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In 2005, elderly Daisy Fuller is on her deathbed in a New Orleans hospital as Hurricane Katrina approaches; she asks her daughter, Caroline, to read aloud from the diary of Benjamin Button.
From the reading, it is revealed that on the evening of November 11, 1918, a boy was born with the appearance and physical maladi... | [
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" In 2005, elderly Daisy Fuller is on her deathbed in a New Orleans hospital as Hurricane Katrina approaches; she asks her daughter, Caroline, to read aloud from the diary of Benjamin Button.\nFrom the reading, it is revealed that on the evening of November 11, 1918, a boy was born with the appearance and physical ... | [
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In 2005, elderly Daisy Fuller is on her deathbed in a New Orleans hospital as Hurricane Katrina approaches; she asks her daughter, Caroline, to read aloud from the diary of Benjamin Button.
From the reading, it is revealed that on the evening of November 11, 1918, a boy was born with the appearance and physical maladi... | [
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"content": "What life stage is Benjamin Button at when he passes away?",
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" In 2005, elderly Daisy Fuller is on her deathbed in a New Orleans hospital as Hurricane Katrina approaches; she asks her daughter, Caroline, to read aloud from the diary of Benjamin Button.\nFrom the reading, it is revealed that on the evening of November 11, 1918, a boy was born with the appearance and physical ... | [
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In 2005, elderly Daisy Fuller is on her deathbed in a New Orleans hospital as Hurricane Katrina approaches; she asks her daughter, Caroline, to read aloud from the diary of Benjamin Button.
From the reading, it is revealed that on the evening of November 11, 1918, a boy was born with the appearance and physical maladi... | [
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"content": "How old is Benjamin when he dies?",
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] | 6,702 | [
" In 2005, elderly Daisy Fuller is on her deathbed in a New Orleans hospital as Hurricane Katrina approaches; she asks her daughter, Caroline, to read aloud from the diary of Benjamin Button.\nFrom the reading, it is revealed that on the evening of November 11, 1918, a boy was born with the appearance and physical ... | [
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In 2005, elderly Daisy Fuller is on her deathbed in a New Orleans hospital as Hurricane Katrina approaches; she asks her daughter, Caroline, to read aloud from the diary of Benjamin Button.
From the reading, it is revealed that on the evening of November 11, 1918, a boy was born with the appearance and physical maladi... | [
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"Button business",
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] | [
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"content": "What type of family business does Benjamin eventually inherit?",
"role": "user"
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] | 6,703 | [
" In 2005, elderly Daisy Fuller is on her deathbed in a New Orleans hospital as Hurricane Katrina approaches; she asks her daughter, Caroline, to read aloud from the diary of Benjamin Button.\nFrom the reading, it is revealed that on the evening of November 11, 1918, a boy was born with the appearance and physical ... | [
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In 2005, elderly Daisy Fuller is on her deathbed in a New Orleans hospital as Hurricane Katrina approaches; she asks her daughter, Caroline, to read aloud from the diary of Benjamin Button.
From the reading, it is revealed that on the evening of November 11, 1918, a boy was born with the appearance and physical maladi... | [
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"Daisy Fuller",
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"content": "Which character is on their deathbed at the beginning of the story?",
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] | 6,704 | [
" In 2005, elderly Daisy Fuller is on her deathbed in a New Orleans hospital as Hurricane Katrina approaches; she asks her daughter, Caroline, to read aloud from the diary of Benjamin Button.\nFrom the reading, it is revealed that on the evening of November 11, 1918, a boy was born with the appearance and physical ... | [
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In 2005, elderly Daisy Fuller is on her deathbed in a New Orleans hospital as Hurricane Katrina approaches; she asks her daughter, Caroline, to read aloud from the diary of Benjamin Button.
From the reading, it is revealed that on the evening of November 11, 1918, a boy was born with the appearance and physical maladi... | [
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"Caroline",
"Caroline"
]
] | [
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"content": "What is Daisy Fuller's daughters name?",
"role": "user"
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] | 6,705 | [
" In 2005, elderly Daisy Fuller is on her deathbed in a New Orleans hospital as Hurricane Katrina approaches; she asks her daughter, Caroline, to read aloud from the diary of Benjamin Button.\nFrom the reading, it is revealed that on the evening of November 11, 1918, a boy was born with the appearance and physical ... | [
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In 2005, elderly Daisy Fuller is on her deathbed in a New Orleans hospital as Hurricane Katrina approaches; she asks her daughter, Caroline, to read aloud from the diary of Benjamin Button.
From the reading, it is revealed that on the evening of November 11, 1918, a boy was born with the appearance and physical maladi... | [
[
"Queenie Weathers",
"Queenie "
]
] | [
{
"content": "What woman decides to care for the baby left at the nursing home?",
"role": "user"
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] | 6,706 | [
" In 2005, elderly Daisy Fuller is on her deathbed in a New Orleans hospital as Hurricane Katrina approaches; she asks her daughter, Caroline, to read aloud from the diary of Benjamin Button.\nFrom the reading, it is revealed that on the evening of November 11, 1918, a boy was born with the appearance and physical ... | [
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In 2005, elderly Daisy Fuller is on her deathbed in a New Orleans hospital as Hurricane Katrina approaches; she asks her daughter, Caroline, to read aloud from the diary of Benjamin Button.
From the reading, it is revealed that on the evening of November 11, 1918, a boy was born with the appearance and physical maladi... | [
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"Benjamin Button",
"Benjamin Button"
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{
"content": "What is the main characters name?",
"role": "user"
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] | 6,707 | [
" In 2005, elderly Daisy Fuller is on her deathbed in a New Orleans hospital as Hurricane Katrina approaches; she asks her daughter, Caroline, to read aloud from the diary of Benjamin Button.\nFrom the reading, it is revealed that on the evening of November 11, 1918, a boy was born with the appearance and physical ... | [
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In 2005, elderly Daisy Fuller is on her deathbed in a New Orleans hospital as Hurricane Katrina approaches; she asks her daughter, Caroline, to read aloud from the diary of Benjamin Button.
From the reading, it is revealed that on the evening of November 11, 1918, a boy was born with the appearance and physical maladi... | [
[
"Daisy",
"Daisy"
]
] | [
{
"content": "Who does Benjamin meet on Thanksgiving?",
"role": "user"
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] | 6,708 | [
" In 2005, elderly Daisy Fuller is on her deathbed in a New Orleans hospital as Hurricane Katrina approaches; she asks her daughter, Caroline, to read aloud from the diary of Benjamin Button.\nFrom the reading, it is revealed that on the evening of November 11, 1918, a boy was born with the appearance and physical ... | [
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In 2005, elderly Daisy Fuller is on her deathbed in a New Orleans hospital as Hurricane Katrina approaches; she asks her daughter, Caroline, to read aloud from the diary of Benjamin Button.
From the reading, it is revealed that on the evening of November 11, 1918, a boy was born with the appearance and physical maladi... | [
[
"Elizabeth Abbot",
"Elizabeth Abbott"
]
] | [
{
"content": "Who does Benjamin have an affair with?",
"role": "user"
}
] | 6,709 | [
" In 2005, elderly Daisy Fuller is on her deathbed in a New Orleans hospital as Hurricane Katrina approaches; she asks her daughter, Caroline, to read aloud from the diary of Benjamin Button.\nFrom the reading, it is revealed that on the evening of November 11, 1918, a boy was born with the appearance and physical ... | [
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In 2005, elderly Daisy Fuller is on her deathbed in a New Orleans hospital as Hurricane Katrina approaches; she asks her daughter, Caroline, to read aloud from the diary of Benjamin Button.
From the reading, it is revealed that on the evening of November 11, 1918, a boy was born with the appearance and physical maladi... | [
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"New Orleans",
"New Orleans"
]
] | [
{
"content": "In what city does Benjamin reunite with Queenie?",
"role": "user"
}
] | 6,710 | [
" In 2005, elderly Daisy Fuller is on her deathbed in a New Orleans hospital as Hurricane Katrina approaches; she asks her daughter, Caroline, to read aloud from the diary of Benjamin Button.\nFrom the reading, it is revealed that on the evening of November 11, 1918, a boy was born with the appearance and physical ... | [
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In 2005, elderly Daisy Fuller is on her deathbed in a New Orleans hospital as Hurricane Katrina approaches; she asks her daughter, Caroline, to read aloud from the diary of Benjamin Button.
From the reading, it is revealed that on the evening of November 11, 1918, a boy was born with the appearance and physical maladi... | [
[
"Go sailing",
"Several things happened such as to go out sailing, Queenie died and begin to share a residence."
]
] | [
{
"content": "What do Benjamin and Daisy do soon after falling in love?",
"role": "user"
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] | 6,711 | [
" In 2005, elderly Daisy Fuller is on her deathbed in a New Orleans hospital as Hurricane Katrina approaches; she asks her daughter, Caroline, to read aloud from the diary of Benjamin Button.\nFrom the reading, it is revealed that on the evening of November 11, 1918, a boy was born with the appearance and physical ... | [
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In 2005, elderly Daisy Fuller is on her deathbed in a New Orleans hospital as Hurricane Katrina approaches; she asks her daughter, Caroline, to read aloud from the diary of Benjamin Button.
