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better drama
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may fall fast asleep
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oblivious to the existence of this film
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so potent
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affirm love 's power to help people endure almost unimaginable horror
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retelling a historically significant , and personal , episode
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want to think too much about what 's going on
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but every bit as filling as the treat of the title
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to sit back and enjoy a couple of great actors hamming it up
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you may be captivated , as i was , by its moods , and by its subtly transformed star , and still wonder why paul thomas anderson ever had the inclination to make the most sincere and artful movie in which adam sandler will probably ever appear .
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the year 2002 has conjured up more coming-of-age stories than seem possible , but take care of my cat emerges as the very best of them
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affluence
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muscles and a lot more smarts , but just as endearing and easy to watch
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it 's common knowledge that park and his founding partner , yong kang , lost kozmo in the end
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a stunningly unoriginal premise
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as boring before i see this piece of crap again
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with a lousy script , inept direction , pathetic acting , poorly dubbed dialogue and murky cinematography
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period drama and flat-out farce that should please history fans
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something , one that attempts and often achieves a level of connection and concern
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an obvious copy
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green ruins every single scene he 's in ,
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most compelling
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slide down the slippery slope of dishonesty
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a such a brainless flibbertigibbet
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the film is really closer to porn than a serious critique of what 's wrong with this increasingly pervasive aspect of gay culture .
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a case of masochism and an hour and a half
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period-piece movie-of-the-week
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it 's refreshing to see a romance this smart .
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's also uninspired ,
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comprehend it
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badly edited , often awkwardly directed and suffers from the addition of a wholly unnecessary pre-credit sequence designed to give some of the characters a ` back story
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to anyone who loves both dance and cinema
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pleasant enough dish
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feels like a prison stretch .
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slick production values and
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impressively
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the very best of them
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of its execution and skill of its cast
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a look for its true-to-life characters , its sensitive acting , its unadorned view of rural life and the subtle direction of first-timer hilary birmingham
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invigorating , surreal , and resonant
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many a parent and their teen ( or preteen ) kid could bond while watching a walk to remember .
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impenetrable and
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the prospect of their own mortality
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thanks to the gorgeous locales and exceptional lead performances
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entertaining , if somewhat standardized , action
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once she lets her love depraved leads meet , ( denis ' ) story becomes a hopeless , unsatisfying muddle
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quirky , odd movies and/or the ironic
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suggest that the wayward wooden one end it all by stuffing himself into an electric pencil sharpener
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delicate , clever
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into a believable mother/daughter pair
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is at 22 a powerful young actor
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of the outstanding thrillers of recent years
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it 's a big idea
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of the horror film franchise that is apparently as invulnerable as its trademark villain
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muccino , who directed from his own screenplay , is a canny crowd pleaser , and the last kiss ... provides more than enough sentimental catharsis for a satisfying evening at the multiplex .
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from the dull
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is extraordinarily good .
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's fairly lame
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eerily
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, we do n't feel much for damon/bourne or his predicament
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film that loses sight of its own story .
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delicate , clever direction
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drowned me
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wilde 's play is a masterpiece of elegant wit and artifice .
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seventy-minute running time
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the ensemble cast , the flat dialogue by vincent r. nebrida or the gutless direction by laurice guillen
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( woo 's ) most resonant film since the killer .
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the filling
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is rather like being trapped while some weird relative trots out the video he took of the family vacation to stonehenge .
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why , after only three films , director/co-writer jacques audiard , though little known in this country , belongs in the very top rank of french filmmakers
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a film that begins with the everyday lives of naval personnel in san diego and ends with scenes so true and heartbreaking that tears welled up in my eyes both times i
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werner herzog can still leave us with a sense of wonder at the diverse , marvelously twisted shapes history has taken
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their culture 's manic mix of millennial brusqueness and undying , traditional politesse
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a major-league leading lady
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like locusts in a horde these things will keep coming
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maintains a surprisingly buoyant tone
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never gaining much momentum
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audacity and
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hard-won rewards
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lack-of-attention
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could be looking at his 12th oscar nomination by proving that he 's now , more than ever , choosing his roles with the precision of the insurance actuary .
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'll love it
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awful snooze .
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such an irrepressible passion for sappy situations and dialogue
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has the thrown-together feel of a summer-camp talent show : hastily written ,
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an astonishingly condescending attitude toward women
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sweetheart
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a so-called ` comedy '
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fun family fare
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even a must-see
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nelson 's intentions are good , but the end result does no justice to the story itself
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as an introduction to the man 's theories and influence , derrida is all but useless ;
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of hollywood heart-string plucking
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this u-boat does n't have a captain .
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half-step
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it 's an entertaining and informative documentary .
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helps `` being earnest '' overcome its weaknesses
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that the typical hollywood disregard for historical truth and realism is at work here
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a bad movie
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a moving and solidly entertaining comedy/drama that should bolster director and co-writer juan josé campanella 's reputation in the united states .
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