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Julianne Potter (Julia Roberts), a 27-year-old New York City restaurant critic, receives a call from her lifelong friend Michael O'Neal (Dermot Mulroney). In college, the two made an agreement that if neither of them were married by the time they turned 28, they would marry each other. Three weeks before her 28th birt... | [
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" Julianne Potter (Julia Roberts), a 27-year-old New York City restaurant critic, receives a call from her lifelong friend Michael O'Neal (Dermot Mulroney). In college, the two made an agreement that if neither of them were married by the time they turned 28, they would marry each other. Three weeks before her 28th... | [
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Julianne Potter (Julia Roberts), a 27-year-old New York City restaurant critic, receives a call from her lifelong friend Michael O'Neal (Dermot Mulroney). In college, the two made an agreement that if neither of them were married by the time they turned 28, they would marry each other. Three weeks before her 28th birt... | [
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"To sabotage Michael's wedding because she is in love with him",
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"content": "Why does Julianne go to Chicago?",
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" Julianne Potter (Julia Roberts), a 27-year-old New York City restaurant critic, receives a call from her lifelong friend Michael O'Neal (Dermot Mulroney). In college, the two made an agreement that if neither of them were married by the time they turned 28, they would marry each other. Three weeks before her 28th... | [
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Julianne Potter (Julia Roberts), a 27-year-old New York City restaurant critic, receives a call from her lifelong friend Michael O'Neal (Dermot Mulroney). In college, the two made an agreement that if neither of them were married by the time they turned 28, they would marry each other. Three weeks before her 28th birt... | [
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" Julianne Potter (Julia Roberts), a 27-year-old New York City restaurant critic, receives a call from her lifelong friend Michael O'Neal (Dermot Mulroney). In college, the two made an agreement that if neither of them were married by the time they turned 28, they would marry each other. Three weeks before her 28th... | [
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Julianne Potter (Julia Roberts), a 27-year-old New York City restaurant critic, receives a call from her lifelong friend Michael O'Neal (Dermot Mulroney). In college, the two made an agreement that if neither of them were married by the time they turned 28, they would marry each other. Three weeks before her 28th birt... | [
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" Julianne Potter (Julia Roberts), a 27-year-old New York City restaurant critic, receives a call from her lifelong friend Michael O'Neal (Dermot Mulroney). In college, the two made an agreement that if neither of them were married by the time they turned 28, they would marry each other. Three weeks before her 28th... | [
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Julianne Potter (Julia Roberts), a 27-year-old New York City restaurant critic, receives a call from her lifelong friend Michael O'Neal (Dermot Mulroney). In college, the two made an agreement that if neither of them were married by the time they turned 28, they would marry each other. Three weeks before her 28th birt... | [
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" Julianne Potter (Julia Roberts), a 27-year-old New York City restaurant critic, receives a call from her lifelong friend Michael O'Neal (Dermot Mulroney). In college, the two made an agreement that if neither of them were married by the time they turned 28, they would marry each other. Three weeks before her 28th... | [
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Julianne Potter (Julia Roberts), a 27-year-old New York City restaurant critic, receives a call from her lifelong friend Michael O'Neal (Dermot Mulroney). In college, the two made an agreement that if neither of them were married by the time they turned 28, they would marry each other. Three weeks before her 28th birt... | [
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" Julianne Potter (Julia Roberts), a 27-year-old New York City restaurant critic, receives a call from her lifelong friend Michael O'Neal (Dermot Mulroney). In college, the two made an agreement that if neither of them were married by the time they turned 28, they would marry each other. Three weeks before her 28th... | [
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Julianne Potter (Julia Roberts), a 27-year-old New York City restaurant critic, receives a call from her lifelong friend Michael O'Neal (Dermot Mulroney). In college, the two made an agreement that if neither of them were married by the time they turned 28, they would marry each other. Three weeks before her 28th birt... | [
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" Julianne Potter (Julia Roberts), a 27-year-old New York City restaurant critic, receives a call from her lifelong friend Michael O'Neal (Dermot Mulroney). In college, the two made an agreement that if neither of them were married by the time they turned 28, they would marry each other. Three weeks before her 28th... | [
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Julianne Potter (Julia Roberts), a 27-year-old New York City restaurant critic, receives a call from her lifelong friend Michael O'Neal (Dermot Mulroney). In college, the two made an agreement that if neither of them were married by the time they turned 28, they would marry each other. Three weeks before her 28th birt... | [
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" Julianne Potter (Julia Roberts), a 27-year-old New York City restaurant critic, receives a call from her lifelong friend Michael O'Neal (Dermot Mulroney). In college, the two made an agreement that if neither of them were married by the time they turned 28, they would marry each other. Three weeks before her 28th... | [
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Julianne Potter (Julia Roberts), a 27-year-old New York City restaurant critic, receives a call from her lifelong friend Michael O'Neal (Dermot Mulroney). In college, the two made an agreement that if neither of them were married by the time they turned 28, they would marry each other. Three weeks before her 28th birt... | [
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" Julianne Potter (Julia Roberts), a 27-year-old New York City restaurant critic, receives a call from her lifelong friend Michael O'Neal (Dermot Mulroney). In college, the two made an agreement that if neither of them were married by the time they turned 28, they would marry each other. Three weeks before her 28th... | [
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Julianne Potter (Julia Roberts), a 27-year-old New York City restaurant critic, receives a call from her lifelong friend Michael O'Neal (Dermot Mulroney). In college, the two made an agreement that if neither of them were married by the time they turned 28, they would marry each other. Three weeks before her 28th birt... | [
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" Julianne Potter (Julia Roberts), a 27-year-old New York City restaurant critic, receives a call from her lifelong friend Michael O'Neal (Dermot Mulroney). In college, the two made an agreement that if neither of them were married by the time they turned 28, they would marry each other. Three weeks before her 28th... | [
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Julianne Potter (Julia Roberts), a 27-year-old New York City restaurant critic, receives a call from her lifelong friend Michael O'Neal (Dermot Mulroney). In college, the two made an agreement that if neither of them were married by the time they turned 28, they would marry each other. Three weeks before her 28th birt... | [
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Julianne Potter (Julia Roberts), a 27-year-old New York City restaurant critic, receives a call from her lifelong friend Michael O'Neal (Dermot Mulroney). In college, the two made an agreement that if neither of them were married by the time they turned 28, they would marry each other. Three weeks before her 28th birt... | [
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Julianne Potter (Julia Roberts), a 27-year-old New York City restaurant critic, receives a call from her lifelong friend Michael O'Neal (Dermot Mulroney). In college, the two made an agreement that if neither of them were married by the time they turned 28, they would marry each other. Three weeks before her 28th birt... | [
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Julianne Potter (Julia Roberts), a 27-year-old New York City restaurant critic, receives a call from her lifelong friend Michael O'Neal (Dermot Mulroney). In college, the two made an agreement that if neither of them were married by the time they turned 28, they would marry each other. Three weeks before her 28th birt... | [
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" Julianne Potter (Julia Roberts), a 27-year-old New York City restaurant critic, receives a call from her lifelong friend Michael O'Neal (Dermot Mulroney). In college, the two made an agreement that if neither of them were married by the time they turned 28, they would marry each other. Three weeks before her 28th... | [
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Julianne Potter (Julia Roberts), a 27-year-old New York City restaurant critic, receives a call from her lifelong friend Michael O'Neal (Dermot Mulroney). In college, the two made an agreement that if neither of them were married by the time they turned 28, they would marry each other. Three weeks before her 28th birt... | [
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" Julianne Potter (Julia Roberts), a 27-year-old New York City restaurant critic, receives a call from her lifelong friend Michael O'Neal (Dermot Mulroney). In college, the two made an agreement that if neither of them were married by the time they turned 28, they would marry each other. Three weeks before her 28th... | [
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Julianne Potter (Julia Roberts), a 27-year-old New York City restaurant critic, receives a call from her lifelong friend Michael O'Neal (Dermot Mulroney). In college, the two made an agreement that if neither of them were married by the time they turned 28, they would marry each other. Three weeks before her 28th birt... | [
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"content": "Who do Michaela and Kimmy Communicate through?",
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" Julianne Potter (Julia Roberts), a 27-year-old New York City restaurant critic, receives a call from her lifelong friend Michael O'Neal (Dermot Mulroney). In college, the two made an agreement that if neither of them were married by the time they turned 28, they would marry each other. Three weeks before her 28th... | [
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Julianne Potter (Julia Roberts), a 27-year-old New York City restaurant critic, receives a call from her lifelong friend Michael O'Neal (Dermot Mulroney). In college, the two made an agreement that if neither of them were married by the time they turned 28, they would marry each other. Three weeks before her 28th birt... | [
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" Julianne Potter (Julia Roberts), a 27-year-old New York City restaurant critic, receives a call from her lifelong friend Michael O'Neal (Dermot Mulroney). In college, the two made an agreement that if neither of them were married by the time they turned 28, they would marry each other. Three weeks before her 28th... | [
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Julianne Potter (Julia Roberts), a 27-year-old New York City restaurant critic, receives a call from her lifelong friend Michael O'Neal (Dermot Mulroney). In college, the two made an agreement that if neither of them were married by the time they turned 28, they would marry each other. Three weeks before her 28th birt... | [
