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Crime_and_Punishment_-_Fyodor_Dostoyevsky | 16 | 448 | “Why don’t you say at once ‘it’s a miracle’?”
“Because it may be only chance.”
“Oh, that’s the way with all you folk,” laughed Svidrigaïlov. “You won’t admit it, even if you do inwardly believe it a miracle! Here you say that it may be only chance. And what cowards they all are here, about having an opinion of their own, you can’t fancy, Rodion Romanovitch. I don’t mean you, you have an opinion of your own and are not afraid to have it. That’s how it was you attracted my curiosity.”
“Nothing else?”
“Well, that’s enough, you know,” Svidrigaïlov was obviously exhilarated, but only slightly so, he had not had more than half a glass of wine.
“I fancy you came to see me before you knew that I was capable of having what you call an opinion of my own,” observed Raskolnikov.
“Oh, well, it was a different matter. Everyone has his own plans. And apropos of the miracle let me tell you that I think you have been asleep for the last two or three days. I told you of this tavern myself, there is no miracle in your coming straight here. I explained the way myself, told you where it was, and the hours you could find me here. Do you remember?”
“I don’t remember,” answered Raskolnikov with surprise. |
Crime_and_Punishment_-_Fyodor_Dostoyevsky | 16 | 449 | “I don’t remember,” answered Raskolnikov with surprise.
“I believe you. I told you twice. The address has been stamped mechanically on your memory. You turned this way mechanically and yet precisely according to the direction, though you are not aware of it. When I told you then, I hardly hoped you understood me. You give yourself away too much, Rodion Romanovitch. And another thing, I’m convinced there are lots of people in Petersburg who talk to themselves as they walk. This is a town of crazy people. If only we had scientific men, doctors, lawyers and philosophers might make most valuable investigations in Petersburg each in his own line. There are few places where there are so many gloomy, strong and queer influences on the soul of man as in Petersburg. The mere influences of climate mean so much. And it’s the administrative centre of all Russia and its character must be reflected on the whole country. But that is neither here nor there now. The point is that I have several times watched you. You walk out of your house—holding your head high—twenty paces from home you let it sink, and fold your hands behind your back. You look and evidently see nothing before nor beside you. At last you begin moving your lips and talking to yourself, and sometimes you wave one hand and declaim, and at last stand still in the middle of the road. That’s not at all the thing. Someone may be watching you besides me, and it won’t do you any good. It’s nothing really to do with me and I can’t cure you, but, of course, you understand me.”
“Do you know that I am being followed?” asked Raskolnikov, looking inquisitively at him.
“No, I know nothing about it,” said Svidrigaïlov, seeming surprised.
“Well, then, let us leave me alone,” Raskolnikov muttered, frowning.
“Very good, let us leave you alone.”
“You had better tell me, if you come here to drink, and directed me twice to come here to you, why did you hide, and try to get away just now when I looked at the window from the street? I saw it.”
“He-he! And why was it you lay on your sofa with closed eyes and pretended to be asleep, though you were wide awake while I stood in your doorway? I saw it.”
“I may have had... reasons. You know that yourself.”
“And I may have had my reasons, though you don’t know them.” |
Crime_and_Punishment_-_Fyodor_Dostoyevsky | 16 | 450 | “I may have had... reasons. You know that yourself.”
“And I may have had my reasons, though you don’t know them.”
Raskolnikov dropped his right elbow on the table, leaned his chin in the fingers of his right hand, and stared intently at Svidrigaïlov. For a full minute he scrutinised his face, which had impressed him before. It was a strange face, like a mask; white and red, with bright red lips, with a flaxen beard, and still thick flaxen hair. His eyes were somehow too blue and their expression somehow too heavy and fixed. There was something awfully unpleasant in that handsome face, which looked so wonderfully young for his age. Svidrigaïlov was smartly dressed in light summer clothes and was particularly dainty in his linen. He wore a huge ring with a precious stone in it.
“Have I got to bother myself about you, too, now?” said Raskolnikov suddenly, coming with nervous impatience straight to the point. “Even though perhaps you are the most dangerous man if you care to injure me, I don’t want to put myself out any more. I will show you at once that I don’t prize myself as you probably think I do. I’ve come to tell you at once that if you keep to your former intentions with regard to my sister and if you think to derive any benefit in that direction from what has been discovered of late, I will kill you before you get me locked up. You can reckon on my word. You know that I can keep it. And in the second place if you want to tell me anything—for I keep fancying all this time that you have something to tell me—make haste and tell it, for time is precious and very likely it will soon be too late.”
“Why in such haste?” asked Svidrigaïlov, looking at him curiously.
“Everyone has his plans,” Raskolnikov answered gloomily and impatiently.
“You urged me yourself to frankness just now, and at the first question you refuse to answer,” Svidrigaïlov observed with a smile. “You keep fancying that I have aims of my own and so you look at me with suspicion. Of course it’s perfectly natural in your position. But though I should like to be friends with you, I shan’t trouble myself to convince you of the contrary. The game isn’t worth the candle and I wasn’t intending to talk to you about anything special.”
“What did you want me, for, then? It was you who came hanging about me.” |
Crime_and_Punishment_-_Fyodor_Dostoyevsky | 16 | 451 | “What did you want me, for, then? It was you who came hanging about me.”
“Why, simply as an interesting subject for observation. I liked the fantastic nature of your position—that’s what it was! Besides you are the brother of a person who greatly interested me, and from that person I had in the past heard a very great deal about you, from which I gathered that you had a great influence over her; isn’t that enough? Ha-ha-ha! Still I must admit that your question is rather complex, and is difficult for me to answer. Here, you, for instance, have come to me not only for a definite object, but for the sake of hearing something new. Isn’t that so? Isn’t that so?” persisted Svidrigaïlov with a sly smile. “Well, can’t you fancy then that I, too, on my way here in the train was reckoning on you, on your telling me something new, and on my making some profit out of you! You see what rich men we are!”
“What profit could you make?”
“How can I tell you? How do I know? You see in what a tavern I spend all my time and it’s my enjoyment, that’s to say it’s no great enjoyment, but one must sit somewhere; that poor Katia now—you saw her?... If only I had been a glutton now, a club gourmand, but you see I can eat this.”
He pointed to a little table in the corner where the remnants of a terrible-looking beef-steak and potatoes lay on a tin dish.
“Have you dined, by the way? I’ve had something and want nothing more. I don’t drink, for instance, at all. Except for champagne I never touch anything, and not more than a glass of that all the evening, and even that is enough to make my head ache. I ordered it just now to wind myself up, for I am just going off somewhere and you see me in a peculiar state of mind. That was why I hid myself just now like a schoolboy, for I was afraid you would hinder me. But I believe,” he pulled out his watch, “I can spend an hour with you. It’s half-past four now. If only I’d been something, a landowner, a father, a cavalry officer, a photographer, a journalist... I am nothing, no specialty, and sometimes I am positively bored. I really thought you would tell me something new.”
“But what are you, and why have you come here?” |
Crime_and_Punishment_-_Fyodor_Dostoyevsky | 16 | 452 | “But what are you, and why have you come here?”
“What am I? You know, a gentleman, I served for two years in the cavalry, then I knocked about here in Petersburg, then I married Marfa Petrovna and lived in the country. There you have my biography!”
“You are a gambler, I believe?”
“No, a poor sort of gambler. A card-sharper—not a gambler.”
“You have been a card-sharper then?”
“Yes, I’ve been a card-sharper too.”
“Didn’t you get thrashed sometimes?”
“It did happen. Why?”
“Why, you might have challenged them... altogether it must have been lively.”
“I won’t contradict you, and besides I am no hand at philosophy. I confess that I hastened here for the sake of the women.”
“As soon as you buried Marfa Petrovna?”
“Quite so,” Svidrigaïlov smiled with engaging candour. “What of it? You seem to find something wrong in my speaking like that about women?”
“You ask whether I find anything wrong in vice?”
“Vice! Oh, that’s what you are after! But I’ll answer you in order, first about women in general; you know I am fond of talking. Tell me, what should I restrain myself for? Why should I give up women, since I have a passion for them? It’s an occupation, anyway.”
“So you hope for nothing here but vice?”
“Oh, very well, for vice then. You insist on its being vice. But anyway I like a direct question. In this vice at least there is something permanent, founded indeed upon nature and not dependent on fantasy, something present in the blood like an ever-burning ember, for ever setting one on fire and, maybe, not to be quickly extinguished, even with years. You’ll agree it’s an occupation of a sort.”
“That’s nothing to rejoice at, it’s a disease and a dangerous one.”
“Oh, that’s what you think, is it! I agree, that it is a disease like everything that exceeds moderation. And, of course, in this one must exceed moderation. But in the first place, everybody does so in one way or another, and in the second place, of course, one ought to be moderate and prudent, however mean it may be, but what am I to do? If I hadn’t this, I might have to shoot myself. I am ready to admit that a decent man ought to put up with being bored, but yet...”
“And could you shoot yourself?” |
Crime_and_Punishment_-_Fyodor_Dostoyevsky | 16 | 453 | “And could you shoot yourself?”
“Oh, come!” Svidrigaïlov parried with disgust. “Please don’t speak of it,” he added hurriedly and with none of the bragging tone he had shown in all the previous conversation. His face quite changed. “I admit it’s an unpardonable weakness, but I can’t help it. I am afraid of death and I dislike its being talked of. Do you know that I am to a certain extent a mystic?”
“Ah, the apparitions of Marfa Petrovna! Do they still go on visiting you?”
“Oh, don’t talk of them; there have been no more in Petersburg, confound them!” he cried with an air of irritation. “Let’s rather talk of that... though... H’m! I have not much time, and can’t stay long with you, it’s a pity! I should have found plenty to tell you.”
“What’s your engagement, a woman?”
“Yes, a woman, a casual incident.... No, that’s not what I want to talk of.”
“And the hideousness, the filthiness of all your surroundings, doesn’t that affect you? Have you lost the strength to stop yourself?”
“And do you pretend to strength, too? He-he-he! You surprised me just now, Rodion Romanovitch, though I knew beforehand it would be so. You preach to me about vice and æsthetics! You—a Schiller, you—an idealist! Of course that’s all as it should be and it would be surprising if it were not so, yet it is strange in reality.... Ah, what a pity I have no time, for you’re a most interesting type! And, by-the-way, are you fond of Schiller? I am awfully fond of him.”
“But what a braggart you are,” Raskolnikov said with some disgust.
“Upon my word, I am not,” answered Svidrigaïlov laughing. “However, I won’t dispute it, let me be a braggart, why not brag, if it hurts no one? I spent seven years in the country with Marfa Petrovna, so now when I come across an intelligent person like you—intelligent and highly interesting—I am simply glad to talk and, besides, I’ve drunk that half-glass of champagne and it’s gone to my head a little. And besides, there’s a certain fact that has wound me up tremendously, but about that I... will keep quiet. Where are you off to?” he asked in alarm.
Raskolnikov had begun getting up. He felt oppressed and stifled and, as it were, ill at ease at having come here. He felt convinced that Svidrigaïlov was the most worthless scoundrel on the face of the earth. |
Crime_and_Punishment_-_Fyodor_Dostoyevsky | 16 | 454 | Raskolnikov had begun getting up. He felt oppressed and stifled and, as it were, ill at ease at having come here. He felt convinced that Svidrigaïlov was the most worthless scoundrel on the face of the earth.
“A-ach! Sit down, stay a little!” Svidrigaïlov begged. “Let them bring you some tea, anyway. Stay a little, I won’t talk nonsense, about myself, I mean. I’ll tell you something. If you like I’ll tell you how a woman tried ‘to save’ me, as you would call it? It will be an answer to your first question indeed, for the woman was your sister. May I tell you? It will help to spend the time.”
“Tell me, but I trust that you...”
“Oh, don’t be uneasy. Besides, even in a worthless low fellow like me, Avdotya Romanovna can only excite the deepest respect.” |
Crime_and_Punishment_-_Fyodor_Dostoyevsky | 16 | 455 |
“You know perhaps—yes, I told you myself,” began Svidrigaïlov, “that I was in the debtors’ prison here, for an immense sum, and had not any expectation of being able to pay it. There’s no need to go into particulars how Marfa Petrovna bought me out; do you know to what a point of insanity a woman can sometimes love? She was an honest woman, and very sensible, although completely uneducated. Would you believe that this honest and jealous woman, after many scenes of hysterics and reproaches, condescended to enter into a kind of contract with me which she kept throughout our married life? She was considerably older than I, and besides, she always kept a clove or something in her mouth. There was so much swinishness in my soul and honesty too, of a sort, as to tell her straight out that I couldn’t be absolutely faithful to her. This confession drove her to frenzy, but yet she seems in a way to have liked my brutal frankness. She thought it showed I was unwilling to deceive her if I warned her like this beforehand and for a jealous woman, you know, that’s the first consideration. After many tears an unwritten contract was drawn up between us: first, that I would never leave Marfa Petrovna and would always be her husband; secondly, that I would never absent myself without her permission; thirdly, that I would never set up a permanent mistress; fourthly, in return for this, Marfa Petrovna gave me a free hand with the maidservants, but only with her secret knowledge; fifthly, God forbid my falling in love with a woman of our class; sixthly, in case I—which God forbid—should be visited by a great serious passion I was bound to reveal it to Marfa Petrovna. On this last score, however, Marfa Petrovna was fairly at ease. She was a sensible woman and so she could not help looking upon me as a dissolute profligate incapable of real love. But a sensible woman and a jealous woman are two very different things, and that’s where the trouble came in. But to judge some people impartially we must renounce certain preconceived opinions and our habitual attitude to the ordinary people about us. I have reason to have faith in your judgment rather than in anyone’s. Perhaps you have already heard a great deal that was ridiculous and absurd about Marfa Petrovna. She certainly had some very ridiculous ways, but I tell you frankly that I feel really sorry for the innumerable woes of which I was the cause. Well, and that’s enough, I think, by way of a decorous oraison funèbre for the most tender wife of a most tender husband. When we quarrelled, I usually held my tongue and did not irritate her and that gentlemanly conduct rarely failed to attain its object, it influenced her, it pleased her, indeed. These were times when she was positively proud of me. But your sister she couldn’t put up with, anyway. And however she came to risk taking such a beautiful creature into her house as a governess. My explanation is that Marfa Petrovna was an ardent and impressionable woman and simply fell in love herself—literally fell in love—with your sister. Well, little wonder—look at Avdotya Romanovna! I saw the danger at the first glance and what do you think, I resolved not to look at her even. But Avdotya Romanovna herself made the first step, would you believe it? Would you believe it too that Marfa Petrovna was positively angry with me at first for my persistent silence about your sister, for my careless reception of her continual adoring praises of Avdotya Romanovna. I don’t know what it was she wanted! Well, of course, Marfa Petrovna told Avdotya Romanovna every detail about me. She had the unfortunate habit of telling literally everyone all our family secrets and continually complaining of me; how could she fail to confide in such a delightful new friend? I expect they talked of nothing else but me and no doubt Avdotya Romanovna heard all those dark mysterious rumours that were current about me.... I don’t mind betting that you too have heard something of the sort already?” |
Crime_and_Punishment_-_Fyodor_Dostoyevsky | 16 | 456 | “I have. Luzhin charged you with having caused the death of a child. Is that true?”
“Don’t refer to those vulgar tales, I beg,” said Svidrigaïlov with disgust and annoyance. “If you insist on wanting to know about all that idiocy, I will tell you one day, but now...”
“I was told too about some footman of yours in the country whom you treated badly.”
“I beg you to drop the subject,” Svidrigaïlov interrupted again with obvious impatience.
“Was that the footman who came to you after death to fill your pipe?... you told me about it yourself.” Raskolnikov felt more and more irritated.
Svidrigaïlov looked at him attentively and Raskolnikov fancied he caught a flash of spiteful mockery in that look. But Svidrigaïlov restrained himself and answered very civilly: |
Crime_and_Punishment_-_Fyodor_Dostoyevsky | 16 | 457 |
“Yes, it was. I see that you, too, are extremely interested and shall feel it my duty to satisfy your curiosity at the first opportunity. Upon my soul! I see that I really might pass for a romantic figure with some people. Judge how grateful I must be to Marfa Petrovna for having repeated to Avdotya Romanovna such mysterious and interesting gossip about me. I dare not guess what impression it made on her, but in any case it worked in my interests. With all Avdotya Romanovna’s natural aversion and in spite of my invariably gloomy and repellent aspect—she did at least feel pity for me, pity for a lost soul. And if once a girl’s heart is moved to pity, it’s more dangerous than anything. She is bound to want to ‘save him,’ to bring him to his senses, and lift him up and draw him to nobler aims, and restore him to new life and usefulness—well, we all know how far such dreams can go. I saw at once that the bird was flying into the cage of herself. And I too made ready. I think you are frowning, Rodion Romanovitch? There’s no need. As you know, it all ended in smoke. (Hang it all, what a lot I am drinking!) Do you know, I always, from the very beginning, regretted that it wasn’t your sister’s fate to be born in the second or third century A.D., as the daughter of a reigning prince or some governor or pro-consul in Asia Minor. She would undoubtedly have been one of those who would endure martyrdom and would have smiled when they branded her bosom with hot pincers. And she would have gone to it of herself. And in the fourth or fifth century she would have walked away into the Egyptian desert and would have stayed there thirty years living on roots and ecstasies and visions. She is simply thirsting to face some torture for someone, and if she can’t get her torture, she’ll throw herself out of a window. I’ve heard something of a Mr. Razumihin—he’s said to be a sensible fellow; his surname suggests it, indeed. He’s probably a divinity student. Well, he’d better look after your sister! I believe I understand her, and I am proud of it. But at the beginning of an acquaintance, as you know, one is apt to be more heedless and stupid. One doesn’t see clearly. Hang it all, why is she so handsome? It’s not my fault. In fact, it began on my side with a most irresistible physical desire. Avdotya Romanovna is awfully chaste, incredibly and phenomenally so. Take note, I tell you this about your sister as a fact. She is almost morbidly chaste, in spite of her broad intelligence, and it will stand in her way. There happened to be a girl in the house then, Parasha, a black-eyed wench, whom I had never seen before—she had just come from another village—very pretty, but incredibly stupid: she burst into tears, wailed so that she could be heard all over the place and caused scandal. One day after dinner Avdotya Romanovna followed me into an avenue in the garden and with flashing eyes insisted on my leaving poor Parasha alone. It was almost our first conversation by ourselves. I, of course, was only too pleased to obey her wishes, tried to appear disconcerted, embarrassed, in fact played my part not badly. Then came interviews, mysterious conversations, exhortations, entreaties, supplications, even tears—would you believe it, even tears? Think what the passion for propaganda will bring some girls to! I, of course, threw it all on my destiny, posed as hungering and thirsting for light, and finally resorted to the most powerful weapon in the subjection of the female heart, a weapon which never fails one. It’s the well-known resource—flattery. Nothing in the world is harder than speaking the truth and nothing easier than flattery. If there’s the hundredth part of a false note in speaking the truth, it leads to a discord, and that leads to trouble. But if all, to the last note, is false in flattery, it is just as agreeable, and is heard not without satisfaction. It may be a coarse satisfaction, but still a satisfaction. And however coarse the flattery, at least half will be sure to seem true. That’s so for all stages of development and classes of society. A vestal virgin might be seduced by flattery. I can never remember without laughter how I once seduced a lady who was devoted to her husband, her children, and her principles. What fun it was and how little trouble! And the lady really had principles—of her own, anyway. All my tactics lay in simply being utterly annihilated and prostrate before her purity. I flattered her shamelessly, and as soon as I succeeded in getting a pressure of the hand, even a glance from her, I would reproach myself for having snatched it by force, and would declare that she had resisted, so that I could never have gained anything but for my being so unprincipled. I maintained that she was so innocent that she could not foresee my treachery, and yielded to me unconsciously, unawares, and so on. In fact, I triumphed, while my lady remained firmly convinced that she was innocent, chaste, and faithful to all her duties and obligations and had succumbed quite by accident. And how angry she was with me when I explained to her at last that it was my sincere conviction that she was just as eager as I. Poor Marfa Petrovna was awfully weak on the side of flattery, and if I had only cared to, I might have had all her property settled on me during her lifetime. (I am drinking an awful lot of wine now and talking too much.) I hope you won’t be angry if I mention now that I was beginning to produce the same effect on Avdotya Romanovna. But I was stupid and impatient and spoiled it all. Avdotya Romanovna had several times—and one time in particular—been greatly displeased by the expression of my eyes, would you believe it? There was sometimes a light in them which frightened her and grew stronger and stronger and more unguarded till it was hateful to her. No need to go into detail, but we parted. There I acted stupidly again. I fell to jeering in the coarsest way at all such propaganda and efforts to convert me; Parasha came on to the scene again, and not she alone; in fact there was a tremendous to-do. Ah, Rodion Romanovitch, if you could only see how your sister’s eyes can flash sometimes! Never mind my being drunk at this moment and having had a whole glass of wine. I am speaking the truth. I assure you that this glance has haunted my dreams; the very rustle of her dress was more than I could stand at last. I really began to think that I might become epileptic. I could never have believed that I could be moved to such a frenzy. It was essential, indeed, to be reconciled, but by then it was impossible. And imagine what I did then! To what a pitch of stupidity a man can be brought by frenzy! Never undertake anything in a frenzy, Rodion Romanovitch. I reflected that Avdotya Romanovna was after all a beggar (ach, excuse me, that’s not the word... but does it matter if it expresses the meaning?), that she lived by her work, that she had her mother and you to keep (ach, hang it, you are frowning again), and I resolved to offer her all my money—thirty thousand roubles I could have realised then—if she would run away with me here, to Petersburg. Of course I should have vowed eternal love, rapture, and so on. Do you know, I was so wild about her at that time that if she had told me to poison Marfa Petrovna or to cut her throat and to marry herself, it would have been done at once! But it ended in the catastrophe of which you know already. You can fancy how frantic I was when I heard that Marfa Petrovna had got hold of that scoundrelly attorney, Luzhin, and had almost made a match between them—which would really have been just the same thing as I was proposing. Wouldn’t it? Wouldn’t it? I notice that you’ve begun to be very attentive... you interesting young man....” |
Crime_and_Punishment_-_Fyodor_Dostoyevsky | 16 | 458 | Svidrigaïlov struck the table with his fist impatiently. He was flushed. Raskolnikov saw clearly that the glass or glass and a half of champagne that he had sipped almost unconsciously was affecting him—and he resolved to take advantage of the opportunity. He felt very suspicious of Svidrigaïlov.
“Well, after what you have said, I am fully convinced that you have come to Petersburg with designs on my sister,” he said directly to Svidrigaïlov, in order to irritate him further.
“Oh, nonsense,” said Svidrigaïlov, seeming to rouse himself. “Why, I told you... besides your sister can’t endure me.”
“Yes, I am certain that she can’t, but that’s not the point.”
“Are you so sure that she can’t?” Svidrigaïlov screwed up his eyes and smiled mockingly. “You are right, she doesn’t love me, but you can never be sure of what has passed between husband and wife or lover and mistress. There’s always a little corner which remains a secret to the world and is only known to those two. Will you answer for it that Avdotya Romanovna regarded me with aversion?”
