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claims to sort the bad guys from the good , which is its essential problem .
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filmmaker stacy peralta has a flashy editing style that does n't always jell with sean penn 's monotone narration , but
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a solid formula for successful animated movies
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bears ... should keep parents amused with its low groan-to-guffaw ratio .
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max pokes , provokes , takes expressionistic license and hits a nerve ... as far as art is concerned , it 's mission accomplished .
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an all-around good time at the movies this summer
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the colorful masseur wastes its time on mood rather than riding with the inherent absurdity of ganesh 's rise up the social ladder .
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how a rich historical subject , combined with so much first-rate talent ... could have yielded such a flat , plodding picture
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it 's leaden and predictable , and
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energizes
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a hugely rewarding experience that 's every bit as enlightening , insightful and entertaining as grant 's two best films -- four weddings and a funeral and bridget jones 's diary .
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` realistic '
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may pander to our basest desires for payback
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few new converts
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patriotic
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been more charming than in about a boy
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's not helpful to listen to extremist name-calling , regardless of whether you think kissinger was a calculating fiend or just a slippery self-promoter .
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the plot has a number of holes , and
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found the ring moderately absorbing , largely for its elegantly colorful look and sound
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the bad sound ,
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samuel l. jackson is one of the best actors there is .
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graceless and ugly
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visual splendor that can be seen in other films
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the pacing is deadly , the narration helps little and naipaul , a juicy writer , is negated .
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heavy-handed , manipulative
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a life-affirming message
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may take on a striking new significance for anyone who sees the film
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smarter than your average bond .
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, carries a little too much ai n't - she-cute baggage into her lead role as a troubled and determined homicide cop to quite pull off the heavy stuff .
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weirdly engaging and unpredictable character pieces
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walks a tricky tightrope between being wickedly funny and just plain wicked
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bypassing no opportunity to trivialize the material
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covered earlier and much better
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the same problems
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an mtv , sugar hysteria , and
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the comic possibilities
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too much of the movie feels contrived , as if the filmmakers were worried the story would n't work without all those gimmicks .
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does n't take a rocket scientist to figure out that this is a mormon family movie , and a sappy , preachy one at that
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if they looked at how this movie turned out
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that he 's going to make a splash even greater than arnold schwarzenegger , jean-claud van damme or steven segal
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may shape hawke 's artistic aspirations
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was , as my friend david cross would call it , ` hungry-man portions of bad '
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know why steven seagal is considered a star , nor why he keeps being cast in action films when none of them are ever any good or make any money
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can depress you about life itself .
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inspiring , ironic , and
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'll find yourself remembering this refreshing visit to a sunshine state .
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witless , pointless , tasteless and idiotic
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cherry orchard is badly edited , often awkwardly directed and suffers from the addition of a wholly unnecessary pre-credit sequence designed to give some of the characters a ` back story . '
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to find an enthusiastic audience among american action-adventure buffs , but the film 's interests
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the result is a powerful , naturally dramatic piece of low-budget filmmaking .
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proves it 's never too late to learn
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seems embarrassed by his own invention and
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under its own thinness
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makes its message resonate
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of the most highly-praised disappointments i
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it definitely gives you something to chew on
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woven together skilfully
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allows a gawky actor like spall -- who could too easily become comic relief in any other film -- to reveal his impressively delicate range
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... that the material is so second-rate .
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this trite , predictable rehash
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a superfluous sequel ... plagued by that old familiar feeling of ` let 's get this thing over with ' : everyone has shown up at the appointed time and place , but visible enthusiasm is mighty hard to find
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all menace and atmosphere
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of good stuff
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emphasizes the well-wrought story
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made swimfan anyway
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it feels more like the pilot episode of a tv series than a feature film
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needs to overcome gaps in character development and story logic
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the operative word for `` bad company
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manages , with terrific flair , to keep the extremes of screwball farce and blood-curdling family intensity on one continuum .
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to a sunshine state
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saves
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an intense political and psychological thriller
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get through this interminable , shapeless documentary about the swinging subculture
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mysterious , sensual ,
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tara reid plays a college journalist ,
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would take a complete moron to foul up a screen adaptation of oscar wilde 's classic satire
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the director uses the last act to reel in the audience since its poignancy hooks us completely .
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which may be why it 's so successful at lodging itself in the brain
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a cast of a-list brit actors
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tediously exasperating
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user-friendly
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of the universal themes , earnest performances
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deserving of its critical backlash and more .
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the light comedic work of zhao benshan and the delicate ways of dong jie
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aficionados of the whodunit wo n't be disappointed
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highlighted by a gritty style and an excellent cast
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is a film that 's about as subtle as a party political broadcast
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, it also represents glossy hollywood at its laziest .
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trading in his cynicism for reverence and a little wit
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aging , suffering and the prospect of death
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we hold dear about cinema , only now it 's begun to split up so that it can do even more damage
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is about the people who live in them , who have carved their own comfortable niche in the world and have been kind enough to share it .
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that excites the imagination and tickles the funny bone
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jackass is a vulgar and cheap-looking version of candid camera staged for the marquis de sade set .
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remarkably cohesive whole
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ideally
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by not averting his eyes , solondz forces us to consider the unthinkable , the unacceptable , the unmentionable .
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a class with that of wilde
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involving than this mess
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its performances
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