays th... | [
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"Two",
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"content": "How many war dukes are chosen to fight against the enemy?",
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] | 12,380 | [
" The House of the Wolfings is a romantically reconstructed portrait of the lives of the Germanic Gothic tribes, written in an archaic style and incorporating a large amount of poetry. Morris combines his own idealistic views with what was actually known at the time of his subjects' folkways and language. He portra... | [
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The House of the Wolfings is a romantically reconstructed portrait of the lives of the Germanic Gothic tribes, written in an archaic style and incorporating a large amount of poetry. Morris combines his own idealistic views with what was actually known at the time of his subjects' folkways and language. He portrays th... | [
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"one",
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"content": "How many war dukes are chosen from the House of the Laxings? ",
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] | 12,381 | [
" The House of the Wolfings is a romantically reconstructed portrait of the lives of the Germanic Gothic tribes, written in an archaic style and incorporating a large amount of poetry. Morris combines his own idealistic views with what was actually known at the time of his subjects' folkways and language. He portra... | [
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The House of the Wolfings is a romantically reconstructed portrait of the lives of the Germanic Gothic tribes, written in an archaic style and incorporating a large amount of poetry. Morris combines his own idealistic views with what was actually known at the time of his subjects' folkways and language. He portrays th... | [
[
"Mirkwood",
"Mirkwood"
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{
"content": "What forest do the Goths reside in? ",
"role": "user"
}
] | 12,382 | [
" The House of the Wolfings is a romantically reconstructed portrait of the lives of the Germanic Gothic tribes, written in an archaic style and incorporating a large amount of poetry. Morris combines his own idealistic views with what was actually known at the time of his subjects' folkways and language. He portra... | [
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The House of the Wolfings is a romantically reconstructed portrait of the lives of the Germanic Gothic tribes, written in an archaic style and incorporating a large amount of poetry. Morris combines his own idealistic views with what was actually known at the time of his subjects' folkways and language. He portrays th... | [
[
"Thiodolf",
"Thiodolf."
]
] | [
{
"content": "What is the name of the Wolfing war leader? ",
"role": "user"
}
] | 12,383 | [
" The House of the Wolfings is a romantically reconstructed portrait of the lives of the Germanic Gothic tribes, written in an archaic style and incorporating a large amount of poetry. Morris combines his own idealistic views with what was actually known at the time of his subjects' folkways and language. He portra... | [
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The House of the Wolfings is a romantically reconstructed portrait of the lives of the Germanic Gothic tribes, written in an archaic style and incorporating a large amount of poetry. Morris combines his own idealistic views with what was actually known at the time of his subjects' folkways and language. He portrays th... | [
[
"They are father and daughter",
"He is her father "
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{
"content": "How is Thiodolf related to Hall Sun?",
"role": "user"
}
] | 12,384 | [
" The House of the Wolfings is a romantically reconstructed portrait of the lives of the Germanic Gothic tribes, written in an archaic style and incorporating a large amount of poetry. Morris combines his own idealistic views with what was actually known at the time of his subjects' folkways and language. He portra... | [
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The House of the Wolfings is a romantically reconstructed portrait of the lives of the Germanic Gothic tribes, written in an archaic style and incorporating a large amount of poetry. Morris combines his own idealistic views with what was actually known at the time of his subjects' folkways and language. He portrays th... | [
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"The Goths",
"Morris' Goths"
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{
"content": "Who lives in the area called the Mark?",
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}
] | 12,385 | [
" The House of the Wolfings is a romantically reconstructed portrait of the lives of the Germanic Gothic tribes, written in an archaic style and incorporating a large amount of poetry. Morris combines his own idealistic views with what was actually known at the time of his subjects' folkways and language. He portra... | [
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The House of the Wolfings is a romantically reconstructed portrait of the lives of the Germanic Gothic tribes, written in an archaic style and incorporating a large amount of poetry. Morris combines his own idealistic views with what was actually known at the time of his subjects' folkways and language. He portrays th... | [
[
"Their gods, Odin and Tyr.",
"Odin and Tyr. "
]
] | [
{
"content": "Who did the Goth's worship?",
"role": "user"
}
] | 12,386 | [
" The House of the Wolfings is a romantically reconstructed portrait of the lives of the Germanic Gothic tribes, written in an archaic style and incorporating a large amount of poetry. Morris combines his own idealistic views with what was actually known at the time of his subjects' folkways and language. He portra... | [
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The House of the Wolfings is a romantically reconstructed portrait of the lives of the Germanic Gothic tribes, written in an archaic style and incorporating a large amount of poetry. Morris combines his own idealistic views with what was actually known at the time of his subjects' folkways and language. He portrays th... | [
[
"They Goths worshiped their gods by sacrificing horses.",
"By sacrificing horses."
