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unendurable viewing experience
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just brilliant in this
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sexy razzle-dazzle
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really work
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some savvy producer saw the potential success inherent in the mixture of bullock bubble and hugh goo
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the narration helps little
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accomplished oscar winners susan sarandon , dustin hoffman and holly hunter , yet newcomer ellen pompeo pulls off the feat with aplomb
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( b )
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would pay a considerable ransom not to be looking at
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it tight and nasty
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the talented cast alone will keep you watching , as will the fight scenes .
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any of the character dramas , which never reach satisfying conclusions
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at least a decent attempt at meaningful cinema
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this gentle , mesmerizing portrait
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viewers are asked so often to suspend belief that were it not for holm 's performance
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's hard to figure the depth of these two literary figures , and even the times in which they lived .
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many talented people
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did n't offer an advance screening
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soulless
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solid family fun
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having two guys yelling in your face for two hours
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a film that proposes as epic tragedy the plight of a callow rich boy who is forced to choose between his beautiful , self-satisfied 22-year-old girlfriend and an equally beautiful , self-satisfied 18-year-old mistress
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amateurishly
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tackles the difficult subject of grief and loss with such life-embracing spirit
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you 'll be shaking your head all the way to the credits
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a boring man ,
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one could rent the original and get the same love story and parable .
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vibrant
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the knee-jerk misogyny that passes for humor in so many teenage comedies
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admirable energy , full-bodied characterizations
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figure the power-lunchers do n't care to understand , either
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passing twinkle
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a remarkable film by bernard rose .
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sluggish , tonally uneven .
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she nearly glows with enthusiasm , sensuality and a conniving wit .
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very compelling , sensitive , intelligent and
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an act of spiritual faith
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does n't deliver a great story ,
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romantic-comedy duds
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such a dependable concept
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brings a beguiling freshness to a coming-of-age story with such a buoyant , expressive flow of images that it emerges as another key contribution to the flowering of the south korean cinema .
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are poorly
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farrelly brothers-style , down-and-dirty laugher
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can enjoy much of jonah simply , and gratefully , as laugh-out-loud lunacy with a pronounced monty pythonesque flavor
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wonderful on the big screen
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ben affleck
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it is different from others in its genre in that it is does not rely on dumb gags , anatomical humor , or character cliches ;
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a retooling of fahrenheit 451 , and
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angry
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slap her
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wickedly undramatic
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why ?
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an appealing veneer
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on the brink of major changes
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of how uncompelling the movie is unless it happens to cover your particular area of interest
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the santa clause 2 's plot may sound like it was co-written by mattel executives and lobbyists for the tinsel industry .
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a smart and funny , albeit sometimes superficial , cautionary tale of a technology in search of an artist .
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a small gem from belgium
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davis
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fertile
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very much worth
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forced drama in this wildly uneven movie ,
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as powerful rather than cloying
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with ambitious , eager first-time filmmakers
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its worst harangues are easy to swallow thanks to remarkable performances by ferrera and ontiveros
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the best of herzog 's works
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argento
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illogical
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enjoyable level
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that are more silly than scary
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some writer dude , i think his name was , uh , michael zaidan , was supposed to have like written the screenplay or something
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spot-on scottish burr
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a fascinating literary mystery story with multiple
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if you appreciate the one-sided theme to lawrence 's over-indulgent tirade
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is interesting to witness the conflict from the palestinian side
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disney 's great past
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the forced new jersey lowbrow accent uma
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possibly the sturdiest example yet
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there is a certain sense of experimentation and improvisation to this film that may not always work ,
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it 's like going to a house party and watching the host defend himself against a frothing ex-girlfriend .
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plays out like a flimsy excuse to give blade fans another look at wesley snipes ' iconic hero doing battle with dozens of bad guys -- at once
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a genuine love story ,
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perfect wildean actor
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as exciting to watch as two last-place basketball
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are appealing enough to probably have a good shot at a hollywood career , if they want one
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no charm , no laughs , no fun
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shoplifts
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flog the dead horse of surprise as if it were an obligation
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rice never clearly defines his characters or gives us a reason to care about them .
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sickeningly real
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do we have that same option to slap her creators because they 're clueless and inept
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to seem as long as the two year affair which is its subject
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often-hilarious farce
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a talent
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its initial promise
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... less a story than an inexplicable nightmare , right down to the population 's shrugging acceptance to each new horror .
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little catch
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an interesting bit of speculation
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also a -- dare i say it twice -- delightfully charming -- and totally american , i might add -- slice of comedic bliss
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talkiness is n't necessarily bad , but the dialogue frequently misses the mark
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