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The film is a postmodern spoof that tells the story of Zeus' modern day illegitimate children, Filmore (Tony Griffin) and his half-sister Marie-Noel (Alison Elliott), who are forced to move from their Channel Island ranch because their neighbors have grown suspicious of the fact they haven't aged for decades. Meanwhil... | [
[
"turn it into a national park",
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{
"content": "What is the government's future plan for Channel Island?",
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] | 600 | [
" The film is a postmodern spoof that tells the story of Zeus' modern day illegitimate children, Filmore (Tony Griffin) and his half-sister Marie-Noel (Alison Elliott), who are forced to move from their Channel Island ranch because their neighbors have grown suspicious of the fact they haven't aged for decades. Mea... | [
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The film is a postmodern spoof that tells the story of Zeus' modern day illegitimate children, Filmore (Tony Griffin) and his half-sister Marie-Noel (Alison Elliott), who are forced to move from their Channel Island ranch because their neighbors have grown suspicious of the fact they haven't aged for decades. Meanwhil... | [
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"content": "How long have Zeus' modern day illegitimate children looked the same age?",
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] | 601 | [
" The film is a postmodern spoof that tells the story of Zeus' modern day illegitimate children, Filmore (Tony Griffin) and his half-sister Marie-Noel (Alison Elliott), who are forced to move from their Channel Island ranch because their neighbors have grown suspicious of the fact they haven't aged for decades. Mea... | [
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The film is a postmodern spoof that tells the story of Zeus' modern day illegitimate children, Filmore (Tony Griffin) and his half-sister Marie-Noel (Alison Elliott), who are forced to move from their Channel Island ranch because their neighbors have grown suspicious of the fact they haven't aged for decades. Meanwhil... | [
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"The Importance of Being Earnest",
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"content": "Which play did the Greek Gods want to see performed?",
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] | 602 | [
" The film is a postmodern spoof that tells the story of Zeus' modern day illegitimate children, Filmore (Tony Griffin) and his half-sister Marie-Noel (Alison Elliott), who are forced to move from their Channel Island ranch because their neighbors have grown suspicious of the fact they haven't aged for decades. Mea... | [
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The film is a postmodern spoof that tells the story of Zeus' modern day illegitimate children, Filmore (Tony Griffin) and his half-sister Marie-Noel (Alison Elliott), who are forced to move from their Channel Island ranch because their neighbors have grown suspicious of the fact they haven't aged for decades. Meanwhil... | [
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"Oscar Wilde",
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"content": "Who wrote the play that Filmore and Marie-Noel were commanded to act out?",
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" The film is a postmodern spoof that tells the story of Zeus' modern day illegitimate children, Filmore (Tony Griffin) and his half-sister Marie-Noel (Alison Elliott), who are forced to move from their Channel Island ranch because their neighbors have grown suspicious of the fact they haven't aged for decades. Mea... | [
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The film is a postmodern spoof that tells the story of Zeus' modern day illegitimate children, Filmore (Tony Griffin) and his half-sister Marie-Noel (Alison Elliott), who are forced to move from their Channel Island ranch because their neighbors have grown suspicious of the fact they haven't aged for decades. Meanwhil... | [
[
"they would be killed by Hera",
"They will die"
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"content": "What would happen to Zeus' illegitimate children in Los Angeles if their performance of the play was not convincing?",
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] | 604 | [
" The film is a postmodern spoof that tells the story of Zeus' modern day illegitimate children, Filmore (Tony Griffin) and his half-sister Marie-Noel (Alison Elliott), who are forced to move from their Channel Island ranch because their neighbors have grown suspicious of the fact they haven't aged for decades. Mea... | [
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The film is a postmodern spoof that tells the story of Zeus' modern day illegitimate children, Filmore (Tony Griffin) and his half-sister Marie-Noel (Alison Elliott), who are forced to move from their Channel Island ranch because their neighbors have grown suspicious of the fact they haven't aged for decades. Meanwhil... | [
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"12",
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"content": "How many Greek Gods vacation in Los Angeles?",
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] | 605 | [
" The film is a postmodern spoof that tells the story of Zeus' modern day illegitimate children, Filmore (Tony Griffin) and his half-sister Marie-Noel (Alison Elliott), who are forced to move from their Channel Island ranch because their neighbors have grown suspicious of the fact they haven't aged for decades. Mea... | [
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The film is a postmodern spoof that tells the story of Zeus' modern day illegitimate children, Filmore (Tony Griffin) and his half-sister Marie-Noel (Alison Elliott), who are forced to move from their Channel Island ranch because their neighbors have grown suspicious of the fact they haven't aged for decades. Meanwhil... | [
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"Zeus",
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"content": "Which Greek God is Hera's husband?",
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] | 606 | [
" The film is a postmodern spoof that tells the story of Zeus' modern day illegitimate children, Filmore (Tony Griffin) and his half-sister Marie-Noel (Alison Elliott), who are forced to move from their Channel Island ranch because their neighbors have grown suspicious of the fact they haven't aged for decades. Mea... | [
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The film is a postmodern spoof that tells the story of Zeus' modern day illegitimate children, Filmore (Tony Griffin) and his half-sister Marie-Noel (Alison Elliott), who are forced to move from their Channel Island ranch because their neighbors have grown suspicious of the fact they haven't aged for decades. Meanwhil... | [
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"they are reminders of the many times Zeus cheated on her",
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"content": "Why doesn't Hera like Filmore and Marie-Noel?",
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] | 607 | [
" The film is a postmodern spoof that tells the story of Zeus' modern day illegitimate children, Filmore (Tony Griffin) and his half-sister Marie-Noel (Alison Elliott), who are forced to move from their Channel Island ranch because their neighbors have grown suspicious of the fact they haven't aged for decades. Mea... | [
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The film is a postmodern spoof that tells the story of Zeus' modern day illegitimate children, Filmore (Tony Griffin) and his half-sister Marie-Noel (Alison Elliott), who are forced to move from their Channel Island ranch because their neighbors have grown suspicious of the fact they haven't aged for decades. Meanwhil... | [
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"by living out the story of the actors in \"The Importance of Being Earnest\"",
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"content": "How were the children to create new lives for themselves?",
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" The film is a postmodern spoof that tells the story of Zeus' modern day illegitimate children, Filmore (Tony Griffin) and his half-sister Marie-Noel (Alison Elliott), who are forced to move from their Channel Island ranch because their neighbors have grown suspicious of the fact they haven't aged for decades. Mea... | [
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The film is a postmodern spoof that tells the story of Zeus' modern day illegitimate children, Filmore (Tony Griffin) and his half-sister Marie-Noel (Alison Elliott), who are forced to move from their Channel Island ranch because their neighbors have grown suspicious of the fact they haven't aged for decades. Meanwhil... | [
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"Filmore",
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"content": "Who is Zeus' illegitimate son?",
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] | 609 | [
" The film is a postmodern spoof that tells the story of Zeus' modern day illegitimate children, Filmore (Tony Griffin) and his half-sister Marie-Noel (Alison Elliott), who are forced to move from their Channel Island ranch because their neighbors have grown suspicious of the fact they haven't aged for decades. Mea... | [
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The film is a postmodern spoof that tells the story of Zeus' modern day illegitimate children, Filmore (Tony Griffin) and his half-sister Marie-Noel (Alison Elliott), who are forced to move from their Channel Island ranch because their neighbors have grown suspicious of the fact they haven't aged for decades. Meanwhil... | [
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"Marie-Noel",
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"content": "Who is Zeus's illegitimate daughter?",
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] | 610 | [
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The film is a postmodern spoof that tells the story of Zeus' modern day illegitimate children, Filmore (Tony Griffin) and his half-sister Marie-Noel (Alison Elliott), who are forced to move from their Channel Island ranch because their neighbors have grown suspicious of the fact they haven't aged for decades. Meanwhil... | [
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"Channel Island",
"Their Channel Island ranch."