]
] | [
{
"content": "How did the Goths worsihp their gods?",
"role": "user"
}
] | 12,387 | [
" The House of the Wolfings is a romantically reconstructed portrait of the lives of the Germanic Gothic tribes, written in an archaic style and incorporating a large amount of poetry. Morris combines his own idealistic views with what was actually known at the time of his subjects' folkways and language. He portra... | [
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The House of the Wolfings is a romantically reconstructed portrait of the lives of the Germanic Gothic tribes, written in an archaic style and incorporating a large amount of poetry. Morris combines his own idealistic views with what was actually known at the time of his subjects' folkways and language. He portrays th... | [
[
"On a river in the forest of Mirkwood called the Mark.",
"The Mark in Mirkwood forest"
]
] | [
{
"content": "Where did the Goths from the story live?",
"role": "user"
}
] | 12,388 | [
" The House of the Wolfings is a romantically reconstructed portrait of the lives of the Germanic Gothic tribes, written in an archaic style and incorporating a large amount of poetry. Morris combines his own idealistic views with what was actually known at the time of his subjects' folkways and language. He portra... | [
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The House of the Wolfings is a romantically reconstructed portrait of the lives of the Germanic Gothic tribes, written in an archaic style and incorporating a large amount of poetry. Morris combines his own idealistic views with what was actually known at the time of his subjects' folkways and language. He portrays th... | [
[
"Three.",
"Three sections"
]
] | [
{
"content": "How many sections was the Mark divided into?",
"role": "user"
}
] | 12,389 | [
" The House of the Wolfings is a romantically reconstructed portrait of the lives of the Germanic Gothic tribes, written in an archaic style and incorporating a large amount of poetry. Morris combines his own idealistic views with what was actually known at the time of his subjects' folkways and language. He portra... | [
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The House of the Wolfings is a romantically reconstructed portrait of the lives of the Germanic Gothic tribes, written in an archaic style and incorporating a large amount of poetry. Morris combines his own idealistic views with what was actually known at the time of his subjects' folkways and language. He portrays th... | [
[
"They relied on seers and psychics.",
"Seers"
]
] | [
{
"content": " Who did the Goths rely on to foretell the future?",
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}
] | 12,390 | [
" The House of the Wolfings is a romantically reconstructed portrait of the lives of the Germanic Gothic tribes, written in an archaic style and incorporating a large amount of poetry. Morris combines his own idealistic views with what was actually known at the time of his subjects' folkways and language. He portra... | [
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The House of the Wolfings is a romantically reconstructed portrait of the lives of the Germanic Gothic tribes, written in an archaic style and incorporating a large amount of poetry. Morris combines his own idealistic views with what was actually known at the time of his subjects' folkways and language. He portrays th... | [
[
"The men of the Mark.",
"The men of mark"
]
] | [
{
"content": "Who was in reponsible for choosing the War Dukes?",
"role": "user"
}
] | 12,391 | [
" The House of the Wolfings is a romantically reconstructed portrait of the lives of the Germanic Gothic tribes, written in an archaic style and incorporating a large amount of poetry. Morris combines his own idealistic views with what was actually known at the time of his subjects' folkways and language. He portra... | [
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The House of the Wolfings is a romantically reconstructed portrait of the lives of the Germanic Gothic tribes, written in an archaic style and incorporating a large amount of poetry. Morris combines his own idealistic views with what was actually known at the time of his subjects' folkways and language. He portrays th... | [
[
"They were chosen to lead the men of the Marks against their enemies.",
"To lead the men of Mark against their enemies."
]
] | [
{
"content": "What were the War Dukes chosen to do?",
"role": "user"
}
] | 12,392 | [
" The House of the Wolfings is a romantically reconstructed portrait of the lives of the Germanic Gothic tribes, written in an archaic style and incorporating a large amount of poetry. Morris combines his own idealistic views with what was actually known at the time of his subjects' folkways and language. He portra... | [
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The House of the Wolfings is a romantically reconstructed portrait of the lives of the Germanic Gothic tribes, written in an archaic style and incorporating a large amount of poetry. Morris combines his own idealistic views with what was actually known at the time of his subjects' folkways and language. He portrays th... | [
[
"One War Duke was chosen from the House of Wolfings.",
"One."
