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"text": "Bouret, in my view, is the greatest man in the world. ME: But immediately after Bouret, there's you. HIM: No."
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"text": "He began to get worked up and to sing very softly. As he grew even more impassioned, he raised his voice, and then there followed gestures, facial grimaces, and bodily contortions. I say, \"All right, there he is off his head, getting some new scene ready.\""
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"text": "There is no fine tune from which one cannot make a fine recitative, and no fine recitative from which a expert cannot derive a fine tune."
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"text": "It's impossible to have no ungrateful people when we expose men to the temptation of being ungrateful with impunity."
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"text": "In these works there are all sorts of characters, an infinite variety of declamations. That's sublime I'm the one telling you this. Go on, go on and listen to the piece where the young man who feels himself dying, cries out, Mon coeur s'en va. Listen to the song."
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"text": "The straightforward language and common voice of passion are all the more necessary for us because our language is more monotonous and less stressed. The cry of an animal or a man in passion will provide them."
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| 1,070.12
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"text": "And for that, one shouldn't be stupid, like most fathers who give a Spartan education to a child destined to live in Paris. They couldn't do any worse if they were intending to make their children unhappy. If education is poor, it's the fault of my country's customs, not mine."
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"text": "\"From you.\" \"Is it for a loan?\" \"No.\" \"Is it for the sale of merchandise?\" \"No.\""
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"text": "The men who followed her, who watched her mincing along on her small feet and measured that large rump whose shape was outlined by her thin petticoats, walked more quickly. She'd let them come up. Then she'd turn around suddenly confronting them with her two large, black, shining eyes."
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"text": "We'd arrive. She's sing. She'd rise to the occasion and knock them out. Alas, I lost her, the poor little thing."
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"text": "Here he is leaving his father the apothecary. Here he is arriving in the capital, looking for his uncle's residence. Here he is on his knees before his uncle, who is chasing him away. Here he is with a Jew,\" and so on and so on. The next day, I'd get up firmly resolved to join up with the street singers."
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"text": "But I have lived, in the last five years, to see that this mood was false. It is now clear that steady work in the exposure of what is evil, whatever forces are brought to bear against that exposure, bears fruit."
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"text": "In other words, they differ entirely in religion which is the ultimate spring of all political action. There is perhaps no single problem of any importance in private or in public morals which the one would not attempt to solve in a fashion different from, and usually antagonistic to, the other."
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"text": "_October 14, 1917._ MY DEAR ORAGE, I dedicate this little essay to you not only because \"The New Age\" (which is your paper) published it in its original form, but much more because you were, I think, the pioneer, in its modern form at any rate, of the Free Press in this country."
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"text": "These things appeared first of all in England, because England was the only province of Europe wherein the old Latin tradition ran side by side with the novel effects of protestantism."
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"text": "An honest and sober man tells us that the roof of the house fell in. An imaginative fool, who is also a swindler, assures us that he later saw the roof standing. We remember that the roof was of iron girders covered with wood, and draw this conclusion: That the framework still stands, but that the healing fell through in a mass of blazing rubbish."
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"text": "It became a more and more tempting venture to \"start a newspaper,\" but at the same time, the development of capitalism made that venture more and more hazardous. It was more and more of a risky venture to start a new great paper even of a local sort, for the expense got greater and greater, and the loss, if you failed, more and more rapid and serious."
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"text": "It, therefore, could be profitably produced at a cost greater than its selling price. Advertisement revenue made it possible for a man to print a paper at a cost of 2d."
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"text": "In the first place, if advertisement had come to be the stand by of a newspaper, the Capitalist owning the sheet would necessarily consider his revenue from advertisement before anything else. He was indeed _compelled_ to do so unless he had enormous revenues from other sources, and ran his paper as a luxury costing a vast fortune a year."
