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Middlemarch_-_George_Eliot | 34 | 786 | After leading her into the drawing-room, he paused to take a letter from his pocket and put it into her hands, saying, “I wrote this last night, and was going to carry it to Lowick in my ride. When one is grateful for something too good for common thanks, writing is less unsatisfactory than speech—one does not at least hear how inadequate the words are.”
Dorothea’s face brightened. “It is I who have most to thank for, since you have let me take that place. You have consented?” she said, suddenly doubting.
“Yes, the check is going to Bulstrode to-day.”
He said no more, but went up-stairs to Rosamond, who had but lately finished dressing herself, and sat languidly wondering what she should do next, her habitual industry in small things, even in the days of her sadness, prompting her to begin some kind of occupation, which she dragged through slowly or paused in from lack of interest. She looked ill, but had recovered her usual quietude of manner, and Lydgate had feared to disturb her by any questions. He had told her of Dorothea’s letter containing the check, and afterwards he had said, “Ladislaw is come, Rosy; he sat with me last night; I dare say he will be here again to-day. I thought he looked rather battered and depressed.” And Rosamond had made no reply.
Now, when he came up, he said to her very gently, “Rosy, dear, Mrs. Casaubon is come to see you again; you would like to see her, would you not?” That she colored and gave rather a startled movement did not surprise him after the agitation produced by the interview yesterday—a beneficent agitation, he thought, since it seemed to have made her turn to him again. |
Middlemarch_-_George_Eliot | 34 | 787 | Rosamond dared not say no. She dared not with a tone of her voice touch the facts of yesterday. Why had Mrs. Casaubon come again? The answer was a blank which Rosamond could only fill up with dread, for Will Ladislaw’s lacerating words had made every thought of Dorothea a fresh smart to her. Nevertheless, in her new humiliating uncertainty she dared do nothing but comply. She did not say yes, but she rose and let Lydgate put a light shawl over her shoulders, while he said, “I am going out immediately.” Then something crossed her mind which prompted her to say, “Pray tell Martha not to bring any one else into the drawing-room.” And Lydgate assented, thinking that he fully understood this wish. He led her down to the drawing-room door, and then turned away, observing to himself that he was rather a blundering husband to be dependent for his wife’s trust in him on the influence of another woman.
Rosamond, wrapping her soft shawl around her as she walked towards Dorothea, was inwardly wrapping her soul in cold reserve. Had Mrs. Casaubon come to say anything to her about Will? If so, it was a liberty that Rosamond resented; and she prepared herself to meet every word with polite impassibility. Will had bruised her pride too sorely for her to feel any compunction towards him and Dorothea: her own injury seemed much the greater. Dorothea was not only the “preferred” woman, but had also a formidable advantage in being Lydgate’s benefactor; and to poor Rosamond’s pained confused vision it seemed that this Mrs. Casaubon—this woman who predominated in all things concerning her—must have come now with the sense of having the advantage, and with animosity prompting her to use it. Indeed, not Rosamond only, but any one else, knowing the outer facts of the case, and not the simple inspiration on which Dorothea acted, might well have wondered why she came. |
Middlemarch_-_George_Eliot | 34 | 788 | Looking like the lovely ghost of herself, her graceful slimness wrapped in her soft white shawl, the rounded infantine mouth and cheek inevitably suggesting mildness and innocence, Rosamond paused at three yards’ distance from her visitor and bowed. But Dorothea, who had taken off her gloves, from an impulse which she could never resist when she wanted a sense of freedom, came forward, and with her face full of a sad yet sweet openness, put out her hand. Rosamond could not avoid meeting her glance, could not avoid putting her small hand into Dorothea’s, which clasped it with gentle motherliness; and immediately a doubt of her own prepossessions began to stir within her. Rosamond’s eye was quick for faces; she saw that Mrs. Casaubon’s face looked pale and changed since yesterday, yet gentle, and like the firm softness of her hand. But Dorothea had counted a little too much on her own strength: the clearness and intensity of her mental action this morning were the continuance of a nervous exaltation which made her frame as dangerously responsive as a bit of finest Venetian crystal; and in looking at Rosamond, she suddenly found her heart swelling, and was unable to speak—all her effort was required to keep back tears. She succeeded in that, and the emotion only passed over her face like the spirit of a sob; but it added to Rosamond’s impression that Mrs. Casaubon’s state of mind must be something quite different from what she had imagined.
So they sat down without a word of preface on the two chairs that happened to be nearest, and happened also to be close together; though Rosamond’s notion when she first bowed was that she should stay a long way off from Mrs. Casaubon. But she ceased thinking how anything would turn out—merely wondering what would come. And Dorothea began to speak quite simply, gathering firmness as she went on.
“I had an errand yesterday which I did not finish; that is why I am here again so soon. You will not think me too troublesome when I tell you that I came to talk to you about the injustice that has been shown towards Mr. Lydgate. It will cheer you—will it not?—to know a great deal about him, that he may not like to speak about himself just because it is in his own vindication and to his own honor. You will like to know that your husband has warm friends, who have not left off believing in his high character? You will let me speak of this without thinking that I take a liberty?” |
Middlemarch_-_George_Eliot | 34 | 789 | The cordial, pleading tones which seemed to flow with generous heedlessness above all the facts which had filled Rosamond’s mind as grounds of obstruction and hatred between her and this woman, came as soothingly as a warm stream over her shrinking fears. Of course Mrs. Casaubon had the facts in her mind, but she was not going to speak of anything connected with them. That relief was too great for Rosamond to feel much else at the moment. She answered prettily, in the new ease of her soul—
“I know you have been very good. I shall like to hear anything you will say to me about Tertius.”
“The day before yesterday,” said Dorothea, “when I had asked him to come to Lowick to give me his opinion on the affairs of the Hospital, he told me everything about his conduct and feelings in this sad event which has made ignorant people cast suspicions on him. The reason he told me was because I was very bold and asked him. I believed that he had never acted dishonorably, and I begged him to tell me the history. He confessed to me that he had never told it before, not even to you, because he had a great dislike to say, ‘I was not wrong,’ as if that were proof, when there are guilty people who will say so. The truth is, he knew nothing of this man Raffles, or that there were any bad secrets about him; and he thought that Mr. Bulstrode offered him the money because he repented, out of kindness, of having refused it before. All his anxiety about his patient was to treat him rightly, and he was a little uncomfortable that the case did not end as he had expected; but he thought then and still thinks that there may have been no wrong in it on any one’s part. And I have told Mr. Farebrother, and Mr. Brooke, and Sir James Chettam: they all believe in your husband. That will cheer you, will it not? That will give you courage?”
Dorothea’s face had become animated, and as it beamed on Rosamond very close to her, she felt something like bashful timidity before a superior, in the presence of this self-forgetful ardor. She said, with blushing embarrassment, “Thank you: you are very kind.” |
Middlemarch_-_George_Eliot | 34 | 790 | Dorothea’s face had become animated, and as it beamed on Rosamond very close to her, she felt something like bashful timidity before a superior, in the presence of this self-forgetful ardor. She said, with blushing embarrassment, “Thank you: you are very kind.”
“And he felt that he had been so wrong not to pour out everything about this to you. But you will forgive him. It was because he feels so much more about your happiness than anything else—he feels his life bound into one with yours, and it hurts him more than anything, that his misfortunes must hurt you. He could speak to me because I am an indifferent person. And then I asked him if I might come to see you; because I felt so much for his trouble and yours. That is why I came yesterday, and why I am come to-day. Trouble is so hard to bear, is it not?— How can we live and think that any one has trouble—piercing trouble—and we could help them, and never try?”
Dorothea, completely swayed by the feeling that she was uttering, forgot everything but that she was speaking from out the heart of her own trial to Rosamond’s. The emotion had wrought itself more and more into her utterance, till the tones might have gone to one’s very marrow, like a low cry from some suffering creature in the darkness. And she had unconsciously laid her hand again on the little hand that she had pressed before. |
Middlemarch_-_George_Eliot | 34 | 791 | Rosamond, with an overmastering pang, as if a wound within her had been probed, burst into hysterical crying as she had done the day before when she clung to her husband. Poor Dorothea was feeling a great wave of her own sorrow returning over her—her thought being drawn to the possible share that Will Ladislaw might have in Rosamond’s mental tumult. She was beginning to fear that she should not be able to suppress herself enough to the end of this meeting, and while her hand was still resting on Rosamond’s lap, though the hand underneath it was withdrawn, she was struggling against her own rising sobs. She tried to master herself with the thought that this might be a turning-point in three lives—not in her own; no, there the irrevocable had happened, but—in those three lives which were touching hers with the solemn neighborhood of danger and distress. The fragile creature who was crying close to her—there might still be time to rescue her from the misery of false incompatible bonds; and this moment was unlike any other: she and Rosamond could never be together again with the same thrilling consciousness of yesterday within them both. She felt the relation between them to be peculiar enough to give her a peculiar influence, though she had no conception that the way in which her own feelings were involved was fully known to Mrs. Lydgate.
It was a newer crisis in Rosamond’s experience than even Dorothea could imagine: she was under the first great shock that had shattered her dream-world in which she had been easily confident of herself and critical of others; and this strange unexpected manifestation of feeling in a woman whom she had approached with a shrinking aversion and dread, as one who must necessarily have a jealous hatred towards her, made her soul totter all the more with a sense that she had been walking in an unknown world which had just broken in upon her.
When Rosamond’s convulsed throat was subsiding into calm, and she withdrew the handkerchief with which she had been hiding her face, her eyes met Dorothea’s as helplessly as if they had been blue flowers. What was the use of thinking about behavior after this crying? And Dorothea looked almost as childish, with the neglected trace of a silent tear. Pride was broken down between these two. |
Middlemarch_-_George_Eliot | 34 | 792 | “We were talking about your husband,” Dorothea said, with some timidity. “I thought his looks were sadly changed with suffering the other day. I had not seen him for many weeks before. He said he had been feeling very lonely in his trial; but I think he would have borne it all better if he had been able to be quite open with you.”
“Tertius is so angry and impatient if I say anything,” said Rosamond, imagining that he had been complaining of her to Dorothea. “He ought not to wonder that I object to speak to him on painful subjects.”
“It was himself he blamed for not speaking,” said Dorothea. “What he said of you was, that he could not be happy in doing anything which made you unhappy—that his marriage was of course a bond which must affect his choice about everything; and for that reason he refused my proposal that he should keep his position at the Hospital, because that would bind him to stay in Middlemarch, and he would not undertake to do anything which would be painful to you. He could say that to me, because he knows that I had much trial in my marriage, from my husband’s illness, which hindered his plans and saddened him; and he knows that I have felt how hard it is to walk always in fear of hurting another who is tied to us.”
Dorothea waited a little; she had discerned a faint pleasure stealing over Rosamond’s face. But there was no answer, and she went on, with a gathering tremor, “Marriage is so unlike everything else. There is something even awful in the nearness it brings. Even if we loved some one else better than—than those we were married to, it would be no use”—poor Dorothea, in her palpitating anxiety, could only seize her language brokenly—“I mean, marriage drinks up all our power of giving or getting any blessedness in that sort of love. I know it may be very dear—but it murders our marriage—and then the marriage stays with us like a murder—and everything else is gone. And then our husband—if he loved and trusted us, and we have not helped him, but made a curse in his life—” |
Middlemarch_-_George_Eliot | 34 | 793 | Her voice had sunk very low: there was a dread upon her of presuming too far, and of speaking as if she herself were perfection addressing error. She was too much preoccupied with her own anxiety, to be aware that Rosamond was trembling too; and filled with the need to express pitying fellowship rather than rebuke, she put her hands on Rosamond’s, and said with more agitated rapidity,—“I know, I know that the feeling may be very dear—it has taken hold of us unawares—it is so hard, it may seem like death to part with it—and we are weak—I am weak—”
The waves of her own sorrow, from out of which she was struggling to save another, rushed over Dorothea with conquering force. She stopped in speechless agitation, not crying, but feeling as if she were being inwardly grappled. Her face had become of a deathlier paleness, her lips trembled, and she pressed her hands helplessly on the hands that lay under them.
Rosamond, taken hold of by an emotion stronger than her own—hurried along in a new movement which gave all things some new, awful, undefined aspect—could find no words, but involuntarily she put her lips to Dorothea’s forehead which was very near her, and then for a minute the two women clasped each other as if they had been in a shipwreck.
“You are thinking what is not true,” said Rosamond, in an eager half-whisper, while she was still feeling Dorothea’s arms round her—urged by a mysterious necessity to free herself from something that oppressed her as if it were blood guiltiness.
They moved apart, looking at each other.
“When you came in yesterday—it was not as you thought,” said Rosamond in the same tone.
There was a movement of surprised attention in Dorothea. She expected a vindication of Rosamond herself.
“He was telling me how he loved another woman, that I might know he could never love me,” said Rosamond, getting more and more hurried as she went on. “And now I think he hates me because—because you mistook him yesterday. He says it is through me that you will think ill of him—think that he is a false person. But it shall not be through me. He has never had any love for me—I know he has not—he has always thought slightly of me. He said yesterday that no other woman existed for him beside you. The blame of what happened is entirely mine. He said he could never explain to you—because of me. He said you could never think well of him again. But now I have told you, and he cannot reproach me any more.” |
Middlemarch_-_George_Eliot | 34 | 794 | Rosamond had delivered her soul under impulses which she had not known before. She had begun her confession under the subduing influence of Dorothea’s emotion; and as she went on she had gathered the sense that she was repelling Will’s reproaches, which were still like a knife-wound within her.
The revulsion of feeling in Dorothea was too strong to be called joy. It was a tumult in which the terrible strain of the night and morning made a resistant pain:—she could only perceive that this would be joy when she had recovered her power of feeling it. Her immediate consciousness was one of immense sympathy without check; she cared for Rosamond without struggle now, and responded earnestly to her last words—
“No, he cannot reproach you any more.”
With her usual tendency to over-estimate the good in others, she felt a great outgoing of her heart towards Rosamond, for the generous effort which had redeemed her from suffering, not counting that the effort was a reflex of her own energy. After they had been silent a little, she said—
“You are not sorry that I came this morning?”
“No, you have been very good to me,” said Rosamond. “I did not think that you would be so good. I was very unhappy. I am not happy now. Everything is so sad.”
“But better days will come. Your husband will be rightly valued. And he depends on you for comfort. He loves you best. The worst loss would be to lose that—and you have not lost it,” said Dorothea.
She tried to thrust away the too overpowering thought of her own relief, lest she should fail to win some sign that Rosamond’s affection was yearning back towards her husband.
“Tertius did not find fault with me, then?” said Rosamond, understanding now that Lydgate might have said anything to Mrs. Casaubon, and that she certainly was different from other women. Perhaps there was a faint taste of jealousy in the question. A smile began to play over Dorothea’s face as she said—
“No, indeed! How could you imagine it?” But here the door opened, and Lydgate entered.
“I am come back in my quality of doctor,” he said. “After I went away, I was haunted by two pale faces: Mrs. Casaubon looked as much in need of care as you, Rosy. And I thought that I had not done my duty in leaving you together; so when I had been to Coleman’s I came home again. I noticed that you were walking, Mrs. Casaubon, and the sky has changed—I think we may have rain. May I send some one to order your carriage to come for you?” |
Middlemarch_-_George_Eliot | 34 | 795 | “Oh, no! I am strong: I need the walk,” said Dorothea, rising with animation in her face. “Mrs. Lydgate and I have chatted a great deal, and it is time for me to go. I have always been accused of being immoderate and saying too much.”
She put out her hand to Rosamond, and they said an earnest, quiet good-by without kiss or other show of effusion: there had been between them too much serious emotion for them to use the signs of it superficially.
As Lydgate took her to the door she said nothing of Rosamond, but told him of Mr. Farebrother and the other friends who had listened with belief to his story.
When he came back to Rosamond, she had already thrown herself on the sofa, in resigned fatigue.
“Well, Rosy,” he said, standing over her, and touching her hair, “what do you think of Mrs. Casaubon now you have seen so much of her?”
“I think she must be better than any one,” said Rosamond, “and she is very beautiful. If you go to talk to her so often, you will be more discontented with me than ever!”
Lydgate laughed at the “so often.” “But has she made you any less discontented with me?”
“I think she has,” said Rosamond, looking up in his face. “How heavy your eyes are, Tertius—and do push your hair back.” He lifted up his large white hand to obey her, and felt thankful for this little mark of interest in him. Poor Rosamond’s vagrant fancy had come back terribly scourged—meek enough to nestle under the old despised shelter. And the shelter was still there: Lydgate had accepted his narrowed lot with sad resignation. He had chosen this fragile creature, and had taken the burthen of her life upon his arms. He must walk as he could, carrying that burthen pitifully. |
Middlemarch_-_George_Eliot | 34 | 796 | Exiles notoriously feed much on hopes, and are unlikely to stay in banishment unless they are obliged. When Will Ladislaw exiled himself from Middlemarch he had placed no stronger obstacle to his return than his own resolve, which was by no means an iron barrier, but simply a state of mind liable to melt into a minuet with other states of mind, and to find itself bowing, smiling, and giving place with polite facility. As the months went on, it had seemed more and more difficult to him to say why he should not run down to Middlemarch—merely for the sake of hearing something about Dorothea; and if on such a flying visit he should chance by some strange coincidence to meet with her, there was no reason for him to be ashamed of having taken an innocent journey which he had beforehand supposed that he should not take. Since he was hopelessly divided from her, he might surely venture into her neighborhood; and as to the suspicious friends who kept a dragon watch over her—their opinions seemed less and less important with time and change of air.
And there had come a reason quite irrespective of Dorothea, which seemed to make a journey to Middlemarch a sort of philanthropic duty. Will had given a disinterested attention to an intended settlement on a new plan in the Far West, and the need for funds in order to carry out a good design had set him on debating with himself whether it would not be a laudable use to make of his claim on Bulstrode, to urge the application of that money which had been offered to himself as a means of carrying out a scheme likely to be largely beneficial. The question seemed a very dubious one to Will, and his repugnance to again entering into any relation with the banker might have made him dismiss it quickly, if there had not arisen in his imagination the probability that his judgment might be more safely determined by a visit to Middlemarch. |
Middlemarch_-_George_Eliot | 34 | 797 | That was the object which Will stated to himself as a reason for coming down. He had meant to confide in Lydgate, and discuss the money question with him, and he had meant to amuse himself for the few evenings of his stay by having a great deal of music and badinage with fair Rosamond, without neglecting his friends at Lowick Parsonage:—if the Parsonage was close to the Manor, that was no fault of his. He had neglected the Farebrothers before his departure, from a proud resistance to the possible accusation of indirectly seeking interviews with Dorothea; but hunger tames us, and Will had become very hungry for the vision of a certain form and the sound of a certain voice. Nothing had done instead—not the opera, or the converse of zealous politicians, or the flattering reception (in dim corners) of his new hand in leading articles. |
Middlemarch_-_George_Eliot | 34 | 798 | Thus he had come down, foreseeing with confidence how almost everything would be in his familiar little world; fearing, indeed, that there would be no surprises in his visit. But he had found that humdrum world in a terribly dynamic condition, in which even badinage and lyrism had turned explosive; and the first day of this visit had become the most fatal epoch of his life. The next morning he felt so harassed with the nightmare of consequences—he dreaded so much the immediate issues before him—that seeing while he breakfasted the arrival of the Riverston coach, he went out hurriedly and took his place on it, that he might be relieved, at least for a day, from the necessity of doing or saying anything in Middlemarch. Will Ladislaw was in one of those tangled crises which are commoner in experience than one might imagine, from the shallow absoluteness of men’s judgments. He had found Lydgate, for whom he had the sincerest respect, under circumstances which claimed his thorough and frankly declared sympathy; and the reason why, in spite of that claim, it would have been better for Will to have avoided all further intimacy, or even contact, with Lydgate, was precisely of the kind to make such a course appear impossible. To a creature of Will’s susceptible temperament—without any neutral region of indifference in his nature, ready to turn everything that befell him into the collisions of a passionate drama—the revelation that Rosamond had made her happiness in any way dependent on him was a difficulty which his outburst of rage towards her had immeasurably increased for him. He hated his own cruelty, and yet he dreaded to show the fulness of his relenting: he must go to her again; the friendship could not be put to a sudden end; and her unhappiness was a power which he dreaded. And all the while there was no more foretaste of enjoyment in the life before him than if his limbs had been lopped off and he was making his fresh start on crutches. In the night he had debated whether he should not get on the coach, not for Riverston, but for London, leaving a note to Lydgate which would give a makeshift reason for his retreat. But there were strong cords pulling him back from that abrupt departure: the blight on his happiness in thinking of Dorothea, the crushing of that chief hope which had remained in spite of the acknowledged necessity for renunciation, was too fresh a misery for him to resign himself to it and go straightway into a distance which was also despair. |
Middlemarch_-_George_Eliot | 34 | 799 | Thus he did nothing more decided than taking the Riverston coach. He came back again by it while it was still daylight, having made up his mind that he must go to Lydgate’s that evening. The Rubicon, we know, was a very insignificant stream to look at; its significance lay entirely in certain invisible conditions. Will felt as if he were forced to cross his small boundary ditch, and what he saw beyond it was not empire, but discontented subjection.
But it is given to us sometimes even in our every-day life to witness the saving influence of a noble nature, the divine efficacy of rescue that may lie in a self-subduing act of fellowship. If Dorothea, after her night’s anguish, had not taken that walk to Rosamond—why, she perhaps would have been a woman who gained a higher character for discretion, but it would certainly not have been as well for those three who were on one hearth in Lydgate’s house at half-past seven that evening.
Rosamond had been prepared for Will’s visit, and she received him with a languid coldness which Lydgate accounted for by her nervous exhaustion, of which he could not suppose that it had any relation to Will. And when she sat in silence bending over a bit of work, he innocently apologized for her in an indirect way by begging her to lean backward and rest. Will was miserable in the necessity for playing the part of a friend who was making his first appearance and greeting to Rosamond, while his thoughts were busy about her feeling since that scene of yesterday, which seemed still inexorably to enclose them both, like the painful vision of a double madness. It happened that nothing called Lydgate out of the room; but when Rosamond poured out the tea, and Will came near to fetch it, she placed a tiny bit of folded paper in his saucer. He saw it and secured it quickly, but as he went back to his inn he had no eagerness to unfold the paper. What Rosamond had written to him would probably deepen the painful impressions of the evening. Still, he opened and read it by his bed-candle. There were only these few words in her neatly flowing hand:—
“I have told Mrs. Casaubon. She is not under any mistake about you. I told her because she came to see me and was very kind. You will have nothing to reproach me with now. I shall not have made any difference to you.” |
Middlemarch_-_George_Eliot | 34 | 800 | “I have told Mrs. Casaubon. She is not under any mistake about you. I told her because she came to see me and was very kind. You will have nothing to reproach me with now. I shall not have made any difference to you.”
