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, original talent
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as appalling as any ` comedy '
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writer-director david jacobson and his star , jeremy renner , have made a remarkable film that explores the monster 's psychology not in order to excuse him but rather to demonstrate that his pathology evolved from human impulses that grew hideously twisted .
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lulls you into a gentle waking coma .
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traffics in tired stereotypes
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lost , leaving the character of critical jim two-dimensional and pointless
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is icily brilliant .
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thoughtful , emotional
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good natured
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, love .
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enough flourishes and freak-outs
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carries you along
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that 's what i liked about it -- the real issues tucked between the silly and crude storyline
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defend himself
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far superior film
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feel a nagging sense of deja vu
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would tax einstein 's brain .
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other than the very sluggish pace )
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is , more often then
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's also a -- dare i say it twice -- delightfully charming -- and totally american , i might add -- slice of comedic bliss
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putting together any movies of particular value or merit
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a smartly written motion picture
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implicitly
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iwai 's gorgeous visuals seduce .
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be as naturally charming as it needs to be
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no entertainment value
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unlikeable
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just about the surest bet for an all-around good time at the movies this summer .
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complex characters
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heavy-handed moralistic
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there is truth here
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it 's usually a bad sign when directors abandon their scripts and go where the moment takes them
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to have dumped a whole lot of plot in favor of ... outrageous gags
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a splash even greater
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crafted a deceptively casual ode
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one the public
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clichéd to a fault
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meeting , even exceeding expectations , it 's the best sequel since the empire strikes back ... a majestic achievement , an epic of astonishing grandeur and surprising emotional depth .
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the grandeur
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that rare animal known as ' a perfect family film
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with the intelligence or sincerity it unequivocally deserves
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irresistibly than in ` baran
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her cheery and tranquil suburban life
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it 's a testament to de niro and director michael caton-jones that by movie 's end , we accept the characters and the film , flaws and all .
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seem to be in a contest to see who can out-bad-act the other .
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if pointless excursion
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created a brilliant motion picture
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for blade ii
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have written a more credible script , though with the same number of continuity errors
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leftovers that are n't so substantial or fresh
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sad to say -- it accurately reflects the rage and alienation that fuels the self-destructiveness of many young people .
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a fun one
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beauty and
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, it is more likely to induce sleep than fright .
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rather cold-blooded comedy
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the resolutely downbeat smokers only with every indulgent , indie trick in the book
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wizened
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catapulting the artist
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has all the sibling rivalry and general family chaos to which anyone can relate
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ultimately you 'll leave the theater wondering why these people mattered
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a perfect family film to take everyone to since there 's no new `` a christmas carol '' out in the theaters this year
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this sensuous and spirited tale
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unfunny comedy with a lot of static set ups , not much camera movement , and most of the scenes take place indoors in formal settings with motionless characters .
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berry 's saucy
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everyone , especially movie musical fans
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i liked a lot of the smaller scenes .
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at every opportunity to do something clever , the film goes right over the edge and kills every sense of believability ...
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proves tiresome , with the surface histrionics failing to compensate for the paper-thin characterizations and facile situations .
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in alcatraz ' ... a cinematic corpse
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be as simultaneously funny , offbeat and heartwarming
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embraces it , energizes it and
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a gentle film with dramatic punch , a haunting ode to humanity
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sanctimonious
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... silly humbuggery ...
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fun cheese puff
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infantile , redundant , sloppy
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gong li and a vivid personality
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appears to have been made by people to whom the idea of narrative logic or cohesion is an entirely foreign concept .
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than a stifling morality tale
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a popcorn film , not a must-own , or even a must-see
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failing , ultimately
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a minimalist beauty and the beast
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where one 's imagination will lead when given the opportunity
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scalds like acid
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stay for the credits and see a devastating comic impersonation by dustin hoffman that is revelatory
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is so cliched and contrived that it makes your least favorite james bond movie seem as cleverly plotted as the usual suspects
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rock 's stand-up magic
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committed performances
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in creating the layered richness of the imagery in this chiaroscuro of madness and light
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one of the greatest date movies in years
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probes in a light-hearted way the romantic problems
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run for cover
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a strong and confident work which works so well for the first 89 minutes , but ends so horrendously confusing
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a great cast and
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comes together
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more grueling and
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suspense or believable tension
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too clumsy
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be considered career-best performances
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to transcend its clever concept
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