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make an appealing couple -- he 's understated and sardonic
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the hastily and amateurishly
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a caffeinated , sloppy brilliance ,
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come along that turns me into that annoying specimen of humanity that i usually dread encountering the most - the fanboy
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charged
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bring their characters to life
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cooks conduct in a low , smoky and inviting sizzle
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trying to decide what annoyed me most about god is great
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long , intricate , star-studded and
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i 'd much rather watch teens poking their genitals into fruit pies
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a visually flashy but narratively opaque and emotionally vapid
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sure there 's a teenage boy out there somewhere who 's dying for this kind of entertainment
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squanders as much as it gives out
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that would have been funnier if the director had released the outtakes theatrically and used the film as a bonus feature on the dvd
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pretend like your sat scores are below 120
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complete with loads of cgi and bushels of violence , but not a drop
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i had a dream that a smart comedy would come along to rescue me from a summer of teen-driven , toilet-humor codswallop
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like a rather unbelievable love interest and a meandering ending --
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of male-ridden angst
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is that i ca n't wait to see what the director does next
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's quinn ( is ) a leather clad grunge-pirate with a hairdo like gandalf in a wind-tunnel and a simply astounding cor-blimey-luv-a-duck cockney accent . '
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a lasting impression
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is genuinely witty
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would probably be duking it out with the queen of the damned for the honor .
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mean
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a formula comedy redeemed by its stars ,
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beautiful , angry and sad , with a curious sick poetry , as if the marquis de sade
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she of the impossibly long limbs and sweetly conspiratorial smile
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the same number of continuity errors
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made the full monty a smashing success ... but
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a fascinating part of theater history
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... manages to embody the worst excesses of nouvelle vague without any of its sense of fun or energy .
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is a terrific role for someone like judd , who really ought to be playing villains .
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singing and finger
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a brilliant motion picture
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as a historical study and as a tragic love story
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from the writing and direction to the soggy performances
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the pacing is often way off
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threw medical equipment at a window ; not because it was particularly funny
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is devoid of wit and humor
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's just too boring and obvious
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a classic theater piece
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that 's neither original nor terribly funny
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vonnegut
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is an entirely foreign concept
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with an idea buried somewhere inside its fabric , but never clearly seen or felt
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the cadence of a depressed fifteen-year-old 's suicidal poetry
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is turning in some delightful work on indie projects .
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to south seas islanders
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are faithful to melville 's plotline , they
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terminally brain dead production .
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desperately
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in that setting , their struggle is simply too ludicrous and borderline insulting .
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a technical triumph and an extraordinary bore .
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knockaround
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very compelling ,
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rousing , g-rated family film
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yet compelling
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rates as an exceptional thriller
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rising
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from a bygone era
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that 's a lot richer than the ones hollywood action screenwriters usually come up with on their own
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captivating and
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the people in jessica are so recognizable and true that , as in real life , we 're never sure how things will work out .
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a stirring visual sequence
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it all comes together to create a very compelling , sensitive , intelligent and almost cohesive piece of film entertainment
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pleasure to have a film like the hours as an alternative
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miserable throughout as he swaggers through his scenes
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is banal in its message and the choice of material to convey it .
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it 's an 88-minute highlight reel that 's 86 minutes too long .
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love it , too
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a fast-moving and cheerfully simplistic 88 minutes of exaggerated action
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here leaves a lot to be desired
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but it is a whole lot of fun and you get to see the one of the world 's best actors , daniel auteuil ,
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life-embracing
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needs to pull his head out of his butt
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, the film certainly does n't disappoint .
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still could have been room for the war scenes
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its economical
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good-natured and
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strokes the eyeballs
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is awesome
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off-beat
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brainless
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that hong kong action cinema is still alive and kicking
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is a slight and uninventive movie
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it uses very little dialogue , making it relatively effortless to read and follow the action at the same time .
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, i thought i heard a mysterious voice , and felt myself powerfully drawn toward the light -- the light of the exit sign .
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symbolically , warm water under a red bridge is a celebration of feminine energy , a tribute to the power of women to heal .
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charisma
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heartening in the same way
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comes off as emotionally manipulative and sadly imitative of innumerable past love story derisions .
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allows each character to confront their problems openly and honestly
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perhaps the grossest movie ever made .
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the improperly hammy performance
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is on full , irritating display in ( this ) meandering and pointless french coming-of-age import from writer-director anne-sophie birot .
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a bad sign when they 're supposed to be having a collective heart attack
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seem one-dimensional
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the funniest motion
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another trumpet blast that there may be a new mexican cinema a-bornin ' . '
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