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time of favor presents us with an action movie that actually has a brain .
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directs this film always keeping the balance between the fantastic and the believable ...
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as delicately calibrated in tone
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it 's a compelling and horrifying story
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baby-faced renner is eerily convincing as this bland blank of a man with unimaginable demons within .
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talented , charismatic and tragically
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except it 's much
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vanity film
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is a popcorn film , not a must-own , or even a must-see .
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under-inspired
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an intimate feeling ,
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while the film is not entirely successful , it still manages to string together enough charming moments to work .
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, and better
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does n't allow an earnest moment to pass without reminding audiences that it 's only a movie .
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less than fresh
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barely register
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sure , it 's contrived and predictable ,
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could have been a confusing and horrifying vision into an intense and engrossing head-trip
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convinced that these women are spectacular
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a pretentious and ultimately empty examination of a sick and evil woman
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's all stitched together with energy , intelligence and verve , enhanced by a surplus of vintage archive footage
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polished , well-structured film
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i suspect this is the kind of production that would have been funnier if the director had released the outtakes theatrically and used the film as a bonus feature on the dvd .
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tits
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want to slap it
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to the core of what it actually means to face your fears , to be a girl in a world of boys
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fast and funny
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is so rich with period minutiae it 's like dying and going to celluloid heaven .
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rates as an exceptional thriller .
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a strong script ,
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not very amusing
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as bad
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is still charming here
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smart comedy
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may not be particularly innovative
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his ( nelson 's ) screenplay needs some serious re-working to show more of the dilemma , rather than have his characters stage shouting matches about it .
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transforms one of ( shakespeare 's ) deepest tragedies
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like a 10-course banquet
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a coming-of-age story and
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looks and feels like a low-budget hybrid of scarface or carlito 's way .
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the only problem
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with the assassin is structured less as a documentary and more as a found relic
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more than a movie
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in the immediate aftermath of the terrorist attacks
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're left with a story that tries to grab us , only to keep letting go at all the wrong moments
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, empathy and pity fogging up the screen ... his secret life enters the land of unintentional melodrama and tiresome love triangles .
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part of the film 's cheeky charm
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that both thrills the eye and
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before going on to other films that actually tell a story worth caring about
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touching drama
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sweet , funny , charming , and
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very touching
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high-powered
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a cinema classic
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is better than most of the writing in the movie
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cute drama
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add much-needed levity
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being dragged through a sad , sordid universe of guns , drugs , avarice and damaged dreams
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comes from the heart
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it 's a big idea , but the film itself is small and shriveled .
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arrive on the big screen with their super-powers , their super-simple animation and their super-dooper-adorability intact
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another classic for the company
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rape and suspected murder
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, from its promenade of barely clad bodies in myrtle beach , s.c. , to the adrenaline jolt of a sudden lunch rush at the diner
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of business notable largely for its overwhelming creepiness , for an eagerness to create images you wish you had n't seen
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that takes few chances and manages to insult the intelligence of everyone in the audience
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is n't much to it .
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it all comes together to create a very compelling , sensitive , intelligent and almost cohesive piece of film entertainment
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earnhart 's film is more about the optimism of a group of people who are struggling to give themselves a better lot in life than the ones
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comic fan
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that this bold move works
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is a film that manages to find greatness in the hue of its drastic iconography .
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sixties ' rockumentary milestones
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with its subjects
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and communicates something
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, it 's an adventure story and history lesson all in one .
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yakusho , as always , is wonderful as the long-faced sad sack ... and his chemistry with shimizu is very believable
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has n't escaped the rut dug by the last one .
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i loved the look of this film .
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because of the way it allows the mind to enter and accept another world
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actually improves upon the original hit movie
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an original talent
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sitting in the third row of the imax cinema at sydney 's darling harbour , but i sometimes felt as though i was in the tiny two seater plane that carried the giant camera around australia , sweeping and gliding , banking and
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so intimate
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so many red herrings , so many false scares ,
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in place for a great film noir
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'd grab your kids and run and then probably call the police .
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terrific
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from largely flat and uncreative moments
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well enough
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captivating .
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its courage ,
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every moment crackles with tension , and by the end of the flick , you 're on the edge of your seat
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it fails to have a heart , mind or humor of its own
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an interesting topic
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as emotionally manipulative and sadly imitative of innumerable past love story derisions
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funniest american comedy
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that finds warmth in the coldest environment and makes each crumb of emotional comfort
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as gamely as the movie tries to make sense of its title character , there remains a huge gap between the film 's creepy , clean-cut dahmer ( jeremy renner ) and fiendish acts that no amount of earnest textbook psychologizing can bridge .
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good to speak about other than the fact that it is relatively short
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