From the reading, it is revealed that on the evening of November 11, 1918, a boy was born with the appearance and physical maladi... | [
[
"Daisy",
"Daisy's"
]
] | [
{
"content": "Whose arms does Benjamin die in?",
"role": "user"
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] | 6,712 | [
" In 2005, elderly Daisy Fuller is on her deathbed in a New Orleans hospital as Hurricane Katrina approaches; she asks her daughter, Caroline, to read aloud from the diary of Benjamin Button.\nFrom the reading, it is revealed that on the evening of November 11, 1918, a boy was born with the appearance and physical ... | [
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In 2005, elderly Daisy Fuller is on her deathbed in a New Orleans hospital as Hurricane Katrina approaches; she asks her daughter, Caroline, to read aloud from the diary of Benjamin Button.
From the reading, it is revealed that on the evening of November 11, 1918, a boy was born with the appearance and physical maladi... | [
[
"Benjamin",
"Benjamin"
]
] | [
{
"content": "Who was Carolines father?",
"role": "user"
}
] | 6,713 | [
" In 2005, elderly Daisy Fuller is on her deathbed in a New Orleans hospital as Hurricane Katrina approaches; she asks her daughter, Caroline, to read aloud from the diary of Benjamin Button.\nFrom the reading, it is revealed that on the evening of November 11, 1918, a boy was born with the appearance and physical ... | [
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In 2005, elderly Daisy Fuller is on her deathbed in a New Orleans hospital as Hurricane Katrina approaches; she asks her daughter, Caroline, to read aloud from the diary of Benjamin Button.
From the reading, it is revealed that on the evening of November 11, 1918, a boy was born with the appearance and physical maladi... | [
[
"Hurricane Katrina",
"She is on her deathbed during hurricaine katrina. "
]
] | [
{
"content": "What catastrophic event is occurring that makes Daisy Fuller ask her daughter to read a story?",
"role": "user"
}
] | 6,714 | [
" In 2005, elderly Daisy Fuller is on her deathbed in a New Orleans hospital as Hurricane Katrina approaches; she asks her daughter, Caroline, to read aloud from the diary of Benjamin Button.\nFrom the reading, it is revealed that on the evening of November 11, 1918, a boy was born with the appearance and physical ... | [
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In 2005, elderly Daisy Fuller is on her deathbed in a New Orleans hospital as Hurricane Katrina approaches; she asks her daughter, Caroline, to read aloud from the diary of Benjamin Button.
From the reading, it is revealed that on the evening of November 11, 1918, a boy was born with the appearance and physical maladi... | [
[
"Benjamin was not able to walk. ",
"walk "
]
] | [
{
"content": "In 1925, Benjamin declares that a miracle happened because he was previously not able to do what?",
"role": "user"
}
] | 6,715 | [
" In 2005, elderly Daisy Fuller is on her deathbed in a New Orleans hospital as Hurricane Katrina approaches; she asks her daughter, Caroline, to read aloud from the diary of Benjamin Button.\nFrom the reading, it is revealed that on the evening of November 11, 1918, a boy was born with the appearance and physical ... | [
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In 2005, elderly Daisy Fuller is on her deathbed in a New Orleans hospital as Hurricane Katrina approaches; she asks her daughter, Caroline, to read aloud from the diary of Benjamin Button.
From the reading, it is revealed that on the evening of November 11, 1918, a boy was born with the appearance and physical maladi... | [
[
"She is amazed by his youthful appearance and frustrated with her injury. ",
"She is frustrated by her leg injuries."
]
] | [
{
"content": "Why does Daisy tell Benjamin to stay out of his life?",
"role": "user"
}
] | 6,716 | [
" In 2005, elderly Daisy Fuller is on her deathbed in a New Orleans hospital as Hurricane Katrina approaches; she asks her daughter, Caroline, to read aloud from the diary of Benjamin Button.\nFrom the reading, it is revealed that on the evening of November 11, 1918, a boy was born with the appearance and physical ... | [
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In 2005, elderly Daisy Fuller is on her deathbed in a New Orleans hospital as Hurricane Katrina approaches; she asks her daughter, Caroline, to read aloud from the diary of Benjamin Button.
From the reading, it is revealed that on the evening of November 11, 1918, a boy was born with the appearance and physical maladi... | [
[
"They have a secret love relationship. ",
"they have a daughter"
]
] | [
{
"content": "Why do Benjamin and Daisy continue to see each other?",
"role": "user"
}
] | 6,717 | [
" In 2005, elderly Daisy Fuller is on her deathbed in a New Orleans hospital as Hurricane Katrina approaches; she asks her daughter, Caroline, to read aloud from the diary of Benjamin Button.\nFrom the reading, it is revealed that on the evening of November 11, 1918, a boy was born with the appearance and physical ... | [
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In 2005, elderly Daisy Fuller is on her deathbed in a New Orleans hospital as Hurricane Katrina approaches; she asks her daughter, Caroline, to read aloud from the diary of Benjamin Button.
From the reading, it is revealed that on the evening of November 11, 1918, a boy was born with the appearance and physical maladi... | [
[
"One of the men is Benjamin's father. ",
"He is an employee to Captain Mike."
]
] | [
{
"content": "What relationship does Benjamin have with one of the men on the tugboats?",
"role": "user"
}
] | 6,718 | [
" In 2005, elderly Daisy Fuller is on her deathbed in a New Orleans hospital as Hurricane Katrina approaches; she asks her daughter, Caroline, to read aloud from the diary of Benjamin Button.\nFrom the reading, it is revealed that on the evening of November 11, 1918, a boy was born with the appearance and physical ... | [
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In 2005, elderly Daisy Fuller is on her deathbed in a New Orleans hospital as Hurricane Katrina approaches; she asks her daughter, Caroline, to read aloud from the diary of Benjamin Button.
From the reading, it is revealed that on the evening of November 11, 1918, a boy was born with the appearance and physical maladi... | [
[
"He ages backwards. ",
"Because he ages backwards "
]
] | [
{
"content": "Why is Benjamin a special person?",
"role": "user"
}
] | 6,719 | [
" In 2005, elderly Daisy Fuller is on her deathbed in a New Orleans hospital as Hurricane Katrina approaches; she asks her daughter, Caroline, to read aloud from the diary of Benjamin Button.\nFrom the reading, it is revealed that on the evening of November 11, 1918, a boy was born with the appearance and physical ... | [
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In 2005, elderly Daisy Fuller is on her deathbed in a New Orleans hospital as Hurricane Katrina approaches; she asks her daughter, Caroline, to read aloud from the diary of Benjamin Button.
From the reading, it is revealed that on the evening of November 11, 1918, a boy was born with the appearance and physical maladi... | [
[
"Hurricane Katrina. ",
"Hurricane Katrina"
]
] | [
{
"content": "Daisy dies before what catastrophic event?",
"role": "user"
}
] | 6,720 | [
" In 2005, elderly Daisy Fuller is on her deathbed in a New Orleans hospital as Hurricane Katrina approaches; she asks her daughter, Caroline, to read aloud from the diary of Benjamin Button.\nFrom the reading, it is revealed that on the evening of November 11, 1918, a boy was born with the appearance and physical ... | [
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In 2005, elderly Daisy Fuller is on her deathbed in a New Orleans hospital as Hurricane Katrina approaches; she asks her daughter, Caroline, to read aloud from the diary of Benjamin Button.
From the reading, it is revealed that on the evening of November 11, 1918, a boy was born with the appearance and physical maladi... | [
[
"He believes he can't be a father to her. ",
"because of his aging disease"
]
] | [
{
"content": "Why does Benjamin leave Daisy when she tells him about Caroline? ",
"role": "user"
}
] | 6,721 | [
" In 2005, elderly Daisy Fuller is on her deathbed in a New Orleans hospital as Hurricane Katrina approaches; she asks her daughter, Caroline, to read aloud from the diary of Benjamin Button.\nFrom the reading, it is revealed that on the evening of November 11, 1918, a boy was born with the appearance and physical ... | [
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In 2005, elderly Daisy Fuller is on her deathbed in a New Orleans hospital as Hurricane Katrina approaches; she asks her daughter, Caroline, to read aloud from the diary of Benjamin Button.
From the reading, it is revealed that on the evening of November 11, 1918, a boy was born with the appearance and physical maladi... | [
[
"Dementia. ",
"Dementia "
]
] | [
{
"content": "What disease does the story mention that Benjamin had prior to his death?",
"role": "user"
}
] | 6,722 | [
" In 2005, elderly Daisy Fuller is on her deathbed in a New Orleans hospital as Hurricane Katrina approaches; she asks her daughter, Caroline, to read aloud from the diary of Benjamin Button.\nFrom the reading, it is revealed that on the evening of November 11, 1918, a boy was born with the appearance and physical ... | [
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War and the Future is divided into four parts.