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" Julianne Potter (Julia Roberts), a 27-year-old New York City restaurant critic, receives a call from her lifelong friend Michael O'Neal (Dermot Mulroney). In college, the two made an agreement that if neither of them were married by the time they turned 28, they would marry each other. Three weeks before her 28th... | [
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Julianne Potter (Julia Roberts), a 27-year-old New York City restaurant critic, receives a call from her lifelong friend Michael O'Neal (Dermot Mulroney). In college, the two made an agreement that if neither of them were married by the time they turned 28, they would marry each other. Three weeks before her 28th birt... | [
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" Julianne Potter (Julia Roberts), a 27-year-old New York City restaurant critic, receives a call from her lifelong friend Michael O'Neal (Dermot Mulroney). In college, the two made an agreement that if neither of them were married by the time they turned 28, they would marry each other. Three weeks before her 28th... | [
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Julianne Potter (Julia Roberts), a 27-year-old New York City restaurant critic, receives a call from her lifelong friend Michael O'Neal (Dermot Mulroney). In college, the two made an agreement that if neither of them were married by the time they turned 28, they would marry each other. Three weeks before her 28th birt... | [
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" Julianne Potter (Julia Roberts), a 27-year-old New York City restaurant critic, receives a call from her lifelong friend Michael O'Neal (Dermot Mulroney). In college, the two made an agreement that if neither of them were married by the time they turned 28, they would marry each other. Three weeks before her 28th... | [
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Julianne Potter (Julia Roberts), a 27-year-old New York City restaurant critic, receives a call from her lifelong friend Michael O'Neal (Dermot Mulroney). In college, the two made an agreement that if neither of them were married by the time they turned 28, they would marry each other. Three weeks before her 28th birt... | [
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" Julianne Potter (Julia Roberts), a 27-year-old New York City restaurant critic, receives a call from her lifelong friend Michael O'Neal (Dermot Mulroney). In college, the two made an agreement that if neither of them were married by the time they turned 28, they would marry each other. Three weeks before her 28th... | [
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Julianne Potter (Julia Roberts), a 27-year-old New York City restaurant critic, receives a call from her lifelong friend Michael O'Neal (Dermot Mulroney). In college, the two made an agreement that if neither of them were married by the time they turned 28, they would marry each other. Three weeks before her 28th birt... | [
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Julianne Potter (Julia Roberts), a 27-year-old New York City restaurant critic, receives a call from her lifelong friend Michael O'Neal (Dermot Mulroney). In college, the two made an agreement that if neither of them were married by the time they turned 28, they would marry each other. Three weeks before her 28th birt... | [
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Julianne Potter (Julia Roberts), a 27-year-old New York City restaurant critic, receives a call from her lifelong friend Michael O'Neal (Dermot Mulroney). In college, the two made an agreement that if neither of them were married by the time they turned 28, they would marry each other. Three weeks before her 28th birt... | [
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" Julianne Potter (Julia Roberts), a 27-year-old New York City restaurant critic, receives a call from her lifelong friend Michael O'Neal (Dermot Mulroney). In college, the two made an agreement that if neither of them were married by the time they turned 28, they would marry each other. Three weeks before her 28th... | [
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Julianne Potter (Julia Roberts), a 27-year-old New York City restaurant critic, receives a call from her lifelong friend Michael O'Neal (Dermot Mulroney). In college, the two made an agreement that if neither of them were married by the time they turned 28, they would marry each other. Three weeks before her 28th birt... | [
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" Julianne Potter (Julia Roberts), a 27-year-old New York City restaurant critic, receives a call from her lifelong friend Michael O'Neal (Dermot Mulroney). In college, the two made an agreement that if neither of them were married by the time they turned 28, they would marry each other. Three weeks before her 28th... | [
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Julianne Potter (Julia Roberts), a 27-year-old New York City restaurant critic, receives a call from her lifelong friend Michael O'Neal (Dermot Mulroney). In college, the two made an agreement that if neither of them were married by the time they turned 28, they would marry each other. Three weeks before her 28th birt... | [
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" Julianne Potter (Julia Roberts), a 27-year-old New York City restaurant critic, receives a call from her lifelong friend Michael O'Neal (Dermot Mulroney). In college, the two made an agreement that if neither of them were married by the time they turned 28, they would marry each other. Three weeks before her 28th... | [
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Julianne Potter (Julia Roberts), a 27-year-old New York City restaurant critic, receives a call from her lifelong friend Michael O'Neal (Dermot Mulroney). In college, the two made an agreement that if neither of them were married by the time they turned 28, they would marry each other. Three weeks before her 28th birt... | [
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" Julianne Potter (Julia Roberts), a 27-year-old New York City restaurant critic, receives a call from her lifelong friend Michael O'Neal (Dermot Mulroney). In college, the two made an agreement that if neither of them were married by the time they turned 28, they would marry each other. Three weeks before her 28th... | [
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Julianne Potter (Julia Roberts), a 27-year-old New York City restaurant critic, receives a call from her lifelong friend Michael O'Neal (Dermot Mulroney). In college, the two made an agreement that if neither of them were married by the time they turned 28, they would marry each other. Three weeks before her 28th birt... | [
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}
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" Julianne Potter (Julia Roberts), a 27-year-old New York City restaurant critic, receives a call from her lifelong friend Michael O'Neal (Dermot Mulroney). In college, the two made an agreement that if neither of them were married by the time they turned 28, they would marry each other. Three weeks before her 28th... | [
1,
1,
1,
1,
1,
1
] | [
27502,
27503,
27504,
27505,
27501,
27500
] | train |
Julianne Potter (Julia Roberts), a 27-year-old New York City restaurant critic, receives a call from her lifelong friend Michael O'Neal (Dermot Mulroney). In college, the two made an agreement that if neither of them were married by the time they turned 28, they would marry each other. Three weeks before her 28th birt... | [
[
"27",
"27"
]
] | [
{
"content": "How old is Julianne?",
"role": "user"
}
] | 27,528 | [
" Julianne Potter (Julia Roberts), a 27-year-old New York City restaurant critic, receives a call from her lifelong friend Michael O'Neal (Dermot Mulroney). In college, the two made an agreement that if neither of them were married by the time they turned 28, they would marry each other. Three weeks before her 28th... | [
1,
1,
1,
1,
1,
1
] | [
27502,
27503,
27504,
27505,
27501,
27500
] | train |
Julianne Potter (Julia Roberts), a 27-year-old New York City restaurant critic, receives a call from her lifelong friend Michael O'Neal (Dermot Mulroney). In college, the two made an agreement that if neither of them were married by the time they turned 28, they would marry each other. Three weeks before her 28th birt... | [
[
"The University of Chicago",
"University of Chicago."
]
] | [
{
"content": "What college does Kimmy attend?",
"role": "user"
}
] | 27,529 | [
" Julianne Potter (Julia Roberts), a 27-year-old New York City restaurant critic, receives a call from her lifelong friend Michael O'Neal (Dermot Mulroney). In college, the two made an agreement that if neither of them were married by the time they turned 28, they would marry each other. Three weeks before her 28th... | [
1,
1,
1,
1,
1,
1
] | [
27502,
27503,
27504,
27505,
27501,
27500
] | train |
The story may not be linear and exhibits several instances of temporal disruption. A dark-haired woman (Harring) escapes her own murder, surviving a car accident on Mulholland Drive. Injured and in shock, she descends into Los Angeles and sneaks into an apartment that an older, red-headed woman has just vacated. An as... | [
[
"\"Rita\" sees a Rita Hayworth poster.",
"After seeing a movie poster with Rita Hayworth"
]
] | [
{
"content": "Why does \"Rita\" adopt this particular assumed name?",
"role": "user"
}
] | 27,530 | [
" The story may not be linear and exhibits several instances of temporal disruption. A dark-haired woman (Harring) escapes her own murder, surviving a car accident on Mulholland Drive. Injured and in shock, she descends into Los Angeles and sneaks into an apartment that an older, red-headed woman has just vacated. ... | [
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27532,
27533,
27534,
27535,
27531
] | train |
The story may not be linear and exhibits several instances of temporal disruption. A dark-haired woman (Harring) escapes her own murder, surviving a car accident on Mulholland Drive. Injured and in shock, she descends into Los Angeles and sneaks into an apartment that an older, red-headed woman has just vacated. An as... | [
[
"Rita was injured in a car crash on Mulholland drive.",
"she was in a car accident"
]
] | [
{
"content": "Why has \"Rita\" forgotten her own name?",
"role": "user"
}
] | 27,531 | [
" The story may not be linear and exhibits several instances of temporal disruption. A dark-haired woman (Harring) escapes her own murder, surviving a car accident on Mulholland Drive. Injured and in shock, she descends into Los Angeles and sneaks into an apartment that an older, red-headed woman has just vacated. ... | [
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27532,
27533,
27534,
27535,
27530
] | train |
The story may not be linear and exhibits several instances of temporal disruption. A dark-haired woman (Harring) escapes her own murder, surviving a car accident on Mulholland Drive. Injured and in shock, she descends into Los Angeles and sneaks into an apartment that an older, red-headed woman has just vacated. An as... | [
[
"Adam is being threatened to do so by mobsters.",
"Mobsters insisted and he needed money"
]
] | [
{
"content": "Why does Adam Kesher cast unknown Camilla Rhodes as Sylvia North?",
"role": "user"
}
] | 27,532 | [
" The story may not be linear and exhibits several instances of temporal disruption. A dark-haired woman (Harring) escapes her own murder, surviving a car accident on Mulholland Drive. Injured and in shock, she descends into Los Angeles and sneaks into an apartment that an older, red-headed woman has just vacated. ... | [
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0.9999999403953552,
0.9999999403953552,
0.9999999403953552,
0.9999999403953552,
0.9999999403953552
] | [
27533,
27534,
27535,
27531,
27530
] | train |
The story may not be linear and exhibits several instances of temporal disruption. A dark-haired woman (Harring) escapes her own murder, surviving a car accident on Mulholland Drive. Injured and in shock, she descends into Los Angeles and sneaks into an apartment that an older, red-headed woman has just vacated. An as... | [
[
"Rita and Betty find a dead woman.",
"A dead woman."