“From some words you’ve dropped, I notice that you still have designs—and of course evil ones—on Dounia and mean to carry them out promptly.”
“What, have I dropped words like that?” Svidrigaïlov asked in naïve dismay, taking not the slightest notice of the epithet bestowed on his designs.
“Why, you are dropping them even now. Why are you so frightened? What are you so afraid of now?”
“Me—afraid? Afraid of you? You have rather to be afraid of me, cher ami. But what nonsense.... I’ve drunk too much though, I see that. I was almost saying too much again. Damn the wine! Hi! there, water!”
He snatched up the champagne bottle and flung it without ceremony out of the window. Philip brought the water.
“That’s all nonsense!” said Svidrigaïlov, wetting a towel and putting it to his head. “But I can answer you in one word and annihilate all your suspicions. Do you know that I am going to get married?”
“You told me so before.”
“Did I? I’ve forgotten. But I couldn’t have told you so for certain for I had not even seen my betrothed; I only meant to. But now I really have a betrothed and it’s a settled thing, and if it weren’t that I have business that can’t be put off, I would have taken you to see them at once, for I should like to ask your advice. Ach, hang it, only ten minutes left! See, look at the watch. But I must tell you, for it’s an interesting story, my marriage, in its own way. Where are you off to? Going again?” |
Crime_and_Punishment_-_Fyodor_Dostoyevsky | 16 | 459 | “No, I’m not going away now.” |
Crime_and_Punishment_-_Fyodor_Dostoyevsky | 16 | 460 |
“Not at all? We shall see. I’ll take you there, I’ll show you my betrothed, only not now. For you’ll soon have to be off. You have to go to the right and I to the left. Do you know that Madame Resslich, the woman I am lodging with now, eh? I know what you’re thinking, that she’s the woman whose girl they say drowned herself in the winter. Come, are you listening? She arranged it all for me. You’re bored, she said, you want something to fill up your time. For, you know, I am a gloomy, depressed person. Do you think I’m light-hearted? No, I’m gloomy. I do no harm, but sit in a corner without speaking a word for three days at a time. And that Resslich is a sly hussy, I tell you. I know what she has got in her mind; she thinks I shall get sick of it, abandon my wife and depart, and she’ll get hold of her and make a profit out of her—in our class, of course, or higher. She told me the father was a broken-down retired official, who has been sitting in a chair for the last three years with his legs paralysed. The mamma, she said, was a sensible woman. There is a son serving in the provinces, but he doesn’t help; there is a daughter, who is married, but she doesn’t visit them. And they’ve two little nephews on their hands, as though their own children were not enough, and they’ve taken from school their youngest daughter, a girl who’ll be sixteen in another month, so that then she can be married. She was for me. We went there. How funny it was! I present myself—a landowner, a widower, of a well-known name, with connections, with a fortune. What if I am fifty and she is not sixteen? Who thinks of that? But it’s fascinating, isn’t it? It is fascinating, ha-ha! You should have seen how I talked to the papa and mamma. It was worth paying to have seen me at that moment. She comes in, curtseys, you can fancy, still in a short frock—an unopened bud! Flushing like a sunset—she had been told, no doubt. I don’t know how you feel about female faces, but to my mind these sixteen years, these childish eyes, shyness and tears of bashfulness are better than beauty; and she is a perfect little picture, too. Fair hair in little curls, like a lamb’s, full little rosy lips, tiny feet, a charmer!... Well, we made friends. I told them I was in a hurry owing to domestic circumstances, and the next day, that is the day before yesterday, we were betrothed. When I go now I take her on my knee at once and keep her there.... Well, she flushes like a sunset and I kiss her every minute. Her mamma of course impresses on her that this is her husband and that this must be so. It’s simply delicious! The present betrothed condition is perhaps better than marriage. Here you have what is called la nature et la vérité, ha-ha! I’ve talked to her twice, she is far from a fool. Sometimes she steals a look at me that positively scorches me. Her face is like Raphael’s Madonna. You know, the Sistine Madonna’s face has something fantastic in it, the face of mournful religious ecstasy. Haven’t you noticed it? Well, she’s something in that line. The day after we’d been betrothed, I bought her presents to the value of fifteen hundred roubles—a set of diamonds and another of pearls and a silver dressing-case as large as this, with all sorts of things in it, so that even my Madonna’s face glowed. I sat her on my knee, yesterday, and I suppose rather too unceremoniously—she flushed crimson and the tears started, but she didn’t want to show it. We were left alone, she suddenly flung herself on my neck (for the first time of her own accord), put her little arms round me, kissed me, and vowed that she would be an obedient, faithful, and good wife, would make me happy, would devote all her life, every minute of her life, would sacrifice everything, everything, and that all she asks in return is my respect, and that she wants ‘nothing, nothing more from me, no presents.’ You’ll admit that to hear such a confession, alone, from an angel of sixteen in a muslin frock, with little curls, with a flush of maiden shyness in her cheeks and tears of enthusiasm in her eyes is rather fascinating! Isn’t it fascinating? It’s worth paying for, isn’t it? Well... listen, we’ll go to see my betrothed, only not just now!” |
Crime_and_Punishment_-_Fyodor_Dostoyevsky | 16 | 461 | “The fact is this monstrous difference in age and development excites your sensuality! Will you really make such a marriage?”
“Why, of course. Everyone thinks of himself, and he lives most gaily who knows best how to deceive himself. Ha-ha! But why are you so keen about virtue? Have mercy on me, my good friend. I am a sinful man. Ha-ha-ha!”
“But you have provided for the children of Katerina Ivanovna. Though... though you had your own reasons.... I understand it all now.” |
Crime_and_Punishment_-_Fyodor_Dostoyevsky | 16 | 462 |
“I am always fond of children, very fond of them,” laughed Svidrigaïlov. “I can tell you one curious instance of it. The first day I came here I visited various haunts, after seven years I simply rushed at them. You probably notice that I am not in a hurry to renew acquaintance with my old friends. I shall do without them as long as I can. Do you know, when I was with Marfa Petrovna in the country, I was haunted by the thought of these places where anyone who knows his way about can find a great deal. Yes, upon my soul! The peasants have vodka, the educated young people, shut out from activity, waste themselves in impossible dreams and visions and are crippled by theories; Jews have sprung up and are amassing money, and all the rest give themselves up to debauchery. From the first hour the town reeked of its familiar odours. I chanced to be in a frightful den—I like my dens dirty—it was a dance, so called, and there was a cancan such as I never saw in my day. Yes, there you have progress. All of a sudden I saw a little girl of thirteen, nicely dressed, dancing with a specialist in that line, with another one vis-à-vis. Her mother was sitting on a chair by the wall. You can’t fancy what a cancan that was! The girl was ashamed, blushed, at last felt insulted, and began to cry. Her partner seized her and began whirling her round and performing before her; everyone laughed and—I like your public, even the cancan public—they laughed and shouted, ‘Serves her right—serves her right! Shouldn’t bring children!’ Well, it’s not my business whether that consoling reflection was logical or not. I at once fixed on my plan, sat down by the mother, and began by saying that I too was a stranger and that people here were ill-bred and that they couldn’t distinguish decent folks and treat them with respect, gave her to understand that I had plenty of money, offered to take them home in my carriage. I took them home and got to know them. They were lodging in a miserable little hole and had only just arrived from the country. She told me that she and her daughter could only regard my acquaintance as an honour. I found out that they had nothing of their own and had come to town upon some legal business. I proffered my services and money. I learnt that they had gone to the dancing saloon by mistake, believing that it was a genuine dancing class. I offered to assist in the young girl’s education in French and dancing. My offer was accepted with enthusiasm as an honour—and we are still friendly.... If you like, we’ll go and see them, only not just now.” |
Crime_and_Punishment_-_Fyodor_Dostoyevsky | 16 | 463 | “Stop! Enough of your vile, nasty anecdotes, depraved vile, sensual man!”
“Schiller, you are a regular Schiller! O la vertu va-t-elle se nicher? But you know I shall tell you these things on purpose, for the pleasure of hearing your outcries!”
“I dare say. I can see I am ridiculous myself,” muttered Raskolnikov angrily.
Svidrigaïlov laughed heartily; finally he called Philip, paid his bill, and began getting up.
“I say, but I am drunk, assez causé,” he said. “It’s been a pleasure.”
“I should rather think it must be a pleasure!” cried Raskolnikov, getting up. “No doubt it is a pleasure for a worn-out profligate to describe such adventures with a monstrous project of the same sort in his mind—especially under such circumstances and to such a man as me.... It’s stimulating!”
“Well, if you come to that,” Svidrigaïlov answered, scrutinising Raskolnikov with some surprise, “if you come to that, you are a thorough cynic yourself. You’ve plenty to make you so, anyway. You can understand a great deal... and you can do a great deal too. But enough. I sincerely regret not having had more talk with you, but I shan’t lose sight of you.... Only wait a bit.”
Svidrigaïlov walked out of the restaurant. Raskolnikov walked out after him. Svidrigaïlov was not however very drunk, the wine had affected him for a moment, but it was passing off every minute. He was preoccupied with something of importance and was frowning. He was apparently excited and uneasy in anticipation of something. His manner to Raskolnikov had changed during the last few minutes, and he was ruder and more sneering every moment. Raskolnikov noticed all this, and he too was uneasy. He became very suspicious of Svidrigaïlov and resolved to follow him.
They came out on to the pavement.
“You go to the right, and I to the left, or if you like, the other way. Only adieu, mon plaisir, may we meet again.”
And he walked to the right towards the Hay Market.
Raskolnikov walked after him.
“What’s this?” cried Svidrigaïlov turning round, “I thought I said...”
“It means that I am not going to lose sight of you now.”
“What?”
Both stood still and gazed at one another, as though measuring their strength.
“From all your half tipsy stories,” Raskolnikov observed harshly, “I am positive that you have not given up your designs on my sister, but are pursuing them more actively than ever. I have learnt that my sister received a letter this morning. You have hardly been able to sit still all this time.... You may have unearthed a wife on the way, but that means nothing. I should like to make certain myself.” |
Crime_and_Punishment_-_Fyodor_Dostoyevsky | 16 | 464 | Raskolnikov could hardly have said himself what he wanted and of what he wished to make certain.
“Upon my word! I’ll call the police!”
“Call away!”
Again they stood for a minute facing each other. At last Svidrigaïlov’s face changed. Having satisfied himself that Raskolnikov was not frightened at his threat, he assumed a mirthful and friendly air.
“What a fellow! I purposely refrained from referring to your affair, though I am devoured by curiosity. It’s a fantastic affair. I’ve put it off till another time, but you’re enough to rouse the dead.... Well, let us go, only I warn you beforehand I am only going home for a moment, to get some money; then I shall lock up the flat, take a cab and go to spend the evening at the Islands. Now, now are you going to follow me?”
“I’m coming to your lodgings, not to see you but Sofya Semyonovna, to say I’m sorry not to have been at the funeral.”
“That’s as you like, but Sofya Semyonovna is not at home. She has taken the three children to an old lady of high rank, the patroness of some orphan asylums, whom I used to know years ago. I charmed the old lady by depositing a sum of money with her to provide for the three children of Katerina Ivanovna and subscribing to the institution as well. I told her too the story of Sofya Semyonovna in full detail, suppressing nothing. It produced an indescribable effect on her. That’s why Sofya Semyonovna has been invited to call to-day at the X. Hotel where the lady is staying for the time.”
“No matter, I’ll come all the same.”
“As you like, it’s nothing to me, but I won’t come with you; here we are at home. By the way, I am convinced that you regard me with suspicion just because I have shown such delicacy and have not so far troubled you with questions... you understand? It struck you as extraordinary; I don’t mind betting it’s that. Well, it teaches one to show delicacy!”
“And to listen at doors!”
“Ah, that’s it, is it?” laughed Svidrigaïlov. “Yes, I should have been surprised if you had let that pass after all that has happened. Ha-ha! Though I did understand something of the pranks you had been up to and were telling Sofya Semyonovna about, what was the meaning of it? Perhaps I am quite behind the times and can’t understand. For goodness’ sake, explain it, my dear boy. Expound the latest theories!”
“You couldn’t have heard anything. You’re making it all up!” |
Crime_and_Punishment_-_Fyodor_Dostoyevsky | 16 | 465 | “You couldn’t have heard anything. You’re making it all up!”
“But I’m not talking about that (though I did hear something). No, I’m talking of the way you keep sighing and groaning now. The Schiller in you is in revolt every moment, and now you tell me not to listen at doors. If that’s how you feel, go and inform the police that you had this mischance: you made a little mistake in your theory. But if you are convinced that one mustn’t listen at doors, but one may murder old women at one’s pleasure, you’d better be off to America and make haste. Run, young man! There may still be time. I’m speaking sincerely. Haven’t you the money? I’ll give you the fare.”
“I’m not thinking of that at all,” Raskolnikov interrupted with disgust.
“I understand (but don’t put yourself out, don’t discuss it if you don’t want to). I understand the questions you are worrying over—moral ones, aren’t they? Duties of citizen and man? Lay them all aside. They are nothing to you now, ha-ha! You’ll say you are still a man and a citizen. If so you ought not to have got into this coil. It’s no use taking up a job you are not fit for. Well, you’d better shoot yourself, or don’t you want to?”
“You seem trying to enrage me, to make me leave you.”
“What a queer fellow! But here we are. Welcome to the staircase. You see, that’s the way to Sofya Semyonovna. Look, there is no one at home. Don’t you believe me? Ask Kapernaumov. She leaves the key with him. Here is Madame de Kapernaumov herself. Hey, what? She is rather deaf. Has she gone out? Where? Did you hear? She is not in and won’t be till late in the evening probably. Well, come to my room; you wanted to come and see me, didn’t you? Here we are. Madame Resslich’s not at home. She is a woman who is always busy, an excellent woman I assure you.... She might have been of use to you if you had been a little more sensible. Now, see! I take this five-per-cent bond out of the bureau—see what a lot I’ve got of them still—this one will be turned into cash to-day. I mustn’t waste any more time. The bureau is locked, the flat is locked, and here we are again on the stairs. Shall we take a cab? I’m going to the Islands. Would you like a lift? I’ll take this carriage. Ah, you refuse? You are tired of it! Come for a drive! I believe it will come on to rain. Never mind, we’ll put down the hood....” |
Crime_and_Punishment_-_Fyodor_Dostoyevsky | 16 | 466 | Svidrigaïlov was already in the carriage. Raskolnikov decided that his suspicions were at least for that moment unjust. Without answering a word he turned and walked back towards the Hay Market. If he had only turned round on his way he might have seen Svidrigaïlov get out not a hundred paces off, dismiss the cab and walk along the pavement. But he had turned the corner and could see nothing. Intense disgust drew him away from Svidrigaïlov.
“To think that I could for one instant have looked for help from that coarse brute, that depraved sensualist and blackguard!” he cried.
Raskolnikov’s judgment was uttered too lightly and hastily: there was something about Svidrigaïlov which gave him a certain original, even a mysterious character. As concerned his sister, Raskolnikov was convinced that Svidrigaïlov would not leave her in peace. But it was too tiresome and unbearable to go on thinking and thinking about this.
When he was alone, he had not gone twenty paces before he sank, as usual, into deep thought. On the bridge he stood by the railing and began gazing at the water. And his sister was standing close by him.
He met her at the entrance to the bridge, but passed by without seeing her. Dounia had never met him like this in the street before and was struck with dismay. She stood still and did not know whether to call to him or not. Suddenly she saw Svidrigaïlov coming quickly from the direction of the Hay Market.
He seemed to be approaching cautiously. He did not go on to the bridge, but stood aside on the pavement, doing all he could to avoid Raskolnikov’s seeing him. He had observed Dounia for some time and had been making signs to her. She fancied he was signalling to beg her not to speak to her brother, but to come to him.
That was what Dounia did. She stole by her brother and went up to Svidrigaïlov.
“Let us make haste away,” Svidrigaïlov whispered to her, “I don’t want Rodion Romanovitch to know of our meeting. I must tell you I’ve been sitting with him in the restaurant close by, where he looked me up and I had great difficulty in getting rid of him. He has somehow heard of my letter to you and suspects something. It wasn’t you who told him, of course, but if not you, who then?”
“Well, we’ve turned the corner now,” Dounia interrupted, “and my brother won’t see us. I have to tell you that I am going no further with you. Speak to me here. You can tell it all in the street.” |
Crime_and_Punishment_-_Fyodor_Dostoyevsky | 16 | 467 | “Well, we’ve turned the corner now,” Dounia interrupted, “and my brother won’t see us. I have to tell you that I am going no further with you. Speak to me here. You can tell it all in the street.”
“In the first place, I can’t say it in the street; secondly, you must hear Sofya Semyonovna too; and, thirdly, I will show you some papers.... Oh well, if you won’t agree to come with me, I shall refuse to give any explanation and go away at once. But I beg you not to forget that a very curious secret of your beloved brother’s is entirely in my keeping.”
Dounia stood still, hesitating, and looked at Svidrigaïlov with searching eyes.
“What are you afraid of?” he observed quietly. “The town is not the country. And even in the country you did me more harm than I did you.”
“Have you prepared Sofya Semyonovna?”
“No, I have not said a word to her and am not quite certain whether she is at home now. But most likely she is. She has buried her stepmother to-day: she is not likely to go visiting on such a day. For the time I don’t want to speak to anyone about it and I half regret having spoken to you. The slightest indiscretion is as bad as betrayal in a thing like this. I live there in that house, we are coming to it. That’s the porter of our house—he knows me very well; you see, he’s bowing; he sees I’m coming with a lady and no doubt he has noticed your face already and you will be glad of that if you are afraid of me and suspicious. Excuse my putting things so coarsely. I haven’t a flat to myself; Sofya Semyonovna’s room is next to mine—she lodges in the next flat. The whole floor is let out in lodgings. Why are you frightened like a child? Am I really so terrible?”
Svidrigaïlov’s lips were twisted in a condescending smile; but he was in no smiling mood. His heart was throbbing and he could scarcely breathe. He spoke rather loud to cover his growing excitement. But Dounia did not notice this peculiar excitement, she was so irritated by his remark that she was frightened of him like a child and that he was so terrible to her.
“Though I know that you are not a man... of honour, I am not in the least afraid of you. Lead the way,” she said with apparent composure, but her face was very pale.
Svidrigaïlov stopped at Sonia’s room. |
Crime_and_Punishment_-_Fyodor_Dostoyevsky | 16 | 468 | “Though I know that you are not a man... of honour, I am not in the least afraid of you. Lead the way,” she said with apparent composure, but her face was very pale.
Svidrigaïlov stopped at Sonia’s room.
“Allow me to inquire whether she is at home.... She is not. How unfortunate! But I know she may come quite soon. If she’s gone out, it can only be to see a lady about the orphans. Their mother is dead.... I’ve been meddling and making arrangements for them. If Sofya Semyonovna does not come back in ten minutes, I will send her to you, to-day if you like. This is my flat. These are my two rooms. Madame Resslich, my landlady, has the next room. Now, look this way. I will show you my chief piece of evidence: this door from my bedroom leads into two perfectly empty rooms, which are to let. Here they are... You must look into them with some attention.”
Svidrigaïlov occupied two fairly large furnished rooms. Dounia was looking about her mistrustfully, but saw nothing special in the furniture or position of the rooms. Yet there was something to observe, for instance, that Svidrigaïlov’s flat was exactly between two sets of almost uninhabited apartments. His rooms were not entered directly from the passage, but through the landlady’s two almost empty rooms. Unlocking a door leading out of his bedroom, Svidrigaïlov showed Dounia the two empty rooms that were to let. Dounia stopped in the doorway, not knowing what she was called to look upon, but Svidrigaïlov hastened to explain.
“Look here, at this second large room. Notice that door, it’s locked. By the door stands a chair, the only one in the two rooms. I brought it from my rooms so as to listen more conveniently. Just the other side of the door is Sofya Semyonovna’s table; she sat there talking to Rodion Romanovitch. And I sat here listening on two successive evenings, for two hours each time—and of course I was able to learn something, what do you think?”
“You listened?”
“Yes, I did. Now come back to my room; we can’t sit down here.” |
Crime_and_Punishment_-_Fyodor_Dostoyevsky | 16 | 469 | “You listened?”
“Yes, I did. Now come back to my room; we can’t sit down here.”
He brought Avdotya Romanovna back into his sitting-room and offered her a chair. He sat down at the opposite side of the table, at least seven feet from her, but probably there was the same glow in his eyes which had once frightened Dounia so much. She shuddered and once more looked about her distrustfully. It was an involuntary gesture; she evidently did not wish to betray her uneasiness. But the secluded position of Svidrigaïlov’s lodging had suddenly struck her. She wanted to ask whether his landlady at least were at home, but pride kept her from asking. Moreover, she had another trouble in her heart incomparably greater than fear for herself. She was in great distress.
“Here is your letter,” she said, laying it on the table. “Can it be true what you write? You hint at a crime committed, you say, by my brother. You hint at it too clearly; you daren’t deny it now. I must tell you that I’d heard of this stupid story before you wrote and don’t believe a word of it. It’s a disgusting and ridiculous suspicion. I know the story and why and how it was invented. You can have no proofs. You promised to prove it. Speak! But let me warn you that I don’t believe you! I don’t believe you!”
Dounia said this, speaking hurriedly, and for an instant the colour rushed to her face.
“If you didn’t believe it, how could you risk coming alone to my rooms? Why have you come? Simply from curiosity?”
“Don’t torment me. Speak, speak!”
“There’s no denying that you are a brave girl. Upon my word, I thought you would have asked Mr. Razumihin to escort you here. But he was not with you nor anywhere near. I was on the look-out. It’s spirited of you, it proves you wanted to spare Rodion Romanovitch. But everything is divine in you.... About your brother, what am I to say to you? You’ve just seen him yourself. What did you think of him?”
“Surely that’s not the only thing you are building on?” |
Crime_and_Punishment_-_Fyodor_Dostoyevsky | 16 | 470 | “Surely that’s not the only thing you are building on?”
“No, not on that, but on his own words. He came here on two successive evenings to see Sofya Semyonovna. I’ve shown you where they sat. He made a full confession to her. He is a murderer. He killed an old woman, a pawnbroker, with whom he had pawned things himself. He killed her sister too, a pedlar woman called Lizaveta, who happened to come in while he was murdering her sister. He killed them with an axe he brought with him. He murdered them to rob them and he did rob them. He took money and various things.... He told all this, word for word, to Sofya Semyonovna, the only person who knows his secret. But she has had no share by word or deed in the murder; she was as horrified at it as you are now. Don’t be anxious, she won’t betray him.”
“It cannot be,” muttered Dounia, with white lips. She gasped for breath. “It cannot be. There was not the slightest cause, no sort of ground.... It’s a lie, a lie!”
“He robbed her, that was the cause, he took money and things. It’s true that by his own admission he made no use of the money or things, but hid them under a stone, where they are now. But that was because he dared not make use of them.”
“But how could he steal, rob? How could he dream of it?” cried Dounia, and she jumped up from the chair. “Why, you know him, and you’ve seen him, can he be a thief?”
She seemed to be imploring Svidrigaïlov; she had entirely forgotten her fear.