In the first part, entitled "The Passing of the Effigy", Wells argues that "the great man of this war is the common man", and sketches a portrait of General Joffre as "a single figure to stand for the finest quality of the Allies' war", on account of his "leadership witho... | [
[
"He says it is the King of Italy. ",
"The King of Italy "
]
] | [
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"content": "Who does wells say is the first King he ever met?",
"role": "user"
}
] | 6,723 | [
" War and the Future is divided into four parts.\nIn the first part, entitled \"The Passing of the Effigy\", Wells argues that \"the great man of this war is the common man\", and sketches a portrait of General Joffre as \"a single figure to stand for the finest quality of the Allies' war\", on account of his \"lea... | [
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War and the Future is divided into four parts.
In the first part, entitled "The Passing of the Effigy", Wells argues that "the great man of this war is the common man", and sketches a portrait of General Joffre as "a single figure to stand for the finest quality of the Allies' war", on account of his "leadership witho... | [
[
"The title is \"The War in Italy\".",
"The War in Italy"
]
] | [
{
"content": "What was the title of the second part of War and the Future, which was written in 1916?",
"role": "user"
}
] | 6,724 | [
" War and the Future is divided into four parts.\nIn the first part, entitled \"The Passing of the Effigy\", Wells argues that \"the great man of this war is the common man\", and sketches a portrait of General Joffre as \"a single figure to stand for the finest quality of the Allies' war\", on account of his \"lea... | [
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1.0000001192092896,
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War and the Future is divided into four parts.
In the first part, entitled "The Passing of the Effigy", Wells argues that "the great man of this war is the common man", and sketches a portrait of General Joffre as "a single figure to stand for the finest quality of the Allies' war", on account of his "leadership witho... | [
[
"He says this of the officer corps. ",
"Officer corps."
]
] | [
{
"content": "Who does wells criticize for their \"mental rigidity\"?",
"role": "user"
}
] | 6,725 | [
" War and the Future is divided into four parts.\nIn the first part, entitled \"The Passing of the Effigy\", Wells argues that \"the great man of this war is the common man\", and sketches a portrait of General Joffre as \"a single figure to stand for the finest quality of the Allies' war\", on account of his \"lea... | [
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War and the Future is divided into four parts.
In the first part, entitled "The Passing of the Effigy", Wells argues that "the great man of this war is the common man", and sketches a portrait of General Joffre as "a single figure to stand for the finest quality of the Allies' war", on account of his "leadership witho... | [
[
"The story was called \"The Land of the Ironclads\".",
"The Land Ironclads."
]
] | [
{
"content": "What was the name of the short story in which Wells says he described a tank?",
"role": "user"
}
] | 6,726 | [
" War and the Future is divided into four parts.\nIn the first part, entitled \"The Passing of the Effigy\", Wells argues that \"the great man of this war is the common man\", and sketches a portrait of General Joffre as \"a single figure to stand for the finest quality of the Allies' war\", on account of his \"lea... | [
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War and the Future is divided into four parts.
In the first part, entitled "The Passing of the Effigy", Wells argues that "the great man of this war is the common man", and sketches a portrait of General Joffre as "a single figure to stand for the finest quality of the Allies' war", on account of his "leadership witho... | [
[
"He thought it could go into 1918 or 1919. ",
"1919"
]
] | [
{
"content": "When did Wells think was the latest the war would end?",
"role": "user"
}
] | 6,727 | [
" War and the Future is divided into four parts.\nIn the first part, entitled \"The Passing of the Effigy\", Wells argues that \"the great man of this war is the common man\", and sketches a portrait of General Joffre as \"a single figure to stand for the finest quality of the Allies' war\", on account of his \"lea... | [
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1.0000001192092896,
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1.0000001192092896,
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6726,
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War and the Future is divided into four parts.
In the first part, entitled "The Passing of the Effigy", Wells argues that "the great man of this war is the common man", and sketches a portrait of General Joffre as "a single figure to stand for the finest quality of the Allies' war", on account of his "leadership witho... | [
[
"He thought America should. ",
"America"
]
] | [
{
"content": "Who did wells think should undertake the responsibility of a peace settlement?",
"role": "user"
}
] | 6,728 | [
" War and the Future is divided into four parts.\nIn the first part, entitled \"The Passing of the Effigy\", Wells argues that \"the great man of this war is the common man\", and sketches a portrait of General Joffre as \"a single figure to stand for the finest quality of the Allies' war\", on account of his \"lea... | [
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1.0000001192092896,
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6723
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War and the Future is divided into four parts.
In the first part, entitled "The Passing of the Effigy", Wells argues that "the great man of this war is the common man", and sketches a portrait of General Joffre as "a single figure to stand for the finest quality of the Allies' war", on account of his "leadership witho... | [
[
"He said it was new technologies. ",
"New technologies "
]
] | [
{
"content": "What did Wells say had transformed war in a way that war professional were too slow to grasp?",
"role": "user"
}
] | 6,729 | [
" War and the Future is divided into four parts.\nIn the first part, entitled \"The Passing of the Effigy\", Wells argues that \"the great man of this war is the common man\", and sketches a portrait of General Joffre as \"a single figure to stand for the finest quality of the Allies' war\", on account of his \"lea... | [
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1.0000001192092896,
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6728,
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War and the Future is divided into four parts.
In the first part, entitled "The Passing of the Effigy", Wells argues that "the great man of this war is the common man", and sketches a portrait of General Joffre as "a single figure to stand for the finest quality of the Allies' war", on account of his "leadership witho... | [
[
"He gave a tour of a munitions factory. ",
"munitions"
]
] | [
{
"content": "Andre Citroen gave a tour of what kind of factory?",
"role": "user"
}
] | 6,730 | [
" War and the Future is divided into four parts.\nIn the first part, entitled \"The Passing of the Effigy\", Wells argues that \"the great man of this war is the common man\", and sketches a portrait of General Joffre as \"a single figure to stand for the finest quality of the Allies' war\", on account of his \"lea... | [
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1.0000001192092896,
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6727,
6728,
6724,
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War and the Future is divided into four parts.
In the first part, entitled "The Passing of the Effigy", Wells argues that "the great man of this war is the common man", and sketches a portrait of General Joffre as "a single figure to stand for the finest quality of the Allies' war", on account of his "leadership witho... | [
[
"He called the \"yielding pacifists\".",
"The yielding pacifist. "
]
] | [
{
"content": "What kind of person did Wells say was willing to accept any kind of peace?",
"role": "user"
}
] | 6,731 | [
" War and the Future is divided into four parts.\nIn the first part, entitled \"The Passing of the Effigy\", Wells argues that \"the great man of this war is the common man\", and sketches a portrait of General Joffre as \"a single figure to stand for the finest quality of the Allies' war\", on account of his \"lea... | [
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War and the Future is divided into four parts.
In the first part, entitled "The Passing of the Effigy", Wells argues that "the great man of this war is the common man", and sketches a portrait of General Joffre as "a single figure to stand for the finest quality of the Allies' war", on account of his "leadership witho... | [
[
"It is divided into 4 parts. ",
"Four."
]
] | [
{
"content": "How many parts is War and the Future divided into?",
"role": "user"
}
] | 6,732 | [
" War and the Future is divided into four parts.\nIn the first part, entitled \"The Passing of the Effigy\", Wells argues that \"the great man of this war is the common man\", and sketches a portrait of General Joffre as \"a single figure to stand for the finest quality of the Allies' war\", on account of his \"lea... | [
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1.0000001192092896,
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1.0000001192092896,
1.0000001192092896,
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6724,
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War and the Future is divided into four parts.
In the first part, entitled "The Passing of the Effigy", Wells argues that "the great man of this war is the common man", and sketches a portrait of General Joffre as "a single figure to stand for the finest quality of the Allies' war", on account of his "leadership witho... | [
[
"The Passing of the Effigy",
"The Passing of the Effigy"
]
] | [
{
"content": "What is the first part of the story called?",
"role": "user"
}
] | 6,733 | [
" War and the Future is divided into four parts.\nIn the first part, entitled \"The Passing of the Effigy\", Wells argues that \"the great man of this war is the common man\", and sketches a portrait of General Joffre as \"a single figure to stand for the finest quality of the Allies' war\", on account of his \"lea... | [
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1.0000001192092896,
1.0000001192092896,
1.0000001192092896,
1.0000001192092896,
1.0000001192092896
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6727,
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War and the Future is divided into four parts.
In the first part, entitled "The Passing of the Effigy", Wells argues that "the great man of this war is the common man", and sketches a portrait of General Joffre as "a single figure to stand for the finest quality of the Allies' war", on account of his "leadership witho... | [
[
"General Joffre",
"common man"
]
] | [
{
"content": "Who does Wells sketch a portrait of in the first part of the story?",
"role": "user"
}
] | 6,734 | [
" War and the Future is divided into four parts.\nIn the first part, entitled \"The Passing of the Effigy\", Wells argues that \"the great man of this war is the common man\", and sketches a portrait of General Joffre as \"a single figure to stand for the finest quality of the Allies' war\", on account of his \"lea... | [
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1.0000001192092896,
1.0000001192092896,
1.0000001192092896,
1.0000001192092896,
1.0000001192092896
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War and the Future is divided into four parts.
