document stringlengths 1.13k 6.09k | answers listlengths 1 1 | messages listlengths 1 1 | id int64 0 40k | top_k_ctx_list listlengths 5 6 | cosine_similarity_value listlengths 6 6 | top_k_ctx_ids listlengths 5 6 | split stringclasses 1
value |
|---|---|---|---|---|---|---|---|
Investment banker Harold Lee is persuaded by his colleagues Billy and JD to do their work while they leave for the weekend. Kumar Patel attends a medical school interview, but intentionally botches it to prevent getting accepted. Harold meets his neighbor Maria, but is unable to admit his feelings. After smoking marij... | [
[
"A Cheetah.",
"An escaped cheetah. "
]
] | [
{
"content": "What did Harold and Kamur ride after smoking marijuana?",
"role": "user"
}
] | 8,400 | [
" Investment banker Harold Lee is persuaded by his colleagues Billy and JD to do their work while they leave for the weekend. Kumar Patel attends a medical school interview, but intentionally botches it to prevent getting accepted. Harold meets his neighbor Maria, but is unable to admit his feelings. After smoking ... | [
0.9999998807907104,
0.9999998807907104,
0.9999998807907104,
0.9999998807907104,
0.9999998807907104,
0.9999998807907104
] | [
8375,
8376,
8377,
8378,
8374,
8373
] | train |
Investment banker Harold Lee is persuaded by his colleagues Billy and JD to do their work while they leave for the weekend. Kumar Patel attends a medical school interview, but intentionally botches it to prevent getting accepted. Harold meets his neighbor Maria, but is unable to admit his feelings. After smoking marij... | [
[
"A handglider.",
"through a series of misadventures ending with a hanglider "
]
] | [
{
"content": "How do Harold and Kamur get to White Castle?",
"role": "user"
}
] | 8,401 | [
" Investment banker Harold Lee is persuaded by his colleagues Billy and JD to do their work while they leave for the weekend. Kumar Patel attends a medical school interview, but intentionally botches it to prevent getting accepted. Harold meets his neighbor Maria, but is unable to admit his feelings. After smoking ... | [
0.9999998807907104,
0.9999998807907104,
0.9999998807907104,
0.9999998807907104,
0.9999998807907104,
0.9999998807907104
] | [
8375,
8376,
8377,
8378,
8374,
8373
] | train |
Investment banker Harold Lee is persuaded by his colleagues Billy and JD to do their work while they leave for the weekend. Kumar Patel attends a medical school interview, but intentionally botches it to prevent getting accepted. Harold meets his neighbor Maria, but is unable to admit his feelings. After smoking marij... | [
[
"Maria",
"his neighbor Maria"
]
] | [
{
"content": "Who does Harold confess his feelings for?",
"role": "user"
}
] | 8,402 | [
" Investment banker Harold Lee is persuaded by his colleagues Billy and JD to do their work while they leave for the weekend. Kumar Patel attends a medical school interview, but intentionally botches it to prevent getting accepted. Harold meets his neighbor Maria, but is unable to admit his feelings. After smoking ... | [
0.9999998807907104,
0.9999998807907104,
0.9999998807907104,
0.9999998807907104,
0.9999998807907104,
0.9999998807907104
] | [
8375,
8376,
8377,
8378,
8374,
8373
] | train |
The play begins with an extended bit of metadrama; the company's stage-keeper enters, criticising the play about to be performed because it lacks romantic and fabulous elements. He is then pushed from the stage by the book-keeper, who (serving as prologue) announces a contract between author and audience. The contract... | [
[
"Johnson",
"Johnson"
]
] | [
{
"content": "Who is discontented with his audience?",
"role": "user"
}
] | 8,403 | [
" The play begins with an extended bit of metadrama; the company's stage-keeper enters, criticising the play about to be performed because it lacks romantic and fabulous elements. He is then pushed from the stage by the book-keeper, who (serving as prologue) announces a contract between author and audience. The con... | [
0.9999991655349731,
0.9999991655349731,
0.9999991655349731,
0.9999991655349731,
0.9999991655349731,
0.9999991655349731
] | [
8405,
8406,
8407,
8408,
8404
] | train |
The play begins with an extended bit of metadrama; the company's stage-keeper enters, criticising the play about to be performed because it lacks romantic and fabulous elements. He is then pushed from the stage by the book-keeper, who (serving as prologue) announces a contract between author and audience. The contract... | [
[
"Littlewit",
"Littlewit"
]
] | [
{
"content": "Who is an amateur dramatist? ",
"role": "user"
}
] | 8,404 | [
" The play begins with an extended bit of metadrama; the company's stage-keeper enters, criticising the play about to be performed because it lacks romantic and fabulous elements. He is then pushed from the stage by the book-keeper, who (serving as prologue) announces a contract between author and audience. The con... | [
0.9999991655349731,
0.9999991655349731,
0.9999991655349731,
0.9999991655349731,
0.9999991655349731,
0.9999991655349731
] | [
8405,
8406,
8407,
8408,
8403
] | train |
The play begins with an extended bit of metadrama; the company's stage-keeper enters, criticising the play about to be performed because it lacks romantic and fabulous elements. He is then pushed from the stage by the book-keeper, who (serving as prologue) announces a contract between author and audience. The contract... | [
[
"Dame Purecraft",
"Dame Purecraft"
]
] | [
{
"content": "Who is Littlewit's Mother-in-Law? ",
"role": "user"
}
] | 8,405 | [
" The play begins with an extended bit of metadrama; the company's stage-keeper enters, criticising the play about to be performed because it lacks romantic and fabulous elements. He is then pushed from the stage by the book-keeper, who (serving as prologue) announces a contract between author and audience. The con... | [
0.9999991655349731,
0.9999991655349731,
0.9999991655349731,
0.9999991655349731,
0.9999991655349731,
0.9999991655349731
] | [
8406,
8407,
8408,
8404,
8403
] | train |
The play begins with an extended bit of metadrama; the company's stage-keeper enters, criticising the play about to be performed because it lacks romantic and fabulous elements. He is then pushed from the stage by the book-keeper, who (serving as prologue) announces a contract between author and audience. The contract... | [
[
"Wasp",
"Wasp"
]
] | [
{
"content": "Who is Cokes' servant?",
"role": "user"
}
] | 8,406 | [
" The play begins with an extended bit of metadrama; the company's stage-keeper enters, criticising the play about to be performed because it lacks romantic and fabulous elements. He is then pushed from the stage by the book-keeper, who (serving as prologue) announces a contract between author and audience. The con... | [
0.9999991655349731,
0.9999991655349731,
0.9999991655349731,
0.9999991655349731,
0.9999991655349731,
0.9999991655349731
] | [
8405,
8407,
8408,
8404,
8403
] | train |
The play begins with an extended bit of metadrama; the company's stage-keeper enters, criticising the play about to be performed because it lacks romantic and fabulous elements. He is then pushed from the stage by the book-keeper, who (serving as prologue) announces a contract between author and audience. The contract... | [
[
"Cokes",
"Cokes"
]
] | [
{
"content": "Who is marrying Grace Wellborn? ",
"role": "user"
}
] | 8,407 | [
" The play begins with an extended bit of metadrama; the company's stage-keeper enters, criticising the play about to be performed because it lacks romantic and fabulous elements. He is then pushed from the stage by the book-keeper, who (serving as prologue) announces a contract between author and audience. The con... | [
0.9999991655349731,
0.9999991655349731,
0.9999991655349731,
0.9999991655349731,
0.9999991655349731,
0.9999991655349731
] | [
8405,
8406,
8408,
8404,
8403
] | train |
The play begins with an extended bit of metadrama; the company's stage-keeper enters, criticising the play about to be performed because it lacks romantic and fabulous elements. He is then pushed from the stage by the book-keeper, who (serving as prologue) announces a contract between author and audience. The contract... | [
[
"Adam Overdo",
"Grace Wellborn"
]
] | [
{
"content": "Who is the Justice of the Peace? ",
"role": "user"
}
] | 8,408 | [
" The play begins with an extended bit of metadrama; the company's stage-keeper enters, criticising the play about to be performed because it lacks romantic and fabulous elements. He is then pushed from the stage by the book-keeper, who (serving as prologue) announces a contract between author and audience. The con... | [
0.9999991655349731,
0.9999991655349731,
0.9999991655349731,
0.9999991655349731,
0.9999991655349731,
0.9999991655349731
] | [
8405,
8406,
8407,
8404,
8403
] | train |
The play begins with an extended bit of metadrama; the company's stage-keeper enters, criticising the play about to be performed because it lacks romantic and fabulous elements. He is then pushed from the stage by the book-keeper, who (serving as prologue) announces a contract between author and audience. The contract... | [
[
"A puppet show",
"a puppet show"
]
] | [
{
"content": "What kind of show did Littlewit come up with? ",
"role": "user"
}
] | 8,409 | [
" The play begins with an extended bit of metadrama; the company's stage-keeper enters, criticising the play about to be performed because it lacks romantic and fabulous elements. He is then pushed from the stage by the book-keeper, who (serving as prologue) announces a contract between author and audience. The con... | [
0.9999991655349731,
0.9999991655349731,
0.9999991655349731,
0.9999991655349731,
0.9999991655349731,
0.9999991655349731
] | [
8405,
8406,
8407,
8408,
8404,
8403
] | train |
The play begins with an extended bit of metadrama; the company's stage-keeper enters, criticising the play about to be performed because it lacks romantic and fabulous elements. He is then pushed from the stage by the book-keeper, who (serving as prologue) announces a contract between author and audience. The contract... | [
[
"Win",
"Win"
]
] | [
{
"content": "Who is said to have a craving for roast pork?",
"role": "user"
}
] | 8,410 | [
" The play begins with an extended bit of metadrama; the company's stage-keeper enters, criticising the play about to be performed because it lacks romantic and fabulous elements. He is then pushed from the stage by the book-keeper, who (serving as prologue) announces a contract between author and audience. The con... | [
0.9999991655349731,
0.9999991655349731,
0.9999991655349731,
0.9999991655349731,
0.9999991655349731,
0.9999991655349731
] | [
8405,
8406,
8407,
8408,
8404,
8403
] | train |
The play begins with an extended bit of metadrama; the company's stage-keeper enters, criticising the play about to be performed because it lacks romantic and fabulous elements. He is then pushed from the stage by the book-keeper, who (serving as prologue) announces a contract between author and audience. The contract... | [
[
"Prostitutes",
"Prostitutes."
]
] | [
{
"content": "What are Madame Overdo and Win masked as? ",
"role": "user"
}
] | 8,411 | [
" The play begins with an extended bit of metadrama; the company's stage-keeper enters, criticising the play about to be performed because it lacks romantic and fabulous elements. He is then pushed from the stage by the book-keeper, who (serving as prologue) announces a contract between author and audience. The con... | [
0.9999991655349731,
0.9999991655349731,
0.9999991655349731,
0.9999991655349731,
0.9999991655349731,
0.9999991655349731
] | [
8405,
8406,
8407,
8408,
8404,
8403
] | train |
The play begins with an extended bit of metadrama; the company's stage-keeper enters, criticising the play about to be performed because it lacks romantic and fabulous elements. He is then pushed from the stage by the book-keeper, who (serving as prologue) announces a contract between author and audience. The contract... | [
[
"Madame Overdo",
"Mrs Overdo"
]
] | [
{
"content": "Who vomits and calls for her husband? ",
"role": "user"
}
] | 8,412 | [
" The play begins with an extended bit of metadrama; the company's stage-keeper enters, criticising the play about to be performed because it lacks romantic and fabulous elements. He is then pushed from the stage by the book-keeper, who (serving as prologue) announces a contract between author and audience. The con... | [
0.9999991655349731,
0.9999991655349731,
0.9999991655349731,
0.9999991655349731,
0.9999991655349731,
0.9999991655349731
] | [
8405,
8406,
8407,
8408,
8404,
8403
] | train |
The play begins with an extended bit of metadrama; the company's stage-keeper enters, criticising the play about to be performed because it lacks romantic and fabulous elements. He is then pushed from the stage by the book-keeper, who (serving as prologue) announces a contract between author and audience. The contract... | [
[
"His mother-in-law.",
"Mother in Law."