The effect of these words was not quite all gladness. As Will dwelt on them with excited imagination, he felt his cheeks and ears burning at the thought of what had occurred between Dorothea and Rosamond—at the uncertainty how far Dorothea might still feel her dignity wounded in having an explanation of his conduct offered to her. There might still remain in her mind a changed association with him which made an irremediable difference—a lasting flaw. With active fancy he wrought himself into a state of doubt little more easy than that of the man who has escaped from wreck by night and stands on unknown ground in the darkness. Until that wretched yesterday—except the moment of vexation long ago in the very same room and in the very same presence—all their vision, all their thought of each other, had been as in a world apart, where the sunshine fell on tall white lilies, where no evil lurked, and no other soul entered. But now—would Dorothea meet him in that world again? |
Middlemarch_-_George_Eliot | 34 | 801 |
On the second morning after Dorothea’s visit to Rosamond, she had had two nights of sound sleep, and had not only lost all traces of fatigue, but felt as if she had a great deal of superfluous strength—that is to say, more strength than she could manage to concentrate on any occupation. The day before, she had taken long walks outside the grounds, and had paid two visits to the Parsonage; but she never in her life told any one the reason why she spent her time in that fruitless manner, and this morning she was rather angry with herself for her childish restlessness. To-day was to be spent quite differently. What was there to be done in the village? Oh dear! nothing. Everybody was well and had flannel; nobody’s pig had died; and it was Saturday morning, when there was a general scrubbing of doors and door-stones, and when it was useless to go into the school. But there were various subjects that Dorothea was trying to get clear upon, and she resolved to throw herself energetically into the gravest of all. She sat down in the library before her particular little heap of books on political economy and kindred matters, out of which she was trying to get light as to the best way of spending money so as not to injure one’s neighbors, or—what comes to the same thing—so as to do them the most good. Here was a weighty subject which, if she could but lay hold of it, would certainly keep her mind steady. Unhappily her mind slipped off it for a whole hour; and at the end she found herself reading sentences twice over with an intense consciousness of many things, but not of any one thing contained in the text. This was hopeless. Should she order the carriage and drive to Tipton? No; for some reason or other she preferred staying at Lowick. But her vagrant mind must be reduced to order: there was an art in self-discipline; and she walked round and round the brown library considering by what sort of manoeuvre she could arrest her wandering thoughts. Perhaps a mere task was the best means—something to which she must go doggedly. Was there not the geography of Asia Minor, in which her slackness had often been rebuked by Mr. Casaubon? She went to the cabinet of maps and unrolled one: this morning she might make herself finally sure that Paphlagonia was not on the Levantine coast, and fix her total darkness about the Chalybes firmly on the shores of the Euxine. A map was a fine thing to study when you were disposed to think of something else, being made up of names that would turn into a chime if you went back upon them. Dorothea set earnestly to work, bending close to her map, and uttering the names in an audible, subdued tone, which often got into a chime. She looked amusingly girlish after all her deep experience—nodding her head and marking the names off on her fingers, with a little pursing of her lip, and now and then breaking off to put her hands on each side of her face and say, “Oh dear! oh dear!” |
Middlemarch_-_George_Eliot | 34 | 802 | There was no reason why this should end any more than a merry-go-round; but it was at last interrupted by the opening of the door and the announcement of Miss Noble.
The little old lady, whose bonnet hardly reached Dorothea’s shoulder, was warmly welcomed, but while her hand was being pressed she made many of her beaver-like noises, as if she had something difficult to say.
“Do sit down,” said Dorothea, rolling a chair forward. “Am I wanted for anything? I shall be so glad if I can do anything.”
“I will not stay,” said Miss Noble, putting her hand into her small basket, and holding some article inside it nervously; “I have left a friend in the churchyard.” She lapsed into her inarticulate sounds, and unconsciously drew forth the article which she was fingering. It was the tortoise-shell lozenge-box, and Dorothea felt the color mounting to her cheeks.
“Mr. Ladislaw,” continued the timid little woman. “He fears he has offended you, and has begged me to ask if you will see him for a few minutes.”
Dorothea did not answer on the instant: it was crossing her mind that she could not receive him in this library, where her husband’s prohibition seemed to dwell. She looked towards the window. Could she go out and meet him in the grounds? The sky was heavy, and the trees had begun to shiver as at a coming storm. Besides, she shrank from going out to him.
“Do see him, Mrs. Casaubon,” said Miss Noble, pathetically; “else I must go back and say No, and that will hurt him.”
“Yes, I will see him,” said Dorothea. “Pray tell him to come.”
What else was there to be done? There was nothing that she longed for at that moment except to see Will: the possibility of seeing him had thrust itself insistently between her and every other object; and yet she had a throbbing excitement like an alarm upon her—a sense that she was doing something daringly defiant for his sake. |
Middlemarch_-_George_Eliot | 34 | 803 | When the little lady had trotted away on her mission, Dorothea stood in the middle of the library with her hands falling clasped before her, making no attempt to compose herself in an attitude of dignified unconsciousness. What she was least conscious of just then was her own body: she was thinking of what was likely to be in Will’s mind, and of the hard feelings that others had had about him. How could any duty bind her to hardness? Resistance to unjust dispraise had mingled with her feeling for him from the very first, and now in the rebound of her heart after her anguish the resistance was stronger than ever. “If I love him too much it is because he has been used so ill:”—there was a voice within her saying this to some imagined audience in the library, when the door was opened, and she saw Will before her.
She did not move, and he came towards her with more doubt and timidity in his face than she had ever seen before. He was in a state of uncertainty which made him afraid lest some look or word of his should condemn him to a new distance from her; and Dorothea was afraid of her own emotion. She looked as if there were a spell upon her, keeping her motionless and hindering her from unclasping her hands, while some intense, grave yearning was imprisoned within her eyes. Seeing that she did not put out her hand as usual, Will paused a yard from her and said with embarrassment, “I am so grateful to you for seeing me.”
“I wanted to see you,” said Dorothea, having no other words at command. It did not occur to her to sit down, and Will did not give a cheerful interpretation to this queenly way of receiving him; but he went on to say what he had made up his mind to say.
“I fear you think me foolish and perhaps wrong for coming back so soon. I have been punished for my impatience. You know—every one knows now—a painful story about my parentage. I knew of it before I went away, and I always meant to tell you of it if—if we ever met again.”
There was a slight movement in Dorothea, and she unclasped her hands, but immediately folded them over each other. |
Middlemarch_-_George_Eliot | 34 | 804 | There was a slight movement in Dorothea, and she unclasped her hands, but immediately folded them over each other.
“But the affair is matter of gossip now,” Will continued. “I wished you to know that something connected with it—something which happened before I went away, helped to bring me down here again. At least I thought it excused my coming. It was the idea of getting Bulstrode to apply some money to a public purpose—some money which he had thought of giving me. Perhaps it is rather to Bulstrode’s credit that he privately offered me compensation for an old injury: he offered to give me a good income to make amends; but I suppose you know the disagreeable story?”
Will looked doubtfully at Dorothea, but his manner was gathering some of the defiant courage with which he always thought of this fact in his destiny. He added, “You know that it must be altogether painful to me.”
“Yes—yes—I know,” said Dorothea, hastily.
“I did not choose to accept an income from such a source. I was sure that you would not think well of me if I did so,” said Will. Why should he mind saying anything of that sort to her now? She knew that he had avowed his love for her. “I felt that”—he broke off, nevertheless.
“You acted as I should have expected you to act,” said Dorothea, her face brightening and her head becoming a little more erect on its beautiful stem.
“I did not believe that you would let any circumstance of my birth create a prejudice in you against me, though it was sure to do so in others,” said Will, shaking his head backward in his old way, and looking with a grave appeal into her eyes.
“If it were a new hardship it would be a new reason for me to cling to you,” said Dorothea, fervidly. “Nothing could have changed me but—” her heart was swelling, and it was difficult to go on; she made a great effort over herself to say in a low tremulous voice, “but thinking that you were different—not so good as I had believed you to be.”
“You are sure to believe me better than I am in everything but one,” said Will, giving way to his own feeling in the evidence of hers. “I mean, in my truth to you. When I thought you doubted of that, I didn’t care about anything that was left. I thought it was all over with me, and there was nothing to try for—only things to endure.”
“I don’t doubt you any longer,” said Dorothea, putting out her hand; a vague fear for him impelling her unutterable affection. |
Middlemarch_-_George_Eliot | 34 | 805 | “I don’t doubt you any longer,” said Dorothea, putting out her hand; a vague fear for him impelling her unutterable affection.
He took her hand and raised it to his lips with something like a sob. But he stood with his hat and gloves in the other hand, and might have done for the portrait of a Royalist. Still it was difficult to loose the hand, and Dorothea, withdrawing it in a confusion that distressed her, looked and moved away.
“See how dark the clouds have become, and how the trees are tossed,” she said, walking towards the window, yet speaking and moving with only a dim sense of what she was doing.
Will followed her at a little distance, and leaned against the tall back of a leather chair, on which he ventured now to lay his hat and gloves, and free himself from the intolerable durance of formality to which he had been for the first time condemned in Dorothea’s presence. It must be confessed that he felt very happy at that moment leaning on the chair. He was not much afraid of anything that she might feel now.
They stood silent, not looking at each other, but looking at the evergreens which were being tossed, and were showing the pale underside of their leaves against the blackening sky. Will never enjoyed the prospect of a storm so much: it delivered him from the necessity of going away. Leaves and little branches were hurled about, and the thunder was getting nearer. The light was more and more sombre, but there came a flash of lightning which made them start and look at each other, and then smile. Dorothea began to say what she had been thinking of.
“That was a wrong thing for you to say, that you would have had nothing to try for. If we had lost our own chief good, other people’s good would remain, and that is worth trying for. Some can be happy. I seemed to see that more clearly than ever, when I was the most wretched. I can hardly think how I could have borne the trouble, if that feeling had not come to me to make strength.”
“You have never felt the sort of misery I felt,” said Will; “the misery of knowing that you must despise me.”
“But I have felt worse—it was worse to think ill—” Dorothea had begun impetuously, but broke off.
Will colored. He had the sense that whatever she said was uttered in the vision of a fatality that kept them apart. He was silent a moment, and then said passionately— |
Middlemarch_-_George_Eliot | 34 | 806 | “But I have felt worse—it was worse to think ill—” Dorothea had begun impetuously, but broke off.
Will colored. He had the sense that whatever she said was uttered in the vision of a fatality that kept them apart. He was silent a moment, and then said passionately—
“We may at least have the comfort of speaking to each other without disguise. Since I must go away—since we must always be divided—you may think of me as one on the brink of the grave.”
While he was speaking there came a vivid flash of lightning which lit each of them up for the other—and the light seemed to be the terror of a hopeless love. Dorothea darted instantaneously from the window; Will followed her, seizing her hand with a spasmodic movement; and so they stood, with their hands clasped, like two children, looking out on the storm, while the thunder gave a tremendous crack and roll above them, and the rain began to pour down. Then they turned their faces towards each other, with the memory of his last words in them, and they did not loose each other’s hands.
“There is no hope for me,” said Will. “Even if you loved me as well as I love you—even if I were everything to you—I shall most likely always be very poor: on a sober calculation, one can count on nothing but a creeping lot. It is impossible for us ever to belong to each other. It is perhaps base of me to have asked for a word from you. I meant to go away into silence, but I have not been able to do what I meant.”
“Don’t be sorry,” said Dorothea, in her clear tender tones. “I would rather share all the trouble of our parting.”
Her lips trembled, and so did his. It was never known which lips were the first to move towards the other lips; but they kissed tremblingly, and then they moved apart.
The rain was dashing against the window-panes as if an angry spirit were within it, and behind it was the great swoop of the wind; it was one of those moments in which both the busy and the idle pause with a certain awe. |
Middlemarch_-_George_Eliot | 34 | 807 | The rain was dashing against the window-panes as if an angry spirit were within it, and behind it was the great swoop of the wind; it was one of those moments in which both the busy and the idle pause with a certain awe.
Dorothea sat down on the seat nearest to her, a long low ottoman in the middle of the room, and with her hands folded over each other on her lap, looked at the drear outer world. Will stood still an instant looking at her, then seated himself beside her, and laid his hand on hers, which turned itself upward to be clasped. They sat in that way without looking at each other, until the rain abated and began to fall in stillness. Each had been full of thoughts which neither of them could begin to utter.
But when the rain was quiet, Dorothea turned to look at Will. With passionate exclamation, as if some torture screw were threatening him, he started up and said, “It is impossible!”
He went and leaned on the back of the chair again, and seemed to be battling with his own anger, while she looked towards him sadly.
“It is as fatal as a murder or any other horror that divides people,” he burst out again; “it is more intolerable—to have our life maimed by petty accidents.”
“No—don’t say that—your life need not be maimed,” said Dorothea, gently.
“Yes, it must,” said Will, angrily. “It is cruel of you to speak in that way—as if there were any comfort. You may see beyond the misery of it, but I don’t. It is unkind—it is throwing back my love for you as if it were a trifle, to speak in that way in the face of the fact. We can never be married.”
“Some time—we might,” said Dorothea, in a trembling voice.
“When?” said Will, bitterly. “What is the use of counting on any success of mine? It is a mere toss up whether I shall ever do more than keep myself decently, unless I choose to sell myself as a mere pen and a mouthpiece. I can see that clearly enough. I could not offer myself to any woman, even if she had no luxuries to renounce.” |
Middlemarch_-_George_Eliot | 34 | 808 | There was silence. Dorothea’s heart was full of something that she wanted to say, and yet the words were too difficult. She was wholly possessed by them: at that moment debate was mute within her. And it was very hard that she could not say what she wanted to say. Will was looking out of the window angrily. If he would have looked at her and not gone away from her side, she thought everything would have been easier. At last he turned, still resting against the chair, and stretching his hand automatically towards his hat, said with a sort of exasperation, “Good-by.”
“Oh, I cannot bear it—my heart will break,” said Dorothea, starting from her seat, the flood of her young passion bearing down all the obstructions which had kept her silent—the great tears rising and falling in an instant: “I don’t mind about poverty—I hate my wealth.”
In an instant Will was close to her and had his arms round her, but she drew her head back and held his away gently that she might go on speaking, her large tear-filled eyes looking at his very simply, while she said in a sobbing childlike way, “We could live quite well on my own fortune—it is too much—seven hundred a-year—I want so little—no new clothes—and I will learn what everything costs.”
It was just after the Lords had thrown out the Reform Bill: that explains how Mr. Cadwallader came to be walking on the slope of the lawn near the great conservatory at Freshitt Hall, holding the “Times” in his hands behind him, while he talked with a trout-fisher’s dispassionateness about the prospects of the country to Sir James Chettam. Mrs. Cadwallader, the Dowager Lady Chettam, and Celia were sometimes seated on garden-chairs, sometimes walking to meet little Arthur, who was being drawn in his chariot, and, as became the infantine Bouddha, was sheltered by his sacred umbrella with handsome silken fringe. |
Middlemarch_-_George_Eliot | 34 | 809 | The ladies also talked politics, though more fitfully. Mrs. Cadwallader was strong on the intended creation of peers: she had it for certain from her cousin that Truberry had gone over to the other side entirely at the instigation of his wife, who had scented peerages in the air from the very first introduction of the Reform question, and would sign her soul away to take precedence of her younger sister, who had married a baronet. Lady Chettam thought that such conduct was very reprehensible, and remembered that Mrs. Truberry’s mother was a Miss Walsingham of Melspring. Celia confessed it was nicer to be “Lady” than “Mrs.,” and that Dodo never minded about precedence if she could have her own way. Mrs. Cadwallader held that it was a poor satisfaction to take precedence when everybody about you knew that you had not a drop of good blood in your veins; and Celia again, stopping to look at Arthur, said, “It would be very nice, though, if he were a Viscount—and his lordship’s little tooth coming through! He might have been, if James had been an Earl.”
“My dear Celia,” said the Dowager, “James’s title is worth far more than any new earldom. I never wished his father to be anything else than Sir James.”
“Oh, I only meant about Arthur’s little tooth,” said Celia, comfortably. “But see, here is my uncle coming.”
She tripped off to meet her uncle, while Sir James and Mr. Cadwallader came forward to make one group with the ladies. Celia had slipped her arm through her uncle’s, and he patted her hand with a rather melancholy “Well, my dear!” As they approached, it was evident that Mr. Brooke was looking dejected, but this was fully accounted for by the state of politics; and as he was shaking hands all round without more greeting than a “Well, you’re all here, you know,” the Rector said, laughingly—
“Don’t take the throwing out of the Bill so much to heart, Brooke; you’ve got all the riff-raff of the country on your side.”
“The Bill, eh? ah!” said Mr. Brooke, with a mild distractedness of manner. “Thrown out, you know, eh? The Lords are going too far, though. They’ll have to pull up. Sad news, you know. I mean, here at home—sad news. But you must not blame me, Chettam.”
“What is the matter?” said Sir James. “Not another gamekeeper shot, I hope? It’s what I should expect, when a fellow like Trapping Bass is let off so easily.” |
Middlemarch_-_George_Eliot | 34 | 810 | “What is the matter?” said Sir James. “Not another gamekeeper shot, I hope? It’s what I should expect, when a fellow like Trapping Bass is let off so easily.”
“Gamekeeper? No. Let us go in; I can tell you all in the house, you know,” said Mr. Brooke, nodding at the Cadwalladers, to show that he included them in his confidence. “As to poachers like Trapping Bass, you know, Chettam,” he continued, as they were entering, “when you are a magistrate, you’ll not find it so easy to commit. Severity is all very well, but it’s a great deal easier when you’ve got somebody to do it for you. You have a soft place in your heart yourself, you know—you’re not a Draco, a Jeffreys, that sort of thing.”
Mr. Brooke was evidently in a state of nervous perturbation. When he had something painful to tell, it was usually his way to introduce it among a number of disjointed particulars, as if it were a medicine that would get a milder flavor by mixing. He continued his chat with Sir James about the poachers until they were all seated, and Mrs. Cadwallader, impatient of this drivelling, said—
“I’m dying to know the sad news. The gamekeeper is not shot: that is settled. What is it, then?”
“Well, it’s a very trying thing, you know,” said Mr. Brooke. “I’m glad you and the Rector are here; it’s a family matter—but you will help us all to bear it, Cadwallader. I’ve got to break it to you, my dear.” Here Mr. Brooke looked at Celia—“You’ve no notion what it is, you know. And, Chettam, it will annoy you uncommonly—but, you see, you have not been able to hinder it, any more than I have. There’s something singular in things: they come round, you know.”
“It must be about Dodo,” said Celia, who had been used to think of her sister as the dangerous part of the family machinery. She had seated herself on a low stool against her husband’s knee.
“For God’s sake let us hear what it is!” said Sir James.
“Well, you know, Chettam, I couldn’t help Casaubon’s will: it was a sort of will to make things worse.”
“Exactly,” said Sir James, hastily. “But what is worse?”
“Dorothea is going to be married again, you know,” said Mr. Brooke, nodding towards Celia, who immediately looked up at her husband with a frightened glance, and put her hand on his knee. Sir James was almost white with anger, but he did not speak.
“Merciful heaven!” said Mrs. Cadwallader. “Not to young Ladislaw?”
Mr. Brooke nodded, saying, “Yes; to Ladislaw,” and then fell into a prudential silence. |
Middlemarch_-_George_Eliot | 34 | 811 | “Merciful heaven!” said Mrs. Cadwallader. “Not to young Ladislaw?”
Mr. Brooke nodded, saying, “Yes; to Ladislaw,” and then fell into a prudential silence.
“You see, Humphrey!” said Mrs. Cadwallader, waving her arm towards her husband. “Another time you will admit that I have some foresight; or rather you will contradict me and be just as blind as ever. You supposed that the young gentleman was gone out of the country.”
“So he might be, and yet come back,” said the Rector, quietly.
“When did you learn this?” said Sir James, not liking to hear any one else speak, though finding it difficult to speak himself.
“Yesterday,” said Mr. Brooke, meekly. “I went to Lowick. Dorothea sent for me, you know. It had come about quite suddenly—neither of them had any idea two days ago—not any idea, you know. There’s something singular in things. But Dorothea is quite determined—it is no use opposing. I put it strongly to her. I did my duty, Chettam. But she can act as she likes, you know.”
“It would have been better if I had called him out and shot him a year ago,” said Sir James, not from bloody-mindedness, but because he needed something strong to say.
“Really, James, that would have been very disagreeable,” said Celia.
“Be reasonable, Chettam. Look at the affair more quietly,” said Mr. Cadwallader, sorry to see his good-natured friend so overmastered by anger.
“That is not so very easy for a man of any dignity—with any sense of right—when the affair happens to be in his own family,” said Sir James, still in his white indignation. “It is perfectly scandalous. If Ladislaw had had a spark of honor he would have gone out of the country at once, and never shown his face in it again. However, I am not surprised. The day after Casaubon’s funeral I said what ought to be done. But I was not listened to.”
“You wanted what was impossible, you know, Chettam,” said Mr. Brooke. “You wanted him shipped off. I told you Ladislaw was not to be done as we liked with: he had his ideas. He was a remarkable fellow—I always said he was a remarkable fellow.” |
Middlemarch_-_George_Eliot | 34 | 812 | “You wanted what was impossible, you know, Chettam,” said Mr. Brooke. “You wanted him shipped off. I told you Ladislaw was not to be done as we liked with: he had his ideas. He was a remarkable fellow—I always said he was a remarkable fellow.”
“Yes,” said Sir James, unable to repress a retort, “it is rather a pity you formed that high opinion of him. We are indebted to that for his being lodged in this neighborhood. We are indebted to that for seeing a woman like Dorothea degrading herself by marrying him.” Sir James made little stoppages between his clauses, the words not coming easily. “A man so marked out by her husband’s will, that delicacy ought to have forbidden her from seeing him again—who takes her out of her proper rank—into poverty—has the meanness to accept such a sacrifice—has always had an objectionable position—a bad origin—and, I believe, is a man of little principle and light character. That is my opinion.” Sir James ended emphatically, turning aside and crossing his leg.
