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too predictably
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an exquisite , unfakable sense of cinema
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clever angle
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incredible imax sound system
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flawless
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has a bracing truth that 's refreshing after the phoniness of female-bonding pictures like divine secrets of the ya-ya sisterhood
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all of the elements are in place for a great film noir , but director george hickenlooper 's approach to the material is too upbeat .
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one-star rating
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made-for-tv
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first-time director denzel washington and a top-notch cast
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the only thing that distinguishes a randall wallace film from any other is the fact that there is nothing distinguishing in a randall wallace film .
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remarkable procession of sweeping pictures
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here lacks considerable brio .
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refers incessantly to old movies , when you could just rent those movies instead , let alone seek out a respectable new one
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are the uneven performances by the cast members , who seem bound and determined to duplicate bela lugosi 's now-cliched vampire accent
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acknowledges and celebrates the glorious chicanery and self-delusion of this most american of businesses
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the whole thing never existed
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with enough negatives
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is predictable
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large cast
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well-directed
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nicholson 's understated performance is wonderful .
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easily accessible stories
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swimming is above all about a young woman 's face , and by casting an actress whose face projects that woman 's doubts and yearnings , it succeeds .
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neither is it as smart
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with tiny little jokes and nary an original idea
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, slap her is a small but rewarding comedy that takes aim at contemporary southern adolescence and never lets up .
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, e.t. remains the most wondrous of all hollywood fantasies -- and the apex of steven spielberg 's misunderstood career .
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but disintegrates into a dreary , humorless soap opera .
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a laughable --
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takes your breath away
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daft
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shrewd and effective film
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an extremely funny , ultimately heartbreaking look at life in contemporary china .
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dramatic experience .
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what makes it worth the trip to the theater
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uneven , self-conscious but often hilarious spoof .
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seems timely and important
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of style , text , and subtext that 's so simple and precise that anything discordant would topple the balance
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made but uninvolving
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energetic
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be with a large dose of painkillers
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waydowntown may not be an important movie , or even a good one , but it provides a nice change of mindless pace in collision with the hot oscar season currently underway .
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punch and depth
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melodramatic mountain
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, the film is extremely thorough .
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that even tunney ca n't save
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to make the stones weep -- as shameful as it
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aan opportunity wasted .
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there is no substitute for on-screen chemistry , and
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the mothman prophecies , which is mostly a bore
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that is definitely meaningless , vapid and devoid of substance
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is rich in emotional texture
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the tinny self-righteousness of his voice
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is the cast , particularly the ya-yas themselves
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the kids in the audience at the preview screening seemed bored , cheering the pratfalls but little else ;
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never reach satisfying conclusions
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the delicious trimmings ... arrive early and stay late , filling nearly every minute ... with a lighthearted glow , some impudent snickers , and a glorious dose of humankind 's liberating ability to triumph over a scrooge or two .
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a sad and rote exercise
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the players it brings to the fore for the gifted but no-nonsense human beings they are and for the still-inestimable contribution they have made to our shared history
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well to cram earplugs
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the obnoxious special effects , the obligatory outbursts of flatulence and the incessant , so-five-minutes-ago pop music on the soundtrack overwhelm what is left of the scruffy , dopey old hanna-barbera charm .
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the delicious pulpiness
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solemn pretension
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remarkable procession of sweeping pictures that have reinvigorated the romance genre
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a major waste
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reign of fire never comes close to recovering from its demented premise , but
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manipulative feminist empowerment tale thinly
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, meditative
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crackles
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ah-nuld 's action hero days might be over .
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very , very good reasons
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the masses with star power , a pop-induced score and sentimental
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engaging , imaginative filmmaking
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the sword fighting is well done and auteuil is a goofy pleasure .
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cheesy backdrops , ridiculous action sequences , and
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very welcome
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a rip-roaring comedy action
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the immediate aftermath of the terrorist attacks
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a fairly revealing study
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, one is left with a sour taste in one 's mouth , and little else .
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cranky adults
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the film does n't have enough innovation or pizazz to attract teenagers , and
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inappropriate
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dull , brain-deadening hangover
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called best bad film you thought was going to be really awful but
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mr. scorsese 's bravery and integrity in advancing this vision
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of those exceedingly rare films in which the talk alone is enough to keep us
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pared down its plots and characters to a few rather than dozens
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, villeneuve creates in maelstrom a world where the bizarre is credible and the real turns magical .
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the film is ultimately about as inspiring as a hallmark card .
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through its flaws , revolution # 9 proves to be a compelling
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gripping humanity
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mourns
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cleverest
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dreary mess
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the creative animation work may not look as fully ` rendered ' as pixar 's industry standard , but it uses lighting effects and innovative backgrounds to an equally impressive degree .
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the scope and shape of an especially well-executed television movie
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an interesting and at times captivating
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the visual panache
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