In the first part, entitled "The Passing of the Effigy", Wells argues that "the great man of this war is the common man", and sketches a portrait of General Joffre as "a single figure to stand for the finest quality of the Allies' war", on account of his "leadership witho... | [
[
"Udine",
"Italy"
]
] | [
{
"content": "Where does the second part of the story take place at?",
"role": "user"
}
] | 6,735 | [
" War and the Future is divided into four parts.\nIn the first part, entitled \"The Passing of the Effigy\", Wells argues that \"the great man of this war is the common man\", and sketches a portrait of General Joffre as \"a single figure to stand for the finest quality of the Allies' war\", on account of his \"lea... | [
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1.0000001192092896,
1.0000001192092896,
1.0000001192092896,
1.0000001192092896,
1.0000001192092896
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6724,
6723
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War and the Future is divided into four parts.
In the first part, entitled "The Passing of the Effigy", Wells argues that "the great man of this war is the common man", and sketches a portrait of General Joffre as "a single figure to stand for the finest quality of the Allies' war", on account of his "leadership witho... | [
[
"France",
"France."
]
] | [
{
"content": "What country does the third part of the story take place in?",
"role": "user"
}
] | 6,736 | [
" War and the Future is divided into four parts.\nIn the first part, entitled \"The Passing of the Effigy\", Wells argues that \"the great man of this war is the common man\", and sketches a portrait of General Joffre as \"a single figure to stand for the finest quality of the Allies' war\", on account of his \"lea... | [
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1.0000001192092896,
1.0000001192092896,
1.0000001192092896,
1.0000001192092896,
1.0000001192092896
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6724,
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War and the Future is divided into four parts.
In the first part, entitled "The Passing of the Effigy", Wells argues that "the great man of this war is the common man", and sketches a portrait of General Joffre as "a single figure to stand for the finest quality of the Allies' war", on account of his "leadership witho... | [
[
"The Western War",
"\"The Western War\""
]
] | [
{
"content": "What is the name of the third part?",
"role": "user"
}
] | 6,737 | [
" War and the Future is divided into four parts.\nIn the first part, entitled \"The Passing of the Effigy\", Wells argues that \"the great man of this war is the common man\", and sketches a portrait of General Joffre as \"a single figure to stand for the finest quality of the Allies' war\", on account of his \"lea... | [
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1.0000001192092896,
1.0000001192092896,
1.0000001192092896,
1.0000001192092896,
1.0000001192092896
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6727,
6728,
6724,
6723
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War and the Future is divided into four parts.
In the first part, entitled "The Passing of the Effigy", Wells argues that "the great man of this war is the common man", and sketches a portrait of General Joffre as "a single figure to stand for the finest quality of the Allies' war", on account of his "leadership witho... | [
[
"The Allies",
"The allies."
]
] | [
{
"content": "Who does Wells say developed tactics to defeat Germany?",
"role": "user"
}
] | 6,738 | [
" War and the Future is divided into four parts.\nIn the first part, entitled \"The Passing of the Effigy\", Wells argues that \"the great man of this war is the common man\", and sketches a portrait of General Joffre as \"a single figure to stand for the finest quality of the Allies' war\", on account of his \"lea... | [
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1.0000001192092896,
1.0000001192092896,
1.0000001192092896,
1.0000001192092896,
1.0000001192092896
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6727,
6728,
6724,
6723
] | train |
War and the Future is divided into four parts.
In the first part, entitled "The Passing of the Effigy", Wells argues that "the great man of this war is the common man", and sketches a portrait of General Joffre as "a single figure to stand for the finest quality of the Allies' war", on account of his "leadership witho... | [
[
"The British",
"British soldiers."
]
] | [
{
"content": "What soldiers does Wells praise?",
"role": "user"
}
] | 6,739 | [
" War and the Future is divided into four parts.\nIn the first part, entitled \"The Passing of the Effigy\", Wells argues that \"the great man of this war is the common man\", and sketches a portrait of General Joffre as \"a single figure to stand for the finest quality of the Allies' war\", on account of his \"lea... | [
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1.0000001192092896,
1.0000001192092896,
1.0000001192092896,
1.0000001192092896,
1.0000001192092896
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6726,
6727,
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6724,
6723
] | train |
War and the Future is divided into four parts.
In the first part, entitled "The Passing of the Effigy", Wells argues that "the great man of this war is the common man", and sketches a portrait of General Joffre as "a single figure to stand for the finest quality of the Allies' war", on account of his "leadership witho... | [
[
"New technologies",
"Artillery"
]
] | [
{
"content": "What does Wells claim changes the art of war?",
"role": "user"
}
] | 6,740 | [
" War and the Future is divided into four parts.\nIn the first part, entitled \"The Passing of the Effigy\", Wells argues that \"the great man of this war is the common man\", and sketches a portrait of General Joffre as \"a single figure to stand for the finest quality of the Allies' war\", on account of his \"lea... | [
1.0000001192092896,
1.0000001192092896,
1.0000001192092896,
1.0000001192092896,
1.0000001192092896,
1.0000001192092896
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6726,
6727,
6728,
6724,
6723
] | train |
War and the Future is divided into four parts.
In the first part, entitled "The Passing of the Effigy", Wells argues that "the great man of this war is the common man", and sketches a portrait of General Joffre as "a single figure to stand for the finest quality of the Allies' war", on account of his "leadership witho... | [
[
"Andre Citroen",
"Andre Citroen."
]
] | [
{
"content": "Who gave the tour in the third part that Wells describes?",
"role": "user"
}
] | 6,741 | [
" War and the Future is divided into four parts.\nIn the first part, entitled \"The Passing of the Effigy\", Wells argues that \"the great man of this war is the common man\", and sketches a portrait of General Joffre as \"a single figure to stand for the finest quality of the Allies' war\", on account of his \"lea... | [
1.0000001192092896,
1.0000001192092896,
1.0000001192092896,
1.0000001192092896,
1.0000001192092896,
1.0000001192092896
] | [
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6726,
6727,
6728,
6724,
6723
] | train |
War and the Future is divided into four parts.
In the first part, entitled "The Passing of the Effigy", Wells argues that "the great man of this war is the common man", and sketches a portrait of General Joffre as "a single figure to stand for the finest quality of the Allies' war", on account of his "leadership witho... | [
[
"The Land of Ironclads",
"The Land of Ironclads."
]
] | [
{
"content": "What is the name of the short story where Wells described a tank?",
"role": "user"
}
] | 6,742 | [
" War and the Future is divided into four parts.\nIn the first part, entitled \"The Passing of the Effigy\", Wells argues that \"the great man of this war is the common man\", and sketches a portrait of General Joffre as \"a single figure to stand for the finest quality of the Allies' war\", on account of his \"lea... | [
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1.0000001192092896,
1.0000001192092896,
1.0000001192092896,
1.0000001192092896,
1.0000001192092896
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6726,
6727,
6728,
6724,
6723
] | train |
War and the Future is divided into four parts.
In the first part, entitled "The Passing of the Effigy", Wells argues that "the great man of this war is the common man", and sketches a portrait of General Joffre as "a single figure to stand for the finest quality of the Allies' war", on account of his "leadership witho... | [
[
"The commmon man",
"The common man."
]
] | [
{
"content": "Who was the great man of the passing of the Effigy war?",
"role": "user"
}
] | 6,743 | [
" War and the Future is divided into four parts.\nIn the first part, entitled \"The Passing of the Effigy\", Wells argues that \"the great man of this war is the common man\", and sketches a portrait of General Joffre as \"a single figure to stand for the finest quality of the Allies' war\", on account of his \"lea... | [
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1.0000001192092896,
1.0000001192092896,
1.0000001192092896,
1.0000001192092896,
1.0000001192092896
] | [
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6726,
6727,
6728,
6724,
6723
] | train |
War and the Future is divided into four parts.
In the first part, entitled "The Passing of the Effigy", Wells argues that "the great man of this war is the common man", and sketches a portrait of General Joffre as "a single figure to stand for the finest quality of the Allies' war", on account of his "leadership witho... | [
[
"His leadership wihtout looking out for his own best interest.",
"His leadership."
]
] | [
{
"content": "What was Genaral Joffre quality?",
"role": "user"
}
] | 6,744 | [
" War and the Future is divided into four parts.\nIn the first part, entitled \"The Passing of the Effigy\", Wells argues that \"the great man of this war is the common man\", and sketches a portrait of General Joffre as \"a single figure to stand for the finest quality of the Allies' war\", on account of his \"lea... | [
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1.0000001192092896,
1.0000001192092896,
1.0000001192092896,
1.0000001192092896,
1.0000001192092896
] | [
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6726,
6727,
6728,
6724,
6723
] | train |
War and the Future is divided into four parts.
In the first part, entitled "The Passing of the Effigy", Wells argues that "the great man of this war is the common man", and sketches a portrait of General Joffre as "a single figure to stand for the finest quality of the Allies' war", on account of his "leadership witho... | [
[
"The king was not into royal ceremonies.",
"Pomp and regality."
]
] | [
{
"content": "What was king of Italy lack of?",
"role": "user"
}
] | 6,745 | [
" War and the Future is divided into four parts.\nIn the first part, entitled \"The Passing of the Effigy\", Wells argues that \"the great man of this war is the common man\", and sketches a portrait of General Joffre as \"a single figure to stand for the finest quality of the Allies' war\", on account of his \"lea... | [
1.0000001192092896,
1.0000001192092896,
1.0000001192092896,
1.0000001192092896,
1.0000001192092896,
1.0000001192092896
] | [
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6726,
6727,
6728,
6724,
6723
] | train |
War and the Future is divided into four parts.