“I pointed everything out to her,” said Mr. Brooke, apologetically—“I mean the poverty, and abandoning her position. I said, ‘My dear, you don’t know what it is to live on seven hundred a-year, and have no carriage, and that kind of thing, and go amongst people who don’t know who you are.’ I put it strongly to her. But I advise you to talk to Dorothea herself. The fact is, she has a dislike to Casaubon’s property. You will hear what she says, you know.”
“No—excuse me—I shall not,” said Sir James, with more coolness. “I cannot bear to see her again; it is too painful. It hurts me too much that a woman like Dorothea should have done what is wrong.”
“Be just, Chettam,” said the easy, large-lipped Rector, who objected to all this unnecessary discomfort. “Mrs. Casaubon may be acting imprudently: she is giving up a fortune for the sake of a man, and we men have so poor an opinion of each other that we can hardly call a woman wise who does that. But I think you should not condemn it as a wrong action, in the strict sense of the word.”
“Yes, I do,” answered Sir James. “I think that Dorothea commits a wrong action in marrying Ladislaw.”
“My dear fellow, we are rather apt to consider an act wrong because it is unpleasant to us,” said the Rector, quietly. Like many men who take life easily, he had the knack of saying a home truth occasionally to those who felt themselves virtuously out of temper. Sir James took out his handkerchief and began to bite the corner. |
Middlemarch_-_George_Eliot | 34 | 813 | “It is very dreadful of Dodo, though,” said Celia, wishing to justify her husband. “She said she never would marry again—not anybody at all.”
“I heard her say the same thing myself,” said Lady Chettam, majestically, as if this were royal evidence.
“Oh, there is usually a silent exception in such cases,” said Mrs. Cadwallader. “The only wonder to me is, that any of you are surprised. You did nothing to hinder it. If you would have had Lord Triton down here to woo her with his philanthropy, he might have carried her off before the year was over. There was no safety in anything else. Mr. Casaubon had prepared all this as beautifully as possible. He made himself disagreeable—or it pleased God to make him so—and then he dared her to contradict him. It’s the way to make any trumpery tempting, to ticket it at a high price in that way.”
“I don’t know what you mean by wrong, Cadwallader,” said Sir James, still feeling a little stung, and turning round in his chair towards the Rector. “He’s not a man we can take into the family. At least, I must speak for myself,” he continued, carefully keeping his eyes off Mr. Brooke. “I suppose others will find his society too pleasant to care about the propriety of the thing.”
“Well, you know, Chettam,” said Mr. Brooke, good-humoredly, nursing his leg, “I can’t turn my back on Dorothea. I must be a father to her up to a certain point. I said, ‘My dear, I won’t refuse to give you away.’ I had spoken strongly before. But I can cut off the entail, you know. It will cost money and be troublesome; but I can do it, you know.” |
Middlemarch_-_George_Eliot | 34 | 814 | Mr. Brooke nodded at Sir James, and felt that he was both showing his own force of resolution and propitiating what was just in the Baronet’s vexation. He had hit on a more ingenious mode of parrying than he was aware of. He had touched a motive of which Sir James was ashamed. The mass of his feeling about Dorothea’s marriage to Ladislaw was due partly to excusable prejudice, or even justifiable opinion, partly to a jealous repugnance hardly less in Ladislaw’s case than in Casaubon’s. He was convinced that the marriage was a fatal one for Dorothea. But amid that mass ran a vein of which he was too good and honorable a man to like the avowal even to himself: it was undeniable that the union of the two estates—Tipton and Freshitt—lying charmingly within a ring-fence, was a prospect that flattered him for his son and heir. Hence when Mr. Brooke noddingly appealed to that motive, Sir James felt a sudden embarrassment; there was a stoppage in his throat; he even blushed. He had found more words than usual in the first jet of his anger, but Mr. Brooke’s propitiation was more clogging to his tongue than Mr. Cadwallader’s caustic hint.
But Celia was glad to have room for speech after her uncle’s suggestion of the marriage ceremony, and she said, though with as little eagerness of manner as if the question had turned on an invitation to dinner, “Do you mean that Dodo is going to be married directly, uncle?”
“In three weeks, you know,” said Mr. Brooke, helplessly. “I can do nothing to hinder it, Cadwallader,” he added, turning for a little countenance toward the Rector, who said—
“I should not make any fuss about it. If she likes to be poor, that is her affair. Nobody would have said anything if she had married the young fellow because he was rich. Plenty of beneficed clergy are poorer than they will be. Here is Elinor,” continued the provoking husband; “she vexed her friends by me: I had hardly a thousand a-year—I was a lout—nobody could see anything in me—my shoes were not the right cut—all the men wondered how a woman could like me. Upon my word, I must take Ladislaw’s part until I hear more harm of him.”
“Humphrey, that is all sophistry, and you know it,” said his wife. “Everything is all one—that is the beginning and end with you. As if you had not been a Cadwallader! Does any one suppose that I would have taken such a monster as you by any other name?” |
Middlemarch_-_George_Eliot | 34 | 815 | “Humphrey, that is all sophistry, and you know it,” said his wife. “Everything is all one—that is the beginning and end with you. As if you had not been a Cadwallader! Does any one suppose that I would have taken such a monster as you by any other name?”
“And a clergyman too,” observed Lady Chettam with approbation. “Elinor cannot be said to have descended below her rank. It is difficult to say what Mr. Ladislaw is, eh, James?”
Sir James gave a small grunt, which was less respectful than his usual mode of answering his mother. Celia looked up at him like a thoughtful kitten.
“It must be admitted that his blood is a frightful mixture!” said Mrs. Cadwallader. “The Casaubon cuttle-fish fluid to begin with, and then a rebellious Polish fiddler or dancing-master, was it?—and then an old clo—”
“Nonsense, Elinor,” said the Rector, rising. “It is time for us to go.”
“After all, he is a pretty sprig,” said Mrs. Cadwallader, rising too, and wishing to make amends. “He is like the fine old Crichley portraits before the idiots came in.”
“I’ll go with you,” said Mr. Brooke, starting up with alacrity. “You must all come and dine with me to-morrow, you know—eh, Celia, my dear?”
“You will, James—won’t you?” said Celia, taking her husband’s hand.
“Oh, of course, if you like,” said Sir James, pulling down his waistcoat, but unable yet to adjust his face good-humoredly. “That is to say, if it is not to meet anybody else.”
“No, no, no,” said Mr. Brooke, understanding the condition. “Dorothea would not come, you know, unless you had been to see her.”
When Sir James and Celia were alone, she said, “Do you mind about my having the carriage to go to Lowick, James?”
“What, now, directly?” he answered, with some surprise.
“Yes, it is very important,” said Celia.
“Remember, Celia, I cannot see her,” said Sir James.
“Not if she gave up marrying?”
“What is the use of saying that?—however, I’m going to the stables. I’ll tell Briggs to bring the carriage round.”
Celia thought it was of great use, if not to say that, at least to take a journey to Lowick in order to influence Dorothea’s mind. All through their girlhood she had felt that she could act on her sister by a word judiciously placed—by opening a little window for the daylight of her own understanding to enter among the strange colored lamps by which Dodo habitually saw. And Celia the matron naturally felt more able to advise her childless sister. How could any one understand Dodo so well as Celia did or love her so tenderly? |
Middlemarch_-_George_Eliot | 34 | 816 | Dorothea, busy in her boudoir, felt a glow of pleasure at the sight of her sister so soon after the revelation of her intended marriage. She had prefigured to herself, even with exaggeration, the disgust of her friends, and she had even feared that Celia might be kept aloof from her.
“O Kitty, I am delighted to see you!” said Dorothea, putting her hands on Celia’s shoulders, and beaming on her. “I almost thought you would not come to me.”
“I have not brought Arthur, because I was in a hurry,” said Celia, and they sat down on two small chairs opposite each other, with their knees touching.
“You know, Dodo, it is very bad,” said Celia, in her placid guttural, looking as prettily free from humors as possible. “You have disappointed us all so. And I can’t think that it ever will be—you never can go and live in that way. And then there are all your plans! You never can have thought of that. James would have taken any trouble for you, and you might have gone on all your life doing what you liked.”
“On the contrary, dear,” said Dorothea, “I never could do anything that I liked. I have never carried out any plan yet.”
“Because you always wanted things that wouldn’t do. But other plans would have come. And how can you marry Mr. Ladislaw, that we none of us ever thought you could marry? It shocks James so dreadfully. And then it is all so different from what you have always been. You would have Mr. Casaubon because he had such a great soul, and was so old and dismal and learned; and now, to think of marrying Mr. Ladislaw, who has got no estate or anything. I suppose it is because you must be making yourself uncomfortable in some way or other.”
Dorothea laughed.
“Well, it is very serious, Dodo,” said Celia, becoming more impressive. “How will you live? and you will go away among queer people. And I shall never see you—and you won’t mind about little Arthur—and I thought you always would—”
Celia’s rare tears had got into her eyes, and the corners of her mouth were agitated.
“Dear Celia,” said Dorothea, with tender gravity, “if you don’t ever see me, it will not be my fault.” |
Middlemarch_-_George_Eliot | 34 | 817 | Celia’s rare tears had got into her eyes, and the corners of her mouth were agitated.
“Dear Celia,” said Dorothea, with tender gravity, “if you don’t ever see me, it will not be my fault.”
“Yes, it will,” said Celia, with the same touching distortion of her small features. “How can I come to you or have you with me when James can’t bear it?—that is because he thinks it is not right—he thinks you are so wrong, Dodo. But you always were wrong: only I can’t help loving you. And nobody can think where you will live: where can you go?”
“I am going to London,” said Dorothea.
“How can you always live in a street? And you will be so poor. I could give you half my things, only how can I, when I never see you?”
“Bless you, Kitty,” said Dorothea, with gentle warmth. “Take comfort: perhaps James will forgive me some time.”
“But it would be much better if you would not be married,” said Celia, drying her eyes, and returning to her argument; “then there would be nothing uncomfortable. And you would not do what nobody thought you could do. James always said you ought to be a queen; but this is not at all being like a queen. You know what mistakes you have always been making, Dodo, and this is another. Nobody thinks Mr. Ladislaw a proper husband for you. And you said you would never be married again.”
“It is quite true that I might be a wiser person, Celia,” said Dorothea, “and that I might have done something better, if I had been better. But this is what I am going to do. I have promised to marry Mr. Ladislaw; and I am going to marry him.”
The tone in which Dorothea said this was a note that Celia had long learned to recognize. She was silent a few moments, and then said, as if she had dismissed all contest, “Is he very fond of you, Dodo?”
“I hope so. I am very fond of him.”
“That is nice,” said Celia, comfortably. “Only I would rather you had such a sort of husband as James is, with a place very near, that I could drive to.”
Dorothea smiled, and Celia looked rather meditative. Presently she said, “I cannot think how it all came about.” Celia thought it would be pleasant to hear the story.
“I dare say not,” said Dorothea, pinching her sister’s chin. “If you knew how it came about, it would not seem wonderful to you.”
“Can’t you tell me?” said Celia, settling her arms cozily. |
Middlemarch_-_George_Eliot | 34 | 818 | “I dare say not,” said Dorothea, pinching her sister’s chin. “If you knew how it came about, it would not seem wonderful to you.”
“Can’t you tell me?” said Celia, settling her arms cozily.
“No, dear, you would have to feel with me, else you would never know.”
When immortal Bunyan makes his picture of the persecuting passions bringing in their verdict of guilty, who pities Faithful? That is a rare and blessed lot which some greatest men have not attained, to know ourselves guiltless before a condemning crowd—to be sure that what we are denounced for is solely the good in us. The pitiable lot is that of the man who could not call himself a martyr even though he were to persuade himself that the men who stoned him were but ugly passions incarnate—who knows that he is stoned, not for professing the Right, but for not being the man he professed to be.
This was the consciousness that Bulstrode was withering under while he made his preparations for departing from Middlemarch, and going to end his stricken life in that sad refuge, the indifference of new faces. The duteous merciful constancy of his wife had delivered him from one dread, but it could not hinder her presence from being still a tribunal before which he shrank from confession and desired advocacy. His equivocations with himself about the death of Raffles had sustained the conception of an Omniscience whom he prayed to, yet he had a terror upon him which would not let him expose them to judgment by a full confession to his wife: the acts which he had washed and diluted with inward argument and motive, and for which it seemed comparatively easy to win invisible pardon—what name would she call them by? That she should ever silently call his acts Murder was what he could not bear. He felt shrouded by her doubt: he got strength to face her from the sense that she could not yet feel warranted in pronouncing that worst condemnation on him. Some time, perhaps—when he was dying—he would tell her all: in the deep shadow of that time, when she held his hand in the gathering darkness, she might listen without recoiling from his touch. Perhaps: but concealment had been the habit of his life, and the impulse to confession had no power against the dread of a deeper humiliation. |
Middlemarch_-_George_Eliot | 34 | 819 | He was full of timid care for his wife, not only because he deprecated any harshness of judgment from her, but because he felt a deep distress at the sight of her suffering. She had sent her daughters away to board at a school on the coast, that this crisis might be hidden from them as far as possible. Set free by their absence from the intolerable necessity of accounting for her grief or of beholding their frightened wonder, she could live unconstrainedly with the sorrow that was every day streaking her hair with whiteness and making her eyelids languid.
“Tell me anything that you would like to have me do, Harriet,” Bulstrode had said to her; “I mean with regard to arrangements of property. It is my intention not to sell the land I possess in this neighborhood, but to leave it to you as a safe provision. If you have any wish on such subjects, do not conceal it from me.”
A few days afterwards, when she had returned from a visit to her brother’s, she began to speak to her husband on a subject which had for some time been in her mind.
“I should like to do something for my brother’s family, Nicholas; and I think we are bound to make some amends to Rosamond and her husband. Walter says Mr. Lydgate must leave the town, and his practice is almost good for nothing, and they have very little left to settle anywhere with. I would rather do without something for ourselves, to make some amends to my poor brother’s family.”
Mrs. Bulstrode did not wish to go nearer to the facts than in the phrase “make some amends;” knowing that her husband must understand her. He had a particular reason, which she was not aware of, for wincing under her suggestion. He hesitated before he said—
“It is not possible to carry out your wish in the way you propose, my dear. Mr. Lydgate has virtually rejected any further service from me. He has returned the thousand pounds which I lent him. Mrs. Casaubon advanced him the sum for that purpose. Here is his letter.” |
Middlemarch_-_George_Eliot | 34 | 820 | “It is not possible to carry out your wish in the way you propose, my dear. Mr. Lydgate has virtually rejected any further service from me. He has returned the thousand pounds which I lent him. Mrs. Casaubon advanced him the sum for that purpose. Here is his letter.”
The letter seemed to cut Mrs. Bulstrode severely. The mention of Mrs. Casaubon’s loan seemed a reflection of that public feeling which held it a matter of course that every one would avoid a connection with her husband. She was silent for some time; and the tears fell one after the other, her chin trembling as she wiped them away. Bulstrode, sitting opposite to her, ached at the sight of that grief-worn face, which two months before had been bright and blooming. It had aged to keep sad company with his own withered features. Urged into some effort at comforting her, he said—
“There is another means, Harriet, by which I might do a service to your brother’s family, if you like to act in it. And it would, I think, be beneficial to you: it would be an advantageous way of managing the land which I mean to be yours.”
She looked attentive.
“Garth once thought of undertaking the management of Stone Court in order to place your nephew Fred there. The stock was to remain as it is, and they were to pay a certain share of the profits instead of an ordinary rent. That would be a desirable beginning for the young man, in conjunction with his employment under Garth. Would it be a satisfaction to you?”
“Yes, it would,” said Mrs. Bulstrode, with some return of energy. “Poor Walter is so cast down; I would try anything in my power to do him some good before I go away. We have always been brother and sister.”
“You must make the proposal to Garth yourself, Harriet,” said Mr. Bulstrode, not liking what he had to say, but desiring the end he had in view, for other reasons besides the consolation of his wife. “You must state to him that the land is virtually yours, and that he need have no transactions with me. Communications can be made through Standish. I mention this, because Garth gave up being my agent. I can put into your hands a paper which he himself drew up, stating conditions; and you can propose his renewed acceptance of them. I think it is not unlikely that he will accept when you propose the thing for the sake of your nephew.” |
Middlemarch_-_George_Eliot | 34 | 821 | Mrs. Garth, hearing Caleb enter the passage about tea-time, opened the parlor-door and said, “There you are, Caleb. Have you had your dinner?” (Mr. Garth’s meals were much subordinated to “business.”)
“Oh yes, a good dinner—cold mutton and I don’t know what. Where is Mary?”
“In the garden with Letty, I think.”
“Fred is not come yet?”
“No. Are you going out again without taking tea, Caleb?” said Mrs. Garth, seeing that her absent-minded husband was putting on again the hat which he had just taken off.
“No, no; I’m only going to Mary a minute.”
Mary was in a grassy corner of the garden, where there was a swing loftily hung between two pear-trees. She had a pink kerchief tied over her head, making a little poke to shade her eyes from the level sunbeams, while she was giving a glorious swing to Letty, who laughed and screamed wildly.
Seeing her father, Mary left the swing and went to meet him, pushing back the pink kerchief and smiling afar off at him with the involuntary smile of loving pleasure.
“I came to look for you, Mary,” said Mr. Garth. “Let us walk about a bit.”
Mary knew quite well that her father had something particular to say: his eyebrows made their pathetic angle, and there was a tender gravity in his voice: these things had been signs to her when she was Letty’s age. She put her arm within his, and they turned by the row of nut-trees.
“It will be a sad while before you can be married, Mary,” said her father, not looking at her, but at the end of the stick which he held in his other hand.
“Not a sad while, father—I mean to be merry,” said Mary, laughingly. “I have been single and merry for four-and-twenty years and more: I suppose it will not be quite as long again as that.” Then, after a little pause, she said, more gravely, bending her face before her father’s, “If you are contented with Fred?”
Caleb screwed up his mouth and turned his head aside wisely.
“Now, father, you did praise him last Wednesday. You said he had an uncommon notion of stock, and a good eye for things.”
“Did I?” said Caleb, rather slyly.
“Yes, I put it all down, and the date, anno Domini, and everything,” said Mary. “You like things to be neatly booked. And then his behavior to you, father, is really good; he has a deep respect for you; and it is impossible to have a better temper than Fred has.”
“Ay, ay; you want to coax me into thinking him a fine match.” |
Middlemarch_-_George_Eliot | 34 | 822 | “Ay, ay; you want to coax me into thinking him a fine match.”
“No, indeed, father. I don’t love him because he is a fine match.”
“What for, then?”
“Oh, dear, because I have always loved him. I should never like scolding any one else so well; and that is a point to be thought of in a husband.”
“Your mind is quite settled, then, Mary?” said Caleb, returning to his first tone. “There’s no other wish come into it since things have been going on as they have been of late?” (Caleb meant a great deal in that vague phrase;) “because, better late than never. A woman must not force her heart—she’ll do a man no good by that.”
“My feelings have not changed, father,” said Mary, calmly. “I shall be constant to Fred as long as he is constant to me. I don’t think either of us could spare the other, or like any one else better, however much we might admire them. It would make too great a difference to us—like seeing all the old places altered, and changing the name for everything. We must wait for each other a long while; but Fred knows that.”
Instead of speaking immediately, Caleb stood still and screwed his stick on the grassy walk. Then he said, with emotion in his voice, “Well, I’ve got a bit of news. What do you think of Fred going to live at Stone Court, and managing the land there?”
“How can that ever be, father?” said Mary, wonderingly.
“He would manage it for his aunt Bulstrode. The poor woman has been to me begging and praying. She wants to do the lad good, and it might be a fine thing for him. With saving, he might gradually buy the stock, and he has a turn for farming.”
“Oh, Fred would be so happy! It is too good to believe.”
“Ah, but mind you,” said Caleb, turning his head warningly, “I must take it on my shoulders, and be responsible, and see after everything; and that will grieve your mother a bit, though she mayn’t say so. Fred had need be careful.”
“Perhaps it is too much, father,” said Mary, checked in her joy. “There would be no happiness in bringing you any fresh trouble.” |
Middlemarch_-_George_Eliot | 34 | 823 | “Perhaps it is too much, father,” said Mary, checked in her joy. “There would be no happiness in bringing you any fresh trouble.”
“Nay, nay; work is my delight, child, when it doesn’t vex your mother. And then, if you and Fred get married,” here Caleb’s voice shook just perceptibly, “he’ll be steady and saving; and you’ve got your mother’s cleverness, and mine too, in a woman’s sort of way; and you’ll keep him in order. He’ll be coming by-and-by, so I wanted to tell you first, because I think you’d like to tell him by yourselves. After that, I could talk it well over with him, and we could go into business and the nature of things.”
“Oh, you dear good father!” cried Mary, putting her hands round her father’s neck, while he bent his head placidly, willing to be caressed. “I wonder if any other girl thinks her father the best man in the world!”
“Nonsense, child; you’ll think your husband better.”
“Impossible,” said Mary, relapsing into her usual tone; “husbands are an inferior class of men, who require keeping in order.”
When they were entering the house with Letty, who had run to join them, Mary saw Fred at the orchard-gate, and went to meet him.
“What fine clothes you wear, you extravagant youth!” said Mary, as Fred stood still and raised his hat to her with playful formality. “You are not learning economy.”
“Now that is too bad, Mary,” said Fred. “Just look at the edges of these coat-cuffs! It is only by dint of good brushing that I look respectable. I am saving up three suits—one for a wedding-suit.”
“How very droll you will look!—like a gentleman in an old fashion-book.”
“Oh no, they will keep two years.”
“Two years! be reasonable, Fred,” said Mary, turning to walk. “Don’t encourage flattering expectations.”
“Why not? One lives on them better than on unflattering ones. If we can’t be married in two years, the truth will be quite bad enough when it comes.”
“I have heard a story of a young gentleman who once encouraged flattering expectations, and they did him harm.”
“Mary, if you’ve got something discouraging to tell me, I shall bolt; I shall go into the house to Mr. Garth. I am out of spirits. My father is so cut up—home is not like itself. I can’t bear any more bad news.” |
Middlemarch_-_George_Eliot | 34 | 824 | “Mary, if you’ve got something discouraging to tell me, I shall bolt; I shall go into the house to Mr. Garth. I am out of spirits. My father is so cut up—home is not like itself. I can’t bear any more bad news.”