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] | [
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"content": "Where were Filmore and Marie forced to move from?",
"role": "user"
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] | 611 | [
" The film is a postmodern spoof that tells the story of Zeus' modern day illegitimate children, Filmore (Tony Griffin) and his half-sister Marie-Noel (Alison Elliott), who are forced to move from their Channel Island ranch because their neighbors have grown suspicious of the fact they haven't aged for decades. Mea... | [
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The film is a postmodern spoof that tells the story of Zeus' modern day illegitimate children, Filmore (Tony Griffin) and his half-sister Marie-Noel (Alison Elliott), who are forced to move from their Channel Island ranch because their neighbors have grown suspicious of the fact they haven't aged for decades. Meanwhil... | [
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"neighbors grew suspicious that they hadn't aged",
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"content": "Why were Zeus' kids forced to move?",
"role": "user"
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] | 612 | [
" The film is a postmodern spoof that tells the story of Zeus' modern day illegitimate children, Filmore (Tony Griffin) and his half-sister Marie-Noel (Alison Elliott), who are forced to move from their Channel Island ranch because their neighbors have grown suspicious of the fact they haven't aged for decades. Mea... | [
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The film is a postmodern spoof that tells the story of Zeus' modern day illegitimate children, Filmore (Tony Griffin) and his half-sister Marie-Noel (Alison Elliott), who are forced to move from their Channel Island ranch because their neighbors have grown suspicious of the fact they haven't aged for decades. Meanwhil... | [
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"they hadn't aged in decades",
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"content": "Why did Filmore and Marie's neighbors grow suspicious?",
"role": "user"
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] | 613 | [
" The film is a postmodern spoof that tells the story of Zeus' modern day illegitimate children, Filmore (Tony Griffin) and his half-sister Marie-Noel (Alison Elliott), who are forced to move from their Channel Island ranch because their neighbors have grown suspicious of the fact they haven't aged for decades. Mea... | [
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The film is a postmodern spoof that tells the story of Zeus' modern day illegitimate children, Filmore (Tony Griffin) and his half-sister Marie-Noel (Alison Elliott), who are forced to move from their Channel Island ranch because their neighbors have grown suspicious of the fact they haven't aged for decades. Meanwhil... | [
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"a national park",
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"content": "What does the US Government want to turn Channel Island into?",
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" The film is a postmodern spoof that tells the story of Zeus' modern day illegitimate children, Filmore (Tony Griffin) and his half-sister Marie-Noel (Alison Elliott), who are forced to move from their Channel Island ranch because their neighbors have grown suspicious of the fact they haven't aged for decades. Mea... | [
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The film is a postmodern spoof that tells the story of Zeus' modern day illegitimate children, Filmore (Tony Griffin) and his half-sister Marie-Noel (Alison Elliott), who are forced to move from their Channel Island ranch because their neighbors have grown suspicious of the fact they haven't aged for decades. Meanwhil... | [
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"Channel Island",
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"content": "What does the government want to turn into a national park?",
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" The film is a postmodern spoof that tells the story of Zeus' modern day illegitimate children, Filmore (Tony Griffin) and his half-sister Marie-Noel (Alison Elliott), who are forced to move from their Channel Island ranch because their neighbors have grown suspicious of the fact they haven't aged for decades. Mea... | [
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The film is a postmodern spoof that tells the story of Zeus' modern day illegitimate children, Filmore (Tony Griffin) and his half-sister Marie-Noel (Alison Elliott), who are forced to move from their Channel Island ranch because their neighbors have grown suspicious of the fact they haven't aged for decades. Meanwhil... | [
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"Los Angeles",
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"content": "Where do the 12 Greek Gods go for relaxation?",
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] | 616 | [
" The film is a postmodern spoof that tells the story of Zeus' modern day illegitimate children, Filmore (Tony Griffin) and his half-sister Marie-Noel (Alison Elliott), who are forced to move from their Channel Island ranch because their neighbors have grown suspicious of the fact they haven't aged for decades. Mea... | [
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The film is a postmodern spoof that tells the story of Zeus' modern day illegitimate children, Filmore (Tony Griffin) and his half-sister Marie-Noel (Alison Elliott), who are forced to move from their Channel Island ranch because their neighbors have grown suspicious of the fact they haven't aged for decades. Meanwhil... | [
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"12",
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"content": "How many Greek Gods go to LA?",
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" The film is a postmodern spoof that tells the story of Zeus' modern day illegitimate children, Filmore (Tony Griffin) and his half-sister Marie-Noel (Alison Elliott), who are forced to move from their Channel Island ranch because their neighbors have grown suspicious of the fact they haven't aged for decades. Mea... | [
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The film is a postmodern spoof that tells the story of Zeus' modern day illegitimate children, Filmore (Tony Griffin) and his half-sister Marie-Noel (Alison Elliott), who are forced to move from their Channel Island ranch because their neighbors have grown suspicious of the fact they haven't aged for decades. Meanwhil... | [
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"content": "Why do the 12 Gods go to LA?",
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" The film is a postmodern spoof that tells the story of Zeus' modern day illegitimate children, Filmore (Tony Griffin) and his half-sister Marie-Noel (Alison Elliott), who are forced to move from their Channel Island ranch because their neighbors have grown suspicious of the fact they haven't aged for decades. Mea... | [
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The novel begins as the narrator, Jenny, describes her cousin by marriage Kitty Baldry pining in the abandoned nursery where her dead first son would have been raised. Occupied with the domestic management of the Baldry estate just outside London, the two are almost completely removed from the horrors of World War I. ... | [
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" The novel begins as the narrator, Jenny, describes her cousin by marriage Kitty Baldry pining in the abandoned nursery where her dead first son would have been raised. Occupied with the domestic management of the Baldry estate just outside London, the two are almost completely removed from the horrors of World Wa... | [
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The novel begins as the narrator, Jenny, describes her cousin by marriage Kitty Baldry pining in the abandoned nursery where her dead first son would have been raised. Occupied with the domestic management of the Baldry estate just outside London, the two are almost completely removed from the horrors of World War I. ... | [
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" The novel begins as the narrator, Jenny, describes her cousin by marriage Kitty Baldry pining in the abandoned nursery where her dead first son would have been raised. Occupied with the domestic management of the Baldry estate just outside London, the two are almost completely removed from the horrors of World Wa... | [
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The novel begins as the narrator, Jenny, describes her cousin by marriage Kitty Baldry pining in the abandoned nursery where her dead first son would have been raised. Occupied with the domestic management of the Baldry estate just outside London, the two are almost completely removed from the horrors of World War I. ... | [
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"content": "Why is Kitty sad about her child?",
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" The novel begins as the narrator, Jenny, describes her cousin by marriage Kitty Baldry pining in the abandoned nursery where her dead first son would have been raised. Occupied with the domestic management of the Baldry estate just outside London, the two are almost completely removed from the horrors of World Wa... | [
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The novel begins as the narrator, Jenny, describes her cousin by marriage Kitty Baldry pining in the abandoned nursery where her dead first son would have been raised. Occupied with the domestic management of the Baldry estate just outside London, the two are almost completely removed from the horrors of World War I. ... | [
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"content": "Who is the man Kittys married to?",
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" The novel begins as the narrator, Jenny, describes her cousin by marriage Kitty Baldry pining in the abandoned nursery where her dead first son would have been raised. Occupied with the domestic management of the Baldry estate just outside London, the two are almost completely removed from the horrors of World Wa... | [
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The novel begins as the narrator, Jenny, describes her cousin by marriage Kitty Baldry pining in the abandoned nursery where her dead first son would have been raised. Occupied with the domestic management of the Baldry estate just outside London, the two are almost completely removed from the horrors of World War I. ... | [
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"In France.",
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" The novel begins as the narrator, Jenny, describes her cousin by marriage Kitty Baldry pining in the abandoned nursery where her dead first son would have been raised. Occupied with the domestic management of the Baldry estate just outside London, the two are almost completely removed from the horrors of World Wa... | [
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The novel begins as the narrator, Jenny, describes her cousin by marriage Kitty Baldry pining in the abandoned nursery where her dead first son would have been raised. Occupied with the domestic management of the Baldry estate just outside London, the two are almost completely removed from the horrors of World War I. ... | [
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" The novel begins as the narrator, Jenny, describes her cousin by marriage Kitty Baldry pining in the abandoned nursery where her dead first son would have been raised. Occupied with the domestic management of the Baldry estate just outside London, the two are almost completely removed from the horrors of World Wa... | [
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The novel begins as the narrator, Jenny, describes her cousin by marriage Kitty Baldry pining in the abandoned nursery where her dead first son would have been raised. Occupied with the domestic management of the Baldry estate just outside London, the two are almost completely removed from the horrors of World War I. ... | [
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" The novel begins as the narrator, Jenny, describes her cousin by marriage Kitty Baldry pining in the abandoned nursery where her dead first son would have been raised. Occupied with the domestic management of the Baldry estate just outside London, the two are almost completely removed from the horrors of World Wa... | [
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The novel begins as the narrator, Jenny, describes her cousin by marriage Kitty Baldry pining in the abandoned nursery where her dead first son would have been raised. Occupied with the domestic management of the Baldry estate just outside London, the two are almost completely removed from the horrors of World War I. ... | [
[
"Margaret.",
"Margaret"
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] | [
{
"content": "Who does Chris think is his true love?",
"role": "user"
}
] | 626 | [
" The novel begins as the narrator, Jenny, describes her cousin by marriage Kitty Baldry pining in the abandoned nursery where her dead first son would have been raised. Occupied with the domestic management of the Baldry estate just outside London, the two are almost completely removed from the horrors of World Wa... | [
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The novel begins as the narrator, Jenny, describes her cousin by marriage Kitty Baldry pining in the abandoned nursery where her dead first son would have been raised. Occupied with the domestic management of the Baldry estate just outside London, the two are almost completely removed from the horrors of World War I. ... | [
[
"Memory Loss.",
"His shell-shock from the war."
]
] | [
{
"content": "What caused Chris to be confused?",
"role": "user"
}
] | 627 | [
" The novel begins as the narrator, Jenny, describes her cousin by marriage Kitty Baldry pining in the abandoned nursery where her dead first son would have been raised. Occupied with the domestic management of the Baldry estate just outside London, the two are almost completely removed from the horrors of World Wa... | [
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The novel begins as the narrator, Jenny, describes her cousin by marriage Kitty Baldry pining in the abandoned nursery where her dead first son would have been raised. Occupied with the domestic management of the Baldry estate just outside London, the two are almost completely removed from the horrors of World War I. ... | [
[
"She shows him his dead child's belongings.",
"By showing him evidence of his dead child, his clothing and toys."
]
] | [
{
"content": "How does Margaret force Chris to face reality? ",
"role": "user"
}
] | 628 | [
" The novel begins as the narrator, Jenny, describes her cousin by marriage Kitty Baldry pining in the abandoned nursery where her dead first son would have been raised. Occupied with the domestic management of the Baldry estate just outside London, the two are almost completely removed from the horrors of World Wa... | [
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The novel begins as the narrator, Jenny, describes her cousin by marriage Kitty Baldry pining in the abandoned nursery where her dead first son would have been raised. Occupied with the domestic management of the Baldry estate just outside London, the two are almost completely removed from the horrors of World War I. ... | [
[
"He is a British soldier fighting in France. ",
"He is fighting in France."
]
] | [
{
"content": "What is Kitty's husband doing when she is lamenting the loss of her child?",
"role": "user"
}
] | 629 | [
" The novel begins as the narrator, Jenny, describes her cousin by marriage Kitty Baldry pining in the abandoned nursery where her dead first son would have been raised. Occupied with the domestic management of the Baldry estate just outside London, the two are almost completely removed from the horrors of World Wa... | [
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The novel begins as the narrator, Jenny, describes her cousin by marriage Kitty Baldry pining in the abandoned nursery where her dead first son would have been raised. Occupied with the domestic management of the Baldry estate just outside London, the two are almost completely removed from the horrors of World War I. ... | [
[
"She is a former girlfriend of Kitty from long before the war. ",
"The daughter of the innkeeper. "
]
] | [
{
"content": "Who is Margaret Grey?",
"role": "user"
}
] | 630 | [
" The novel begins as the narrator, Jenny, describes her cousin by marriage Kitty Baldry pining in the abandoned nursery where her dead first son would have been raised. Occupied with the domestic management of the Baldry estate just outside London, the two are almost completely removed from the horrors of World Wa... | [
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The novel begins as the narrator, Jenny, describes her cousin by marriage Kitty Baldry pining in the abandoned nursery where her dead first son would have been raised. Occupied with the domestic management of the Baldry estate just outside London, the two are almost completely removed from the horrors of World War I. ... | [
[
"He is shell shocked and has selective amnesia. ",
"He is shell-shocked."