In the first part, entitled "The Passing of the Effigy", Wells argues that "the great man of this war is the common man", and sketches a portrait of General Joffre as "a single figure to stand for the finest quality of the Allies' war", on account of his "leadership witho... | [
[
"The officers were critised for their treatment of the soilders.",
"Their mental strength."
]
] | [
{
"content": "What were British officers criticised for?",
"role": "user"
}
] | 6,746 | [
" War and the Future is divided into four parts.\nIn the first part, entitled \"The Passing of the Effigy\", Wells argues that \"the great man of this war is the common man\", and sketches a portrait of General Joffre as \"a single figure to stand for the finest quality of the Allies' war\", on account of his \"lea... | [
1.0000001192092896,
1.0000001192092896,
1.0000001192092896,
1.0000001192092896,
1.0000001192092896,
1.0000001192092896
] | [
6725,
6726,
6727,
6728,
6724,
6723
] | train |
War and the Future is divided into four parts.
In the first part, entitled "The Passing of the Effigy", Wells argues that "the great man of this war is the common man", and sketches a portrait of General Joffre as "a single figure to stand for the finest quality of the Allies' war", on account of his "leadership witho... | [
[
"New technology",
"Technologies."
]
] | [
{
"content": "What transform the art of war?",
"role": "user"
}
] | 6,747 | [
" War and the Future is divided into four parts.\nIn the first part, entitled \"The Passing of the Effigy\", Wells argues that \"the great man of this war is the common man\", and sketches a portrait of General Joffre as \"a single figure to stand for the finest quality of the Allies' war\", on account of his \"lea... | [
1.0000001192092896,
1.0000001192092896,
1.0000001192092896,
1.0000001192092896,
1.0000001192092896,
1.0000001192092896
] | [
6725,
6726,
6727,
6728,
6724,
6723
] | train |
War and the Future is divided into four parts.
In the first part, entitled "The Passing of the Effigy", Wells argues that "the great man of this war is the common man", and sketches a portrait of General Joffre as "a single figure to stand for the finest quality of the Allies' war", on account of his "leadership witho... | [
[
"Willing to accept any sort of peace.",
"someone willing to accept any peace"
]
] | [
{
"content": "What is the Yielding Pacifist?",
"role": "user"
}
] | 6,748 | [
" War and the Future is divided into four parts.\nIn the first part, entitled \"The Passing of the Effigy\", Wells argues that \"the great man of this war is the common man\", and sketches a portrait of General Joffre as \"a single figure to stand for the finest quality of the Allies' war\", on account of his \"lea... | [
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1.0000001192092896,
1.0000001192092896,
1.0000001192092896,
1.0000001192092896,
1.0000001192092896
] | [
6725,
6726,
6727,
6728,
6724,
6723
] | train |
War and the Future is divided into four parts.
In the first part, entitled "The Passing of the Effigy", Wells argues that "the great man of this war is the common man", and sketches a portrait of General Joffre as "a single figure to stand for the finest quality of the Allies' war", on account of his "leadership witho... | [
[
"World peace settlement",
"world peace settlement "
]
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{
"content": "What responsibility should American should undertake?",
"role": "user"
}
] | 6,749 | [
" War and the Future is divided into four parts.\nIn the first part, entitled \"The Passing of the Effigy\", Wells argues that \"the great man of this war is the common man\", and sketches a portrait of General Joffre as \"a single figure to stand for the finest quality of the Allies' war\", on account of his \"lea... | [
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6728,
6724,
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War and the Future is divided into four parts.
In the first part, entitled "The Passing of the Effigy", Wells argues that "the great man of this war is the common man", and sketches a portrait of General Joffre as "a single figure to stand for the finest quality of the Allies' war", on account of his "leadership witho... | [
[
"Artillery.",
"artillery "
]
] | [
{
"content": "What is the most esential instrument of war?",
"role": "user"
}
] | 6,750 | [
" War and the Future is divided into four parts.\nIn the first part, entitled \"The Passing of the Effigy\", Wells argues that \"the great man of this war is the common man\", and sketches a portrait of General Joffre as \"a single figure to stand for the finest quality of the Allies' war\", on account of his \"lea... | [
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6728,
6724,
6723
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War and the Future is divided into four parts.
In the first part, entitled "The Passing of the Effigy", Wells argues that "the great man of this war is the common man", and sketches a portrait of General Joffre as "a single figure to stand for the finest quality of the Allies' war", on account of his "leadership witho... | [
[
"Combination of aerial dominance and photograhy tactics.",
"aerial dominance"
]
] | [
{
"content": "What will help allies defeat Germany?",
"role": "user"
}
] | 6,751 | [
" War and the Future is divided into four parts.\nIn the first part, entitled \"The Passing of the Effigy\", Wells argues that \"the great man of this war is the common man\", and sketches a portrait of General Joffre as \"a single figure to stand for the finest quality of the Allies' war\", on account of his \"lea... | [
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6725,
6726,
6727,
6728,
6724,
6723
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War and the Future is divided into four parts.
In the first part, entitled "The Passing of the Effigy", Wells argues that "the great man of this war is the common man", and sketches a portrait of General Joffre as "a single figure to stand for the finest quality of the Allies' war", on account of his "leadership witho... | [
[
"New technoligies transformation of art of war.",
"Art of war transformed by technologies."
]
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{
"content": "What are military professionals are too slow to get?",
"role": "user"
}
] | 6,752 | [
" War and the Future is divided into four parts.\nIn the first part, entitled \"The Passing of the Effigy\", Wells argues that \"the great man of this war is the common man\", and sketches a portrait of General Joffre as \"a single figure to stand for the finest quality of the Allies' war\", on account of his \"lea... | [
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6725,
6726,
6727,
6728,
6724,
6723
] | train |
The film depicts two days in the lives of four real estate salesmen who are supplied with names and phone numbers of leads. They use underhanded and dubious tactics to make sales. Many of the leads rationed out by the office manager lack either the money or the desire to actually invest in land.
Blake (Baldwin) is sen... | [
[
"two days",
"two days"
]
] | [
{
"content": "Over what period of time does the story take place?",
"role": "user"
}
] | 6,753 | [
" The film depicts two days in the lives of four real estate salesmen who are supplied with names and phone numbers of leads. They use underhanded and dubious tactics to make sales. Many of the leads rationed out by the office manager lack either the money or the desire to actually invest in land.\nBlake (Baldwin) ... | [
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6756,
6757,
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The film depicts two days in the lives of four real estate salesmen who are supplied with names and phone numbers of leads. They use underhanded and dubious tactics to make sales. Many of the leads rationed out by the office manager lack either the money or the desire to actually invest in land.
Blake (Baldwin) is sen... | [
[
"real estate salesmen",
"real estate salesman"
]
] | [
{
"content": "What is the occupation of the four main characters?",
"role": "user"
}
] | 6,754 | [
" The film depicts two days in the lives of four real estate salesmen who are supplied with names and phone numbers of leads. They use underhanded and dubious tactics to make sales. Many of the leads rationed out by the office manager lack either the money or the desire to actually invest in land.\nBlake (Baldwin) ... | [
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6756,
6757,
6758,
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The film depicts two days in the lives of four real estate salesmen who are supplied with names and phone numbers of leads. They use underhanded and dubious tactics to make sales. Many of the leads rationed out by the office manager lack either the money or the desire to actually invest in land.
Blake (Baldwin) is sen... | [
[
"They will be fired",
"The two salesmen will be fired."
]
] | [
{
"content": "Blake tells the salesmen that the top two will get the Glengarry leads. What does he say will happen to the other two salesmen?",
"role": "user"
}
] | 6,755 | [
" The film depicts two days in the lives of four real estate salesmen who are supplied with names and phone numbers of leads. They use underhanded and dubious tactics to make sales. Many of the leads rationed out by the office manager lack either the money or the desire to actually invest in land.\nBlake (Baldwin) ... | [
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6757,
6758,
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The film depicts two days in the lives of four real estate salesmen who are supplied with names and phone numbers of leads. They use underhanded and dubious tactics to make sales. Many of the leads rationed out by the office manager lack either the money or the desire to actually invest in land.
Blake (Baldwin) is sen... | [
[
"Levene",
"Levene"
]
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{
"content": "Who admits to breaking into the office?",
"role": "user"
}
] | 6,756 | [
" The film depicts two days in the lives of four real estate salesmen who are supplied with names and phone numbers of leads. They use underhanded and dubious tactics to make sales. Many of the leads rationed out by the office manager lack either the money or the desire to actually invest in land.\nBlake (Baldwin) ... | [
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6757,
6758,
6754,
6753
] | train |
The film depicts two days in the lives of four real estate salesmen who are supplied with names and phone numbers of leads. They use underhanded and dubious tactics to make sales. Many of the leads rationed out by the office manager lack either the money or the desire to actually invest in land.
Blake (Baldwin) is sen... | [
[
"Moss",
"Dave Moss."