“Should you call it bad news to be told that you were to live at Stone Court, and manage the farm, and be remarkably prudent, and save money every year till all the stock and furniture were your own, and you were a distinguished agricultural character, as Mr. Borthrop Trumbull says—rather stout, I fear, and with the Greek and Latin sadly weather-worn?”
“You don’t mean anything except nonsense, Mary?” said Fred, coloring slightly nevertheless.
“That is what my father has just told me of as what may happen, and he never talks nonsense,” said Mary, looking up at Fred now, while he grasped her hand as they walked, till it rather hurt her; but she would not complain.
“Oh, I could be a tremendously good fellow then, Mary, and we could be married directly.”
“Not so fast, sir; how do you know that I would not rather defer our marriage for some years? That would leave you time to misbehave, and then if I liked some one else better, I should have an excuse for jilting you.”
“Pray don’t joke, Mary,” said Fred, with strong feeling. “Tell me seriously that all this is true, and that you are happy because of it—because you love me best.”
“It is all true, Fred, and I am happy because of it—because I love you best,” said Mary, in a tone of obedient recitation.
They lingered on the door-step under the steep-roofed porch, and Fred almost in a whisper said—
“When we were first engaged, with the umbrella-ring, Mary, you used to—”
The spirit of joy began to laugh more decidedly in Mary’s eyes, but the fatal Ben came running to the door with Brownie yapping behind him, and, bouncing against them, said—
“Fred and Mary! are you ever coming in?—or may I eat your cake?”
Every limit is a beginning as well as an ending. Who can quit young lives after being long in company with them, and not desire to know what befell them in their after-years? For the fragment of a life, however typical, is not the sample of an even web: promises may not be kept, and an ardent outset may be followed by declension; latent powers may find their long-waited opportunity; a past error may urge a grand retrieval. |
Middlemarch_-_George_Eliot | 34 | 825 | Marriage, which has been the bourne of so many narratives, is still a great beginning, as it was to Adam and Eve, who kept their honeymoon in Eden, but had their first little one among the thorns and thistles of the wilderness. It is still the beginning of the home epic—the gradual conquest or irremediable loss of that complete union which makes the advancing years a climax, and age the harvest of sweet memories in common.
Some set out, like Crusaders of old, with a glorious equipment of hope and enthusiasm and get broken by the way, wanting patience with each other and the world.
All who have cared for Fred Vincy and Mary Garth will like to know that these two made no such failure, but achieved a solid mutual happiness. Fred surprised his neighbors in various ways. He became rather distinguished in his side of the county as a theoretic and practical farmer, and produced a work on the “Cultivation of Green Crops and the Economy of Cattle-Feeding” which won him high congratulations at agricultural meetings. In Middlemarch admiration was more reserved: most persons there were inclined to believe that the merit of Fred’s authorship was due to his wife, since they had never expected Fred Vincy to write on turnips and mangel-wurzel.
But when Mary wrote a little book for her boys, called “Stories of Great Men, taken from Plutarch,” and had it printed and published by Gripp & Co., Middlemarch, every one in the town was willing to give the credit of this work to Fred, observing that he had been to the University, “where the ancients were studied,” and might have been a clergyman if he had chosen.
In this way it was made clear that Middlemarch had never been deceived, and that there was no need to praise anybody for writing a book, since it was always done by somebody else. |
Middlemarch_-_George_Eliot | 34 | 826 | In this way it was made clear that Middlemarch had never been deceived, and that there was no need to praise anybody for writing a book, since it was always done by somebody else.
Moreover, Fred remained unswervingly steady. Some years after his marriage he told Mary that his happiness was half owing to Farebrother, who gave him a strong pull-up at the right moment. I cannot say that he was never again misled by his hopefulness: the yield of crops or the profits of a cattle sale usually fell below his estimate; and he was always prone to believe that he could make money by the purchase of a horse which turned out badly—though this, Mary observed, was of course the fault of the horse, not of Fred’s judgment. He kept his love of horsemanship, but he rarely allowed himself a day’s hunting; and when he did so, it was remarkable that he submitted to be laughed at for cowardliness at the fences, seeming to see Mary and the boys sitting on the five-barred gate, or showing their curly heads between hedge and ditch.
There were three boys: Mary was not discontented that she brought forth men-children only; and when Fred wished to have a girl like her, she said, laughingly, “that would be too great a trial to your mother.” Mrs. Vincy in her declining years, and in the diminished lustre of her housekeeping, was much comforted by her perception that two at least of Fred’s boys were real Vincys, and did not “feature the Garths.” But Mary secretly rejoiced that the youngest of the three was very much what her father must have been when he wore a round jacket, and showed a marvellous nicety of aim in playing at marbles, or in throwing stones to bring down the mellow pears. |
Middlemarch_-_George_Eliot | 34 | 827 | Ben and Letty Garth, who were uncle and aunt before they were well in their teens, disputed much as to whether nephews or nieces were more desirable; Ben contending that it was clear girls were good for less than boys, else they would not be always in petticoats, which showed how little they were meant for; whereupon Letty, who argued much from books, got angry in replying that God made coats of skins for both Adam and Eve alike—also it occurred to her that in the East the men too wore petticoats. But this latter argument, obscuring the majesty of the former, was one too many, for Ben answered contemptuously, “The more spooneys they!” and immediately appealed to his mother whether boys were not better than girls. Mrs. Garth pronounced that both were alike naughty, but that boys were undoubtedly stronger, could run faster, and throw with more precision to a greater distance. With this oracular sentence Ben was well satisfied, not minding the naughtiness; but Letty took it ill, her feeling of superiority being stronger than her muscles.
Fred never became rich—his hopefulness had not led him to expect that; but he gradually saved enough to become owner of the stock and furniture at Stone Court, and the work which Mr. Garth put into his hands carried him in plenty through those “bad times” which are always present with farmers. Mary, in her matronly days, became as solid in figure as her mother; but, unlike her, gave the boys little formal teaching, so that Mrs. Garth was alarmed lest they should never be well grounded in grammar and geography. Nevertheless, they were found quite forward enough when they went to school; perhaps, because they had liked nothing so well as being with their mother. When Fred was riding home on winter evenings he had a pleasant vision beforehand of the bright hearth in the wainscoted parlor, and was sorry for other men who could not have Mary for their wife; especially for Mr. Farebrother. “He was ten times worthier of you than I was,” Fred could now say to her, magnanimously. “To be sure he was,” Mary answered; “and for that reason he could do better without me. But you—I shudder to think what you would have been—a curate in debt for horse-hire and cambric pocket-handkerchiefs!” |
Middlemarch_-_George_Eliot | 34 | 828 | On inquiry it might possibly be found that Fred and Mary still inhabit Stone Court—that the creeping plants still cast the foam of their blossoms over the fine stone-wall into the field where the walnut-trees stand in stately row—and that on sunny days the two lovers who were first engaged with the umbrella-ring may be seen in white-haired placidity at the open window from which Mary Garth, in the days of old Peter Featherstone, had often been ordered to look out for Mr. Lydgate. |
Middlemarch_-_George_Eliot | 34 | 829 | Lydgate’s hair never became white. He died when he was only fifty, leaving his wife and children provided for by a heavy insurance on his life. He had gained an excellent practice, alternating, according to the season, between London and a Continental bathing-place; having written a treatise on Gout, a disease which has a good deal of wealth on its side. His skill was relied on by many paying patients, but he always regarded himself as a failure: he had not done what he once meant to do. His acquaintances thought him enviable to have so charming a wife, and nothing happened to shake their opinion. Rosamond never committed a second compromising indiscretion. She simply continued to be mild in her temper, inflexible in her judgment, disposed to admonish her husband, and able to frustrate him by stratagem. As the years went on he opposed her less and less, whence Rosamond concluded that he had learned the value of her opinion; on the other hand, she had a more thorough conviction of his talents now that he gained a good income, and instead of the threatened cage in Bride Street provided one all flowers and gilding, fit for the bird of paradise that she resembled. In brief, Lydgate was what is called a successful man. But he died prematurely of diphtheria, and Rosamond afterwards married an elderly and wealthy physician, who took kindly to her four children. She made a very pretty show with her daughters, driving out in her carriage, and often spoke of her happiness as “a reward”—she did not say for what, but probably she meant that it was a reward for her patience with Tertius, whose temper never became faultless, and to the last occasionally let slip a bitter speech which was more memorable than the signs he made of his repentance. He once called her his basil plant; and when she asked for an explanation, said that basil was a plant which had flourished wonderfully on a murdered man’s brains. Rosamond had a placid but strong answer to such speeches. Why then had he chosen her? It was a pity he had not had Mrs. Ladislaw, whom he was always praising and placing above her. And thus the conversation ended with the advantage on Rosamond’s side. But it would be unjust not to tell, that she never uttered a word in depreciation of Dorothea, keeping in religious remembrance the generosity which had come to her aid in the sharpest crisis of her life. |
Middlemarch_-_George_Eliot | 34 | 830 | Dorothea herself had no dreams of being praised above other women, feeling that there was always something better which she might have done, if she had only been better and known better. Still, she never repented that she had given up position and fortune to marry Will Ladislaw, and he would have held it the greatest shame as well as sorrow to him if she had repented. They were bound to each other by a love stronger than any impulses which could have marred it. No life would have been possible to Dorothea which was not filled with emotion, and she had now a life filled also with a beneficent activity which she had not the doubtful pains of discovering and marking out for herself. Will became an ardent public man, working well in those times when reforms were begun with a young hopefulness of immediate good which has been much checked in our days, and getting at last returned to Parliament by a constituency who paid his expenses. Dorothea could have liked nothing better, since wrongs existed, than that her husband should be in the thick of a struggle against them, and that she should give him wifely help. Many who knew her, thought it a pity that so substantive and rare a creature should have been absorbed into the life of another, and be only known in a certain circle as a wife and mother. But no one stated exactly what else that was in her power she ought rather to have done—not even Sir James Chettam, who went no further than the negative prescription that she ought not to have married Will Ladislaw.
But this opinion of his did not cause a lasting alienation; and the way in which the family was made whole again was characteristic of all concerned. Mr. Brooke could not resist the pleasure of corresponding with Will and Dorothea; and one morning when his pen had been remarkably fluent on the prospects of Municipal Reform, it ran off into an invitation to the Grange, which, once written, could not be done away with at less cost than the sacrifice (hardly to be conceived) of the whole valuable letter. During the months of this correspondence Mr. Brooke had continually, in his talk with Sir James Chettam, been presupposing or hinting that the intention of cutting off the entail was still maintained; and the day on which his pen gave the daring invitation, he went to Freshitt expressly to intimate that he had a stronger sense than ever of the reasons for taking that energetic step as a precaution against any mixture of low blood in the heir of the Brookes. |
Middlemarch_-_George_Eliot | 34 | 831 | But that morning something exciting had happened at the Hall. A letter had come to Celia which made her cry silently as she read it; and when Sir James, unused to see her in tears, asked anxiously what was the matter, she burst out in a wail such as he had never heard from her before.
“Dorothea has a little boy. And you will not let me go and see her. And I am sure she wants to see me. And she will not know what to do with the baby—she will do wrong things with it. And they thought she would die. It is very dreadful! Suppose it had been me and little Arthur, and Dodo had been hindered from coming to see me! I wish you would be less unkind, James!”
“Good heavens, Celia!” said Sir James, much wrought upon, “what do you wish? I will do anything you like. I will take you to town to-morrow if you wish it.” And Celia did wish it.
It was after this that Mr. Brooke came, and meeting the Baronet in the grounds, began to chat with him in ignorance of the news, which Sir James for some reason did not care to tell him immediately. But when the entail was touched on in the usual way, he said, “My dear sir, it is not for me to dictate to you, but for my part I would let that alone. I would let things remain as they are.”
Mr. Brooke felt so much surprised that he did not at once find out how much he was relieved by the sense that he was not expected to do anything in particular.
Such being the bent of Celia’s heart, it was inevitable that Sir James should consent to a reconciliation with Dorothea and her husband. Where women love each other, men learn to smother their mutual dislike. Sir James never liked Ladislaw, and Will always preferred to have Sir James’s company mixed with another kind: they were on a footing of reciprocal tolerance which was made quite easy only when Dorothea and Celia were present.
It became an understood thing that Mr. and Mrs. Ladislaw should pay at least two visits during the year to the Grange, and there came gradually a small row of cousins at Freshitt who enjoyed playing with the two cousins visiting Tipton as much as if the blood of these cousins had been less dubiously mixed.
Mr. Brooke lived to a good old age, and his estate was inherited by Dorothea’s son, who might have represented Middlemarch, but declined, thinking that his opinions had less chance of being stifled if he remained out of doors. |
Middlemarch_-_George_Eliot | 34 | 832 | Mr. Brooke lived to a good old age, and his estate was inherited by Dorothea’s son, who might have represented Middlemarch, but declined, thinking that his opinions had less chance of being stifled if he remained out of doors.
Sir James never ceased to regard Dorothea’s second marriage as a mistake; and indeed this remained the tradition concerning it in Middlemarch, where she was spoken of to a younger generation as a fine girl who married a sickly clergyman, old enough to be her father, and in little more than a year after his death gave up her estate to marry his cousin—young enough to have been his son, with no property, and not well-born. Those who had not seen anything of Dorothea usually observed that she could not have been “a nice woman,” else she would not have married either the one or the other.
Certainly those determining acts of her life were not ideally beautiful. They were the mixed result of young and noble impulse struggling amidst the conditions of an imperfect social state, in which great feelings will often take the aspect of error, and great faith the aspect of illusion. For there is no creature whose inward being is so strong that it is not greatly determined by what lies outside it. A new Theresa will hardly have the opportunity of reforming a conventual life, any more than a new Antigone will spend her heroic piety in daring all for the sake of a brother’s burial: the medium in which their ardent deeds took shape is forever gone. But we insignificant people with our daily words and acts are preparing the lives of many Dorotheas, some of which may present a far sadder sacrifice than that of the Dorothea whose story we know.
Her finely touched spirit had still its fine issues, though they were not widely visible. Her full nature, like that river of which Cyrus broke the strength, spent itself in channels which had no great name on the earth. But the effect of her being on those around her was incalculably diffusive: for the growing good of the world is partly dependent on unhistoric acts; and that things are not so ill with you and me as they might have been, is half owing to the number who lived faithfully a hidden life, and rest in unvisited tombs. |
Moby_Dick_Or_The_Whale_-_Herman_Melville | 35 | 0 | Call me Ishmael. Some years ago—never mind how long precisely—having little or no money in my purse, and nothing particular to interest me on shore, I thought I would sail about a little and see the watery part of the world. It is a way I have of driving off the spleen and regulating the circulation. Whenever I find myself growing grim about the mouth; whenever it is a damp, drizzly November in my soul; whenever I find myself involuntarily pausing before coffin warehouses, and bringing up the rear of every funeral I meet; and especially whenever my hypos get such an upper hand of me, that it requires a strong moral principle to prevent me from deliberately stepping into the street, and methodically knocking people’s hats off—then, I account it high time to get to sea as soon as I can. This is my substitute for pistol and ball. With a philosophical flourish Cato throws himself upon his sword; I quietly take to the ship. There is nothing surprising in this. If they but knew it, almost all men in their degree, some time or other, cherish very nearly the same feelings towards the ocean with me.
There now is your insular city of the Manhattoes, belted round by wharves as Indian isles by coral reefs—commerce surrounds it with her surf. Right and left, the streets take you waterward. Its extreme downtown is the battery, where that noble mole is washed by waves, and cooled by breezes, which a few hours previous were out of sight of land. Look at the crowds of water-gazers there.
Circumambulate the city of a dreamy Sabbath afternoon. Go from Corlears Hook to Coenties Slip, and from thence, by Whitehall, northward. What do you see?—Posted like silent sentinels all around the town, stand thousands upon thousands of mortal men fixed in ocean reveries. Some leaning against the spiles; some seated upon the pier-heads; some looking over the bulwarks of ships from China; some high aloft in the rigging, as if striving to get a still better seaward peep. But these are all landsmen; of week days pent up in lath and plaster—tied to counters, nailed to benches, clinched to desks. How then is this? Are the green fields gone? What do they here? |
Moby_Dick_Or_The_Whale_-_Herman_Melville | 35 | 1 | But look! here come more crowds, pacing straight for the water, and seemingly bound for a dive. Strange! Nothing will content them but the extremest limit of the land; loitering under the shady lee of yonder warehouses will not suffice. No. They must get just as nigh the water as they possibly can without falling in. And there they stand—miles of them—leagues. Inlanders all, they come from lanes and alleys, streets and avenues—north, east, south, and west. Yet here they all unite. Tell me, does the magnetic virtue of the needles of the compasses of all those ships attract them thither?
Once more. Say you are in the country; in some high land of lakes. Take almost any path you please, and ten to one it carries you down in a dale, and leaves you there by a pool in the stream. There is magic in it. Let the most absent-minded of men be plunged in his deepest reveries—stand that man on his legs, set his feet a-going, and he will infallibly lead you to water, if water there be in all that region. Should you ever be athirst in the great American desert, try this experiment, if your caravan happen to be supplied with a metaphysical professor. Yes, as every one knows, meditation and water are wedded for ever. |
Moby_Dick_Or_The_Whale_-_Herman_Melville | 35 | 2 | But here is an artist. He desires to paint you the dreamiest, shadiest, quietest, most enchanting bit of romantic landscape in all the valley of the Saco. What is the chief element he employs? There stand his trees, each with a hollow trunk, as if a hermit and a crucifix were within; and here sleeps his meadow, and there sleep his cattle; and up from yonder cottage goes a sleepy smoke. Deep into distant woodlands winds a mazy way, reaching to overlapping spurs of mountains bathed in their hill-side blue. But though the picture lies thus tranced, and though this pine-tree shakes down its sighs like leaves upon this shepherd’s head, yet all were vain, unless the shepherd’s eye were fixed upon the magic stream before him. Go visit the Prairies in June, when for scores on scores of miles you wade knee-deep among Tiger-lilies—what is the one charm wanting?—Water—there is not a drop of water there! Were Niagara but a cataract of sand, would you travel your thousand miles to see it? Why did the poor poet of Tennessee, upon suddenly receiving two handfuls of silver, deliberate whether to buy him a coat, which he sadly needed, or invest his money in a pedestrian trip to Rockaway Beach? Why is almost every robust healthy boy with a robust healthy soul in him, at some time or other crazy to go to sea? Why upon your first voyage as a passenger, did you yourself feel such a mystical vibration, when first told that you and your ship were now out of sight of land? Why did the old Persians hold the sea holy? Why did the Greeks give it a separate deity, and own brother of Jove? Surely all this is not without meaning. And still deeper the meaning of that story of Narcissus, who because he could not grasp the tormenting, mild image he saw in the fountain, plunged into it and was drowned. But that same image, we ourselves see in all rivers and oceans. It is the image of the ungraspable phantom of life; and this is the key to it all. |
Moby_Dick_Or_The_Whale_-_Herman_Melville | 35 | 3 | Now, when I say that I am in the habit of going to sea whenever I begin to grow hazy about the eyes, and begin to be over conscious of my lungs, I do not mean to have it inferred that I ever go to sea as a passenger. For to go as a passenger you must needs have a purse, and a purse is but a rag unless you have something in it. Besides, passengers get sea-sick—grow quarrelsome—don’t sleep of nights—do not enjoy themselves much, as a general thing;—no, I never go as a passenger; nor, though I am something of a salt, do I ever go to sea as a Commodore, or a Captain, or a Cook. I abandon the glory and distinction of such offices to those who like them. For my part, I abominate all honorable respectable toils, trials, and tribulations of every kind whatsoever. It is quite as much as I can do to take care of myself, without taking care of ships, barques, brigs, schooners, and what not. And as for going as cook,—though I confess there is considerable glory in that, a cook being a sort of officer on ship-board—yet, somehow, I never fancied broiling fowls;—though once broiled, judiciously buttered, and judgmatically salted and peppered, there is no one who will speak more respectfully, not to say reverentially, of a broiled fowl than I will. It is out of the idolatrous dotings of the old Egyptians upon broiled ibis and roasted river horse, that you see the mummies of those creatures in their huge bake-houses the pyramids.
No, when I go to sea, I go as a simple sailor, right before the mast, plumb down into the forecastle, aloft there to the royal mast-head. True, they rather order me about some, and make me jump from spar to spar, like a grasshopper in a May meadow. And at first, this sort of thing is unpleasant enough. It touches one’s sense of honor, particularly if you come of an old established family in the land, the Van Rensselaers, or Randolphs, or Hardicanutes. And more than all, if just previous to putting your hand into the tar-pot, you have been lording it as a country schoolmaster, making the tallest boys stand in awe of you. The transition is a keen one, I assure you, from a schoolmaster to a sailor, and requires a strong decoction of Seneca and the Stoics to enable you to grin and bear it. But even this wears off in time. |
Moby_Dick_Or_The_Whale_-_Herman_Melville | 35 | 4 | What of it, if some old hunks of a sea-captain orders me to get a broom and sweep down the decks? What does that indignity amount to, weighed, I mean, in the scales of the New Testament? Do you think the archangel Gabriel thinks anything the less of me, because I promptly and respectfully obey that old hunks in that particular instance? Who ain’t a slave? Tell me that. Well, then, however the old sea-captains may order me about—however they may thump and punch me about, I have the satisfaction of knowing that it is all right; that everybody else is one way or other served in much the same way—either in a physical or metaphysical point of view, that is; and so the universal thump is passed round, and all hands should rub each other’s shoulder-blades, and be content.
Again, I always go to sea as a sailor, because they make a point of paying me for my trouble, whereas they never pay passengers a single penny that I ever heard of. On the contrary, passengers themselves must pay. And there is all the difference in the world between paying and being paid. The act of paying is perhaps the most uncomfortable infliction that the two orchard thieves entailed upon us. But being paid,—what will compare with it? The urbane activity with which a man receives money is really marvellous, considering that we so earnestly believe money to be the root of all earthly ills, and that on no account can a monied man enter heaven. Ah! how cheerfully we consign ourselves to perdition! |
Moby_Dick_Or_The_Whale_-_Herman_Melville | 35 | 5 | Finally, I always go to sea as a sailor, because of the wholesome exercise and pure air of the fore-castle deck. For as in this world, head winds are far more prevalent than winds from astern (that is, if you never violate the Pythagorean maxim), so for the most part the Commodore on the quarter-deck gets his atmosphere at second hand from the sailors on the forecastle. He thinks he breathes it first; but not so. In much the same way do the commonalty lead their leaders in many other things, at the same time that the leaders little suspect it. But wherefore it was that after having repeatedly smelt the sea as a merchant sailor, I should now take it into my head to go on a whaling voyage; this the invisible police officer of the Fates, who has the constant surveillance of me, and secretly dogs me, and influences me in some unaccountable way—he can better answer than any one else. And, doubtless, my going on this whaling voyage, formed part of the grand programme of Providence that was drawn up a long time ago. It came in as a sort of brief interlude and solo between more extensive performances. I take it that this part of the bill must have run something like this:
“Grand Contested Election for the Presidency of the United States. “WHALING VOYAGE BY ONE ISHMAEL. “BLOODY BATTLE IN AFFGHANISTAN.”
