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with the surface histrionics failing to compensate for the paper-thin characterizations and facile situations
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, one the public rarely sees .
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leaving questions in its wake
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his promise
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color , music , and dance that only the most practiced curmudgeon could fail to crack a smile at
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the immersive powers of the giant screen and its hyper-realistic images
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if you find comfort in familiarity
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no palpable chemistry
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of warmth and humor
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a loud , ugly , irritating movie without any of its satirical
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gorgeous to look at but
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's denial of sincere grief and mourning in favor of bogus spiritualism
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ambitious , eager
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slightly naughty , just-above-average off - broadway play
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penetrating , impenetrable
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appreciate the wonderful cinematography and naturalistic acting
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that 's unfocused and tediously exasperating
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wobbly premise work
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its cutesy reliance
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a classic text
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plotless collection of moronic stunts is by far the worst movie of the year .
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the human story is pushed to one side
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inhabit that special annex of hell where adults behave like kids ,
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finding their way to joy
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is disappointingly generic
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feels like very light errol morris , focusing on eccentricity but failing , ultimately , to make something bigger out of its scrapbook of oddballs .
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a culture clash comedy only half as clever as it thinks it is .
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, labute continues to improve .
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is creepy in a michael jackson sort of way
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a thoughtful movie , a movie that is concerned with souls and risk and schemes and the consequences of one 's actions .
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represents the worst kind of filmmaking , the kind that pretends to be passionate and truthful but is really frustratingly timid and soggy .
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strong
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well cast and well directed - a powerful drama with enough sardonic wit to keep it from being maudlin .
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assaults on america 's knee-jerk moral sanctimony
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to modernize it with encomia to diversity and tolerance
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sandra bullock and hugh grant make a great team , but
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a lack of clarity and audacity that a subject as monstrous and pathetic as dahmer
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one eventually resents having to inhale this gutter romancer 's secondhand material
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losin '
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a fascinating examination
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in the affable maid in manhattan , jennifer lopez 's most aggressive and most sincere attempt to take movies by storm , the diva shrewdly surrounds herself with a company of strictly a-list players .
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talented , charismatic and tragically
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rich tale
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just utter ` uhhh , ' which is better than most of the writing in the movie
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more than a tepid exercise in
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never gets too cloying thanks to the actors ' perfect comic timing and sweet , genuine chemistry .
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this is a visually stunning rumination on love , memory , history and the war between art and commerce .
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is a fascinating film
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a definitive counter-cultural document
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a thriller , and the performances
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ludicrous film
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light-years ahead of paint-by-number american blockbusters like pearl harbor , at least artistically .
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like an infomercial for ram dass 's latest book
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more ways
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is a kind of perpetual pain
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is one film that 's truly deserving of its oscar nomination
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, stupid
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revelatory
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objective documentary
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presented in such a lousy way , complete with some of the year 's ( unintentionally ) funniest moments , that it 's impossible to care
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you would n't want to live waydowntown ,
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watching seinfeld ( who is also one of the film 's producers ) do everything he can to look like a good guy
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overwritten
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all-star salute
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( vainly , i think )
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mediocre movie
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of romance , dancing , singing , and unforgettable characters
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crass , then gasp for gas , verbal deportment
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attal 's hang-ups surrounding infidelity are so old-fashioned and , dare i say ,
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solidly
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, dishonest
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's not too fast and not too slow .
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it 's pleasant enough and its ecological , pro-wildlife sentiments are certainly welcome
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, dumb and derivative horror
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from others in its genre in that it is does not rely on dumb gags , anatomical humor , or character cliches
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it may rate as the most magical and most fun family fare of this or any recent holiday season .
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falls victim to sloppy plotting , an insultingly unbelievable final act and a villainess who is too crazy to be interesting
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fly at such a furiously funny pace that the only rip off that we were aware of
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unusually dry-eyed , even analytical approach
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often pointless
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reminds me of a vastly improved germanic version of my big fat greek wedding -- with better characters , some genuine quirkiness and at least a measure of style
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biggest names
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smart and taut
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bravo 's
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perhaps even the slc high command found writer-director mitch davis 's wall of kitsch hard going .
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is philosophy , illustrated through everyday events
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works as pretty contagious fun
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create a film that 's not merely about kicking undead *** ,
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cheering
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by surrounding us with hyper-artificiality , haynes makes us see familiar issues , like racism and homophobia , in a fresh way .
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it 's hard to believe that something so short could be so flabby .
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a funny and touching film that is gorgeously acted by a british cast to rival gosford park 's .
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feel sad
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much more than
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smeary and blurry ,
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, director fisher stevens inexplicably dips key moments from the film in waking life water colors .
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you see the movie and you think , zzzzzzzzz .
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full of flatulence jokes and mild sexual references , kung pow
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to enjoy yourselves without feeling conned
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though it runs 163 minutes
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