]
] | [
{
"content": "Who does Levene say broke into the office with him?",
"role": "user"
}
] | 6,757 | [
" The film depicts two days in the lives of four real estate salesmen who are supplied with names and phone numbers of leads. They use underhanded and dubious tactics to make sales. Many of the leads rationed out by the office manager lack either the money or the desire to actually invest in land.\nBlake (Baldwin) ... | [
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6756,
6758,
6754,
6753
] | train |
The film depicts two days in the lives of four real estate salesmen who are supplied with names and phone numbers of leads. They use underhanded and dubious tactics to make sales. Many of the leads rationed out by the office manager lack either the money or the desire to actually invest in land.
Blake (Baldwin) is sen... | [
[
"Williamson",
"Office manager John Williamson."
]
] | [
{
"content": "Who does Levene try to bribe for some leads?",
"role": "user"
}
] | 6,758 | [
" The film depicts two days in the lives of four real estate salesmen who are supplied with names and phone numbers of leads. They use underhanded and dubious tactics to make sales. Many of the leads rationed out by the office manager lack either the money or the desire to actually invest in land.\nBlake (Baldwin) ... | [
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0.9999997019767761,
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6755,
6756,
6757,
6754,
6753
] | train |
The film depicts two days in the lives of four real estate salesmen who are supplied with names and phone numbers of leads. They use underhanded and dubious tactics to make sales. Many of the leads rationed out by the office manager lack either the money or the desire to actually invest in land.
Blake (Baldwin) is sen... | [
[
"His wife told him to cancel the deal",
"Lingk says his wife has told him to cancel the deal."
]
] | [
{
"content": "What excuse does Lingk use to try and cancel the deal he made on the first day?",
"role": "user"
}
] | 6,759 | [
" The film depicts two days in the lives of four real estate salesmen who are supplied with names and phone numbers of leads. They use underhanded and dubious tactics to make sales. Many of the leads rationed out by the office manager lack either the money or the desire to actually invest in land.\nBlake (Baldwin) ... | [
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0.9999997019767761,
0.9999997019767761
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6755,
6756,
6757,
6758,
6754,
6753
] | train |
The film depicts two days in the lives of four real estate salesmen who are supplied with names and phone numbers of leads. They use underhanded and dubious tactics to make sales. Many of the leads rationed out by the office manager lack either the money or the desire to actually invest in land.
Blake (Baldwin) is sen... | [
[
"Someone had broken into the office.",
"The Glengarry leads have been stolen in a burglary."
]
] | [
{
"content": "What did the salesmen find when they arrived at the office on the morning of the second day?",
"role": "user"
}
] | 6,760 | [
" The film depicts two days in the lives of four real estate salesmen who are supplied with names and phone numbers of leads. They use underhanded and dubious tactics to make sales. Many of the leads rationed out by the office manager lack either the money or the desire to actually invest in land.\nBlake (Baldwin) ... | [
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0.9999997019767761,
0.9999997019767761
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6756,
6757,
6758,
6754,
6753
] | train |
The film depicts two days in the lives of four real estate salesmen who are supplied with names and phone numbers of leads. They use underhanded and dubious tactics to make sales. Many of the leads rationed out by the office manager lack either the money or the desire to actually invest in land.
Blake (Baldwin) is sen... | [
[
"She is chronically ill",
"She is chronically ill, with an unknown condition."
]
] | [
{
"content": "What is wrong with Leven's daughter?",
"role": "user"
}
] | 6,761 | [
" The film depicts two days in the lives of four real estate salesmen who are supplied with names and phone numbers of leads. They use underhanded and dubious tactics to make sales. Many of the leads rationed out by the office manager lack either the money or the desire to actually invest in land.\nBlake (Baldwin) ... | [
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0.9999997019767761,
0.9999997019767761,
0.9999997019767761,
0.9999997019767761,
0.9999997019767761
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6755,
6756,
6757,
6758,
6754,
6753
] | train |
The film depicts two days in the lives of four real estate salesmen who are supplied with names and phone numbers of leads. They use underhanded and dubious tactics to make sales. Many of the leads rationed out by the office manager lack either the money or the desire to actually invest in land.
Blake (Baldwin) is sen... | [
[
"He doesn't like him.",
"he dislikes him"
]
] | [
{
"content": "Why does Williamson say he wants to crush Levene?",
"role": "user"
}
] | 6,762 | [
" The film depicts two days in the lives of four real estate salesmen who are supplied with names and phone numbers of leads. They use underhanded and dubious tactics to make sales. Many of the leads rationed out by the office manager lack either the money or the desire to actually invest in land.\nBlake (Baldwin) ... | [
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0.9999997019767761,
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0.9999997019767761,
0.9999997019767761,
0.9999997019767761
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6755,
6756,
6757,
6758,
6754,
6753
] | train |
The film depicts two days in the lives of four real estate salesmen who are supplied with names and phone numbers of leads. They use underhanded and dubious tactics to make sales. Many of the leads rationed out by the office manager lack either the money or the desire to actually invest in land.
Blake (Baldwin) is sen... | [
[
"Blake",
"Blake."
]
] | [
{
"content": "Who is sent to motivate the salesman?",
"role": "user"
}
] | 6,763 | [
" The film depicts two days in the lives of four real estate salesmen who are supplied with names and phone numbers of leads. They use underhanded and dubious tactics to make sales. Many of the leads rationed out by the office manager lack either the money or the desire to actually invest in land.\nBlake (Baldwin) ... | [
0.9999997019767761,
0.9999997019767761,
0.9999997019767761,
0.9999997019767761,
0.9999997019767761,
0.9999997019767761
] | [
6755,
6756,
6757,
6758,
6754,
6753
] | train |
The film depicts two days in the lives of four real estate salesmen who are supplied with names and phone numbers of leads. They use underhanded and dubious tactics to make sales. Many of the leads rationed out by the office manager lack either the money or the desire to actually invest in land.
Blake (Baldwin) is sen... | [
[
"Shelley",
"Levene"
]
] | [
{
"content": "Whose daughter has an unknown medical condition?",
"role": "user"
}
] | 6,764 | [
" The film depicts two days in the lives of four real estate salesmen who are supplied with names and phone numbers of leads. They use underhanded and dubious tactics to make sales. Many of the leads rationed out by the office manager lack either the money or the desire to actually invest in land.\nBlake (Baldwin) ... | [
0.9999997019767761,
0.9999997019767761,
0.9999997019767761,
0.9999997019767761,
0.9999997019767761,
0.9999997019767761
] | [
6755,
6756,
6757,
6758,
6754,
6753
] | train |
The film depicts two days in the lives of four real estate salesmen who are supplied with names and phone numbers of leads. They use underhanded and dubious tactics to make sales. Many of the leads rationed out by the office manager lack either the money or the desire to actually invest in land.
Blake (Baldwin) is sen... | [
[
"John",
"John Williamson"
]
] | [
{
"content": "Who does Shelley try to convince to get the Glengarry leads?",
"role": "user"
}
] | 6,765 | [
" The film depicts two days in the lives of four real estate salesmen who are supplied with names and phone numbers of leads. They use underhanded and dubious tactics to make sales. Many of the leads rationed out by the office manager lack either the money or the desire to actually invest in land.\nBlake (Baldwin) ... | [
0.9999997019767761,
0.9999997019767761,
0.9999997019767761,
0.9999997019767761,
0.9999997019767761,
0.9999997019767761
] | [
6755,
6756,
6757,
6758,
6754,
6753
] | train |
The film depicts two days in the lives of four real estate salesmen who are supplied with names and phone numbers of leads. They use underhanded and dubious tactics to make sales. Many of the leads rationed out by the office manager lack either the money or the desire to actually invest in land.
Blake (Baldwin) is sen... | [
[
"Cash in advance",
"Cash, in advance of any sales Shelley makes."
]
] | [
{
"content": "What does Williamson want, in order to give away some of the Glengarry leads to Shelley?",
"role": "user"
}
] | 6,766 | [
" The film depicts two days in the lives of four real estate salesmen who are supplied with names and phone numbers of leads. They use underhanded and dubious tactics to make sales. Many of the leads rationed out by the office manager lack either the money or the desire to actually invest in land.\nBlake (Baldwin) ... | [
0.9999997019767761,
0.9999997019767761,
0.9999997019767761,
0.9999997019767761,
0.9999997019767761,
0.9999997019767761
] | [
6755,
6756,
6757,
6758,
6754,
6753
] | train |
The film depicts two days in the lives of four real estate salesmen who are supplied with names and phone numbers of leads. They use underhanded and dubious tactics to make sales. Many of the leads rationed out by the office manager lack either the money or the desire to actually invest in land.
Blake (Baldwin) is sen... | [
[
"His wife",
"His wife."
]
] | [
{
"content": "Who has told Lingk to cancel the deal? ",
"role": "user"
}
] | 6,767 | [
" The film depicts two days in the lives of four real estate salesmen who are supplied with names and phone numbers of leads. They use underhanded and dubious tactics to make sales. Many of the leads rationed out by the office manager lack either the money or the desire to actually invest in land.\nBlake (Baldwin) ... | [
0.9999997019767761,
0.9999997019767761,
0.9999997019767761,
0.9999997019767761,
0.9999997019767761,
0.9999997019767761
] | [
6755,
6756,
6757,
6758,
6754,
6753
] | train |
The film depicts two days in the lives of four real estate salesmen who are supplied with names and phone numbers of leads. They use underhanded and dubious tactics to make sales. Many of the leads rationed out by the office manager lack either the money or the desire to actually invest in land.