Though I cannot tell why it was exactly that those stage managers, the Fates, put me down for this shabby part of a whaling voyage, when others were set down for magnificent parts in high tragedies, and short and easy parts in genteel comedies, and jolly parts in farces—though I cannot tell why this was exactly; yet, now that I recall all the circumstances, I think I can see a little into the springs and motives which being cunningly presented to me under various disguises, induced me to set about performing the part I did, besides cajoling me into the delusion that it was a choice resulting from my own unbiased freewill and discriminating judgment. |
Moby_Dick_Or_The_Whale_-_Herman_Melville | 35 | 6 | Chief among these motives was the overwhelming idea of the great whale himself. Such a portentous and mysterious monster roused all my curiosity. Then the wild and distant seas where he rolled his island bulk; the undeliverable, nameless perils of the whale; these, with all the attending marvels of a thousand Patagonian sights and sounds, helped to sway me to my wish. With other men, perhaps, such things would not have been inducements; but as for me, I am tormented with an everlasting itch for things remote. I love to sail forbidden seas, and land on barbarous coasts. Not ignoring what is good, I am quick to perceive a horror, and could still be social with it—would they let me—since it is but well to be on friendly terms with all the inmates of the place one lodges in.
By reason of these things, then, the whaling voyage was welcome; the great flood-gates of the wonder-world swung open, and in the wild conceits that swayed me to my purpose, two and two there floated into my inmost soul, endless processions of the whale, and, mid most of them all, one grand hooded phantom, like a snow hill in the air.
I stuffed a shirt or two into my old carpet-bag, tucked it under my arm, and started for Cape Horn and the Pacific. Quitting the good city of old Manhatto, I duly arrived in New Bedford. It was a Saturday night in December. Much was I disappointed upon learning that the little packet for Nantucket had already sailed, and that no way of reaching that place would offer, till the following Monday. |
Moby_Dick_Or_The_Whale_-_Herman_Melville | 35 | 7 | As most young candidates for the pains and penalties of whaling stop at this same New Bedford, thence to embark on their voyage, it may as well be related that I, for one, had no idea of so doing. For my mind was made up to sail in no other than a Nantucket craft, because there was a fine, boisterous something about everything connected with that famous old island, which amazingly pleased me. Besides though New Bedford has of late been gradually monopolising the business of whaling, and though in this matter poor old Nantucket is now much behind her, yet Nantucket was her great original—the Tyre of this Carthage;—the place where the first dead American whale was stranded. Where else but from Nantucket did those aboriginal whalemen, the Red-Men, first sally out in canoes to give chase to the Leviathan? And where but from Nantucket, too, did that first adventurous little sloop put forth, partly laden with imported cobblestones—so goes the story—to throw at the whales, in order to discover when they were nigh enough to risk a harpoon from the bowsprit?
Now having a night, a day, and still another night following before me in New Bedford, ere I could embark for my destined port, it became a matter of concernment where I was to eat and sleep meanwhile. It was a very dubious-looking, nay, a very dark and dismal night, bitingly cold and cheerless. I knew no one in the place. With anxious grapnels I had sounded my pocket, and only brought up a few pieces of silver,—So, wherever you go, Ishmael, said I to myself, as I stood in the middle of a dreary street shouldering my bag, and comparing the gloom towards the north with the darkness towards the south—wherever in your wisdom you may conclude to lodge for the night, my dear Ishmael, be sure to inquire the price, and don’t be too particular. |
Moby_Dick_Or_The_Whale_-_Herman_Melville | 35 | 8 | With halting steps I paced the streets, and passed the sign of “The Crossed Harpoons”—but it looked too expensive and jolly there. Further on, from the bright red windows of the “Sword-Fish Inn,” there came such fervent rays, that it seemed to have melted the packed snow and ice from before the house, for everywhere else the congealed frost lay ten inches thick in a hard, asphaltic pavement,—rather weary for me, when I struck my foot against the flinty projections, because from hard, remorseless service the soles of my boots were in a most miserable plight. Too expensive and jolly, again thought I, pausing one moment to watch the broad glare in the street, and hear the sounds of the tinkling glasses within. But go on, Ishmael, said I at last; don’t you hear? get away from before the door; your patched boots are stopping the way. So on I went. I now by instinct followed the streets that took me waterward, for there, doubtless, were the cheapest, if not the cheeriest inns.
Such dreary streets! blocks of blackness, not houses, on either hand, and here and there a candle, like a candle moving about in a tomb. At this hour of the night, of the last day of the week, that quarter of the town proved all but deserted. But presently I came to a smoky light proceeding from a low, wide building, the door of which stood invitingly open. It had a careless look, as if it were meant for the uses of the public; so, entering, the first thing I did was to stumble over an ash-box in the porch. Ha! thought I, ha, as the flying particles almost choked me, are these ashes from that destroyed city, Gomorrah? But “The Crossed Harpoons,” and “The Sword-Fish?”—this, then must needs be the sign of “The Trap.” However, I picked myself up and hearing a loud voice within, pushed on and opened a second, interior door.
It seemed the great Black Parliament sitting in Tophet. A hundred black faces turned round in their rows to peer; and beyond, a black Angel of Doom was beating a book in a pulpit. It was a negro church; and the preacher’s text was about the blackness of darkness, and the weeping and wailing and teeth-gnashing there. Ha, Ishmael, muttered I, backing out, Wretched entertainment at the sign of ‘The Trap!’ |
Moby_Dick_Or_The_Whale_-_Herman_Melville | 35 | 9 | Moving on, I at last came to a dim sort of light not far from the docks, and heard a forlorn creaking in the air; and looking up, saw a swinging sign over the door with a white painting upon it, faintly representing a tall straight jet of misty spray, and these words underneath—“The Spouter Inn:—Peter Coffin.”
Coffin?—Spouter?—Rather ominous in that particular connexion, thought I. But it is a common name in Nantucket, they say, and I suppose this Peter here is an emigrant from there. As the light looked so dim, and the place, for the time, looked quiet enough, and the dilapidated little wooden house itself looked as if it might have been carted here from the ruins of some burnt district, and as the swinging sign had a poverty-stricken sort of creak to it, I thought that here was the very spot for cheap lodgings, and the best of pea coffee. |
Moby_Dick_Or_The_Whale_-_Herman_Melville | 35 | 10 | It was a queer sort of place—a gable-ended old house, one side palsied as it were, and leaning over sadly. It stood on a sharp bleak corner, where that tempestuous wind Euroclydon kept up a worse howling than ever it did about poor Paul’s tossed craft. Euroclydon, nevertheless, is a mighty pleasant zephyr to any one in-doors, with his feet on the hob quietly toasting for bed. “In judging of that tempestuous wind called Euroclydon,” says an old writer—of whose works I possess the only copy extant—“it maketh a marvellous difference, whether thou lookest out at it from a glass window where the frost is all on the outside, or whether thou observest it from that sashless window, where the frost is on both sides, and of which the wight Death is the only glazier.” True enough, thought I, as this passage occurred to my mind—old black-letter, thou reasonest well. Yes, these eyes are windows, and this body of mine is the house. What a pity they didn’t stop up the chinks and the crannies though, and thrust in a little lint here and there. But it’s too late to make any improvements now. The universe is finished; the copestone is on, and the chips were carted off a million years ago. Poor Lazarus there, chattering his teeth against the curbstone for his pillow, and shaking off his tatters with his shiverings, he might plug up both ears with rags, and put a corn-cob into his mouth, and yet that would not keep out the tempestuous Euroclydon. Euroclydon! says old Dives, in his red silken wrapper—(he had a redder one afterwards) pooh, pooh! What a fine frosty night; how Orion glitters; what northern lights! Let them talk of their oriental summer climes of everlasting conservatories; give me the privilege of making my own summer with my own coals.
But what thinks Lazarus? Can he warm his blue hands by holding them up to the grand northern lights? Would not Lazarus rather be in Sumatra than here? Would he not far rather lay him down lengthwise along the line of the equator; yea, ye gods! go down to the fiery pit itself, in order to keep out this frost?
Now, that Lazarus should lie stranded there on the curbstone before the door of Dives, this is more wonderful than that an iceberg should be moored to one of the Moluccas. Yet Dives himself, he too lives like a Czar in an ice palace made of frozen sighs, and being a president of a temperance society, he only drinks the tepid tears of orphans. |
Moby_Dick_Or_The_Whale_-_Herman_Melville | 35 | 11 | But no more of this blubbering now, we are going a-whaling, and there is plenty of that yet to come. Let us scrape the ice from our frosted feet, and see what sort of a place this “Spouter” may be.
Entering that gable-ended Spouter-Inn, you found yourself in a wide, low, straggling entry with old-fashioned wainscots, reminding one of the bulwarks of some condemned old craft. On one side hung a very large oilpainting so thoroughly besmoked, and every way defaced, that in the unequal crosslights by which you viewed it, it was only by diligent study and a series of systematic visits to it, and careful inquiry of the neighbors, that you could any way arrive at an understanding of its purpose. Such unaccountable masses of shades and shadows, that at first you almost thought some ambitious young artist, in the time of the New England hags, had endeavored to delineate chaos bewitched. But by dint of much and earnest contemplation, and oft repeated ponderings, and especially by throwing open the little window towards the back of the entry, you at last come to the conclusion that such an idea, however wild, might not be altogether unwarranted.
But what most puzzled and confounded you was a long, limber, portentous, black mass of something hovering in the centre of the picture over three blue, dim, perpendicular lines floating in a nameless yeast. A boggy, soggy, squitchy picture truly, enough to drive a nervous man distracted. Yet was there a sort of indefinite, half-attained, unimaginable sublimity about it that fairly froze you to it, till you involuntarily took an oath with yourself to find out what that marvellous painting meant. Ever and anon a bright, but, alas, deceptive idea would dart you through.—It’s the Black Sea in a midnight gale.—It’s the unnatural combat of the four primal elements.—It’s a blasted heath.—It’s a Hyperborean winter scene.—It’s the breaking-up of the icebound stream of Time. But at last all these fancies yielded to that one portentous something in the picture’s midst. That once found out, and all the rest were plain. But stop; does it not bear a faint resemblance to a gigantic fish? even the great leviathan himself?
In fact, the artist’s design seemed this: a final theory of my own, partly based upon the aggregated opinions of many aged persons with whom I conversed upon the subject. The picture represents a Cape-Horner in a great hurricane; the half-foundered ship weltering there with its three dismantled masts alone visible; and an exasperated whale, purposing to spring clean over the craft, is in the enormous act of impaling himself upon the three mast-heads. |
Moby_Dick_Or_The_Whale_-_Herman_Melville | 35 | 12 | The opposite wall of this entry was hung all over with a heathenish array of monstrous clubs and spears. Some were thickly set with glittering teeth resembling ivory saws; others were tufted with knots of human hair; and one was sickle-shaped, with a vast handle sweeping round like the segment made in the new-mown grass by a long-armed mower. You shuddered as you gazed, and wondered what monstrous cannibal and savage could ever have gone a death-harvesting with such a hacking, horrifying implement. Mixed with these were rusty old whaling lances and harpoons all broken and deformed. Some were storied weapons. With this once long lance, now wildly elbowed, fifty years ago did Nathan Swain kill fifteen whales between a sunrise and a sunset. And that harpoon—so like a corkscrew now—was flung in Javan seas, and run away with by a whale, years afterwards slain off the Cape of Blanco. The original iron entered nigh the tail, and, like a restless needle sojourning in the body of a man, travelled full forty feet, and at last was found imbedded in the hump.
Crossing this dusky entry, and on through yon low-arched way—cut through what in old times must have been a great central chimney with fireplaces all round—you enter the public room. A still duskier place is this, with such low ponderous beams above, and such old wrinkled planks beneath, that you would almost fancy you trod some old craft’s cockpits, especially of such a howling night, when this corner-anchored old ark rocked so furiously. On one side stood a long, low, shelf-like table covered with cracked glass cases, filled with dusty rarities gathered from this wide world’s remotest nooks. Projecting from the further angle of the room stands a dark-looking den—the bar—a rude attempt at a right whale’s head. Be that how it may, there stands the vast arched bone of the whale’s jaw, so wide, a coach might almost drive beneath it. Within are shabby shelves, ranged round with old decanters, bottles, flasks; and in those jaws of swift destruction, like another cursed Jonah (by which name indeed they called him), bustles a little withered old man, who, for their money, dearly sells the sailors deliriums and death.
Abominable are the tumblers into which he pours his poison. Though true cylinders without—within, the villanous green goggling glasses deceitfully tapered downwards to a cheating bottom. Parallel meridians rudely pecked into the glass, surround these footpads’ goblets. Fill to this mark, and your charge is but a penny; to this a penny more; and so on to the full glass—the Cape Horn measure, which you may gulp down for a shilling. |
Moby_Dick_Or_The_Whale_-_Herman_Melville | 35 | 13 | Upon entering the place I found a number of young seamen gathered about a table, examining by a dim light divers specimens of skrimshander. I sought the landlord, and telling him I desired to be accommodated with a room, received for answer that his house was full—not a bed unoccupied. “But avast,” he added, tapping his forehead, “you haint no objections to sharing a harpooneer’s blanket, have ye? I s’pose you are goin’ a-whalin’, so you’d better get used to that sort of thing.”
I told him that I never liked to sleep two in a bed; that if I should ever do so, it would depend upon who the harpooneer might be, and that if he (the landlord) really had no other place for me, and the harpooneer was not decidedly objectionable, why rather than wander further about a strange town on so bitter a night, I would put up with the half of any decent man’s blanket.
“I thought so. All right; take a seat. Supper?—you want supper? Supper’ll be ready directly.”
I sat down on an old wooden settle, carved all over like a bench on the Battery. At one end a ruminating tar was still further adorning it with his jack-knife, stooping over and diligently working away at the space between his legs. He was trying his hand at a ship under full sail, but he didn’t make much headway, I thought.
At last some four or five of us were summoned to our meal in an adjoining room. It was cold as Iceland—no fire at all—the landlord said he couldn’t afford it. Nothing but two dismal tallow candles, each in a winding sheet. We were fain to button up our monkey jackets, and hold to our lips cups of scalding tea with our half frozen fingers. But the fare was of the most substantial kind—not only meat and potatoes, but dumplings; good heavens! dumplings for supper! One young fellow in a green box coat, addressed himself to these dumplings in a most direful manner.
“My boy,” said the landlord, “you’ll have the nightmare to a dead sartainty.”
“Landlord,” I whispered, “that aint the harpooneer is it?”
“Oh, no,” said he, looking a sort of diabolically funny, “the harpooneer is a dark complexioned chap. He never eats dumplings, he don’t—he eats nothing but steaks, and he likes ’em rare.”
“The devil he does,” says I. “Where is that harpooneer? Is he here?”
“He’ll be here afore long,” was the answer. |
Moby_Dick_Or_The_Whale_-_Herman_Melville | 35 | 14 | “The devil he does,” says I. “Where is that harpooneer? Is he here?”
“He’ll be here afore long,” was the answer.
I could not help it, but I began to feel suspicious of this “dark complexioned” harpooneer. At any rate, I made up my mind that if it so turned out that we should sleep together, he must undress and get into bed before I did.
Supper over, the company went back to the bar-room, when, knowing not what else to do with myself, I resolved to spend the rest of the evening as a looker on.
Presently a rioting noise was heard without. Starting up, the landlord cried, “That’s the Grampus’s crew. I seed her reported in the offing this morning; a three years’ voyage, and a full ship. Hurrah, boys; now we’ll have the latest news from the Feegees.”
A tramping of sea boots was heard in the entry; the door was flung open, and in rolled a wild set of mariners enough. Enveloped in their shaggy watch coats, and with their heads muffled in woollen comforters, all bedarned and ragged, and their beards stiff with icicles, they seemed an eruption of bears from Labrador. They had just landed from their boat, and this was the first house they entered. No wonder, then, that they made a straight wake for the whale’s mouth—the bar—when the wrinkled little old Jonah, there officiating, soon poured them out brimmers all round. One complained of a bad cold in his head, upon which Jonah mixed him a pitch-like potion of gin and molasses, which he swore was a sovereign cure for all colds and catarrhs whatsoever, never mind of how long standing, or whether caught off the coast of Labrador, or on the weather side of an ice-island.
The liquor soon mounted into their heads, as it generally does even with the arrantest topers newly landed from sea, and they began capering about most obstreperously. |
Moby_Dick_Or_The_Whale_-_Herman_Melville | 35 | 15 | The liquor soon mounted into their heads, as it generally does even with the arrantest topers newly landed from sea, and they began capering about most obstreperously.
I observed, however, that one of them held somewhat aloof, and though he seemed desirous not to spoil the hilarity of his shipmates by his own sober face, yet upon the whole he refrained from making as much noise as the rest. This man interested me at once; and since the sea-gods had ordained that he should soon become my shipmate (though but a sleeping-partner one, so far as this narrative is concerned), I will here venture upon a little description of him. He stood full six feet in height, with noble shoulders, and a chest like a coffer-dam. I have seldom seen such brawn in a man. His face was deeply brown and burnt, making his white teeth dazzling by the contrast; while in the deep shadows of his eyes floated some reminiscences that did not seem to give him much joy. His voice at once announced that he was a Southerner, and from his fine stature, I thought he must be one of those tall mountaineers from the Alleghanian Ridge in Virginia. When the revelry of his companions had mounted to its height, this man slipped away unobserved, and I saw no more of him till he became my comrade on the sea. In a few minutes, however, he was missed by his shipmates, and being, it seems, for some reason a huge favourite with them, they raised a cry of “Bulkington! Bulkington! where’s Bulkington?” and darted out of the house in pursuit of him.
It was now about nine o’clock, and the room seeming almost supernaturally quiet after these orgies, I began to congratulate myself upon a little plan that had occurred to me just previous to the entrance of the seamen.
No man prefers to sleep two in a bed. In fact, you would a good deal rather not sleep with your own brother. I don’t know how it is, but people like to be private when they are sleeping. And when it comes to sleeping with an unknown stranger, in a strange inn, in a strange town, and that stranger a harpooneer, then your objections indefinitely multiply. Nor was there any earthly reason why I as a sailor should sleep two in a bed, more than anybody else; for sailors no more sleep two in a bed at sea, than bachelor Kings do ashore. To be sure they all sleep together in one apartment, but you have your own hammock, and cover yourself with your own blanket, and sleep in your own skin. |
Moby_Dick_Or_The_Whale_-_Herman_Melville | 35 | 16 | The more I pondered over this harpooneer, the more I abominated the thought of sleeping with him. It was fair to presume that being a harpooneer, his linen or woollen, as the case might be, would not be of the tidiest, certainly none of the finest. I began to twitch all over. Besides, it was getting late, and my decent harpooneer ought to be home and going bedwards. Suppose now, he should tumble in upon me at midnight—how could I tell from what vile hole he had been coming?
“Landlord! I’ve changed my mind about that harpooneer.—I shan’t sleep with him. I’ll try the bench here.”
“Just as you please; I’m sorry I can’t spare ye a tablecloth for a mattress, and it’s a plaguy rough board here”—feeling of the knots and notches. “But wait a bit, Skrimshander; I’ve got a carpenter’s plane there in the bar—wait, I say, and I’ll make ye snug enough.” So saying he procured the plane; and with his old silk handkerchief first dusting the bench, vigorously set to planing away at my bed, the while grinning like an ape. The shavings flew right and left; till at last the plane-iron came bump against an indestructible knot. The landlord was near spraining his wrist, and I told him for heaven’s sake to quit—the bed was soft enough to suit me, and I did not know how all the planing in the world could make eider down of a pine plank. So gathering up the shavings with another grin, and throwing them into the great stove in the middle of the room, he went about his business, and left me in a brown study.
I now took the measure of the bench, and found that it was a foot too short; but that could be mended with a chair. But it was a foot too narrow, and the other bench in the room was about four inches higher than the planed one—so there was no yoking them. I then placed the first bench lengthwise along the only clear space against the wall, leaving a little interval between, for my back to settle down in. But I soon found that there came such a draught of cold air over me from under the sill of the window, that this plan would never do at all, especially as another current from the rickety door met the one from the window, and both together formed a series of small whirlwinds in the immediate vicinity of the spot where I had thought to spend the night. |
Moby_Dick_Or_The_Whale_-_Herman_Melville | 35 | 17 | The devil fetch that harpooneer, thought I, but stop, couldn’t I steal a march on him—bolt his door inside, and jump into his bed, not to be wakened by the most violent knockings? It seemed no bad idea; but upon second thoughts I dismissed it. For who could tell but what the next morning, so soon as I popped out of the room, the harpooneer might be standing in the entry, all ready to knock me down!
Still, looking round me again, and seeing no possible chance of spending a sufferable night unless in some other person’s bed, I began to think that after all I might be cherishing unwarrantable prejudices against this unknown harpooneer. Thinks I, I’ll wait awhile; he must be dropping in before long. I’ll have a good look at him then, and perhaps we may become jolly good bedfellows after all—there’s no telling.
But though the other boarders kept coming in by ones, twos, and threes, and going to bed, yet no sign of my harpooneer.
“Landlord!” said I, “what sort of a chap is he—does he always keep such late hours?” It was now hard upon twelve o’clock.
The landlord chuckled again with his lean chuckle, and seemed to be mightily tickled at something beyond my comprehension. “No,” he answered, “generally he’s an early bird—airley to bed and airley to rise—yes, he’s the bird what catches the worm. But to-night he went out a peddling, you see, and I don’t see what on airth keeps him so late, unless, may be, he can’t sell his head.”