“There are thousands and millions of combinations and possibilities, Avdotya Romanovna. A thief steals and knows he is a scoundrel, but I’ve heard of a gentleman who broke open the mail. Who knows, very likely he thought he was doing a gentlemanly thing! Of course I should not have believed it myself if I’d been told of it as you have, but I believe my own ears. He explained all the causes of it to Sofya Semyonovna too, but she did not believe her ears at first, yet she believed her own eyes at last.”
“What... were the causes?” |
Crime_and_Punishment_-_Fyodor_Dostoyevsky | 16 | 471 | “What... were the causes?”
“It’s a long story, Avdotya Romanovna. Here’s... how shall I tell you?—A theory of a sort, the same one by which I for instance consider that a single misdeed is permissible if the principal aim is right, a solitary wrongdoing and hundreds of good deeds! It’s galling too, of course, for a young man of gifts and overweening pride to know that if he had, for instance, a paltry three thousand, his whole career, his whole future would be differently shaped and yet not to have that three thousand. Add to that, nervous irritability from hunger, from lodging in a hole, from rags, from a vivid sense of the charm of his social position and his sister’s and mother’s position too. Above all, vanity, pride and vanity, though goodness knows he may have good qualities too.... I am not blaming him, please don’t think it; besides, it’s not my business. A special little theory came in too—a theory of a sort—dividing mankind, you see, into material and superior persons, that is persons to whom the law does not apply owing to their superiority, who make laws for the rest of mankind, the material, that is. It’s all right as a theory, une théorie comme une autre. Napoleon attracted him tremendously, that is, what affected him was that a great many men of genius have not hesitated at wrongdoing, but have overstepped the law without thinking about it. He seems to have fancied that he was a genius too—that is, he was convinced of it for a time. He has suffered a great deal and is still suffering from the idea that he could make a theory, but was incapable of boldly overstepping the law, and so he is not a man of genius. And that’s humiliating for a young man of any pride, in our day especially....”
“But remorse? You deny him any moral feeling then? Is he like that?” |
Crime_and_Punishment_-_Fyodor_Dostoyevsky | 16 | 472 | “But remorse? You deny him any moral feeling then? Is he like that?”
“Ah, Avdotya Romanovna, everything is in a muddle now; not that it was ever in very good order. Russians in general are broad in their ideas, Avdotya Romanovna, broad like their land and exceedingly disposed to the fantastic, the chaotic. But it’s a misfortune to be broad without a special genius. Do you remember what a lot of talk we had together on this subject, sitting in the evenings on the terrace after supper? Why, you used to reproach me with breadth! Who knows, perhaps we were talking at the very time when he was lying here thinking over his plan. There are no sacred traditions amongst us, especially in the educated class, Avdotya Romanovna. At the best someone will make them up somehow for himself out of books or from some old chronicle. But those are for the most part the learned and all old fogeys, so that it would be almost ill-bred in a man of society. You know my opinions in general, though. I never blame anyone. I do nothing at all, I persevere in that. But we’ve talked of this more than once before. I was so happy indeed as to interest you in my opinions.... You are very pale, Avdotya Romanovna.”
“I know his theory. I read that article of his about men to whom all is permitted. Razumihin brought it to me.”
“Mr. Razumihin? Your brother’s article? In a magazine? Is there such an article? I didn’t know. It must be interesting. But where are you going, Avdotya Romanovna?”
“I want to see Sofya Semyonovna,” Dounia articulated faintly. “How do I go to her? She has come in, perhaps. I must see her at once. Perhaps she...”
Avdotya Romanovna could not finish. Her breath literally failed her.
“Sofya Semyonovna will not be back till night, at least I believe not. She was to have been back at once, but if not, then she will not be in till quite late.”
“Ah, then you are lying! I see... you were lying... lying all the time.... I don’t believe you! I don’t believe you!” cried Dounia, completely losing her head.
Almost fainting, she sank on to a chair which Svidrigaïlov made haste to give her.
“Avdotya Romanovna, what is it? Control yourself! Here is some water. Drink a little....”
He sprinkled some water over her. Dounia shuddered and came to herself. |
Crime_and_Punishment_-_Fyodor_Dostoyevsky | 16 | 473 | Almost fainting, she sank on to a chair which Svidrigaïlov made haste to give her.
“Avdotya Romanovna, what is it? Control yourself! Here is some water. Drink a little....”
He sprinkled some water over her. Dounia shuddered and came to herself.
“It has acted violently,” Svidrigaïlov muttered to himself, frowning. “Avdotya Romanovna, calm yourself! Believe me, he has friends. We will save him. Would you like me to take him abroad? I have money, I can get a ticket in three days. And as for the murder, he will do all sorts of good deeds yet, to atone for it. Calm yourself. He may become a great man yet. Well, how are you? How do you feel?”
“Cruel man! To be able to jeer at it! Let me go...”
“Where are you going?”
“To him. Where is he? Do you know? Why is this door locked? We came in at that door and now it is locked. When did you manage to lock it?”
“We couldn’t be shouting all over the flat on such a subject. I am far from jeering; it’s simply that I’m sick of talking like this. But how can you go in such a state? Do you want to betray him? You will drive him to fury, and he will give himself up. Let me tell you, he is already being watched; they are already on his track. You will simply be giving him away. Wait a little: I saw him and was talking to him just now. He can still be saved. Wait a bit, sit down; let us think it over together. I asked you to come in order to discuss it alone with you and to consider it thoroughly. But do sit down!”
“How can you save him? Can he really be saved?”
Dounia sat down. Svidrigaïlov sat down beside her.
“It all depends on you, on you, on you alone,” he began with glowing eyes, almost in a whisper and hardly able to utter the words for emotion.
Dounia drew back from him in alarm. He too was trembling all over. |
Crime_and_Punishment_-_Fyodor_Dostoyevsky | 16 | 474 | Dounia sat down. Svidrigaïlov sat down beside her.
“It all depends on you, on you, on you alone,” he began with glowing eyes, almost in a whisper and hardly able to utter the words for emotion.
Dounia drew back from him in alarm. He too was trembling all over.
“You... one word from you, and he is saved. I... I’ll save him. I have money and friends. I’ll send him away at once. I’ll get a passport, two passports, one for him and one for me. I have friends... capable people.... If you like, I’ll take a passport for you... for your mother.... What do you want with Razumihin? I love you too.... I love you beyond everything.... Let me kiss the hem of your dress, let me, let me.... The very rustle of it is too much for me. Tell me, ‘do that,’ and I’ll do it. I’ll do everything. I will do the impossible. What you believe, I will believe. I’ll do anything—anything! Don’t, don’t look at me like that. Do you know that you are killing me?...”
He was almost beginning to rave.... Something seemed suddenly to go to his head. Dounia jumped up and rushed to the door.
“Open it! Open it!” she called, shaking the door. “Open it! Is there no one there?”
Svidrigaïlov got up and came to himself. His still trembling lips slowly broke into an angry mocking smile.
“There is no one at home,” he said quietly and emphatically. “The landlady has gone out, and it’s waste of time to shout like that. You are only exciting yourself uselessly.”
“Where is the key? Open the door at once, at once, base man!”
“I have lost the key and cannot find it.”
“This is an outrage,” cried Dounia, turning pale as death. She rushed to the furthest corner, where she made haste to barricade herself with a little table.
She did not scream, but she fixed her eyes on her tormentor and watched every movement he made.
Svidrigaïlov remained standing at the other end of the room facing her. He was positively composed, at least in appearance, but his face was pale as before. The mocking smile did not leave his face. |
Crime_and_Punishment_-_Fyodor_Dostoyevsky | 16 | 475 | Svidrigaïlov remained standing at the other end of the room facing her. He was positively composed, at least in appearance, but his face was pale as before. The mocking smile did not leave his face.
“You spoke of outrage just now, Avdotya Romanovna. In that case you may be sure I’ve taken measures. Sofya Semyonovna is not at home. The Kapernaumovs are far away—there are five locked rooms between. I am at least twice as strong as you are and I have nothing to fear, besides. For you could not complain afterwards. You surely would not be willing actually to betray your brother? Besides, no one would believe you. How should a girl have come alone to visit a solitary man in his lodgings? So that even if you do sacrifice your brother, you could prove nothing. It is very difficult to prove an assault, Avdotya Romanovna.”
“Scoundrel!” whispered Dounia indignantly.
“As you like, but observe I was only speaking by way of a general proposition. It’s my personal conviction that you are perfectly right—violence is hateful. I only spoke to show you that you need have no remorse even if... you were willing to save your brother of your own accord, as I suggest to you. You would be simply submitting to circumstances, to violence, in fact, if we must use that word. Think about it. Your brother’s and your mother’s fate are in your hands. I will be your slave... all my life... I will wait here.”
Svidrigaïlov sat down on the sofa about eight steps from Dounia. She had not the slightest doubt now of his unbending determination. Besides, she knew him. Suddenly she pulled out of her pocket a revolver, cocked it and laid it in her hand on the table. Svidrigaïlov jumped up.
“Aha! So that’s it, is it?” he cried, surprised but smiling maliciously. “Well, that completely alters the aspect of affairs. You’ve made things wonderfully easier for me, Avdotya Romanovna. But where did you get the revolver? Was it Mr. Razumihin? Why, it’s my revolver, an old friend! And how I’ve hunted for it! The shooting lessons I’ve given you in the country have not been thrown away.”
“It’s not your revolver, it belonged to Marfa Petrovna, whom you killed, wretch! There was nothing of yours in her house. I took it when I began to suspect what you were capable of. If you dare to advance one step, I swear I’ll kill you.” She was frantic.
“But your brother? I ask from curiosity,” said Svidrigaïlov, still standing where he was. |
Crime_and_Punishment_-_Fyodor_Dostoyevsky | 16 | 476 | “But your brother? I ask from curiosity,” said Svidrigaïlov, still standing where he was.
“Inform, if you want to! Don’t stir! Don’t come nearer! I’ll shoot! You poisoned your wife, I know; you are a murderer yourself!” She held the revolver ready.
“Are you so positive I poisoned Marfa Petrovna?”
“You did! You hinted it yourself; you talked to me of poison.... I know you went to get it... you had it in readiness.... It was your doing.... It must have been your doing.... Scoundrel!”
“Even if that were true, it would have been for your sake... you would have been the cause.”
“You are lying! I hated you always, always....”
“Oho, Avdotya Romanovna! You seem to have forgotten how you softened to me in the heat of propaganda. I saw it in your eyes. Do you remember that moonlight night, when the nightingale was singing?”
“That’s a lie,” there was a flash of fury in Dounia’s eyes, “that’s a lie and a libel!”
“A lie? Well, if you like, it’s a lie. I made it up. Women ought not to be reminded of such things,” he smiled. “I know you will shoot, you pretty wild creature. Well, shoot away!”
Dounia raised the revolver, and deadly pale, gazed at him, measuring the distance and awaiting the first movement on his part. Her lower lip was white and quivering and her big black eyes flashed like fire. He had never seen her so handsome. The fire glowing in her eyes at the moment she raised the revolver seemed to kindle him and there was a pang of anguish in his heart. He took a step forward and a shot rang out. The bullet grazed his hair and flew into the wall behind. He stood still and laughed softly.
“The wasp has stung me. She aimed straight at my head. What’s this? Blood?” he pulled out his handkerchief to wipe the blood, which flowed in a thin stream down his right temple. The bullet seemed to have just grazed the skin.
Dounia lowered the revolver and looked at Svidrigaïlov not so much in terror as in a sort of wild amazement. She seemed not to understand what she was doing and what was going on.
“Well, you missed! Fire again, I’ll wait,” said Svidrigaïlov softly, still smiling, but gloomily. “If you go on like that, I shall have time to seize you before you cock again.”
Dounia started, quickly cocked the pistol and again raised it.
“Let me be,” she cried in despair. “I swear I’ll shoot again. I... I’ll kill you.” |
Crime_and_Punishment_-_Fyodor_Dostoyevsky | 16 | 477 | Dounia started, quickly cocked the pistol and again raised it.
“Let me be,” she cried in despair. “I swear I’ll shoot again. I... I’ll kill you.”
“Well... at three paces you can hardly help it. But if you don’t... then.” His eyes flashed and he took two steps forward. Dounia shot again: it missed fire.
“You haven’t loaded it properly. Never mind, you have another charge there. Get it ready, I’ll wait.”
He stood facing her, two paces away, waiting and gazing at her with wild determination, with feverishly passionate, stubborn, set eyes. Dounia saw that he would sooner die than let her go. “And... now, of course she would kill him, at two paces!” Suddenly she flung away the revolver.
“She’s dropped it!” said Svidrigaïlov with surprise, and he drew a deep breath. A weight seemed to have rolled from his heart—perhaps not only the fear of death; indeed he may scarcely have felt it at that moment. It was the deliverance from another feeling, darker and more bitter, which he could not himself have defined.
He went to Dounia and gently put his arm round her waist. She did not resist, but, trembling like a leaf, looked at him with suppliant eyes. He tried to say something, but his lips moved without being able to utter a sound.
“Let me go,” Dounia implored. Svidrigaïlov shuddered. Her voice now was quite different.
“Then you don’t love me?” he asked softly. Dounia shook her head.
“And... and you can’t? Never?” he whispered in despair.
“Never!”
There followed a moment of terrible, dumb struggle in the heart of Svidrigaïlov. He looked at her with an indescribable gaze. Suddenly he withdrew his arm, turned quickly to the window and stood facing it. Another moment passed.
“Here’s the key.”
He took it out of the left pocket of his coat and laid it on the table behind him, without turning or looking at Dounia.
“Take it! Make haste!”
He looked stubbornly out of the window. Dounia went up to the table to take the key.
“Make haste! Make haste!” repeated Svidrigaïlov, still without turning or moving. But there seemed a terrible significance in the tone of that “make haste.”
Dounia understood it, snatched up the key, flew to the door, unlocked it quickly and rushed out of the room. A minute later, beside herself, she ran out on to the canal bank in the direction of X. Bridge. |
Crime_and_Punishment_-_Fyodor_Dostoyevsky | 16 | 478 | Dounia understood it, snatched up the key, flew to the door, unlocked it quickly and rushed out of the room. A minute later, beside herself, she ran out on to the canal bank in the direction of X. Bridge.
Svidrigaïlov remained three minutes standing at the window. At last he slowly turned, looked about him and passed his hand over his forehead. A strange smile contorted his face, a pitiful, sad, weak smile, a smile of despair. The blood, which was already getting dry, smeared his hand. He looked angrily at it, then wetted a towel and washed his temple. The revolver which Dounia had flung away lay near the door and suddenly caught his eye. He picked it up and examined it. It was a little pocket three-barrel revolver of old-fashioned construction. There were still two charges and one capsule left in it. It could be fired again. He thought a little, put the revolver in his pocket, took his hat and went out.
He spent that evening till ten o’clock going from one low haunt to another. Katia too turned up and sang another gutter song, how a certain
“villain and tyrant,”
“began kissing Katia.” |
Crime_and_Punishment_-_Fyodor_Dostoyevsky | 16 | 479 | He spent that evening till ten o’clock going from one low haunt to another. Katia too turned up and sang another gutter song, how a certain
“villain and tyrant,”
“began kissing Katia.”
Svidrigaïlov treated Katia and the organ-grinder and some singers and the waiters and two little clerks. He was particularly drawn to these clerks by the fact that they both had crooked noses, one bent to the left and the other to the right. They took him finally to a pleasure garden, where he paid for their entrance. There was one lanky three-year-old pine-tree and three bushes in the garden, besides a “Vauxhall,” which was in reality a drinking-bar where tea too was served, and there were a few green tables and chairs standing round it. A chorus of wretched singers and a drunken but exceedingly depressed German clown from Munich with a red nose entertained the public. The clerks quarrelled with some other clerks and a fight seemed imminent. Svidrigaïlov was chosen to decide the dispute. He listened to them for a quarter of an hour, but they shouted so loud that there was no possibility of understanding them. The only fact that seemed certain was that one of them had stolen something and had even succeeded in selling it on the spot to a Jew, but would not share the spoil with his companion. Finally it appeared that the stolen object was a teaspoon belonging to the Vauxhall. It was missed and the affair began to seem troublesome. Svidrigaïlov paid for the spoon, got up, and walked out of the garden. It was about six o’clock. He had not drunk a drop of wine all this time and had ordered tea more for the sake of appearances than anything.
It was a dark and stifling evening. Threatening storm-clouds came over the sky about ten o’clock. There was a clap of thunder, and the rain came down like a waterfall. The water fell not in drops, but beat on the earth in streams. There were flashes of lightning every minute and each flash lasted while one could count five.
Drenched to the skin, he went home, locked himself in, opened the bureau, took out all his money and tore up two or three papers. Then, putting the money in his pocket, he was about to change his clothes, but, looking out of the window and listening to the thunder and the rain, he gave up the idea, took up his hat and went out of the room without locking the door. He went straight to Sonia. She was at home. |
Crime_and_Punishment_-_Fyodor_Dostoyevsky | 16 | 480 | She was not alone: the four Kapernaumov children were with her. She was giving them tea. She received Svidrigaïlov in respectful silence, looking wonderingly at his soaking clothes. The children all ran away at once in indescribable terror.
Svidrigaïlov sat down at the table and asked Sonia to sit beside him. She timidly prepared to listen.
“I may be going to America, Sofya Semyonovna,” said Svidrigaïlov, “and as I am probably seeing you for the last time, I have come to make some arrangements. Well, did you see the lady to-day? I know what she said to you, you need not tell me.” (Sonia made a movement and blushed.) “Those people have their own way of doing things. As to your sisters and your brother, they are really provided for and the money assigned to them I’ve put into safe keeping and have received acknowledgments. You had better take charge of the receipts, in case anything happens. Here, take them! Well now, that’s settled. Here are three 5-per-cent bonds to the value of three thousand roubles. Take those for yourself, entirely for yourself, and let that be strictly between ourselves, so that no one knows of it, whatever you hear. You will need the money, for to go on living in the old way, Sofya Semyonovna, is bad, and besides there is no need for it now.”
“I am so much indebted to you, and so are the children and my stepmother,” said Sonia hurriedly, “and if I’ve said so little... please don’t consider...”
“That’s enough! that’s enough!”
“But as for the money, Arkady Ivanovitch, I am very grateful to you, but I don’t need it now. I can always earn my own living. Don’t think me ungrateful. If you are so charitable, that money....” |
Crime_and_Punishment_-_Fyodor_Dostoyevsky | 16 | 481 | “That’s enough! that’s enough!”
“But as for the money, Arkady Ivanovitch, I am very grateful to you, but I don’t need it now. I can always earn my own living. Don’t think me ungrateful. If you are so charitable, that money....”
“It’s for you, for you, Sofya Semyonovna, and please don’t waste words over it. I haven’t time for it. You will want it. Rodion Romanovitch has two alternatives: a bullet in the brain or Siberia.” (Sonia looked wildly at him, and started.) “Don’t be uneasy, I know all about it from himself and I am not a gossip; I won’t tell anyone. It was good advice when you told him to give himself up and confess. It would be much better for him. Well, if it turns out to be Siberia, he will go and you will follow him. That’s so, isn’t it? And if so, you’ll need money. You’ll need it for him, do you understand? Giving it to you is the same as my giving it to him. Besides, you promised Amalia Ivanovna to pay what’s owing. I heard you. How can you undertake such obligations so heedlessly, Sofya Semyonovna? It was Katerina Ivanovna’s debt and not yours, so you ought not to have taken any notice of the German woman. You can’t get through the world like that. If you are ever questioned about me—to-morrow or the day after you will be asked—don’t say anything about my coming to see you now and don’t show the money to anyone or say a word about it. Well, now good-bye.” (He got up.) “My greetings to Rodion Romanovitch. By the way, you’d better put the money for the present in Mr. Razumihin’s keeping. You know Mr. Razumihin? Of course you do. He’s not a bad fellow. Take it to him to-morrow or... when the time comes. And till then, hide it carefully.”
Sonia too jumped up from her chair and looked in dismay at Svidrigaïlov. She longed to speak, to ask a question, but for the first moments she did not dare and did not know how to begin.
“How can you... how can you be going now, in such rain?”
“Why, be starting for America, and be stopped by rain! Ha, ha! Good-bye, Sofya Semyonovna, my dear! Live and live long, you will be of use to others. By the way... tell Mr. Razumihin I send my greetings to him. Tell him Arkady Ivanovitch Svidrigaïlov sends his greetings. Be sure to.”
He went out, leaving Sonia in a state of wondering anxiety and vague apprehension. |
Crime_and_Punishment_-_Fyodor_Dostoyevsky | 16 | 482 | He went out, leaving Sonia in a state of wondering anxiety and vague apprehension.
It appeared afterwards that on the same evening, at twenty past eleven, he made another very eccentric and unexpected visit. The rain still persisted. Drenched to the skin, he walked into the little flat where the parents of his betrothed lived, in Third Street in Vassilyevsky Island. He knocked some time before he was admitted, and his visit at first caused great perturbation; but Svidrigaïlov could be very fascinating when he liked, so that the first, and indeed very intelligent surmise of the sensible parents that Svidrigaïlov had probably had so much to drink that he did not know what he was doing vanished immediately. The decrepit father was wheeled in to see Svidrigaïlov by the tender and sensible mother, who as usual began the conversation with various irrelevant questions. She never asked a direct question, but began by smiling and rubbing her hands and then, if she were obliged to ascertain something—for instance, when Svidrigaïlov would like to have the wedding—she would begin by interested and almost eager questions about Paris and the court life there, and only by degrees brought the conversation round to Third Street. On other occasions this had of course been very impressive, but this time Arkady Ivanovitch seemed particularly impatient, and insisted on seeing his betrothed at once, though he had been informed, to begin with, that she had already gone to bed. The girl of course appeared. |
Crime_and_Punishment_-_Fyodor_Dostoyevsky | 16 | 483 | Svidrigaïlov informed her at once that he was obliged by very important affairs to leave Petersburg for a time, and therefore brought her fifteen thousand roubles and begged her accept them as a present from him, as he had long been intending to make her this trifling present before their wedding. The logical connection of the present with his immediate departure and the absolute necessity of visiting them for that purpose in pouring rain at midnight was not made clear. But it all went off very well; even the inevitable ejaculations of wonder and regret, the inevitable questions were extraordinarily few and restrained. On the other hand, the gratitude expressed was most glowing and was reinforced by tears from the most sensible of mothers. Svidrigaïlov got up, laughed, kissed his betrothed, patted her cheek, declared he would soon come back, and noticing in her eyes, together with childish curiosity, a sort of earnest dumb inquiry, reflected and kissed her again, though he felt sincere anger inwardly at the thought that his present would be immediately locked up in the keeping of the most sensible of mothers. He went away, leaving them all in a state of extraordinary excitement, but the tender mamma, speaking quietly in a half whisper, settled some of the most important of their doubts, concluding that Svidrigaïlov was a great man, a man of great affairs and connections and of great wealth—there was no knowing what he had in his mind. He would start off on a journey and give away money just as the fancy took him, so that there was nothing surprising about it. Of course it was strange that he was wet through, but Englishmen, for instance, are even more eccentric, and all these people of high society didn’t think of what was said of them and didn’t stand on ceremony. Possibly, indeed, he came like that on purpose to show that he was not afraid of anyone. Above all, not a word should be said about it, for God knows what might come of it, and the money must be locked up, and it was most fortunate that Fedosya, the cook, had not left the kitchen. And above all not a word must be said to that old cat, Madame Resslich, and so on and so on. They sat up whispering till two o’clock, but the girl went to bed much earlier, amazed and rather sorrowful. |
Crime_and_Punishment_-_Fyodor_Dostoyevsky | 16 | 484 | Svidrigaïlov meanwhile, exactly at midnight, crossed the bridge on the way back to the mainland. The rain had ceased and there was a roaring wind. He began shivering, and for one moment he gazed at the black waters of the Little Neva with a look of special interest, even inquiry. But he soon felt it very cold, standing by the water; he turned and went towards Y. Prospect. He walked along that endless street for a long time, almost half an hour, more than once stumbling in the dark on the wooden pavement, but continually looking for something on the right side of the street. He had noticed passing through this street lately that there was a hotel somewhere towards the end, built of wood, but fairly large, and its name he remembered was something like Adrianople. He was not mistaken: the hotel was so conspicuous in that God-forsaken place that he could not fail to see it even in the dark. It was a long, blackened wooden building, and in spite of the late hour there were lights in the windows and signs of life within. He went in and asked a ragged fellow who met him in the corridor for a room. The latter, scanning Svidrigaïlov, pulled himself together and led him at once to a close and tiny room in the distance, at the end of the corridor, under the stairs. There was no other, all were occupied. The ragged fellow looked inquiringly.
