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dutiful precision
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epic cinema
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episode ii -- attack of the clones is a technological exercise that lacks juice and delight .
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funny
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blasphemous bad
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the entire cast is extraordinarily good .
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be wholesome and subversive at the same time
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, ` how can you charge money for this ? '
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the movie 's major and most devastating flaw is its reliance on formula , though
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, pity anyone who sees this mishmash .
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the most brilliant and brutal uk crime film since jack carter went back to newcastle , the first half of gangster no. 1 drips with style and , at times , blood .
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the feelings evoked in the film are lukewarm and quick to pass .
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a buoyant , expressive flow of images
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much forced drama in this wildly uneven movie , about a young man 's battle with his inescapable past and uncertain future in a very shapable but largely unfulfilling present
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discloses almost nothing .
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sit through it all
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is a step down
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has all the outward elements of the original
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make this worth a peek
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the bai brothers have taken an small slice of history and opened it up for all of us to understand , and
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a sour attempt
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a cut-and-paste
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you 've got a huge mess
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a better movie experience
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's extremely hard to relate to any of the characters
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one mediocre movie
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a movie that , quite simply , should n't have been made
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to a new , self-deprecating level
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a helping hand
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... too sappy for its own good .
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the english call ` too clever by half
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did n't convince me that calvin jr. 's barbershop represents some sort of beacon of hope in the middle of chicago 's south side .
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gorgeous to look at but insufferably tedious and turgid ...
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is presented with universal appeal
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any shoddy product
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if solondz had two ideas for two movies , could n't really figure out how to flesh either out
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is spot
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a movie to forget
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powerful acting clinic
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the situations and the dialogue spin hopelessly out of control -- that is to say
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disbelief
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you leave feeling like you 've endured a long workout without your pulse ever racing .
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that can calm us of our daily ills and bring out joys in our lives that we never knew
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good old fashioned spooks
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very well-written and
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ca n't save it
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whether or not
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one of the saddest action hero performances ever witnessed
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a bland , obnoxious 88-minute infomercial for universal studios and its ancillary products ...
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her pure fantasy character , melanie carmichael , with a massive infusion of old-fashioned hollywood magic
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most severe
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a solid and refined piece of moviemaking imbued with passion and attitude .
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miyazaki has created such a vibrant , colorful world , it 's almost impossible not to be swept away by the sheer beauty of his images .
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a lot of fun , with an undeniable energy
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trouble
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makes no difference in the least
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that craven endorses they simply because this movie makes his own look much better by comparison
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is simply not enough of interest onscreen
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are simply dazzling , particularly balk , who 's finally been given a part worthy of her considerable talents
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being good
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, it has considerable charm .
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casting , often resurrecting performers who rarely work in movies now ... and drawing flavorful performances from bland actors
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works spectacularly well ...
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dread
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is too long with too little going on .
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it would be churlish to begrudge anyone for receiving whatever consolation that can be found in dragonfly , yet
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virulently unpleasant excuse
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the biggest is that secret ballot is a comedy , both gentle and biting .
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impeccable throughout
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will be put to sleep or bewildered by the artsy and often pointless visuals
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a host of splendid performances
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you like peace
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the most politically audacious films of recent decades
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to lawrence 's over-indulgent tirade
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lifeless , meandering , loud , painful , obnoxious
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be the worst film a man has made about women since valley of the dolls
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director peter kosminsky
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the characters are never more than sketches ... which leaves any true emotional connection or identification frustratingly out of reach .
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tenacious
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for every articulate player , such as skateboarder tony hawk or bmx rider mat hoffman , are about a half dozen young turks angling to see how many times they can work the words `` radical '' or `` suck '' into a sentence .
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are times when the film 's reach exceeds its grasp
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better script
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an exhausted , desiccated talent
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it finds a nice rhythm .
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but not great )
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the idea of why human beings long for what they do n't have , and how this gets us in trouble
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self-glorification and
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comes alive when poor hermocrates and leontine pathetically compare notes about their budding amours
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capable thriller
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one ca n't deny its seriousness and quality .
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as a story of dramatic enlightenment , the screenplay by billy ray and terry george leaves something to be desired .
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grace and humor
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of sharp writing
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to be a hip-hop fan to appreciate scratch
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gaghan ... has thrown every suspenseful cliché in the book at this nonsensical story .
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cloaked in the euphemism ` urban drama
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even when there are lulls , the emotions seem authentic
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there 's nothing remotely topical or sexy here .
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as unusually and unimpressively fussy
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talkiness is n't necessarily bad
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