“Can’t sell his head?—What sort of a bamboozingly story is this you are telling me?” getting into a towering rage. “Do you pretend to say, landlord, that this harpooneer is actually engaged this blessed Saturday night, or rather Sunday morning, in peddling his head around this town?”
“That’s precisely it,” said the landlord, “and I told him he couldn’t sell it here, the market’s overstocked.”
“With what?” shouted I.
“With heads to be sure; ain’t there too many heads in the world?”
“I tell you what it is, landlord,” said I quite calmly, “you’d better stop spinning that yarn to me—I’m not green.”
“May be not,” taking out a stick and whittling a toothpick, “but I rayther guess you’ll be done brown if that ere harpooneer hears you a slanderin’ his head.”
“I’ll break it for him,” said I, now flying into a passion again at this unaccountable farrago of the landlord’s.
“It’s broke a’ready,” said he.
“Broke,” said I—“broke, do you mean?”
“Sartain, and that’s the very reason he can’t sell it, I guess.” |
Moby_Dick_Or_The_Whale_-_Herman_Melville | 35 | 18 | “I’ll break it for him,” said I, now flying into a passion again at this unaccountable farrago of the landlord’s.
“It’s broke a’ready,” said he.
“Broke,” said I—“broke, do you mean?”
“Sartain, and that’s the very reason he can’t sell it, I guess.”
“Landlord,” said I, going up to him as cool as Mt. Hecla in a snow-storm—“landlord, stop whittling. You and I must understand one another, and that too without delay. I come to your house and want a bed; you tell me you can only give me half a one; that the other half belongs to a certain harpooneer. And about this harpooneer, whom I have not yet seen, you persist in telling me the most mystifying and exasperating stories tending to beget in me an uncomfortable feeling towards the man whom you design for my bedfellow—a sort of connexion, landlord, which is an intimate and confidential one in the highest degree. I now demand of you to speak out and tell me who and what this harpooneer is, and whether I shall be in all respects safe to spend the night with him. And in the first place, you will be so good as to unsay that story about selling his head, which if true I take to be good evidence that this harpooneer is stark mad, and I’ve no idea of sleeping with a madman; and you, sir, you I mean, landlord, you, sir, by trying to induce me to do so knowingly, would thereby render yourself liable to a criminal prosecution.”
“Wall,” said the landlord, fetching a long breath, “that’s a purty long sarmon for a chap that rips a little now and then. But be easy, be easy, this here harpooneer I have been tellin’ you of has just arrived from the south seas, where he bought up a lot of ’balmed New Zealand heads (great curios, you know), and he’s sold all on ’em but one, and that one he’s trying to sell to-night, cause to-morrow’s Sunday, and it would not do to be sellin’ human heads about the streets when folks is goin’ to churches. He wanted to, last Sunday, but I stopped him just as he was goin’ out of the door with four heads strung on a string, for all the airth like a string of inions.”
This account cleared up the otherwise unaccountable mystery, and showed that the landlord, after all, had had no idea of fooling me—but at the same time what could I think of a harpooneer who stayed out of a Saturday night clean into the holy Sabbath, engaged in such a cannibal business as selling the heads of dead idolators? |
Moby_Dick_Or_The_Whale_-_Herman_Melville | 35 | 19 | “Depend upon it, landlord, that harpooneer is a dangerous man.”
“He pays reg’lar,” was the rejoinder. “But come, it’s getting dreadful late, you had better be turning flukes—it’s a nice bed; Sal and me slept in that ere bed the night we were spliced. There’s plenty of room for two to kick about in that bed; it’s an almighty big bed that. Why, afore we give it up, Sal used to put our Sam and little Johnny in the foot of it. But I got a dreaming and sprawling about one night, and somehow, Sam got pitched on the floor, and came near breaking his arm. Arter that, Sal said it wouldn’t do. Come along here, I’ll give ye a glim in a jiffy;” and so saying he lighted a candle and held it towards me, offering to lead the way. But I stood irresolute; when looking at a clock in the corner, he exclaimed “I vum it’s Sunday—you won’t see that harpooneer to-night; he’s come to anchor somewhere—come along then; do come; won’t ye come?”
I considered the matter a moment, and then up stairs we went, and I was ushered into a small room, cold as a clam, and furnished, sure enough, with a prodigious bed, almost big enough indeed for any four harpooneers to sleep abreast.
“There,” said the landlord, placing the candle on a crazy old sea chest that did double duty as a wash-stand and centre table; “there, make yourself comfortable now, and good night to ye.” I turned round from eyeing the bed, but he had disappeared.
Folding back the counterpane, I stooped over the bed. Though none of the most elegant, it yet stood the scrutiny tolerably well. I then glanced round the room; and besides the bedstead and centre table, could see no other furniture belonging to the place, but a rude shelf, the four walls, and a papered fireboard representing a man striking a whale. Of things not properly belonging to the room, there was a hammock lashed up, and thrown upon the floor in one corner; also a large seaman’s bag, containing the harpooneer’s wardrobe, no doubt in lieu of a land trunk. Likewise, there was a parcel of outlandish bone fish hooks on the shelf over the fire-place, and a tall harpoon standing at the head of the bed. |
Moby_Dick_Or_The_Whale_-_Herman_Melville | 35 | 20 | But what is this on the chest? I took it up, and held it close to the light, and felt it, and smelt it, and tried every way possible to arrive at some satisfactory conclusion concerning it. I can compare it to nothing but a large door mat, ornamented at the edges with little tinkling tags something like the stained porcupine quills round an Indian moccasin. There was a hole or slit in the middle of this mat, as you see the same in South American ponchos. But could it be possible that any sober harpooneer would get into a door mat, and parade the streets of any Christian town in that sort of guise? I put it on, to try it, and it weighed me down like a hamper, being uncommonly shaggy and thick, and I thought a little damp, as though this mysterious harpooneer had been wearing it of a rainy day. I went up in it to a bit of glass stuck against the wall, and I never saw such a sight in my life. I tore myself out of it in such a hurry that I gave myself a kink in the neck.
I sat down on the side of the bed, and commenced thinking about this head-peddling harpooneer, and his door mat. After thinking some time on the bed-side, I got up and took off my monkey jacket, and then stood in the middle of the room thinking. I then took off my coat, and thought a little more in my shirt sleeves. But beginning to feel very cold now, half undressed as I was, and remembering what the landlord said about the harpooneer’s not coming home at all that night, it being so very late, I made no more ado, but jumped out of my pantaloons and boots, and then blowing out the light tumbled into bed, and commended myself to the care of heaven.
Whether that mattress was stuffed with corn-cobs or broken crockery, there is no telling, but I rolled about a good deal, and could not sleep for a long time. At last I slid off into a light doze, and had pretty nearly made a good offing towards the land of Nod, when I heard a heavy footfall in the passage, and saw a glimmer of light come into the room from under the door. |
Moby_Dick_Or_The_Whale_-_Herman_Melville | 35 | 21 |
Lord save me, thinks I, that must be the harpooneer, the infernal head-peddler. But I lay perfectly still, and resolved not to say a word till spoken to. Holding a light in one hand, and that identical New Zealand head in the other, the stranger entered the room, and without looking towards the bed, placed his candle a good way off from me on the floor in one corner, and then began working away at the knotted cords of the large bag I before spoke of as being in the room. I was all eagerness to see his face, but he kept it averted for some time while employed in unlacing the bag’s mouth. This accomplished, however, he turned round—when, good heavens! what a sight! Such a face! It was of a dark, purplish, yellow colour, here and there stuck over with large blackish looking squares. Yes, it’s just as I thought, he’s a terrible bedfellow; he’s been in a fight, got dreadfully cut, and here he is, just from the surgeon. But at that moment he chanced to turn his face so towards the light, that I plainly saw they could not be sticking-plasters at all, those black squares on his cheeks. They were stains of some sort or other. At first I knew not what to make of this; but soon an inkling of the truth occurred to me. I remembered a story of a white man—a whaleman too—who, falling among the cannibals, had been tattooed by them. I concluded that this harpooneer, in the course of his distant voyages, must have met with a similar adventure. And what is it, thought I, after all! It’s only his outside; a man can be honest in any sort of skin. But then, what to make of his unearthly complexion, that part of it, I mean, lying round about, and completely independent of the squares of tattooing. To be sure, it might be nothing but a good coat of tropical tanning; but I never heard of a hot sun’s tanning a white man into a purplish yellow one. However, I had never been in the South Seas; and perhaps the sun there produced these extraordinary effects upon the skin. Now, while all these ideas were passing through me like lightning, this harpooneer never noticed me at all. But, after some difficulty having opened his bag, he commenced fumbling in it, and presently pulled out a sort of tomahawk, and a seal-skin wallet with the hair on. Placing these on the old chest in the middle of the room, he then took the New Zealand head—a ghastly thing enough—and crammed it down into the bag. He now took off his hat—a new beaver hat—when I came nigh singing out with fresh surprise. There was no hair on his head—none to speak of at least—nothing but a small scalp-knot twisted up on his forehead. His bald purplish head now looked for all the world like a mildewed skull. Had not the stranger stood between me and the door, I would have bolted out of it quicker than ever I bolted a dinner. |
Moby_Dick_Or_The_Whale_-_Herman_Melville | 35 | 22 | Even as it was, I thought something of slipping out of the window, but it was the second floor back. I am no coward, but what to make of this head-peddling purple rascal altogether passed my comprehension. Ignorance is the parent of fear, and being completely nonplussed and confounded about the stranger, I confess I was now as much afraid of him as if it was the devil himself who had thus broken into my room at the dead of night. In fact, I was so afraid of him that I was not game enough just then to address him, and demand a satisfactory answer concerning what seemed inexplicable in him.
Meanwhile, he continued the business of undressing, and at last showed his chest and arms. As I live, these covered parts of him were checkered with the same squares as his face; his back, too, was all over the same dark squares; he seemed to have been in a Thirty Years’ War, and just escaped from it with a sticking-plaster shirt. Still more, his very legs were marked, as if a parcel of dark green frogs were running up the trunks of young palms. It was now quite plain that he must be some abominable savage or other shipped aboard of a whaleman in the South Seas, and so landed in this Christian country. I quaked to think of it. A peddler of heads too—perhaps the heads of his own brothers. He might take a fancy to mine—heavens! look at that tomahawk!
But there was no time for shuddering, for now the savage went about something that completely fascinated my attention, and convinced me that he must indeed be a heathen. Going to his heavy grego, or wrapall, or dreadnaught, which he had previously hung on a chair, he fumbled in the pockets, and produced at length a curious little deformed image with a hunch on its back, and exactly the colour of a three days’ old Congo baby. Remembering the embalmed head, at first I almost thought that this black manikin was a real baby preserved in some similar manner. But seeing that it was not at all limber, and that it glistened a good deal like polished ebony, I concluded that it must be nothing but a wooden idol, which indeed it proved to be. For now the savage goes up to the empty fire-place, and removing the papered fire-board, sets up this little hunch-backed image, like a tenpin, between the andirons. The chimney jambs and all the bricks inside were very sooty, so that I thought this fire-place made a very appropriate little shrine or chapel for his Congo idol. |
Moby_Dick_Or_The_Whale_-_Herman_Melville | 35 | 23 | I now screwed my eyes hard towards the half hidden image, feeling but ill at ease meantime—to see what was next to follow. First he takes about a double handful of shavings out of his grego pocket, and places them carefully before the idol; then laying a bit of ship biscuit on top and applying the flame from the lamp, he kindled the shavings into a sacrificial blaze. Presently, after many hasty snatches into the fire, and still hastier withdrawals of his fingers (whereby he seemed to be scorching them badly), he at last succeeded in drawing out the biscuit; then blowing off the heat and ashes a little, he made a polite offer of it to the little negro. But the little devil did not seem to fancy such dry sort of fare at all; he never moved his lips. All these strange antics were accompanied by still stranger guttural noises from the devotee, who seemed to be praying in a sing-song or else singing some pagan psalmody or other, during which his face twitched about in the most unnatural manner. At last extinguishing the fire, he took the idol up very unceremoniously, and bagged it again in his grego pocket as carelessly as if he were a sportsman bagging a dead woodcock.
All these queer proceedings increased my uncomfortableness, and seeing him now exhibiting strong symptoms of concluding his business operations, and jumping into bed with me, I thought it was high time, now or never, before the light was put out, to break the spell in which I had so long been bound.
But the interval I spent in deliberating what to say, was a fatal one. Taking up his tomahawk from the table, he examined the head of it for an instant, and then holding it to the light, with his mouth at the handle, he puffed out great clouds of tobacco smoke. The next moment the light was extinguished, and this wild cannibal, tomahawk between his teeth, sprang into bed with me. I sang out, I could not help it now; and giving a sudden grunt of astonishment he began feeling me.
Stammering out something, I knew not what, I rolled away from him against the wall, and then conjured him, whoever or whatever he might be, to keep quiet, and let me get up and light the lamp again. But his guttural responses satisfied me at once that he but ill comprehended my meaning.
“Who-e debel you?”—he at last said—“you no speak-e, dam-me, I kill-e.” And so saying the lighted tomahawk began flourishing about me in the dark.
“Landlord, for God’s sake, Peter Coffin!” shouted I. “Landlord! Watch! Coffin! Angels! save me!” |
Moby_Dick_Or_The_Whale_-_Herman_Melville | 35 | 24 | “Who-e debel you?”—he at last said—“you no speak-e, dam-me, I kill-e.” And so saying the lighted tomahawk began flourishing about me in the dark.
“Landlord, for God’s sake, Peter Coffin!” shouted I. “Landlord! Watch! Coffin! Angels! save me!”
“Speak-e! tell-ee me who-ee be, or dam-me, I kill-e!” again growled the cannibal, while his horrid flourishings of the tomahawk scattered the hot tobacco ashes about me till I thought my linen would get on fire. But thank heaven, at that moment the landlord came into the room light in hand, and leaping from the bed I ran up to him.
“Don’t be afraid now,” said he, grinning again, “Queequeg here wouldn’t harm a hair of your head.”
“Stop your grinning,” shouted I, “and why didn’t you tell me that that infernal harpooneer was a cannibal?”
“I thought ye know’d it;—didn’t I tell ye, he was a peddlin’ heads around town?—but turn flukes again and go to sleep. Queequeg, look here—you sabbee me, I sabbee—you this man sleepe you—you sabbee?”
“Me sabbee plenty”—grunted Queequeg, puffing away at his pipe and sitting up in bed.
“You gettee in,” he added, motioning to me with his tomahawk, and throwing the clothes to one side. He really did this in not only a civil but a really kind and charitable way. I stood looking at him a moment. For all his tattooings he was on the whole a clean, comely looking cannibal. What’s all this fuss I have been making about, thought I to myself—the man’s a human being just as I am: he has just as much reason to fear me, as I have to be afraid of him. Better sleep with a sober cannibal than a drunken Christian.
“Landlord,” said I, “tell him to stash his tomahawk there, or pipe, or whatever you call it; tell him to stop smoking, in short, and I will turn in with him. But I don’t fancy having a man smoking in bed with me. It’s dangerous. Besides, I ain’t insured.”
This being told to Queequeg, he at once complied, and again politely motioned me to get into bed—rolling over to one side as much as to say—“I won’t touch a leg of ye.”
“Good night, landlord,” said I, “you may go.”
I turned in, and never slept better in my life. |
Moby_Dick_Or_The_Whale_-_Herman_Melville | 35 | 25 | “Good night, landlord,” said I, “you may go.”
I turned in, and never slept better in my life.
Upon waking next morning about daylight, I found Queequeg’s arm thrown over me in the most loving and affectionate manner. You had almost thought I had been his wife. The counterpane was of patchwork, full of odd little parti-coloured squares and triangles; and this arm of his tattooed all over with an interminable Cretan labyrinth of a figure, no two parts of which were of one precise shade—owing I suppose to his keeping his arm at sea unmethodically in sun and shade, his shirt sleeves irregularly rolled up at various times—this same arm of his, I say, looked for all the world like a strip of that same patchwork quilt. Indeed, partly lying on it as the arm did when I first awoke, I could hardly tell it from the quilt, they so blended their hues together; and it was only by the sense of weight and pressure that I could tell that Queequeg was hugging me.
My sensations were strange. Let me try to explain them. When I was a child, I well remember a somewhat similar circumstance that befell me; whether it was a reality or a dream, I never could entirely settle. The circumstance was this. I had been cutting up some caper or other—I think it was trying to crawl up the chimney, as I had seen a little sweep do a few days previous; and my stepmother who, somehow or other, was all the time whipping me, or sending me to bed supperless,—my mother dragged me by the legs out of the chimney and packed me off to bed, though it was only two o’clock in the afternoon of the 21st June, the longest day in the year in our hemisphere. I felt dreadfully. But there was no help for it, so up stairs I went to my little room in the third floor, undressed myself as slowly as possible so as to kill time, and with a bitter sigh got between the sheets. |
Moby_Dick_Or_The_Whale_-_Herman_Melville | 35 | 26 | I lay there dismally calculating that sixteen entire hours must elapse before I could hope for a resurrection. Sixteen hours in bed! the small of my back ached to think of it. And it was so light too; the sun shining in at the window, and a great rattling of coaches in the streets, and the sound of gay voices all over the house. I felt worse and worse—at last I got up, dressed, and softly going down in my stockinged feet, sought out my stepmother, and suddenly threw myself at her feet, beseeching her as a particular favour to give me a good slippering for my misbehaviour; anything indeed but condemning me to lie abed such an unendurable length of time. But she was the best and most conscientious of stepmothers, and back I had to go to my room. For several hours I lay there broad awake, feeling a great deal worse than I have ever done since, even from the greatest subsequent misfortunes. At last I must have fallen into a troubled nightmare of a doze; and slowly waking from it—half steeped in dreams—I opened my eyes, and the before sun-lit room was now wrapped in outer darkness. Instantly I felt a shock running through all my frame; nothing was to be seen, and nothing was to be heard; but a supernatural hand seemed placed in mine. My arm hung over the counterpane, and the nameless, unimaginable, silent form or phantom, to which the hand belonged, seemed closely seated by my bed-side. For what seemed ages piled on ages, I lay there, frozen with the most awful fears, not daring to drag away my hand; yet ever thinking that if I could but stir it one single inch, the horrid spell would be broken. I knew not how this consciousness at last glided away from me; but waking in the morning, I shudderingly remembered it all, and for days and weeks and months afterwards I lost myself in confounding attempts to explain the mystery. Nay, to this very hour, I often puzzle myself with it. |
Moby_Dick_Or_The_Whale_-_Herman_Melville | 35 | 27 |
Now, take away the awful fear, and my sensations at feeling the supernatural hand in mine were very similar, in their strangeness, to those which I experienced on waking up and seeing Queequeg’s pagan arm thrown round me. But at length all the past night’s events soberly recurred, one by one, in fixed reality, and then I lay only alive to the comical predicament. For though I tried to move his arm—unlock his bridegroom clasp—yet, sleeping as he was, he still hugged me tightly, as though naught but death should part us twain. I now strove to rouse him—“Queequeg!”—but his only answer was a snore. I then rolled over, my neck feeling as if it were in a horse-collar; and suddenly felt a slight scratch. Throwing aside the counterpane, there lay the tomahawk sleeping by the savage’s side, as if it were a hatchet-faced baby. A pretty pickle, truly, thought I; abed here in a strange house in the broad day, with a cannibal and a tomahawk! “Queequeg!—in the name of goodness, Queequeg, wake!” At length, by dint of much wriggling, and loud and incessant expostulations upon the unbecomingness of his hugging a fellow male in that matrimonial sort of style, I succeeded in extracting a grunt; and presently, he drew back his arm, shook himself all over like a Newfoundland dog just from the water, and sat up in bed, stiff as a pike-staff, looking at me, and rubbing his eyes as if he did not altogether remember how I came to be there, though a dim consciousness of knowing something about me seemed slowly dawning over him. Meanwhile, I lay quietly eyeing him, having no serious misgivings now, and bent upon narrowly observing so curious a creature. When, at last, his mind seemed made up touching the character of his bedfellow, and he became, as it were, reconciled to the fact; he jumped out upon the floor, and by certain signs and sounds gave me to understand that, if it pleased me, he would dress first and then leave me to dress afterwards, leaving the whole apartment to myself. Thinks I, Queequeg, under the circumstances, this is a very civilized overture; but, the truth is, these savages have an innate sense of delicacy, say what you will; it is marvellous how essentially polite they are. I pay this particular compliment to Queequeg, because he treated me with so much civility and consideration, while I was guilty of great rudeness; staring at him from the bed, and watching all his toilette motions; for the time my curiosity getting the better of my breeding. Nevertheless, a man like Queequeg you don’t see every day, he and his ways were well worth unusual regarding. |
Moby_Dick_Or_The_Whale_-_Herman_Melville | 35 | 28 | He commenced dressing at top by donning his beaver hat, a very tall one, by the by, and then—still minus his trowsers—he hunted up his boots. What under the heavens he did it for, I cannot tell, but his next movement was to crush himself—boots in hand, and hat on—under the bed; when, from sundry violent gaspings and strainings, I inferred he was hard at work booting himself; though by no law of propriety that I ever heard of, is any man required to be private when putting on his boots. But Queequeg, do you see, was a creature in the transition stage—neither caterpillar nor butterfly. He was just enough civilized to show off his outlandishness in the strangest possible manners. His education was not yet completed. He was an undergraduate. If he had not been a small degree civilized, he very probably would not have troubled himself with boots at all; but then, if he had not been still a savage, he never would have dreamt of getting under the bed to put them on. At last, he emerged with his hat very much dented and crushed down over his eyes, and began creaking and limping about the room, as if, not being much accustomed to boots, his pair of damp, wrinkled cowhide ones—probably not made to order either—rather pinched and tormented him at the first go off of a bitter cold morning. |
Moby_Dick_Or_The_Whale_-_Herman_Melville | 35 | 29 | Seeing, now, that there were no curtains to the window, and that the street being very narrow, the house opposite commanded a plain view into the room, and observing more and more the indecorous figure that Queequeg made, staving about with little else but his hat and boots on; I begged him as well as I could, to accelerate his toilet somewhat, and particularly to get into his pantaloons as soon as possible. He complied, and then proceeded to wash himself. At that time in the morning any Christian would have washed his face; but Queequeg, to my amazement, contented himself with restricting his ablutions to his chest, arms, and hands. He then donned his waistcoat, and taking up a piece of hard soap on the wash-stand centre table, dipped it into water and commenced lathering his face. I was watching to see where he kept his razor, when lo and behold, he takes the harpoon from the bed corner, slips out the long wooden stock, unsheathes the head, whets it a little on his boot, and striding up to the bit of mirror against the wall, begins a vigorous scraping, or rather harpooning of his cheeks. Thinks I, Queequeg, this is using Rogers’s best cutlery with a vengeance. Afterwards I wondered the less at this operation when I came to know of what fine steel the head of a harpoon is made, and how exceedingly sharp the long straight edges are always kept.