“Is there tea?” asked Svidrigaïlov.
“Yes, sir.”
“What else is there?”
“Veal, vodka, savouries.”
“Bring me tea and veal.”
“And you want nothing else?” he asked with apparent surprise.
“Nothing, nothing.”
The ragged man went away, completely disillusioned.
“It must be a nice place,” thought Svidrigaïlov. “How was it I didn’t know it? I expect I look as if I came from a café chantant and have had some adventure on the way. It would be interesting to know who stayed here?”
He lighted the candle and looked at the room more carefully. It was a room so low-pitched that Svidrigaïlov could only just stand up in it; it had one window; the bed, which was very dirty, and the plain-stained chair and table almost filled it up. The walls looked as though they were made of planks, covered with shabby paper, so torn and dusty that the pattern was indistinguishable, though the general colour—yellow—could still be made out. One of the walls was cut short by the sloping ceiling, though the room was not an attic but just under the stairs. |
Crime_and_Punishment_-_Fyodor_Dostoyevsky | 16 | 485 | Svidrigaïlov set down the candle, sat down on the bed and sank into thought. But a strange persistent murmur which sometimes rose to a shout in the next room attracted his attention. The murmur had not ceased from the moment he entered the room. He listened: someone was upbraiding and almost tearfully scolding, but he heard only one voice.
Svidrigaïlov got up, shaded the light with his hand and at once he saw light through a crack in the wall; he went up and peeped through. The room, which was somewhat larger than his, had two occupants. One of them, a very curly-headed man with a red inflamed face, was standing in the pose of an orator, without his coat, with his legs wide apart to preserve his balance, and smiting himself on the breast. He reproached the other with being a beggar, with having no standing whatever. He declared that he had taken the other out of the gutter and he could turn him out when he liked, and that only the finger of Providence sees it all. The object of his reproaches was sitting in a chair, and had the air of a man who wants dreadfully to sneeze, but can’t. He sometimes turned sheepish and befogged eyes on the speaker, but obviously had not the slightest idea what he was talking about and scarcely heard it. A candle was burning down on the table; there were wine-glasses, a nearly empty bottle of vodka, bread and cucumber, and glasses with the dregs of stale tea. After gazing attentively at this, Svidrigaïlov turned away indifferently and sat down on the bed. |
Crime_and_Punishment_-_Fyodor_Dostoyevsky | 16 | 486 | The ragged attendant, returning with the tea, could not resist asking him again whether he didn’t want anything more, and again receiving a negative reply, finally withdrew. Svidrigaïlov made haste to drink a glass of tea to warm himself, but could not eat anything. He began to feel feverish. He took off his coat and, wrapping himself in the blanket, lay down on the bed. He was annoyed. “It would have been better to be well for the occasion,” he thought with a smile. The room was close, the candle burnt dimly, the wind was roaring outside, he heard a mouse scratching in the corner and the room smelt of mice and of leather. He lay in a sort of reverie: one thought followed another. He felt a longing to fix his imagination on something. “It must be a garden under the window,” he thought. “There’s a sound of trees. How I dislike the sound of trees on a stormy night, in the dark! They give one a horrid feeling.” He remembered how he had disliked it when he passed Petrovsky Park just now. This reminded him of the bridge over the Little Neva and he felt cold again as he had when standing there. “I never have liked water,” he thought, “even in a landscape,” and he suddenly smiled again at a strange idea: “Surely now all these questions of taste and comfort ought not to matter, but I’ve become more particular, like an animal that picks out a special place... for such an occasion. I ought to have gone into the Petrovsky Park! I suppose it seemed dark, cold, ha-ha! As though I were seeking pleasant sensations!... By the way, why haven’t I put out the candle?” he blew it out. “They’ve gone to bed next door,” he thought, not seeing the light at the crack. “Well, now, Marfa Petrovna, now is the time for you to turn up; it’s dark, and the very time and place for you. But now you won’t come!”
He suddenly recalled how, an hour before carrying out his design on Dounia, he had recommended Raskolnikov to trust her to Razumihin’s keeping. “I suppose I really did say it, as Raskolnikov guessed, to tease myself. But what a rogue that Raskolnikov is! He’s gone through a good deal. He may be a successful rogue in time when he’s got over his nonsense. But now he’s too eager for life. These young men are contemptible on that point. But, hang the fellow! Let him please himself, it’s nothing to do with me.” |
Crime_and_Punishment_-_Fyodor_Dostoyevsky | 16 | 487 | He could not get to sleep. By degrees Dounia’s image rose before him, and a shudder ran over him. “No, I must give up all that now,” he thought, rousing himself. “I must think of something else. It’s queer and funny. I never had a great hatred for anyone, I never particularly desired to avenge myself even, and that’s a bad sign, a bad sign, a bad sign. I never liked quarrelling either, and never lost my temper—that’s a bad sign too. And the promises I made her just now, too—Damnation! But—who knows?—perhaps she would have made a new man of me somehow....”
He ground his teeth and sank into silence again. Again Dounia’s image rose before him, just as she was when, after shooting the first time, she had lowered the revolver in terror and gazed blankly at him, so that he might have seized her twice over and she would not have lifted a hand to defend herself if he had not reminded her. He recalled how at that instant he felt almost sorry for her, how he had felt a pang at his heart...
“Aïe! Damnation, these thoughts again! I must put it away!”
He was dozing off; the feverish shiver had ceased, when suddenly something seemed to run over his arm and leg under the bedclothes. He started. “Ugh! hang it! I believe it’s a mouse,” he thought, “that’s the veal I left on the table.” He felt fearfully disinclined to pull off the blanket, get up, get cold, but all at once something unpleasant ran over his leg again. He pulled off the blanket and lighted the candle. Shaking with feverish chill he bent down to examine the bed: there was nothing. He shook the blanket and suddenly a mouse jumped out on the sheet. He tried to catch it, but the mouse ran to and fro in zigzags without leaving the bed, slipped between his fingers, ran over his hand and suddenly darted under the pillow. He threw down the pillow, but in one instant felt something leap on his chest and dart over his body and down his back under his shirt. He trembled nervously and woke up.
The room was dark. He was lying on the bed and wrapped up in the blanket as before. The wind was howling under the window. “How disgusting,” he thought with annoyance. |
Crime_and_Punishment_-_Fyodor_Dostoyevsky | 16 | 488 |
He got up and sat on the edge of the bedstead with his back to the window. “It’s better not to sleep at all,” he decided. There was a cold damp draught from the window, however; without getting up he drew the blanket over him and wrapped himself in it. He was not thinking of anything and did not want to think. But one image rose after another, incoherent scraps of thought without beginning or end passed through his mind. He sank into drowsiness. Perhaps the cold, or the dampness, or the dark, or the wind that howled under the window and tossed the trees roused a sort of persistent craving for the fantastic. He kept dwelling on images of flowers, he fancied a charming flower garden, a bright, warm, almost hot day, a holiday—Trinity day. A fine, sumptuous country cottage in the English taste overgrown with fragrant flowers, with flower beds going round the house; the porch, wreathed in climbers, was surrounded with beds of roses. A light, cool staircase, carpeted with rich rugs, was decorated with rare plants in china pots. He noticed particularly in the windows nosegays of tender, white, heavily fragrant narcissus bending over their bright, green, thick long stalks. He was reluctant to move away from them, but he went up the stairs and came into a large, high drawing-room and again everywhere—at the windows, the doors on to the balcony, and on the balcony itself—were flowers. The floors were strewn with freshly-cut fragrant hay, the windows were open, a fresh, cool, light air came into the room. The birds were chirruping under the window, and in the middle of the room, on a table covered with a white satin shroud, stood a coffin. The coffin was covered with white silk and edged with a thick white frill; wreaths of flowers surrounded it on all sides. Among the flowers lay a girl in a white muslin dress, with her arms crossed and pressed on her bosom, as though carved out of marble. But her loose fair hair was wet; there was a wreath of roses on her head. The stern and already rigid profile of her face looked as though chiselled of marble too, and the smile on her pale lips was full of an immense unchildish misery and sorrowful appeal. Svidrigaïlov knew that girl; there was no holy image, no burning candle beside the coffin; no sound of prayers: the girl had drowned herself. She was only fourteen, but her heart was broken. And she had destroyed herself, crushed by an insult that had appalled and amazed that childish soul, had smirched that angel purity with unmerited disgrace and torn from her a last scream of despair, unheeded and brutally disregarded, on a dark night in the cold and wet while the wind howled.... |
Crime_and_Punishment_-_Fyodor_Dostoyevsky | 16 | 489 | Svidrigaïlov came to himself, got up from the bed and went to the window. He felt for the latch and opened it. The wind lashed furiously into the little room and stung his face and his chest, only covered with his shirt, as though with frost. Under the window there must have been something like a garden, and apparently a pleasure garden. There, too, probably there were tea-tables and singing in the daytime. Now drops of rain flew in at the window from the trees and bushes; it was dark as in a cellar, so that he could only just make out some dark blurs of objects. Svidrigaïlov, bending down with elbows on the window-sill, gazed for five minutes into the darkness; the boom of a cannon, followed by a second one, resounded in the darkness of the night. “Ah, the signal! The river is overflowing,” he thought. “By morning it will be swirling down the street in the lower parts, flooding the basements and cellars. The cellar rats will swim out, and men will curse in the rain and wind as they drag their rubbish to their upper storeys. What time is it now?” And he had hardly thought it when, somewhere near, a clock on the wall, ticking away hurriedly, struck three.
“Aha! It will be light in an hour! Why wait? I’ll go out at once straight to the park. I’ll choose a great bush there drenched with rain, so that as soon as one’s shoulder touches it, millions of drops drip on one’s head.”
He moved away from the window, shut it, lighted the candle, put on his waistcoat, his overcoat and his hat and went out, carrying the candle, into the passage to look for the ragged attendant who would be asleep somewhere in the midst of candle-ends and all sorts of rubbish, to pay him for the room and leave the hotel. “It’s the best minute; I couldn’t choose a better.” |
Crime_and_Punishment_-_Fyodor_Dostoyevsky | 16 | 490 | He walked for some time through a long narrow corridor without finding anyone and was just going to call out, when suddenly in a dark corner between an old cupboard and the door he caught sight of a strange object which seemed to be alive. He bent down with the candle and saw a little girl, not more than five years old, shivering and crying, with her clothes as wet as a soaking house-flannel. She did not seem afraid of Svidrigaïlov, but looked at him with blank amazement out of her big black eyes. Now and then she sobbed as children do when they have been crying a long time, but are beginning to be comforted. The child’s face was pale and tired, she was numb with cold. “How can she have come here? She must have hidden here and not slept all night.” He began questioning her. The child suddenly becoming animated, chattered away in her baby language, something about “mammy” and that “mammy would beat her,” and about some cup that she had “bwoken.” The child chattered on without stopping. He could only guess from what she said that she was a neglected child, whose mother, probably a drunken cook, in the service of the hotel, whipped and frightened her; that the child had broken a cup of her mother’s and was so frightened that she had run away the evening before, had hidden for a long while somewhere outside in the rain, at last had made her way in here, hidden behind the cupboard and spent the night there, crying and trembling from the damp, the darkness and the fear that she would be badly beaten for it. He took her in his arms, went back to his room, sat her on the bed, and began undressing her. The torn shoes which she had on her stockingless feet were as wet as if they had been standing in a puddle all night. When he had undressed her, he put her on the bed, covered her up and wrapped her in the blanket from her head downwards. She fell asleep at once. Then he sank into dreary musing again. |
Crime_and_Punishment_-_Fyodor_Dostoyevsky | 16 | 491 | “What folly to trouble myself,” he decided suddenly with an oppressive feeling of annoyance. “What idiocy!” In vexation he took up the candle to go and look for the ragged attendant again and make haste to go away. “Damn the child!” he thought as he opened the door, but he turned again to see whether the child was asleep. He raised the blanket carefully. The child was sleeping soundly, she had got warm under the blanket, and her pale cheeks were flushed. But strange to say that flush seemed brighter and coarser than the rosy cheeks of childhood. “It’s a flush of fever,” thought Svidrigaïlov. It was like the flush from drinking, as though she had been given a full glass to drink. Her crimson lips were hot and glowing; but what was this? He suddenly fancied that her long black eyelashes were quivering, as though the lids were opening and a sly crafty eye peeped out with an unchildlike wink, as though the little girl were not asleep, but pretending. Yes, it was so. Her lips parted in a smile. The corners of her mouth quivered, as though she were trying to control them. But now she quite gave up all effort, now it was a grin, a broad grin; there was something shameless, provocative in that quite unchildish face; it was depravity, it was the face of a harlot, the shameless face of a French harlot. Now both eyes opened wide; they turned a glowing, shameless glance upon him; they laughed, invited him.... There was something infinitely hideous and shocking in that laugh, in those eyes, in such nastiness in the face of a child. “What, at five years old?” Svidrigaïlov muttered in genuine horror. “What does it mean?” And now she turned to him, her little face all aglow, holding out her arms.... “Accursed child!” Svidrigaïlov cried, raising his hand to strike her, but at that moment he woke up.
He was in the same bed, still wrapped in the blanket. The candle had not been lighted, and daylight was streaming in at the windows. |
Crime_and_Punishment_-_Fyodor_Dostoyevsky | 16 | 492 | He was in the same bed, still wrapped in the blanket. The candle had not been lighted, and daylight was streaming in at the windows.
“I’ve had nightmare all night!” He got up angrily, feeling utterly shattered; his bones ached. There was a thick mist outside and he could see nothing. It was nearly five. He had overslept himself! He got up, put on his still damp jacket and overcoat. Feeling the revolver in his pocket, he took it out and then he sat down, took a notebook out of his pocket and in the most conspicuous place on the title page wrote a few lines in large letters. Reading them over, he sank into thought with his elbows on the table. The revolver and the notebook lay beside him. Some flies woke up and settled on the untouched veal, which was still on the table. He stared at them and at last with his free right hand began trying to catch one. He tried till he was tired, but could not catch it. At last, realising that he was engaged in this interesting pursuit, he started, got up and walked resolutely out of the room. A minute later he was in the street.
A thick milky mist hung over the town. Svidrigaïlov walked along the slippery dirty wooden pavement towards the Little Neva. He was picturing the waters of the Little Neva swollen in the night, Petrovsky Island, the wet paths, the wet grass, the wet trees and bushes and at last the bush.... He began ill-humouredly staring at the houses, trying to think of something else. There was not a cabman or a passer-by in the street. The bright yellow, wooden, little houses looked dirty and dejected with their closed shutters. The cold and damp penetrated his whole body and he began to shiver. From time to time he came across shop signs and read each carefully. At last he reached the end of the wooden pavement and came to a big stone house. A dirty, shivering dog crossed his path with its tail between its legs. A man in a greatcoat lay face downwards; dead drunk, across the pavement. He looked at him and went on. A high tower stood up on the left. “Bah!” he shouted, “here is a place. Why should it be Petrovsky? It will be in the presence of an official witness anyway....” |
Crime_and_Punishment_-_Fyodor_Dostoyevsky | 16 | 493 | He almost smiled at this new thought and turned into the street where there was the big house with the tower. At the great closed gates of the house, a little man stood with his shoulder leaning against them, wrapped in a grey soldier’s coat, with a copper Achilles helmet on his head. He cast a drowsy and indifferent glance at Svidrigaïlov. His face wore that perpetual look of peevish dejection, which is so sourly printed on all faces of Jewish race without exception. They both, Svidrigaïlov and Achilles, stared at each other for a few minutes without speaking. At last it struck Achilles as irregular for a man not drunk to be standing three steps from him, staring and not saying a word.
“What do you want here?” he said, without moving or changing his position.
“Nothing, brother, good morning,” answered Svidrigaïlov.
“This isn’t the place.”
“I am going to foreign parts, brother.”
“To foreign parts?”
“To America.”
“America.”
Svidrigaïlov took out the revolver and cocked it. Achilles raised his eyebrows.
“I say, this is not the place for such jokes!”
“Why shouldn’t it be the place?”
“Because it isn’t.”
“Well, brother, I don’t mind that. It’s a good place. When you are asked, you just say he was going, he said, to America.”
He put the revolver to his right temple.
“You can’t do it here, it’s not the place,” cried Achilles, rousing himself, his eyes growing bigger and bigger.
Svidrigaïlov pulled the trigger.
The same day, about seven o’clock in the evening, Raskolnikov was on his way to his mother’s and sister’s lodging—the lodging in Bakaleyev’s house which Razumihin had found for them. The stairs went up from the street. Raskolnikov walked with lagging steps, as though still hesitating whether to go or not. But nothing would have turned him back: his decision was taken.
“Besides, it doesn’t matter, they still know nothing,” he thought, “and they are used to thinking of me as eccentric.”
He was appallingly dressed: his clothes torn and dirty, soaked with a night’s rain. His face was almost distorted from fatigue, exposure, the inward conflict that had lasted for twenty-four hours. He had spent all the previous night alone, God knows where. But anyway he had reached a decision.
He knocked at the door which was opened by his mother. Dounia was not at home. Even the servant happened to be out. At first Pulcheria Alexandrovna was speechless with joy and surprise; then she took him by the hand and drew him into the room. |
Crime_and_Punishment_-_Fyodor_Dostoyevsky | 16 | 494 | He knocked at the door which was opened by his mother. Dounia was not at home. Even the servant happened to be out. At first Pulcheria Alexandrovna was speechless with joy and surprise; then she took him by the hand and drew him into the room.
“Here you are!” she began, faltering with joy. “Don’t be angry with me, Rodya, for welcoming you so foolishly with tears: I am laughing not crying. Did you think I was crying? No, I am delighted, but I’ve got into such a stupid habit of shedding tears. I’ve been like that ever since your father’s death. I cry for anything. Sit down, dear boy, you must be tired; I see you are. Ah, how muddy you are.”
“I was in the rain yesterday, mother....” Raskolnikov began.
“No, no,” Pulcheria Alexandrovna hurriedly interrupted, “you thought I was going to cross-question you in the womanish way I used to; don’t be anxious, I understand, I understand it all: now I’ve learned the ways here and truly I see for myself that they are better. I’ve made up my mind once for all: how could I understand your plans and expect you to give an account of them? God knows what concerns and plans you may have, or what ideas you are hatching; so it’s not for me to keep nudging your elbow, asking you what you are thinking about? But, my goodness! why am I running to and fro as though I were crazy...? I am reading your article in the magazine for the third time, Rodya. Dmitri Prokofitch brought it to me. Directly I saw it I cried out to myself: ‘There, foolish one,’ I thought, ‘that’s what he is busy about; that’s the solution of the mystery! Learned people are always like that. He may have some new ideas in his head just now; he is thinking them over and I worry him and upset him.’ I read it, my dear, and of course there was a great deal I did not understand; but that’s only natural—how should I?”
“Show me, mother.”
Raskolnikov took the magazine and glanced at his article. Incongruous as it was with his mood and his circumstances, he felt that strange and bitter sweet sensation that every author experiences the first time he sees himself in print; besides, he was only twenty-three. It lasted only a moment. After reading a few lines he frowned and his heart throbbed with anguish. He recalled all the inward conflict of the preceding months. He flung the article on the table with disgust and anger. |
Crime_and_Punishment_-_Fyodor_Dostoyevsky | 16 | 495 | “But, however foolish I may be, Rodya, I can see for myself that you will very soon be one of the leading—if not the leading man—in the world of Russian thought. And they dared to think you were mad! You don’t know, but they really thought that. Ah, the despicable creatures, how could they understand genius! And Dounia, Dounia was all but believing it—what do you say to that? Your father sent twice to magazines—the first time poems (I’ve got the manuscript and will show you) and the second time a whole novel (I begged him to let me copy it out) and how we prayed that they should be taken—they weren’t! I was breaking my heart, Rodya, six or seven days ago over your food and your clothes and the way you are living. But now I see again how foolish I was, for you can attain any position you like by your intellect and talent. No doubt you don’t care about that for the present and you are occupied with much more important matters....”
“Dounia’s not at home, mother?”
“No, Rodya. I often don’t see her; she leaves me alone. Dmitri Prokofitch comes to see me, it’s so good of him, and he always talks about you. He loves you and respects you, my dear. I don’t say that Dounia is very wanting in consideration. I am not complaining. She has her ways and I have mine; she seems to have got some secrets of late and I never have any secrets from you two. Of course, I am sure that Dounia has far too much sense, and besides she loves you and me... but I don’t know what it will all lead to. You’ve made me so happy by coming now, Rodya, but she has missed you by going out; when she comes in I’ll tell her: ‘Your brother came in while you were out. Where have you been all this time?’ You mustn’t spoil me, Rodya, you know; come when you can, but if you can’t, it doesn’t matter, I can wait. I shall know, anyway, that you are fond of me, that will be enough for me. I shall read what you write, I shall hear about you from everyone, and sometimes you’ll come yourself to see me. What could be better? Here you’ve come now to comfort your mother, I see that.”
Here Pulcheria Alexandrovna began to cry.
“Here I am again! Don’t mind my foolishness. My goodness, why am I sitting here?” she cried, jumping up. “There is coffee and I don’t offer you any. Ah, that’s the selfishness of old age. I’ll get it at once!” |
Crime_and_Punishment_-_Fyodor_Dostoyevsky | 16 | 496 | Here Pulcheria Alexandrovna began to cry.
“Here I am again! Don’t mind my foolishness. My goodness, why am I sitting here?” she cried, jumping up. “There is coffee and I don’t offer you any. Ah, that’s the selfishness of old age. I’ll get it at once!”
“Mother, don’t trouble, I am going at once. I haven’t come for that. Please listen to me.”