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MonoCut
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| 161.44
| 24.8
| 0
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"text": "A newspaper can manufacture interest, but there are certain broad currents in human affairs which neither a newspaper proprietor nor any other human being can control. If England is at war no newspaper can boycott war news and live. If London were devastated by an earthquake no advertising power in the Insurance Companies nor any private interest of newspaper owners in real estate could prevent the thing \"getting into the newspapers.\""
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MonoCut
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large/7264/free_press_1206_librivox_64kb_mp3/freepress_07_belloc_64kb_1
| 197.12
| 18.04
| 0
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"text": "My point is, then, that the idea of the Press as \"an organ of public opinion,\" that is, \"an expression of the general thought and will,\" is not _only_ hypocritical, though it is _mainly_ so. There is still something in the claim. A generation ago there was more, and a couple of generations ago there was more still."
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MonoCut
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| 182.12
| 15
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"speaker": "7264",
"text": "But it was too much for them. They were swept off their feet. There were great meetings in the North country which almost approached the dignity of popular action, and the Press at last not only took up the question for discussion, but apparently permitted itself a certain timid support."
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MonoCut
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large/7264/free_press_1206_librivox_64kb_mp3/freepress_07_belloc_64kb_14
| 160.12
| 6.24
| 0
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"speaker": "7264",
"text": "It was actively discussed. The little flash in the pan of Chinese Labour was, I think, even more remarkable."
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MonoCut
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large/7264/free_press_1206_librivox_64kb_mp3/freepress_08_belloc_64kb_12
| 102.88
| 12.6
| 0
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[
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"speaker": "7264",
"text": "We cannot even say that the professional politicians are still made to \"fill the stage.\" That metaphor is false, because upon a stage the audience knows that it is all play acting, and actually _sees_ the figures."
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MonoCut
|
large/7264/free_press_1206_librivox_64kb_mp3/freepress_08_belloc_64kb_19
| 93.2
| 9.68
| 0
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[
{
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"speaker": "7264",
"text": "But the substitute has only been a putting of them into the limelight in another and more grotesque fashion, far less dignified, and quite equally false."
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MonoCut
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large/7264/free_press_1206_librivox_64kb_mp3/freepress_09_belloc_64kb_4
| 180.64
| 19.479
| 0
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"speaker": "7264",
"text": "On the contrary, it deliberately side tracks any vital discussion that sincere conviction may have forced upon the public, and spoils the scent with false issues. One paper, not a little while ago, was clamouring against the excess of lawyers in Government. Its remedy was an opposition to be headed by a lawyer."
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MonoCut
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large/7264/free_press_1206_librivox_64kb_mp3/freepress_09_belloc_64kb_8
| 484.48
| 5.839
| 0
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[
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"speaker": "7264",
"text": "With this I pass from the just denunciation of evil to the exposition of what is good."
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MonoCut
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large/7264/free_press_1206_librivox_64kb_mp3/freepress_09_belloc_64kb_12
| 10.72
| 16.64
| 0
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"speaker": "7264",
"text": "But they only do so, as do all new powers, by at once alliance with, and treason against, the old: witness Harmsworth and the politicians. The new governing Press is an oligarchy which still works \"in with\" the just less new parliamentary oligarchy."
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MonoCut
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| 386.96
| 15.04
| 0
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[
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"speaker": "7264",
"text": "* * * * * Now to every human evil of a political sort that has appeared in history (to every evil, that is, affecting the State, and proceeding from the will of man not from ungovernable natural forces outside man) there comes a term and a reaction."
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MonoCut
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large/7264/free_press_1206_librivox_64kb_mp3/freepress_09_belloc_64kb_30
| 323.36
| 18.48
| 0
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"speaker": "7264",
"text": "Above all, it gives immense and _irresponsible_ power to a handful of wealthy men and especially to the one most wealthy and unscrupulous among them whose wealth is an accident of speculation, whose origins are repulsive, and whose characters have, as a rule, the weakness and baseness developed by this sort of adventures."
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MonoCut
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large/7264/free_press_1206_librivox_64kb_mp3/freepress_09_belloc_64kb_35
| 374.32
| 12.639
| 0
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[
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"speaker": "7264",
"text": "The chief of these men are more powerful to day than any Minister. Nay, they do, as I have said (and it is now notorious), make and unmake Ministers, and they may yet in our worst hour decide the national fate."