]
] | [
{
"content": "How many War Dukes were chosen from the House of Wolfings?",
"role": "user"
}
] | 12,393 | [
" The House of the Wolfings is a romantically reconstructed portrait of the lives of the Germanic Gothic tribes, written in an archaic style and incorporating a large amount of poetry. Morris combines his own idealistic views with what was actually known at the time of his subjects' folkways and language. He portra... | [
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The House of the Wolfings is a romantically reconstructed portrait of the lives of the Germanic Gothic tribes, written in an archaic style and incorporating a large amount of poetry. Morris combines his own idealistic views with what was actually known at the time of his subjects' folkways and language. He portrays th... | [
[
"Two War Dukes were chosen in total.",
"Two"
]
] | [
{
"content": "How many War Dukes were chosen in total?",
"role": "user"
}
] | 12,394 | [
" The House of the Wolfings is a romantically reconstructed portrait of the lives of the Germanic Gothic tribes, written in an archaic style and incorporating a large amount of poetry. Morris combines his own idealistic views with what was actually known at the time of his subjects' folkways and language. He portra... | [
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The House of the Wolfings is a romantically reconstructed portrait of the lives of the Germanic Gothic tribes, written in an archaic style and incorporating a large amount of poetry. Morris combines his own idealistic views with what was actually known at the time of his subjects' folkways and language. He portrays th... | [
[
"The Wolfing war leader, Thiodolf.",
"The Wolfing war leader."
]
] | [
{
"content": "Who is believed to be of divine antecedents? ",
"role": "user"
}
] | 12,395 | [
" The House of the Wolfings is a romantically reconstructed portrait of the lives of the Germanic Gothic tribes, written in an archaic style and incorporating a large amount of poetry. Morris combines his own idealistic views with what was actually known at the time of his subjects' folkways and language. He portra... | [
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The House of the Wolfings is a romantically reconstructed portrait of the lives of the Germanic Gothic tribes, written in an archaic style and incorporating a large amount of poetry. Morris combines his own idealistic views with what was actually known at the time of his subjects' folkways and language. He portrays th... | [
[
"Imperial Rome",
"Rome."
]
] | [
{
"content": "Who is attacking the Germanic tribes in the House of the Wolfings?",
"role": "user"
}
] | 12,396 | [
" The House of the Wolfings is a romantically reconstructed portrait of the lives of the Germanic Gothic tribes, written in an archaic style and incorporating a large amount of poetry. Morris combines his own idealistic views with what was actually known at the time of his subjects' folkways and language. He portra... | [
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The House of the Wolfings is a romantically reconstructed portrait of the lives of the Germanic Gothic tribes, written in an archaic style and incorporating a large amount of poetry. Morris combines his own idealistic views with what was actually known at the time of his subjects' folkways and language. He portrays th... | [
[
"The Forest of Mirkwood",
"Mirkwood."
]
] | [
{
"content": "In what forest are the Germanic tribes living?",
"role": "user"
}
] | 12,397 | [
" The House of the Wolfings is a romantically reconstructed portrait of the lives of the Germanic Gothic tribes, written in an archaic style and incorporating a large amount of poetry. Morris combines his own idealistic views with what was actually known at the time of his subjects' folkways and language. He portra... | [
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The House of the Wolfings is a romantically reconstructed portrait of the lives of the Germanic Gothic tribes, written in an archaic style and incorporating a large amount of poetry. Morris combines his own idealistic views with what was actually known at the time of his subjects' folkways and language. He portrays th... | [
[
"Upper-mark, Mid-mark and Nether-mark",
"Upper, mid and nether mark"
]
] | [
{
"content": "Into what three sections is the forest of Mirkwood divided into?",
"role": "user"
}
] | 12,398 | [
" The House of the Wolfings is a romantically reconstructed portrait of the lives of the Germanic Gothic tribes, written in an archaic style and incorporating a large amount of poetry. Morris combines his own idealistic views with what was actually known at the time of his subjects' folkways and language. He portra... | [
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The House of the Wolfings is a romantically reconstructed portrait of the lives of the Germanic Gothic tribes, written in an archaic style and incorporating a large amount of poetry. Morris combines his own idealistic views with what was actually known at the time of his subjects' folkways and language. He portrays th... | [
[
"Mark",
"Mark."
]
] | [
{
"content": "What is the town like area that the Germanic tribes inhabit?",
"role": "user"
}
] | 12,399 | [
" The House of the Wolfings is a romantically reconstructed portrait of the lives of the Germanic Gothic tribes, written in an archaic style and incorporating a large amount of poetry. Morris combines his own idealistic views with what was actually known at the time of his subjects' folkways and language. He portra... | [
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