Pulcheria Alexandrovna went up to him timidly.
“Mother, whatever happens, whatever you hear about me, whatever you are told about me, will you always love me as you do now?” he asked suddenly from the fullness of his heart, as though not thinking of his words and not weighing them.
“Rodya, Rodya, what is the matter? How can you ask me such a question? Why, who will tell me anything about you? Besides, I shouldn’t believe anyone, I should refuse to listen.”
“I’ve come to assure you that I’ve always loved you and I am glad that we are alone, even glad Dounia is out,” he went on with the same impulse. “I have come to tell you that though you will be unhappy, you must believe that your son loves you now more than himself, and that all you thought about me, that I was cruel and didn’t care about you, was all a mistake. I shall never cease to love you.... Well, that’s enough: I thought I must do this and begin with this....”
Pulcheria Alexandrovna embraced him in silence, pressing him to her bosom and weeping gently.
“I don’t know what is wrong with you, Rodya,” she said at last. “I’ve been thinking all this time that we were simply boring you and now I see that there is a great sorrow in store for you, and that’s why you are miserable. I’ve foreseen it a long time, Rodya. Forgive me for speaking about it. I keep thinking about it and lie awake at nights. Your sister lay talking in her sleep all last night, talking of nothing but you. I caught something, but I couldn’t make it out. I felt all the morning as though I were going to be hanged, waiting for something, expecting something, and now it has come! Rodya, Rodya, where are you going? You are going away somewhere?”
“Yes.”
“That’s what I thought! I can come with you, you know, if you need me. And Dounia, too; she loves you, she loves you dearly—and Sofya Semyonovna may come with us if you like. You see, I am glad to look upon her as a daughter even... Dmitri Prokofitch will help us to go together. But... where... are you going?”
“Good-bye, mother.” |
Crime_and_Punishment_-_Fyodor_Dostoyevsky | 16 | 497 | “Good-bye, mother.”
“What, to-day?” she cried, as though losing him for ever.
“I can’t stay, I must go now....”
“And can’t I come with you?”
“No, but kneel down and pray to God for me. Your prayer perhaps will reach Him.”
“Let me bless you and sign you with the cross. That’s right, that’s right. Oh, God, what are we doing?”
Yes, he was glad, he was very glad that there was no one there, that he was alone with his mother. For the first time after all those awful months his heart was softened. He fell down before her, he kissed her feet and both wept, embracing. And she was not surprised and did not question him this time. For some days she had realised that something awful was happening to her son and that now some terrible minute had come for him.
“Rodya, my darling, my first born,” she said sobbing, “now you are just as when you were little. You would run like this to me and hug me and kiss me. When your father was living and we were poor, you comforted us simply by being with us and when I buried your father, how often we wept together at his grave and embraced, as now. And if I’ve been crying lately, it’s that my mother’s heart had a foreboding of trouble. The first time I saw you, that evening, you remember, as soon as we arrived here, I guessed simply from your eyes. My heart sank at once, and to-day when I opened the door and looked at you, I thought the fatal hour had come. Rodya, Rodya, you are not going away to-day?”
“No!”
“You’ll come again?”
“Yes... I’ll come.”
“Rodya, don’t be angry, I don’t dare to question you. I know I mustn’t. Only say two words to me—is it far where you are going?”
“Very far.”
“What is awaiting you there? Some post or career for you?”
“What God sends... only pray for me.” Raskolnikov went to the door, but she clutched him and gazed despairingly into his eyes. Her face worked with terror.
“Enough, mother,” said Raskolnikov, deeply regretting that he had come.
“Not for ever, it’s not yet for ever? You’ll come, you’ll come to-morrow?”
“I will, I will, good-bye.” He tore himself away at last. |
Crime_and_Punishment_-_Fyodor_Dostoyevsky | 16 | 498 | “Enough, mother,” said Raskolnikov, deeply regretting that he had come.
“Not for ever, it’s not yet for ever? You’ll come, you’ll come to-morrow?”
“I will, I will, good-bye.” He tore himself away at last.
It was a warm, fresh, bright evening; it had cleared up in the morning. Raskolnikov went to his lodgings; he made haste. He wanted to finish all before sunset. He did not want to meet anyone till then. Going up the stairs he noticed that Nastasya rushed from the samovar to watch him intently. “Can anyone have come to see me?” he wondered. He had a disgusted vision of Porfiry. But opening his door he saw Dounia. She was sitting alone, plunged in deep thought, and looked as though she had been waiting a long time. He stopped short in the doorway. She rose from the sofa in dismay and stood up facing him. Her eyes, fixed upon him, betrayed horror and infinite grief. And from those eyes alone he saw at once that she knew.
“Am I to come in or go away?” he asked uncertainly.
“I’ve been all day with Sofya Semyonovna. We were both waiting for you. We thought that you would be sure to come there.”
Raskolnikov went into the room and sank exhausted on a chair.
“I feel weak, Dounia, I am very tired; and I should have liked at this moment to be able to control myself.”
He glanced at her mistrustfully.
“Where were you all night?”
“I don’t remember clearly. You see, sister, I wanted to make up my mind once for all, and several times I walked by the Neva, I remember that I wanted to end it all there, but... I couldn’t make up my mind,” he whispered, looking at her mistrustfully again.
“Thank God! That was just what we were afraid of, Sofya Semyonovna and I. Then you still have faith in life? Thank God, thank God!”
Raskolnikov smiled bitterly.
“I haven’t faith, but I have just been weeping in mother’s arms; I haven’t faith, but I have just asked her to pray for me. I don’t know how it is, Dounia, I don’t understand it.”
“Have you been at mother’s? Have you told her?” cried Dounia, horror-stricken. “Surely you haven’t done that?”
“No, I didn’t tell her... in words; but she understood a great deal. She heard you talking in your sleep. I am sure she half understands it already. Perhaps I did wrong in going to see her. I don’t know why I did go. I am a contemptible person, Dounia.”
“A contemptible person, but ready to face suffering! You are, aren’t you?” |
Crime_and_Punishment_-_Fyodor_Dostoyevsky | 16 | 499 | “A contemptible person, but ready to face suffering! You are, aren’t you?”
“Yes, I am going. At once. Yes, to escape the disgrace I thought of drowning myself, Dounia, but as I looked into the water, I thought that if I had considered myself strong till now I’d better not be afraid of disgrace,” he said, hurrying on. “It’s pride, Dounia.”
“Pride, Rodya.”
There was a gleam of fire in his lustreless eyes; he seemed to be glad to think that he was still proud.
“You don’t think, sister, that I was simply afraid of the water?” he asked, looking into her face with a sinister smile.
“Oh, Rodya, hush!” cried Dounia bitterly. Silence lasted for two minutes. He sat with his eyes fixed on the floor; Dounia stood at the other end of the table and looked at him with anguish. Suddenly he got up.
“It’s late, it’s time to go! I am going at once to give myself up. But I don’t know why I am going to give myself up.”
Big tears fell down her cheeks.
“You are crying, sister, but can you hold out your hand to me?”
“You doubted it?”
She threw her arms round him.
“Aren’t you half expiating your crime by facing the suffering?” she cried, holding him close and kissing him.
“Crime? What crime?” he cried in sudden fury. “That I killed a vile noxious insect, an old pawnbroker woman, of use to no one!... Killing her was atonement for forty sins. She was sucking the life out of poor people. Was that a crime? I am not thinking of it and I am not thinking of expiating it, and why are you all rubbing it in on all sides? ‘A crime! a crime!’ Only now I see clearly the imbecility of my cowardice, now that I have decided to face this superfluous disgrace. It’s simply because I am contemptible and have nothing in me that I have decided to, perhaps too for my advantage, as that... Porfiry... suggested!”
“Brother, brother, what are you saying? Why, you have shed blood?” cried Dounia in despair. |
Crime_and_Punishment_-_Fyodor_Dostoyevsky | 16 | 500 | “Brother, brother, what are you saying? Why, you have shed blood?” cried Dounia in despair.
“Which all men shed,” he put in almost frantically, “which flows and has always flowed in streams, which is spilt like champagne, and for which men are crowned in the Capitol and are called afterwards benefactors of mankind. Look into it more carefully and understand it! I too wanted to do good to men and would have done hundreds, thousands of good deeds to make up for that one piece of stupidity, not stupidity even, simply clumsiness, for the idea was by no means so stupid as it seems now that it has failed.... (Everything seems stupid when it fails.) By that stupidity I only wanted to put myself into an independent position, to take the first step, to obtain means, and then everything would have been smoothed over by benefits immeasurable in comparison.... But I... I couldn’t carry out even the first step, because I am contemptible, that’s what’s the matter! And yet I won’t look at it as you do. If I had succeeded I should have been crowned with glory, but now I’m trapped.”
“But that’s not so, not so! Brother, what are you saying?”
“Ah, it’s not picturesque, not æsthetically attractive! I fail to understand why bombarding people by regular siege is more honourable. The fear of appearances is the first symptom of impotence. I’ve never, never recognised this more clearly than now, and I am further than ever from seeing that what I did was a crime. I’ve never, never been stronger and more convinced than now.”
The colour had rushed into his pale exhausted face, but as he uttered his last explanation, he happened to meet Dounia’s eyes and he saw such anguish in them that he could not help being checked. He felt that he had, anyway, made these two poor women miserable, that he was, anyway, the cause... |
Crime_and_Punishment_-_Fyodor_Dostoyevsky | 16 | 501 | “Dounia darling, if I am guilty forgive me (though I cannot be forgiven if I am guilty). Good-bye! We won’t dispute. It’s time, high time to go. Don’t follow me, I beseech you, I have somewhere else to go.... But you go at once and sit with mother. I entreat you to! It’s my last request of you. Don’t leave her at all; I left her in a state of anxiety, that she is not fit to bear; she will die or go out of her mind. Be with her! Razumihin will be with you. I’ve been talking to him.... Don’t cry about me: I’ll try to be honest and manly all my life, even if I am a murderer. Perhaps I shall some day make a name. I won’t disgrace you, you will see; I’ll still show.... Now good-bye for the present,” he concluded hurriedly, noticing again a strange expression in Dounia’s eyes at his last words and promises. “Why are you crying? Don’t cry, don’t cry: we are not parting for ever! Ah, yes! Wait a minute, I’d forgotten!”
He went to the table, took up a thick dusty book, opened it and took from between the pages a little water-colour portrait on ivory. It was the portrait of his landlady’s daughter, who had died of fever, that strange girl who had wanted to be a nun. For a minute he gazed at the delicate expressive face of his betrothed, kissed the portrait and gave it to Dounia.
“I used to talk a great deal about it to her, only to her,” he said thoughtfully. “To her heart I confided much of what has since been so hideously realised. Don’t be uneasy,” he returned to Dounia, “she was as much opposed to it as you, and I am glad that she is gone. The great point is that everything now is going to be different, is going to be broken in two,” he cried, suddenly returning to his dejection. “Everything, everything, and am I prepared for it? Do I want it myself? They say it is necessary for me to suffer! What’s the object of these senseless sufferings? shall I know any better what they are for, when I am crushed by hardships and idiocy, and weak as an old man after twenty years’ penal servitude? And what shall I have to live for then? Why am I consenting to that life now? Oh, I knew I was contemptible when I stood looking at the Neva at daybreak to-day!” |
Crime_and_Punishment_-_Fyodor_Dostoyevsky | 16 | 502 | At last they both went out. It was hard for Dounia, but she loved him. She walked away, but after going fifty paces she turned round to look at him again. He was still in sight. At the corner he too turned and for the last time their eyes met; but noticing that she was looking at him, he motioned her away with impatience and even vexation, and turned the corner abruptly.
“I am wicked, I see that,” he thought to himself, feeling ashamed a moment later of his angry gesture to Dounia. “But why are they so fond of me if I don’t deserve it? Oh, if only I were alone and no one loved me and I too had never loved anyone! Nothing of all this would have happened. But I wonder shall I in those fifteen or twenty years grow so meek that I shall humble myself before people and whimper at every word that I am a criminal? Yes, that’s it, that’s it, that’s what they are sending me there for, that’s what they want. Look at them running to and fro about the streets, every one of them a scoundrel and a criminal at heart and, worse still, an idiot. But try to get me off and they’d be wild with righteous indignation. Oh, how I hate them all!”
He fell to musing by what process it could come to pass, that he could be humbled before all of them, indiscriminately—humbled by conviction. And yet why not? It must be so. Would not twenty years of continual bondage crush him utterly? Water wears out a stone. And why, why should he live after that? Why should he go now when he knew that it would be so? It was the hundredth time perhaps that he had asked himself that question since the previous evening, but still he went. |
Crime_and_Punishment_-_Fyodor_Dostoyevsky | 16 | 503 | When he went into Sonia’s room, it was already getting dark. All day Sonia had been waiting for him in terrible anxiety. Dounia had been waiting with her. She had come to her that morning, remembering Svidrigaïlov’s words that Sonia knew. We will not describe the conversation and tears of the two girls, and how friendly they became. Dounia gained one comfort at least from that interview, that her brother would not be alone. He had gone to her, Sonia, first with his confession; he had gone to her for human fellowship when he needed it; she would go with him wherever fate might send him. Dounia did not ask, but she knew it was so. She looked at Sonia almost with reverence and at first almost embarrassed her by it. Sonia was almost on the point of tears. She felt herself, on the contrary, hardly worthy to look at Dounia. Dounia’s gracious image when she had bowed to her so attentively and respectfully at their first meeting in Raskolnikov’s room had remained in her mind as one of the fairest visions of her life.
Dounia at last became impatient and, leaving Sonia, went to her brother’s room to await him there; she kept thinking that he would come there first. When she had gone, Sonia began to be tortured by the dread of his committing suicide, and Dounia too feared it. But they had spent the day trying to persuade each other that that could not be, and both were less anxious while they were together. As soon as they parted, each thought of nothing else. Sonia remembered how Svidrigaïlov had said to her the day before that Raskolnikov had two alternatives—Siberia or... Besides she knew his vanity, his pride and his lack of faith.
“Is it possible that he has nothing but cowardice and fear of death to make him live?” she thought at last in despair.
Meanwhile the sun was setting. Sonia was standing in dejection, looking intently out of the window, but from it she could see nothing but the unwhitewashed blank wall of the next house. At last when she began to feel sure of his death—he walked into the room.
She gave a cry of joy, but looking carefully into his face she turned pale.
“Yes,” said Raskolnikov, smiling. “I have come for your cross, Sonia. It was you told me to go to the cross-roads; why is it you are frightened now it’s come to that?” |
Crime_and_Punishment_-_Fyodor_Dostoyevsky | 16 | 504 | She gave a cry of joy, but looking carefully into his face she turned pale.
“Yes,” said Raskolnikov, smiling. “I have come for your cross, Sonia. It was you told me to go to the cross-roads; why is it you are frightened now it’s come to that?”
Sonia gazed at him astonished. His tone seemed strange to her; a cold shiver ran over her, but in a moment she guessed that the tone and the words were a mask. He spoke to her looking away, as though to avoid meeting her eyes.
“You see, Sonia, I’ve decided that it will be better so. There is one fact.... But it’s a long story and there’s no need to discuss it. But do you know what angers me? It annoys me that all those stupid brutish faces will be gaping at me directly, pestering me with their stupid questions, which I shall have to answer—they’ll point their fingers at me.... Tfoo! You know I am not going to Porfiry, I am sick of him. I’d rather go to my friend, the Explosive Lieutenant; how I shall surprise him, what a sensation I shall make! But I must be cooler; I’ve become too irritable of late. You know I was nearly shaking my fist at my sister just now, because she turned to take a last look at me. It’s a brutal state to be in! Ah! what am I coming to! Well, where are the crosses?”
He seemed hardly to know what he was doing. He could not stay still or concentrate his attention on anything; his ideas seemed to gallop after one another, he talked incoherently, his hands trembled slightly.
Without a word Sonia took out of the drawer two crosses, one of cypress wood and one of copper. She made the sign of the cross over herself and over him, and put the wooden cross on his neck. |
Crime_and_Punishment_-_Fyodor_Dostoyevsky | 16 | 505 | Without a word Sonia took out of the drawer two crosses, one of cypress wood and one of copper. She made the sign of the cross over herself and over him, and put the wooden cross on his neck.
“It’s the symbol of my taking up the cross,” he laughed. “As though I had not suffered much till now! The wooden cross, that is the peasant one; the copper one, that is Lizaveta’s—you will wear yourself, show me! So she had it on... at that moment? I remember two things like these too, a silver one and a little ikon. I threw them back on the old woman’s neck. Those would be appropriate now, really, those are what I ought to put on now.... But I am talking nonsense and forgetting what matters; I’m somehow forgetful.... You see I have come to warn you, Sonia, so that you might know... that’s all—that’s all I came for. But I thought I had more to say. You wanted me to go yourself. Well, now I am going to prison and you’ll have your wish. Well, what are you crying for? You too? Don’t. Leave off! Oh, how I hate it all!”
But his feeling was stirred; his heart ached, as he looked at her. “Why is she grieving too?” he thought to himself. “What am I to her? Why does she weep? Why is she looking after me, like my mother or Dounia? She’ll be my nurse.”
“Cross yourself, say at least one prayer,” Sonia begged in a timid broken voice.
“Oh certainly, as much as you like! And sincerely, Sonia, sincerely....”
But he wanted to say something quite different.
He crossed himself several times. Sonia took up her shawl and put it over her head. It was the green drap de dames shawl of which Marmeladov had spoken, “the family shawl.” Raskolnikov thought of that looking at it, but he did not ask. He began to feel himself that he was certainly forgetting things and was disgustingly agitated. He was frightened at this. He was suddenly struck too by the thought that Sonia meant to go with him.
“What are you doing? Where are you going? Stay here, stay! I’ll go alone,” he cried in cowardly vexation, and almost resentful, he moved towards the door. “What’s the use of going in procession?” he muttered going out.
Sonia remained standing in the middle of the room. He had not even said good-bye to her; he had forgotten her. A poignant and rebellious doubt surged in his heart. |
Crime_and_Punishment_-_Fyodor_Dostoyevsky | 16 | 506 | Sonia remained standing in the middle of the room. He had not even said good-bye to her; he had forgotten her. A poignant and rebellious doubt surged in his heart.
“Was it right, was it right, all this?” he thought again as he went down the stairs. “Couldn’t he stop and retract it all... and not go?”
But still he went. He felt suddenly once for all that he mustn’t ask himself questions. As he turned into the street he remembered that he had not said good-bye to Sonia, that he had left her in the middle of the room in her green shawl, not daring to stir after he had shouted at her, and he stopped short for a moment. At the same instant, another thought dawned upon him, as though it had been lying in wait to strike him then.
“Why, with what object did I go to her just now? I told her—on business; on what business? I had no sort of business! To tell her I was going; but where was the need? Do I love her? No, no, I drove her away just now like a dog. Did I want her crosses? Oh, how low I’ve sunk! No, I wanted her tears, I wanted to see her terror, to see how her heart ached! I had to have something to cling to, something to delay me, some friendly face to see! And I dared to believe in myself, to dream of what I would do! I am a beggarly contemptible wretch, contemptible!”
He walked along the canal bank, and he had not much further to go. But on reaching the bridge he stopped and turning out of his way along it went to the Hay Market. |
Crime_and_Punishment_-_Fyodor_Dostoyevsky | 16 | 507 | He walked along the canal bank, and he had not much further to go. But on reaching the bridge he stopped and turning out of his way along it went to the Hay Market.
He looked eagerly to right and left, gazed intently at every object and could not fix his attention on anything; everything slipped away. “In another week, another month I shall be driven in a prison van over this bridge, how shall I look at the canal then? I should like to remember this!” slipped into his mind. “Look at this sign! How shall I read those letters then? It’s written here ‘Campany,’ that’s a thing to remember, that letter a, and to look at it again in a month—how shall I look at it then? What shall I be feeling and thinking then?... How trivial it all must be, what I am fretting about now! Of course it must all be interesting... in its way... (Ha-ha-ha! What am I thinking about?) I am becoming a baby, I am showing off to myself; why am I ashamed? Foo! how people shove! that fat man—a German he must be—who pushed against me, does he know whom he pushed? There’s a peasant woman with a baby, begging. It’s curious that she thinks me happier than she is. I might give her something, for the incongruity of it. Here’s a five copeck piece left in my pocket, where did I get it? Here, here... take it, my good woman!”
“God bless you,” the beggar chanted in a lachrymose voice.
He went into the Hay Market. It was distasteful, very distasteful to be in a crowd, but he walked just where he saw most people. He would have given anything in the world to be alone; but he knew himself that he would not have remained alone for a moment. There was a man drunk and disorderly in the crowd; he kept trying to dance and falling down. There was a ring round him. Raskolnikov squeezed his way through the crowd, stared for some minutes at the drunken man and suddenly gave a short jerky laugh. A minute later he had forgotten him and did not see him, though he still stared. He moved away at last, not remembering where he was; but when he got into the middle of the square an emotion suddenly came over him, overwhelming him body and mind. |
Crime_and_Punishment_-_Fyodor_Dostoyevsky | 16 | 508 | He suddenly recalled Sonia’s words, “Go to the cross-roads, bow down to the people, kiss the earth, for you have sinned against it too, and say aloud to the whole world, ‘I am a murderer.’” He trembled, remembering that. And the hopeless misery and anxiety of all that time, especially of the last hours, had weighed so heavily upon him that he positively clutched at the chance of this new unmixed, complete sensation. It came over him like a fit; it was like a single spark kindled in his soul and spreading fire through him. Everything in him softened at once and the tears started into his eyes. He fell to the earth on the spot....
He knelt down in the middle of the square, bowed down to the earth, and kissed that filthy earth with bliss and rapture. He got up and bowed down a second time.
“He’s boozed,” a youth near him observed.
There was a roar of laughter.
“He’s going to Jerusalem, brothers, and saying good-bye to his children and his country. He’s bowing down to all the world and kissing the great city of St. Petersburg and its pavement,” added a workman who was a little drunk.
“Quite a young man, too!” observed a third.
“And a gentleman,” someone observed soberly.
“There’s no knowing who’s a gentleman and who isn’t nowadays.”
These exclamations and remarks checked Raskolnikov, and the words, “I am a murderer,” which were perhaps on the point of dropping from his lips, died away. He bore these remarks quietly, however, and, without looking round, he turned down a street leading to the police office. He had a glimpse of something on the way which did not surprise him; he had felt that it must be so. The second time he bowed down in the Hay Market he saw, standing fifty paces from him on the left, Sonia. She was hiding from him behind one of the wooden shanties in the market-place. She had followed him then on his painful way! Raskolnikov at that moment felt and knew once for all that Sonia was with him for ever and would follow him to the ends of the earth, wherever fate might take him. It wrung his heart... but he was just reaching the fatal place.
He went into the yard fairly resolutely. He had to mount to the third storey. “I shall be some time going up,” he thought. He felt as though the fateful moment was still far off, as though he had plenty of time left for consideration. |
Crime_and_Punishment_-_Fyodor_Dostoyevsky | 16 | 509 | He went into the yard fairly resolutely. He had to mount to the third storey. “I shall be some time going up,” he thought. He felt as though the fateful moment was still far off, as though he had plenty of time left for consideration.