The rest of his toilet was soon achieved, and he proudly marched out of the room, wrapped up in his great pilot monkey jacket, and sporting his harpoon like a marshal’s baton.
I quickly followed suit, and descending into the bar-room accosted the grinning landlord very pleasantly. I cherished no malice towards him, though he had been skylarking with me not a little in the matter of my bedfellow.
However, a good laugh is a mighty good thing, and rather too scarce a good thing; the more’s the pity. So, if any one man, in his own proper person, afford stuff for a good joke to anybody, let him not be backward, but let him cheerfully allow himself to spend and be spent in that way. And the man that has anything bountifully laughable about him, be sure there is more in that man than you perhaps think for. |
Moby_Dick_Or_The_Whale_-_Herman_Melville | 35 | 30 | The bar-room was now full of the boarders who had been dropping in the night previous, and whom I had not as yet had a good look at. They were nearly all whalemen; chief mates, and second mates, and third mates, and sea carpenters, and sea coopers, and sea blacksmiths, and harpooneers, and ship keepers; a brown and brawny company, with bosky beards; an unshorn, shaggy set, all wearing monkey jackets for morning gowns.
You could pretty plainly tell how long each one had been ashore. This young fellow’s healthy cheek is like a sun-toasted pear in hue, and would seem to smell almost as musky; he cannot have been three days landed from his Indian voyage. That man next him looks a few shades lighter; you might say a touch of satin wood is in him. In the complexion of a third still lingers a tropic tawn, but slightly bleached withal; he doubtless has tarried whole weeks ashore. But who could show a cheek like Queequeg? which, barred with various tints, seemed like the Andes’ western slope, to show forth in one array, contrasting climates, zone by zone.
“Grub, ho!” now cried the landlord, flinging open a door, and in we went to breakfast.
They say that men who have seen the world, thereby become quite at ease in manner, quite self-possessed in company. Not always, though: Ledyard, the great New England traveller, and Mungo Park, the Scotch one; of all men, they possessed the least assurance in the parlor. But perhaps the mere crossing of Siberia in a sledge drawn by dogs as Ledyard did, or the taking a long solitary walk on an empty stomach, in the negro heart of Africa, which was the sum of poor Mungo’s performances—this kind of travel, I say, may not be the very best mode of attaining a high social polish. Still, for the most part, that sort of thing is to be had anywhere. |
Moby_Dick_Or_The_Whale_-_Herman_Melville | 35 | 31 | These reflections just here are occasioned by the circumstance that after we were all seated at the table, and I was preparing to hear some good stories about whaling; to my no small surprise, nearly every man maintained a profound silence. And not only that, but they looked embarrassed. Yes, here were a set of sea-dogs, many of whom without the slightest bashfulness had boarded great whales on the high seas—entire strangers to them—and duelled them dead without winking; and yet, here they sat at a social breakfast table—all of the same calling, all of kindred tastes—looking round as sheepishly at each other as though they had never been out of sight of some sheepfold among the Green Mountains. A curious sight; these bashful bears, these timid warrior whalemen!
But as for Queequeg—why, Queequeg sat there among them—at the head of the table, too, it so chanced; as cool as an icicle. To be sure I cannot say much for his breeding. His greatest admirer could not have cordially justified his bringing his harpoon into breakfast with him, and using it there without ceremony; reaching over the table with it, to the imminent jeopardy of many heads, and grappling the beefsteaks towards him. But that was certainly very coolly done by him, and every one knows that in most people’s estimation, to do anything coolly is to do it genteelly.
We will not speak of all Queequeg’s peculiarities here; how he eschewed coffee and hot rolls, and applied his undivided attention to beefsteaks, done rare. Enough, that when breakfast was over he withdrew like the rest into the public room, lighted his tomahawk-pipe, and was sitting there quietly digesting and smoking with his inseparable hat on, when I sallied out for a stroll.
If I had been astonished at first catching a glimpse of so outlandish an individual as Queequeg circulating among the polite society of a civilized town, that astonishment soon departed upon taking my first daylight stroll through the streets of New Bedford.
In thoroughfares nigh the docks, any considerable seaport will frequently offer to view the queerest looking nondescripts from foreign parts. Even in Broadway and Chestnut streets, Mediterranean mariners will sometimes jostle the affrighted ladies. Regent Street is not unknown to Lascars and Malays; and at Bombay, in the Apollo Green, live Yankees have often scared the natives. But New Bedford beats all Water Street and Wapping. In these last-mentioned haunts you see only sailors; but in New Bedford, actual cannibals stand chatting at street corners; savages outright; many of whom yet carry on their bones unholy flesh. It makes a stranger stare. |
Moby_Dick_Or_The_Whale_-_Herman_Melville | 35 | 32 | But, besides the Feegeeans, Tongatobooarrs, Erromanggoans, Pannangians, and Brighggians, and, besides the wild specimens of the whaling-craft which unheeded reel about the streets, you will see other sights still more curious, certainly more comical. There weekly arrive in this town scores of green Vermonters and New Hampshire men, all athirst for gain and glory in the fishery. They are mostly young, of stalwart frames; fellows who have felled forests, and now seek to drop the axe and snatch the whale-lance. Many are as green as the Green Mountains whence they came. In some things you would think them but a few hours old. Look there! that chap strutting round the corner. He wears a beaver hat and swallow-tailed coat, girdled with a sailor-belt and sheath-knife. Here comes another with a sou’-wester and a bombazine cloak.
No town-bred dandy will compare with a country-bred one—I mean a downright bumpkin dandy—a fellow that, in the dog-days, will mow his two acres in buckskin gloves for fear of tanning his hands. Now when a country dandy like this takes it into his head to make a distinguished reputation, and joins the great whale-fishery, you should see the comical things he does upon reaching the seaport. In bespeaking his sea-outfit, he orders bell-buttons to his waistcoats; straps to his canvas trowsers. Ah, poor Hay-Seed! how bitterly will burst those straps in the first howling gale, when thou art driven, straps, buttons, and all, down the throat of the tempest.
But think not that this famous town has only harpooneers, cannibals, and bumpkins to show her visitors. Not at all. Still New Bedford is a queer place. Had it not been for us whalemen, that tract of land would this day perhaps have been in as howling condition as the coast of Labrador. As it is, parts of her back country are enough to frighten one, they look so bony. The town itself is perhaps the dearest place to live in, in all New England. It is a land of oil, true enough: but not like Canaan; a land, also, of corn and wine. The streets do not run with milk; nor in the spring-time do they pave them with fresh eggs. Yet, in spite of this, nowhere in all America will you find more patrician-like houses; parks and gardens more opulent, than in New Bedford. Whence came they? how planted upon this once scraggy scoria of a country? |
Moby_Dick_Or_The_Whale_-_Herman_Melville | 35 | 33 | Go and gaze upon the iron emblematical harpoons round yonder lofty mansion, and your question will be answered. Yes; all these brave houses and flowery gardens came from the Atlantic, Pacific, and Indian oceans. One and all, they were harpooned and dragged up hither from the bottom of the sea. Can Herr Alexander perform a feat like that?
In New Bedford, fathers, they say, give whales for dowers to their daughters, and portion off their nieces with a few porpoises a-piece. You must go to New Bedford to see a brilliant wedding; for, they say, they have reservoirs of oil in every house, and every night recklessly burn their lengths in spermaceti candles.
In summer time, the town is sweet to see; full of fine maples—long avenues of green and gold. And in August, high in air, the beautiful and bountiful horse-chestnuts, candelabra-wise, proffer the passer-by their tapering upright cones of congregated blossoms. So omnipotent is art; which in many a district of New Bedford has superinduced bright terraces of flowers upon the barren refuse rocks thrown aside at creation’s final day.
And the women of New Bedford, they bloom like their own red roses. But roses only bloom in summer; whereas the fine carnation of their cheeks is perennial as sunlight in the seventh heavens. Elsewhere match that bloom of theirs, ye cannot, save in Salem, where they tell me the young girls breathe such musk, their sailor sweethearts smell them miles off shore, as though they were drawing nigh the odorous Moluccas instead of the Puritanic sands.
In this same New Bedford there stands a Whaleman’s Chapel, and few are the moody fishermen, shortly bound for the Indian Ocean or Pacific, who fail to make a Sunday visit to the spot. I am sure that I did not.
Returning from my first morning stroll, I again sallied out upon this special errand. The sky had changed from clear, sunny cold, to driving sleet and mist. Wrapping myself in my shaggy jacket of the cloth called bearskin, I fought my way against the stubborn storm. Entering, I found a small scattered congregation of sailors, and sailors’ wives and widows. A muffled silence reigned, only broken at times by the shrieks of the storm. Each silent worshipper seemed purposely sitting apart from the other, as if each silent grief were insular and incommunicable. The chaplain had not yet arrived; and there these silent islands of men and women sat steadfastly eyeing several marble tablets, with black borders, masoned into the wall on either side the pulpit. Three of them ran something like the following, but I do not pretend to quote:— |
Moby_Dick_Or_The_Whale_-_Herman_Melville | 35 | 34 | SACRED TO THE MEMORY OF JOHN TALBOT, Who, at the age of eighteen, was lost overboard, Near the Isle of Desolation, off Patagonia, November 1st, 1836. THIS TABLET Is erected to his Memory BY HIS SISTER.
SACRED TO THE MEMORY OF ROBERT LONG, WILLIS ELLERY, NATHAN COLEMAN, WALTER CANNY, SETH MACY, AND SAMUEL GLEIG, Forming one of the boats’ crews OF THE SHIP ELIZA Who were towed out of sight by a Whale, On the Off-shore Ground in the PACIFIC, December 31st, 1839. THIS MARBLE Is here placed by their surviving SHIPMATES.
SACRED TO THE MEMORY OF The late CAPTAIN EZEKIEL HARDY, Who in the bows of his boat was killed by a Sperm Whale on the coast of Japan, August 3d, 1833. THIS TABLET Is erected to his Memory BY HIS WIDOW.
Shaking off the sleet from my ice-glazed hat and jacket, I seated myself near the door, and turning sideways was surprised to see Queequeg near me. Affected by the solemnity of the scene, there was a wondering gaze of incredulous curiosity in his countenance. This savage was the only person present who seemed to notice my entrance; because he was the only one who could not read, and, therefore, was not reading those frigid inscriptions on the wall. Whether any of the relatives of the seamen whose names appeared there were now among the congregation, I knew not; but so many are the unrecorded accidents in the fishery, and so plainly did several women present wear the countenance if not the trappings of some unceasing grief, that I feel sure that here before me were assembled those, in whose unhealing hearts the sight of those bleak tablets sympathetically caused the old wounds to bleed afresh.
Oh! ye whose dead lie buried beneath the green grass; who standing among flowers can say—here, here lies my beloved; ye know not the desolation that broods in bosoms like these. What bitter blanks in those black-bordered marbles which cover no ashes! What despair in those immovable inscriptions! What deadly voids and unbidden infidelities in the lines that seem to gnaw upon all Faith, and refuse resurrections to the beings who have placelessly perished without a grave. As well might those tablets stand in the cave of Elephanta as here. |
Moby_Dick_Or_The_Whale_-_Herman_Melville | 35 | 35 | In what census of living creatures, the dead of mankind are included; why it is that a universal proverb says of them, that they tell no tales, though containing more secrets than the Goodwin Sands; how it is that to his name who yesterday departed for the other world, we prefix so significant and infidel a word, and yet do not thus entitle him, if he but embarks for the remotest Indies of this living earth; why the Life Insurance Companies pay death-forfeitures upon immortals; in what eternal, unstirring paralysis, and deadly, hopeless trance, yet lies antique Adam who died sixty round centuries ago; how it is that we still refuse to be comforted for those who we nevertheless maintain are dwelling in unspeakable bliss; why all the living so strive to hush all the dead; wherefore but the rumor of a knocking in a tomb will terrify a whole city. All these things are not without their meanings.
But Faith, like a jackal, feeds among the tombs, and even from these dead doubts she gathers her most vital hope.
It needs scarcely to be told, with what feelings, on the eve of a Nantucket voyage, I regarded those marble tablets, and by the murky light of that darkened, doleful day read the fate of the whalemen who had gone before me. Yes, Ishmael, the same fate may be thine. But somehow I grew merry again. Delightful inducements to embark, fine chance for promotion, it seems—aye, a stove boat will make me an immortal by brevet. Yes, there is death in this business of whaling—a speechlessly quick chaotic bundling of a man into Eternity. But what then? Methinks we have hugely mistaken this matter of Life and Death. Methinks that what they call my shadow here on earth is my true substance. Methinks that in looking at things spiritual, we are too much like oysters observing the sun through the water, and thinking that thick water the thinnest of air. Methinks my body is but the lees of my better being. In fact take my body who will, take it I say, it is not me. And therefore three cheers for Nantucket; and come a stove boat and stove body when they will, for stave my soul, Jove himself cannot. |
Moby_Dick_Or_The_Whale_-_Herman_Melville | 35 | 36 | I had not been seated very long ere a man of a certain venerable robustness entered; immediately as the storm-pelted door flew back upon admitting him, a quick regardful eyeing of him by all the congregation, sufficiently attested that this fine old man was the chaplain. Yes, it was the famous Father Mapple, so called by the whalemen, among whom he was a very great favourite. He had been a sailor and a harpooneer in his youth, but for many years past had dedicated his life to the ministry. At the time I now write of, Father Mapple was in the hardy winter of a healthy old age; that sort of old age which seems merging into a second flowering youth, for among all the fissures of his wrinkles, there shone certain mild gleams of a newly developing bloom—the spring verdure peeping forth even beneath February’s snow. No one having previously heard his history, could for the first time behold Father Mapple without the utmost interest, because there were certain engrafted clerical peculiarities about him, imputable to that adventurous maritime life he had led. When he entered I observed that he carried no umbrella, and certainly had not come in his carriage, for his tarpaulin hat ran down with melting sleet, and his great pilot cloth jacket seemed almost to drag him to the floor with the weight of the water it had absorbed. However, hat and coat and overshoes were one by one removed, and hung up in a little space in an adjacent corner; when, arrayed in a decent suit, he quietly approached the pulpit.
Like most old fashioned pulpits, it was a very lofty one, and since a regular stairs to such a height would, by its long angle with the floor, seriously contract the already small area of the chapel, the architect, it seemed, had acted upon the hint of Father Mapple, and finished the pulpit without a stairs, substituting a perpendicular side ladder, like those used in mounting a ship from a boat at sea. The wife of a whaling captain had provided the chapel with a handsome pair of red worsted man-ropes for this ladder, which, being itself nicely headed, and stained with a mahogany colour, the whole contrivance, considering what manner of chapel it was, seemed by no means in bad taste. Halting for an instant at the foot of the ladder, and with both hands grasping the ornamental knobs of the man-ropes, Father Mapple cast a look upwards, and then with a truly sailor-like but still reverential dexterity, hand over hand, mounted the steps as if ascending the main-top of his vessel. |
Moby_Dick_Or_The_Whale_-_Herman_Melville | 35 | 37 | The perpendicular parts of this side ladder, as is usually the case with swinging ones, were of cloth-covered rope, only the rounds were of wood, so that at every step there was a joint. At my first glimpse of the pulpit, it had not escaped me that however convenient for a ship, these joints in the present instance seemed unnecessary. For I was not prepared to see Father Mapple after gaining the height, slowly turn round, and stooping over the pulpit, deliberately drag up the ladder step by step, till the whole was deposited within, leaving him impregnable in his little Quebec.
I pondered some time without fully comprehending the reason for this. Father Mapple enjoyed such a wide reputation for sincerity and sanctity, that I could not suspect him of courting notoriety by any mere tricks of the stage. No, thought I, there must be some sober reason for this thing; furthermore, it must symbolize something unseen. Can it be, then, that by that act of physical isolation, he signifies his spiritual withdrawal for the time, from all outward worldly ties and connexions? Yes, for replenished with the meat and wine of the word, to the faithful man of God, this pulpit, I see, is a self-containing stronghold—a lofty Ehrenbreitstein, with a perennial well of water within the walls.
But the side ladder was not the only strange feature of the place, borrowed from the chaplain’s former sea-farings. Between the marble cenotaphs on either hand of the pulpit, the wall which formed its back was adorned with a large painting representing a gallant ship beating against a terrible storm off a lee coast of black rocks and snowy breakers. But high above the flying scud and dark-rolling clouds, there floated a little isle of sunlight, from which beamed forth an angel’s face; and this bright face shed a distinct spot of radiance upon the ship’s tossed deck, something like that silver plate now inserted into the Victory’s plank where Nelson fell. “Ah, noble ship,” the angel seemed to say, “beat on, beat on, thou noble ship, and bear a hardy helm; for lo! the sun is breaking through; the clouds are rolling off—serenest azure is at hand.”
Nor was the pulpit itself without a trace of the same sea-taste that had achieved the ladder and the picture. Its panelled front was in the likeness of a ship’s bluff bows, and the Holy Bible rested on a projecting piece of scroll work, fashioned after a ship’s fiddle-headed beak. |
Moby_Dick_Or_The_Whale_-_Herman_Melville | 35 | 38 | Nor was the pulpit itself without a trace of the same sea-taste that had achieved the ladder and the picture. Its panelled front was in the likeness of a ship’s bluff bows, and the Holy Bible rested on a projecting piece of scroll work, fashioned after a ship’s fiddle-headed beak.
What could be more full of meaning?—for the pulpit is ever this earth’s foremost part; all the rest comes in its rear; the pulpit leads the world. From thence it is the storm of God’s quick wrath is first descried, and the bow must bear the earliest brunt. From thence it is the God of breezes fair or foul is first invoked for favourable winds. Yes, the world’s a ship on its passage out, and not a voyage complete; and the pulpit is its prow.
Father Mapple rose, and in a mild voice of unassuming authority ordered the scattered people to condense. “Starboard gangway, there! side away to larboard—larboard gangway to starboard! Midships! midships!”
There was a low rumbling of heavy sea-boots among the benches, and a still slighter shuffling of women’s shoes, and all was quiet again, and every eye on the preacher.
He paused a little; then kneeling in the pulpit’s bows, folded his large brown hands across his chest, uplifted his closed eyes, and offered a prayer so deeply devout that he seemed kneeling and praying at the bottom of the sea.
This ended, in prolonged solemn tones, like the continual tolling of a bell in a ship that is foundering at sea in a fog—in such tones he commenced reading the following hymn; but changing his manner towards the concluding stanzas, burst forth with a pealing exultation and joy—
“The ribs and terrors in the whale,
Arched over me a dismal gloom,
While all God’s sun-lit waves rolled by,
And lift me deepening down to doom.
“I saw the opening maw of hell,
With endless pains and sorrows there;
Which none but they that feel can tell—
Oh, I was plunging to despair.
“In black distress, I called my God,
When I could scarce believe him mine,
He bowed his ear to my complaints—
No more the whale did me confine.
“With speed he flew to my relief,
As on a radiant dolphin borne;
Awful, yet bright, as lightning shone
The face of my Deliverer God.
“My song for ever shall record
That terrible, that joyful hour;
I give the glory to my God,
His all the mercy and the power.” |
Moby_Dick_Or_The_Whale_-_Herman_Melville | 35 | 39 | “With speed he flew to my relief,
As on a radiant dolphin borne;
Awful, yet bright, as lightning shone
The face of my Deliverer God.
“My song for ever shall record
That terrible, that joyful hour;
I give the glory to my God,
His all the mercy and the power.”
Nearly all joined in singing this hymn, which swelled high above the howling of the storm. A brief pause ensued; the preacher slowly turned over the leaves of the Bible, and at last, folding his hand down upon the proper page, said: “Beloved shipmates, clinch the last verse of the first chapter of Jonah—‘And God had prepared a great fish to swallow up Jonah.’”