]
] | [
{
"content": "What is Chris's condition when he comes back from the war?",
"role": "user"
}
] | 631 | [
" The novel begins as the narrator, Jenny, describes her cousin by marriage Kitty Baldry pining in the abandoned nursery where her dead first son would have been raised. Occupied with the domestic management of the Baldry estate just outside London, the two are almost completely removed from the horrors of World Wa... | [
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The novel begins as the narrator, Jenny, describes her cousin by marriage Kitty Baldry pining in the abandoned nursery where her dead first son would have been raised. Occupied with the domestic management of the Baldry estate just outside London, the two are almost completely removed from the horrors of World War I. ... | [
[
"They met on Monkey Island.",
"Monkey Island"
]
] | [
{
"content": "Where did Margaret and Chris meet when he was twenty years old?",
"role": "user"
}
] | 632 | [
" The novel begins as the narrator, Jenny, describes her cousin by marriage Kitty Baldry pining in the abandoned nursery where her dead first son would have been raised. Occupied with the domestic management of the Baldry estate just outside London, the two are almost completely removed from the horrors of World Wa... | [
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The novel begins as the narrator, Jenny, describes her cousin by marriage Kitty Baldry pining in the abandoned nursery where her dead first son would have been raised. Occupied with the domestic management of the Baldry estate just outside London, the two are almost completely removed from the horrors of World War I. ... | [
[
"She fetches Margaret from Wealdstone to enlist her help in jogging Chris's memory. ",
"She goes to bring Margaret back. "
]
] | [
{
"content": "When Jenny realizes the extent of Chris's delusion what is her first action?",
"role": "user"
}
] | 633 | [
" The novel begins as the narrator, Jenny, describes her cousin by marriage Kitty Baldry pining in the abandoned nursery where her dead first son would have been raised. Occupied with the domestic management of the Baldry estate just outside London, the two are almost completely removed from the horrors of World Wa... | [
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The novel begins as the narrator, Jenny, describes her cousin by marriage Kitty Baldry pining in the abandoned nursery where her dead first son would have been raised. Occupied with the domestic management of the Baldry estate just outside London, the two are almost completely removed from the horrors of World War I. ... | [
[
"He does recognize the passage of time, but insists that he still loves Margaret. ",
"yes"
]
] | [
{
"content": "Is the appearance of Margaret helpful to Chris in regaining his memory?",
"role": "user"
}
] | 634 | [
" The novel begins as the narrator, Jenny, describes her cousin by marriage Kitty Baldry pining in the abandoned nursery where her dead first son would have been raised. Occupied with the domestic management of the Baldry estate just outside London, the two are almost completely removed from the horrors of World Wa... | [
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The novel begins as the narrator, Jenny, describes her cousin by marriage Kitty Baldry pining in the abandoned nursery where her dead first son would have been raised. Occupied with the domestic management of the Baldry estate just outside London, the two are almost completely removed from the horrors of World War I. ... | [
[
"Chris had a rage of jealousy and left his love. ",
"Chris left the island. "
]
] | [
{
"content": "What caused Margaret and Chris to separate in the first place?",
"role": "user"
}
] | 635 | [
" The novel begins as the narrator, Jenny, describes her cousin by marriage Kitty Baldry pining in the abandoned nursery where her dead first son would have been raised. Occupied with the domestic management of the Baldry estate just outside London, the two are almost completely removed from the horrors of World Wa... | [
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The novel begins as the narrator, Jenny, describes her cousin by marriage Kitty Baldry pining in the abandoned nursery where her dead first son would have been raised. Occupied with the domestic management of the Baldry estate just outside London, the two are almost completely removed from the horrors of World War I. ... | [
[
"She nelists the aid of a psychoanalyst.",
"Shows him proof of his dead child. "
]
] | [
{
"content": "What further steps does Margaret take to get her husband;s memory back?",
"role": "user"
}
] | 636 | [
" The novel begins as the narrator, Jenny, describes her cousin by marriage Kitty Baldry pining in the abandoned nursery where her dead first son would have been raised. Occupied with the domestic management of the Baldry estate just outside London, the two are almost completely removed from the horrors of World Wa... | [
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The novel begins as the narrator, Jenny, describes her cousin by marriage Kitty Baldry pining in the abandoned nursery where her dead first son would have been raised. Occupied with the domestic management of the Baldry estate just outside London, the two are almost completely removed from the horrors of World War I. ... | [
[
"To convince him of the death of their son. ",
"To confront him with evidence of his dead child."
]
] | [
{
"content": "The psychoanalyst gives Margaret some advice to help her husband, what is that advice?",
"role": "user"
}
] | 637 | [
" The novel begins as the narrator, Jenny, describes her cousin by marriage Kitty Baldry pining in the abandoned nursery where her dead first son would have been raised. Occupied with the domestic management of the Baldry estate just outside London, the two are almost completely removed from the horrors of World Wa... | [
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623,
624,
620,
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The novel begins as the narrator, Jenny, describes her cousin by marriage Kitty Baldry pining in the abandoned nursery where her dead first son would have been raised. Occupied with the domestic management of the Baldry estate just outside London, the two are almost completely removed from the horrors of World War I. ... | [
[
"She hopes that the reminders will shift his mind back to the present. ",
"That he will remember he is married to someone else and stop obsessing over her."
]
] | [
{
"content": "As Margaret gathers toys , clothing and other mementos from their child's life, what is her wish for Chris?",
"role": "user"
}
] | 638 | [
" The novel begins as the narrator, Jenny, describes her cousin by marriage Kitty Baldry pining in the abandoned nursery where her dead first son would have been raised. Occupied with the domestic management of the Baldry estate just outside London, the two are almost completely removed from the horrors of World Wa... | [
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621,
622,
623,
624,
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The novel begins as the narrator, Jenny, describes her cousin by marriage Kitty Baldry pining in the abandoned nursery where her dead first son would have been raised. Occupied with the domestic management of the Baldry estate just outside London, the two are almost completely removed from the horrors of World War I. ... | [
[
"her son died",
"the baby died"
]
] | [
{
"content": "Why is Chanchala's cousin's nursery empty?",
"role": "user"
}
] | 639 | [
" The novel begins as the narrator, Jenny, describes her cousin by marriage Kitty Baldry pining in the abandoned nursery where her dead first son would have been raised. Occupied with the domestic management of the Baldry estate just outside London, the two are almost completely removed from the horrors of World Wa... | [
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The novel begins as the narrator, Jenny, describes her cousin by marriage Kitty Baldry pining in the abandoned nursery where her dead first son would have been raised. Occupied with the domestic management of the Baldry estate just outside London, the two are almost completely removed from the horrors of World War I. ... | [
[
"by staying busy taking care of the family estate",
"Managing Baldry Estate"
]
] | [
{
"content": "How do Kitty and Chanchala remain away from the effects of war?",
"role": "user"
}
] | 640 | [
" The novel begins as the narrator, Jenny, describes her cousin by marriage Kitty Baldry pining in the abandoned nursery where her dead first son would have been raised. Occupied with the domestic management of the Baldry estate just outside London, the two are almost completely removed from the horrors of World Wa... | [
1.0000003576278687,
1.0000003576278687,
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1.0000003576278687
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621,
622,
623,
624,
620,
619
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The novel begins as the narrator, Jenny, describes her cousin by marriage Kitty Baldry pining in the abandoned nursery where her dead first son would have been raised. Occupied with the domestic management of the Baldry estate just outside London, the two are almost completely removed from the horrors of World War I. ... | [
[
"France",
"France"
]
] | [
{
"content": "Which country is Chris fighting in, according to the story?",
"role": "user"
}
] | 641 | [
" The novel begins as the narrator, Jenny, describes her cousin by marriage Kitty Baldry pining in the abandoned nursery where her dead first son would have been raised. Occupied with the domestic management of the Baldry estate just outside London, the two are almost completely removed from the horrors of World Wa... | [
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1.0000003576278687,
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1.0000003576278687
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621,
622,
623,
624,
620,
619
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The novel begins as the narrator, Jenny, describes her cousin by marriage Kitty Baldry pining in the abandoned nursery where her dead first son would have been raised. Occupied with the domestic management of the Baldry estate just outside London, the two are almost completely removed from the horrors of World War I. ... | [
[
"Margaret Grey",
"Margaret"
]
] | [
{
"content": "Who tells Kitty that her husband was injured?",
"role": "user"
}
] | 642 | [
" The novel begins as the narrator, Jenny, describes her cousin by marriage Kitty Baldry pining in the abandoned nursery where her dead first son would have been raised. Occupied with the domestic management of the Baldry estate just outside London, the two are almost completely removed from the horrors of World Wa... | [
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623,
624,
620,
619
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The novel begins as the narrator, Jenny, describes her cousin by marriage Kitty Baldry pining in the abandoned nursery where her dead first son would have been raised. Occupied with the domestic management of the Baldry estate just outside London, the two are almost completely removed from the horrors of World War I. ... | [
[
"20",
"20"
]
] | [
{
"content": "How old does Kitty's husband think he is, after being injured in the war?",
"role": "user"
}
] | 643 | [
" The novel begins as the narrator, Jenny, describes her cousin by marriage Kitty Baldry pining in the abandoned nursery where her dead first son would have been raised. Occupied with the domestic management of the Baldry estate just outside London, the two are almost completely removed from the horrors of World Wa... | [
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621,
622,
623,
624,
620,
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The novel begins as the narrator, Jenny, describes her cousin by marriage Kitty Baldry pining in the abandoned nursery where her dead first son would have been raised. Occupied with the domestic management of the Baldry estate just outside London, the two are almost completely removed from the horrors of World War I. ... | [
[
"he thinks it's 15 years earlier, when he and Margaret dated",
"He thinks it's 15 years earlier"
]
] | [
{
"content": "Why is Chris so interested in Margaret, even though he's married to Kitty?",
"role": "user"
}
] | 644 | [
" The novel begins as the narrator, Jenny, describes her cousin by marriage Kitty Baldry pining in the abandoned nursery where her dead first son would have been raised. Occupied with the domestic management of the Baldry estate just outside London, the two are almost completely removed from the horrors of World Wa... | [
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1.0000003576278687,
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1.0000003576278687
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623,
624,
620,
619
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The novel begins as the narrator, Jenny, describes her cousin by marriage Kitty Baldry pining in the abandoned nursery where her dead first son would have been raised. Occupied with the domestic management of the Baldry estate just outside London, the two are almost completely removed from the horrors of World War I. ... | [
[
"the Monkey Island innkeeper",
"The inkeeper"
]
] | [
{
"content": "Who was Margaret's father?",
"role": "user"
}
] | 645 | [
" The novel begins as the narrator, Jenny, describes her cousin by marriage Kitty Baldry pining in the abandoned nursery where her dead first son would have been raised. Occupied with the domestic management of the Baldry estate just outside London, the two are almost completely removed from the horrors of World Wa... | [
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1.0000003576278687
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622,
623,
624,
620,
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The novel begins as the narrator, Jenny, describes her cousin by marriage Kitty Baldry pining in the abandoned nursery where her dead first son would have been raised. Occupied with the domestic management of the Baldry estate just outside London, the two are almost completely removed from the horrors of World War I. ... | [
[
"on Monkey Island",
"He first met Margaret on Monkey Island."