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MonoCut
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large/7264/free_press_1206_librivox_64kb_mp3/freepress_11_belloc_64kb_5
| 390.6
| 7.559
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"speaker": "7264",
"text": "We may take it, then, that Propaganda was, in order of time, the first motive of the Free Press and the first cause of its production."
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MonoCut
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| 80.08
| 10.68
| 0
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"speaker": "7264",
"text": "Men came across very little of this in England, because England was for long virtually homogeneous in religion, and that religion was not enthusiastic during the years in which the Free Press arose."
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MonoCut
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| 116.52
| 11.64
| 0
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"speaker": "7264",
"text": "This same motive of Propaganda later launched other papers in defence of enthusiasms other than strictly religious enthusiasms, and the most important of these was the enthusiasm for Collectivism Socialism."
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MonoCut
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| 140.08
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"speaker": "7264",
"text": "That is, of course, in plain English, putting land, houses, and machinery, and stores of food and clothing into the hands of the politicians for control in use and for distribution in consumption."
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MonoCut
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large/7264/free_press_1206_librivox_64kb_mp3/freepress_11_belloc_64kb_55
| 419.64
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"text": "Wherever I go, my first object, if I wish to find out the truth, is to get hold of the Free Press in France as in England, and even in America. But I know that wherever I get hold of such an organ it will be very strongly coloured with the opinion, or even fanaticism, of some minority."
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MonoCut
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"text": "Let us consider first the main four points. When we have examined them all we shall see against what forces, and in spite of what negative factors, the Free Press has established itself to day."
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| 800.44
| 15.76
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"text": "One need not be in Parliament many days to discover that most laws are made and all revised by members of this Guild. Parliament is, as a drafting body, virtually a Committee of Lawyers who are indifferent to the figment of representation which still clings to the House of Commons."
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"text": "It is difficult, to see how any of the papers I have named would long survive a loss of their present editorship. There might possibly be one successor; there certainly would not be two; and the result is that the effect of these organs is sporadic and irregular. In the same connection you have the disability of a restricted audience."
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"text": "The boycott is deliberate, and is persistently maintained. The effect is that the Free Press cannot give in space and quality of paper, excellence of distribution, and the rest, what the Official Press can give; for it lacks advertisement subsidy. This is a very grave economic handicap indeed."
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"text": "\"The New Age\" looked at it from quite another point of view than that of the \"New Witness,\" and the specifically Socialist Free Press pointed it out as no more than an example of what happens under Capitalist Government. A Mahommedan paper would no doubt have called it a result of the Nazarene religion, and a Thug paper an awful example of what happens when your politicians are not Thugs."
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"text": "Take the Marconi case. The big official papers first boycotted it for months, and then told a pack of silly lies in support of the politicians. The Free Press gave one the truth but its various organs gave the truth for very different reasons and with very different impressions."
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"speaker": "7264",
"text": "The old idea of the lawyer on the Bench protecting the subject against the arbitrary power of the executive, of the judge independent of the government, has nearly disappeared."
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"speaker": "7264",
"text": "A special juryman, for instance, that should stand out against the political verdict desired would be a marked man."
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"text": "The defence of the man so accused must either be undertaken by a Member of the Legal Guild in which case the advocate's own future depends upon his supporting the interests of the politicians and so betraying his client or, if some eccentric undertakes his own defence, the whole power of the Guild will be turned against him under forms of liberty which are no longer even hypocritical."
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"text": "I knew from intimate personal experience exactly how formidable all these obstacles were. I knew how my own paper could not but appear particular and personal, and could not but suffer from that eccentricity to general opinion of which I have spoken."
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"text": "I knew how my own paper could not but appear particular and personal, and could not but suffer from that eccentricity to general opinion of which I have spoken. I had a half tragic and half comic experience of the economic difficulty; of the difficulty of obtaining information; of the difficulty in distribution, and all the rest of it."
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large/7264/free_press_1206_librivox_64kb_mp3/freepress_19_belloc_64kb_0
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"speaker": "7264",
"text": "\"C\" is frankly contemptuous of the new note. He has sunk into the groove of old age. Now let twenty years pass, and things will have changed in this fashion."
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"speaker": "7264",
"text": "We are all witnesses to this phenomenon in the realm of literature. I believe that the same thing goes on with even more force in the realm of political ideas."