]
] | [
{
"content": "What do \"Rita\" and Betty find in Diane Selwyns apartment?",
"role": "user"
}
] | 27,533 | [
" The story may not be linear and exhibits several instances of temporal disruption. A dark-haired woman (Harring) escapes her own murder, surviving a car accident on Mulholland Drive. Injured and in shock, she descends into Los Angeles and sneaks into an apartment that an older, red-headed woman has just vacated. ... | [
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0.9999999403953552,
0.9999999403953552,
0.9999999403953552,
0.9999999403953552,
0.9999999403953552
] | [
27532,
27534,
27535,
27531,
27530
] | train |
The story may not be linear and exhibits several instances of temporal disruption. A dark-haired woman (Harring) escapes her own murder, surviving a car accident on Mulholland Drive. Injured and in shock, she descends into Los Angeles and sneaks into an apartment that an older, red-headed woman has just vacated. An as... | [
[
"Diane had come after the death of her aunt.",
"Because her aunt died."
]
] | [
{
"content": "Why did Diane claim she had come to Hollywood?",
"role": "user"
}
] | 27,534 | [
" The story may not be linear and exhibits several instances of temporal disruption. A dark-haired woman (Harring) escapes her own murder, surviving a car accident on Mulholland Drive. Injured and in shock, she descends into Los Angeles and sneaks into an apartment that an older, red-headed woman has just vacated. ... | [
0.9999999403953552,
0.9999999403953552,
0.9999999403953552,
0.9999999403953552,
0.9999999403953552,
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] | [
27532,
27533,
27535,
27531,
27530
] | train |
The story may not be linear and exhibits several instances of temporal disruption. A dark-haired woman (Harring) escapes her own murder, surviving a car accident on Mulholland Drive. Injured and in shock, she descends into Los Angeles and sneaks into an apartment that an older, red-headed woman has just vacated. An as... | [
[
"Camilla invites her.",
"Camilla invited her."
]
] | [
{
"content": "Why does Diane go to the party on Mulholland Drive?",
"role": "user"
}
] | 27,535 | [
" The story may not be linear and exhibits several instances of temporal disruption. A dark-haired woman (Harring) escapes her own murder, surviving a car accident on Mulholland Drive. Injured and in shock, she descends into Los Angeles and sneaks into an apartment that an older, red-headed woman has just vacated. ... | [
0.9999999403953552,
0.9999999403953552,
0.9999999403953552,
0.9999999403953552,
0.9999999403953552,
0.9999999403953552
] | [
27532,
27533,
27534,
27531,
27530
] | train |
The story may not be linear and exhibits several instances of temporal disruption. A dark-haired woman (Harring) escapes her own murder, surviving a car accident on Mulholland Drive. Injured and in shock, she descends into Los Angeles and sneaks into an apartment that an older, red-headed woman has just vacated. An as... | [
[
"Diane is in love with Camilla.",
"because she is in love with her"
]
] | [
{
"content": "Why is Diane upset to see Camilla kissing other people?",
"role": "user"
}
] | 27,536 | [
" The story may not be linear and exhibits several instances of temporal disruption. A dark-haired woman (Harring) escapes her own murder, surviving a car accident on Mulholland Drive. Injured and in shock, she descends into Los Angeles and sneaks into an apartment that an older, red-headed woman has just vacated. ... | [
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0.9999999403953552,
0.9999999403953552,
0.9999999403953552,
0.9999999403953552,
0.9999999403953552
] | [
27532,
27533,
27534,
27535,
27531,
27530
] | train |
The story may not be linear and exhibits several instances of temporal disruption. A dark-haired woman (Harring) escapes her own murder, surviving a car accident on Mulholland Drive. Injured and in shock, she descends into Los Angeles and sneaks into an apartment that an older, red-headed woman has just vacated. An as... | [
[
"Diane will find a blue key. ",
"When she finds a blue key."
]
] | [
{
"content": "How will Diane know when the hit man has killed Camilla?",
"role": "user"
}
] | 27,537 | [
" The story may not be linear and exhibits several instances of temporal disruption. A dark-haired woman (Harring) escapes her own murder, surviving a car accident on Mulholland Drive. Injured and in shock, she descends into Los Angeles and sneaks into an apartment that an older, red-headed woman has just vacated. ... | [
0.9999999403953552,
0.9999999403953552,
0.9999999403953552,
0.9999999403953552,
0.9999999403953552,
0.9999999403953552
] | [
27532,
27533,
27534,
27535,
27531,
27530
] | train |
The story may not be linear and exhibits several instances of temporal disruption. A dark-haired woman (Harring) escapes her own murder, surviving a car accident on Mulholland Drive. Injured and in shock, she descends into Los Angeles and sneaks into an apartment that an older, red-headed woman has just vacated. An as... | [
[
"The hit man laughs.",
"Laughs."
]
] | [
{
"content": "What does the hit man do when Diane asks what the blue key will open?",
"role": "user"
}
] | 27,538 | [
" The story may not be linear and exhibits several instances of temporal disruption. A dark-haired woman (Harring) escapes her own murder, surviving a car accident on Mulholland Drive. Injured and in shock, she descends into Los Angeles and sneaks into an apartment that an older, red-headed woman has just vacated. ... | [
0.9999999403953552,
0.9999999403953552,
0.9999999403953552,
0.9999999403953552,
0.9999999403953552,
0.9999999403953552
] | [
27532,
27533,
27534,
27535,
27531,
27530
] | train |
The story may not be linear and exhibits several instances of temporal disruption. A dark-haired woman (Harring) escapes her own murder, surviving a car accident on Mulholland Drive. Injured and in shock, she descends into Los Angeles and sneaks into an apartment that an older, red-headed woman has just vacated. An as... | [
[
"Club Silencio",
"Club Silencio."
]
] | [
{
"content": "What is the name of the theater that \"Rita\" and Betty visit?",
"role": "user"
}
] | 27,539 | [
" The story may not be linear and exhibits several instances of temporal disruption. A dark-haired woman (Harring) escapes her own murder, surviving a car accident on Mulholland Drive. Injured and in shock, she descends into Los Angeles and sneaks into an apartment that an older, red-headed woman has just vacated. ... | [
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0.9999999403953552,
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0.9999999403953552,
0.9999999403953552,
0.9999999403953552
] | [
27532,
27533,
27534,
27535,
27531,
27530
] | train |
The story may not be linear and exhibits several instances of temporal disruption. A dark-haired woman (Harring) escapes her own murder, surviving a car accident on Mulholland Drive. Injured and in shock, she descends into Los Angeles and sneaks into an apartment that an older, red-headed woman has just vacated. An as... | [
[
"A blue key and a lot of cash.",
"A Blue Key"
]
] | [
{
"content": "At the beginning of the story, what does Betty find in Rita's purse?",
"role": "user"
}
] | 27,540 | [
" The story may not be linear and exhibits several instances of temporal disruption. A dark-haired woman (Harring) escapes her own murder, surviving a car accident on Mulholland Drive. Injured and in shock, she descends into Los Angeles and sneaks into an apartment that an older, red-headed woman has just vacated. ... | [
0.9999999403953552,
0.9999999403953552,
0.9999999403953552,
0.9999999403953552,
0.9999999403953552,
0.9999999403953552
] | [
27532,
27533,
27534,
27535,
27531,
27530
] | train |
The story may not be linear and exhibits several instances of temporal disruption. A dark-haired woman (Harring) escapes her own murder, surviving a car accident on Mulholland Drive. Injured and in shock, she descends into Los Angeles and sneaks into an apartment that an older, red-headed woman has just vacated. An as... | [
[
"Camilla Rhodes",
"Camilla Rhodes"
]
] | [
{
"content": "Who does the 'mobsters' insist Adam cast in a leading role?",
"role": "user"
}
] | 27,541 | [
" The story may not be linear and exhibits several instances of temporal disruption. A dark-haired woman (Harring) escapes her own murder, surviving a car accident on Mulholland Drive. Injured and in shock, she descends into Los Angeles and sneaks into an apartment that an older, red-headed woman has just vacated. ... | [
0.9999999403953552,
0.9999999403953552,
0.9999999403953552,
0.9999999403953552,
0.9999999403953552,
0.9999999403953552
] | [
27532,
27533,
27534,
27535,
27531,
27530
] | train |
The story may not be linear and exhibits several instances of temporal disruption. A dark-haired woman (Harring) escapes her own murder, surviving a car accident on Mulholland Drive. Injured and in shock, she descends into Los Angeles and sneaks into an apartment that an older, red-headed woman has just vacated. An as... | [
[
"Everything is an illusion",
"everything is an illusion"
]
] | [
{
"content": "What does the man on stage at Club Silencio explain in several different languages?",
"role": "user"
}
] | 27,542 | [
" The story may not be linear and exhibits several instances of temporal disruption. A dark-haired woman (Harring) escapes her own murder, surviving a car accident on Mulholland Drive. Injured and in shock, she descends into Los Angeles and sneaks into an apartment that an older, red-headed woman has just vacated. ... | [
0.9999999403953552,
0.9999999403953552,
0.9999999403953552,
0.9999999403953552,
0.9999999403953552,
0.9999999403953552
] | [
27532,
27533,
27534,
27535,
27531,
27530
] | train |
The story may not be linear and exhibits several instances of temporal disruption. A dark-haired woman (Harring) escapes her own murder, surviving a car accident on Mulholland Drive. Injured and in shock, she descends into Los Angeles and sneaks into an apartment that an older, red-headed woman has just vacated. An as... | [
[
"Winkies",
"Winkies"
]
] | [
{
"content": "What diner does much of the story take place?",
"role": "user"
}
] | 27,543 | [
" The story may not be linear and exhibits several instances of temporal disruption. A dark-haired woman (Harring) escapes her own murder, surviving a car accident on Mulholland Drive. Injured and in shock, she descends into Los Angeles and sneaks into an apartment that an older, red-headed woman has just vacated. ... | [
0.9999999403953552,
0.9999999403953552,
0.9999999403953552,
0.9999999403953552,
0.9999999403953552,
0.9999999403953552
] | [
27532,
27533,
27534,
27535,
27531,
27530
] | train |
The story may not be linear and exhibits several instances of temporal disruption. A dark-haired woman (Harring) escapes her own murder, surviving a car accident on Mulholland Drive. Injured and in shock, she descends into Los Angeles and sneaks into an apartment that an older, red-headed woman has just vacated. An as... | [
[
"The Cowboy",
"The Cowboy."