]
] | [
{
"content": "Where did Kitty's husband first meet Margaret?",
"role": "user"
}
] | 646 | [
" The novel begins as the narrator, Jenny, describes her cousin by marriage Kitty Baldry pining in the abandoned nursery where her dead first son would have been raised. Occupied with the domestic management of the Baldry estate just outside London, the two are almost completely removed from the horrors of World Wa... | [
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1.0000003576278687
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621,
622,
623,
624,
620,
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The novel begins as the narrator, Jenny, describes her cousin by marriage Kitty Baldry pining in the abandoned nursery where her dead first son would have been raised. Occupied with the domestic management of the Baldry estate just outside London, the two are almost completely removed from the horrors of World War I. ... | [
[
"after being reminded of his son's death",
"When he was forced to come to grips with what happened to his child."
]
] | [
{
"content": "When did Chris regain his memory?",
"role": "user"
}
] | 647 | [
" The novel begins as the narrator, Jenny, describes her cousin by marriage Kitty Baldry pining in the abandoned nursery where her dead first son would have been raised. Occupied with the domestic management of the Baldry estate just outside London, the two are almost completely removed from the horrors of World Wa... | [
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623,
624,
620,
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The novel begins as the narrator, Jenny, describes her cousin by marriage Kitty Baldry pining in the abandoned nursery where her dead first son would have been raised. Occupied with the domestic management of the Baldry estate just outside London, the two are almost completely removed from the horrors of World War I. ... | [
[
"Wealdstone",
"Monkey Island. "
]
] | [
{
"content": "Where does the innkeeper's daughter live?",
"role": "user"
}
] | 648 | [
" The novel begins as the narrator, Jenny, describes her cousin by marriage Kitty Baldry pining in the abandoned nursery where her dead first son would have been raised. Occupied with the domestic management of the Baldry estate just outside London, the two are almost completely removed from the horrors of World Wa... | [
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621,
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623,
624,
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619
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Desperate to discover a cure for the cyclical 48-year-fever, known as Trailmen’s fever, Dr. Randall Forth persuades a colleague, Dr. Jay Allison, to undergo hypnosis. He calls forth a secondary personality, Jason Allison, who is gregarious and an experienced mountain climber, while Dr. Jay Allison is a cold, clinical ... | [
[
"A cure to Trailmen's fever.",
"A cure."
]
] | [
{
"content": "What are the humans looking for?",
"role": "user"
}
] | 649 | [
" Desperate to discover a cure for the cyclical 48-year-fever, known as Trailmen’s fever, Dr. Randall Forth persuades a colleague, Dr. Jay Allison, to undergo hypnosis. He calls forth a secondary personality, Jason Allison, who is gregarious and an experienced mountain climber, while Dr. Jay Allison is a cold, clin... | [
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651,
652,
653,
654,
650
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Desperate to discover a cure for the cyclical 48-year-fever, known as Trailmen’s fever, Dr. Randall Forth persuades a colleague, Dr. Jay Allison, to undergo hypnosis. He calls forth a secondary personality, Jason Allison, who is gregarious and an experienced mountain climber, while Dr. Jay Allison is a cold, clinical ... | [
[
"Every 48 years. ",
"Every 48 years."
]
] | [
{
"content": "How often does Trailmen's fever occur?",
"role": "user"
}
] | 650 | [
" Desperate to discover a cure for the cyclical 48-year-fever, known as Trailmen’s fever, Dr. Randall Forth persuades a colleague, Dr. Jay Allison, to undergo hypnosis. He calls forth a secondary personality, Jason Allison, who is gregarious and an experienced mountain climber, while Dr. Jay Allison is a cold, clin... | [
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0.9999998807907104,
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0.9999998807907104,
0.9999998807907104,
0.9999998807907104
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651,
652,
653,
654,
649
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Desperate to discover a cure for the cyclical 48-year-fever, known as Trailmen’s fever, Dr. Randall Forth persuades a colleague, Dr. Jay Allison, to undergo hypnosis. He calls forth a secondary personality, Jason Allison, who is gregarious and an experienced mountain climber, while Dr. Jay Allison is a cold, clinical ... | [
[
"Puts him under hypnosis to induce another personality.",
"Hypontize him"
]
] | [
{
"content": "What does Dr. Forth do to Dr. Allison? ",
"role": "user"
}
] | 651 | [
" Desperate to discover a cure for the cyclical 48-year-fever, known as Trailmen’s fever, Dr. Randall Forth persuades a colleague, Dr. Jay Allison, to undergo hypnosis. He calls forth a secondary personality, Jason Allison, who is gregarious and an experienced mountain climber, while Dr. Jay Allison is a cold, clin... | [
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0.9999998807907104,
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652,
653,
654,
650,
649
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Desperate to discover a cure for the cyclical 48-year-fever, known as Trailmen’s fever, Dr. Randall Forth persuades a colleague, Dr. Jay Allison, to undergo hypnosis. He calls forth a secondary personality, Jason Allison, who is gregarious and an experienced mountain climber, while Dr. Jay Allison is a cold, clinical ... | [
[
"Jason Allison.",
"Jason Allison"
]
] | [
{
"content": "Who falls in love with Kyla?",
"role": "user"
}
] | 652 | [
" Desperate to discover a cure for the cyclical 48-year-fever, known as Trailmen’s fever, Dr. Randall Forth persuades a colleague, Dr. Jay Allison, to undergo hypnosis. He calls forth a secondary personality, Jason Allison, who is gregarious and an experienced mountain climber, while Dr. Jay Allison is a cold, clin... | [
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Desperate to discover a cure for the cyclical 48-year-fever, known as Trailmen’s fever, Dr. Randall Forth persuades a colleague, Dr. Jay Allison, to undergo hypnosis. He calls forth a secondary personality, Jason Allison, who is gregarious and an experienced mountain climber, while Dr. Jay Allison is a cold, clinical ... | [
[
"Jason turns back into Jay.",
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{
"content": "What happens when the humans are attacked on their way into the Hellers?",
"role": "user"
}
] | 653 | [
" Desperate to discover a cure for the cyclical 48-year-fever, known as Trailmen’s fever, Dr. Randall Forth persuades a colleague, Dr. Jay Allison, to undergo hypnosis. He calls forth a secondary personality, Jason Allison, who is gregarious and an experienced mountain climber, while Dr. Jay Allison is a cold, clin... | [
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Desperate to discover a cure for the cyclical 48-year-fever, known as Trailmen’s fever, Dr. Randall Forth persuades a colleague, Dr. Jay Allison, to undergo hypnosis. He calls forth a secondary personality, Jason Allison, who is gregarious and an experienced mountain climber, while Dr. Jay Allison is a cold, clinical ... | [
[
"Jay/Jason is recognized as having lived there as a child.",
"Jay was recognized "
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] | [
{
"content": "Why are the humans invited into the Trailmen habitat?",
"role": "user"
}
] | 654 | [
" Desperate to discover a cure for the cyclical 48-year-fever, known as Trailmen’s fever, Dr. Randall Forth persuades a colleague, Dr. Jay Allison, to undergo hypnosis. He calls forth a secondary personality, Jason Allison, who is gregarious and an experienced mountain climber, while Dr. Jay Allison is a cold, clin... | [
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Desperate to discover a cure for the cyclical 48-year-fever, known as Trailmen’s fever, Dr. Randall Forth persuades a colleague, Dr. Jay Allison, to undergo hypnosis. He calls forth a secondary personality, Jason Allison, who is gregarious and an experienced mountain climber, while Dr. Jay Allison is a cold, clinical ... | [
[
"Regis Hastur.",
"Regis"
]
] | [
{
"content": "Who pleads to the Old Ones for the Sky People for assistance?",
"role": "user"
}
] | 655 | [
" Desperate to discover a cure for the cyclical 48-year-fever, known as Trailmen’s fever, Dr. Randall Forth persuades a colleague, Dr. Jay Allison, to undergo hypnosis. He calls forth a secondary personality, Jason Allison, who is gregarious and an experienced mountain climber, while Dr. Jay Allison is a cold, clin... | [
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Desperate to discover a cure for the cyclical 48-year-fever, known as Trailmen’s fever, Dr. Randall Forth persuades a colleague, Dr. Jay Allison, to undergo hypnosis. He calls forth a secondary personality, Jason Allison, who is gregarious and an experienced mountain climber, while Dr. Jay Allison is a cold, clinical ... | [
[
"He is a third, more stable, personality.",
"They merge their two personalities into a third one."
]
] | [
{
"content": "What is different about Jay/Jason at the end of the story?",
"role": "user"
}
] | 656 | [
" Desperate to discover a cure for the cyclical 48-year-fever, known as Trailmen’s fever, Dr. Randall Forth persuades a colleague, Dr. Jay Allison, to undergo hypnosis. He calls forth a secondary personality, Jason Allison, who is gregarious and an experienced mountain climber, while Dr. Jay Allison is a cold, clin... | [
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654,
650,
649
] | train |
Desperate to discover a cure for the cyclical 48-year-fever, known as Trailmen’s fever, Dr. Randall Forth persuades a colleague, Dr. Jay Allison, to undergo hypnosis. He calls forth a secondary personality, Jason Allison, who is gregarious and an experienced mountain climber, while Dr. Jay Allison is a cold, clinical ... | [
[
"Trailmen's Fever",
"Trailmen's fever."