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"text": "It may come; but all the evidence is the other way. And as for a general public indignation against corrupt government, there is (below the few in the know who either share the swag or shrug their shoulders) no sign that it will be strong enough to have any effect."
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"text": "The \"portfolios\" were found, shortly after Emily Dickinson's death, by her sister and only surviving housemate. Most of the poems had been carefully copied on sheets of note paper, and tied in little fascicules, each of six or eight sheets. While many of them bear evidence of having been thrown off at white heat, still more had received thoughtful revision."
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"text": "There is the frequent addition of rather perplexing foot notes, affording large choice of words and phrases. And in the copies which she sent to friends, sometimes one form, sometimes another, is found to have been used."
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"text": "X. ESCAPE. I never hear the word \"escape\" Without a quicker blood, A sudden expectation, A flying attitude. I never hear of prisons broad By soldiers battered down, But I tug childish at my bars, Only to fail again!"
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"text": "LVI. MELODIES UNHEARD. Musicians wrestle everywhere: All day, among the crowded air, I hear the silver strife; And waking long before the dawn Such transport breaks upon the town I think it that \"new life!\""
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"text": "XVIII. THE SHOW. The show is not the show, But they that go. Menagerie to me My neighbor be. Fair play Both went to see."
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"text": "It may be wilderness without, Far feet of failing men, But holiday excludes the night, And it is bells within. I thank these kinsmen of the shelf; Their countenances bland Enamour in prospective, And satisfy, obtained."
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"text": "L. HUNGER. I had been hungry all the years; My noon had come, to dine; I, trembling, drew the table near, And touched the curious wine. 'T was this on tables I had seen, When turning, hungry, lone, I looked in windows, for the wealth I could not hope to own."
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"text": "XXV. SHIPWRECK. It tossed and tossed, A little brig I knew, O'ertook by blast, It spun and spun, And groped delirious, for morn."
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"text": "I did not know the ample bread, 'T was so unlike the crumb The birds and I had often shared In Nature's dining room."
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"text": "MY COUNTRY'S WARDROBE."
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"text": "At least, it solaces to know That there exists a gold, Although I prove it just in time Its distance to behold! It 's far, far treasure to surmise, And estimate the pearl That slipped my simple fingers through While just a girl at school!"
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"text": "I woke and chid my honest fingers, The gem was gone; And now an amethyst remembrance Is all I own. XVI. What if I say I shall not wait? What if I burst the fleshly gate And pass, escaped, to thee?"
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"text": "XXXI. Nature rarer uses yellow Than another hue; Saves she all of that for sunsets, Prodigal of blue, Spending scarlet like a woman, Yellow she affords Only scantly and selectly, Like a lover's words."
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"text": "XV. THE HUMMING BIRD. A route of evanescence With a revolving wheel; A resonance of emerald, A rush of cochineal; And every blossom on the bush Adjusts its tumbled head, The mail from Tunis, probably, An easy morning's ride."
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"text": "It ruffles wrists of posts, As ankles of a queen, Then stills its artisans like ghosts, Denying they have been."
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"text": "The dusk drew earlier in, The morning foreign shone, A courteous, yet harrowing grace, As guest who would be gone. And thus, without a wing, Or service of a keel, Our summer made her light escape Into the beautiful."
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"text": "XXXIV. STORM. It sounded as if the streets were running, And then the streets stood still. Eclipse was all we could see at the window, And awe was all we could feel. By and by the boldest stole out of his covert, To see if time was there."
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"text": "It can't be dying, it's too rouge, The dead shall go in white. So sunset shuts my question down With clasps of chrysolite."
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"text": "XXIX. The one that could repeat the summer day Were greater than itself, though he Minutest of mankind might be."
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"text": "XXV. THE MUSHROOM. The mushroom is the elf of plants, At evening it is not; At morning in a truffled hut It stops upon a spot As if it tarried always; And yet its whole career Is shorter than a snake's delay, And fleeter than a tare."
