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the superficial way
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will have completely forgotten the movie by the time you get back to your car in the parking lot .
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uneven
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in the end , the weight of water comes to resemble the kind of soft-core twaddle you 'd expect to see on showtime 's ` red shoe diaries . '
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ultimately the story compels
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is a movie you can trust .
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was hard for me
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savvy director robert j. siegel and his co-writers
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got it right the first time
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the movie is ingenious fun .
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kim ki-deok seems to have in mind an ( emotionally at least ) adolescent audience demanding regular shocks and bouts of barely defensible sexual violence to keep it interested .
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tired , unnecessary retread
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guys say mean things and shoot a lot of bullets .
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foremost cinematic poet
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often surprising
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it made me want to get made-up and go see this movie with my sisters .
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of paint-by-number american blockbusters like pearl harbor
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wewannour money
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intermezzo strain
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chilling advantage
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good qualities
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the only thing avary seems to care about are mean giggles and pulchritude .
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was when green threw medical equipment at a window ; not because it was particularly funny , but because i had a serious urge to grab the old lady at the end of my aisle 's walker and toss it at the screen in frustration
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complex , unpredictable character
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the good and different
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worth catching for griffiths ' warm and winning central performance
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it 's dark but has wonderfully funny moments ; you care about the characters ;
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filmmaking with a visually masterful work of quiet power
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often inspiring
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is a frustrating patchwork : an uneasy marriage of louis begley 's source novel ( about schmidt ) and an old payne screenplay .
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cinematic poet
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emerges as another key contribution to the flowering of the south korean cinema
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kafka
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a case of two actors who do everything humanly possible to create characters who are sweet and believable , and are defeated by a screenplay that forces them into bizarre , implausible behavior
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oddly
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of the jokes , most at women 's expense
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cross-country road trip
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pacino gives one of his most daring , and complicated , performances
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of an underdone potato
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triumphantly returns to narrative filmmaking with a visually masterful work of quiet power .
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its predictability
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refreshingly clear
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is a question for philosophers , not filmmakers ; all the filmmakers need to do is engage an audience .
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bible stores of the potential for sanctimoniousness
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a confusing melange
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is cool .
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any naked teenagers horror flick
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is the script 's endless assault of embarrassingly ham-fisted sex jokes that reek of a script rewrite designed to garner the film a `` cooler '' pg-13 rating
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normally , rohmer 's talky films fascinate me , but when he moves his setting to the past , and relies on a historical text , he loses the richness of characterization that makes his films so memorable .
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full of flatulence jokes and mild sexual references , kung pow !
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i just did n't care
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keeps throwing fastballs
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armed with a game supporting cast
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listen to marvin gaye or the supremes the same way again
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a movie that sends you out of the theater feeling like you 've actually spent time living in another community .
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happy times maintains an appealing veneer without becoming too cute about it .
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sleep-inducingly slow-paced crime drama
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a spark of new inspiration in it , just more of the same , done with noticeably less energy and imagination
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sad nonsense , this .
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outstanding soundtrack
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a fascinating , compelling story
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unique
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wars
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beautifully sung
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heartening
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petty
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it made me feel unclean , and
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's so tedious that it makes you forgive every fake , dishonest , entertaining and , ultimately , more perceptive moment in bridget jones 's diary .
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that ca n't get sufficient distance from leroy 's
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a hugely rewarding experience that 's every bit as enlightening , insightful and entertaining as grant 's two best films --
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a very very strong `` b +
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of ' a nightmare
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found the movie as divided against itself
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just dreadful
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how the film knows what 's unique and quirky about canadians
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among the most pitiful directing
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rich and full
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for serious film buffs
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will not be able to stomach so much tongue-in-cheek weirdness
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an absolute delight
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too easily
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poignant and gently humorous
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prescribed
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the determination of pinochet 's victims to seek justice , and their often heartbreaking testimony , spoken directly into director patricio guzman 's camera , pack a powerful emotional wallop
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mundane
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stuffy
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has one of the most moronic screenplays of the year , full of holes that will be obvious even to those who are n't looking for them .
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pointless mayhem
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laughing at the ridiculous dialog or the oh-so convenient plot twists
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romantic , riveting and handsomely
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better than
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visually dazzling
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for a film about action , ultimate x is the gabbiest giant-screen movie ever , bogging down in a barrage of hype .
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they have a tendency to slip into hokum
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as monumental as disney 's 1937 breakthrough
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is unfocused , while the story goes nowhere
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digitally altered footage
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inspirational
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a playful iranian parable about openness , particularly the need for people of diverse political perspectives to get along despite their ideological differences .
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nostalgic comments from the now middle-aged participants
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