Again the same rubbish, the same eggshells lying about on the spiral stairs, again the open doors of the flats, again the same kitchens and the same fumes and stench coming from them. Raskolnikov had not been here since that day. His legs were numb and gave way under him, but still they moved forward. He stopped for a moment to take breath, to collect himself, so as to enter like a man. “But why? what for?” he wondered, reflecting. “If I must drink the cup what difference does it make? The more revolting the better.” He imagined for an instant the figure of the “explosive lieutenant,” Ilya Petrovitch. Was he actually going to him? Couldn’t he go to someone else? To Nikodim Fomitch? Couldn’t he turn back and go straight to Nikodim Fomitch’s lodgings? At least then it would be done privately.... No, no! To the “explosive lieutenant”! If he must drink it, drink it off at once.
Turning cold and hardly conscious, he opened the door of the office. There were very few people in it this time—only a house porter and a peasant. The doorkeeper did not even peep out from behind his screen. Raskolnikov walked into the next room. “Perhaps I still need not speak,” passed through his mind. Some sort of clerk not wearing a uniform was settling himself at a bureau to write. In a corner another clerk was seating himself. Zametov was not there, nor, of course, Nikodim Fomitch.
“No one in?” Raskolnikov asked, addressing the person at the bureau.
“Whom do you want?”
“A-ah! Not a sound was heard, not a sight was seen, but I scent the Russian... how does it go on in the fairy tale... I’ve forgotten! ‘At your service!’” a familiar voice cried suddenly.
Raskolnikov shuddered. The Explosive Lieutenant stood before him. He had just come in from the third room. “It is the hand of fate,” thought Raskolnikov. “Why is he here?”
“You’ve come to see us? What about?” cried Ilya Petrovitch. He was obviously in an exceedingly good humour and perhaps a trifle exhilarated. “If it’s on business you are rather early. It’s only a chance that I am here... however I’ll do what I can. I must admit, I... what is it, what is it? Excuse me....”
“Raskolnikov.”
“Of course, Raskolnikov. You didn’t imagine I’d forgotten? Don’t think I am like that... Rodion Ro—Ro—Rodionovitch, that’s it, isn’t it?”
“Rodion Romanovitch.” |
Crime_and_Punishment_-_Fyodor_Dostoyevsky | 16 | 510 | “Raskolnikov.”
“Of course, Raskolnikov. You didn’t imagine I’d forgotten? Don’t think I am like that... Rodion Ro—Ro—Rodionovitch, that’s it, isn’t it?”
“Rodion Romanovitch.”
“Yes, yes, of course, Rodion Romanovitch! I was just getting at it. I made many inquiries about you. I assure you I’ve been genuinely grieved since that... since I behaved like that... it was explained to me afterwards that you were a literary man... and a learned one too... and so to say the first steps... Mercy on us! What literary or scientific man does not begin by some originality of conduct! My wife and I have the greatest respect for literature, in my wife it’s a genuine passion! Literature and art! If only a man is a gentleman, all the rest can be gained by talents, learning, good sense, genius. As for a hat—well, what does a hat matter? I can buy a hat as easily as I can a bun; but what’s under the hat, what the hat covers, I can’t buy that! I was even meaning to come and apologise to you, but thought maybe you’d... But I am forgetting to ask you, is there anything you want really? I hear your family have come?”
“Yes, my mother and sister.”
“I’ve even had the honour and happiness of meeting your sister—a highly cultivated and charming person. I confess I was sorry I got so hot with you. There it is! But as for my looking suspiciously at your fainting fit—that affair has been cleared up splendidly! Bigotry and fanaticism! I understand your indignation. Perhaps you are changing your lodging on account of your family’s arriving?”
“No, I only looked in... I came to ask... I thought that I should find Zametov here.”
“Oh, yes! Of course, you’ve made friends, I heard. Well, no, Zametov is not here. Yes, we’ve lost Zametov. He’s not been here since yesterday... he quarrelled with everyone on leaving... in the rudest way. He is a feather-headed youngster, that’s all; one might have expected something from him, but there, you know what they are, our brilliant young men. He wanted to go in for some examination, but it’s only to talk and boast about it, it will go no further than that. Of course it’s a very different matter with you or Mr. Razumihin there, your friend. Your career is an intellectual one and you won’t be deterred by failure. For you, one may say, all the attractions of life nihil est—you are an ascetic, a monk, a hermit!... A book, a pen behind your ear, a learned research—that’s where your spirit soars! I am the same way myself.... Have you read Livingstone’s Travels?”
“No.” |
Crime_and_Punishment_-_Fyodor_Dostoyevsky | 16 | 511 | “No.”
“Oh, I have. There are a great many Nihilists about nowadays, you know, and indeed it is not to be wondered at. What sort of days are they? I ask you. But we thought... you are not a Nihilist of course? Answer me openly, openly!”
“N-no...”
“Believe me, you can speak openly to me as you would to yourself! Official duty is one thing but... you are thinking I meant to say friendship is quite another? No, you’re wrong! It’s not friendship, but the feeling of a man and a citizen, the feeling of humanity and of love for the Almighty. I may be an official, but I am always bound to feel myself a man and a citizen.... You were asking about Zametov. Zametov will make a scandal in the French style in a house of bad reputation, over a glass of champagne... that’s all your Zametov is good for! While I’m perhaps, so to speak, burning with devotion and lofty feelings, and besides I have rank, consequence, a post! I am married and have children, I fulfil the duties of a man and a citizen, but who is he, may I ask? I appeal to you as a man ennobled by education... Then these midwives, too, have become extraordinarily numerous.”
Raskolnikov raised his eyebrows inquiringly. The words of Ilya Petrovitch, who had obviously been dining, were for the most part a stream of empty sounds for him. But some of them he understood. He looked at him inquiringly, not knowing how it would end.
“I mean those crop-headed wenches,” the talkative Ilya Petrovitch continued. “Midwives is my name for them. I think it a very satisfactory one, ha-ha! They go to the Academy, study anatomy. If I fall ill, am I to send for a young lady to treat me? What do you say? Ha-ha!” Ilya Petrovitch laughed, quite pleased with his own wit. “It’s an immoderate zeal for education, but once you’re educated, that’s enough. Why abuse it? Why insult honourable people, as that scoundrel Zametov does? Why did he insult me, I ask you? Look at these suicides, too, how common they are, you can’t fancy! People spend their last halfpenny and kill themselves, boys and girls and old people. Only this morning we heard about a gentleman who had just come to town. Nil Pavlitch, I say, what was the name of that gentleman who shot himself?”
“Svidrigaïlov,” someone answered from the other room with drowsy listlessness.
Raskolnikov started.
“Svidrigaïlov! Svidrigaïlov has shot himself!” he cried.
“What, do you know Svidrigaïlov?”
“Yes... I knew him.... He hadn’t been here long.” |
Crime_and_Punishment_-_Fyodor_Dostoyevsky | 16 | 512 | “Svidrigaïlov,” someone answered from the other room with drowsy listlessness.
Raskolnikov started.
“Svidrigaïlov! Svidrigaïlov has shot himself!” he cried.
“What, do you know Svidrigaïlov?”
“Yes... I knew him.... He hadn’t been here long.”
“Yes, that’s so. He had lost his wife, was a man of reckless habits and all of a sudden shot himself, and in such a shocking way.... He left in his notebook a few words: that he dies in full possession of his faculties and that no one is to blame for his death. He had money, they say. How did you come to know him?”
“I... was acquainted... my sister was governess in his family.”
“Bah-bah-bah! Then no doubt you can tell us something about him. You had no suspicion?”
“I saw him yesterday... he... was drinking wine; I knew nothing.”
Raskolnikov felt as though something had fallen on him and was stifling him.
“You’ve turned pale again. It’s so stuffy here...”
“Yes, I must go,” muttered Raskolnikov. “Excuse my troubling you....”
“Oh, not at all, as often as you like. It’s a pleasure to see you and I am glad to say so.”
Ilya Petrovitch held out his hand.
“I only wanted... I came to see Zametov.”
“I understand, I understand, and it’s a pleasure to see you.”
“I... am very glad... good-bye,” Raskolnikov smiled.
He went out; he reeled, he was overtaken with giddiness and did not know what he was doing. He began going down the stairs, supporting himself with his right hand against the wall. He fancied that a porter pushed past him on his way upstairs to the police office, that a dog in the lower storey kept up a shrill barking and that a woman flung a rolling-pin at it and shouted. He went down and out into the yard. There, not far from the entrance, stood Sonia, pale and horror-stricken. She looked wildly at him. He stood still before her. There was a look of poignant agony, of despair, in her face. She clasped her hands. His lips worked in an ugly, meaningless smile. He stood still a minute, grinned and went back to the police office.
Ilya Petrovitch had sat down and was rummaging among some papers. Before him stood the same peasant who had pushed by on the stairs.
“Hulloa! Back again! have you left something behind? What’s the matter?”
Raskolnikov, with white lips and staring eyes, came slowly nearer. He walked right to the table, leaned his hand on it, tried to say something, but could not; only incoherent sounds were audible.
“You are feeling ill, a chair! Here, sit down! Some water!” |
Crime_and_Punishment_-_Fyodor_Dostoyevsky | 16 | 513 | Raskolnikov, with white lips and staring eyes, came slowly nearer. He walked right to the table, leaned his hand on it, tried to say something, but could not; only incoherent sounds were audible.
“You are feeling ill, a chair! Here, sit down! Some water!”
Raskolnikov dropped on to a chair, but he kept his eyes fixed on the face of Ilya Petrovitch, which expressed unpleasant surprise. Both looked at one another for a minute and waited. Water was brought.
“It was I...” began Raskolnikov.
“Drink some water.”
Raskolnikov refused the water with his hand, and softly and brokenly, but distinctly said:
“It was I killed the old pawnbroker woman and her sister Lizaveta with an axe and robbed them.”
Ilya Petrovitch opened his mouth. People ran up on all sides.
Raskolnikov repeated his statement.
Siberia. On the banks of a broad solitary river stands a town, one of the administrative centres of Russia; in the town there is a fortress, in the fortress there is a prison. In the prison the second-class convict Rodion Raskolnikov has been confined for nine months. Almost a year and a half has passed since his crime. |
Crime_and_Punishment_-_Fyodor_Dostoyevsky | 16 | 514 | There had been little difficulty about his trial. The criminal adhered exactly, firmly, and clearly to his statement. He did not confuse nor misrepresent the facts, nor soften them in his own interest, nor omit the smallest detail. He explained every incident of the murder, the secret of the pledge (the piece of wood with a strip of metal) which was found in the murdered woman’s hand. He described minutely how he had taken her keys, what they were like, as well as the chest and its contents; he explained the mystery of Lizaveta’s murder; described how Koch and, after him, the student knocked, and repeated all they had said to one another; how he afterwards had run downstairs and heard Nikolay and Dmitri shouting; how he had hidden in the empty flat and afterwards gone home. He ended by indicating the stone in the yard off the Voznesensky Prospect under which the purse and the trinkets were found. The whole thing, in fact, was perfectly clear. The lawyers and the judges were very much struck, among other things, by the fact that he had hidden the trinkets and the purse under a stone, without making use of them, and that, what was more, he did not now remember what the trinkets were like, or even how many there were. The fact that he had never opened the purse and did not even know how much was in it seemed incredible. There turned out to be in the purse three hundred and seventeen roubles and sixty copecks. From being so long under the stone, some of the most valuable notes lying uppermost had suffered from the damp. They were a long while trying to discover why the accused man should tell a lie about this, when about everything else he had made a truthful and straightforward confession. Finally some of the lawyers more versed in psychology admitted that it was possible he had really not looked into the purse, and so didn’t know what was in it when he hid it under the stone. But they immediately drew the deduction that the crime could only have been committed through temporary mental derangement, through homicidal mania, without object or the pursuit of gain. This fell in with the most recent fashionable theory of temporary insanity, so often applied in our days in criminal cases. Moreover Raskolnikov’s hypochondriacal condition was proved by many witnesses, by Dr. Zossimov, his former fellow students, his landlady and her servant. All this pointed strongly to the conclusion that Raskolnikov was not quite like an ordinary murderer and robber, but that there was another element in the case. |
Crime_and_Punishment_-_Fyodor_Dostoyevsky | 16 | 515 | To the intense annoyance of those who maintained this opinion, the criminal scarcely attempted to defend himself. To the decisive question as to what motive impelled him to the murder and the robbery, he answered very clearly with the coarsest frankness that the cause was his miserable position, his poverty and helplessness, and his desire to provide for his first steps in life by the help of the three thousand roubles he had reckoned on finding. He had been led to the murder through his shallow and cowardly nature, exasperated moreover by privation and failure. To the question what led him to confess, he answered that it was his heartfelt repentance. All this was almost coarse....
The sentence however was more merciful than could have been expected, perhaps partly because the criminal had not tried to justify himself, but had rather shown a desire to exaggerate his guilt. All the strange and peculiar circumstances of the crime were taken into consideration. There could be no doubt of the abnormal and poverty-stricken condition of the criminal at the time. The fact that he had made no use of what he had stolen was put down partly to the effect of remorse, partly to his abnormal mental condition at the time of the crime. Incidentally the murder of Lizaveta served indeed to confirm the last hypothesis: a man commits two murders and forgets that the door is open! Finally, the confession, at the very moment when the case was hopelessly muddled by the false evidence given by Nikolay through melancholy and fanaticism, and when, moreover, there were no proofs against the real criminal, no suspicions even (Porfiry Petrovitch fully kept his word)—all this did much to soften the sentence. Other circumstances, too, in the prisoner’s favour came out quite unexpectedly. Razumihin somehow discovered and proved that while Raskolnikov was at the university he had helped a poor consumptive fellow student and had spent his last penny on supporting him for six months, and when this student died, leaving a decrepit old father whom he had maintained almost from his thirteenth year, Raskolnikov had got the old man into a hospital and paid for his funeral when he died. Raskolnikov’s landlady bore witness, too, that when they had lived in another house at Five Corners, Raskolnikov had rescued two little children from a house on fire and was burnt in doing so. This was investigated and fairly well confirmed by many witnesses. These facts made an impression in his favour.
And in the end the criminal was, in consideration of extenuating circumstances, condemned to penal servitude in the second class for a term of eight years only. |
Crime_and_Punishment_-_Fyodor_Dostoyevsky | 16 | 516 | And in the end the criminal was, in consideration of extenuating circumstances, condemned to penal servitude in the second class for a term of eight years only.
At the very beginning of the trial Raskolnikov’s mother fell ill. Dounia and Razumihin found it possible to get her out of Petersburg during the trial. Razumihin chose a town on the railway not far from Petersburg, so as to be able to follow every step of the trial and at the same time to see Avdotya Romanovna as often as possible. Pulcheria Alexandrovna’s illness was a strange nervous one and was accompanied by a partial derangement of her intellect.
When Dounia returned from her last interview with her brother, she had found her mother already ill, in feverish delirium. That evening Razumihin and she agreed what answers they must make to her mother’s questions about Raskolnikov and made up a complete story for her mother’s benefit of his having to go away to a distant part of Russia on a business commission, which would bring him in the end money and reputation.
But they were struck by the fact that Pulcheria Alexandrovna never asked them anything on the subject, neither then nor thereafter. On the contrary, she had her own version of her son’s sudden departure; she told them with tears how he had come to say good-bye to her, hinting that she alone knew many mysterious and important facts, and that Rodya had many very powerful enemies, so that it was necessary for him to be in hiding. As for his future career, she had no doubt that it would be brilliant when certain sinister influences could be removed. She assured Razumihin that her son would be one day a great statesman, that his article and brilliant literary talent proved it. This article she was continually reading, she even read it aloud, almost took it to bed with her, but scarcely asked where Rodya was, though the subject was obviously avoided by the others, which might have been enough to awaken her suspicions.
They began to be frightened at last at Pulcheria Alexandrovna’s strange silence on certain subjects. She did not, for instance, complain of getting no letters from him, though in previous years she had only lived on the hope of letters from her beloved Rodya. This was the cause of great uneasiness to Dounia; the idea occurred to her that her mother suspected that there was something terrible in her son’s fate and was afraid to ask, for fear of hearing something still more awful. In any case, Dounia saw clearly that her mother was not in full possession of her faculties. |
Crime_and_Punishment_-_Fyodor_Dostoyevsky | 16 | 517 | It happened once or twice, however, that Pulcheria Alexandrovna gave such a turn to the conversation that it was impossible to answer her without mentioning where Rodya was, and on receiving unsatisfactory and suspicious answers she became at once gloomy and silent, and this mood lasted for a long time. Dounia saw at last that it was hard to deceive her and came to the conclusion that it was better to be absolutely silent on certain points; but it became more and more evident that the poor mother suspected something terrible. Dounia remembered her brother’s telling her that her mother had overheard her talking in her sleep on the night after her interview with Svidrigaïlov and before the fatal day of the confession: had not she made out something from that? Sometimes days and even weeks of gloomy silence and tears would be succeeded by a period of hysterical animation, and the invalid would begin to talk almost incessantly of her son, of her hopes of his future.... Her fancies were sometimes very strange. They humoured her, pretended to agree with her (she saw perhaps that they were pretending), but she still went on talking.
Five months after Raskolnikov’s confession, he was sentenced. Razumihin and Sonia saw him in prison as often as it was possible. At last the moment of separation came. Dounia swore to her brother that the separation should not be for ever, Razumihin did the same. Razumihin, in his youthful ardour, had firmly resolved to lay the foundations at least of a secure livelihood during the next three or four years, and saving up a certain sum, to emigrate to Siberia, a country rich in every natural resource and in need of workers, active men and capital. There they would settle in the town where Rodya was and all together would begin a new life. They all wept at parting. |
Crime_and_Punishment_-_Fyodor_Dostoyevsky | 16 | 518 | Raskolnikov had been very dreamy for a few days before. He asked a great deal about his mother and was constantly anxious about her. He worried so much about her that it alarmed Dounia. When he heard about his mother’s illness he became very gloomy. With Sonia he was particularly reserved all the time. With the help of the money left to her by Svidrigaïlov, Sonia had long ago made her preparations to follow the party of convicts in which he was despatched to Siberia. Not a word passed between Raskolnikov and her on the subject, but both knew it would be so. At the final leave-taking he smiled strangely at his sister’s and Razumihin’s fervent anticipations of their happy future together when he should come out of prison. He predicted that their mother’s illness would soon have a fatal ending. Sonia and he at last set off.
Two months later Dounia was married to Razumihin. It was a quiet and sorrowful wedding; Porfiry Petrovitch and Zossimov were invited however. During all this period Razumihin wore an air of resolute determination. Dounia put implicit faith in his carrying out his plans and indeed she could not but believe in him. He displayed a rare strength of will. Among other things he began attending university lectures again in order to take his degree. They were continually making plans for the future; both counted on settling in Siberia within five years at least. Till then they rested their hopes on Sonia.
Pulcheria Alexandrovna was delighted to give her blessing to Dounia’s marriage with Razumihin; but after the marriage she became even more melancholy and anxious. To give her pleasure Razumihin told her how Raskolnikov had looked after the poor student and his decrepit father and how a year ago he had been burnt and injured in rescuing two little children from a fire. These two pieces of news excited Pulcheria Alexandrovna’s disordered imagination almost to ecstasy. She was continually talking about them, even entering into conversation with strangers in the street, though Dounia always accompanied her. In public conveyances and shops, wherever she could capture a listener, she would begin the discourse about her son, his article, how he had helped the student, how he had been burnt at the fire, and so on! Dounia did not know how to restrain her. Apart from the danger of her morbid excitement, there was the risk of someone’s recalling Raskolnikov’s name and speaking of the recent trial. Pulcheria Alexandrovna found out the address of the mother of the two children her son had saved and insisted on going to see her. |
Crime_and_Punishment_-_Fyodor_Dostoyevsky | 16 | 519 | At last her restlessness reached an extreme point. She would sometimes begin to cry suddenly and was often ill and feverishly delirious. One morning she declared that by her reckoning Rodya ought soon to be home, that she remembered when he said good-bye to her he said that they must expect him back in nine months. She began to prepare for his coming, began to do up her room for him, to clean the furniture, to wash and put up new hangings and so on. Dounia was anxious, but said nothing and helped her to arrange the room. After a fatiguing day spent in continual fancies, in joyful day-dreams and tears, Pulcheria Alexandrovna was taken ill in the night and by morning she was feverish and delirious. It was brain fever. She died within a fortnight. In her delirium she dropped words which showed that she knew a great deal more about her son’s terrible fate than they had supposed.
For a long time Raskolnikov did not know of his mother’s death, though a regular correspondence had been maintained from the time he reached Siberia. It was carried on by means of Sonia, who wrote every month to the Razumihins and received an answer with unfailing regularity. At first they found Sonia’s letters dry and unsatisfactory, but later on they came to the conclusion that the letters could not be better, for from these letters they received a complete picture of their unfortunate brother’s life. Sonia’s letters were full of the most matter-of-fact detail, the simplest and clearest description of all Raskolnikov’s surroundings as a convict. There was no word of her own hopes, no conjecture as to the future, no description of her feelings. Instead of any attempt to interpret his state of mind and inner life, she gave the simple facts—that is, his own words, an exact account of his health, what he asked for at their interviews, what commission he gave her and so on. All these facts she gave with extraordinary minuteness. The picture of their unhappy brother stood out at last with great clearness and precision. There could be no mistake, because nothing was given but facts. |
Crime_and_Punishment_-_Fyodor_Dostoyevsky | 16 | 520 | But Dounia and her husband could get little comfort out of the news, especially at first. Sonia wrote that he was constantly sullen and not ready to talk, that he scarcely seemed interested in the news she gave him from their letters, that he sometimes asked after his mother and that when, seeing that he had guessed the truth, she told him at last of her death, she was surprised to find that he did not seem greatly affected by it, not externally at any rate. She told them that, although he seemed so wrapped up in himself and, as it were, shut himself off from everyone—he took a very direct and simple view of his new life; that he understood his position, expected nothing better for the time, had no ill-founded hopes (as is so common in his position) and scarcely seemed surprised at anything in his surroundings, so unlike anything he had known before. She wrote that his health was satisfactory; he did his work without shirking or seeking to do more; he was almost indifferent about food, but except on Sundays and holidays the food was so bad that at last he had been glad to accept some money from her, Sonia, to have his own tea every day. He begged her not to trouble about anything else, declaring that all this fuss about him only annoyed him. Sonia wrote further that in prison he shared the same room with the rest, that she had not seen the inside of their barracks, but concluded that they were crowded, miserable and unhealthy; that he slept on a plank bed with a rug under him and was unwilling to make any other arrangement. But that he lived so poorly and roughly, not from any plan or design, but simply from inattention and indifference.
Sonia wrote simply that he had at first shown no interest in her visits, had almost been vexed with her indeed for coming, unwilling to talk and rude to her. But that in the end these visits had become a habit and almost a necessity for him, so that he was positively distressed when she was ill for some days and could not visit him. She used to see him on holidays at the prison gates or in the guard-room, to which he was brought for a few minutes to see her. On working days she would go to see him at work either at the workshops or at the brick kilns, or at the sheds on the banks of the Irtish. |
Crime_and_Punishment_-_Fyodor_Dostoyevsky | 16 | 521 | About herself, Sonia wrote that she had succeeded in making some acquaintances in the town, that she did sewing, and, as there was scarcely a dressmaker in the town, she was looked upon as an indispensable person in many houses. But she did not mention that the authorities were, through her, interested in Raskolnikov; that his task was lightened and so on.