]
] | [
{
"content": "Who is Dame Purecraft to Littlewit?",
"role": "user"
}
] | 8,413 | [
" The play begins with an extended bit of metadrama; the company's stage-keeper enters, criticising the play about to be performed because it lacks romantic and fabulous elements. He is then pushed from the stage by the book-keeper, who (serving as prologue) announces a contract between author and audience. The con... | [
0.9999991655349731,
0.9999991655349731,
0.9999991655349731,
0.9999991655349731,
0.9999991655349731,
0.9999991655349731
] | [
8405,
8406,
8407,
8408,
8404,
8403
] | train |
The play begins with an extended bit of metadrama; the company's stage-keeper enters, criticising the play about to be performed because it lacks romantic and fabulous elements. He is then pushed from the stage by the book-keeper, who (serving as prologue) announces a contract between author and audience. The contract... | [
[
"To marry Grace Wellborn.",
"To marry Grace Wellborn"
]
] | [
{
"content": "Why is Wasp in town?",
"role": "user"
}
] | 8,414 | [
" The play begins with an extended bit of metadrama; the company's stage-keeper enters, criticising the play about to be performed because it lacks romantic and fabulous elements. He is then pushed from the stage by the book-keeper, who (serving as prologue) announces a contract between author and audience. The con... | [
0.9999991655349731,
0.9999991655349731,
0.9999991655349731,
0.9999991655349731,
0.9999991655349731,
0.9999991655349731
] | [
8405,
8406,
8407,
8408,
8404,
8403
] | train |
The play begins with an extended bit of metadrama; the company's stage-keeper enters, criticising the play about to be performed because it lacks romantic and fabulous elements. He is then pushed from the stage by the book-keeper, who (serving as prologue) announces a contract between author and audience. The contract... | [
[
"They pretend Littlewit's wife has a pregnancy craving for roast pork.",
"To see a puppet show."
]
] | [
{
"content": "What excuse do Littlewit and his friends use to go to the fair?",
"role": "user"
}
] | 8,415 | [
" The play begins with an extended bit of metadrama; the company's stage-keeper enters, criticising the play about to be performed because it lacks romantic and fabulous elements. He is then pushed from the stage by the book-keeper, who (serving as prologue) announces a contract between author and audience. The con... | [
0.9999991655349731,
0.9999991655349731,
0.9999991655349731,
0.9999991655349731,
0.9999991655349731,
0.9999991655349731
] | [
8405,
8406,
8407,
8408,
8404,
8403
] | train |
The play begins with an extended bit of metadrama; the company's stage-keeper enters, criticising the play about to be performed because it lacks romantic and fabulous elements. He is then pushed from the stage by the book-keeper, who (serving as prologue) announces a contract between author and audience. The contract... | [
[
"To see a puppetshow that Littlewit wrote.",
"To see a puppet show Littewit wrote."
]
] | [
{
"content": "Why did Littlewit and his friends want to go to the fair?",
"role": "user"
}
] | 8,416 | [
" The play begins with an extended bit of metadrama; the company's stage-keeper enters, criticising the play about to be performed because it lacks romantic and fabulous elements. He is then pushed from the stage by the book-keeper, who (serving as prologue) announces a contract between author and audience. The con... | [
0.9999991655349731,
0.9999991655349731,
0.9999991655349731,
0.9999991655349731,
0.9999991655349731,
0.9999991655349731
] | [
8405,
8406,
8407,
8408,
8404,
8403
] | train |
The play begins with an extended bit of metadrama; the company's stage-keeper enters, criticising the play about to be performed because it lacks romantic and fabulous elements. He is then pushed from the stage by the book-keeper, who (serving as prologue) announces a contract between author and audience. The contract... | [
[
"A marriage license.",
"The marriage license"
]
] | [
{
"content": "What do Quarlous and Winwife steal from Wasp?",
"role": "user"
}
] | 8,417 | [
" The play begins with an extended bit of metadrama; the company's stage-keeper enters, criticising the play about to be performed because it lacks romantic and fabulous elements. He is then pushed from the stage by the book-keeper, who (serving as prologue) announces a contract between author and audience. The con... | [
0.9999991655349731,
0.9999991655349731,
0.9999991655349731,
0.9999991655349731,
0.9999991655349731,
0.9999991655349731
] | [
8405,
8406,
8407,
8408,
8404,
8403
] | train |
The play begins with an extended bit of metadrama; the company's stage-keeper enters, criticising the play about to be performed because it lacks romantic and fabulous elements. He is then pushed from the stage by the book-keeper, who (serving as prologue) announces a contract between author and audience. The contract... | [
[
"For starting a fight.",
"He started a fight."
]
] | [
{
"content": "Why was Wasp arrested?",
"role": "user"
}
] | 8,418 | [
" The play begins with an extended bit of metadrama; the company's stage-keeper enters, criticising the play about to be performed because it lacks romantic and fabulous elements. He is then pushed from the stage by the book-keeper, who (serving as prologue) announces a contract between author and audience. The con... | [
0.9999991655349731,
0.9999991655349731,
0.9999991655349731,
0.9999991655349731,
0.9999991655349731,
0.9999991655349731
] | [
8405,
8406,
8407,
8408,
8404,
8403
] | train |
The play begins with an extended bit of metadrama; the company's stage-keeper enters, criticising the play about to be performed because it lacks romantic and fabulous elements. He is then pushed from the stage by the book-keeper, who (serving as prologue) announces a contract between author and audience. The contract... | [
[
"For preaching without a license.",
"For preaching without license "
]
] | [
{
"content": "Why was Zeal-of-the-Land Busy arrested?",
"role": "user"
}
] | 8,419 | [
" The play begins with an extended bit of metadrama; the company's stage-keeper enters, criticising the play about to be performed because it lacks romantic and fabulous elements. He is then pushed from the stage by the book-keeper, who (serving as prologue) announces a contract between author and audience. The con... | [
0.9999991655349731,
0.9999991655349731,
0.9999991655349731,
0.9999991655349731,
0.9999991655349731,
0.9999991655349731
] | [
8405,
8406,
8407,
8408,
8404,
8403
] | train |
The play begins with an extended bit of metadrama; the company's stage-keeper enters, criticising the play about to be performed because it lacks romantic and fabulous elements. He is then pushed from the stage by the book-keeper, who (serving as prologue) announces a contract between author and audience. The contract... | [
[
"Winwife.",
"Winwife"
]
] | [
{
"content": "Who ends up marrying Grace?",
"role": "user"
}
] | 8,420 | [
" The play begins with an extended bit of metadrama; the company's stage-keeper enters, criticising the play about to be performed because it lacks romantic and fabulous elements. He is then pushed from the stage by the book-keeper, who (serving as prologue) announces a contract between author and audience. The con... | [
0.9999991655349731,
0.9999991655349731,
0.9999991655349731,
0.9999991655349731,
0.9999991655349731,
0.9999991655349731
] | [
8405,
8406,
8407,
8408,
8404,
8403
] | train |
The play begins with an extended bit of metadrama; the company's stage-keeper enters, criticising the play about to be performed because it lacks romantic and fabulous elements. He is then pushed from the stage by the book-keeper, who (serving as prologue) announces a contract between author and audience. The contract... | [
[
"Quarlous.",
"Quarlous"
]
] | [
{
"content": "Who marries Purecraft?",
"role": "user"
}
] | 8,421 | [
" The play begins with an extended bit of metadrama; the company's stage-keeper enters, criticising the play about to be performed because it lacks romantic and fabulous elements. He is then pushed from the stage by the book-keeper, who (serving as prologue) announces a contract between author and audience. The con... | [
0.9999991655349731,
0.9999991655349731,
0.9999991655349731,
0.9999991655349731,
0.9999991655349731,
0.9999991655349731
] | [
8405,
8406,
8407,
8408,
8404,
8403
] | train |
The play begins with an extended bit of metadrama; the company's stage-keeper enters, criticising the play about to be performed because it lacks romantic and fabulous elements. He is then pushed from the stage by the book-keeper, who (serving as prologue) announces a contract between author and audience. The contract... | [
[
"Quarlos.",
"His wife"
]
] | [
{
"content": "Who convinces Overdo to forgive everyone?",
"role": "user"
}
] | 8,422 | [
" The play begins with an extended bit of metadrama; the company's stage-keeper enters, criticising the play about to be performed because it lacks romantic and fabulous elements. He is then pushed from the stage by the book-keeper, who (serving as prologue) announces a contract between author and audience. The con... | [
0.9999991655349731,
0.9999991655349731,
0.9999991655349731,
0.9999991655349731,
0.9999991655349731,
0.9999991655349731
] | [
8405,
8406,
8407,
8408,
8404,
8403
] | train |
The play begins with an extended bit of metadrama; the company's stage-keeper enters, criticising the play about to be performed because it lacks romantic and fabulous elements. He is then pushed from the stage by the book-keeper, who (serving as prologue) announces a contract between author and audience. The contract... | [
[
"To conceal is identity so he can freely investigate the bad behavior he sees at the fair.",
"So he could find wrongdoers."
]
] | [
{
"content": "Why has Justice Overdo attended the fair in costume?",
"role": "user"
}
] | 8,423 | [
" The play begins with an extended bit of metadrama; the company's stage-keeper enters, criticising the play about to be performed because it lacks romantic and fabulous elements. He is then pushed from the stage by the book-keeper, who (serving as prologue) announces a contract between author and audience. The con... | [
0.9999991655349731,
0.9999991655349731,
0.9999991655349731,
0.9999991655349731,
0.9999991655349731,
0.9999991655349731
] | [
8405,
8406,
8407,
8408,
8404,
8403
] | train |
The play begins with an extended bit of metadrama; the company's stage-keeper enters, criticising the play about to be performed because it lacks romantic and fabulous elements. He is then pushed from the stage by the book-keeper, who (serving as prologue) announces a contract between author and audience. The contract... | [
[
"While Wasp is locked up after being arrested for starting a fight.",
"Winwife."