]
] | [
{
"content": "Who appears in Diane's doorway, saying \"Time to wake up\"?",
"role": "user"
}
] | 27,544 | [
" The story may not be linear and exhibits several instances of temporal disruption. A dark-haired woman (Harring) escapes her own murder, surviving a car accident on Mulholland Drive. Injured and in shock, she descends into Los Angeles and sneaks into an apartment that an older, red-headed woman has just vacated. ... | [
0.9999999403953552,
0.9999999403953552,
0.9999999403953552,
0.9999999403953552,
0.9999999403953552,
0.9999999403953552
] | [
27532,
27533,
27534,
27535,
27531,
27530
] | train |
The story may not be linear and exhibits several instances of temporal disruption. A dark-haired woman (Harring) escapes her own murder, surviving a car accident on Mulholland Drive. Injured and in shock, she descends into Los Angeles and sneaks into an apartment that an older, red-headed woman has just vacated. An as... | [
[
"Betty",
"Betty."
]
] | [
{
"content": "Who finds a blue box that matches the key from Rita's purse?",
"role": "user"
}
] | 27,545 | [
" The story may not be linear and exhibits several instances of temporal disruption. A dark-haired woman (Harring) escapes her own murder, surviving a car accident on Mulholland Drive. Injured and in shock, she descends into Los Angeles and sneaks into an apartment that an older, red-headed woman has just vacated. ... | [
0.9999999403953552,
0.9999999403953552,
0.9999999403953552,
0.9999999403953552,
0.9999999403953552,
0.9999999403953552
] | [
27532,
27533,
27534,
27535,
27531,
27530
] | train |
The story may not be linear and exhibits several instances of temporal disruption. A dark-haired woman (Harring) escapes her own murder, surviving a car accident on Mulholland Drive. Injured and in shock, she descends into Los Angeles and sneaks into an apartment that an older, red-headed woman has just vacated. An as... | [
[
"The Sylvia North Story",
"The Sylvia North Story."
]
] | [
{
"content": "What does Camilla audition for?",
"role": "user"
}
] | 27,546 | [
" The story may not be linear and exhibits several instances of temporal disruption. A dark-haired woman (Harring) escapes her own murder, surviving a car accident on Mulholland Drive. Injured and in shock, she descends into Los Angeles and sneaks into an apartment that an older, red-headed woman has just vacated. ... | [
0.9999999403953552,
0.9999999403953552,
0.9999999403953552,
0.9999999403953552,
0.9999999403953552,
0.9999999403953552
] | [
27532,
27533,
27534,
27535,
27531,
27530
] | train |
The story may not be linear and exhibits several instances of temporal disruption. A dark-haired woman (Harring) escapes her own murder, surviving a car accident on Mulholland Drive. Injured and in shock, she descends into Los Angeles and sneaks into an apartment that an older, red-headed woman has just vacated. An as... | [
[
"Diane",
"Diane/Rita"
]
] | [
{
"content": "Who suffers hallucinations and kills herself?",
"role": "user"
}
] | 27,547 | [
" The story may not be linear and exhibits several instances of temporal disruption. A dark-haired woman (Harring) escapes her own murder, surviving a car accident on Mulholland Drive. Injured and in shock, she descends into Los Angeles and sneaks into an apartment that an older, red-headed woman has just vacated. ... | [
0.9999999403953552,
0.9999999403953552,
0.9999999403953552,
0.9999999403953552,
0.9999999403953552,
0.9999999403953552
] | [
27532,
27533,
27534,
27535,
27531,
27530
] | train |
The story may not be linear and exhibits several instances of temporal disruption. A dark-haired woman (Harring) escapes her own murder, surviving a car accident on Mulholland Drive. Injured and in shock, she descends into Los Angeles and sneaks into an apartment that an older, red-headed woman has just vacated. An as... | [
[
"From a Gilda movie poster.",
"movie poster"
]
] | [
{
"content": "Where did Rita get inspiration for her name?",
"role": "user"
}
] | 27,548 | [
" The story may not be linear and exhibits several instances of temporal disruption. A dark-haired woman (Harring) escapes her own murder, surviving a car accident on Mulholland Drive. Injured and in shock, she descends into Los Angeles and sneaks into an apartment that an older, red-headed woman has just vacated. ... | [
0.9999999403953552,
0.9999999403953552,
0.9999999403953552,
0.9999999403953552,
0.9999999403953552,
0.9999999403953552
] | [
27532,
27533,
27534,
27535,
27531,
27530
] | train |
The story may not be linear and exhibits several instances of temporal disruption. A dark-haired woman (Harring) escapes her own murder, surviving a car accident on Mulholland Drive. Injured and in shock, she descends into Los Angeles and sneaks into an apartment that an older, red-headed woman has just vacated. An as... | [
[
"Adam",
"The dark haired woman aka Rita."
]
] | [
{
"content": "Who lives on Mulholland Drive?",
"role": "user"
}
] | 27,549 | [
" The story may not be linear and exhibits several instances of temporal disruption. A dark-haired woman (Harring) escapes her own murder, surviving a car accident on Mulholland Drive. Injured and in shock, she descends into Los Angeles and sneaks into an apartment that an older, red-headed woman has just vacated. ... | [
0.9999999403953552,
0.9999999403953552,
0.9999999403953552,
0.9999999403953552,
0.9999999403953552,
0.9999999403953552
] | [
27532,
27533,
27534,
27535,
27531,
27530
] | train |
The story may not be linear and exhibits several instances of temporal disruption. A dark-haired woman (Harring) escapes her own murder, surviving a car accident on Mulholland Drive. Injured and in shock, she descends into Los Angeles and sneaks into an apartment that an older, red-headed woman has just vacated. An as... | [
[
"Mobsters.",
"Mobsters."
]
] | [
{
"content": "Who wants Adam to cast Camilla Rhodes?",
"role": "user"
}
] | 27,550 | [
" The story may not be linear and exhibits several instances of temporal disruption. A dark-haired woman (Harring) escapes her own murder, surviving a car accident on Mulholland Drive. Injured and in shock, she descends into Los Angeles and sneaks into an apartment that an older, red-headed woman has just vacated. ... | [
0.9999999403953552,
0.9999999403953552,
0.9999999403953552,
0.9999999403953552,
0.9999999403953552,
0.9999999403953552
] | [
27532,
27533,
27534,
27535,
27531,
27530
] | train |
The story may not be linear and exhibits several instances of temporal disruption. A dark-haired woman (Harring) escapes her own murder, surviving a car accident on Mulholland Drive. Injured and in shock, she descends into Los Angeles and sneaks into an apartment that an older, red-headed woman has just vacated. An as... | [
[
"He found his wife having an affair.",
"He finds wife cheating."
]
] | [
{
"content": "What happened before Adam got thrown out of his house?",
"role": "user"
}
] | 27,551 | [
" The story may not be linear and exhibits several instances of temporal disruption. A dark-haired woman (Harring) escapes her own murder, surviving a car accident on Mulholland Drive. Injured and in shock, she descends into Los Angeles and sneaks into an apartment that an older, red-headed woman has just vacated. ... | [
0.9999999403953552,
0.9999999403953552,
0.9999999403953552,
0.9999999403953552,
0.9999999403953552,
0.9999999403953552
] | [
27532,
27533,
27534,
27535,
27531,
27530
] | train |
The story may not be linear and exhibits several instances of temporal disruption. A dark-haired woman (Harring) escapes her own murder, surviving a car accident on Mulholland Drive. Injured and in shock, she descends into Los Angeles and sneaks into an apartment that an older, red-headed woman has just vacated. An as... | [
[
"She came up with it, after seeing a poster featuring teh actress Rita Hayworth.",
"Because she saw a poster with Rita Hayworth."
]
] | [
{
"content": "Why did the woman choose Rita as her name?",
"role": "user"
}
] | 27,552 | [
" The story may not be linear and exhibits several instances of temporal disruption. A dark-haired woman (Harring) escapes her own murder, surviving a car accident on Mulholland Drive. Injured and in shock, she descends into Los Angeles and sneaks into an apartment that an older, red-headed woman has just vacated. ... | [
0.9999999403953552,
0.9999999403953552,
0.9999999403953552,
0.9999999403953552,
0.9999999403953552,
0.9999999403953552
] | [
27532,
27533,
27534,
27535,
27531,
27530
] | train |
The story may not be linear and exhibits several instances of temporal disruption. A dark-haired woman (Harring) escapes her own murder, surviving a car accident on Mulholland Drive. Injured and in shock, she descends into Los Angeles and sneaks into an apartment that an older, red-headed woman has just vacated. An as... | [
[
"She was invited by Camilla.",
"She was invited."
