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maudlin and cliche-ridden
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heroic
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the movie wavers between hallmark card sentimentality and goofy , life-affirming moments straight out of a cellular phone commercial .
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best didacticism
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with its own solemn insights
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strikes a very resonant chord
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i ca n't wait to see what the director does next
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is lost , leaving the character of critical jim two-dimensional and pointless
0
subtly different
1
a balanced film
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foul up shum 's good intentions .
0
it 's tough to watch , but it 's a fantastic movie .
1
`` frailty '' has been written so well , that even a simple `` goddammit ! ''
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barely shocking , barely interesting and most of all , barely anything
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interesting characters
1
put together a bold biographical fantasia
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cool
1
has its moments in looking at the comic effects of jealousy
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been readily dismissed as the tiresome rant of an aging filmmaker still thumbing his nose at convention
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a weak and ineffective ghost story without a conclusion or pay off
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animation back 30 years , musicals back 40 years and judaism back at least 50
0
see a movie
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of life and small delights
1
is just as good , if not better than much of what 's on saturday morning tv especially the pseudo-educational stuff we all ca n't stand
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keeps throwing fastballs
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's not nearly enough that 's right
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would tax einstein 's brain
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complex than your average film
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figures prominently in this movie ,
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alive
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the script , the gags , the characters are all direct-to-video stuff , and that 's where this film should have remained
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powerful and deeply moving
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sink it
0
juxtapositions
1
its great credit
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very well-meaning movie ,
1
means a great movie
1
made no such thing
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, this movie just goes on and on and on and on
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boring talking heads
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that burns is a filmmaker with a bright future ahead of him
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manages to avoid many of the condescending stereotypes that so often plague films dealing with the mentally ill
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despite an impressive roster of stars and direction from kathryn bigelow
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the star who helped give a spark to `` chasing amy '' and `` changing lanes '' falls flat as thinking man cia agent jack ryan in this summer 's new action film , `` the sum of all fears . ''
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to the outstanding soundtrack
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'm left slightly disappointed that it did n't
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exceptionally dreary and overwrought
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goes off the beaten path , not necessarily for the better
0
handsome but unfulfilling suspense drama
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the less charitable might describe as a castrated
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asks you to not only suspend your disbelief but your intelligence as well
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in venice
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half past dead is just such an achievement .
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extremely well acted by the four primary actors , this is a seriously intended movie that is not easily forgotten .
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than their funny accents
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recalling sixties ' rockumentary milestones from lonely boy to do n't look back .
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funny , somber , absurd , and , finally , achingly sad
1
studiously inoffensive
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ca n't help but feel ` stoked .
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most purely enjoyable
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the recording sessions are intriguing , and
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adept
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that george lucas can only dream of
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's hard to imagine that even very small children will be impressed by this tired retread .
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shekhar kapur
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the densest distillation of roberts ' movies
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disrobed most of the cast ,
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it 's a visual rorschach test and i must have failed
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truly excellent
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monumental as disney 's 1937 breakthrough
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a good music documentary
1
engaging despite being noticeably derivative of goodfellas and at least a half dozen other trouble-in-the-ghetto flicks
1
offers an interesting bit of speculation as to the issues brecht faced as his life drew to a close .
1
agonizing , catch-22
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broomfield has a rather unique approach to documentary .
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that were imposed for the sake of commercial sensibilities
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unfortunately , kapur modernizes a.e.w. mason 's story to suit the sensibilities of a young american , a decision that plucks `` the four feathers '' bare .
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to call this film a lump of coal
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a mediocre tribute to films like them
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a laugh between them
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family audience
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its strengths
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the hook is the drama within the drama , as an unsolved murder and an unresolved moral conflict jockey for the spotlight .
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( davis ) wants to cause his audience an epiphany
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to make a film in which someone has to be hired to portray richard dawson
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work , especially since the actresses in the lead roles are all more than competent
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also demonstrate how desperate the makers of this ` we 're - doing-it-for - the-cash ' sequel were .
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much of the cast is stiff or just plain bad .
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breathes life into a roll that could have otherwise been bland and run of the mill
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in addition to scoring high for originality of plot -- putting together familiar themes of family , forgiveness and love in a new way -- lilo & stitch has a number of other assets to commend it to movie audiences both innocent and jaded .
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delivered in low-key style
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fails to match the freshness of the actress-producer and writer
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neil burger 's impressive fake documentary
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's often overwritten ,
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impostor deviously adopts the guise of a modern motion picture
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it 's dark but has wonderfully funny moments ; you care about the characters ; and the action and special effects are first-rate
1
the year 's greatest adventure , and jackson 's limited but enthusiastic adaptation has made literature literal without killing its soul -- a feat any thinking person is bound to appreciate
1
shows holmes has the screen presence to become a major-league leading lady , ( but )
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believing people were paid to make it
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red dragon rates as an exceptional thriller .
1