]
] | [
{
"content": "When does Edgeworth get the opportunity to snatch the marriage license from from Wasp?",
"role": "user"
}
] | 8,424 | [
" The play begins with an extended bit of metadrama; the company's stage-keeper enters, criticising the play about to be performed because it lacks romantic and fabulous elements. He is then pushed from the stage by the book-keeper, who (serving as prologue) announces a contract between author and audience. The con... | [
0.9999991655349731,
0.9999991655349731,
0.9999991655349731,
0.9999991655349731,
0.9999991655349731,
0.9999991655349731
] | [
8405,
8406,
8407,
8408,
8404,
8403
] | train |
The play begins with an extended bit of metadrama; the company's stage-keeper enters, criticising the play about to be performed because it lacks romantic and fabulous elements. He is then pushed from the stage by the book-keeper, who (serving as prologue) announces a contract between author and audience. The contract... | [
[
"He is embarrassed about Madam Overdo being drunk and vomiting.",
"Because he took the advice of Quarlous. "
]
] | [
{
"content": "Why does Justice Overdo become contrite and forgive everyone?",
"role": "user"
}
] | 8,425 | [
" The play begins with an extended bit of metadrama; the company's stage-keeper enters, criticising the play about to be performed because it lacks romantic and fabulous elements. He is then pushed from the stage by the book-keeper, who (serving as prologue) announces a contract between author and audience. The con... | [
0.9999991655349731,
0.9999991655349731,
0.9999991655349731,
0.9999991655349731,
0.9999991655349731,
0.9999991655349731
] | [
8405,
8406,
8407,
8408,
8404,
8403
] | train |
The play begins with an extended bit of metadrama; the company's stage-keeper enters, criticising the play about to be performed because it lacks romantic and fabulous elements. He is then pushed from the stage by the book-keeper, who (serving as prologue) announces a contract between author and audience. The contract... | [
[
"Zeal-of-the-Land Busy.",
"Zeal-of-the-Land Busy"
]
] | [
{
"content": "Who is the religious fanatic engaged to Dame Purecroft?",
"role": "user"
}
] | 8,426 | [
" The play begins with an extended bit of metadrama; the company's stage-keeper enters, criticising the play about to be performed because it lacks romantic and fabulous elements. He is then pushed from the stage by the book-keeper, who (serving as prologue) announces a contract between author and audience. The con... | [
0.9999991655349731,
0.9999991655349731,
0.9999991655349731,
0.9999991655349731,
0.9999991655349731,
0.9999991655349731
] | [
8405,
8406,
8407,
8408,
8404,
8403
] | train |
The play begins with an extended bit of metadrama; the company's stage-keeper enters, criticising the play about to be performed because it lacks romantic and fabulous elements. He is then pushed from the stage by the book-keeper, who (serving as prologue) announces a contract between author and audience. The contract... | [
[
"He was arrested for preaching without a license.",
"He is a Puritan"
]
] | [
{
"content": "What is ironic about Busy's arrest?",
"role": "user"
}
] | 8,427 | [
" The play begins with an extended bit of metadrama; the company's stage-keeper enters, criticising the play about to be performed because it lacks romantic and fabulous elements. He is then pushed from the stage by the book-keeper, who (serving as prologue) announces a contract between author and audience. The con... | [
0.9999991655349731,
0.9999991655349731,
0.9999991655349731,
0.9999991655349731,
0.9999991655349731,
0.9999991655349731
] | [
8405,
8406,
8407,
8408,
8404,
8403
] | train |
The play begins with an extended bit of metadrama; the company's stage-keeper enters, criticising the play about to be performed because it lacks romantic and fabulous elements. He is then pushed from the stage by the book-keeper, who (serving as prologue) announces a contract between author and audience. The contract... | [
[
"Justice Overdo and Quaralous are both disquised as Trouble-All at some point.",
"Quarlous"
]
] | [
{
"content": "Whose identity is concealed as Trouble-All?",
"role": "user"
}
] | 8,428 | [
" The play begins with an extended bit of metadrama; the company's stage-keeper enters, criticising the play about to be performed because it lacks romantic and fabulous elements. He is then pushed from the stage by the book-keeper, who (serving as prologue) announces a contract between author and audience. The con... | [
0.9999991655349731,
0.9999991655349731,
0.9999991655349731,
0.9999991655349731,
0.9999991655349731,
0.9999991655349731
] | [
8405,
8406,
8407,
8408,
8404,
8403
] | train |
The play begins with an extended bit of metadrama; the company's stage-keeper enters, criticising the play about to be performed because it lacks romantic and fabulous elements. He is then pushed from the stage by the book-keeper, who (serving as prologue) announces a contract between author and audience. The contract... | [
[
"Wasp, Winwife and Quaralous all want to marry her at some point.",
"Wasp"
]
] | [
{
"content": "Which men want to wed Miss Wellborn?",
"role": "user"
}
] | 8,429 | [
" The play begins with an extended bit of metadrama; the company's stage-keeper enters, criticising the play about to be performed because it lacks romantic and fabulous elements. He is then pushed from the stage by the book-keeper, who (serving as prologue) announces a contract between author and audience. The con... | [
0.9999991655349731,
0.9999991655349731,
0.9999991655349731,
0.9999991655349731,
0.9999991655349731,
0.9999991655349731
] | [
8405,
8406,
8407,
8408,
8404,
8403
] | train |
The play begins with an extended bit of metadrama; the company's stage-keeper enters, criticising the play about to be performed because it lacks romantic and fabulous elements. He is then pushed from the stage by the book-keeper, who (serving as prologue) announces a contract between author and audience. The contract... | [
[
"They are not related.",
"Is a servant of Coke."
]
] | [
{
"content": "How are Madame Overdo and Wasp related?",
"role": "user"
}
] | 8,430 | [
" The play begins with an extended bit of metadrama; the company's stage-keeper enters, criticising the play about to be performed because it lacks romantic and fabulous elements. He is then pushed from the stage by the book-keeper, who (serving as prologue) announces a contract between author and audience. The con... | [
0.9999991655349731,
0.9999991655349731,
0.9999991655349731,
0.9999991655349731,
0.9999991655349731,
0.9999991655349731
] | [
8405,
8406,
8407,
8408,
8404,
8403
] | train |
Badlands is set in 1959 and is narrated by the impressionable 15-year-old Holly Sargis (Spacek), a teenage girl living in a dead-end South Dakota town called Fort Dupree. Holly lives with her sign painter father, although their relationship has been strained since her mother died of pneumonia some years earlier. One d... | [
[
"15",
"15."
]
] | [
{
"content": "How old is Holly Sargis?",
"role": "user"
}
] | 8,431 | [
" Badlands is set in 1959 and is narrated by the impressionable 15-year-old Holly Sargis (Spacek), a teenage girl living in a dead-end South Dakota town called Fort Dupree. Holly lives with her sign painter father, although their relationship has been strained since her mother died of pneumonia some years earlier. ... | [
1.000000238418579,
1.000000238418579,
1.000000238418579,
1.000000238418579,
1.000000238418579,
1.000000238418579
] | [
8433,
8434,
8435,
8436,
8432
] | train |
Badlands is set in 1959 and is narrated by the impressionable 15-year-old Holly Sargis (Spacek), a teenage girl living in a dead-end South Dakota town called Fort Dupree. Holly lives with her sign painter father, although their relationship has been strained since her mother died of pneumonia some years earlier. One d... | [
[
"Fort Dupree, SD",
"Fort Dupree"
]
] | [
{
"content": "Where does Holly live?",
"role": "user"
}
] | 8,432 | [
" Badlands is set in 1959 and is narrated by the impressionable 15-year-old Holly Sargis (Spacek), a teenage girl living in a dead-end South Dakota town called Fort Dupree. Holly lives with her sign painter father, although their relationship has been strained since her mother died of pneumonia some years earlier. ... | [
1.000000238418579,
1.000000238418579,
1.000000238418579,
1.000000238418579,
1.000000238418579,
1.000000238418579
] | [
8433,
8434,
8435,
8436,
8431
] | train |
Badlands is set in 1959 and is narrated by the impressionable 15-year-old Holly Sargis (Spacek), a teenage girl living in a dead-end South Dakota town called Fort Dupree. Holly lives with her sign painter father, although their relationship has been strained since her mother died of pneumonia some years earlier. One d... | [
[
"Pneumonia ",
"died of pneumonia "
]
] | [
{
"content": "How did Holly's mom die?",
"role": "user"
}
] | 8,433 | [
" Badlands is set in 1959 and is narrated by the impressionable 15-year-old Holly Sargis (Spacek), a teenage girl living in a dead-end South Dakota town called Fort Dupree. Holly lives with her sign painter father, although their relationship has been strained since her mother died of pneumonia some years earlier. ... | [
1.000000238418579,
1.000000238418579,
1.000000238418579,
1.000000238418579,
1.000000238418579,
1.000000238418579
] | [
8434,
8435,
8436,
8432,
8431
] | train |
Badlands is set in 1959 and is narrated by the impressionable 15-year-old Holly Sargis (Spacek), a teenage girl living in a dead-end South Dakota town called Fort Dupree. Holly lives with her sign painter father, although their relationship has been strained since her mother died of pneumonia some years earlier. One d... | [
[
"James Dean",
"James Dean"
]
] | [
{
"content": "Who does Holly think Kit looks like?",
"role": "user"
}
] | 8,434 | [
" Badlands is set in 1959 and is narrated by the impressionable 15-year-old Holly Sargis (Spacek), a teenage girl living in a dead-end South Dakota town called Fort Dupree. Holly lives with her sign painter father, although their relationship has been strained since her mother died of pneumonia some years earlier. ... | [
1.000000238418579,
1.000000238418579,
1.000000238418579,
1.000000238418579,
1.000000238418579,
1.000000238418579
] | [
8433,
8435,
8436,
8432,
8431
] | train |
Badlands is set in 1959 and is narrated by the impressionable 15-year-old Holly Sargis (Spacek), a teenage girl living in a dead-end South Dakota town called Fort Dupree. Holly lives with her sign painter father, although their relationship has been strained since her mother died of pneumonia some years earlier. One d... | [
[
"Holly's dog",
"Her dog."
]
] | [
{
"content": "What does Holly's dad shoot in protest of Holly and Kit's relationship?",
"role": "user"
}
] | 8,435 | [
" Badlands is set in 1959 and is narrated by the impressionable 15-year-old Holly Sargis (Spacek), a teenage girl living in a dead-end South Dakota town called Fort Dupree. Holly lives with her sign painter father, although their relationship has been strained since her mother died of pneumonia some years earlier. ... | [
1.000000238418579,
1.000000238418579,
1.000000238418579,
1.000000238418579,
1.000000238418579,
1.000000238418579
] | [
8433,
8434,
8436,
8432,
8431
] | train |
Badlands is set in 1959 and is narrated by the impressionable 15-year-old Holly Sargis (Spacek), a teenage girl living in a dead-end South Dakota town called Fort Dupree. Holly lives with her sign painter father, although their relationship has been strained since her mother died of pneumonia some years earlier. One d... | [
[
"Kit",
"Kit."
]
] | [
{
"content": "Who kills Holly's father?",
"role": "user"
}
] | 8,436 | [
" Badlands is set in 1959 and is narrated by the impressionable 15-year-old Holly Sargis (Spacek), a teenage girl living in a dead-end South Dakota town called Fort Dupree. Holly lives with her sign painter father, although their relationship has been strained since her mother died of pneumonia some years earlier. ... | [
1.000000238418579,
1.000000238418579,
1.000000238418579,
1.000000238418579,
1.000000238418579,
1.000000238418579
] | [
8433,
8434,
8435,
8432,
8431
] | train |
Badlands is set in 1959 and is narrated by the impressionable 15-year-old Holly Sargis (Spacek), a teenage girl living in a dead-end South Dakota town called Fort Dupree. Holly lives with her sign painter father, although their relationship has been strained since her mother died of pneumonia some years earlier. One d... | [
[
"By burning down the house",
"They burn down Holly's house."
]
] | [
{
"content": "How do Kit and Holly fake a suicide?",
"role": "user"
}
] | 8,437 | [
" Badlands is set in 1959 and is narrated by the impressionable 15-year-old Holly Sargis (Spacek), a teenage girl living in a dead-end South Dakota town called Fort Dupree. Holly lives with her sign painter father, although their relationship has been strained since her mother died of pneumonia some years earlier. ... | [
1.000000238418579,
1.000000238418579,
1.000000238418579,
1.000000238418579,
1.000000238418579,
1.000000238418579
] | [
8433,
8434,
8435,
8436,
8432,
8431
] | train |
Badlands is set in 1959 and is narrated by the impressionable 15-year-old Holly Sargis (Spacek), a teenage girl living in a dead-end South Dakota town called Fort Dupree. Holly lives with her sign painter father, although their relationship has been strained since her mother died of pneumonia some years earlier. One d... | [
[
"Bounty Hunters",
"Bounty Hunters."