]
] | [
{
"content": "Why does Diane attend the Party?",
"role": "user"
}
] | 27,553 | [
" The story may not be linear and exhibits several instances of temporal disruption. A dark-haired woman (Harring) escapes her own murder, surviving a car accident on Mulholland Drive. Injured and in shock, she descends into Los Angeles and sneaks into an apartment that an older, red-headed woman has just vacated. ... | [
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27532,
27533,
27534,
27535,
27531,
27530
] | train |
The story may not be linear and exhibits several instances of temporal disruption. A dark-haired woman (Harring) escapes her own murder, surviving a car accident on Mulholland Drive. Injured and in shock, she descends into Los Angeles and sneaks into an apartment that an older, red-headed woman has just vacated. An as... | [
[
"Diane is dead.",
"dead"
]
] | [
{
"content": "What state is Diane in when Rita and Betty find her?",
"role": "user"
}
] | 27,554 | [
" The story may not be linear and exhibits several instances of temporal disruption. A dark-haired woman (Harring) escapes her own murder, surviving a car accident on Mulholland Drive. Injured and in shock, she descends into Los Angeles and sneaks into an apartment that an older, red-headed woman has just vacated. ... | [
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27532,
27533,
27534,
27535,
27531,
27530
] | train |
The story may not be linear and exhibits several instances of temporal disruption. A dark-haired woman (Harring) escapes her own murder, surviving a car accident on Mulholland Drive. Injured and in shock, she descends into Los Angeles and sneaks into an apartment that an older, red-headed woman has just vacated. An as... | [
[
"Money and blue key.",
"A blue key and a lot of money."
]
] | [
{
"content": "What does betty find in Rita's purse?",
"role": "user"
}
] | 27,555 | [
" The story may not be linear and exhibits several instances of temporal disruption. A dark-haired woman (Harring) escapes her own murder, surviving a car accident on Mulholland Drive. Injured and in shock, she descends into Los Angeles and sneaks into an apartment that an older, red-headed woman has just vacated. ... | [
0.9999999403953552,
0.9999999403953552,
0.9999999403953552,
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0.9999999403953552,
0.9999999403953552
] | [
27532,
27533,
27534,
27535,
27531,
27530
] | train |
The story may not be linear and exhibits several instances of temporal disruption. A dark-haired woman (Harring) escapes her own murder, surviving a car accident on Mulholland Drive. Injured and in shock, she descends into Los Angeles and sneaks into an apartment that an older, red-headed woman has just vacated. An as... | [
[
"A blue key.",
"a blue key"
]
] | [
{
"content": "What does the hitman give Diane?",
"role": "user"
}
] | 27,556 | [
" The story may not be linear and exhibits several instances of temporal disruption. A dark-haired woman (Harring) escapes her own murder, surviving a car accident on Mulholland Drive. Injured and in shock, she descends into Los Angeles and sneaks into an apartment that an older, red-headed woman has just vacated. ... | [
0.9999999403953552,
0.9999999403953552,
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0.9999999403953552,
0.9999999403953552
] | [
27532,
27533,
27534,
27535,
27531,
27530
] | train |
The story may not be linear and exhibits several instances of temporal disruption. A dark-haired woman (Harring) escapes her own murder, surviving a car accident on Mulholland Drive. Injured and in shock, she descends into Los Angeles and sneaks into an apartment that an older, red-headed woman has just vacated. An as... | [
[
"Sshe shot herself",
"she shoots herself"
]
] | [
{
"content": "How did Diane die?",
"role": "user"
}
] | 27,557 | [
" The story may not be linear and exhibits several instances of temporal disruption. A dark-haired woman (Harring) escapes her own murder, surviving a car accident on Mulholland Drive. Injured and in shock, she descends into Los Angeles and sneaks into an apartment that an older, red-headed woman has just vacated. ... | [
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0.9999999403953552,
0.9999999403953552,
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0.9999999403953552,
0.9999999403953552
] | [
27532,
27533,
27534,
27535,
27531,
27530
] | train |
The story may not be linear and exhibits several instances of temporal disruption. A dark-haired woman (Harring) escapes her own murder, surviving a car accident on Mulholland Drive. Injured and in shock, she descends into Los Angeles and sneaks into an apartment that an older, red-headed woman has just vacated. An as... | [
[
"She met Camilla at an audtion.",
"in a movie"
]
] | [
{
"content": "How did Diane meet Camilla?",
"role": "user"
}
] | 27,558 | [
" The story may not be linear and exhibits several instances of temporal disruption. A dark-haired woman (Harring) escapes her own murder, surviving a car accident on Mulholland Drive. Injured and in shock, she descends into Los Angeles and sneaks into an apartment that an older, red-headed woman has just vacated. ... | [
0.9999999403953552,
0.9999999403953552,
0.9999999403953552,
0.9999999403953552,
0.9999999403953552,
0.9999999403953552
] | [
27532,
27533,
27534,
27535,
27531,
27530
] | train |
The story may not be linear and exhibits several instances of temporal disruption. A dark-haired woman (Harring) escapes her own murder, surviving a car accident on Mulholland Drive. Injured and in shock, she descends into Los Angeles and sneaks into an apartment that an older, red-headed woman has just vacated. An as... | [
[
"Club silencio.",
"Club Silencio"
]
] | [
{
"content": "What theter did Rita want to go to?",
"role": "user"
}
] | 27,559 | [
" The story may not be linear and exhibits several instances of temporal disruption. A dark-haired woman (Harring) escapes her own murder, surviving a car accident on Mulholland Drive. Injured and in shock, she descends into Los Angeles and sneaks into an apartment that an older, red-headed woman has just vacated. ... | [
0.9999999403953552,
0.9999999403953552,
0.9999999403953552,
0.9999999403953552,
0.9999999403953552,
0.9999999403953552
] | [
27532,
27533,
27534,
27535,
27531,
27530
] | train |
At the age of twenty, young Alleyne, son of Edric, leaves the Catholic abbey where he has been raised—intelligent, skilled, and well-liked, though sheltered and naive—and goes out to see the world, in accordance with the terms of his father's will. The same day, the abbot banishes John of Hordle for worldly behavior: ... | [
[
"24",
"Twenty."
]
] | [
{
"content": "How old is Alleyne when she leaves the Abbey?",
"role": "user"
}
] | 27,560 | [
" At the age of twenty, young Alleyne, son of Edric, leaves the Catholic abbey where he has been raised—intelligent, skilled, and well-liked, though sheltered and naive—and goes out to see the world, in accordance with the terms of his father's will. The same day, the abbot banishes John of Hordle for worldly behav... | [
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1.0000003576278687,
1.0000003576278687,
1.0000003576278687,
1.0000003576278687
] | [
27562,
27563,
27564,
27565,
27561
] | train |
At the age of twenty, young Alleyne, son of Edric, leaves the Catholic abbey where he has been raised—intelligent, skilled, and well-liked, though sheltered and naive—and goes out to see the world, in accordance with the terms of his father's will. The same day, the abbot banishes John of Hordle for worldly behavior: ... | [
[
"Catholic",
"Catholic"
]
] | [
{
"content": "With which christian denomination is the Abbey associated with?",
"role": "user"
}
] | 27,561 | [
" At the age of twenty, young Alleyne, son of Edric, leaves the Catholic abbey where he has been raised—intelligent, skilled, and well-liked, though sheltered and naive—and goes out to see the world, in accordance with the terms of his father's will. The same day, the abbot banishes John of Hordle for worldly behav... | [
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1.0000003576278687,
1.0000003576278687,
1.0000003576278687,
1.0000003576278687,
1.0000003576278687
] | [
27562,
27563,
27564,
27565,
27560
] | train |
At the age of twenty, young Alleyne, son of Edric, leaves the Catholic abbey where he has been raised—intelligent, skilled, and well-liked, though sheltered and naive—and goes out to see the world, in accordance with the terms of his father's will. The same day, the abbot banishes John of Hordle for worldly behavior: ... | [
[
"Edric",
"Edric"
]
] | [
{
"content": "Who is Alleyne's father?",
"role": "user"
}
] | 27,562 | [
" At the age of twenty, young Alleyne, son of Edric, leaves the Catholic abbey where he has been raised—intelligent, skilled, and well-liked, though sheltered and naive—and goes out to see the world, in accordance with the terms of his father's will. The same day, the abbot banishes John of Hordle for worldly behav... | [
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1.0000003576278687,
1.0000003576278687,
1.0000003576278687,
1.0000003576278687
] | [
27563,
27564,
27565,
27561,
27560
] | train |
At the age of twenty, young Alleyne, son of Edric, leaves the Catholic abbey where he has been raised—intelligent, skilled, and well-liked, though sheltered and naive—and goes out to see the world, in accordance with the terms of his father's will. The same day, the abbot banishes John of Hordle for worldly behavior: ... | [
[
"John of Hordle",
"John of Hordle"
]
] | [
{
"content": "Who does the abbot banish?",
"role": "user"
}
] | 27,563 | [
" At the age of twenty, young Alleyne, son of Edric, leaves the Catholic abbey where he has been raised—intelligent, skilled, and well-liked, though sheltered and naive—and goes out to see the world, in accordance with the terms of his father's will. The same day, the abbot banishes John of Hordle for worldly behav... | [
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1.0000003576278687,
1.0000003576278687,
1.0000003576278687,
1.0000003576278687
] | [
27562,
27564,
27565,
27561,
27560
] | train |
At the age of twenty, young Alleyne, son of Edric, leaves the Catholic abbey where he has been raised—intelligent, skilled, and well-liked, though sheltered and naive—and goes out to see the world, in accordance with the terms of his father's will. The same day, the abbot banishes John of Hordle for worldly behavior: ... | [
[
"worldly behavior",
"For \"worldly behavior,\" namely teasing, flirting and having a great appetite."