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"text": "X. The only ghost I ever saw Was dressed in mechlin, so; He wore no sandal on his foot, And stepped like flakes of snow. His gait was soundless, like the bird, But rapid, like the roe; His fashions quaint, mosaic, Or, haply, mistletoe."
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"text": "A lord might dare to lift the hat To such a modest clay, Since that my Lord, \"the Lord of lords\" Receives unblushingly!"
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"text": "'T is sweet to know that stocks will stand When we with daisies lie, That commerce will continue, And trades as briskly fly. It makes the parting tranquil And keeps the soul serene, That gentlemen so sprightly Conduct the pleasing scene!"
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MonoCut
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"text": "Severer triumph, by himself Experienced, who can pass Acquitted from that naked bar, Jehovah's countenance!"
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MonoCut
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large/7245/poems_seriestwo_la_librivox_64kb_mp3/poemsseriestwo_4_dickinson_64kb_48
| 1,279.6
| 12.08
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"text": "XXXIX. SAVED! Of tribulation these are they Denoted by the white; The spangled gowns, a lesser rank Of victors designate."
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MonoCut
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large/7245/poems_seriestwo_la_librivox_64kb_mp3/poemsseriestwo_4_dickinson_64kb_78
| 55.04
| 16.159
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"text": "Perhaps you 're going too! Who knows? If you should get there first, Save just a little place for me Close to the two I lost! The smallest \"robe\" will fit me, And just a bit of \"crown;\" For you know we do not mind our dress When we are going home."
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MonoCut
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large/7245/short_story_053_1212_librivox_64kb_mp3/shortstory053_04_titbottomsspectacles_lja_64kb_13
| 1,281.040063
| 16.719
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"text": "Prue had laid her work in her lap, and as Titbottom paused a moment, and I turned towards her, I found her mild eyes fastened upon my face, and glistening with many tears. I knew that the tears meant that she felt herself to be one of those who seemed to Titbottom very happy."
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MonoCut
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large/7245/short_story_053_1212_librivox_64kb_mp3/shortstory053_04_titbottomsspectacles_lja_64kb_25
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"speaker": "7245",
"text": "But Prue and her sex regard sentiment more than action, and I understand easily enough why she is never tired of hearing me read of Prince Charlie."
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MonoCut
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large/7245/short_story_053_1212_librivox_64kb_mp3/shortstory053_04_titbottomsspectacles_lja_64kb_39
| 2,474.879875
| 18.16
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"speaker": "7245",
"text": "\"I mingled with men, but with little pleasure. There are but many varieties of a few types. I did not find those I came to clearer sighted than those I had left behind. I heard men called shrewd and wise, and report said they were highly intelligent and successful."
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MonoCut
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large/7245/short_story_053_1212_librivox_64kb_mp3/shortstory053_04_titbottomsspectacles_lja_64kb_51
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"text": "\"It is because they make him too far sighted, perhaps,\" interrupted Prue quietly, as she took the silver soup ladle from the sideboard. We sipped our wine after dinner, and Prue took her work."
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MonoCut
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large/7245/short_story_053_1212_librivox_64kb_mp3/shortstory053_04_titbottomsspectacles_lja_64kb_70
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"text": "\"My grandmother sent me to school, but I looked at the master, and saw that he was a smooth round ferule, or an improper noun, or a vulgar fraction, and refused to obey him. Or he was a piece of string, a rag, a willow wand, and I had a contemptuous pity."
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MonoCut
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large/7245/short_story_053_1212_librivox_64kb_mp3/shortstory053_04_titbottomsspectacles_lja_64kb_124
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"text": "I watched the earnest, enthusiastic sacrifice. I saw the pure resolve, the generous faith, the fine scorn of doubt, the impatience of suspicion."
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MonoCut
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large/7245/short_story_053_1212_librivox_64kb_mp3/shortstory053_04_titbottomsspectacles_lja_64kb_125
| 1,477.160063
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"text": "If a sharp wind blew suddenly, I saw it tremble and flutter; it was thin, flat, impalpable. I removed my glasses, and looked with my eyes at the wife. I could have smiled to see the humid tenderness with which she regarded her strange _vis à vis_. Is life only a game of blindman's buff? of droll cross purposes?"
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MonoCut
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