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every turn of elizabeth berkley 's flopping dolphin-gasm
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convinced that these women are spectacular
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its gender politics , genre thrills
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feels less the product of loving , well integrated homage and more like a mere excuse for the wan , thinly sketched story
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that works on any number of levels
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stories drowned by all too clever complexity
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a lot to recommend read my lips
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christ
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caper thrills
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welcome relief
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may be a bit disjointed
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plays like a powerful 1957 drama we 've somehow never seen before
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are fun and reminiscent of combat scenes from the star wars series
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a film neither bitter nor sweet , neither romantic nor comedic , neither warm nor fuzzy .
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a film to which the adjective ` gentle ' applies
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of an ordeal than an amusement
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it 's up to ( watts ) to lend credibility to this strange scenario , and her presence succeeds in making us believe
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pokémon 4ever
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a failure
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( t ) his slop
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that will capture the minds and hearts of many
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a powerful look at a failure of our justice system
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a charmer from belgium
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you 'll derive from this choppy and sloppy affair
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magnificent
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benefits from having a real writer plot out all of the characters ' moves and overlapping story .
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people who are enthusiastic about something and then
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silly overkill
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its makers actually seem to understand what made allen 's romantic comedies so pertinent and enduring
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, '' it 's equally distasteful to watch him sing the lyrics to `` tonight . ''
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anachronistic quick edits and
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, kinetically-charged spy flick worthy
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provocative material
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takes a classic story
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's ) quite a bit of heart , as you would expect from the directors of the little mermaid and aladdin
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poor editing , bad bluescreen , and ultra-cheesy dialogue
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the pleasure of watching them
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... is a man who uses the damage of war -- far more often than the warfare itself -- to create the kind of art shots that fill gallery shows
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escapes the precious trappings of most romantic comedies , infusing into the story
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and second , what 's with all the shooting ?
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sad , sick sight
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was influenced by some of the filmmakers who have directed him , especially the coen brothers and steven soderbergh
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justifying the hype that surrounded its debut at the sundance film festival
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seem motivated by nothing short of dull , brain-deadening hangover .
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as the princess , sorvino glides gracefully from male persona to female without missing a beat .
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at best
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a teeth-clenching gusto
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to dupe the viewer into taking it all as very important simply because the movie is ugly to look at and not a hollywood product
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rap and r&b names
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pretends to be a serious exploration of nuclear terrorism
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, mesmerizing
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who has been awarded mythic status in contemporary culture
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succeeds mainly on the shoulders of its actors .
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pretentious mess .
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best way
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it 's a smart , funny look at an arcane area of popular culture , and
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an imaginative teacher
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if it chiefly inspires you to drive a little faster
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barbershop '' is a good-hearted ensemble comedy with a variety of quirky characters and an engaging story .
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willingness to wander into the dark areas of parent-child relationships without flinching
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have all the suspense of a 20-car pileup
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in its characters ' frustrations
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dubious
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punctuated by sudden shocks
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love a disney pic with as little cleavage as this one has ,
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confessions may not be a straightforward bio , nor does it offer much in the way of barris ' motivations , but the film is an oddly fascinating depiction of an architect of pop culture .
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broder 's screenplay is shallow , offensive and redundant , with pitifully few real laughs .
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make `` the good girl '' a film worth watching
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no organic intrigue
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the chateau ... is less concerned with cultural and political issues than doting on its eccentric characters .
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bravado kathy !
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avoids the obvious
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i mind ugly
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brilliantly employ their quirky and fearless ability to look american angst in the eye and end up laughing .
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hard to believe that a life like this can sound so dull
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's depressing to see how far herzog has fallen
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is a wonderful thing ; that he has been able to share his story so compellingly with us is a minor miracle
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barf
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congrats disney on a job well done , i enjoyed it just as much !
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banal in its message and the choice of material
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a rock-solid little genre picture
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all this exoticism might sound to the typical pax
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think , zzzzzzzzz
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it 's a very sincere work
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high-minded snoozer .
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difficult to feel anything much while watching this movie , beyond mild disturbance or detached pleasure at the acting
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an admirable
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no quarter
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dumb , narratively chaotic
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if it is n't entirely persuasive , it does give exposure to some talented performers
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merely ( and literally ) tosses around sex toys and offers half-hearted paeans to empowerment that are repeatedly undercut by the brutality of the jokes , most at women 's expense .
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which might have been called freddy gets molested by a dog
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are both overplayed and exaggerated
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chicago offers much colorful eye candy , including the spectacle of gere in his dancing shoes , hoofing and crooning with the best of them .
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i admire the closing scenes of the film , which seem to ask whether our civilization offers a cure for vincent 's complaint .
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has an infectious enthusiasm
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human experience -- drama , conflict , tears and surprise -- that it transcends the normal divisions between fiction and nonfiction film
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franco is an excellent choice for the walled-off but combustible hustler , but
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hits a nerve
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starts off witty and sophisticated
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