]
] | [
{
"content": "Who discovers Kit and Holly in the treehouse?",
"role": "user"
}
] | 8,438 | [
" Badlands is set in 1959 and is narrated by the impressionable 15-year-old Holly Sargis (Spacek), a teenage girl living in a dead-end South Dakota town called Fort Dupree. Holly lives with her sign painter father, although their relationship has been strained since her mother died of pneumonia some years earlier. ... | [
1.000000238418579,
1.000000238418579,
1.000000238418579,
1.000000238418579,
1.000000238418579,
1.000000238418579
] | [
8433,
8434,
8435,
8436,
8432,
8431
] | train |
Badlands is set in 1959 and is narrated by the impressionable 15-year-old Holly Sargis (Spacek), a teenage girl living in a dead-end South Dakota town called Fort Dupree. Holly lives with her sign painter father, although their relationship has been strained since her mother died of pneumonia some years earlier. One d... | [
[
"Cato",
"Cato"
]
] | [
{
"content": "Who is Kit's friend who he and Holly stay with?",
"role": "user"
}
] | 8,439 | [
" Badlands is set in 1959 and is narrated by the impressionable 15-year-old Holly Sargis (Spacek), a teenage girl living in a dead-end South Dakota town called Fort Dupree. Holly lives with her sign painter father, although their relationship has been strained since her mother died of pneumonia some years earlier. ... | [
1.000000238418579,
1.000000238418579,
1.000000238418579,
1.000000238418579,
1.000000238418579,
1.000000238418579
] | [
8433,
8434,
8435,
8436,
8432,
8431
] | train |
Badlands is set in 1959 and is narrated by the impressionable 15-year-old Holly Sargis (Spacek), a teenage girl living in a dead-end South Dakota town called Fort Dupree. Holly lives with her sign painter father, although their relationship has been strained since her mother died of pneumonia some years earlier. One d... | [
[
"Holly",
"Holly."
]
] | [
{
"content": "Who marries the son of Holly's defense attorney?",
"role": "user"
}
] | 8,440 | [
" Badlands is set in 1959 and is narrated by the impressionable 15-year-old Holly Sargis (Spacek), a teenage girl living in a dead-end South Dakota town called Fort Dupree. Holly lives with her sign painter father, although their relationship has been strained since her mother died of pneumonia some years earlier. ... | [
1.000000238418579,
1.000000238418579,
1.000000238418579,
1.000000238418579,
1.000000238418579,
1.000000238418579
] | [
8433,
8434,
8435,
8436,
8432,
8431
] | train |
Badlands is set in 1959 and is narrated by the impressionable 15-year-old Holly Sargis (Spacek), a teenage girl living in a dead-end South Dakota town called Fort Dupree. Holly lives with her sign painter father, although their relationship has been strained since her mother died of pneumonia some years earlier. One d... | [
[
"She is fifteen years old.",
"15."
]
] | [
{
"content": "How old is Holly Sargis?",
"role": "user"
}
] | 8,441 | [
" Badlands is set in 1959 and is narrated by the impressionable 15-year-old Holly Sargis (Spacek), a teenage girl living in a dead-end South Dakota town called Fort Dupree. Holly lives with her sign painter father, although their relationship has been strained since her mother died of pneumonia some years earlier. ... | [
1.000000238418579,
1.000000238418579,
1.000000238418579,
1.000000238418579,
1.000000238418579,
1.000000238418579
] | [
8433,
8434,
8435,
8436,
8432,
8431
] | train |
Badlands is set in 1959 and is narrated by the impressionable 15-year-old Holly Sargis (Spacek), a teenage girl living in a dead-end South Dakota town called Fort Dupree. Holly lives with her sign painter father, although their relationship has been strained since her mother died of pneumonia some years earlier. One d... | [
[
"Fort Dupree, South Dakota.",
"Fort Dupree, SD."
]
] | [
{
"content": "Where does Holly Sargis live?",
"role": "user"
}
] | 8,442 | [
" Badlands is set in 1959 and is narrated by the impressionable 15-year-old Holly Sargis (Spacek), a teenage girl living in a dead-end South Dakota town called Fort Dupree. Holly lives with her sign painter father, although their relationship has been strained since her mother died of pneumonia some years earlier. ... | [
1.000000238418579,
1.000000238418579,
1.000000238418579,
1.000000238418579,
1.000000238418579,
1.000000238418579
] | [
8433,
8434,
8435,
8436,
8432,
8431
] | train |
Badlands is set in 1959 and is narrated by the impressionable 15-year-old Holly Sargis (Spacek), a teenage girl living in a dead-end South Dakota town called Fort Dupree. Holly lives with her sign painter father, although their relationship has been strained since her mother died of pneumonia some years earlier. One d... | [
[
"He is a sign painter.",
"Sign painter."
]
] | [
{
"content": "What is Holly Sargis' father's profession?",
"role": "user"
}
] | 8,443 | [
" Badlands is set in 1959 and is narrated by the impressionable 15-year-old Holly Sargis (Spacek), a teenage girl living in a dead-end South Dakota town called Fort Dupree. Holly lives with her sign painter father, although their relationship has been strained since her mother died of pneumonia some years earlier. ... | [
1.000000238418579,
1.000000238418579,
1.000000238418579,
1.000000238418579,
1.000000238418579,
1.000000238418579
] | [
8433,
8434,
8435,
8436,
8432,
8431
] | train |
Badlands is set in 1959 and is narrated by the impressionable 15-year-old Holly Sargis (Spacek), a teenage girl living in a dead-end South Dakota town called Fort Dupree. Holly lives with her sign painter father, although their relationship has been strained since her mother died of pneumonia some years earlier. One d... | [
[
"He is twenty-five years old.",
"25"
]
] | [
{
"content": "How old is Kit Carruthers?",
"role": "user"
}
] | 8,444 | [
" Badlands is set in 1959 and is narrated by the impressionable 15-year-old Holly Sargis (Spacek), a teenage girl living in a dead-end South Dakota town called Fort Dupree. Holly lives with her sign painter father, although their relationship has been strained since her mother died of pneumonia some years earlier. ... | [
1.000000238418579,
1.000000238418579,
1.000000238418579,
1.000000238418579,
1.000000238418579,
1.000000238418579
] | [
8433,
8434,
8435,
8436,
8432,
8431
] | train |
Badlands is set in 1959 and is narrated by the impressionable 15-year-old Holly Sargis (Spacek), a teenage girl living in a dead-end South Dakota town called Fort Dupree. Holly lives with her sign painter father, although their relationship has been strained since her mother died of pneumonia some years earlier. One d... | [
[
"Kit shoots him.",
"Kit Holly's lover shot him dead "
]
] | [
{
"content": "How does Holly's father die?",
"role": "user"
}
] | 8,445 | [
" Badlands is set in 1959 and is narrated by the impressionable 15-year-old Holly Sargis (Spacek), a teenage girl living in a dead-end South Dakota town called Fort Dupree. Holly lives with her sign painter father, although their relationship has been strained since her mother died of pneumonia some years earlier. ... | [
1.000000238418579,
1.000000238418579,
1.000000238418579,
1.000000238418579,
1.000000238418579,
1.000000238418579
] | [
8433,
8434,
8435,
8436,
8432,
8431
] | train |
Badlands is set in 1959 and is narrated by the impressionable 15-year-old Holly Sargis (Spacek), a teenage girl living in a dead-end South Dakota town called Fort Dupree. Holly lives with her sign painter father, although their relationship has been strained since her mother died of pneumonia some years earlier. One d... | [
[
"The badlands of Montana.",
"Montana."
]
] | [
{
"content": "Where do Kit and Holly plan to go after Kit kills Holly's father?",
"role": "user"
}
] | 8,446 | [
" Badlands is set in 1959 and is narrated by the impressionable 15-year-old Holly Sargis (Spacek), a teenage girl living in a dead-end South Dakota town called Fort Dupree. Holly lives with her sign painter father, although their relationship has been strained since her mother died of pneumonia some years earlier. ... | [
1.000000238418579,
1.000000238418579,
1.000000238418579,
1.000000238418579,
1.000000238418579,
1.000000238418579
] | [
8433,
8434,
8435,
8436,
8432,
8431
] | train |
Badlands is set in 1959 and is narrated by the impressionable 15-year-old Holly Sargis (Spacek), a teenage girl living in a dead-end South Dakota town called Fort Dupree. Holly lives with her sign painter father, although their relationship has been strained since her mother died of pneumonia some years earlier. One d... | [
[
"Kit shoots him.",
"Kit shot him"
]
] | [
{
"content": "How does Cato die?",
"role": "user"
}
] | 8,447 | [
" Badlands is set in 1959 and is narrated by the impressionable 15-year-old Holly Sargis (Spacek), a teenage girl living in a dead-end South Dakota town called Fort Dupree. Holly lives with her sign painter father, although their relationship has been strained since her mother died of pneumonia some years earlier. ... | [
1.000000238418579,
1.000000238418579,
1.000000238418579,
1.000000238418579,
1.000000238418579,
1.000000238418579
] | [
8433,
8434,
8435,
8436,
8432,
8431
] | train |
Badlands is set in 1959 and is narrated by the impressionable 15-year-old Holly Sargis (Spacek), a teenage girl living in a dead-end South Dakota town called Fort Dupree. Holly lives with her sign painter father, although their relationship has been strained since her mother died of pneumonia some years earlier. One d... | [
[
"She turns herself in to the authorities.",
"turns herself in"
]
] | [
{
"content": "What does Holly do when she gets tired of Kit and life on the run?",
"role": "user"
}
] | 8,448 | [
" Badlands is set in 1959 and is narrated by the impressionable 15-year-old Holly Sargis (Spacek), a teenage girl living in a dead-end South Dakota town called Fort Dupree. Holly lives with her sign painter father, although their relationship has been strained since her mother died of pneumonia some years earlier. ... | [
1.000000238418579,
1.000000238418579,
1.000000238418579,
1.000000238418579,
1.000000238418579,
1.000000238418579
] | [
8433,
8434,
8435,
8436,
8432,
8431
] | train |
Badlands is set in 1959 and is narrated by the impressionable 15-year-old Holly Sargis (Spacek), a teenage girl living in a dead-end South Dakota town called Fort Dupree. Holly lives with her sign painter father, although their relationship has been strained since her mother died of pneumonia some years earlier. One d... | [
[
"A Cadillac.",
"Cadillac"
]
] | [
{
"content": "What kind of car do Kit and Holly steal from the rich man?",
"role": "user"
}
] | 8,449 | [
" Badlands is set in 1959 and is narrated by the impressionable 15-year-old Holly Sargis (Spacek), a teenage girl living in a dead-end South Dakota town called Fort Dupree. Holly lives with her sign painter father, although their relationship has been strained since her mother died of pneumonia some years earlier. ... | [
1.000000238418579,
1.000000238418579,
1.000000238418579,
1.000000238418579,
1.000000238418579,
1.000000238418579
] | [
8433,
8434,
8435,
8436,
8432,
8431
] | train |
Badlands is set in 1959 and is narrated by the impressionable 15-year-old Holly Sargis (Spacek), a teenage girl living in a dead-end South Dakota town called Fort Dupree. Holly lives with her sign painter father, although their relationship has been strained since her mother died of pneumonia some years earlier. One d... | [
[
"South Dakota",
"South Dakota"
]
] | [
{
"content": "In which state is the town of Fort Dupree, where Holly is from?",
"role": "user"
}
] | 8,450 | [
" Badlands is set in 1959 and is narrated by the impressionable 15-year-old Holly Sargis (Spacek), a teenage girl living in a dead-end South Dakota town called Fort Dupree. Holly lives with her sign painter father, although their relationship has been strained since her mother died of pneumonia some years earlier. ... | [
1.000000238418579,
1.000000238418579,
1.000000238418579,
1.000000238418579,