]
] | [
{
"content": "What is the 48-year-fever also known as?",
"role": "user"
}
] | 657 | [
" Desperate to discover a cure for the cyclical 48-year-fever, known as Trailmen’s fever, Dr. Randall Forth persuades a colleague, Dr. Jay Allison, to undergo hypnosis. He calls forth a secondary personality, Jason Allison, who is gregarious and an experienced mountain climber, while Dr. Jay Allison is a cold, clin... | [
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651,
652,
653,
654,
650,
649
] | train |
Desperate to discover a cure for the cyclical 48-year-fever, known as Trailmen’s fever, Dr. Randall Forth persuades a colleague, Dr. Jay Allison, to undergo hypnosis. He calls forth a secondary personality, Jason Allison, who is gregarious and an experienced mountain climber, while Dr. Jay Allison is a cold, clinical ... | [
[
"Dr. Jay Allison",
"Dr. Jay Allison"
]
] | [
{
"content": "Who does Dr. Forth convince to be hypnotized?",
"role": "user"
}
] | 658 | [
" Desperate to discover a cure for the cyclical 48-year-fever, known as Trailmen’s fever, Dr. Randall Forth persuades a colleague, Dr. Jay Allison, to undergo hypnosis. He calls forth a secondary personality, Jason Allison, who is gregarious and an experienced mountain climber, while Dr. Jay Allison is a cold, clin... | [
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651,
652,
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654,
650,
649
] | train |
Desperate to discover a cure for the cyclical 48-year-fever, known as Trailmen’s fever, Dr. Randall Forth persuades a colleague, Dr. Jay Allison, to undergo hypnosis. He calls forth a secondary personality, Jason Allison, who is gregarious and an experienced mountain climber, while Dr. Jay Allison is a cold, clinical ... | [
[
"Dr. Jay Allison's other personality",
"Dr. Jay Allison's secondary personality"
]
] | [
{
"content": "Who is Jason Allison?",
"role": "user"
}
] | 659 | [
" Desperate to discover a cure for the cyclical 48-year-fever, known as Trailmen’s fever, Dr. Randall Forth persuades a colleague, Dr. Jay Allison, to undergo hypnosis. He calls forth a secondary personality, Jason Allison, who is gregarious and an experienced mountain climber, while Dr. Jay Allison is a cold, clin... | [
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0.9999998807907104,
0.9999998807907104,
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651,
652,
653,
654,
650,
649
] | train |
Desperate to discover a cure for the cyclical 48-year-fever, known as Trailmen’s fever, Dr. Randall Forth persuades a colleague, Dr. Jay Allison, to undergo hypnosis. He calls forth a secondary personality, Jason Allison, who is gregarious and an experienced mountain climber, while Dr. Jay Allison is a cold, clinical ... | [
[
"Kyla",
"Kyla"
]
] | [
{
"content": "With whom does Jason Allison fall in love?",
"role": "user"
}
] | 660 | [
" Desperate to discover a cure for the cyclical 48-year-fever, known as Trailmen’s fever, Dr. Randall Forth persuades a colleague, Dr. Jay Allison, to undergo hypnosis. He calls forth a secondary personality, Jason Allison, who is gregarious and an experienced mountain climber, while Dr. Jay Allison is a cold, clin... | [
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0.9999998807907104,
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651,
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654,
650,
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Desperate to discover a cure for the cyclical 48-year-fever, known as Trailmen’s fever, Dr. Randall Forth persuades a colleague, Dr. Jay Allison, to undergo hypnosis. He calls forth a secondary personality, Jason Allison, who is gregarious and an experienced mountain climber, while Dr. Jay Allison is a cold, clinical ... | [
[
"A group of hostile Trailwomen",
"Trailwomen"
]
] | [
{
"content": "Who attacks Jason's expedition group on their way to the Hellers?",
"role": "user"
}
] | 661 | [
" Desperate to discover a cure for the cyclical 48-year-fever, known as Trailmen’s fever, Dr. Randall Forth persuades a colleague, Dr. Jay Allison, to undergo hypnosis. He calls forth a secondary personality, Jason Allison, who is gregarious and an experienced mountain climber, while Dr. Jay Allison is a cold, clin... | [
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0.9999998807907104
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651,
652,
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654,
650,
649
] | train |
Desperate to discover a cure for the cyclical 48-year-fever, known as Trailmen’s fever, Dr. Randall Forth persuades a colleague, Dr. Jay Allison, to undergo hypnosis. He calls forth a secondary personality, Jason Allison, who is gregarious and an experienced mountain climber, while Dr. Jay Allison is a cold, clinical ... | [
[
"Sky People",
"The Old Ones of the Sky People"
]
] | [
{
"content": "What is the other name applied to Trailmen in the story?",
"role": "user"
}
] | 662 | [
" Desperate to discover a cure for the cyclical 48-year-fever, known as Trailmen’s fever, Dr. Randall Forth persuades a colleague, Dr. Jay Allison, to undergo hypnosis. He calls forth a secondary personality, Jason Allison, who is gregarious and an experienced mountain climber, while Dr. Jay Allison is a cold, clin... | [
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0.9999998807907104,
0.9999998807907104,
0.9999998807907104,
0.9999998807907104,
0.9999998807907104
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651,
652,
653,
654,
650,
649
] | train |
Desperate to discover a cure for the cyclical 48-year-fever, known as Trailmen’s fever, Dr. Randall Forth persuades a colleague, Dr. Jay Allison, to undergo hypnosis. He calls forth a secondary personality, Jason Allison, who is gregarious and an experienced mountain climber, while Dr. Jay Allison is a cold, clinical ... | [
[
"100",
"One hundred"
]
] | [
{
"content": "How many Trailmen volunteered to return with the expedition to help Dr. Forth find a cure for the 48-year-fever?",
"role": "user"
}
] | 663 | [
" Desperate to discover a cure for the cyclical 48-year-fever, known as Trailmen’s fever, Dr. Randall Forth persuades a colleague, Dr. Jay Allison, to undergo hypnosis. He calls forth a secondary personality, Jason Allison, who is gregarious and an experienced mountain climber, while Dr. Jay Allison is a cold, clin... | [
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0.9999998807907104,
0.9999998807907104
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651,
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654,
650,
649
] | train |
Desperate to discover a cure for the cyclical 48-year-fever, known as Trailmen’s fever, Dr. Randall Forth persuades a colleague, Dr. Jay Allison, to undergo hypnosis. He calls forth a secondary personality, Jason Allison, who is gregarious and an experienced mountain climber, while Dr. Jay Allison is a cold, clinical ... | [
[
"Terran Trade City",
"Terran Trade City."
]
] | [
{
"content": "What city does the expedition party return to with the volunteers?",
"role": "user"
}
] | 664 | [
" Desperate to discover a cure for the cyclical 48-year-fever, known as Trailmen’s fever, Dr. Randall Forth persuades a colleague, Dr. Jay Allison, to undergo hypnosis. He calls forth a secondary personality, Jason Allison, who is gregarious and an experienced mountain climber, while Dr. Jay Allison is a cold, clin... | [
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0.9999998807907104
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651,
652,
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654,
650,
649
] | train |
Desperate to discover a cure for the cyclical 48-year-fever, known as Trailmen’s fever, Dr. Randall Forth persuades a colleague, Dr. Jay Allison, to undergo hypnosis. He calls forth a secondary personality, Jason Allison, who is gregarious and an experienced mountain climber, while Dr. Jay Allison is a cold, clinical ... | [
[
"Regis Hastur",
"Regis Hastur"
]
] | [
{
"content": "Who congratulates Dr. Allison on the development of the serum to treat 48-year-fever?",
"role": "user"
}
] | 665 | [
" Desperate to discover a cure for the cyclical 48-year-fever, known as Trailmen’s fever, Dr. Randall Forth persuades a colleague, Dr. Jay Allison, to undergo hypnosis. He calls forth a secondary personality, Jason Allison, who is gregarious and an experienced mountain climber, while Dr. Jay Allison is a cold, clin... | [
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654,
650,
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] | train |
Desperate to discover a cure for the cyclical 48-year-fever, known as Trailmen’s fever, Dr. Randall Forth persuades a colleague, Dr. Jay Allison, to undergo hypnosis. He calls forth a secondary personality, Jason Allison, who is gregarious and an experienced mountain climber, while Dr. Jay Allison is a cold, clinical ... | [
[
"He develops a third, more stable personality.",
"He becomes more stable "
]
] | [
{
"content": "What happens to Jason/Jay Allison after he is reminded of the expedition?",
"role": "user"
}
] | 666 | [
" Desperate to discover a cure for the cyclical 48-year-fever, known as Trailmen’s fever, Dr. Randall Forth persuades a colleague, Dr. Jay Allison, to undergo hypnosis. He calls forth a secondary personality, Jason Allison, who is gregarious and an experienced mountain climber, while Dr. Jay Allison is a cold, clin... | [
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0.9999998807907104,
0.9999998807907104,
0.9999998807907104
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651,
652,
653,
654,
650,
649
] | train |
Desperate to discover a cure for the cyclical 48-year-fever, known as Trailmen’s fever, Dr. Randall Forth persuades a colleague, Dr. Jay Allison, to undergo hypnosis. He calls forth a secondary personality, Jason Allison, who is gregarious and an experienced mountain climber, while Dr. Jay Allison is a cold, clinical ... | [
[
"48 year fever",
"48 year fever "
]
] | [
{
"content": "What is Dr. Forth desperate to cure?",
"role": "user"
}
] | 667 | [
" Desperate to discover a cure for the cyclical 48-year-fever, known as Trailmen’s fever, Dr. Randall Forth persuades a colleague, Dr. Jay Allison, to undergo hypnosis. He calls forth a secondary personality, Jason Allison, who is gregarious and an experienced mountain climber, while Dr. Jay Allison is a cold, clin... | [
0.9999998807907104,
0.9999998807907104,
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0.9999998807907104,
0.9999998807907104,
0.9999998807907104
] | [
651,
652,
653,
654,
650,
649
] | train |
Desperate to discover a cure for the cyclical 48-year-fever, known as Trailmen’s fever, Dr. Randall Forth persuades a colleague, Dr. Jay Allison, to undergo hypnosis. He calls forth a secondary personality, Jason Allison, who is gregarious and an experienced mountain climber, while Dr. Jay Allison is a cold, clinical ... | [
[
"Dr. Jay Allison's secondary personality",
"Second personality."