“Shipmates, this book, containing only four chapters—four yarns—is one of the smallest strands in the mighty cable of the Scriptures. Yet what depths of the soul does Jonah’s deep sealine sound! what a pregnant lesson to us is this prophet! What a noble thing is that canticle in the fish’s belly! How billow-like and boisterously grand! We feel the floods surging over us; we sound with him to the kelpy bottom of the waters; sea-weed and all the slime of the sea is about us! But what is this lesson that the book of Jonah teaches? Shipmates, it is a two-stranded lesson; a lesson to us all as sinful men, and a lesson to me as a pilot of the living God. As sinful men, it is a lesson to us all, because it is a story of the sin, hard-heartedness, suddenly awakened fears, the swift punishment, repentance, prayers, and finally the deliverance and joy of Jonah. As with all sinners among men, the sin of this son of Amittai was in his wilful disobedience of the command of God—never mind now what that command was, or how conveyed—which he found a hard command. But all the things that God would have us do are hard for us to do—remember that—and hence, he oftener commands us than endeavors to persuade. And if we obey God, we must disobey ourselves; and it is in this disobeying ourselves, wherein the hardness of obeying God consists. |
Moby_Dick_Or_The_Whale_-_Herman_Melville | 35 | 40 |
“With this sin of disobedience in him, Jonah still further flouts at God, by seeking to flee from Him. He thinks that a ship made by men will carry him into countries where God does not reign, but only the Captains of this earth. He skulks about the wharves of Joppa, and seeks a ship that’s bound for Tarshish. There lurks, perhaps, a hitherto unheeded meaning here. By all accounts Tarshish could have been no other city than the modern Cadiz. That’s the opinion of learned men. And where is Cadiz, shipmates? Cadiz is in Spain; as far by water, from Joppa, as Jonah could possibly have sailed in those ancient days, when the Atlantic was an almost unknown sea. Because Joppa, the modern Jaffa, shipmates, is on the most easterly coast of the Mediterranean, the Syrian; and Tarshish or Cadiz more than two thousand miles to the westward from that, just outside the Straits of Gibraltar. See ye not then, shipmates, that Jonah sought to flee world-wide from God? Miserable man! Oh! most contemptible and worthy of all scorn; with slouched hat and guilty eye, skulking from his God; prowling among the shipping like a vile burglar hastening to cross the seas. So disordered, self-condemning is his look, that had there been policemen in those days, Jonah, on the mere suspicion of something wrong, had been arrested ere he touched a deck. How plainly he’s a fugitive! no baggage, not a hat-box, valise, or carpet-bag,—no friends accompany him to the wharf with their adieux. At last, after much dodging search, he finds the Tarshish ship receiving the last items of her cargo; and as he steps on board to see its Captain in the cabin, all the sailors for the moment desist from hoisting in the goods, to mark the stranger’s evil eye. Jonah sees this; but in vain he tries to look all ease and confidence; in vain essays his wretched smile. Strong intuitions of the man assure the mariners he can be no innocent. In their gamesome but still serious way, one whispers to the other—“Jack, he’s robbed a widow;” or, “Joe, do you mark him; he’s a bigamist;” or, “Harry lad, I guess he’s the adulterer that broke jail in old Gomorrah, or belike, one of the missing murderers from Sodom.” Another runs to read the bill that’s stuck against the spile upon the wharf to which the ship is moored, offering five hundred gold coins for the apprehension of a parricide, and containing a description of his person. He reads, and looks from Jonah to the bill; while all his sympathetic shipmates now crowd round Jonah, prepared to lay their hands upon him. Frighted Jonah trembles, and summoning all his boldness to his face, only looks so much the more a coward. He will not confess himself suspected; but that itself is strong suspicion. So he makes the best of it; and when the sailors find him not to be the man that is advertised, they let him pass, and he descends into the cabin. |
Moby_Dick_Or_The_Whale_-_Herman_Melville | 35 | 41 | “‘Who’s there?’ cries the Captain at his busy desk, hurriedly making out his papers for the Customs—‘Who’s there?’ Oh! how that harmless question mangles Jonah! For the instant he almost turns to flee again. But he rallies. ‘I seek a passage in this ship to Tarshish; how soon sail ye, sir?’ Thus far the busy Captain had not looked up to Jonah, though the man now stands before him; but no sooner does he hear that hollow voice, than he darts a scrutinizing glance. ‘We sail with the next coming tide,’ at last he slowly answered, still intently eyeing him. ‘No sooner, sir?’—‘Soon enough for any honest man that goes a passenger.’ Ha! Jonah, that’s another stab. But he swiftly calls away the Captain from that scent. ‘I’ll sail with ye,’—he says,—‘the passage money how much is that?—I’ll pay now.’ For it is particularly written, shipmates, as if it were a thing not to be overlooked in this history, ‘that he paid the fare thereof’ ere the craft did sail. And taken with the context, this is full of meaning.
“Now Jonah’s Captain, shipmates, was one whose discernment detects crime in any, but whose cupidity exposes it only in the penniless. In this world, shipmates, sin that pays its way can travel freely, and without a passport; whereas Virtue, if a pauper, is stopped at all frontiers. So Jonah’s Captain prepares to test the length of Jonah’s purse, ere he judge him openly. He charges him thrice the usual sum; and it’s assented to. Then the Captain knows that Jonah is a fugitive; but at the same time resolves to help a flight that paves its rear with gold. Yet when Jonah fairly takes out his purse, prudent suspicions still molest the Captain. He rings every coin to find a counterfeit. Not a forger, any way, he mutters; and Jonah is put down for his passage. ‘Point out my state-room, Sir,’ says Jonah now, ‘I’m travel-weary; I need sleep.’ ‘Thou lookest like it,’ says the Captain, ‘there’s thy room.’ Jonah enters, and would lock the door, but the lock contains no key. Hearing him foolishly fumbling there, the Captain laughs lowly to himself, and mutters something about the doors of convicts’ cells being never allowed to be locked within. All dressed and dusty as he is, Jonah throws himself into his berth, and finds the little state-room ceiling almost resting on his forehead. The air is close, and Jonah gasps. Then, in that contracted hole, sunk, too, beneath the ship’s water-line, Jonah feels the heralding presentiment of that stifling hour, when the whale shall hold him in the smallest of his bowels’ wards. |
Moby_Dick_Or_The_Whale_-_Herman_Melville | 35 | 42 | “Screwed at its axis against the side, a swinging lamp slightly oscillates in Jonah’s room; and the ship, heeling over towards the wharf with the weight of the last bales received, the lamp, flame and all, though in slight motion, still maintains a permanent obliquity with reference to the room; though, in truth, infallibly straight itself, it but made obvious the false, lying levels among which it hung. The lamp alarms and frightens Jonah; as lying in his berth his tormented eyes roll round the place, and this thus far successful fugitive finds no refuge for his restless glance. But that contradiction in the lamp more and more appals him. The floor, the ceiling, and the side, are all awry. ‘Oh! so my conscience hangs in me!’ he groans, ‘straight upwards, so it burns; but the chambers of my soul are all in crookedness!’
“Like one who after a night of drunken revelry hies to his bed, still reeling, but with conscience yet pricking him, as the plungings of the Roman race-horse but so much the more strike his steel tags into him; as one who in that miserable plight still turns and turns in giddy anguish, praying God for annihilation until the fit be passed; and at last amid the whirl of woe he feels, a deep stupor steals over him, as over the man who bleeds to death, for conscience is the wound, and there’s naught to staunch it; so, after sore wrestlings in his berth, Jonah’s prodigy of ponderous misery drags him drowning down to sleep. |
Moby_Dick_Or_The_Whale_-_Herman_Melville | 35 | 43 | “And now the time of tide has come; the ship casts off her cables; and from the deserted wharf the uncheered ship for Tarshish, all careening, glides to sea. That ship, my friends, was the first of recorded smugglers! the contraband was Jonah. But the sea rebels; he will not bear the wicked burden. A dreadful storm comes on, the ship is like to break. But now when the boatswain calls all hands to lighten her; when boxes, bales, and jars are clattering overboard; when the wind is shrieking, and the men are yelling, and every plank thunders with trampling feet right over Jonah’s head; in all this raging tumult, Jonah sleeps his hideous sleep. He sees no black sky and raging sea, feels not the reeling timbers, and little hears he or heeds he the far rush of the mighty whale, which even now with open mouth is cleaving the seas after him. Aye, shipmates, Jonah was gone down into the sides of the ship—a berth in the cabin as I have taken it, and was fast asleep. But the frightened master comes to him, and shrieks in his dead ear, ‘What meanest thou, O, sleeper! arise!’ Startled from his lethargy by that direful cry, Jonah staggers to his feet, and stumbling to the deck, grasps a shroud, to look out upon the sea. But at that moment he is sprung upon by a panther billow leaping over the bulwarks. Wave after wave thus leaps into the ship, and finding no speedy vent runs roaring fore and aft, till the mariners come nigh to drowning while yet afloat. And ever, as the white moon shows her affrighted face from the steep gullies in the blackness overhead, aghast Jonah sees the rearing bowsprit pointing high upward, but soon beat downward again towards the tormented deep. |
Moby_Dick_Or_The_Whale_-_Herman_Melville | 35 | 44 | “Terrors upon terrors run shouting through his soul. In all his cringing attitudes, the God-fugitive is now too plainly known. The sailors mark him; more and more certain grow their suspicions of him, and at last, fully to test the truth, by referring the whole matter to high Heaven, they fall to casting lots, to see for whose cause this great tempest was upon them. The lot is Jonah’s; that discovered, then how furiously they mob him with their questions. ‘What is thine occupation? Whence comest thou? Thy country? What people? But mark now, my shipmates, the behavior of poor Jonah. The eager mariners but ask him who he is, and where from; whereas, they not only receive an answer to those questions, but likewise another answer to a question not put by them, but the unsolicited answer is forced from Jonah by the hard hand of God that is upon him.
“‘I am a Hebrew,’ he cries—and then—‘I fear the Lord the God of Heaven who hath made the sea and the dry land!’ Fear him, O Jonah? Aye, well mightest thou fear the Lord God then! Straightway, he now goes on to make a full confession; whereupon the mariners became more and more appalled, but still are pitiful. For when Jonah, not yet supplicating God for mercy, since he but too well knew the darkness of his deserts,—when wretched Jonah cries out to them to take him and cast him forth into the sea, for he knew that for his sake this great tempest was upon them; they mercifully turn from him, and seek by other means to save the ship. But all in vain; the indignant gale howls louder; then, with one hand raised invokingly to God, with the other they not unreluctantly lay hold of Jonah. |
Moby_Dick_Or_The_Whale_-_Herman_Melville | 35 | 45 | “And now behold Jonah taken up as an anchor and dropped into the sea; when instantly an oily calmness floats out from the east, and the sea is still, as Jonah carries down the gale with him, leaving smooth water behind. He goes down in the whirling heart of such a masterless commotion that he scarce heeds the moment when he drops seething into the yawning jaws awaiting him; and the whale shoots-to all his ivory teeth, like so many white bolts, upon his prison. Then Jonah prayed unto the Lord out of the fish’s belly. But observe his prayer, and learn a weighty lesson. For sinful as he is, Jonah does not weep and wail for direct deliverance. He feels that his dreadful punishment is just. He leaves all his deliverance to God, contenting himself with this, that spite of all his pains and pangs, he will still look towards His holy temple. And here, shipmates, is true and faithful repentance; not clamorous for pardon, but grateful for punishment. And how pleasing to God was this conduct in Jonah, is shown in the eventual deliverance of him from the sea and the whale. Shipmates, I do not place Jonah before you to be copied for his sin but I do place him before you as a model for repentance. Sin not; but if you do, take heed to repent of it like Jonah.”
While he was speaking these words, the howling of the shrieking, slanting storm without seemed to add new power to the preacher, who, when describing Jonah’s sea-storm, seemed tossed by a storm himself. His deep chest heaved as with a ground-swell; his tossed arms seemed the warring elements at work; and the thunders that rolled away from off his swarthy brow, and the light leaping from his eye, made all his simple hearers look on him with a quick fear that was strange to them.
There now came a lull in his look, as he silently turned over the leaves of the Book once more; and, at last, standing motionless, with closed eyes, for the moment, seemed communing with God and himself.
But again he leaned over towards the people, and bowing his head lowly, with an aspect of the deepest yet manliest humility, he spake these words: |
Moby_Dick_Or_The_Whale_-_Herman_Melville | 35 | 46 | But again he leaned over towards the people, and bowing his head lowly, with an aspect of the deepest yet manliest humility, he spake these words:
“Shipmates, God has laid but one hand upon you; both his hands press upon me. I have read ye by what murky light may be mine the lesson that Jonah teaches to all sinners; and therefore to ye, and still more to me, for I am a greater sinner than ye. And now how gladly would I come down from this mast-head and sit on the hatches there where you sit, and listen as you listen, while some one of you reads me that other and more awful lesson which Jonah teaches to me, as a pilot of the living God. How being an anointed pilot-prophet, or speaker of true things, and bidden by the Lord to sound those unwelcome truths in the ears of a wicked Nineveh, Jonah, appalled at the hostility he should raise, fled from his mission, and sought to escape his duty and his God by taking ship at Joppa. But God is everywhere; Tarshish he never reached. As we have seen, God came upon him in the whale, and swallowed him down to living gulfs of doom, and with swift slantings tore him along ‘into the midst of the seas,’ where the eddying depths sucked him ten thousand fathoms down, and ‘the weeds were wrapped about his head,’ and all the watery world of woe bowled over him. Yet even then beyond the reach of any plummet—‘out of the belly of hell’—when the whale grounded upon the ocean’s utmost bones, even then, God heard the engulphed, repenting prophet when he cried. Then God spake unto the fish; and from the shuddering cold and blackness of the sea, the whale came breeching up towards the warm and pleasant sun, and all the delights of air and earth; and ‘vomited out Jonah upon the dry land;’ when the word of the Lord came a second time; and Jonah, bruised and beaten—his ears, like two sea-shells, still multitudinously murmuring of the ocean—Jonah did the Almighty’s bidding. And what was that, shipmates? To preach the Truth to the face of Falsehood! That was it! |
Moby_Dick_Or_The_Whale_-_Herman_Melville | 35 | 47 | “This, shipmates, this is that other lesson; and woe to that pilot of the living God who slights it. Woe to him whom this world charms from Gospel duty! Woe to him who seeks to pour oil upon the waters when God has brewed them into a gale! Woe to him who seeks to please rather than to appal! Woe to him whose good name is more to him than goodness! Woe to him who, in this world, courts not dishonor! Woe to him who would not be true, even though to be false were salvation! Yea, woe to him who, as the great Pilot Paul has it, while preaching to others is himself a castaway!”
He dropped and fell away from himself for a moment; then lifting his face to them again, showed a deep joy in his eyes, as he cried out with a heavenly enthusiasm,—“But oh! shipmates! on the starboard hand of every woe, there is a sure delight; and higher the top of that delight, than the bottom of the woe is deep. Is not the main-truck higher than the kelson is low? Delight is to him—a far, far upward, and inward delight—who against the proud gods and commodores of this earth, ever stands forth his own inexorable self. Delight is to him whose strong arms yet support him, when the ship of this base treacherous world has gone down beneath him. Delight is to him, who gives no quarter in the truth, and kills, burns, and destroys all sin though he pluck it out from under the robes of Senators and Judges. Delight,—top-gallant delight is to him, who acknowledges no law or lord, but the Lord his God, and is only a patriot to heaven. Delight is to him, whom all the waves of the billows of the seas of the boisterous mob can never shake from this sure Keel of the Ages. And eternal delight and deliciousness will be his, who coming to lay him down, can say with his final breath—O Father!—chiefly known to me by Thy rod—mortal or immortal, here I die. I have striven to be Thine, more than to be this world’s, or mine own. Yet this is nothing: I leave eternity to Thee; for what is man that he should live out the lifetime of his God?”
He said no more, but slowly waving a benediction, covered his face with his hands, and so remained kneeling, till all the people had departed, and he was left alone in the place. |
Moby_Dick_Or_The_Whale_-_Herman_Melville | 35 | 48 | He said no more, but slowly waving a benediction, covered his face with his hands, and so remained kneeling, till all the people had departed, and he was left alone in the place.
Returning to the Spouter-Inn from the Chapel, I found Queequeg there quite alone; he having left the Chapel before the benediction some time. He was sitting on a bench before the fire, with his feet on the stove hearth, and in one hand was holding close up to his face that little negro idol of his; peering hard into its face, and with a jack-knife gently whittling away at its nose, meanwhile humming to himself in his heathenish way.
But being now interrupted, he put up the image; and pretty soon, going to the table, took up a large book there, and placing it on his lap began counting the pages with deliberate regularity; at every fiftieth page—as I fancied—stopping a moment, looking vacantly around him, and giving utterance to a long-drawn gurgling whistle of astonishment. He would then begin again at the next fifty; seeming to commence at number one each time, as though he could not count more than fifty, and it was only by such a large number of fifties being found together, that his astonishment at the multitude of pages was excited.
With much interest I sat watching him. Savage though he was, and hideously marred about the face—at least to my taste—his countenance yet had a something in it which was by no means disagreeable. You cannot hide the soul. Through all his unearthly tattooings, I thought I saw the traces of a simple honest heart; and in his large, deep eyes, fiery black and bold, there seemed tokens of a spirit that would dare a thousand devils. And besides all this, there was a certain lofty bearing about the Pagan, which even his uncouthness could not altogether maim. He looked like a man who had never cringed and never had had a creditor. Whether it was, too, that his head being shaved, his forehead was drawn out in freer and brighter relief, and looked more expansive than it otherwise would, this I will not venture to decide; but certain it was his head was phrenologically an excellent one. It may seem ridiculous, but it reminded me of General Washington’s head, as seen in the popular busts of him. It had the same long regularly graded retreating slope from above the brows, which were likewise very projecting, like two long promontories thickly wooded on top. Queequeg was George Washington cannibalistically developed. |
Moby_Dick_Or_The_Whale_-_Herman_Melville | 35 | 49 | Whilst I was thus closely scanning him, half-pretending meanwhile to be looking out at the storm from the casement, he never heeded my presence, never troubled himself with so much as a single glance; but appeared wholly occupied with counting the pages of the marvellous book. Considering how sociably we had been sleeping together the night previous, and especially considering the affectionate arm I had found thrown over me upon waking in the morning, I thought this indifference of his very strange. But savages are strange beings; at times you do not know exactly how to take them. At first they are overawing; their calm self-collectedness of simplicity seems a Socratic wisdom. I had noticed also that Queequeg never consorted at all, or but very little, with the other seamen in the inn. He made no advances whatever; appeared to have no desire to enlarge the circle of his acquaintances. All this struck me as mighty singular; yet, upon second thoughts, there was something almost sublime in it. Here was a man some twenty thousand miles from home, by the way of Cape Horn, that is—which was the only way he could get there—thrown among people as strange to him as though he were in the planet Jupiter; and yet he seemed entirely at his ease; preserving the utmost serenity; content with his own companionship; always equal to himself. Surely this was a touch of fine philosophy; though no doubt he had never heard there was such a thing as that. But, perhaps, to be true philosophers, we mortals should not be conscious of so living or so striving. So soon as I hear that such or such a man gives himself out for a philosopher, I conclude that, like the dyspeptic old woman, he must have “broken his digester.” |
Moby_Dick_Or_The_Whale_-_Herman_Melville | 35 | 50 | As I sat there in that now lonely room; the fire burning low, in that mild stage when, after its first intensity has warmed the air, it then only glows to be looked at; the evening shades and phantoms gathering round the casements, and peering in upon us silent, solitary twain; the storm booming without in solemn swells; I began to be sensible of strange feelings. I felt a melting in me. No more my splintered heart and maddened hand were turned against the wolfish world. This soothing savage had redeemed it. There he sat, his very indifference speaking a nature in which there lurked no civilized hypocrisies and bland deceits. Wild he was; a very sight of sights to see; yet I began to feel myself mysteriously drawn towards him. And those same things that would have repelled most others, they were the very magnets that thus drew me. I’ll try a pagan friend, thought I, since Christian kindness has proved but hollow courtesy. I drew my bench near him, and made some friendly signs and hints, doing my best to talk with him meanwhile. At first he little noticed these advances; but presently, upon my referring to his last night’s hospitalities, he made out to ask me whether we were again to be bedfellows. I told him yes; whereat I thought he looked pleased, perhaps a little complimented.
We then turned over the book together, and I endeavored to explain to him the purpose of the printing, and the meaning of the few pictures that were in it. Thus I soon engaged his interest; and from that we went to jabbering the best we could about the various outer sights to be seen in this famous town. Soon I proposed a social smoke; and, producing his pouch and tomahawk, he quietly offered me a puff. And then we sat exchanging puffs from that wild pipe of his, and keeping it regularly passing between us.
If there yet lurked any ice of indifference towards me in the Pagan’s breast, this pleasant, genial smoke we had, soon thawed it out, and left us cronies. He seemed to take to me quite as naturally and unbiddenly as I to him; and when our smoke was over, he pressed his forehead against mine, clasped me round the waist, and said that henceforth we were married; meaning, in his country’s phrase, that we were bosom friends; he would gladly die for me, if need should be. In a countryman, this sudden flame of friendship would have seemed far too premature, a thing to be much distrusted; but in this simple savage those old rules would not apply. |
Moby_Dick_Or_The_Whale_-_Herman_Melville | 35 | 51 | After supper, and another social chat and smoke, we went to our room together. He made me a present of his embalmed head; took out his enormous tobacco wallet, and groping under the tobacco, drew out some thirty dollars in silver; then spreading them on the table, and mechanically dividing them into two equal portions, pushed one of them towards me, and said it was mine. I was going to remonstrate; but he silenced me by pouring them into my trowsers’ pockets. I let them stay. He then went about his evening prayers, took out his idol, and removed the paper fireboard. By certain signs and symptoms, I thought he seemed anxious for me to join him; but well knowing what was to follow, I deliberated a moment whether, in case he invited me, I would comply or otherwise.
I was a good Christian; born and bred in the bosom of the infallible Presbyterian Church. How then could I unite with this wild idolator in worshipping his piece of wood? But what is worship? thought I. Do you suppose now, Ishmael, that the magnanimous God of heaven and earth—pagans and all included—can possibly be jealous of an insignificant bit of black wood? Impossible! But what is worship?—to do the will of God—that is worship. And what is the will of God?—to do to my fellow man what I would have my fellow man to do to me—that is the will of God. Now, Queequeg is my fellow man. And what do I wish that this Queequeg would do to me? Why, unite with me in my particular Presbyterian form of worship. Consequently, I must then unite with him in his; ergo, I must turn idolator. So I kindled the shavings; helped prop up the innocent little idol; offered him burnt biscuit with Queequeg; salamed before him twice or thrice; kissed his nose; and that done, we undressed and went to bed, at peace with our own consciences and all the world. But we did not go to sleep without some little chat.
How it is I know not; but there is no place like a bed for confidential disclosures between friends. Man and wife, they say, there open the very bottom of their souls to each other; and some old couples often lie and chat over old times till nearly morning. Thus, then, in our hearts’ honeymoon, lay I and Queequeg—a cosy, loving pair. |
Moby_Dick_Or_The_Whale_-_Herman_Melville | 35 | 52 | We had lain thus in bed, chatting and napping at short intervals, and Queequeg now and then affectionately throwing his brown tattooed legs over mine, and then drawing them back; so entirely sociable and free and easy were we; when, at last, by reason of our confabulations, what little nappishness remained in us altogether departed, and we felt like getting up again, though day-break was yet some way down the future.
Yes, we became very wakeful; so much so that our recumbent position began to grow wearisome, and by little and little we found ourselves sitting up; the clothes well tucked around us, leaning against the head-board with our four knees drawn up close together, and our two noses bending over them, as if our kneepans were warming-pans. We felt very nice and snug, the more so since it was so chilly out of doors; indeed out of bed-clothes too, seeing that there was no fire in the room. The more so, I say, because truly to enjoy bodily warmth, some small part of you must be cold, for there is no quality in this world that is not what it is merely by contrast. Nothing exists in itself. If you flatter yourself that you are all over comfortable, and have been so a long time, then you cannot be said to be comfortable any more. But if, like Queequeg and me in the bed, the tip of your nose or the crown of your head be slightly chilled, why then, indeed, in the general consciousness you feel most delightfully and unmistakably warm. For this reason a sleeping apartment should never be furnished with a fire, which is one of the luxurious discomforts of the rich. For the height of this sort of deliciousness is to have nothing but the blanket between you and your snugness and the cold of the outer air. Then there you lie like the one warm spark in the heart of an arctic crystal. |
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