1.000000238418579,
1.000000238418579
] | [
8433,
8434,
8435,
8436,
8432,
8431
] | train |
Badlands is set in 1959 and is narrated by the impressionable 15-year-old Holly Sargis (Spacek), a teenage girl living in a dead-end South Dakota town called Fort Dupree. Holly lives with her sign painter father, although their relationship has been strained since her mother died of pneumonia some years earlier. One d... | [
[
"Pneumonia",
"pneumonia"
]
] | [
{
"content": "What did Holly's mother die of? ",
"role": "user"
}
] | 8,451 | [
" Badlands is set in 1959 and is narrated by the impressionable 15-year-old Holly Sargis (Spacek), a teenage girl living in a dead-end South Dakota town called Fort Dupree. Holly lives with her sign painter father, although their relationship has been strained since her mother died of pneumonia some years earlier. ... | [
1.000000238418579,
1.000000238418579,
1.000000238418579,
1.000000238418579,
1.000000238418579,
1.000000238418579
] | [
8433,
8434,
8435,
8436,
8432,
8431
] | train |
Badlands is set in 1959 and is narrated by the impressionable 15-year-old Holly Sargis (Spacek), a teenage girl living in a dead-end South Dakota town called Fort Dupree. Holly lives with her sign painter father, although their relationship has been strained since her mother died of pneumonia some years earlier. One d... | [
[
"To fake suicide.",
"To fake suicide"
]
] | [
{
"content": "Why do Holly and Kit set fire to Holly's house?",
"role": "user"
}
] | 8,452 | [
" Badlands is set in 1959 and is narrated by the impressionable 15-year-old Holly Sargis (Spacek), a teenage girl living in a dead-end South Dakota town called Fort Dupree. Holly lives with her sign painter father, although their relationship has been strained since her mother died of pneumonia some years earlier. ... | [
1.000000238418579,
1.000000238418579,
1.000000238418579,
1.000000238418579,
1.000000238418579,
1.000000238418579
] | [
8433,
8434,
8435,
8436,
8432,
8431
] | train |
Badlands is set in 1959 and is narrated by the impressionable 15-year-old Holly Sargis (Spacek), a teenage girl living in a dead-end South Dakota town called Fort Dupree. Holly lives with her sign painter father, although their relationship has been strained since her mother died of pneumonia some years earlier. One d... | [
[
"He shoots her dog.",
"shoots her dog"
]
] | [
{
"content": "What does Holly's father do as punishment for Holly spending time with Kit? ",
"role": "user"
}
] | 8,453 | [
" Badlands is set in 1959 and is narrated by the impressionable 15-year-old Holly Sargis (Spacek), a teenage girl living in a dead-end South Dakota town called Fort Dupree. Holly lives with her sign painter father, although their relationship has been strained since her mother died of pneumonia some years earlier. ... | [
1.000000238418579,
1.000000238418579,
1.000000238418579,
1.000000238418579,
1.000000238418579,
1.000000238418579
] | [
8433,
8434,
8435,
8436,
8432,
8431
] | train |
Badlands is set in 1959 and is narrated by the impressionable 15-year-old Holly Sargis (Spacek), a teenage girl living in a dead-end South Dakota town called Fort Dupree. Holly lives with her sign painter father, although their relationship has been strained since her mother died of pneumonia some years earlier. One d... | [
[
"A treehouse",
"treehouse"
]
] | [
{
"content": "What sort of construction do Holly and Kit live in when they reach Montana?",
"role": "user"
}
] | 8,454 | [
" Badlands is set in 1959 and is narrated by the impressionable 15-year-old Holly Sargis (Spacek), a teenage girl living in a dead-end South Dakota town called Fort Dupree. Holly lives with her sign painter father, although their relationship has been strained since her mother died of pneumonia some years earlier. ... | [
1.000000238418579,
1.000000238418579,
1.000000238418579,
1.000000238418579,
1.000000238418579,
1.000000238418579
] | [
8433,
8434,
8435,
8436,
8432,
8431
] | train |
Badlands is set in 1959 and is narrated by the impressionable 15-year-old Holly Sargis (Spacek), a teenage girl living in a dead-end South Dakota town called Fort Dupree. Holly lives with her sign painter father, although their relationship has been strained since her mother died of pneumonia some years earlier. One d... | [
[
"Bounty hunters",
"Bounty hunters."
]
] | [
{
"content": "Who finds Kit and Holly hiding out in the treehouse?",
"role": "user"
}
] | 8,455 | [
" Badlands is set in 1959 and is narrated by the impressionable 15-year-old Holly Sargis (Spacek), a teenage girl living in a dead-end South Dakota town called Fort Dupree. Holly lives with her sign painter father, although their relationship has been strained since her mother died of pneumonia some years earlier. ... | [
1.000000238418579,
1.000000238418579,
1.000000238418579,
1.000000238418579,
1.000000238418579,
1.000000238418579
] | [
8433,
8434,
8435,
8436,
8432,
8431
] | train |
Badlands is set in 1959 and is narrated by the impressionable 15-year-old Holly Sargis (Spacek), a teenage girl living in a dead-end South Dakota town called Fort Dupree. Holly lives with her sign painter father, although their relationship has been strained since her mother died of pneumonia some years earlier. One d... | [
[
"Three",
"Three."
]
] | [
{
"content": "How many bounty hunters did Kit kill?",
"role": "user"
}
] | 8,456 | [
" Badlands is set in 1959 and is narrated by the impressionable 15-year-old Holly Sargis (Spacek), a teenage girl living in a dead-end South Dakota town called Fort Dupree. Holly lives with her sign painter father, although their relationship has been strained since her mother died of pneumonia some years earlier. ... | [
1.000000238418579,
1.000000238418579,
1.000000238418579,
1.000000238418579,
1.000000238418579,
1.000000238418579
] | [
8433,
8434,
8435,
8436,
8432,
8431
] | train |
Badlands is set in 1959 and is narrated by the impressionable 15-year-old Holly Sargis (Spacek), a teenage girl living in a dead-end South Dakota town called Fort Dupree. Holly lives with her sign painter father, although their relationship has been strained since her mother died of pneumonia some years earlier. One d... | [
[
"A Cadillac",
"A Cadillac."
]
] | [
{
"content": "What type of car does Kit steal from the wealthy man in the mansion?",
"role": "user"
}
] | 8,457 | [
" Badlands is set in 1959 and is narrated by the impressionable 15-year-old Holly Sargis (Spacek), a teenage girl living in a dead-end South Dakota town called Fort Dupree. Holly lives with her sign painter father, although their relationship has been strained since her mother died of pneumonia some years earlier. ... | [
1.000000238418579,
1.000000238418579,
1.000000238418579,
1.000000238418579,
1.000000238418579,
1.000000238418579
] | [
8433,
8434,
8435,
8436,
8432,
8431
] | train |
Badlands is set in 1959 and is narrated by the impressionable 15-year-old Holly Sargis (Spacek), a teenage girl living in a dead-end South Dakota town called Fort Dupree. Holly lives with her sign painter father, although their relationship has been strained since her mother died of pneumonia some years earlier. One d... | [
[
"Saskatchewan.",
"Saskatchewan."
]
] | [
{
"content": "Where does Holly finally give herself up to police?",
"role": "user"
}
] | 8,458 | [
" Badlands is set in 1959 and is narrated by the impressionable 15-year-old Holly Sargis (Spacek), a teenage girl living in a dead-end South Dakota town called Fort Dupree. Holly lives with her sign painter father, although their relationship has been strained since her mother died of pneumonia some years earlier. ... | [
1.000000238418579,
1.000000238418579,
1.000000238418579,
1.000000238418579,
1.000000238418579,
1.000000238418579
] | [
8433,
8434,
8435,
8436,
8432,
8431
] | train |
Badlands is set in 1959 and is narrated by the impressionable 15-year-old Holly Sargis (Spacek), a teenage girl living in a dead-end South Dakota town called Fort Dupree. Holly lives with her sign painter father, although their relationship has been strained since her mother died of pneumonia some years earlier. One d... | [
[
"She is tired of being on the run and tired of Kit",
"She is sick of being on the run and being with Kit."
]
] | [
{
"content": "Why does Holly finally hand herself in to cops?",
"role": "user"
}
] | 8,459 | [
" Badlands is set in 1959 and is narrated by the impressionable 15-year-old Holly Sargis (Spacek), a teenage girl living in a dead-end South Dakota town called Fort Dupree. Holly lives with her sign painter father, although their relationship has been strained since her mother died of pneumonia some years earlier. ... | [
1.000000238418579,
1.000000238418579,
1.000000238418579,
1.000000238418579,
1.000000238418579,
1.000000238418579
] | [
8433,
8434,
8435,
8436,
8432,
8431
] | train |
Los Angeles Times reporter Irwin "Fletch" Fletcher (Chase) is writing an article exposing drug trafficking on the beaches of Los Angeles. Posing as an addict during his investigation, he is approached by Boyd Aviation executive vice president Alan Stanwyk (Matheson) who mistakenly assumes Fletch is a junkie. Stanwyk c... | [
[
"Because Fletch is posing as a junkie for an article for the Los Angelos Times.",
"He's posing as an addict"
]
] | [
{
"content": "Why does Alan Stanwyk think Fletch is a junkie?",
"role": "user"
}
] | 8,460 | [
" Los Angeles Times reporter Irwin \"Fletch\" Fletcher (Chase) is writing an article exposing drug trafficking on the beaches of Los Angeles. Posing as an addict during his investigation, he is approached by Boyd Aviation executive vice president Alan Stanwyk (Matheson) who mistakenly assumes Fletch is a junkie. St... | [
1,
1,
1,
1,
1,
1
] | [
8462,
8463,
8464,
8465,
8461
] | train |
Los Angeles Times reporter Irwin "Fletch" Fletcher (Chase) is writing an article exposing drug trafficking on the beaches of Los Angeles. Posing as an addict during his investigation, he is approached by Boyd Aviation executive vice president Alan Stanwyk (Matheson) who mistakenly assumes Fletch is a junkie. Stanwyk c... | [
[
"He doesn't want to suffer through the pain of bone cancer.",
"says he has cancer and wants to avoid the pain and suffering of dying."
]
] | [
{
"content": "Why does Stankwyk want Fletch to kill him?",
"role": "user"
}
] | 8,461 | [
" Los Angeles Times reporter Irwin \"Fletch\" Fletcher (Chase) is writing an article exposing drug trafficking on the beaches of Los Angeles. Posing as an addict during his investigation, he is approached by Boyd Aviation executive vice president Alan Stanwyk (Matheson) who mistakenly assumes Fletch is a junkie. St... | [
1,
1,
1,
1,
1,
1
] | [
8462,
8463,
8464,
8465,
8460
] | train |
Los Angeles Times reporter Irwin "Fletch" Fletcher (Chase) is writing an article exposing drug trafficking on the beaches of Los Angeles. Posing as an addict during his investigation, he is approached by Boyd Aviation executive vice president Alan Stanwyk (Matheson) who mistakenly assumes Fletch is a junkie. Stanwyk c... | [
[
"Fletch's article will ruin Karlin's undercover investigation.",
"for fear if he runs his story it will jeopordize his case"
]
] | [
{
"content": "Why does Karlin threaten to kill Fletch?",
"role": "user"
}
] | 8,462 | [
" Los Angeles Times reporter Irwin \"Fletch\" Fletcher (Chase) is writing an article exposing drug trafficking on the beaches of Los Angeles. Posing as an addict during his investigation, he is approached by Boyd Aviation executive vice president Alan Stanwyk (Matheson) who mistakenly assumes Fletch is a junkie. St... | [
1,
1,
1,
1,
1,
1
] | [
8463,
8464,
8465,
8461,
8460
] | train |
Los Angeles Times reporter Irwin "Fletch" Fletcher (Chase) is writing an article exposing drug trafficking on the beaches of Los Angeles. Posing as an addict during his investigation, he is approached by Boyd Aviation executive vice president Alan Stanwyk (Matheson) who mistakenly assumes Fletch is a junkie. Stanwyk c... | [
[
"Cocaine.",
"Cocaine."
