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generates an enormous feeling of empathy for its characters
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terrified of the book 's irreverent energy , and scotches most
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an ambitiously naturalistic , albeit half-baked , drama about an abused , inner-city autistic teen .
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on his sentimental journey of the heart
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the best script that besson has written in years .
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does a good job
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keep the viewer wide-awake all the way through .
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in admitting that my enjoyment came at the expense of seeing justice served , even if it 's a dish that 's best served cold
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you take for granted in most films are mishandled here .
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honest and
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-- and gross --
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leaping from one arresting image to another
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of soliloquies about nothing delivered by the former mr. drew barrymore
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is so pat it makes your teeth hurt .
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, an archetypal desire to enjoy good trash every now and then .
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is historical filmmaking without the balm of right-thinking ideology , either liberal or conservative .
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literal
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effects that are more silly than scary
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recommend big bad love only
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satisfyingly scarifying
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, and their personalities undergo radical changes when it suits the script
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as a piece of storytelling
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adorably
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have a sense of humor
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such a graphic treatment of the crimes
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one of these days hollywood will come up with an original idea for a teen movie , but until then there 's always these rehashes to feed to the younger generations .
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intriguing and alluring
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very sluggish
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the chateau has one very funny joke and a few other decent ones ,
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a bit repetitive
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thrills
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is turning in some delightful work on indie projects .
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an uneven mix of dark satire and childhood awakening
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is a fragmented film
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` post-feminist ' romantic comedy that takes an astonishingly condescending attitude toward women
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drag
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well-structured film
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has little insight into the historical period and its artists ,
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time out
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endearing and
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an undeniably moving film to experience , and ultimately that 's what makes it worth a recommendation
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over the past year , which means that birthday girl is the kind of quirkily appealing minor movie she might not make for a while
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make it required viewing in university computer science departments for years to come
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vividly
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creative
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all three descriptions suit evelyn , a besotted and obvious drama that tells us nothing new
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take on courtroom movies , a few nifty twists that are so crucial to the genre and another first-rate performance by top-billed star bruce willis .
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elling never gets too cloying thanks to the actors ' perfect comic timing and sweet , genuine chemistry .
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little more than a particularly slanted , gay s/m fantasy , enervating
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more sophisticated and literate than such pictures usually are ...
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you 're desperate for the evening to end .
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anemic
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, the film shows signs that someone other than the director got into the editing room and tried to improve things by making the movie go faster .
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kouyate elicits strong performances from his cast ,
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how good it all was , and started doing nothing but reacting to it - feeling a part of its grand locations , thinking urgently as the protagonists struggled , feeling at the mercy of its inventiveness , gasping at its visual delights
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laborious whine , the bellyaching of a paranoid and unlikable man .
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lack their idol 's energy and passion for detail .
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true emotional connection or identification frustratingly
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the kind of parent who enjoys intentionally introducing your kids to films which will cause loads of irreparable damage that years and years of costly analysis could never fix
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preserves tosca 's intoxicating ardor through his use of the camera .
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big laughs
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tiresome cliché
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is grand-scale moviemaking for a larger-than-life figure , an artist who has been awarded mythic status in contemporary culture
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thoughtful
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a sloppy , amusing comedy that proceeds from a stunningly unoriginal premise .
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enjoy this movie
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some blondes , ( diggs ) should be probing why a guy with his talent ended up in a movie this bad .
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worth catching for griffiths ' warm and winning central performance .
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the characters seem one-dimensional ,
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brilliant and
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fret
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its courageousness , and comedic employment
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are innocent , childlike and inherently funny
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phony imagery or music
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being recognized as the man who bilked unsuspecting moviegoers
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'd be hard pressed to think of a film more cloyingly sappy than evelyn this year .
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hard , endearing , caring ,
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for the best
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no doubt intended the film to affirm love 's power to help people endure almost unimaginable horror
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blazing guns , cheatfully filmed martial arts , disintegrating bloodsucker computer effects and jagged camera moves that serve no other purpose than to call attention to themselves
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than an autopsy , the movie
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a mishmash
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young everlyn sampi , as the courageous molly craig ,
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, you 'll be rewarded with some fine acting .
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violent and mindless
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ultimately tragic
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he script is n't up to the level of the direction
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so intimate and
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that is slow to those of us in middle age
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watching this film , one is left with the inescapable conclusion that hitchens ' obsession with kissinger is , at bottom , a sophisticated flower child 's desire to purge the world of the tooth and claw of human power .
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needed a little less bling-bling and a lot more romance .
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first and foremost ... the reason to go see `` blue crush '' is the phenomenal , water-born cinematography by david hennings .
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strenuous
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is exhaustion , from watching a movie that is dark ( dark green , to be exact ) , sour , bloody and mean
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whose jolly , fun-for-fun 's - sake communal spirit goes to the essence of broadway
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that few movies are able to accomplish
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, this movie just goes on and on and on and on
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who could too easily become comic relief in any other film --
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all the charm of kevin kline and a story that puts old-fashioned values under the microscope
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of filmmaking , the kind that pretends to be passionate and truthful but is really frustratingly timid and soggy
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