]
] | [
{
"content": "Who is Jason Allison?",
"role": "user"
}
] | 668 | [
" Desperate to discover a cure for the cyclical 48-year-fever, known as Trailmen’s fever, Dr. Randall Forth persuades a colleague, Dr. Jay Allison, to undergo hypnosis. He calls forth a secondary personality, Jason Allison, who is gregarious and an experienced mountain climber, while Dr. Jay Allison is a cold, clin... | [
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0.9999998807907104,
0.9999998807907104,
0.9999998807907104
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651,
652,
653,
654,
650,
649
] | train |
Desperate to discover a cure for the cyclical 48-year-fever, known as Trailmen’s fever, Dr. Randall Forth persuades a colleague, Dr. Jay Allison, to undergo hypnosis. He calls forth a secondary personality, Jason Allison, who is gregarious and an experienced mountain climber, while Dr. Jay Allison is a cold, clinical ... | [
[
"Jason",
"Jason Allison"
]
] | [
{
"content": "Who leads the expedition into the Hellers?",
"role": "user"
}
] | 669 | [
" Desperate to discover a cure for the cyclical 48-year-fever, known as Trailmen’s fever, Dr. Randall Forth persuades a colleague, Dr. Jay Allison, to undergo hypnosis. He calls forth a secondary personality, Jason Allison, who is gregarious and an experienced mountain climber, while Dr. Jay Allison is a cold, clin... | [
0.9999998807907104,
0.9999998807907104,
0.9999998807907104,
0.9999998807907104,
0.9999998807907104,
0.9999998807907104
] | [
651,
652,
653,
654,
650,
649
] | train |
Desperate to discover a cure for the cyclical 48-year-fever, known as Trailmen’s fever, Dr. Randall Forth persuades a colleague, Dr. Jay Allison, to undergo hypnosis. He calls forth a secondary personality, Jason Allison, who is gregarious and an experienced mountain climber, while Dr. Jay Allison is a cold, clinical ... | [
[
"They are attacked",
"They are attacked"
]
] | [
{
"content": "What happens to the expedition while on the trail?",
"role": "user"
}
] | 670 | [
" Desperate to discover a cure for the cyclical 48-year-fever, known as Trailmen’s fever, Dr. Randall Forth persuades a colleague, Dr. Jay Allison, to undergo hypnosis. He calls forth a secondary personality, Jason Allison, who is gregarious and an experienced mountain climber, while Dr. Jay Allison is a cold, clin... | [
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0.9999998807907104,
0.9999998807907104,
0.9999998807907104
] | [
651,
652,
653,
654,
650,
649
] | train |
Desperate to discover a cure for the cyclical 48-year-fever, known as Trailmen’s fever, Dr. Randall Forth persuades a colleague, Dr. Jay Allison, to undergo hypnosis. He calls forth a secondary personality, Jason Allison, who is gregarious and an experienced mountain climber, while Dr. Jay Allison is a cold, clinical ... | [
[
"Trailmen nest",
"The Trailmen's nest."
]
] | [
{
"content": "Where is Jay/Jason finally recognized?",
"role": "user"
}
] | 671 | [
" Desperate to discover a cure for the cyclical 48-year-fever, known as Trailmen’s fever, Dr. Randall Forth persuades a colleague, Dr. Jay Allison, to undergo hypnosis. He calls forth a secondary personality, Jason Allison, who is gregarious and an experienced mountain climber, while Dr. Jay Allison is a cold, clin... | [
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0.9999998807907104,
0.9999998807907104,
0.9999998807907104
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651,
652,
653,
654,
650,
649
] | train |
Desperate to discover a cure for the cyclical 48-year-fever, known as Trailmen’s fever, Dr. Randall Forth persuades a colleague, Dr. Jay Allison, to undergo hypnosis. He calls forth a secondary personality, Jason Allison, who is gregarious and an experienced mountain climber, while Dr. Jay Allison is a cold, clinical ... | [
[
"The old ones of the sky people",
"The Old Ones"
]
] | [
{
"content": "Who do they encounter inside the trailmen's tree habitat?",
"role": "user"
}
] | 672 | [
" Desperate to discover a cure for the cyclical 48-year-fever, known as Trailmen’s fever, Dr. Randall Forth persuades a colleague, Dr. Jay Allison, to undergo hypnosis. He calls forth a secondary personality, Jason Allison, who is gregarious and an experienced mountain climber, while Dr. Jay Allison is a cold, clin... | [
0.9999998807907104,
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0.9999998807907104,
0.9999998807907104,
0.9999998807907104
] | [
651,
652,
653,
654,
650,
649
] | train |
Desperate to discover a cure for the cyclical 48-year-fever, known as Trailmen’s fever, Dr. Randall Forth persuades a colleague, Dr. Jay Allison, to undergo hypnosis. He calls forth a secondary personality, Jason Allison, who is gregarious and an experienced mountain climber, while Dr. Jay Allison is a cold, clinical ... | [
[
"100",
"100"
]
] | [
{
"content": "How many trailmen volunteer?",
"role": "user"
}
] | 673 | [
" Desperate to discover a cure for the cyclical 48-year-fever, known as Trailmen’s fever, Dr. Randall Forth persuades a colleague, Dr. Jay Allison, to undergo hypnosis. He calls forth a secondary personality, Jason Allison, who is gregarious and an experienced mountain climber, while Dr. Jay Allison is a cold, clin... | [
0.9999998807907104,
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0.9999998807907104,
0.9999998807907104,
0.9999998807907104,
0.9999998807907104
] | [
651,
652,
653,
654,
650,
649
] | train |
Desperate to discover a cure for the cyclical 48-year-fever, known as Trailmen’s fever, Dr. Randall Forth persuades a colleague, Dr. Jay Allison, to undergo hypnosis. He calls forth a secondary personality, Jason Allison, who is gregarious and an experienced mountain climber, while Dr. Jay Allison is a cold, clinical ... | [
[
"Terran Trade City",
"Terran Trade City"
]
] | [
{
"content": "Where do the expedition and volunteers return to?",
"role": "user"
}
] | 674 | [
" Desperate to discover a cure for the cyclical 48-year-fever, known as Trailmen’s fever, Dr. Randall Forth persuades a colleague, Dr. Jay Allison, to undergo hypnosis. He calls forth a secondary personality, Jason Allison, who is gregarious and an experienced mountain climber, while Dr. Jay Allison is a cold, clin... | [
0.9999998807907104,
0.9999998807907104,
0.9999998807907104,
0.9999998807907104,
0.9999998807907104,
0.9999998807907104
] | [
651,
652,
653,
654,
650,
649
] | train |
Desperate to discover a cure for the cyclical 48-year-fever, known as Trailmen’s fever, Dr. Randall Forth persuades a colleague, Dr. Jay Allison, to undergo hypnosis. He calls forth a secondary personality, Jason Allison, who is gregarious and an experienced mountain climber, while Dr. Jay Allison is a cold, clinical ... | [
[
"Several months",
"A few months"
]
] | [
{
"content": "How long did it take to develop a serum?",
"role": "user"
}
] | 675 | [
" Desperate to discover a cure for the cyclical 48-year-fever, known as Trailmen’s fever, Dr. Randall Forth persuades a colleague, Dr. Jay Allison, to undergo hypnosis. He calls forth a secondary personality, Jason Allison, who is gregarious and an experienced mountain climber, while Dr. Jay Allison is a cold, clin... | [
0.9999998807907104,
0.9999998807907104,
0.9999998807907104,
0.9999998807907104,
0.9999998807907104,
0.9999998807907104
] | [
651,
652,
653,
654,
650,
649
] | train |
Desperate to discover a cure for the cyclical 48-year-fever, known as Trailmen’s fever, Dr. Randall Forth persuades a colleague, Dr. Jay Allison, to undergo hypnosis. He calls forth a secondary personality, Jason Allison, who is gregarious and an experienced mountain climber, while Dr. Jay Allison is a cold, clinical ... | [
[
"Merge into a more stable personality",
"Reminds him of their expedition and causes the emergence of a third personality"
]
] | [
{
"content": "What does the exposure to Regis do to Jay/Jason?",
"role": "user"
}
] | 676 | [
" Desperate to discover a cure for the cyclical 48-year-fever, known as Trailmen’s fever, Dr. Randall Forth persuades a colleague, Dr. Jay Allison, to undergo hypnosis. He calls forth a secondary personality, Jason Allison, who is gregarious and an experienced mountain climber, while Dr. Jay Allison is a cold, clin... | [
0.9999998807907104,
0.9999998807907104,
0.9999998807907104,
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0.9999998807907104,
0.9999998807907104
] | [
651,
652,
653,
654,
650,
649
] | train |
Chance (Peter Sellers) is a middle-aged man who lives in the townhouse of an old, wealthy man in Washington, D.C. He is simple-minded and has lived there his whole life, tending the garden. Other than gardening, his knowledge is derived entirely from what he sees on television. When his benefactor dies, Chance naively... | [
[
"Gardening and the TV.",
"Gardening and the television."