Blake (Baldwin) is sen... | [
[
"Williamson",
"Williamson"
]
] | [
{
"content": "Who tells Lingk that his check has already been deposited?",
"role": "user"
}
] | 6,768 | [
" The film depicts two days in the lives of four real estate salesmen who are supplied with names and phone numbers of leads. They use underhanded and dubious tactics to make sales. Many of the leads rationed out by the office manager lack either the money or the desire to actually invest in land.\nBlake (Baldwin) ... | [
0.9999997019767761,
0.9999997019767761,
0.9999997019767761,
0.9999997019767761,
0.9999997019767761,
0.9999997019767761
] | [
6755,
6756,
6757,
6758,
6754,
6753
] | train |
The film depicts two days in the lives of four real estate salesmen who are supplied with names and phone numbers of leads. They use underhanded and dubious tactics to make sales. Many of the leads rationed out by the office manager lack either the money or the desire to actually invest in land.
Blake (Baldwin) is sen... | [
[
"Levene",
"Shelley Levene"
]
] | [
{
"content": "Who does William tell that he doesn't like him?",
"role": "user"
}
] | 6,769 | [
" The film depicts two days in the lives of four real estate salesmen who are supplied with names and phone numbers of leads. They use underhanded and dubious tactics to make sales. Many of the leads rationed out by the office manager lack either the money or the desire to actually invest in land.\nBlake (Baldwin) ... | [
0.9999997019767761,
0.9999997019767761,
0.9999997019767761,
0.9999997019767761,
0.9999997019767761,
0.9999997019767761
] | [
6755,
6756,
6757,
6758,
6754,
6753
] | train |
The film depicts two days in the lives of four real estate salesmen who are supplied with names and phone numbers of leads. They use underhanded and dubious tactics to make sales. Many of the leads rationed out by the office manager lack either the money or the desire to actually invest in land.
Blake (Baldwin) is sen... | [
[
"Roma",
"Roma"
]
] | [
{
"content": "Who talks to Levene about forming a business partnership?",
"role": "user"
}
] | 6,770 | [
" The film depicts two days in the lives of four real estate salesmen who are supplied with names and phone numbers of leads. They use underhanded and dubious tactics to make sales. Many of the leads rationed out by the office manager lack either the money or the desire to actually invest in land.\nBlake (Baldwin) ... | [
0.9999997019767761,
0.9999997019767761,
0.9999997019767761,
0.9999997019767761,
0.9999997019767761,
0.9999997019767761
] | [
6755,
6756,
6757,
6758,
6754,
6753
] | train |
The film depicts two days in the lives of four real estate salesmen who are supplied with names and phone numbers of leads. They use underhanded and dubious tactics to make sales. Many of the leads rationed out by the office manager lack either the money or the desire to actually invest in land.
Blake (Baldwin) is sen... | [
[
"Shelley",
"Shelley Levene."
]
] | [
{
"content": "Who is in a long running slump?",
"role": "user"
}
] | 6,771 | [
" The film depicts two days in the lives of four real estate salesmen who are supplied with names and phone numbers of leads. They use underhanded and dubious tactics to make sales. Many of the leads rationed out by the office manager lack either the money or the desire to actually invest in land.\nBlake (Baldwin) ... | [
0.9999997019767761,
0.9999997019767761,
0.9999997019767761,
0.9999997019767761,
0.9999997019767761,
0.9999997019767761
] | [
6755,
6756,
6757,
6758,
6754,
6753
] | train |
The film depicts two days in the lives of four real estate salesmen who are supplied with names and phone numbers of leads. They use underhanded and dubious tactics to make sales. Many of the leads rationed out by the office manager lack either the money or the desire to actually invest in land.
Blake (Baldwin) is sen... | [
[
"Moss",
"Dave Moss"
]
] | [
{
"content": "Who worked with Levene to steal the leads?",
"role": "user"
}
] | 6,772 | [
" The film depicts two days in the lives of four real estate salesmen who are supplied with names and phone numbers of leads. They use underhanded and dubious tactics to make sales. Many of the leads rationed out by the office manager lack either the money or the desire to actually invest in land.\nBlake (Baldwin) ... | [
0.9999997019767761,
0.9999997019767761,
0.9999997019767761,
0.9999997019767761,
0.9999997019767761,
0.9999997019767761
] | [
6755,
6756,
6757,
6758,
6754,
6753
] | train |
The film depicts two days in the lives of four real estate salesmen who are supplied with names and phone numbers of leads. They use underhanded and dubious tactics to make sales. Many of the leads rationed out by the office manager lack either the money or the desire to actually invest in land.
Blake (Baldwin) is sen... | [
[
"Four",
"Four"
]
] | [
{
"content": "This story is about how many real estate salesmen?",
"role": "user"
}
] | 6,773 | [
" The film depicts two days in the lives of four real estate salesmen who are supplied with names and phone numbers of leads. They use underhanded and dubious tactics to make sales. Many of the leads rationed out by the office manager lack either the money or the desire to actually invest in land.\nBlake (Baldwin) ... | [
0.9999997019767761,
0.9999997019767761,
0.9999997019767761,
0.9999997019767761,
0.9999997019767761,
0.9999997019767761
] | [
6755,
6756,
6757,
6758,
6754,
6753
] | train |
The film depicts two days in the lives of four real estate salesmen who are supplied with names and phone numbers of leads. They use underhanded and dubious tactics to make sales. Many of the leads rationed out by the office manager lack either the money or the desire to actually invest in land.
Blake (Baldwin) is sen... | [
[
"Mitch and Murray.",
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] | [
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" The film depicts two days in the lives of four real estate salesmen who are supplied with names and phone numbers of leads. They use underhanded and dubious tactics to make sales. Many of the leads rationed out by the office manager lack either the money or the desire to actually invest in land.\nBlake (Baldwin) ... | [
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The film depicts two days in the lives of four real estate salesmen who are supplied with names and phone numbers of leads. They use underhanded and dubious tactics to make sales. Many of the leads rationed out by the office manager lack either the money or the desire to actually invest in land.
Blake (Baldwin) is sen... | [
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"Shelley Levene",
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"content": "Whose daughter is sick in the hospital?",
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] | 6,775 | [
" The film depicts two days in the lives of four real estate salesmen who are supplied with names and phone numbers of leads. They use underhanded and dubious tactics to make sales. Many of the leads rationed out by the office manager lack either the money or the desire to actually invest in land.\nBlake (Baldwin) ... | [
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The film depicts two days in the lives of four real estate salesmen who are supplied with names and phone numbers of leads. They use underhanded and dubious tactics to make sales. Many of the leads rationed out by the office manager lack either the money or the desire to actually invest in land.
Blake (Baldwin) is sen... | [
[
"John Williamson",
"John Williamson."
]
] | [
{
"content": "What is the name of the office manager Shelley Levene tries to charm and bribe?",
"role": "user"
}
] | 6,776 | [
" The film depicts two days in the lives of four real estate salesmen who are supplied with names and phone numbers of leads. They use underhanded and dubious tactics to make sales. Many of the leads rationed out by the office manager lack either the money or the desire to actually invest in land.\nBlake (Baldwin) ... | [
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The film depicts two days in the lives of four real estate salesmen who are supplied with names and phone numbers of leads. They use underhanded and dubious tactics to make sales. Many of the leads rationed out by the office manager lack either the money or the desire to actually invest in land.
Blake (Baldwin) is sen... | [
[
"By stealing the Glengarry leads.",
"By stealing all their leads and sell them to a competing real estate agency."
]
] | [
{
"content": "How does Moss suggest they strike back at Mitch and Murray?",
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] | 6,777 | [
" The film depicts two days in the lives of four real estate salesmen who are supplied with names and phone numbers of leads. They use underhanded and dubious tactics to make sales. Many of the leads rationed out by the office manager lack either the money or the desire to actually invest in land.\nBlake (Baldwin) ... | [
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The film depicts two days in the lives of four real estate salesmen who are supplied with names and phone numbers of leads. They use underhanded and dubious tactics to make sales. Many of the leads rationed out by the office manager lack either the money or the desire to actually invest in land.
Blake (Baldwin) is sen... | [
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"James Lingk",
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{
"content": "Who does Ricky Roma talk with in the bar?",
"role": "user"
}
] | 6,778 | [
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The film depicts two days in the lives of four real estate salesmen who are supplied with names and phone numbers of leads. They use underhanded and dubious tactics to make sales. Many of the leads rationed out by the office manager lack either the money or the desire to actually invest in land.
Blake (Baldwin) is sen... | [
[
"His wife",
"James wife."
]
] | [
{
"content": "Who tells James Lingk to cancel the deal?",
"role": "user"
}
] | 6,779 | [
" The film depicts two days in the lives of four real estate salesmen who are supplied with names and phone numbers of leads. They use underhanded and dubious tactics to make sales. Many of the leads rationed out by the office manager lack either the money or the desire to actually invest in land.\nBlake (Baldwin) ... | [
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The film depicts two days in the lives of four real estate salesmen who are supplied with names and phone numbers of leads. They use underhanded and dubious tactics to make sales. Many of the leads rationed out by the office manager lack either the money or the desire to actually invest in land.