]
] | [
{
"content": "Why is John banished?",
"role": "user"
}
] | 27,564 | [
" At the age of twenty, young Alleyne, son of Edric, leaves the Catholic abbey where he has been raised—intelligent, skilled, and well-liked, though sheltered and naive—and goes out to see the world, in accordance with the terms of his father's will. The same day, the abbot banishes John of Hordle for worldly behav... | [
1.0000003576278687,
1.0000003576278687,
1.0000003576278687,
1.0000003576278687,
1.0000003576278687,
1.0000003576278687
] | [
27562,
27563,
27565,
27561,
27560
] | train |
At the age of twenty, young Alleyne, son of Edric, leaves the Catholic abbey where he has been raised—intelligent, skilled, and well-liked, though sheltered and naive—and goes out to see the world, in accordance with the terms of his father's will. The same day, the abbot banishes John of Hordle for worldly behavior: ... | [
[
"archer",
"Archer."
]
] | [
{
"content": "What is Sam's profession?",
"role": "user"
}
] | 27,565 | [
" At the age of twenty, young Alleyne, son of Edric, leaves the Catholic abbey where he has been raised—intelligent, skilled, and well-liked, though sheltered and naive—and goes out to see the world, in accordance with the terms of his father's will. The same day, the abbot banishes John of Hordle for worldly behav... | [
1.0000003576278687,
1.0000003576278687,
1.0000003576278687,
1.0000003576278687,
1.0000003576278687,
1.0000003576278687
] | [
27562,
27563,
27564,
27561,
27560
] | train |
At the age of twenty, young Alleyne, son of Edric, leaves the Catholic abbey where he has been raised—intelligent, skilled, and well-liked, though sheltered and naive—and goes out to see the world, in accordance with the terms of his father's will. The same day, the abbot banishes John of Hordle for worldly behavior: ... | [
[
"Sam",
"Sam Alyward"
]
] | [
{
"content": "Who does John and Alleyne meet at the inn?",
"role": "user"
}
] | 27,566 | [
" At the age of twenty, young Alleyne, son of Edric, leaves the Catholic abbey where he has been raised—intelligent, skilled, and well-liked, though sheltered and naive—and goes out to see the world, in accordance with the terms of his father's will. The same day, the abbot banishes John of Hordle for worldly behav... | [
1.0000003576278687,
1.0000003576278687,
1.0000003576278687,
1.0000003576278687,
1.0000003576278687,
1.0000003576278687
] | [
27562,
27563,
27564,
27565,
27561,
27560
] | train |
At the age of twenty, young Alleyne, son of Edric, leaves the Catholic abbey where he has been raised—intelligent, skilled, and well-liked, though sheltered and naive—and goes out to see the world, in accordance with the terms of his father's will. The same day, the abbot banishes John of Hordle for worldly behavior: ... | [
[
"Pied Merlin Inn",
"Pied Merlin Inn"
]
] | [
{
"content": "What is the name of the inn where Alleyne and John meet Sam?",
"role": "user"
}
] | 27,567 | [
" At the age of twenty, young Alleyne, son of Edric, leaves the Catholic abbey where he has been raised—intelligent, skilled, and well-liked, though sheltered and naive—and goes out to see the world, in accordance with the terms of his father's will. The same day, the abbot banishes John of Hordle for worldly behav... | [
1.0000003576278687,
1.0000003576278687,
1.0000003576278687,
1.0000003576278687,
1.0000003576278687,
1.0000003576278687
] | [
27562,
27563,
27564,
27565,
27561,
27560
] | train |
At the age of twenty, young Alleyne, son of Edric, leaves the Catholic abbey where he has been raised—intelligent, skilled, and well-liked, though sheltered and naive—and goes out to see the world, in accordance with the terms of his father's will. The same day, the abbot banishes John of Hordle for worldly behavior: ... | [
[
"80-120 acres",
"80-120 acres"
]
] | [
{
"content": "How much is 3 hides of land?",
"role": "user"
}
] | 27,568 | [
" At the age of twenty, young Alleyne, son of Edric, leaves the Catholic abbey where he has been raised—intelligent, skilled, and well-liked, though sheltered and naive—and goes out to see the world, in accordance with the terms of his father's will. The same day, the abbot banishes John of Hordle for worldly behav... | [
1.0000003576278687,
1.0000003576278687,
1.0000003576278687,
1.0000003576278687,
1.0000003576278687,
1.0000003576278687
] | [
27562,
27563,
27564,
27565,
27561,
27560
] | train |
At the age of twenty, young Alleyne, son of Edric, leaves the Catholic abbey where he has been raised—intelligent, skilled, and well-liked, though sheltered and naive—and goes out to see the world, in accordance with the terms of his father's will. The same day, the abbot banishes John of Hordle for worldly behavior: ... | [
[
"Maude",
"Maude"
]
] | [
{
"content": "Who does the socman threaten?",
"role": "user"
}
] | 27,569 | [
" At the age of twenty, young Alleyne, son of Edric, leaves the Catholic abbey where he has been raised—intelligent, skilled, and well-liked, though sheltered and naive—and goes out to see the world, in accordance with the terms of his father's will. The same day, the abbot banishes John of Hordle for worldly behav... | [
1.0000003576278687,
1.0000003576278687,
1.0000003576278687,
1.0000003576278687,
1.0000003576278687,
1.0000003576278687
] | [
27562,
27563,
27564,
27565,
27561,
27560
] | train |
At the age of twenty, young Alleyne, son of Edric, leaves the Catholic abbey where he has been raised—intelligent, skilled, and well-liked, though sheltered and naive—and goes out to see the world, in accordance with the terms of his father's will. The same day, the abbot banishes John of Hordle for worldly behavior: ... | [
[
"A Catholic abbey",
"the abbey"
]
] | [
{
"content": "Where does Alleyne leave when he turns twenty-one?",
"role": "user"
}
] | 27,570 | [
" At the age of twenty, young Alleyne, son of Edric, leaves the Catholic abbey where he has been raised—intelligent, skilled, and well-liked, though sheltered and naive—and goes out to see the world, in accordance with the terms of his father's will. The same day, the abbot banishes John of Hordle for worldly behav... | [
1.0000003576278687,
1.0000003576278687,
1.0000003576278687,
1.0000003576278687,
1.0000003576278687,
1.0000003576278687
] | [
27562,
27563,
27564,
27565,
27561,
27560
] | train |
At the age of twenty, young Alleyne, son of Edric, leaves the Catholic abbey where he has been raised—intelligent, skilled, and well-liked, though sheltered and naive—and goes out to see the world, in accordance with the terms of his father's will. The same day, the abbot banishes John of Hordle for worldly behavior: ... | [
[
"Edric",
"Edric."
]
] | [
{
"content": "Who is Alleyne the son of?",
"role": "user"
}
] | 27,571 | [
" At the age of twenty, young Alleyne, son of Edric, leaves the Catholic abbey where he has been raised—intelligent, skilled, and well-liked, though sheltered and naive—and goes out to see the world, in accordance with the terms of his father's will. The same day, the abbot banishes John of Hordle for worldly behav... | [
1.0000003576278687,
1.0000003576278687,
1.0000003576278687,
1.0000003576278687,
1.0000003576278687,
1.0000003576278687
] | [
27562,
27563,
27564,
27565,
27561,
27560
] | train |
At the age of twenty, young Alleyne, son of Edric, leaves the Catholic abbey where he has been raised—intelligent, skilled, and well-liked, though sheltered and naive—and goes out to see the world, in accordance with the terms of his father's will. The same day, the abbot banishes John of Hordle for worldly behavior: ... | [
[
"Worldly behavior",
"He is banished for worldly behavior : great apetite, teasing and flirting"
]
] | [
{
"content": "What is John of Hordle banished for?",
"role": "user"
}
] | 27,572 | [
" At the age of twenty, young Alleyne, son of Edric, leaves the Catholic abbey where he has been raised—intelligent, skilled, and well-liked, though sheltered and naive—and goes out to see the world, in accordance with the terms of his father's will. The same day, the abbot banishes John of Hordle for worldly behav... | [
1.0000003576278687,
1.0000003576278687,
1.0000003576278687,
1.0000003576278687,
1.0000003576278687,
1.0000003576278687
] | [
27562,
27563,
27564,
27565,
27561,
27560
] | train |
At the age of twenty, young Alleyne, son of Edric, leaves the Catholic abbey where he has been raised—intelligent, skilled, and well-liked, though sheltered and naive—and goes out to see the world, in accordance with the terms of his father's will. The same day, the abbot banishes John of Hordle for worldly behavior: ... | [
[
"The Pied Merlin Inn",
"Pied Merlin inn"
]
] | [
{
"content": "Where do Alleyne and John make friends with Sam Aylward at?",
"role": "user"
}
] | 27,573 | [
" At the age of twenty, young Alleyne, son of Edric, leaves the Catholic abbey where he has been raised—intelligent, skilled, and well-liked, though sheltered and naive—and goes out to see the world, in accordance with the terms of his father's will. The same day, the abbot banishes John of Hordle for worldly behav... | [
1.0000003576278687,
1.0000003576278687,
1.0000003576278687,
1.0000003576278687,
1.0000003576278687,
1.0000003576278687
] | [
27562,
27563,
27564,
27565,
27561,
27560
] | train |
At the age of twenty, young Alleyne, son of Edric, leaves the Catholic abbey where he has been raised—intelligent, skilled, and well-liked, though sheltered and naive—and goes out to see the world, in accordance with the terms of his father's will. The same day, the abbot banishes John of Hordle for worldly behavior: ... | [
[
"The White Company of mercenaries ",
"The White Company of mercenaries"
]
] | [
{
"content": "Who is Sam recruiting for?",
"role": "user"
}
] | 27,574 | [
" At the age of twenty, young Alleyne, son of Edric, leaves the Catholic abbey where he has been raised—intelligent, skilled, and well-liked, though sheltered and naive—and goes out to see the world, in accordance with the terms of his father's will. The same day, the abbot banishes John of Hordle for worldly behav... | [
1.0000003576278687,
1.0000003576278687,
1.0000003576278687,
1.0000003576278687,
1.0000003576278687,
1.0000003576278687
] | [
27562,
27563,
27564,
27565,
27561,
27560
] | train |
At the age of twenty, young Alleyne, son of Edric, leaves the Catholic abbey where he has been raised—intelligent, skilled, and well-liked, though sheltered and naive—and goes out to see the world, in accordance with the terms of his father's will. The same day, the abbot banishes John of Hordle for worldly behavior: ... | [
[
"Christchurch",
"Minstead"
]
] | [
{
"content": "Which location does Alleyne decide to take a detour from to search for his brother? ",
"role": "user"
}
] | 27,575 | [