]
] | [
{
"content": "In the beginning of the story, what two things have taught Chance everything he knows?",
"role": "user"
}
] | 677 | [
" Chance (Peter Sellers) is a middle-aged man who lives in the townhouse of an old, wealthy man in Washington, D.C. He is simple-minded and has lived there his whole life, tending the garden. Other than gardening, his knowledge is derived entirely from what he sees on television. When his benefactor dies, Chance na... | [
0.9999998807907104,
0.9999998807907104,
0.9999998807907104,
0.9999998807907104,
0.9999998807907104,
0.9999998807907104
] | [
679,
680,
681,
682,
678
] | train |
Chance (Peter Sellers) is a middle-aged man who lives in the townhouse of an old, wealthy man in Washington, D.C. He is simple-minded and has lived there his whole life, tending the garden. Other than gardening, his knowledge is derived entirely from what he sees on television. When his benefactor dies, Chance naively... | [
[
"The owner died.",
"owner's death"
]
] | [
{
"content": "What caused Chance to have to move out of the first home he lived in?",
"role": "user"
}
] | 678 | [
" Chance (Peter Sellers) is a middle-aged man who lives in the townhouse of an old, wealthy man in Washington, D.C. He is simple-minded and has lived there his whole life, tending the garden. Other than gardening, his knowledge is derived entirely from what he sees on television. When his benefactor dies, Chance na... | [
0.9999998807907104,
0.9999998807907104,
0.9999998807907104,
0.9999998807907104,
0.9999998807907104,
0.9999998807907104
] | [
679,
680,
681,
682,
677
] | train |
Chance (Peter Sellers) is a middle-aged man who lives in the townhouse of an old, wealthy man in Washington, D.C. He is simple-minded and has lived there his whole life, tending the garden. Other than gardening, his knowledge is derived entirely from what he sees on television. When his benefactor dies, Chance naively... | [
[
"The Rand's chaffeur hit Chance with the car when he stepped off the sidewalk.",
"they hit him with their car"
]
] | [
{
"content": "How did Chance meet Eve and Ben Rand?",
"role": "user"
}
] | 679 | [
" Chance (Peter Sellers) is a middle-aged man who lives in the townhouse of an old, wealthy man in Washington, D.C. He is simple-minded and has lived there his whole life, tending the garden. Other than gardening, his knowledge is derived entirely from what he sees on television. When his benefactor dies, Chance na... | [
0.9999998807907104,
0.9999998807907104,
0.9999998807907104,
0.9999998807907104,
0.9999998807907104,
0.9999998807907104
] | [
680,
681,
682,
678,
677
] | train |
Chance (Peter Sellers) is a middle-aged man who lives in the townhouse of an old, wealthy man in Washington, D.C. He is simple-minded and has lived there his whole life, tending the garden. Other than gardening, his knowledge is derived entirely from what he sees on television. When his benefactor dies, Chance naively... | [
[
"Chance, the gardener.",
"Chance, the gardener."
]
] | [
{
"content": "What did Chance say his name was when Eve misheard him?",
"role": "user"
}
] | 680 | [
" Chance (Peter Sellers) is a middle-aged man who lives in the townhouse of an old, wealthy man in Washington, D.C. He is simple-minded and has lived there his whole life, tending the garden. Other than gardening, his knowledge is derived entirely from what he sees on television. When his benefactor dies, Chance na... | [
0.9999998807907104,
0.9999998807907104,
0.9999998807907104,
0.9999998807907104,
0.9999998807907104,
0.9999998807907104
] | [
679,
681,
682,
678,
677
] | train |
Chance (Peter Sellers) is a middle-aged man who lives in the townhouse of an old, wealthy man in Washington, D.C. He is simple-minded and has lived there his whole life, tending the garden. Other than gardening, his knowledge is derived entirely from what he sees on television. When his benefactor dies, Chance naively... | [
[
"His appearance on a TV show.",
"An appearance on a television talk show."
]
] | [
{
"content": "What causes Chance to become famous?",
"role": "user"
}
] | 681 | [
" Chance (Peter Sellers) is a middle-aged man who lives in the townhouse of an old, wealthy man in Washington, D.C. He is simple-minded and has lived there his whole life, tending the garden. Other than gardening, his knowledge is derived entirely from what he sees on television. When his benefactor dies, Chance na... | [
0.9999998807907104,
0.9999998807907104,
0.9999998807907104,
0.9999998807907104,
0.9999998807907104,
0.9999998807907104
] | [
679,
680,
682,
678,
677
] | train |
Chance (Peter Sellers) is a middle-aged man who lives in the townhouse of an old, wealthy man in Washington, D.C. He is simple-minded and has lived there his whole life, tending the garden. Other than gardening, his knowledge is derived entirely from what he sees on television. When his benefactor dies, Chance naively... | [
[
"His adviser.",
"Rand is a confidant and adviser. "
]
] | [
{
"content": "Who is Rand to the President of the United States?",
"role": "user"
}
] | 682 | [
" Chance (Peter Sellers) is a middle-aged man who lives in the townhouse of an old, wealthy man in Washington, D.C. He is simple-minded and has lived there his whole life, tending the garden. Other than gardening, his knowledge is derived entirely from what he sees on television. When his benefactor dies, Chance na... | [
0.9999998807907104,
0.9999998807907104,
0.9999998807907104,
0.9999998807907104,
0.9999998807907104,
0.9999998807907104
] | [
679,
680,
681,
678,
677
] | train |
Chance (Peter Sellers) is a middle-aged man who lives in the townhouse of an old, wealthy man in Washington, D.C. He is simple-minded and has lived there his whole life, tending the garden. Other than gardening, his knowledge is derived entirely from what he sees on television. When his benefactor dies, Chance naively... | [
[
"Become close to Chauncey.",
"Get together with Chance."
]
] | [
{
"content": "What does Rand want Eve to do when he finds out he is dying?",
"role": "user"
}
] | 683 | [
" Chance (Peter Sellers) is a middle-aged man who lives in the townhouse of an old, wealthy man in Washington, D.C. He is simple-minded and has lived there his whole life, tending the garden. Other than gardening, his knowledge is derived entirely from what he sees on television. When his benefactor dies, Chance na... | [
0.9999998807907104,
0.9999998807907104,
0.9999998807907104,
0.9999998807907104,
0.9999998807907104,
0.9999998807907104
] | [
679,
680,
681,
682,
678,
677
] | train |
Chance (Peter Sellers) is a middle-aged man who lives in the townhouse of an old, wealthy man in Washington, D.C. He is simple-minded and has lived there his whole life, tending the garden. Other than gardening, his knowledge is derived entirely from what he sees on television. When his benefactor dies, Chance naively... | [
[
"He ignores her and watches television.",
"He continues to watch television. "
]
] | [
{
"content": "What happens when Eve starts masturbating in front of Chauncey?",
"role": "user"
}
] | 684 | [
" Chance (Peter Sellers) is a middle-aged man who lives in the townhouse of an old, wealthy man in Washington, D.C. He is simple-minded and has lived there his whole life, tending the garden. Other than gardening, his knowledge is derived entirely from what he sees on television. When his benefactor dies, Chance na... | [
0.9999998807907104,
0.9999998807907104,
0.9999998807907104,
0.9999998807907104,
0.9999998807907104,
0.9999998807907104
] | [
679,
680,
681,
682,
678,
677
] | train |
Chance (Peter Sellers) is a middle-aged man who lives in the townhouse of an old, wealthy man in Washington, D.C. He is simple-minded and has lived there his whole life, tending the garden. Other than gardening, his knowledge is derived entirely from what he sees on television. When his benefactor dies, Chance naively... | [
[
"Politics and economics.",
"allegorical statements about business and the economy"
]
] | [
{
"content": "What does everyone think Chauncey's \"garden talk\" is about?",
"role": "user"
}
] | 685 | [
" Chance (Peter Sellers) is a middle-aged man who lives in the townhouse of an old, wealthy man in Washington, D.C. He is simple-minded and has lived there his whole life, tending the garden. Other than gardening, his knowledge is derived entirely from what he sees on television. When his benefactor dies, Chance na... | [
0.9999998807907104,
0.9999998807907104,
0.9999998807907104,
0.9999998807907104,
0.9999998807907104,
0.9999998807907104
] | [
679,
680,
681,
682,
678,
677
] | train |
Chance (Peter Sellers) is a middle-aged man who lives in the townhouse of an old, wealthy man in Washington, D.C. He is simple-minded and has lived there his whole life, tending the garden. Other than gardening, his knowledge is derived entirely from what he sees on television. When his benefactor dies, Chance naively... | [
[
"Dr. Allenby",
"Allenby"
]
] | [
{
"content": "Who finally figures out that Chauncey is not as smart as everyone thinks?",
"role": "user"
}
] | 686 | [
" Chance (Peter Sellers) is a middle-aged man who lives in the townhouse of an old, wealthy man in Washington, D.C. He is simple-minded and has lived there his whole life, tending the garden. Other than gardening, his knowledge is derived entirely from what he sees on television. When his benefactor dies, Chance na... | [
0.9999998807907104,
0.9999998807907104,
0.9999998807907104,
0.9999998807907104,
0.9999998807907104,
0.9999998807907104
] | [
679,
680,
681,
682,
678,
677
] | train |
Chance (Peter Sellers) is a middle-aged man who lives in the townhouse of an old, wealthy man in Washington, D.C. He is simple-minded and has lived there his whole life, tending the garden. Other than gardening, his knowledge is derived entirely from what he sees on television. When his benefactor dies, Chance naively... | [
[
"His benefactor died and he was ordered to move out of the estate.",
"by being forced to leave after his benefactor dies"
]
] | [
{
"content": "How did Chance discover the outside world for the first time?",
"role": "user"
}
] | 687 | [
" Chance (Peter Sellers) is a middle-aged man who lives in the townhouse of an old, wealthy man in Washington, D.C. He is simple-minded and has lived there his whole life, tending the garden. Other than gardening, his knowledge is derived entirely from what he sees on television. When his benefactor dies, Chance na... | [
0.9999998807907104,
0.9999998807907104,
0.9999998807907104,
0.9999998807907104,
0.9999998807907104,
0.9999998807907104
] | [
679,
680,
681,
682,
678,
677
] | train |
Chance (Peter Sellers) is a middle-aged man who lives in the townhouse of an old, wealthy man in Washington, D.C. He is simple-minded and has lived there his whole life, tending the garden. Other than gardening, his knowledge is derived entirely from what he sees on television. When his benefactor dies, Chance naively... | [
[
"When he was in the car with Eve.",
"During the Limo ride"
]
] | [
{
"content": "When did Chance drink alcohol for the first time?",
"role": "user"
}
] | 688 | [
" Chance (Peter Sellers) is a middle-aged man who lives in the townhouse of an old, wealthy man in Washington, D.C. He is simple-minded and has lived there his whole life, tending the garden. Other than gardening, his knowledge is derived entirely from what he sees on television. When his benefactor dies, Chance na... | [
0.9999998807907104,
0.9999998807907104,
0.9999998807907104,
0.9999998807907104,
0.9999998807907104,
0.9999998807907104
] | [
679,
680,
681,
682,
678,
677
] | train |
Chance (Peter Sellers) is a middle-aged man who lives in the townhouse of an old, wealthy man in Washington, D.C. He is simple-minded and has lived there his whole life, tending the garden. Other than gardening, his knowledge is derived entirely from what he sees on television. When his benefactor dies, Chance naively... | [
[
"Her husband's chauffeur struck Chance with their car.",
"to recover after her car hit him"
]
] | [
{
"content": "Why did Eve invite Chance to her family's home?",
"role": "user"
}
] | 689 | [
" Chance (Peter Sellers) is a middle-aged man who lives in the townhouse of an old, wealthy man in Washington, D.C. He is simple-minded and has lived there his whole life, tending the garden. Other than gardening, his knowledge is derived entirely from what he sees on television. When his benefactor dies, Chance na... | [
0.9999998807907104,
0.9999998807907104,
0.9999998807907104,
0.9999998807907104,
0.9999998807907104,
0.9999998807907104
] | [
679,
680,
681,
682,
678,
677
] | train |
Chance (Peter Sellers) is a middle-aged man who lives in the townhouse of an old, wealthy man in Washington, D.C. He is simple-minded and has lived there his whole life, tending the garden. Other than gardening, his knowledge is derived entirely from what he sees on television. When his benefactor dies, Chance naively... | [
[
"Eve misheard his name and he is dressed with fancy clothes.",
"He has a fancy name and speaks profoundly."