At last the news came (Dounia had indeed noticed signs of alarm and uneasiness in the preceding letters) that he held aloof from everyone, that his fellow prisoners did not like him, that he kept silent for days at a time and was becoming very pale. In the last letter Sonia wrote that he had been taken very seriously ill and was in the convict ward of the hospital.
He was ill a long time. But it was not the horrors of prison life, not the hard labour, the bad food, the shaven head, or the patched clothes that crushed him. What did he care for all those trials and hardships! he was even glad of the hard work. Physically exhausted, he could at least reckon on a few hours of quiet sleep. And what was the food to him—the thin cabbage soup with beetles floating in it? In the past as a student he had often not had even that. His clothes were warm and suited to his manner of life. He did not even feel the fetters. Was he ashamed of his shaven head and parti-coloured coat? Before whom? Before Sonia? Sonia was afraid of him, how could he be ashamed before her? And yet he was ashamed even before Sonia, whom he tortured because of it with his contemptuous rough manner. But it was not his shaven head and his fetters he was ashamed of: his pride had been stung to the quick. It was wounded pride that made him ill. Oh, how happy he would have been if he could have blamed himself! He could have borne anything then, even shame and disgrace. But he judged himself severely, and his exasperated conscience found no particularly terrible fault in his past, except a simple blunder which might happen to anyone. He was ashamed just because he, Raskolnikov, had so hopelessly, stupidly come to grief through some decree of blind fate, and must humble himself and submit to “the idiocy” of a sentence, if he were anyhow to be at peace. |
Crime_and_Punishment_-_Fyodor_Dostoyevsky | 16 | 522 | Vague and objectless anxiety in the present, and in the future a continual sacrifice leading to nothing—that was all that lay before him. And what comfort was it to him that at the end of eight years he would only be thirty-two and able to begin a new life! What had he to live for? What had he to look forward to? Why should he strive? To live in order to exist? Why, he had been ready a thousand times before to give up existence for the sake of an idea, for a hope, even for a fancy. Mere existence had always been too little for him; he had always wanted more. Perhaps it was just because of the strength of his desires that he had thought himself a man to whom more was permissible than to others.
And if only fate would have sent him repentance—burning repentance that would have torn his heart and robbed him of sleep, that repentance, the awful agony of which brings visions of hanging or drowning! Oh, he would have been glad of it! Tears and agonies would at least have been life. But he did not repent of his crime.
At least he might have found relief in raging at his stupidity, as he had raged at the grotesque blunders that had brought him to prison. But now in prison, in freedom, he thought over and criticised all his actions again and by no means found them so blundering and so grotesque as they had seemed at the fatal time.
“In what way,” he asked himself, “was my theory stupider than others that have swarmed and clashed from the beginning of the world? One has only to look at the thing quite independently, broadly, and uninfluenced by commonplace ideas, and my idea will by no means seem so... strange. Oh, sceptics and halfpenny philosophers, why do you halt half-way!
“Why does my action strike them as so horrible?” he said to himself. “Is it because it was a crime? What is meant by crime? My conscience is at rest. Of course, it was a legal crime, of course, the letter of the law was broken and blood was shed. Well, punish me for the letter of the law... and that’s enough. Of course, in that case many of the benefactors of mankind who snatched power for themselves instead of inheriting it ought to have been punished at their first steps. But those men succeeded and so they were right, and I didn’t, and so I had no right to have taken that step.” |
Crime_and_Punishment_-_Fyodor_Dostoyevsky | 16 | 523 | It was only in that that he recognised his criminality, only in the fact that he had been unsuccessful and had confessed it.
He suffered too from the question: why had he not killed himself? Why had he stood looking at the river and preferred to confess? Was the desire to live so strong and was it so hard to overcome it? Had not Svidrigaïlov overcome it, although he was afraid of death?
In misery he asked himself this question, and could not understand that, at the very time he had been standing looking into the river, he had perhaps been dimly conscious of the fundamental falsity in himself and his convictions. He didn’t understand that that consciousness might be the promise of a future crisis, of a new view of life and of his future resurrection.
He preferred to attribute it to the dead weight of instinct which he could not step over, again through weakness and meanness. He looked at his fellow prisoners and was amazed to see how they all loved life and prized it. It seemed to him that they loved and valued life more in prison than in freedom. What terrible agonies and privations some of them, the tramps for instance, had endured! Could they care so much for a ray of sunshine, for the primeval forest, the cold spring hidden away in some unseen spot, which the tramp had marked three years before, and longed to see again, as he might to see his sweetheart, dreaming of the green grass round it and the bird singing in the bush? As he went on he saw still more inexplicable examples. |
Crime_and_Punishment_-_Fyodor_Dostoyevsky | 16 | 524 | In prison, of course, there was a great deal he did not see and did not want to see; he lived as it were with downcast eyes. It was loathsome and unbearable for him to look. But in the end there was much that surprised him and he began, as it were involuntarily, to notice much that he had not suspected before. What surprised him most of all was the terrible impossible gulf that lay between him and all the rest. They seemed to be a different species, and he looked at them and they at him with distrust and hostility. He felt and knew the reasons of his isolation, but he would never have admitted till then that those reasons were so deep and strong. There were some Polish exiles, political prisoners, among them. They simply looked down upon all the rest as ignorant churls; but Raskolnikov could not look upon them like that. He saw that these ignorant men were in many respects far wiser than the Poles. There were some Russians who were just as contemptuous, a former officer and two seminarists. Raskolnikov saw their mistake as clearly. He was disliked and avoided by everyone; they even began to hate him at last—why, he could not tell. Men who had been far more guilty despised and laughed at his crime.
“You’re a gentleman,” they used to say. “You shouldn’t hack about with an axe; that’s not a gentleman’s work.”
The second week in Lent, his turn came to take the sacrament with his gang. He went to church and prayed with the others. A quarrel broke out one day, he did not know how. All fell on him at once in a fury.
“You’re an infidel! You don’t believe in God,” they shouted. “You ought to be killed.”
He had never talked to them about God nor his belief, but they wanted to kill him as an infidel. He said nothing. One of the prisoners rushed at him in a perfect frenzy. Raskolnikov awaited him calmly and silently; his eyebrows did not quiver, his face did not flinch. The guard succeeded in intervening between him and his assailant, or there would have been bloodshed. |
Crime_and_Punishment_-_Fyodor_Dostoyevsky | 16 | 525 | There was another question he could not decide: why were they all so fond of Sonia? She did not try to win their favour; she rarely met them, sometimes only she came to see him at work for a moment. And yet everybody knew her, they knew that she had come out to follow him, knew how and where she lived. She never gave them money, did them no particular services. Only once at Christmas she sent them all presents of pies and rolls. But by degrees closer relations sprang up between them and Sonia. She would write and post letters for them to their relations. Relations of the prisoners who visited the town, at their instructions, left with Sonia presents and money for them. Their wives and sweethearts knew her and used to visit her. And when she visited Raskolnikov at work, or met a party of the prisoners on the road, they all took off their hats to her. “Little mother Sofya Semyonovna, you are our dear, good little mother,” coarse branded criminals said to that frail little creature. She would smile and bow to them and everyone was delighted when she smiled. They even admired her gait and turned round to watch her walking; they admired her too for being so little, and, in fact, did not know what to admire her most for. They even came to her for help in their illnesses. |
Crime_and_Punishment_-_Fyodor_Dostoyevsky | 16 | 526 | He was in the hospital from the middle of Lent till after Easter. When he was better, he remembered the dreams he had had while he was feverish and delirious. He dreamt that the whole world was condemned to a terrible new strange plague that had come to Europe from the depths of Asia. All were to be destroyed except a very few chosen. Some new sorts of microbes were attacking the bodies of men, but these microbes were endowed with intelligence and will. Men attacked by them became at once mad and furious. But never had men considered themselves so intellectual and so completely in possession of the truth as these sufferers, never had they considered their decisions, their scientific conclusions, their moral convictions so infallible. Whole villages, whole towns and peoples went mad from the infection. All were excited and did not understand one another. Each thought that he alone had the truth and was wretched looking at the others, beat himself on the breast, wept, and wrung his hands. They did not know how to judge and could not agree what to consider evil and what good; they did not know whom to blame, whom to justify. Men killed each other in a sort of senseless spite. They gathered together in armies against one another, but even on the march the armies would begin attacking each other, the ranks would be broken and the soldiers would fall on each other, stabbing and cutting, biting and devouring each other. The alarm bell was ringing all day long in the towns; men rushed together, but why they were summoned and who was summoning them no one knew. The most ordinary trades were abandoned, because everyone proposed his own ideas, his own improvements, and they could not agree. The land too was abandoned. Men met in groups, agreed on something, swore to keep together, but at once began on something quite different from what they had proposed. They accused one another, fought and killed each other. There were conflagrations and famine. All men and all things were involved in destruction. The plague spread and moved further and further. Only a few men could be saved in the whole world. They were a pure chosen people, destined to found a new race and a new life, to renew and purify the earth, but no one had seen these men, no one had heard their words and their voices. |
Crime_and_Punishment_-_Fyodor_Dostoyevsky | 16 | 527 | Raskolnikov was worried that this senseless dream haunted his memory so miserably, the impression of this feverish delirium persisted so long. The second week after Easter had come. There were warm bright spring days; in the prison ward the grating windows under which the sentinel paced were opened. Sonia had only been able to visit him twice during his illness; each time she had to obtain permission, and it was difficult. But she often used to come to the hospital yard, especially in the evening, sometimes only to stand a minute and look up at the windows of the ward.
One evening, when he was almost well again, Raskolnikov fell asleep. On waking up he chanced to go to the window, and at once saw Sonia in the distance at the hospital gate. She seemed to be waiting for someone. Something stabbed him to the heart at that minute. He shuddered and moved away from the window. Next day Sonia did not come, nor the day after; he noticed that he was expecting her uneasily. At last he was discharged. On reaching the prison he learnt from the convicts that Sofya Semyonovna was lying ill at home and was unable to go out.
He was very uneasy and sent to inquire after her; he soon learnt that her illness was not dangerous. Hearing that he was anxious about her, Sonia sent him a pencilled note, telling him that she was much better, that she had a slight cold and that she would soon, very soon come and see him at his work. His heart throbbed painfully as he read it. |
Crime_and_Punishment_-_Fyodor_Dostoyevsky | 16 | 528 | Again it was a warm bright day. Early in the morning, at six o’clock, he went off to work on the river bank, where they used to pound alabaster and where there was a kiln for baking it in a shed. There were only three of them sent. One of the convicts went with the guard to the fortress to fetch a tool; the other began getting the wood ready and laying it in the kiln. Raskolnikov came out of the shed on to the river bank, sat down on a heap of logs by the shed and began gazing at the wide deserted river. From the high bank a broad landscape opened before him, the sound of singing floated faintly audible from the other bank. In the vast steppe, bathed in sunshine, he could just see, like black specks, the nomads’ tents. There there was freedom, there other men were living, utterly unlike those here; there time itself seemed to stand still, as though the age of Abraham and his flocks had not passed. Raskolnikov sat gazing, his thoughts passed into day-dreams, into contemplation; he thought of nothing, but a vague restlessness excited and troubled him. Suddenly he found Sonia beside him; she had come up noiselessly and sat down at his side. It was still quite early; the morning chill was still keen. She wore her poor old burnous and the green shawl; her face still showed signs of illness, it was thinner and paler. She gave him a joyful smile of welcome, but held out her hand with her usual timidity. She was always timid of holding out her hand to him and sometimes did not offer it at all, as though afraid he would repel it. He always took her hand as though with repugnance, always seemed vexed to meet her and was sometimes obstinately silent throughout her visit. Sometimes she trembled before him and went away deeply grieved. But now their hands did not part. He stole a rapid glance at her and dropped his eyes on the ground without speaking. They were alone, no one had seen them. The guard had turned away for the time.
How it happened he did not know. But all at once something seemed to seize him and fling him at her feet. He wept and threw his arms round her knees. For the first instant she was terribly frightened and she turned pale. She jumped up and looked at him trembling. But at the same moment she understood, and a light of infinite happiness came into her eyes. She knew and had no doubt that he loved her beyond everything and that at last the moment had come.... |
Crime_and_Punishment_-_Fyodor_Dostoyevsky | 16 | 529 | They wanted to speak, but could not; tears stood in their eyes. They were both pale and thin; but those sick pale faces were bright with the dawn of a new future, of a full resurrection into a new life. They were renewed by love; the heart of each held infinite sources of life for the heart of the other.
They resolved to wait and be patient. They had another seven years to wait, and what terrible suffering and what infinite happiness before them! But he had risen again and he knew it and felt it in all his being, while she—she only lived in his life.
On the evening of the same day, when the barracks were locked, Raskolnikov lay on his plank bed and thought of her. He had even fancied that day that all the convicts who had been his enemies looked at him differently; he had even entered into talk with them and they answered him in a friendly way. He remembered that now, and thought it was bound to be so. Wasn’t everything now bound to be changed?
He thought of her. He remembered how continually he had tormented her and wounded her heart. He remembered her pale and thin little face. But these recollections scarcely troubled him now; he knew with what infinite love he would now repay all her sufferings. And what were all, all the agonies of the past! Everything, even his crime, his sentence and imprisonment, seemed to him now in the first rush of feeling an external, strange fact with which he had no concern. But he could not think for long together of anything that evening, and he could not have analysed anything consciously; he was simply feeling. Life had stepped into the place of theory and something quite different would work itself out in his mind.
Under his pillow lay the New Testament. He took it up mechanically. The book belonged to Sonia; it was the one from which she had read the raising of Lazarus to him. At first he was afraid that she would worry him about religion, would talk about the gospel and pester him with books. But to his great surprise she had not once approached the subject and had not even offered him the Testament. He had asked her for it himself not long before his illness and she brought him the book without a word. Till now he had not opened it.
He did not open it now, but one thought passed through his mind: “Can her convictions not be mine now? Her feelings, her aspirations at least....” |
Crime_and_Punishment_-_Fyodor_Dostoyevsky | 16 | 530 | He did not open it now, but one thought passed through his mind: “Can her convictions not be mine now? Her feelings, her aspirations at least....”
She too had been greatly agitated that day, and at night she was taken ill again. But she was so happy—and so unexpectedly happy—that she was almost frightened of her happiness. Seven years, only seven years! At the beginning of their happiness at some moments they were both ready to look on those seven years as though they were seven days. He did not know that the new life would not be given him for nothing, that he would have to pay dearly for it, that it would cost him great striving, great suffering.
But that is the beginning of a new story—the story of the gradual renewal of a man, the story of his gradual regeneration, of his passing from one world into another, of his initiation into a new unknown life. That might be the subject of a new story, but our present story is ended. |
Daddy_takes_us_to_the_Garden_-_Howard_R._Garis | 17 | 0 | "Mother, what can we do now?"
"Tell us something to play, please! We want to have some fun!"
As Harry and Mabel Blake said this they walked slowly up the path toward the front porch, on which their mother was sitting one early Spring day. The two children did not look very happy.
"What can we do?" asked Hal, as he was called more often than Harry.
"There isn't any more fun," complained Mab, to which her name was often shortened.
"Oh, my!" laughed Mother Blake. "Such a sadness! What doleful faces you both have. I hope they don't freeze so and stay that way. It would be dreadful!"
"It can't freeze," said Hal. "It's too warm. Daddy told us how cold it had to be to freeze. The ther—ther—Oh, well the thing you tell how cold it is—has to get down to where it says number 32 before there's ice."
"You mean the thermometer," said Mab.
"That's it," agreed Hal. "And look, the shiny thing—mercury, that's the name of it—the mercury is at 60 now. It can't freeze, Mother."
"Well, I'm glad it can't, for I wouldn't want your face to turn into ice the way it looked a little while ago."
"But there's no fun, Mother," and Mab, whose face, as had her brother's, had lost its fretful look while they were talking about the thermometer, again seemed cross and unhappy. "We can't have any fun!"
"Why don't you play some games?" asked Mrs. Blake, smiling at the two children.
"We did," answered Hal. "We tried to play tag, but it's too muddy to run off the paths, and it's no fun, staying in one place. We can't play ball, 'cause Mab can't throw like a boy, and I'm not going to play doll with her."
"I didn't ask you to!" said Mab quickly. "I was going to play doll by myself."
"Yes, but you'd want me to be a doctor, or something, when your doll got sick—you always do."
"I should think that would be fun," said Mother Blake. "Why don't you play doll and doctor?"
"I'm not going to play doll!" declared Hal, and his face looked crosser than ever. |
Daddy_takes_us_to_the_Garden_-_Howard_R._Garis | 17 | 1 | "Yes, but you'd want me to be a doctor, or something, when your doll got sick—you always do."
"I should think that would be fun," said Mother Blake. "Why don't you play doll and doctor?"
"I'm not going to play doll!" declared Hal, and his face looked crosser than ever.
"Oh, it isn't nice to talk that way," said his mother. "You ought to be glad if Mab wanted you to be a doctor for her sick doll. But perhaps you can think of something else—some new game. Just sit down a moment and we'll talk. Then perhaps you'll think of something. I wonder why it is so warm to-day, and why there is no danger of anything freezing—not your faces of course, for I know you wouldn't let that happen. But why is it so warm; do you know?"
"'Cause it's Spring," answered Hal. "Everybody knows that."
"Oh, no, not everybody," replied his mother. "Your dog Roly-Poly doesn't know it."
"Oh, yes, Mother! I think he does!" cried Mab. "He was rolling over and over in the grass to-day, even if it was all wet like a sponge. He never did that in the Winter."
"Well, perhaps dogs and cats do know when it is Spring. The birds do, I'm sure, for then they come up from the South, where they have spent the Winter, and begin to build their nests. So you think it is warm to-day because it is Spring; do you, Hal?"
"Yes, Mother," he replied. "It's time Winter was gone, anyhow. And the trees know it is going to be Summer soon, for they are swelling out their buds."
"And after a while there'll be flowers," added Mab. "Didn't we have fun, Hal, when Daddy took us hunting flowers?"
"Yes, and when he took us to the woods, and to see the different kinds of birds," added the little boy. "We had lots of fun then."
"I wish we could have some of that kind of fun now," went on Mab. "When's Daddy coming home, Mother?"
"Oh, not for quite a while. He has to work and earn money you know. He has to earn more than ever, now that everything costs so much on account of the war. Daddies don't have a very easy time these days."
"Do Mothers?" asked Mab, thinking of how she played mother to her dolls. Maybe, she thought, she could make up a new game, pretending how hard it was for dolls' mothers these days. |
Daddy_takes_us_to_the_Garden_-_Howard_R._Garis | 17 | 2 | "Do Mothers?" asked Mab, thinking of how she played mother to her dolls. Maybe, she thought, she could make up a new game, pretending how hard it was for dolls' mothers these days.
"Well, mothers have to do many things they did not have to do when things to eat and wear did not cost so much," spoke Mother Blake. "We have to make one loaf of bread go almost as far as two loaves used to go, and as for clothes—well, I am mending some of yours, Hal, that, last year, I thought were hardly useful any more. But we must save all we can. So that's why Daddy has to work harder and longer, and why he can't come home Saturday afternoons as early as he used to."
It was a Saturday afternoon when Hal and Mab found so much fault about not having any fun. Almost any other day they would have been in school, and have been busy over their lessons. But just now they wanted to play and they were not having a very jolly time, for they could not think of anything to do. Or, at least, they thought they could not.
"What makes it Spring?" asked Hal, after a bit, as he watched his mother putting a patch on his little trousers. Hal remembered how he tore a hole in them one day sliding down a cellar door.
"Tell us what makes Spring, Mother," went on Mab. "That will be as much fun as playing, I guess."
"The sun makes the Spring," said Mrs. Blake "Spring is one of the four seasons. I wonder if you can tell me the others?"
"Which one starts?" asked Hal.
"Spring, of course," exclaimed Mab. "You have to start with something growing, and things grow in the Spring."
"That is right," said Mrs. Blake. "Spring is the beginning of life in the world, when the flowers and birds begin to grow; the flowers from little buds and the birds from little eggs. What comes next?"
"Summer!" cried Hal. "Then's when we can have fun. The ground is dry, so we can play marbles and fly kites. And we can go in swimming and have a long vacation. Summer's the jolly time!"
"It is a time when things grow that start in the Spring," said Mother Blake. "What comes after Summer?"
"Autumn," answered Mab. "Some folks call it Fall. Why do they, Mother?"
"Because the leaves fall from the trees, perhaps. It is a time when the trees and bushes go to sleep, and when most birds fly down to the warm South. And what comes after Autumn or Fall?"
"Christmas!" cried Hal. |
Daddy_takes_us_to_the_Garden_-_Howard_R._Garis | 17 | 3 | "Because the leaves fall from the trees, perhaps. It is a time when the trees and bushes go to sleep, and when most birds fly down to the warm South. And what comes after Autumn or Fall?"
"Christmas!" cried Hal.
"Yes, so it does!" laughed Mrs. Blake. "And I guess most children would say the same thing. But I meant what season."
"It's Winter," Hal said. "Let's see if I know 'em. Spring, Summer, Autumn, Winter," he recited. "Four seasons, and this is Spring. I wish it would hurry up and be Summer."
"So do I," agreed Mab. "You can't have any fun now. It's too wet to go without your rubbers, too cold to go without a coat and almost too hot to wear one. I like Summer best."
"And I like Fall and Winter," said Hal. "But let's do something Mab. Let's have some fun. What can we do, Mother?" and back the children were, just where they started.
"Why don't you get Roly-Poly and play with him?" asked Mrs. Blake.
"He's gone away. I guess he ran down to Daddy's office like he does sometimes," said Mab.
"Let's go down after him," exclaimed Hal. "That'll be some fun."
"I don't want to," spoke Mab. "I'd rather play with my doll."
"You never want to do anything I want to play?" complained Hal. "Can't she come with me after Roly-Poly, Mother?"
"Well, I don't know. Can't you both play something here until Daddy comes home? Why don't you play bean-bag?"
"We did, but Hal always throws 'em over my head and I can't reach," Mab said.
"She throws crooked," complained Hal.
"Oh, my dears! I think you each must have the Spring Fever!" laughed Mother Blake. "Try and be nicer toward one another. Let me see now. How would you like to help me bake a cake, Mab?"
"Oh, that will be fun!" and Mab jumped up from the porch, where she had been sitting near her mother's rocking chair, and began to clap her hands. "May I stir it myself, and put the dough in the pans?
"Yes, I think so."
"Pooh! That's no fun for me!" remarked Hal. "I want to have some fun, too."
"You may clean out the chocolate or frosting dish—whichever kind of a cake we make," offered Mab. "You always like to scrape out the chocolate dish, Hal."
"Yes, I like that," he said, smiling a little. |
Daddy_takes_us_to_the_Garden_-_Howard_R._Garis | 17 | 4 | "You may clean out the chocolate or frosting dish—whichever kind of a cake we make," offered Mab. "You always like to scrape out the chocolate dish, Hal."