Blake (Baldwin) is sen... | [
[
"Shelley Levene",
"Aaronow."
]
] | [
{
"content": "Who breaks into the office?",
"role": "user"
}
] | 6,780 | [
" The film depicts two days in the lives of four real estate salesmen who are supplied with names and phone numbers of leads. They use underhanded and dubious tactics to make sales. Many of the leads rationed out by the office manager lack either the money or the desire to actually invest in land.\nBlake (Baldwin) ... | [
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The film depicts two days in the lives of four real estate salesmen who are supplied with names and phone numbers of leads. They use underhanded and dubious tactics to make sales. Many of the leads rationed out by the office manager lack either the money or the desire to actually invest in land.
Blake (Baldwin) is sen... | [
[
"Because he does not like him.",
"Because John doesn't like Shelley."
]
] | [
{
"content": "Why does John Williamson want to ruin Shelley Levene?",
"role": "user"
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] | 6,781 | [
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The film depicts two days in the lives of four real estate salesmen who are supplied with names and phone numbers of leads. They use underhanded and dubious tactics to make sales. Many of the leads rationed out by the office manager lack either the money or the desire to actually invest in land.
Blake (Baldwin) is sen... | [
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"John Williamson's",
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{
"content": "Who's office do the police use to interrogate the salesmen?",
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}
] | 6,782 | [
" The film depicts two days in the lives of four real estate salesmen who are supplied with names and phone numbers of leads. They use underhanded and dubious tactics to make sales. Many of the leads rationed out by the office manager lack either the money or the desire to actually invest in land.\nBlake (Baldwin) ... | [
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Penguin Island is written in the style of a sprawling 18th- and 19th-century history book, concerned with grand metanarratives, mythologizing heroes, hagiography and romantic nationalism. It is about a fictitious island, inhabited by great auks, that existed off the northern coast of Europe. The history begins when a ... | [
[
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"is murdered by a neighbor"
]
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{
"content": "In the story, private property becomes a part of society when a neighbor does what to an island farmer?",
"role": "user"
}
] | 6,783 | [
" Penguin Island is written in the style of a sprawling 18th- and 19th-century history book, concerned with grand metanarratives, mythologizing heroes, hagiography and romantic nationalism. It is about a fictitious island, inhabited by great auks, that existed off the northern coast of Europe. The history begins wh... | [
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[
"He assumes they are humans.",
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"content": "Why does the missionary baptize the auks?",
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] | 6,784 | [
" Penguin Island is written in the style of a sprawling 18th- and 19th-century history book, concerned with grand metanarratives, mythologizing heroes, hagiography and romantic nationalism. It is about a fictitious island, inhabited by great auks, that existed off the northern coast of Europe. The history begins wh... | [
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Penguin Island is written in the style of a sprawling 18th- and 19th-century history book, concerned with grand metanarratives, mythologizing heroes, hagiography and romantic nationalism. It is about a fictitious island, inhabited by great auks, that existed off the northern coast of Europe. The history begins when a ... | [
[
"He turns them into humans and gives them a soul.",
"He made them into humans with birdlike qualities."
]
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{
"content": "The Lord normally only allows humans to be baptized. Since the missionary baptized auks, what did he do to solve the problem?",
"role": "user"
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] | 6,785 | [
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[
"Penguinia",
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]
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{
"content": "What do the auks call their nation?",
"role": "user"
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] | 6,786 | [
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Penguin Island is written in the style of a sprawling 18th- and 19th-century history book, concerned with grand metanarratives, mythologizing heroes, hagiography and romantic nationalism. It is about a fictitious island, inhabited by great auks, that existed off the northern coast of Europe. The history begins when a ... | [
[
"The future",
"A future time period."
]
] | [
{
"content": "In what time period does the story end?",
"role": "user"
}
] | 6,787 | [
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Penguin Island is written in the style of a sprawling 18th- and 19th-century history book, concerned with grand metanarratives, mythologizing heroes, hagiography and romantic nationalism. It is about a fictitious island, inhabited by great auks, that existed off the northern coast of Europe. The history begins when a ... | [
[
"Europe",
"Europe"
]
] | [
{
"content": "This story satirizes the history of which continent? ",
"role": "user"
}
] | 6,788 | [
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Penguin Island is written in the style of a sprawling 18th- and 19th-century history book, concerned with grand metanarratives, mythologizing heroes, hagiography and romantic nationalism. It is about a fictitious island, inhabited by great auks, that existed off the northern coast of Europe. The history begins when a ... | [
[
"Baptize/convert others to Christianity. ",
"as a missionary, spread christian theology"
]
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{
"content": "What is the goal of the monk at the start of the story?",
"role": "user"
}
] | 6,789 | [
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[
"They fight over land.",
"Territory. "
]
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{
"content": "In the migration period, in the history of the island, what to the characters fight over?",
"role": "user"
}
] | 6,790 | [
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Penguin Island is written in the style of a sprawling 18th- and 19th-century history book, concerned with grand metanarratives, mythologizing heroes, hagiography and romantic nationalism. It is about a fictitious island, inhabited by great auks, that existed off the northern coast of Europe. The history begins when a ... | [
[
"The civilization was destryoyed.",
"it gets bombed."
]
] | [
{
"content": "What happens to the civilization at the end of the story?",
"role": "user"
}
] | 6,791 | [
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Penguin Island is written in the style of a sprawling 18th- and 19th-century history book, concerned with grand metanarratives, mythologizing heroes, hagiography and romantic nationalism. It is about a fictitious island, inhabited by great auks, that existed off the northern coast of Europe. The history begins when a ... | [
[
"Great auks",
"They are auks."
]
] | [
{
"content": "Who are the inhabitants of Penguin island?",
"role": "user"
}
] | 6,792 | [
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Penguin Island is written in the style of a sprawling 18th- and 19th-century history book, concerned with grand metanarratives, mythologizing heroes, hagiography and romantic nationalism. It is about a fictitious island, inhabited by great auks, that existed off the northern coast of Europe. The history begins when a ... | [
[
"The Christian Monk",
"A Christian missionary."
]
] | [
{
"content": "Who baptizes the auks?",
"role": "user"
}
] | 6,793 | [
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Penguin Island is written in the style of a sprawling 18th- and 19th-century history book, concerned with grand metanarratives, mythologizing heroes, hagiography and romantic nationalism. It is about a fictitious island, inhabited by great auks, that existed off the northern coast of Europe. The history begins when a ... | [
[
"Humans with souls",
"The Lord converts them into humans. "
]
] | [
{
"content": "What does the Monk convert the birds into?",
"role": "user"
}
] | 6,794 | [
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Penguin Island is written in the style of a sprawling 18th- and 19th-century history book, concerned with grand metanarratives, mythologizing heroes, hagiography and romantic nationalism. It is about a fictitious island, inhabited by great auks, that existed off the northern coast of Europe. The history begins when a ... | [
[
"Migration Period (Dark Ages)",
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]
] | [
{
"content": "What period does the narrative span from?",
"role": "user"
}
] | 6,795 | [
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Penguin Island is written in the style of a sprawling 18th- and 19th-century history book, concerned with grand metanarratives, mythologizing heroes, hagiography and romantic nationalism. It is about a fictitious island, inhabited by great auks, that existed off the northern coast of Europe. The history begins when a ... | [
[
"Charlemagne",
"Charlemagne"
]
] | [
{
"content": "Who is known as Draco the Great?",
"role": "user"
}
] | 6,796 | [
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Penguin Island is written in the style of a sprawling 18th- and 19th-century history book, concerned with grand metanarratives, mythologizing heroes, hagiography and romantic nationalism. It is about a fictitious island, inhabited by great auks, that existed off the northern coast of Europe. The history begins when a ... | [
[
"Porpoises",
"Porpoises. "
]
] | [
{
"content": "What are the Viking raiders called?",
"role": "user"
}
] | 6,797 | [
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Penguin Island is written in the style of a sprawling 18th- and 19th-century history book, concerned with grand metanarratives, mythologizing heroes, hagiography and romantic nationalism. It is about a fictitious island, inhabited by great auks, that existed off the northern coast of Europe. The history begins when a ... | [
[
"Terrorist bombings",
"terrorist bomboings"
]
] | [
{
"content": "What destroys the thriving high tech civilization in the future?",
"role": "user"
}
] | 6,798 | [
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Penguin Island is written in the style of a sprawling 18th- and 19th-century history book, concerned with grand metanarratives, mythologizing heroes, hagiography and romantic nationalism. It is about a fictitious island, inhabited by great auks, that existed off the northern coast of Europe. The history begins when a ... | [
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{
"content": "What real historical figures are depicted?",
"role": "user"
}
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" Penguin Island is written in the style of a sprawling 18th- and 19th-century history book, concerned with grand metanarratives, mythologizing heroes, hagiography and romantic nationalism. It is about a fictitious island, inhabited by great auks, that existed off the northern coast of Europe. The history begins wh... | [
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