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almost as offensive as `` freddy
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it entertaining
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hmmm
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a lot to ask people to sit still for two hours and change watching such a character , especially when rendered in as flat and impassive a manner as phoenix 's
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friendship ,
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the slightly flawed ( and fairly unbelievable ) finale
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callow
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the only fun part of the movie is playing the obvious game .
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locales
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treasure chest
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-- and far less crass
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grisly
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in crisis
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in the same old story
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be patient with the lovely hush !
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a rich and intelligent film
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the story is lacking any real emotional impact , and the plot is both contrived and cliched
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natural and lovely
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sarah 's dedication to finding her husband seems more psychotic than romantic , and
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roiling black-and-white inspires trembling and gratitude .
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a beautiful film
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is interested
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drag on
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steals so freely from other movies and
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live happily ever after
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overstimulated minds
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'd have to be a most hard-hearted person not to be moved by this drama .
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loss and denial and life-at-arm 's -
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that does n't mean it still wo n't feel like the longest 90 minutes of your movie-going life
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working-class subjects
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a momentum that never lets up
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, caring
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is no solace here , no entertainment value , merely a fierce lesson in where filmmaking can take us
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though tom shadyac 's film kicks off spookily enough , around the halfway mark it takes an abrupt turn into glucose sentimentality and laughable contrivance .
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with a visual style unique and inherent
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go see this delightful comedy
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searching for its identity
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of irreparable damage
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that jumps off the page , and for the memorable character creations
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abhorrent
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you love the music , and
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taken it a step further , richer and deeper
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been there , done that , liked it much better the first time around - when it was called the professional .
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but blatantly biased
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, it still manages to string together enough charming moments to work .
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hate myself most mornings
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top-notch cast
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rifkin no doubt fancies himself something of a hubert selby jr. , but there is n't an ounce of honest poetry in his entire script ; it 's simply crude and unrelentingly exploitative
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depict a homosexual relationship in a mature and frank fashion
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an american tragedy
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here 's a case of two actors who do everything humanly possible to create characters who are sweet and believable , and are defeated by a screenplay that forces them into bizarre , implausible behavior .
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far more entertaining
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the film goes right over the edge and kills every sense of believability
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race and culture forcefully told , with superb performances throughout
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such blatant and sickening product placement
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this engaging film
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is heartfelt and achingly real
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astonishing voice cast
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children and adults enamored of all things pokemon
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manic
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visual flair
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a visually flashy but narratively opaque and emotionally vapid exercise in style and mystification .
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the story is predictable
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compelling supporting characters
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a taut , sobering film .
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becomes an overwhelming pleasure
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audacious-impossible
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from the writing and direction to the soggy performances --
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should drop everything and run to ichi .
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the art demands live viewing .
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hollywood magic
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appropriately cynical social commentary aside , # 9 never quite ignites .
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watch your merchant ivory productions
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capture the chaos of france in the 1790 's
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is like having two guys yelling in your face for two hours
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not quite as miraculous as its dreamworks makers
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a legacy
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that rare creature -- an action hero with table manners , and one who proves that elegance is more than tattoo deep
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serves as a paper skeleton for some very good acting , dialogue , comedy , direction and especially charm .
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the immersive powers of the giant screen and its hyper-realistic images are put to perfect use in the breathtakingly beautiful outer-space documentary space station 3d .
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made him feel powerful
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, they ca n't generate enough heat in this cold vacuum of a comedy to start a reaction .
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, this cartoon adventure is that wind-in-the-hair exhilarating .
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completely familiar
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win you over
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early laughs
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grows boring despite the scenery .
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starts out
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is a popcorn film , not a must-own , or even a must-see .
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, assured of the wrong things , and scared to admit how much they may really need the company of others
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the young stars are too cute ; the story and ensuing complications are too manipulative ; the message is too blatant ; the resolutions are too convenient .
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to ride the big metaphorical wave that is life -- wherever it takes you
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of bad writing , bad direction and bad acting -- the trifecta of badness
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you ca n't wait to see end .
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a first-class , thoroughly involving b movie that effectively combines two surefire , beloved genres
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it must have read ` seeking anyone with acting ambition but no sense of pride or shame . '
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simply stupid , irrelevant and deeply
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horrendously amateurish filmmaking that is plainly dull and visually ugly when it is n't incomprehensible .
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consistently sensitive and
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this amiable picture
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