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look ahead and resist living in a past
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do n't blame eddie murphy but should n't
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computer-generated cold fish
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with adventure and a worthwhile environmental message
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the script was reportedly rewritten a dozen times -- either 11 times too many or else too few
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, illuminating study
1
sticks , really , except a lingering creepiness one feels from being dragged through a sad , sordid universe of guns , drugs , avarice and damaged dreams
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abomination
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an enjoyable comedy of lingual and cultural differences ... the château is a film -- full of life and small delights -- that has all the wiggling energy of young kitten .
1
feels like the work of someone who may indeed have finally aged past his prime ... and , perhaps more than he realizes ,
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extra points
1
the storylines are woven together skilfully , the magnificent swooping aerial shots are breathtaking , and the overall experience is awesome
1
interested in entertaining itself
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the work of an artist , one whose view of america , history and the awkwardness of human life is generous and deep
1
borscht
0
as predictable as the outcome of a globetrotters-generals game , juwanna mann is even more ludicrous than you 'd expect from the guy-in-a-dress genre , and
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a macabre and very stylized swedish fillm about a modern city where all the religious and civic virtues that hold society in place are in tatters .
1
eager to please
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slaloming through its hackneyed elements
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becomes a tv episode rather than a documentary
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an eerily suspenseful , deeply absorbing piece that works as a treatise on spirituality as well as a solid sci-fi thriller .
1
than an hour-and-a-half-long commercial for britney 's latest album
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limited chemistry
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` refreshing
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a visually masterful work
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sirk
1
the surface histrionics failing to compensate for the paper-thin characterizations and facile situations
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will laugh their *** off for an hour-and-a-half
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a mean-spirited film made by someone who surely read the catcher in the rye but clearly suffers from dyslexia
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mess that it feels less like bad cinema than like being stuck in a dark pit having a nightmare about bad cinema
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tian 's meticulous talent
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it all starts to smack of a hallmark hall of fame , with a few four letter words thrown in that are generally not heard on television .
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is nothing in it to engage children emotionally
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suffers from a flat script and a low budget
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feels homogenized and a bit contrived , as if we 're looking back at a tattered and ugly past with rose-tinted glasses .
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that seems twice as long as its 83 minutes
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were far more entertaining than i had expected
1
a movie as artificial and soulless as the country bears owes its genesis to an animatronic display at disneyland
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sheridan had a wonderful account to work from , but , curiously , he waters it down , turning grit and vulnerability into light reading
1
great time
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comes alive as its own fire-breathing entity in this picture
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appears to have been modeled on the worst revenge-of-the-nerds clichés the filmmakers could dredge up
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reacting to it - feeling a part of its grand locations , thinking urgently as the protagonists struggled , feeling at the mercy of its inventiveness
1
this is as lax and limp a comedy as i 've seen in a while , a meander through worn-out material .
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the disjointed feel of a bunch of strung-together tv episodes .
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that 's as entertaining as it is instructive
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a soulless jumble of ineptly assembled cliches and pabulum that plays like a 95-minute commercial for nba properties .
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an enjoyable
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it can not even be dubbed hedonistic
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lacks aspirations of social upheaval .
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any hollywood fluff
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a piece of mildly entertaining , inoffensive fluff that drifts aimlessly for 90 minutes before lodging in the cracks of that ever-growing category : unembarrassing but unmemorable .
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helped
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high-adrenaline documentary
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sit through than this hastily dubbed disaster
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loving yet unforgivingly inconsistent depiction
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see this terrific film with your kids --
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its oscar-sweeping franchise predecessor
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who do n't know how to tell a story for more than four minutes
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you-are-there immediacy
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stiflingly unfunny and unoriginal mess
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limited
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tootsie
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perfectly acceptable , occasionally very enjoyable
1
rotoscope animation for no apparent reason except
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while it forces you to ponder anew what a movie can be
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into a strangely tempting bouquet of a movie
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are fascinating
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utter lack
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as hilarious
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while easier to sit through than most of jaglom 's self-conscious and gratingly irritating films , it 's still tainted by cliches , painful improbability and murky points .
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as a fringe feminist conspiracy theorist
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starts out strongly before quickly losing its focus , point and purpose in a mess of mixed messages , over-blown drama and bruce willis with a scar
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p.t. anderson understands the grandness of romance and how love is the great equalizer that can calm us of our daily ills and bring out joys in our lives that we never knew were possible .
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brings to a spectacular completion one of the most complex , generous and subversive artworks of the last decade
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ruined by amateurish writing and acting , while the third feels limited by its short running time
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a dashing and resourceful hero ; a lisping , reptilian villain ; big fights ; big hair ; lavish period scenery ; and
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does n't reach them
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the marvelous verdu , a sexy slip of an earth mother who mourns her tragedies in private and embraces life in public
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guilty of the worst sin of attributable to a movie like this : it 's not scary in the slightest .
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designed equilibrium becomes a concept doofus
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well-written and occasionally challenging
1
mostly , ( goldbacher ) just lets her complicated characters be unruly , confusing and , through it all , human .
1
of saps stuck in an inarticulate screenplay
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mr. deeds is not really a film as much as it is a loose collection of not-so-funny gags , scattered moments of lazy humor .
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does n't conjure proper respect for followers of the whole dead-undead genre , who deserve more from a vampire pic than a few shrieky special effects
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the chateau belongs to rudd , whose portrait of a therapy-dependent flakeball spouting french malapropisms
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are good
1
quite touching
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i ca n't say this enough : this movie is about an adult male dressed in pink jammies .
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about a family 's joyous life
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is as uncompromising as it is nonjudgmental , and makes clear that a prostitute can be as lonely and needy as any of the clients
1
the grade as tawdry trash
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surprising highs , sorrowful lows and hidden impulsive niches ...
1
it 's plotless , shapeless -- and yet , it must be admitted , not entirely humorless .
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great fun
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of a man whose engaging manner and flamboyant style made him a truly larger-than-life character
1
handled affair , a film about human darkness but etched with a light ( yet unsentimental ) touch
1
paxton is surprisingly brilliant , deftly sewing together what could have been a confusing and horrifying vision into an intense and engrossing head-trip .
1
is offensive , puerile and unimaginatively foul-mouthed if it was at least funny
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