]
] | [
{
"content": "What does Karlin and Stanwyk most likely exchange using a brief case?",
"role": "user"
}
] | 8,463 | [
" Los Angeles Times reporter Irwin \"Fletch\" Fletcher (Chase) is writing an article exposing drug trafficking on the beaches of Los Angeles. Posing as an addict during his investigation, he is approached by Boyd Aviation executive vice president Alan Stanwyk (Matheson) who mistakenly assumes Fletch is a junkie. St... | [
1,
1,
1,
1,
1,
1
] | [
8462,
8464,
8465,
8461,
8460
] | train |
Los Angeles Times reporter Irwin "Fletch" Fletcher (Chase) is writing an article exposing drug trafficking on the beaches of Los Angeles. Posing as an addict during his investigation, he is approached by Boyd Aviation executive vice president Alan Stanwyk (Matheson) who mistakenly assumes Fletch is a junkie. Stanwyk c... | [
[
"With Mr.Underhill's tab.",
"Mr. Underhill's tab"
]
] | [
{
"content": "How does Fletch pay for Gail's drinks?",
"role": "user"
}
] | 8,464 | [
" Los Angeles Times reporter Irwin \"Fletch\" Fletcher (Chase) is writing an article exposing drug trafficking on the beaches of Los Angeles. Posing as an addict during his investigation, he is approached by Boyd Aviation executive vice president Alan Stanwyk (Matheson) who mistakenly assumes Fletch is a junkie. St... | [
1,
1,
1,
1,
1,
1
] | [
8462,
8463,
8465,
8461,
8460
] | train |
Los Angeles Times reporter Irwin "Fletch" Fletcher (Chase) is writing an article exposing drug trafficking on the beaches of Los Angeles. Posing as an addict during his investigation, he is approached by Boyd Aviation executive vice president Alan Stanwyk (Matheson) who mistakenly assumes Fletch is a junkie. Stanwyk c... | [
[
"After he sees Stanwyk exchange a briefcase with Karlin.",
"After watching Stanwyk and Chief Karlin exchange a briefcase."
]
] | [
{
"content": "When did Fletch find LAPD officers at his apartment?",
"role": "user"
}
] | 8,465 | [
" Los Angeles Times reporter Irwin \"Fletch\" Fletcher (Chase) is writing an article exposing drug trafficking on the beaches of Los Angeles. Posing as an addict during his investigation, he is approached by Boyd Aviation executive vice president Alan Stanwyk (Matheson) who mistakenly assumes Fletch is a junkie. St... | [
1,
1,
1,
1,
1,
1
] | [
8462,
8463,
8464,
8461,
8460
] | train |
Los Angeles Times reporter Irwin "Fletch" Fletcher (Chase) is writing an article exposing drug trafficking on the beaches of Los Angeles. Posing as an addict during his investigation, he is approached by Boyd Aviation executive vice president Alan Stanwyk (Matheson) who mistakenly assumes Fletch is a junkie. Stanwyk c... | [
[
"Karlin blackmailed ex-convicts and made them sell it on the beach.",
"He sold it to Chief Karlin."
]
] | [
{
"content": "How did Stanwyk sell his cocaine?",
"role": "user"
}
] | 8,466 | [
" Los Angeles Times reporter Irwin \"Fletch\" Fletcher (Chase) is writing an article exposing drug trafficking on the beaches of Los Angeles. Posing as an addict during his investigation, he is approached by Boyd Aviation executive vice president Alan Stanwyk (Matheson) who mistakenly assumes Fletch is a junkie. St... | [
1,
1,
1,
1,
1,
1
] | [
8462,
8463,
8464,
8465,
8461,
8460
] | train |
Los Angeles Times reporter Irwin "Fletch" Fletcher (Chase) is writing an article exposing drug trafficking on the beaches of Los Angeles. Posing as an addict during his investigation, he is approached by Boyd Aviation executive vice president Alan Stanwyk (Matheson) who mistakenly assumes Fletch is a junkie. Stanwyk c... | [
[
"To investigate Stanwyk.",
"He started to investigate Stanwyk instead."
]
] | [
{
"content": "Why does Fletch stop pursuing his drug trafficking article?",
"role": "user"
}
] | 8,467 | [
" Los Angeles Times reporter Irwin \"Fletch\" Fletcher (Chase) is writing an article exposing drug trafficking on the beaches of Los Angeles. Posing as an addict during his investigation, he is approached by Boyd Aviation executive vice president Alan Stanwyk (Matheson) who mistakenly assumes Fletch is a junkie. St... | [
1,
1,
1,
1,
1,
1
] | [
8462,
8463,
8464,
8465,
8461,
8460
] | train |
Los Angeles Times reporter Irwin "Fletch" Fletcher (Chase) is writing an article exposing drug trafficking on the beaches of Los Angeles. Posing as an addict during his investigation, he is approached by Boyd Aviation executive vice president Alan Stanwyk (Matheson) who mistakenly assumes Fletch is a junkie. Stanwyk c... | [
[
"Gail.",
"Chief Karlin"
]
] | [
{
"content": "Who saves Fletch from being murdered at Stanwyk's mansion?",
"role": "user"
}
] | 8,468 | [
" Los Angeles Times reporter Irwin \"Fletch\" Fletcher (Chase) is writing an article exposing drug trafficking on the beaches of Los Angeles. Posing as an addict during his investigation, he is approached by Boyd Aviation executive vice president Alan Stanwyk (Matheson) who mistakenly assumes Fletch is a junkie. St... | [
1,
1,
1,
1,
1,
1
] | [
8462,
8463,
8464,
8465,
8461,
8460
] | train |
Los Angeles Times reporter Irwin "Fletch" Fletcher (Chase) is writing an article exposing drug trafficking on the beaches of Los Angeles. Posing as an addict during his investigation, he is approached by Boyd Aviation executive vice president Alan Stanwyk (Matheson) who mistakenly assumes Fletch is a junkie. Stanwyk c... | [
[
"Irwin",
"Irwin"
]
] | [
{
"content": "What is Fletch's real first name?",
"role": "user"
}
] | 8,469 | [
" Los Angeles Times reporter Irwin \"Fletch\" Fletcher (Chase) is writing an article exposing drug trafficking on the beaches of Los Angeles. Posing as an addict during his investigation, he is approached by Boyd Aviation executive vice president Alan Stanwyk (Matheson) who mistakenly assumes Fletch is a junkie. St... | [
1,
1,
1,
1,
1,
1
] | [
8462,
8463,
8464,
8465,
8461,
8460
] | train |
Los Angeles Times reporter Irwin "Fletch" Fletcher (Chase) is writing an article exposing drug trafficking on the beaches of Los Angeles. Posing as an addict during his investigation, he is approached by Boyd Aviation executive vice president Alan Stanwyk (Matheson) who mistakenly assumes Fletch is a junkie. Stanwyk c... | [
[
"$50,000",
"$50,000.00"
]
] | [
{
"content": "How much money does Alan Stanwyk offer Fletch to murder him?",
"role": "user"
}
] | 8,470 | [
" Los Angeles Times reporter Irwin \"Fletch\" Fletcher (Chase) is writing an article exposing drug trafficking on the beaches of Los Angeles. Posing as an addict during his investigation, he is approached by Boyd Aviation executive vice president Alan Stanwyk (Matheson) who mistakenly assumes Fletch is a junkie. St... | [
1,
1,
1,
1,
1,
1
] | [
8462,
8463,
8464,
8465,
8461,
8460
] | train |
Los Angeles Times reporter Irwin "Fletch" Fletcher (Chase) is writing an article exposing drug trafficking on the beaches of Los Angeles. Posing as an addict during his investigation, he is approached by Boyd Aviation executive vice president Alan Stanwyk (Matheson) who mistakenly assumes Fletch is a junkie. Stanwyk c... | [
[
"LAPD Chief Jerry Karlin",
"LAPD Karlin"
]
] | [
{
"content": "Who threatens to kill Fletch unless he drops his investigation into drug dealing on the beach?",
"role": "user"
}
] | 8,471 | [
" Los Angeles Times reporter Irwin \"Fletch\" Fletcher (Chase) is writing an article exposing drug trafficking on the beaches of Los Angeles. Posing as an addict during his investigation, he is approached by Boyd Aviation executive vice president Alan Stanwyk (Matheson) who mistakenly assumes Fletch is a junkie. St... | [
1,
1,
1,
1,
1,
1
] | [
8462,
8463,
8464,
8465,
8461,
8460
] | train |
Los Angeles Times reporter Irwin "Fletch" Fletcher (Chase) is writing an article exposing drug trafficking on the beaches of Los Angeles. Posing as an addict during his investigation, he is approached by Boyd Aviation executive vice president Alan Stanwyk (Matheson) who mistakenly assumes Fletch is a junkie. Stanwyk c... | [
[
"LA Times",
"the Los Angeles Times"
]
] | [
{
"content": "What newspaper does Fletch work for?",
"role": "user"
}
] | 8,472 | [
" Los Angeles Times reporter Irwin \"Fletch\" Fletcher (Chase) is writing an article exposing drug trafficking on the beaches of Los Angeles. Posing as an addict during his investigation, he is approached by Boyd Aviation executive vice president Alan Stanwyk (Matheson) who mistakenly assumes Fletch is a junkie. St... | [
1,
1,
1,
1,
1,
1
] | [
8462,
8463,
8464,
8465,
8461,
8460
] | train |
Los Angeles Times reporter Irwin "Fletch" Fletcher (Chase) is writing an article exposing drug trafficking on the beaches of Los Angeles. Posing as an addict during his investigation, he is approached by Boyd Aviation executive vice president Alan Stanwyk (Matheson) who mistakenly assumes Fletch is a junkie. Stanwyk c... | [
[
"Mr. Underhill",
"Mr. Underhill's."
]
] | [
{
"content": "On whose credit card does Fletch charge his vacation with Gail to Rio?",
"role": "user"
}
] | 8,473 | [
" Los Angeles Times reporter Irwin \"Fletch\" Fletcher (Chase) is writing an article exposing drug trafficking on the beaches of Los Angeles. Posing as an addict during his investigation, he is approached by Boyd Aviation executive vice president Alan Stanwyk (Matheson) who mistakenly assumes Fletch is a junkie. St... | [
1,
1,
1,
1,
1,
1
] | [
8462,
8463,
8464,
8465,
8461,
8460
] | train |
Los Angeles Times reporter Irwin "Fletch" Fletcher (Chase) is writing an article exposing drug trafficking on the beaches of Los Angeles. Posing as an addict during his investigation, he is approached by Boyd Aviation executive vice president Alan Stanwyk (Matheson) who mistakenly assumes Fletch is a junkie. Stanwyk c... | [
[
"Stanwyk had secretly been married for eight years",
"Stanwyk is married to anothe woman."
