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dark to be decipherable
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moving and revelatory
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meditative and lyrical
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this strenuously unconventional movie
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'm not sure which is worse : the poor acting by the ensemble cast , the flat dialogue by vincent r. nebrida or the gutless direction by laurice guillen .
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the depicted events dramatic , funny and poignant
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inexpressible and drab wannabe
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is little more than home alone raised to a new , self-deprecating level .
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funniest and most likeable movie
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the verdict : two bodies and hardly a laugh between them
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stupidity , incoherence and sub-sophomoric
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at 90 minutes this movie is short
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terrific documentaries
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energetic and always surprising
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half past dead is like the rock on a wal-mart budget
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and pulp melodrama
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seems a disappointingly thin slice of lower-class london life ; despite the title ... amounts to surprisingly little .
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flat-out amusing , sometimes endearing
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dearly
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racial profiling hollywood style
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no amount of burning , blasting , stabbing , and shooting
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the euphoria of growing up
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the comic opportunities richly rewarded
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no character , loveable or otherwise
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of weighty revelations , flowery dialogue , and nostalgia for the past
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murder by numbers just does n't add up .
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determine how well the schmaltz is manufactured -- to assess the quality of the manipulative engineering
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is not worth
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is why anybody picked it up .
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thumbs down due to the endlessly repetitive scenes of embarrassment
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appear foolish and shallow rather than , as was more likely ,
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of china 's now numerous , world-renowned filmmakers
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makes it a party worth attending
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many bona fide groaners
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broadway
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its cheesy screenplay
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dream
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inexcusable
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finally transporting re-imagining of beauty and the beast and 1930s horror films
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need of a scented bath
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a movie that will thrill you , touch you and make you
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nothing at the core of this slight coming-of-age/coming-out tale
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the pseudo-educational stuff
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is a much better mother-daughter tale
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compelling pre-wwii drama
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achieves its emotional power and moments of revelation with restraint and a delicate ambiguity
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refreshingly forthright one
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an achingly enthralling premise , the film is hindered by uneven dialogue and plot lapses .
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sly , intricate magic
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as the movie traces mr. brown 's athletic exploits , it is impossible not to be awed by the power and grace of one of the greatest natural sportsmen of modern times .
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halfway through this picture i was beginning to hate it , and ,
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it may be a somewhat backhanded compliment to say that the film makes the viewer feel like the movie 's various victimized audience members after a while , but it also happens to be the movie 's most admirable quality
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embarrassed to be part of
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exhibits the shallow sensationalism characteristic of soap opera ...
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a positive ( if tragic ) note
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thinking about going to see this movie
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on a true and historically significant story
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busy urban comedy is clearly not zhang 's forte
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love robin tunney
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destruction
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falls short on tension , eloquence , spiritual challenge -- things that have made the original new testament stories so compelling for 20 centuries
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the new insomnia is a surprisingly faithful remake of its chilly predecessor
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the secrets of time travel will have been discovered , indulged in and rejected as boring before i see this piece of crap again .
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films which will cause loads of irreparable damage that years and years of costly analysis could never fix
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quiet power
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talk to her is so darned assured
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be good
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are reflected in almost every scene
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document both sides of this emotional car-wreck
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be very sweet indeed
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by the brutality of the jokes , most at women 's expense
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soon proves preposterous , the acting is robotically italicized ,
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evokes the 19th century with a subtlety that is an object lesson in period filmmaking
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into a really funny movie
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adventurous indian filmmakers toward a crossover
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the actors are simply too good , and the story too intriguing
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devastated by war , famine and poverty and
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nothing in the movie makes a convincing case that one woman 's broken heart outweighs all the loss we witness
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is a sweet treasure and something well worth your time .
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overexposed
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the film is visually dazzling , the depicted events dramatic , funny and poignant .
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spellbinding fun
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avoiding eye contact and
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animated movies in quite a while
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director hoffman , his writer and kline 's agent should serve detention
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coherent
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memorable for a peculiar malaise that renders its tension flaccid and , by extension , its surprises limp and its resolutions ritual
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typical pax
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earns the right to be favorably compared to das boot
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settles into the light-footed enchantment the material needs
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to forgive that still serious problem
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with a completely predictable plot
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seem to match the power of their surroundings
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care
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may not be cutting-edge indie filmmaking
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of sexy intrigue
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can argue that the debate it joins is a necessary and timely one
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lasting traces of charlotte 's web
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enough cool fun
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jim carrey
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