]
] | [
{
"content": "Why do Eve and Ben think that Chance is rich?",
"role": "user"
}
] | 690 | [
" Chance (Peter Sellers) is a middle-aged man who lives in the townhouse of an old, wealthy man in Washington, D.C. He is simple-minded and has lived there his whole life, tending the garden. Other than gardening, his knowledge is derived entirely from what he sees on television. When his benefactor dies, Chance na... | [
0.9999998807907104,
0.9999998807907104,
0.9999998807907104,
0.9999998807907104,
0.9999998807907104,
0.9999998807907104
] | [
679,
680,
681,
682,
678,
677
] | train |
Chance (Peter Sellers) is a middle-aged man who lives in the townhouse of an old, wealthy man in Washington, D.C. He is simple-minded and has lived there his whole life, tending the garden. Other than gardening, his knowledge is derived entirely from what he sees on television. When his benefactor dies, Chance naively... | [
[
"Ben Rand works fr the president and introduced him to Chance.",
"He appeared on a television talk show. "
]
] | [
{
"content": "How did Chance meet the president?",
"role": "user"
}
] | 691 | [
" Chance (Peter Sellers) is a middle-aged man who lives in the townhouse of an old, wealthy man in Washington, D.C. He is simple-minded and has lived there his whole life, tending the garden. Other than gardening, his knowledge is derived entirely from what he sees on television. When his benefactor dies, Chance na... | [
0.9999998807907104,
0.9999998807907104,
0.9999998807907104,
0.9999998807907104,
0.9999998807907104,
0.9999998807907104
] | [
679,
680,
681,
682,
678,
677
] | train |
Chance (Peter Sellers) is a middle-aged man who lives in the townhouse of an old, wealthy man in Washington, D.C. He is simple-minded and has lived there his whole life, tending the garden. Other than gardening, his knowledge is derived entirely from what he sees on television. When his benefactor dies, Chance naively... | [
[
"He appeared on a television talk show.",
"His simple words are taken to be profound statements, and he is introduced to Washington society and the President."
]
] | [
{
"content": "How did Chance become a celebrity?",
"role": "user"
}
] | 692 | [
" Chance (Peter Sellers) is a middle-aged man who lives in the townhouse of an old, wealthy man in Washington, D.C. He is simple-minded and has lived there his whole life, tending the garden. Other than gardening, his knowledge is derived entirely from what he sees on television. When his benefactor dies, Chance na... | [
0.9999998807907104,
0.9999998807907104,
0.9999998807907104,
0.9999998807907104,
0.9999998807907104,
0.9999998807907104
] | [
679,
680,
681,
682,
678,
677
] | train |
Chance (Peter Sellers) is a middle-aged man who lives in the townhouse of an old, wealthy man in Washington, D.C. He is simple-minded and has lived there his whole life, tending the garden. Other than gardening, his knowledge is derived entirely from what he sees on television. When his benefactor dies, Chance naively... | [
[
"Because Ben is dying from anemia.",
"Because she is attracted to him. "
]
] | [
{
"content": "Why does Ben tell Eve to get close to Chance?",
"role": "user"
}
] | 693 | [
" Chance (Peter Sellers) is a middle-aged man who lives in the townhouse of an old, wealthy man in Washington, D.C. He is simple-minded and has lived there his whole life, tending the garden. Other than gardening, his knowledge is derived entirely from what he sees on television. When his benefactor dies, Chance na... | [
0.9999998807907104,
0.9999998807907104,
0.9999998807907104,
0.9999998807907104,
0.9999998807907104,
0.9999998807907104
] | [
679,
680,
681,
682,
678,
677
] | train |
Chance (Peter Sellers) is a middle-aged man who lives in the townhouse of an old, wealthy man in Washington, D.C. He is simple-minded and has lived there his whole life, tending the garden. Other than gardening, his knowledge is derived entirely from what he sees on television. When his benefactor dies, Chance naively... | [
[
"He told her he likes to watch and she misinterpreted it.",
"Chance told her he \"likes to watch.\""
]
] | [
{
"content": "Why does Eve masturbate in front of Chance?",
"role": "user"
}
] | 694 | [
" Chance (Peter Sellers) is a middle-aged man who lives in the townhouse of an old, wealthy man in Washington, D.C. He is simple-minded and has lived there his whole life, tending the garden. Other than gardening, his knowledge is derived entirely from what he sees on television. When his benefactor dies, Chance na... | [
0.9999998807907104,
0.9999998807907104,
0.9999998807907104,
0.9999998807907104,
0.9999998807907104,
0.9999998807907104
] | [
679,
680,
681,
682,
678,
677
] | train |
Chance (Peter Sellers) is a middle-aged man who lives in the townhouse of an old, wealthy man in Washington, D.C. He is simple-minded and has lived there his whole life, tending the garden. Other than gardening, his knowledge is derived entirely from what he sees on television. When his benefactor dies, Chance naively... | [
[
"He realized that Chance was a simple gardener.",
"He was actually not very intelligent"
]
] | [
{
"content": "What did Allenby realize after speaking to Chauncey?",
"role": "user"
}
] | 695 | [
" Chance (Peter Sellers) is a middle-aged man who lives in the townhouse of an old, wealthy man in Washington, D.C. He is simple-minded and has lived there his whole life, tending the garden. Other than gardening, his knowledge is derived entirely from what he sees on television. When his benefactor dies, Chance na... | [
0.9999998807907104,
0.9999998807907104,
0.9999998807907104,
0.9999998807907104,
0.9999998807907104,
0.9999998807907104
] | [
679,
680,
681,
682,
678,
677
] | train |
Chance (Peter Sellers) is a middle-aged man who lives in the townhouse of an old, wealthy man in Washington, D.C. He is simple-minded and has lived there his whole life, tending the garden. Other than gardening, his knowledge is derived entirely from what he sees on television. When his benefactor dies, Chance naively... | [
[
"He didn't seem to be bothered by it.",
"He doesn't seem bothered by it and doesn't tell anyone."
]
] | [
{
"content": "How did Allenby react when he realized the truth about Chance?",
"role": "user"
}
] | 696 | [
" Chance (Peter Sellers) is a middle-aged man who lives in the townhouse of an old, wealthy man in Washington, D.C. He is simple-minded and has lived there his whole life, tending the garden. Other than gardening, his knowledge is derived entirely from what he sees on television. When his benefactor dies, Chance na... | [
0.9999998807907104,
0.9999998807907104,
0.9999998807907104,
0.9999998807907104,
0.9999998807907104,
0.9999998807907104
] | [
679,
680,
681,
682,
678,
677
] | train |
Chance (Peter Sellers) is a middle-aged man who lives in the townhouse of an old, wealthy man in Washington, D.C. He is simple-minded and has lived there his whole life, tending the garden. Other than gardening, his knowledge is derived entirely from what he sees on television. When his benefactor dies, Chance naively... | [
[
"the owner dies",
"His benefactor dies and he has to move out."
]
] | [
{
"content": "What happens to make Chance relocate?",
"role": "user"
}
] | 697 | [
" Chance (Peter Sellers) is a middle-aged man who lives in the townhouse of an old, wealthy man in Washington, D.C. He is simple-minded and has lived there his whole life, tending the garden. Other than gardening, his knowledge is derived entirely from what he sees on television. When his benefactor dies, Chance na... | [
0.9999998807907104,
0.9999998807907104,
0.9999998807907104,
0.9999998807907104,
0.9999998807907104,
0.9999998807907104
] | [
679,
680,
681,
682,
678,
677
] | train |
Chance (Peter Sellers) is a middle-aged man who lives in the townhouse of an old, wealthy man in Washington, D.C. He is simple-minded and has lived there his whole life, tending the garden. Other than gardening, his knowledge is derived entirely from what he sees on television. When his benefactor dies, Chance naively... | [
[
"The gardener",
"Gardner"
]
] | [
{
"content": "What was Chance job title?",
"role": "user"
}
] | 698 | [
" Chance (Peter Sellers) is a middle-aged man who lives in the townhouse of an old, wealthy man in Washington, D.C. He is simple-minded and has lived there his whole life, tending the garden. Other than gardening, his knowledge is derived entirely from what he sees on television. When his benefactor dies, Chance na... | [
0.9999998807907104,
0.9999998807907104,
0.9999998807907104,
0.9999998807907104,
0.9999998807907104,
0.9999998807907104
] | [
679,
680,
681,
682,
678,
677
] | train |
Chance (Peter Sellers) is a middle-aged man who lives in the townhouse of an old, wealthy man in Washington, D.C. He is simple-minded and has lived there his whole life, tending the garden. Other than gardening, his knowledge is derived entirely from what he sees on television. When his benefactor dies, Chance naively... | [
[
"Chance",
"Chance the gardener"
]
] | [
{
"content": "Who is struck by a car?",
"role": "user"
}
] | 699 | [
" Chance (Peter Sellers) is a middle-aged man who lives in the townhouse of an old, wealthy man in Washington, D.C. He is simple-minded and has lived there his whole life, tending the garden. Other than gardening, his knowledge is derived entirely from what he sees on television. When his benefactor dies, Chance na... | [
0.9999998807907104,
0.9999998807907104,
0.9999998807907104,
0.9999998807907104,
0.9999998807907104,
0.9999998807907104
] | [
679,
680,
681,
682,
678,
677
] | train |
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