" At the age of twenty, young Alleyne, son of Edric, leaves the Catholic abbey where he has been raised—intelligent, skilled, and well-liked, though sheltered and naive—and goes out to see the world, in accordance with the terms of his father's will. The same day, the abbot banishes John of Hordle for worldly behav... | [
1.0000003576278687,
1.0000003576278687,
1.0000003576278687,
1.0000003576278687,
1.0000003576278687,
1.0000003576278687
] | [
27562,
27563,
27564,
27565,
27561,
27560
] | train |
At the age of twenty, young Alleyne, son of Edric, leaves the Catholic abbey where he has been raised—intelligent, skilled, and well-liked, though sheltered and naive—and goes out to see the world, in accordance with the terms of his father's will. The same day, the abbot banishes John of Hordle for worldly behavior: ... | [
[
"When he was an infant",
"When Alleyne was an infant"
]
] | [
{
"content": "When was the last time that Alleyne and his brother met?",
"role": "user"
}
] | 27,576 | [
" At the age of twenty, young Alleyne, son of Edric, leaves the Catholic abbey where he has been raised—intelligent, skilled, and well-liked, though sheltered and naive—and goes out to see the world, in accordance with the terms of his father's will. The same day, the abbot banishes John of Hordle for worldly behav... | [
1.0000003576278687,
1.0000003576278687,
1.0000003576278687,
1.0000003576278687,
1.0000003576278687,
1.0000003576278687
] | [
27562,
27563,
27564,
27565,
27561,
27560
] | train |
At the age of twenty, young Alleyne, son of Edric, leaves the Catholic abbey where he has been raised—intelligent, skilled, and well-liked, though sheltered and naive—and goes out to see the world, in accordance with the terms of his father's will. The same day, the abbot banishes John of Hordle for worldly behavior: ... | [
[
"Maude",
"Maude"
]
] | [
{
"content": "Who does the socman threaten?",
"role": "user"
}
] | 27,577 | [
" At the age of twenty, young Alleyne, son of Edric, leaves the Catholic abbey where he has been raised—intelligent, skilled, and well-liked, though sheltered and naive—and goes out to see the world, in accordance with the terms of his father's will. The same day, the abbot banishes John of Hordle for worldly behav... | [
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At the age of twenty, young Alleyne, son of Edric, leaves the Catholic abbey where he has been raised—intelligent, skilled, and well-liked, though sheltered and naive—and goes out to see the world, in accordance with the terms of his father's will. The same day, the abbot banishes John of Hordle for worldly behavior: ... | [
[
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"Her horse."
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{
"content": "What are Maude and Alleyne going to find when the flee from the socman?",
"role": "user"
}
] | 27,578 | [
" At the age of twenty, young Alleyne, son of Edric, leaves the Catholic abbey where he has been raised—intelligent, skilled, and well-liked, though sheltered and naive—and goes out to see the world, in accordance with the terms of his father's will. The same day, the abbot banishes John of Hordle for worldly behav... | [
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At the age of twenty, young Alleyne, son of Edric, leaves the Catholic abbey where he has been raised—intelligent, skilled, and well-liked, though sheltered and naive—and goes out to see the world, in accordance with the terms of his father's will. The same day, the abbot banishes John of Hordle for worldly behavior: ... | [
[
"Sir Nigel",
"Sir Nigel"
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] | [
{
"content": "Which character, along with Aylward, is presumed dead?",
"role": "user"
}
] | 27,579 | [
" At the age of twenty, young Alleyne, son of Edric, leaves the Catholic abbey where he has been raised—intelligent, skilled, and well-liked, though sheltered and naive—and goes out to see the world, in accordance with the terms of his father's will. The same day, the abbot banishes John of Hordle for worldly behav... | [
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At the age of twenty, young Alleyne, son of Edric, leaves the Catholic abbey where he has been raised—intelligent, skilled, and well-liked, though sheltered and naive—and goes out to see the world, in accordance with the terms of his father's will. The same day, the abbot banishes John of Hordle for worldly behavior: ... | [
[
"sets out and sees the world",
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] | [
{
"content": "What does Alleyne do in accordance with his father's will?",
"role": "user"
}
] | 27,580 | [
" At the age of twenty, young Alleyne, son of Edric, leaves the Catholic abbey where he has been raised—intelligent, skilled, and well-liked, though sheltered and naive—and goes out to see the world, in accordance with the terms of his father's will. The same day, the abbot banishes John of Hordle for worldly behav... | [
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At the age of twenty, young Alleyne, son of Edric, leaves the Catholic abbey where he has been raised—intelligent, skilled, and well-liked, though sheltered and naive—and goes out to see the world, in accordance with the terms of his father's will. The same day, the abbot banishes John of Hordle for worldly behavior: ... | [
[
"to recruit for the White Company",
"To recruit mercenaries for the White Company."
]
] | [
{
"content": "Why does Sam Alyward return from England to France?",
"role": "user"
}
] | 27,581 | [
" At the age of twenty, young Alleyne, son of Edric, leaves the Catholic abbey where he has been raised—intelligent, skilled, and well-liked, though sheltered and naive—and goes out to see the world, in accordance with the terms of his father's will. The same day, the abbot banishes John of Hordle for worldly behav... | [
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At the age of twenty, young Alleyne, son of Edric, leaves the Catholic abbey where he has been raised—intelligent, skilled, and well-liked, though sheltered and naive—and goes out to see the world, in accordance with the terms of his father's will. The same day, the abbot banishes John of Hordle for worldly behavior: ... | [
[
"his brother",
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] | [
{
"content": "When Alleyne takes a detour from Alyward and John, who does he go see?",
"role": "user"
}
] | 27,582 | [
" At the age of twenty, young Alleyne, son of Edric, leaves the Catholic abbey where he has been raised—intelligent, skilled, and well-liked, though sheltered and naive—and goes out to see the world, in accordance with the terms of his father's will. The same day, the abbot banishes John of Hordle for worldly behav... | [
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At the age of twenty, young Alleyne, son of Edric, leaves the Catholic abbey where he has been raised—intelligent, skilled, and well-liked, though sheltered and naive—and goes out to see the world, in accordance with the terms of his father's will. The same day, the abbot banishes John of Hordle for worldly behavior: ... | [
[
"Alleyne",
"Alleyne."
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] | [
{
"content": "Who helps Maude escape after she has been threatened by the socman?",
"role": "user"
}
] | 27,583 | [
" At the age of twenty, young Alleyne, son of Edric, leaves the Catholic abbey where he has been raised—intelligent, skilled, and well-liked, though sheltered and naive—and goes out to see the world, in accordance with the terms of his father's will. The same day, the abbot banishes John of Hordle for worldly behav... | [
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At the age of twenty, young Alleyne, son of Edric, leaves the Catholic abbey where he has been raised—intelligent, skilled, and well-liked, though sheltered and naive—and goes out to see the world, in accordance with the terms of his father's will. The same day, the abbot banishes John of Hordle for worldly behavior: ... | [
[
"his wife",
"his wife"
]
] | [
{
"content": "Who is Mary to Sir Nigel?",
"role": "user"
}
] | 27,584 | [
" At the age of twenty, young Alleyne, son of Edric, leaves the Catholic abbey where he has been raised—intelligent, skilled, and well-liked, though sheltered and naive—and goes out to see the world, in accordance with the terms of his father's will. The same day, the abbot banishes John of Hordle for worldly behav... | [
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At the age of twenty, young Alleyne, son of Edric, leaves the Catholic abbey where he has been raised—intelligent, skilled, and well-liked, though sheltered and naive—and goes out to see the world, in accordance with the terms of his father's will. The same day, the abbot banishes John of Hordle for worldly behavior: ... | [
[
"tutor her",
"To tutor her."
]
] | [
{
"content": "What does Maude's father hire Alleyne to do for her?",
"role": "user"
}
] | 27,585 | [
" At the age of twenty, young Alleyne, son of Edric, leaves the Catholic abbey where he has been raised—intelligent, skilled, and well-liked, though sheltered and naive—and goes out to see the world, in accordance with the terms of his father's will. The same day, the abbot banishes John of Hordle for worldly behav... | [
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27565,
27561,
27560
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At the age of twenty, young Alleyne, son of Edric, leaves the Catholic abbey where he has been raised—intelligent, skilled, and well-liked, though sheltered and naive—and goes out to see the world, in accordance with the terms of his father's will. The same day, the abbot banishes John of Hordle for worldly behavior: ... | [
[
"Pirates",
"Pirates."
]
] | [
{
"content": "When in route to Gascony, who do the heroes encounter and defeat?",
"role": "user"
}
] | 27,586 | [
" At the age of twenty, young Alleyne, son of Edric, leaves the Catholic abbey where he has been raised—intelligent, skilled, and well-liked, though sheltered and naive—and goes out to see the world, in accordance with the terms of his father's will. The same day, the abbot banishes John of Hordle for worldly behav... | [
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27565,
27561,
27560
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At the age of twenty, young Alleyne, son of Edric, leaves the Catholic abbey where he has been raised—intelligent, skilled, and well-liked, though sheltered and naive—and goes out to see the world, in accordance with the terms of his father's will. The same day, the abbot banishes John of Hordle for worldly behavior: ... | [
[
"When he's to depart for France.",
"When others leave for France."
