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is definitely its screenplay , both for the rhapsodic dialogue that jumps off the page , and for the memorable character creations
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that is n't afraid to admit it
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's a pleasure to have a film like the hours as an alternative
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resonant film since the killer
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have been saved if the director , tom dey , had spliced together bits and pieces of midnight run and 48 hours ( and , for that matter , shrek )
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is born out of an engaging storyline , which also is n't embarrassed to make you reach for the tissues .
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a story that tries to grab us , only to keep letting go at all the wrong moments
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high-powered
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it all comes together to create a very compelling , sensitive , intelligent and almost cohesive piece of film entertainment
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possible angle
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had all its vital essence scooped out and
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is his best film
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marvelous film
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warm , inviting ,
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nothing compared to the movie 's contrived , lame screenplay and listless direction
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cinematic
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no explanation or even plot relevance
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sharp script
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rape and suspected murder
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not engaging
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often watchable
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that cuts to the chase of the modern girl 's dilemma
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as well as a masterfully made one
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touching drama
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under-inspired , overblown enterprise that gives hollywood sequels a bad name
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, the film is well worthwhile .
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best and most unpredictable comedy
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has a number of other assets to commend it to movie audiences both innocent and jaded .
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a feature that concentrates on people , a project in which the script and characters hold sway
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's a rollicking adventure for you and all your mateys , regardless of their ages .
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everything humanly possible to create characters who are sweet and believable , and are defeated by a screenplay that forces them into bizarre , implausible behavior
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in the midwest that held my interest precisely because it did n't try to
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as a real movie
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shows holmes has the screen presence to become a major-league leading lady , ( but ) the movie itself is an underachiever , a psychological mystery that takes its sweet time building to a climax that 's scarcely a surprise by the time it arrives .
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a complete mess
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are relegated to the background -- a welcome step forward from the sally jesse raphael atmosphere of films like philadelphia and american beauty .
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utter loss personified in the film 's simple title
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fascinating look
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a coming-of-age story with such a buoyant , expressive flow of images
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, harry potter and the chamber of secrets finds a way to make j.k. rowling 's marvelous series into a deadly bore .
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a lot going for it , not least the brilliant performances by testud ... and
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big laughs
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its courage ,
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dave barry 's
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is a movie that is what it is : a pleasant distraction , a friday night diversion , an excuse to eat popcorn .
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is an imaginative teacher of emotional intelligence in this engaging film about two men who discover what william james once called ` the gift of tears .
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as well-written as sexy beast , not as gloriously flippant as lock , stock and two smoking barrels , but stylish and moody and exceptionally well-acted .
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good performances
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's not to like about a movie with a ` children 's ' song that includes the line ` my stepdad 's not mean , he 's just adjusting '
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rare window
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is a whole lot of fun
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one of the movies you 'd want to watch if you only had a week to live
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will be an enjoyable choice for younger kids .
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'd grab your kids and run and then probably call the police .
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one of the year 's best films
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it brings to the fore for the gifted but no-nonsense human beings they are and for the still-inestimable contribution they have made to our shared history
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of business notable largely for its overwhelming creepiness , for an eagerness to create images you wish you had n't seen
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the extravagant confidence
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transforms one of ( shakespeare 's ) deepest tragedies
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their super-powers , their super-simple animation and their super-dooper-adorability intact
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its limit to sustain a laugh
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is a poster movie , a mediocre tribute to films like them
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it 's not very interesting .
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entertaining thriller
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is n't afraid to try any genre and to do it his own way
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the filmmakers know how to please the eye , but it is not always the prettiest pictures that tell the best story .
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an undeniably moving film to experience , and ultimately that 's what makes it worth a recommendation
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fails to provoke them .
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french to truly capture the terrifying angst of the modern working man without turning the film into a cheap thriller , a dumb comedy or a sappy melodrama
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a rare and lightly entertaining look behind the curtain that separates comics from the people laughing in the crowd .
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climactic burst
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long-on-the-shelf
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's hard to care about a film that proposes as epic tragedy the plight of a callow rich boy who is forced to choose between his beautiful , self-satisfied 22-year-old girlfriend and an equally beautiful , self-satisfied 18-year-old mistress .
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entertaining , if somewhat standardized ,
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exhilarating
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inventive
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for most movies , 84 minutes is short ,
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fits into a genre that has been overexposed , redolent of a thousand cliches , and yet remains uniquely itself , vibrant with originality .
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, it must have read ` seeking anyone with acting ambition but no sense of pride or shame . '
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full of itself
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classic story
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witless ,
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does n't quite do justice to the awfulness of the movie , for that comes through all too painfully in the execution
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brings a beguiling freshness to a coming-of-age story with such a buoyant , expressive flow of images that it emerges as another key contribution to the flowering of the south korean cinema .
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with the assassin is structured less as a documentary and more as a found relic
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it has all the heart of a porno flick ( but none of the sheer lust ) .
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dopey
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lack contrast , are murky
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is the case of a pregnant premise being wasted by a script that takes few chances and manages to insult the intelligence of everyone in the audience
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is a powerful , naturally dramatic piece of low-budget filmmaking .
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's the element of condescension , as the filmmakers look down on their working-class subjects from their lofty perch , that finally makes sex with strangers , which opens today in the new york metropolitan area , so distasteful
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effects that are more silly than scary
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a fascinating
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of the other
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moldering
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, the answer is clear : not easily and , in the end , not well enough .
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an undercurrent of loneliness and isolation
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one of the best rock
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time of favor presents us with an action movie that actually has a brain .
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it jumps around with little logic or continuity , presenting backstage bytes of information that never amount to a satisfying complete picture of this particular , anciently demanding métier .
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