]
] | [
{
"content": "What does Fletch learn in Provo, Utah about Stanwyk after talking to Stanwyk's parents?",
"role": "user"
}
] | 8,474 | [
" Los Angeles Times reporter Irwin \"Fletch\" Fletcher (Chase) is writing an article exposing drug trafficking on the beaches of Los Angeles. Posing as an addict during his investigation, he is approached by Boyd Aviation executive vice president Alan Stanwyk (Matheson) who mistakenly assumes Fletch is a junkie. St... | [
1,
1,
1,
1,
1,
1
] | [
8462,
8463,
8464,
8465,
8461,
8460
] | train |
Los Angeles Times reporter Irwin "Fletch" Fletcher (Chase) is writing an article exposing drug trafficking on the beaches of Los Angeles. Posing as an addict during his investigation, he is approached by Boyd Aviation executive vice president Alan Stanwyk (Matheson) who mistakenly assumes Fletch is a junkie. Stanwyk c... | [
[
"Having bone cancer",
"having cancer"
]
] | [
{
"content": "When disguised as a doctor in the hospital what does Fletch discover Stanwyk lied about?",
"role": "user"
}
] | 8,475 | [
" Los Angeles Times reporter Irwin \"Fletch\" Fletcher (Chase) is writing an article exposing drug trafficking on the beaches of Los Angeles. Posing as an addict during his investigation, he is approached by Boyd Aviation executive vice president Alan Stanwyk (Matheson) who mistakenly assumes Fletch is a junkie. St... | [
1,
1,
1,
1,
1,
1
] | [
8462,
8463,
8464,
8465,
8461,
8460
] | train |
Los Angeles Times reporter Irwin "Fletch" Fletcher (Chase) is writing an article exposing drug trafficking on the beaches of Los Angeles. Posing as an addict during his investigation, he is approached by Boyd Aviation executive vice president Alan Stanwyk (Matheson) who mistakenly assumes Fletch is a junkie. Stanwyk c... | [
[
"$3,000",
"$3,000"
]
] | [
{
"content": "How much was the ranch worth that Gail Stanwyk intended to buy for her husband after converting her Boyd stock to $3 million cash?",
"role": "user"
}
] | 8,476 | [
" Los Angeles Times reporter Irwin \"Fletch\" Fletcher (Chase) is writing an article exposing drug trafficking on the beaches of Los Angeles. Posing as an addict during his investigation, he is approached by Boyd Aviation executive vice president Alan Stanwyk (Matheson) who mistakenly assumes Fletch is a junkie. St... | [
1,
1,
1,
1,
1,
1
] | [
8462,
8463,
8464,
8465,
8461,
8460
] | train |
Los Angeles Times reporter Irwin "Fletch" Fletcher (Chase) is writing an article exposing drug trafficking on the beaches of Los Angeles. Posing as an addict during his investigation, he is approached by Boyd Aviation executive vice president Alan Stanwyk (Matheson) who mistakenly assumes Fletch is a junkie. Stanwyk c... | [
[
"Chief Karlin",
"Cheif Karlin"
]
] | [
{
"content": "Who kills Alan Stanwyk?",
"role": "user"
}
] | 8,477 | [
" Los Angeles Times reporter Irwin \"Fletch\" Fletcher (Chase) is writing an article exposing drug trafficking on the beaches of Los Angeles. Posing as an addict during his investigation, he is approached by Boyd Aviation executive vice president Alan Stanwyk (Matheson) who mistakenly assumes Fletch is a junkie. St... | [
1,
1,
1,
1,
1,
1
] | [
8462,
8463,
8464,
8465,
8461,
8460
] | train |
Los Angeles Times reporter Irwin "Fletch" Fletcher (Chase) is writing an article exposing drug trafficking on the beaches of Los Angeles. Posing as an addict during his investigation, he is approached by Boyd Aviation executive vice president Alan Stanwyk (Matheson) who mistakenly assumes Fletch is a junkie. Stanwyk c... | [
[
"Alan Stanwyk",
"Alan Stanwyk"
]
] | [
{
"content": "Who intended to kill Fletch and burn his body to fake his own death?",
"role": "user"
}
] | 8,478 | [
" Los Angeles Times reporter Irwin \"Fletch\" Fletcher (Chase) is writing an article exposing drug trafficking on the beaches of Los Angeles. Posing as an addict during his investigation, he is approached by Boyd Aviation executive vice president Alan Stanwyk (Matheson) who mistakenly assumes Fletch is a junkie. St... | [
1,
1,
1,
1,
1,
1
] | [
8462,
8463,
8464,
8465,
8461,
8460
] | train |
Los Angeles Times reporter Irwin "Fletch" Fletcher (Chase) is writing an article exposing drug trafficking on the beaches of Los Angeles. Posing as an addict during his investigation, he is approached by Boyd Aviation executive vice president Alan Stanwyk (Matheson) who mistakenly assumes Fletch is a junkie. Stanwyk c... | [
[
"Mr. Underhill",
"Mr. Underhill"
]
] | [
{
"content": "Whose tab does Fletch use to treat Gail to lunch in her private cabana?",
"role": "user"
}
] | 8,479 | [
" Los Angeles Times reporter Irwin \"Fletch\" Fletcher (Chase) is writing an article exposing drug trafficking on the beaches of Los Angeles. Posing as an addict during his investigation, he is approached by Boyd Aviation executive vice president Alan Stanwyk (Matheson) who mistakenly assumes Fletch is a junkie. St... | [
1,
1,
1,
1,
1,
1
] | [
8462,
8463,
8464,
8465,
8461,
8460
] | train |
Los Angeles Times reporter Irwin "Fletch" Fletcher (Chase) is writing an article exposing drug trafficking on the beaches of Los Angeles. Posing as an addict during his investigation, he is approached by Boyd Aviation executive vice president Alan Stanwyk (Matheson) who mistakenly assumes Fletch is a junkie. Stanwyk c... | [
[
"Frank Walker",
"Frank Walker"
]
] | [
{
"content": "What is the name of Fletch's editor?",
"role": "user"
}
] | 8,480 | [
" Los Angeles Times reporter Irwin \"Fletch\" Fletcher (Chase) is writing an article exposing drug trafficking on the beaches of Los Angeles. Posing as an addict during his investigation, he is approached by Boyd Aviation executive vice president Alan Stanwyk (Matheson) who mistakenly assumes Fletch is a junkie. St... | [
1,
1,
1,
1,
1,
1
] | [
8462,
8463,
8464,
8465,
8461,
8460
] | train |
Los Angeles Times reporter Irwin "Fletch" Fletcher (Chase) is writing an article exposing drug trafficking on the beaches of Los Angeles. Posing as an addict during his investigation, he is approached by Boyd Aviation executive vice president Alan Stanwyk (Matheson) who mistakenly assumes Fletch is a junkie. Stanwyk c... | [
[
"Los Angeles Times",
"Los Angeles"
]
] | [
{
"content": "Fletch is a reporter for what newspaper?",
"role": "user"
}
] | 8,481 | [
" Los Angeles Times reporter Irwin \"Fletch\" Fletcher (Chase) is writing an article exposing drug trafficking on the beaches of Los Angeles. Posing as an addict during his investigation, he is approached by Boyd Aviation executive vice president Alan Stanwyk (Matheson) who mistakenly assumes Fletch is a junkie. St... | [
1,
1,
1,
1,
1,
1
] | [
8462,
8463,
8464,
8465,
8461,
8460
] | train |
Los Angeles Times reporter Irwin "Fletch" Fletcher (Chase) is writing an article exposing drug trafficking on the beaches of Los Angeles. Posing as an addict during his investigation, he is approached by Boyd Aviation executive vice president Alan Stanwyk (Matheson) who mistakenly assumes Fletch is a junkie. Stanwyk c... | [
[
"Drug Addict",
"drug addict"
]
] | [
{
"content": "Who is Fletch posing as when he first meets Stanwyk?",
"role": "user"
}
] | 8,482 | [
" Los Angeles Times reporter Irwin \"Fletch\" Fletcher (Chase) is writing an article exposing drug trafficking on the beaches of Los Angeles. Posing as an addict during his investigation, he is approached by Boyd Aviation executive vice president Alan Stanwyk (Matheson) who mistakenly assumes Fletch is a junkie. St... | [
1,
1,
1,
1,
1,
1
] | [
8462,
8463,
8464,
8465,
8461,
8460
] | train |
Los Angeles Times reporter Irwin "Fletch" Fletcher (Chase) is writing an article exposing drug trafficking on the beaches of Los Angeles. Posing as an addict during his investigation, he is approached by Boyd Aviation executive vice president Alan Stanwyk (Matheson) who mistakenly assumes Fletch is a junkie. Stanwyk c... | [
[
"Bone Cancer",
"bone"
]
] | [
{
"content": "What kind of cancer does Stanwyk claim to have?",
"role": "user"
}
] | 8,483 | [
" Los Angeles Times reporter Irwin \"Fletch\" Fletcher (Chase) is writing an article exposing drug trafficking on the beaches of Los Angeles. Posing as an addict during his investigation, he is approached by Boyd Aviation executive vice president Alan Stanwyk (Matheson) who mistakenly assumes Fletch is a junkie. St... | [
1,
1,
1,
1,
1,
1
] | [
8462,
8463,
8464,
8465,
8461,
8460
] | train |
Los Angeles Times reporter Irwin "Fletch" Fletcher (Chase) is writing an article exposing drug trafficking on the beaches of Los Angeles. Posing as an addict during his investigation, he is approached by Boyd Aviation executive vice president Alan Stanwyk (Matheson) who mistakenly assumes Fletch is a junkie. Stanwyk c... | [
[
"$3,000",
"$3000"
]
] | [
{
"content": "How much was the ACTUAL purchase price for the ranch in Utah Stanwyk bought?",
"role": "user"
}
] | 8,484 | [
" Los Angeles Times reporter Irwin \"Fletch\" Fletcher (Chase) is writing an article exposing drug trafficking on the beaches of Los Angeles. Posing as an addict during his investigation, he is approached by Boyd Aviation executive vice president Alan Stanwyk (Matheson) who mistakenly assumes Fletch is a junkie. St... | [
1,
1,
1,
1,
1,
1
] | [
8462,
8463,
8464,
8465,
8461,
8460
] | train |
Los Angeles Times reporter Irwin "Fletch" Fletcher (Chase) is writing an article exposing drug trafficking on the beaches of Los Angeles. Posing as an addict during his investigation, he is approached by Boyd Aviation executive vice president Alan Stanwyk (Matheson) who mistakenly assumes Fletch is a junkie. Stanwyk c... | [
[
"Chief Karlin",
"Chief Karlin"
]
] | [
{
"content": "Who was Stanwyk providing cocaine to?",
"role": "user"
}
] | 8,485 | [
" Los Angeles Times reporter Irwin \"Fletch\" Fletcher (Chase) is writing an article exposing drug trafficking on the beaches of Los Angeles. Posing as an addict during his investigation, he is approached by Boyd Aviation executive vice president Alan Stanwyk (Matheson) who mistakenly assumes Fletch is a junkie. St... | [
1,
1,
1,
1,
1,
1
] | [
8462,
8463,
8464,
8465,
8461,
8460
] | train |
Los Angeles Times reporter Irwin "Fletch" Fletcher (Chase) is writing an article exposing drug trafficking on the beaches of Los Angeles. Posing as an addict during his investigation, he is approached by Boyd Aviation executive vice president Alan Stanwyk (Matheson) who mistakenly assumes Fletch is a junkie. Stanwyk c... | [
[
"Larry",
"Larry"
]
] | [
{
"content": "What is the name of Fletch's colleague that he investigates Stanwyk with?",
"role": "user"
}
] | 8,486 | [
" Los Angeles Times reporter Irwin \"Fletch\" Fletcher (Chase) is writing an article exposing drug trafficking on the beaches of Los Angeles. Posing as an addict during his investigation, he is approached by Boyd Aviation executive vice president Alan Stanwyk (Matheson) who mistakenly assumes Fletch is a junkie. St... | [
1,
1,
1,
1,
1,
1
] | [
8462,
8463,
8464,
8465,
8461,
8460
] | train |
Los Angeles Times reporter Irwin "Fletch" Fletcher (Chase) is writing an article exposing drug trafficking on the beaches of Los Angeles. Posing as an addict during his investigation, he is approached by Boyd Aviation executive vice president Alan Stanwyk (Matheson) who mistakenly assumes Fletch is a junkie. Stanwyk c... | [
[
"Fletch",
"Fletch"
]
] | [
{
"content": "Stanwyk's \"real plan\" was to kill who?",
"role": "user"
}
] | 8,487 | [
" Los Angeles Times reporter Irwin \"Fletch\" Fletcher (Chase) is writing an article exposing drug trafficking on the beaches of Los Angeles. Posing as an addict during his investigation, he is approached by Boyd Aviation executive vice president Alan Stanwyk (Matheson) who mistakenly assumes Fletch is a junkie. St... | [
1,
1,
1,
1,
1,