]
] | [
{
"content": "When do Maude and Alleyne admit their love for each other?",
"role": "user"
}
] | 27,587 | [
" At the age of twenty, young Alleyne, son of Edric, leaves the Catholic abbey where he has been raised—intelligent, skilled, and well-liked, though sheltered and naive—and goes out to see the world, in accordance with the terms of his father's will. The same day, the abbot banishes John of Hordle for worldly behav... | [
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At the age of twenty, young Alleyne, son of Edric, leaves the Catholic abbey where he has been raised—intelligent, skilled, and well-liked, though sheltered and naive—and goes out to see the world, in accordance with the terms of his father's will. The same day, the abbot banishes John of Hordle for worldly behavior: ... | [
[
"Knights him ",
"Makes him a knight."
]
] | [
{
"content": "What does the Prince do to Alleyne while he is in his sick bed?",
"role": "user"
}
] | 27,588 | [
" At the age of twenty, young Alleyne, son of Edric, leaves the Catholic abbey where he has been raised—intelligent, skilled, and well-liked, though sheltered and naive—and goes out to see the world, in accordance with the terms of his father's will. The same day, the abbot banishes John of Hordle for worldly behav... | [
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At the age of twenty, young Alleyne, son of Edric, leaves the Catholic abbey where he has been raised—intelligent, skilled, and well-liked, though sheltered and naive—and goes out to see the world, in accordance with the terms of his father's will. The same day, the abbot banishes John of Hordle for worldly behavior: ... | [
[
"Takes her and marries her.",
"He marries Maude"
]
] | [
{
"content": "What does Alleyne do when he returns victorious and finds Maude at the nunnery?",
"role": "user"
}
] | 27,589 | [
" At the age of twenty, young Alleyne, son of Edric, leaves the Catholic abbey where he has been raised—intelligent, skilled, and well-liked, though sheltered and naive—and goes out to see the world, in accordance with the terms of his father's will. The same day, the abbot banishes John of Hordle for worldly behav... | [
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After a stirring opening on the eve of the coup d'état, involving an idealistic young village couple joining up with the republican militia in the middle of the night, Zola then spends the next few chapters going back in time to pre-Revolutionary Provence, and proceeds to lay the foundations for the entire Rougon-Macq... | [
[
"Aix-en-Provence, where Zola grew up",
"Aix-en-provence"
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] | [
{
"content": "What is the fictional city of Plassons based upon?",
"role": "user"
}
] | 27,590 | [
" After a stirring opening on the eve of the coup d'état, involving an idealistic young village couple joining up with the republican militia in the middle of the night, Zola then spends the next few chapters going back in time to pre-Revolutionary Provence, and proceeds to lay the foundations for the entire Rougon... | [
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After a stirring opening on the eve of the coup d'état, involving an idealistic young village couple joining up with the republican militia in the middle of the night, Zola then spends the next few chapters going back in time to pre-Revolutionary Provence, and proceeds to lay the foundations for the entire Rougon-Macq... | [
[
"The matriarch, Dide, had a son from a legitimate marriage and 2 children from an illegitimate marriage",
"Tante Dide has a son with her former husband and a daughter and son with another lover "
]
] | [
{
"content": "Why does the family have 2 branches?",
"role": "user"
}
] | 27,591 | [
" After a stirring opening on the eve of the coup d'état, involving an idealistic young village couple joining up with the republican militia in the middle of the night, Zola then spends the next few chapters going back in time to pre-Revolutionary Provence, and proceeds to lay the foundations for the entire Rougon... | [
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After a stirring opening on the eve of the coup d'état, involving an idealistic young village couple joining up with the republican militia in the middle of the night, Zola then spends the next few chapters going back in time to pre-Revolutionary Provence, and proceeds to lay the foundations for the entire Rougon-Macq... | [
[
"The Rougons are social climbers, attempting to better their already quite good position in society, and are not above cheating others. The Macquarts live a much more miserable existence.",
"the Rougons are rather well off living a comfortable lifestyle of the uppper/middle class while the Macquarts strug... | [
{
"content": "Compare and contrast the lifestyles of the Rougons and Macquarts?",
"role": "user"
}
] | 27,592 | [
" After a stirring opening on the eve of the coup d'état, involving an idealistic young village couple joining up with the republican militia in the middle of the night, Zola then spends the next few chapters going back in time to pre-Revolutionary Provence, and proceeds to lay the foundations for the entire Rougon... | [
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27593,
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After a stirring opening on the eve of the coup d'état, involving an idealistic young village couple joining up with the republican militia in the middle of the night, Zola then spends the next few chapters going back in time to pre-Revolutionary Provence, and proceeds to lay the foundations for the entire Rougon-Macq... | [
[
"Heridity: it is not supported today.",
"Heredity."
]
] | [
{
"content": "What social scientific theory does Zola base this novel on, and is it still credible today?",
"role": "user"
}
] | 27,593 | [
" After a stirring opening on the eve of the coup d'état, involving an idealistic young village couple joining up with the republican militia in the middle of the night, Zola then spends the next few chapters going back in time to pre-Revolutionary Provence, and proceeds to lay the foundations for the entire Rougon... | [
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27592,
27594,
27595,
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27590
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After a stirring opening on the eve of the coup d'état, involving an idealistic young village couple joining up with the republican militia in the middle of the night, Zola then spends the next few chapters going back in time to pre-Revolutionary Provence, and proceeds to lay the foundations for the entire Rougon-Macq... | [
[
"Napoleon III",
"Napoleon III"
]
] | [
{
"content": "Who do the Rougons decide to support in the impending coup?",
"role": "user"
}
] | 27,594 | [
" After a stirring opening on the eve of the coup d'état, involving an idealistic young village couple joining up with the republican militia in the middle of the night, Zola then spends the next few chapters going back in time to pre-Revolutionary Provence, and proceeds to lay the foundations for the entire Rougon... | [
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27595,
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After a stirring opening on the eve of the coup d'état, involving an idealistic young village couple joining up with the republican militia in the middle of the night, Zola then spends the next few chapters going back in time to pre-Revolutionary Provence, and proceeds to lay the foundations for the entire Rougon-Macq... | [
[
"20",
"Twenty, 19 following the initial novel."
]
] | [
{
"content": "How many novels did Zola write about these characters?",
"role": "user"
}
] | 27,595 | [
" After a stirring opening on the eve of the coup d'état, involving an idealistic young village couple joining up with the republican militia in the middle of the night, Zola then spends the next few chapters going back in time to pre-Revolutionary Provence, and proceeds to lay the foundations for the entire Rougon... | [
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27593,
27594,
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After a stirring opening on the eve of the coup d'état, involving an idealistic young village couple joining up with the republican militia in the middle of the night, Zola then spends the next few chapters going back in time to pre-Revolutionary Provence, and proceeds to lay the foundations for the entire Rougon-Macq... | [
[
"Hearing inside information about a potential coup occurring, and knowing which side to back.",
"Their eldest son tells them that he has become one of the most important allies to Napoleon III."
]
] | [
{
"content": "What happens that gives the Rougons new hope for increased power and success later in life?",
"role": "user"
}
] | 27,596 | [
" After a stirring opening on the eve of the coup d'état, involving an idealistic young village couple joining up with the republican militia in the middle of the night, Zola then spends the next few chapters going back in time to pre-Revolutionary Provence, and proceeds to lay the foundations for the entire Rougon... | [
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27592,
27593,
27594,
27595,
27591,
27590
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After a stirring opening on the eve of the coup d'état, involving an idealistic young village couple joining up with the republican militia in the middle of the night, Zola then spends the next few chapters going back in time to pre-Revolutionary Provence, and proceeds to lay the foundations for the entire Rougon-Macq... | [
[
"Naive, idealistic, innocent",
"Idealistic but naive"
]
] | [
{
"content": "How is the third branch of the family, the Mourets, described?",
"role": "user"
}
] | 27,597 | [
" After a stirring opening on the eve of the coup d'état, involving an idealistic young village couple joining up with the republican militia in the middle of the night, Zola then spends the next few chapters going back in time to pre-Revolutionary Provence, and proceeds to lay the foundations for the entire Rougon... | [
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27592,
27593,
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27595,
27591,
27590
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After a stirring opening on the eve of the coup d'état, involving an idealistic young village couple joining up with the republican militia in the middle of the night, Zola then spends the next few chapters going back in time to pre-Revolutionary Provence, and proceeds to lay the foundations for the entire Rougon-Macq... | [
[
"Zola leaves their story at a dead end, we do not know.",
"They commit themselves to a doomed cause."
]
] | [
{
"content": "What happens to Silvere and Miette?",
"role": "user"
}
] | 27,598 | [
" After a stirring opening on the eve of the coup d'état, involving an idealistic young village couple joining up with the republican militia in the middle of the night, Zola then spends the next few chapters going back in time to pre-Revolutionary Provence, and proceeds to lay the foundations for the entire Rougon... | [
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27592,
27593,
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After a stirring opening on the eve of the coup d'état, involving an idealistic young village couple joining up with the republican militia in the middle of the night, Zola then spends the next few chapters going back in time to pre-Revolutionary Provence, and proceeds to lay the foundations for the entire Rougon-Macq... | [
[
"The Rougons",
"Rougons"
]
] | [
{
"content": "Which branch of the family is successful in the end?",
"role": "user"
}
] | 27,599 | [
" After a stirring opening on the eve of the coup d'état, involving an idealistic young village couple joining up with the republican militia in the middle of the night, Zola then spends the next few chapters going back in time to pre-Revolutionary Provence, and proceeds to lay the foundations for the entire Rougon... | [
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27592,
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27591,
27590
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