1
] | [
8462,
8463,
8464,
8465,
8461,
8460
] | train |
Los Angeles Times reporter Irwin "Fletch" Fletcher (Chase) is writing an article exposing drug trafficking on the beaches of Los Angeles. Posing as an addict during his investigation, he is approached by Boyd Aviation executive vice president Alan Stanwyk (Matheson) who mistakenly assumes Fletch is a junkie. Stanwyk c... | [
[
"Rio de Janeiro",
"Rio"
]
] | [
{
"content": "Fletch takes Gail to where on vacation in the last moments?",
"role": "user"
}
] | 8,488 | [
" Los Angeles Times reporter Irwin \"Fletch\" Fletcher (Chase) is writing an article exposing drug trafficking on the beaches of Los Angeles. Posing as an addict during his investigation, he is approached by Boyd Aviation executive vice president Alan Stanwyk (Matheson) who mistakenly assumes Fletch is a junkie. St... | [
1,
1,
1,
1,
1,
1
] | [
8462,
8463,
8464,
8465,
8461,
8460
] | train |
The film has a straightforward chronology with events spanning from 1937 to 1959; the setting is Tibet, except for brief sequences in China and India. It begins with the search for the 14th mindstream emanation of the Dalai Lama. After a vision by Reting Rinpoche (the regent of Tibet) several lamas disguised as servan... | [
[
"Tibet",
"Tibet"
]
] | [
{
"content": "Where does most of this story take place?",
"role": "user"
}
] | 8,489 | [
" The film has a straightforward chronology with events spanning from 1937 to 1959; the setting is Tibet, except for brief sequences in China and India. It begins with the search for the 14th mindstream emanation of the Dalai Lama. After a vision by Reting Rinpoche (the regent of Tibet) several lamas disguised as s... | [
1.0000003576278687,
1.0000003576278687,
1.0000003576278687,
1.0000003576278687,
1.0000003576278687,
1.0000003576278687
] | [
8491,
8492,
8493,
8494,
8490
] | train |
The film has a straightforward chronology with events spanning from 1937 to 1959; the setting is Tibet, except for brief sequences in China and India. It begins with the search for the 14th mindstream emanation of the Dalai Lama. After a vision by Reting Rinpoche (the regent of Tibet) several lamas disguised as servan... | [
[
"The next Dalai Lama",
"a child to be the new Dalai Lama"
]
] | [
{
"content": "What are the people searching for in the beginning of the story?",
"role": "user"
}
] | 8,490 | [
" The film has a straightforward chronology with events spanning from 1937 to 1959; the setting is Tibet, except for brief sequences in China and India. It begins with the search for the 14th mindstream emanation of the Dalai Lama. After a vision by Reting Rinpoche (the regent of Tibet) several lamas disguised as s... | [
1.0000003576278687,
1.0000003576278687,
1.0000003576278687,
1.0000003576278687,
1.0000003576278687,
1.0000003576278687
] | [
8491,
8492,
8493,
8494,
8489
] | train |
The film has a straightforward chronology with events spanning from 1937 to 1959; the setting is Tibet, except for brief sequences in China and India. It begins with the search for the 14th mindstream emanation of the Dalai Lama. After a vision by Reting Rinpoche (the regent of Tibet) several lamas disguised as servan... | [
[
"Kundun",
"Kundun"
]
] | [
{
"content": "What was the special name for the first Dalai Lama?",
"role": "user"
}
] | 8,491 | [
" The film has a straightforward chronology with events spanning from 1937 to 1959; the setting is Tibet, except for brief sequences in China and India. It begins with the search for the 14th mindstream emanation of the Dalai Lama. After a vision by Reting Rinpoche (the regent of Tibet) several lamas disguised as s... | [
1.0000003576278687,
1.0000003576278687,
1.0000003576278687,
1.0000003576278687,
1.0000003576278687,
1.0000003576278687
] | [
8492,
8493,
8494,
8490,
8489
] | train |
The film has a straightforward chronology with events spanning from 1937 to 1959; the setting is Tibet, except for brief sequences in China and India. It begins with the search for the 14th mindstream emanation of the Dalai Lama. After a vision by Reting Rinpoche (the regent of Tibet) several lamas disguised as servan... | [
[
"Mao Zedong",
"Mao Zedong"
]
] | [
{
"content": "Who is against the Dalai Lama and religion?",
"role": "user"
}
] | 8,492 | [
" The film has a straightforward chronology with events spanning from 1937 to 1959; the setting is Tibet, except for brief sequences in China and India. It begins with the search for the 14th mindstream emanation of the Dalai Lama. After a vision by Reting Rinpoche (the regent of Tibet) several lamas disguised as s... | [
1.0000003576278687,
1.0000003576278687,
1.0000003576278687,
1.0000003576278687,
1.0000003576278687,
1.0000003576278687
] | [
8491,
8493,
8494,
8490,
8489
] | train |
The film has a straightforward chronology with events spanning from 1937 to 1959; the setting is Tibet, except for brief sequences in China and India. It begins with the search for the 14th mindstream emanation of the Dalai Lama. After a vision by Reting Rinpoche (the regent of Tibet) several lamas disguised as servan... | [
[
"China",
"China"
]
] | [
{
"content": "What country is oppressing the Tibetians?",
"role": "user"
}
] | 8,493 | [
" The film has a straightforward chronology with events spanning from 1937 to 1959; the setting is Tibet, except for brief sequences in China and India. It begins with the search for the 14th mindstream emanation of the Dalai Lama. After a vision by Reting Rinpoche (the regent of Tibet) several lamas disguised as s... | [
1.0000003576278687,
1.0000003576278687,
1.0000003576278687,
1.0000003576278687,
1.0000003576278687,
1.0000003576278687
] | [
8491,
8492,
8494,
8490,
8489
] | train |
The film has a straightforward chronology with events spanning from 1937 to 1959; the setting is Tibet, except for brief sequences in China and India. It begins with the search for the 14th mindstream emanation of the Dalai Lama. After a vision by Reting Rinpoche (the regent of Tibet) several lamas disguised as servan... | [
[
"Religion is poison and Tibetians are inferior",
"He said the Tibetans religion was poison and they were poisoned because of it."
]
] | [
{
"content": "What does Mao Zedong have to say about religion and the Tibetians?",
"role": "user"
}
] | 8,494 | [
" The film has a straightforward chronology with events spanning from 1937 to 1959; the setting is Tibet, except for brief sequences in China and India. It begins with the search for the 14th mindstream emanation of the Dalai Lama. After a vision by Reting Rinpoche (the regent of Tibet) several lamas disguised as s... | [
1.0000003576278687,
1.0000003576278687,
1.0000003576278687,
1.0000003576278687,
1.0000003576278687,
1.0000003576278687
] | [
8491,
8492,
8493,
8490,
8489
] | train |
The film has a straightforward chronology with events spanning from 1937 to 1959; the setting is Tibet, except for brief sequences in China and India. It begins with the search for the 14th mindstream emanation of the Dalai Lama. After a vision by Reting Rinpoche (the regent of Tibet) several lamas disguised as servan... | [
[
"The Chinese are trying to assassinate him",
"To avoid being killed by the Chinese."
]
] | [
{
"content": "Why does the Dalai Lama flee Tibet?",
"role": "user"
}
] | 8,495 | [
" The film has a straightforward chronology with events spanning from 1937 to 1959; the setting is Tibet, except for brief sequences in China and India. It begins with the search for the 14th mindstream emanation of the Dalai Lama. After a vision by Reting Rinpoche (the regent of Tibet) several lamas disguised as s... | [
1.0000003576278687,
1.0000003576278687,
1.0000003576278687,
1.0000003576278687,
1.0000003576278687,
1.0000003576278687
] | [
8491,
8492,
8493,
8494,
8490,
8489
] | train |
The film has a straightforward chronology with events spanning from 1937 to 1959; the setting is Tibet, except for brief sequences in China and India. It begins with the search for the 14th mindstream emanation of the Dalai Lama. After a vision by Reting Rinpoche (the regent of Tibet) several lamas disguised as servan... | [
[
"The Nechung Oracle",
"The Nechung Oracle."
]
] | [
{
"content": "Who/What does the Dalai Lama consult in order to know where to go?",
"role": "user"
}
] | 8,496 | [
" The film has a straightforward chronology with events spanning from 1937 to 1959; the setting is Tibet, except for brief sequences in China and India. It begins with the search for the 14th mindstream emanation of the Dalai Lama. After a vision by Reting Rinpoche (the regent of Tibet) several lamas disguised as s... | [
1.0000003576278687,
1.0000003576278687,
1.0000003576278687,
1.0000003576278687,
1.0000003576278687,
1.0000003576278687
] | [
8491,
8492,
8493,
8494,
8490,
8489
] | train |
The film has a straightforward chronology with events spanning from 1937 to 1959; the setting is Tibet, except for brief sequences in China and India. It begins with the search for the 14th mindstream emanation of the Dalai Lama. After a vision by Reting Rinpoche (the regent of Tibet) several lamas disguised as servan... | [
[
"The Himalayas and Tibet",
"toward the Himalayas and Tibet"
]
] | [
{
"content": "Where is the Dalai Lama looking at the end of the story?",
"role": "user"
}
] | 8,497 | [
" The film has a straightforward chronology with events spanning from 1937 to 1959; the setting is Tibet, except for brief sequences in China and India. It begins with the search for the 14th mindstream emanation of the Dalai Lama. After a vision by Reting Rinpoche (the regent of Tibet) several lamas disguised as s... | [
1.0000003576278687,
1.0000003576278687,
1.0000003576278687,
1.0000003576278687,
1.0000003576278687,
1.0000003576278687
] | [
8491,
8492,
8493,
8494,
8490,
8489
] | train |
The film has a straightforward chronology with events spanning from 1937 to 1959; the setting is Tibet, except for brief sequences in China and India. It begins with the search for the 14th mindstream emanation of the Dalai Lama. After a vision by Reting Rinpoche (the regent of Tibet) several lamas disguised as servan... | [
[
"India9",
"India."
]
] | [
{
"content": "Where is the Dalai Lama at the end of the story?",
"role": "user"
}
] | 8,498 | [
" The film has a straightforward chronology with events spanning from 1937 to 1959; the setting is Tibet, except for brief sequences in China and India. It begins with the search for the 14th mindstream emanation of the Dalai Lama. After a vision by Reting Rinpoche (the regent of Tibet) several lamas disguised as s... | [
1.0000003576278687,
1.0000003576278687,
1.0000003576278687,
1.0000003576278687,
1.0000003576278687,
1.0000003576278687
] | [
8491,
8492,
8493,
8494,
8490,
8489
] | train |
The film has a straightforward chronology with events spanning from 1937 to 1959; the setting is Tibet, except for brief sequences in China and India. It begins with the search for the 14th mindstream emanation of the Dalai Lama. After a vision by Reting Rinpoche (the regent of Tibet) several lamas disguised as servan... | [
[
"In Tibet",
"In Tibet."
]
] | [
{
"content": "Where does most of the story take place?",
"role": "user"
}
] | 8,499 | [
" The film has a straightforward chronology with events spanning from 1937 to 1959; the setting is Tibet, except for brief sequences in China and India. It begins with the search for the 14th mindstream emanation of the Dalai Lama. After a vision by Reting Rinpoche (the regent of Tibet) several lamas disguised as s... | [
1.0000003576278687,
1.0000003576278687,
1.0000003576278687,
1.0000003576278687,
1.0000003576278687,
1.0000003576278687
] | [
8491,
8492,
8493,
8494,
8490,
8489
] | train |
Subsets and Splits
No community queries yet
The top public SQL queries from the community will appear here once available.