"Yes, I like that," he said, smiling a little.
"Well, you may have it all alone this time, if I make the cake," went on Mab. Nearly always she and Hal shared this pleasure—that of scraping out, with a knife or spoon, the chocolate or sugar icing dish from which Mother Blake took the sweet stuff for the top and inside the layers of the cake. "Come on, Hal!"
Hal was willing enough now, and soon he and his sister were in the kitchen, helping Mother Blake with her cake-making. Though, to tell the truth, Mab and Mrs. Blake did most of the work.
While the three were in the midst of their cake-making, into the kitchen rushed a little poodle dog, whirling around, barking and trying to catch his tail.
"Oh, Roly-Poly, where have you been?" cried Hal. "Did Daddy come home with you?"
"Bow-wow!" barked Roly-Poly, which might mean "no" or "yes," just as you happened to listen to his bark.
"Oh, don't get in my way, Roly!" called Mab as the little dog danced about in front of her, while she was carrying a pan filled with cake dough toward the oven. "Look out! Oh, there it goes."
Just what Mab had feared came to pass. She tripped over the poodle dog, and, to save herself from falling, she had to drop the pan of cake dough. Down it fell, right on Roly-Poly's back.
"Bow-wow-wow!" he barked and growled at the same time.
"Oh, look at him!" laughed Hal "He's a regular cake himself."
"Don't let him run through the house that way!" called Mother Blake. "He'll get the carpets and furniture all dough. Get him, Hal!"
Hal made a grab for the little pet dog, and caught him by his tail. This made Roly-Poly howl louder than ever, until Hal, not wishing to hurt his pet, managed to get him in his arms. But of course this made Hal's waist all covered with cake dough.
"Never mind," said Mother Blake, as she saw Hal looking at himself in dismay. "It will all wash off. Better to have it on your waist than on the carpets. Why, Mab! What's the matter?" for Mab was crying softly.
"Oh—Oh, my—my nice ca-cake is all spoiled," she sobbed.
"Oh, no it isn't!" comforted Mother Blake. "Only one pan of dough is spilled, and there is plenty more. The kitchen floor can easily be washed, and so can Roly Poly. |
Daddy_takes_us_to_the_Garden_-_Howard_R._Garis | 17 | 5 | "Oh—Oh, my—my nice ca-cake is all spoiled," she sobbed.
"Oh, no it isn't!" comforted Mother Blake. "Only one pan of dough is spilled, and there is plenty more. The kitchen floor can easily be washed, and so can Roly Poly.
"Hal," went on his mother, "you take the dog up to the bath tub and give him a good scrubbing. He'll like that. Take off your own waist and let the water run on that. I'll wipe up the floor and you can fill another pan and put it in the oven, Mab. Don't cry! We'll have the cake in time for supper yet."
So Mab dried her tears and once more began on the cake, while Mrs. Blake cleaned up the dough from the floor. In a little while the cake was baking in the oven, and Hal came down stairs, rather wet and splattered, but clean. With him was Roly-Poly, looking half drowned, but also clean.
"Well, we did a lot of things!" said Hal, when he had on dry clothes, and he and Mab were waiting for the cake to be baked, after which the chocolate would be spread over it. "It was fun, wasn't it?"
"I—I guess so," answered Mab, not quite sure. "Did I hurt Roly when I stepped on him?"
"I guess not. He splashed water all over me when I put him in the bath tub, though. I pretended he was a submarine ship and he swam all around."
"I wish I had seen him."
"I'll make him do it again," and Hal started toward the stairs with Roly in his arms.
"No, please don't!" laughed Mother Blake. "One bath a day is enough. Besides, I think it's time to take the cake out, Mab."
When the chocolate had been spread on, and Hal had scraped out the dish, giving Mab a share even though she had said she did not want any, the front door was heart to shut.
"Here comes Daddy!" cried Mab.
"Oh, I wonder if he brought anything?" said Hal, racing after his sister.
Daddy Blake did have a package in his arms, and he was smiling. He put the bundle down on the table and caught up first Mab and then Hal for a hearty kiss.
"Well, how are you all to-day?" he asked.
"I just baked a cake," answered Mab.
"And the dough went all over Roly-Poly, and I made believe he was a submarine ship in the bath tub," added Hal. "We had lots of fun."
"Before that we didn't thought," spoke Mab. "We wanted to play something new but we didn't know what. Did you bring us anything, Daddy?" |
Daddy_takes_us_to_the_Garden_-_Howard_R._Garis | 17 | 6 | "Before that we didn't thought," spoke Mab. "We wanted to play something new but we didn't know what. Did you bring us anything, Daddy?"
"Yes, I brought you and Hal a new game."
"A new game? Oh, goody! May we play it now?"
"Well, you can start to look at it now, but it takes quite a while to play it. It takes all Spring, all Summer and part of the Fall."
"Oh, what a long game!" cried Hal. "What is it?"
"It is called the Garden Game," said Daddy Blake, smiling. "And after supper I'll tell you all about it."
"The Garden Game," murmured Mab.
"It must be fun," said Hal, "else Daddy wouldn't laugh around his eyes the way he does."
"Yes, I think you'll like this new game," went on Mr. Blake. "And whoever learns to play it best will get a fine prize!"
"Oh! Oh! Oh!" cried Hal and Mab in delight. They could hardly wait to find out all about it.
"Now children," began Daddy Blake, as the table was cleared of the dishes, when supper had been finished, "I'll start to tell you about the garden game we are going to play."
"Oh, are YOU going to play it, too?" asked Hal in delight "Won't that be fun, Mab?"
"Lots of fun!"
Anything Daddy Blake did was fun for Hal and Mab, whether it was playing a game, or taking them somewhere.
Eagerly the two children watched while their father opened the package he had brought up from down town when he came home to supper.
"Is it some kind of a puzzle?" Hal wanted to know.
"Does it go around with wheels?" asked Mab, as she heard something rattle inside the paper.
"How many can play it?" asked Hal.
"Oh, as many as care to" answered Daddy Blake. I'm going to play it, and so is your mother, I think; and Uncle Pennywait, and Aunt Lollypop, and—no, I guess we can't let Roly-Poly play the garden game, but you two children can."
"Oh, it must be a fine game if so many can play," laughed Hal. "Hurry, Daddy, and show us what it is."
"Do you play sides?" Mab inquired.
"Yes, you can play sides," her father answered with a smile. "As I told you I'm going to give a prize to whoever plays the game best. I'll tell you about it. Now here's the first part of the garden," and, as Mr. Blake opened the paper fully, out rolled a small parcel. The string came off it, and Hal and Mab saw a lot of beans.
For a moment they looked very much disappointed. |
Daddy_takes_us_to_the_Garden_-_Howard_R._Garis | 17 | 7 | For a moment they looked very much disappointed.
"Oh, Daddy Blake!" cried Hal. "This isn't a new game at all! We've got a bean-bag one!"
"And we got tired of playing it to-day," went on Mab, in disappointed tones.
"This isn't exactly a bean-bag game," said Mr. Blake with a smile, "though you can make it one if you like. It's ever so much more fun than just bean-bags, for there are many other different parts to the garden game. Now if you'll sit down I'll tell you about it."
Hal and Mab saw some brightly colored pictures, among other things, in the big bag that had held the beans, and they thought perhaps they might have fun with the garden game after all.
Some of you have met Hal and Mab Blake before, on one or more of their many trips with Daddy, so I do not need to tell all of you about the children. But to those of you who read this book as the beginning of the Daddy Series I may say that the first volume is called "Daddy Takes Us Camping." In that I told you how Daddy and the two children went to live in a tent, and how they heard a queer noise in the night and—
Well, I'll leave the rest for you to find out by reading the book. Hal and Mab lived with Daddy and Mother Blake in a nice house in a small city, and with them lived Uncle Pennywait and Aunt Lollypop.
These were not their real names. Uncle Pennywait was called that because he so often said to Hal and Mab:
"Wait a minute and I'll give you a penny!"
Aunt Lollypop was more often called Aunt Lolly, and the reason she had such a queer name was because she was always telling the children to buy lollypops with the money Uncle Pennywait gave them. Lollypops, the children's aunt thought, were the best kind of candy for them, and perhaps she was right.
Then there was Roly-Poly, the funny little poodle dog, and once when Daddy Blake took Hal and Mab skating, as you may read in THAT book, Roly slid under the ice and was lost for a long, long time.
Hal and Mab just loved to go places with Daddy, to learn about the birds, trees and flowers. They had gone to the circus with him, had gone coasting, and had hunted birds with a camera to take pictures of them. There is a book about each one of the different trips Hal and Mab took with their father. They had many adventures each time they went out, and they learned many things. |
Daddy_takes_us_to_the_Garden_-_Howard_R._Garis | 17 | 8 | Just before the story I am going to tell you now, Daddy Blake had taken the children to the woods, telling them about the different kinds of trees.
Sometimes Roly-Poly went along with Hal and Mab when Daddy started off with the children. Once Mab had a little cat that got lost up in a tree, and once her Dickey bird flew away and it was a long time before she found one she loved as much as her first singing pet.
"But I don't see how you are going to take us anywhere, so we can have fun, just with BEANS," said Hal, as he waited for his father to tell something about the new game.
"Oh, it isn't just beans," said Daddy Blake. "See here are some radishes, lettuce, carrots, turnips, potatoes, beets and—"
"Why it sounds just like a GARDEN!" cried Aunt Lollypop, coming in from the hall at that moment.
"It's a garden game, but we don't know how to play it yet," said Mab.
"That's what I'm going to teach you," spoke her father. "We are going to make a garden."
"Where?" Hal wanted to know.
"In our back yard and in the lot next door. I have hired that to use in planting our garden."
"How do you start to make a garden?" asked Hal.
"That's part of the game you and Mab must learn," said Mr. Blake. "Now I'll begin at the beginning and tell you. I think you will like this game as well as any you have ever played, for not only will it be fun, but it will give you work to do, and the best fun in the world is learning to make fun of your work. And don't forget the prize!"
"What's the prize for?" asked Hal.
"For the one who has the best little garden, whether it is Hal, Mab, Uncle Pennywait, Aunt Lolly, Mother or myself. We're all going to play the garden game!"
"What is the prize going to be?" asked Mab.
Daddy Blake thought for a moment. Then he said:
"Well, I suppose if YOU won the prize you would like it to be a nice doll."
"Oh, I'd just love it!" cried Mab with sparkling eyes.
"And Hal would want a pair of skates or maybe a sled, for I think his old one is broken," went on Daddy Blake.
"It is," answered Hal.
"So, as only one of us can win the prize, and as we would all want something different," spoke the children's father, "I think I'll make the prize a ten dollar gold piece, and whoever wins it can buy what they like with it."
"Oh, that's great!" exclaimed Hal. |
Daddy_takes_us_to_the_Garden_-_Howard_R._Garis | 17 | 9 | "So, as only one of us can win the prize, and as we would all want something different," spoke the children's father, "I think I'll make the prize a ten dollar gold piece, and whoever wins it can buy what they like with it."
"Oh, that's great!" exclaimed Hal.
"Ten dollars!" added Mab. "Why I could buy a lot of dolls for that!"
"I hope you wouldn't spend ALL that money for dolls," said Aunt Lolly.
"No, save some for candy!" laughed Uncle Pennywait. "I'll give you a penny extra as my prize."
"We'll talk about spending the money when the prize is won," said Daddy Blake. "Here it is," and he took from his pocket a bright, shining ten dollar gold piece. Hal and Mab looked at it.
"But everyone must work hard in the garden to win it," said Mr. Blake. "And, mind you! I may get my own prize, for I am going to work in the garden, too. We will each choose some one vegetable, and whoever raises the finest and best crop will get the prize."
"What made you think of this game for us?" asked Hal.
"Well, everyone is making gardens this year," said Daddy Blake. "You know we are at war, and in war time it is harder to get plenty of food than when we are at peace."
"Why?" asked Hal.
"Because so many men have to go to be soldiers," his father answered. "The farmers and gardeners—thousands of them—have been called away to fight the enemy, so that we, who never before helped to grow things from the earth, must begin now if we are to have enough to eat and to feed our soldiers.
"That is why I am going to have a garden—larger than we ever had before. That is why many others who never had gardens before are going to have one this year. All over vacant lots and play-fields, and even some beautiful green, grassy lawns, are being turned into gardens. They will take the places of many gardens that have been turned into battle fields. We must raise more vegetables and fruits and we must save what we raise."
"Why do we want to save it?" asked Hal, "Can't we eat it?"
"We will eat all we need," his father, "But you know that gardens and farms can only be planted, and fruits vegetables can only grow when the weather is warm. Nothing grows in the cold Winter. So we raise all we can in Summer and save what we need to eat when snow is on the ground."
"How are we going to make our garden?" asked Mab. |
Daddy_takes_us_to_the_Garden_-_Howard_R._Garis | 17 | 10 | "How are we going to make our garden?" asked Mab.
"And what am I going to plant?" asked Hal.
"Well, we'll begin at the very beginning," answered Daddy Blake. "The first part of any garden is getting the soil ready. That is the dirt, in which we plant the seeds, must be dug up and made soft and mellow so the seeds will grow."
"What makes seeds grow?" asked Mab.
"And why can't we plant 'em anywhere?" Hal wanted to know.
Daddy Blake laughed.
"You're going to have a lot of questions to answer about this garden game," said Uncle Pennywait. "You'll be kept busy."
"Yes, I guess so," agreed Daddy Blake. "Well I'll answer all the questions I can, for I want Hal and Mab to know how hard it is to make even one bean or radish grow from a seed. Then, when they find out that it is not easy to have good vegetables, when the bugs, worms and weeds are fighting against them, they will not waste. For waste is wicked not only in war time but always."
"Oh, Daddy!" cried Mab. "Do the worms and bugs and weeds fight the things in the garden?"
"Indeed they do," answered her father. "It is just like war all the while between the things we want to grow and the things we don't want."
"Oh, if the garden game is like war I'm going to have fun playing it!" exclaimed Hal, while Roly-Poly chased his tail around the table. I don't mean that the little poodle dog's tail came off and that he raced around trying to get hold of it again. No indeed! His tail just stayed on him, but he whirled around and around trying to get hold of it in his mouth, and he was having a good time doing it.
"There is one of the enemies you'll have to fight if you make a garden," said Daddy Blake with a smile.
"Who?" asked Hal.
"Your dog, Roly-Poly. Dogs, when they get in a newly planted garden, often dig up the seeds, just as chickens do. So from the start you'll have to keep Roly-Poly away."
"And chickens, too," said Mab. "They've got chickens next door."
"Yes, but they are kept shut up in their yard, with a wire fence around it," said Daddy Blake. "However you must keep watch. Now suppose we start and pick out what crops we want to raise for the prize of the ten dollar gold piece. I have different kinds of seeds here—corn, beans, tomatoes, radishes and others."
"I want to raise beans!" cried Mab. "Then I can have as many bean-bags as I want." |
Daddy_takes_us_to_the_Garden_-_Howard_R._Garis | 17 | 11 | "I want to raise beans!" cried Mab. "Then I can have as many bean-bags as I want."
"We mustn't waste too many beans just for playing games, since beans make a good meal, especially for soldiers," said Daddy Blake. "And much of the food raised on farms and gardens will have to go to feed our soldiers. So we'll give Mab the first choice and let her raise beans. What will you choose, Hal?"
"Corn, I guess," Hal said. "I like pop corn."
"Well, we won't raise much pop corn," laughed his father. "While that is good to eat it is not good for making corn bread, and that is the kind we may have to eat if we can't raise enough wheat to make all the white bread we want."
"Why can't we raise wheat?" asked Hal.
"Well, we could grow a little, for it would grow in our garden as well as in any other soil or dirt," explained Daddy Blake. "But to raise a lot of wheat, or other grains, a big field is needed—a regular farm—and we haven't that."
"Will you take us to a farm some day?" asked Mab.
"Yes, after you learn how to make a garden," his father told him. "So you think you want to try corn; eh?" and he laid a package of that seed in front of the little boy.
"If Mab raises beans and Hal grows corn we'll have succotash at any rate," said Mother Blake. "And succotash is good to can and keep all Winter."
"Well, we may have enough to eat, after all, from our garden," said Aunt Lolly. "I think I'll raise pumpkins for my share of the new game."
"Then we can have Jack-o-lanterns!" laughed Hal. "That will be fun!"
"Now look here!" exclaimed; Daddy Blake. "I want you children to have some fun in your gardens, but is isn't ALL fun. There is going to be hard work, too, if anyone wins this prize," and he held up the ten dollar gold piece. "You may have one pumpkin for a Hallowe'en lantern, maybe, but pumpkin pies are what Aunt Lolly is thinking of, I guess."
"Indeed I am," she said. "When I was a girl we used to raise many pumpkins in the cornfield at home. So I'll raise my pumpkins between your rows of corn, Hal."
"That's the way to do it," said Uncle Pennywait.
"I think I'll raise potatoes. They're easy to grow if I can keep the bugs off them, and they'll keep all winter." |
Daddy_takes_us_to_the_Garden_-_Howard_R._Garis | 17 | 12 | "That's the way to do it," said Uncle Pennywait.
"I think I'll raise potatoes. They're easy to grow if I can keep the bugs off them, and they'll keep all winter."
"I'll raise tomatoes," said Daddy Blake, taking out a package of tomato seeds for his part of the garden. "We can eat them sliced in Summer and have them canned, ready to stew, in Winter, I'll have to plant some seeds in the house first to raise plants that I may set them out when it is warm enough. Now, Mother, what will you grow in the garden?"
"Carrots," answered Mrs. Blake.
"Oh, then we can keep a bunny rabbit!" cried Mab. "I've always wanted a bunny."
"Well, a rabbit may be nice," said Daddy Blake. "But, as I said, this garden is not all for fun. We are going to raise as many vegetables as we can, so we will have them in the Winter to save buying them at the store. We can't afford to raise carrots for rabbits this year. There are your seeds, Mother," and he gave his wife a packet with a picture of yellow carrots on the outside.
"But there are a lot of seeds left," said Mab, as she looked at the large opened bundle on the table.
"Yes, well have to take turns planting these," her father said. "I just wanted you to pick out your prize crops first. Now we have made a start on our garden. The next thing is to get the ground ready as soon as it is warm enough. But first I think I'll start my tomato plants. I'll plant the seeds in the morning."
"Where?" asked Mab.
"In a box in the house. You may bring me in a little dirt and I'll let it dry out near the fire, for it is rather damp and cold yet in the garden."
The next day Hal and Mab brought in some dirt from the yard. It was wet and sticky but when it had been spread out on a paper under the stove it soon dried. That night Daddy Blake filled a big wooden box with the dirt, which he worked with a trowel until it was made fine and smooth. |
Daddy_takes_us_to_the_Garden_-_Howard_R._Garis | 17 | 13 | "The first thing to learn in making a garden," the children's father said, "is to have your dirt made very fine, and to be sure that it is the right kind for what you are going to raise. Beans will grow in almost any kind of soil, but tomatoes and other vegetables must have soil which is called richer—that is it has more fertilizer in it—something which is food to the seeds and plants as bread, butter, meat and potatoes are food for us."
"Do plants eat?" asked Hal.
"Of course they do, just as I told you the trees did. Plants eat through their roots in the earth. They drink water that way, too, and through their leaves. And they breathe in the air and sunlight the same way. Plants, as well as boys and girls, need warm sun, enough water and good soil to make them grow."
"But why don't you plant the tomato seeds right in the garden?" asked Hal.
"Because it is a little too early. The weather is not warm enough and the ground is too damp. So I plant the seeds in the house and soon there will be many little tomato plants in this box, which, you children must see to it, must be kept in the sunny window, and not out in the cool air. When the plants are large enough we will take them from the box and put them in the garden in nice long rows. This is called transplanting, which means planting a second time, and is done with many garden things such as lettuce, cabbage and celery."
"But you didn't tell us what makes the seeds grow," said Mab, as she watched her father carefully smooth the soil in the box and then scatter in the tomato seeds, afterward covering them up with a piece of window glass.
"I'll tell you as best I can, though no one really knows what is in the seed to make it grow. Only Mother Nature knows that. But at least we have a start with our garden," said Daddy Blake, "and to-morrow I'll tell you, as well as I can, why a seed grows. It is time to go to bed now."
As Hal and Mab started up stairs, thinking what a wonderful thing it was to have a garden, there came a ring at the front door.
"My! Who can be calling this time of night?" asked Mother Blake, in surprise.
Hal and Mab wondered too.
"Let's wait and see who it is, Hal," whispered Mab to her brother as they stood on the stairs. |
Daddy_takes_us_to_the_Garden_-_Howard_R._Garis | 17 | 14 | "My! Who can be calling this time of night?" asked Mother Blake, in surprise.
Hal and Mab wondered too.
"Let's wait and see who it is, Hal," whispered Mab to her brother as they stood on the stairs.
"Maybe it's somebody come to find out about a garden," added the little boy. "Daddy knows lots about how to make things grow, and maybe, on account of the war, everybody's got to plant corn and beans and things."
"I don't like war and soldiers," spoke Mab, while Daddy Blake went to the front door. "I don't care when you play soldier, and make believe shoot your pop gun, but I don't like REAL guns. Maybe this is somebody come to tell Daddy to go to war."
"I hope not!" exclaimed Hal.
When Daddy Blake opened the door the children heard some one saying:
"I guess this little fellow belongs to you, Mr. Blake. I found him over in my garden, digging away. Maybe he was planting a bone, thinking he could grow some roast beef," and a man's laugh was heard. Then came a sharp little bark.
"Oh, it's Roly-Poly!" cried Hal.
"He must have run away and we didn't miss him 'cause we talked so much about the garden," added Mab. "I wonder where he was?"
"Yes, that's my children's dog," said Mr. Blake to the man who had brought home Roly-Poly. "So he was in your garden; eh?"
"Well, yes, in the place where I'm going to make a garden. My name is Porter, I live next door. Only moved in last week and we haven't gotten acquainted yet."
"That's right," said Mr. Blake. "Well, I'm glad to know you, Mr. Porter. Hal and Mab will be pleased to have Roly-Poly back, I'm also glad to know you're going to have a garden. I'm going to start my two youngsters with one, and if Roly-Poly comes over, and digs out your seeds, let me know and I'll keep him shut up."
"I will, and you do the same with my chickens. They're bad for scratching in a garden, though I plan to keep them in their own yard. So your boy and girl are going to have gardens; are they?"
"Yes. I want them to learn all they can about such things."
"I've got a boy, but he's too young to start yet. Sammie is only five," said Mr. Porter. "Well, doggie, I guess you're glad to get back home," and he gave Roly-Poly to Mr. Blake who thanked his neighbor, asking him to call again. |
Daddy_takes_us_to_the_Garden_-_Howard_R._Garis | 17 | 15 | "I've got a boy, but he's too young to start yet. Sammie is only five," said Mr. Porter. "Well, doggie, I guess you're glad to get back home," and he gave Roly-Poly to Mr. Blake who thanked his neighbor, asking him to call again.
"Here, Hal and Mab!" called their father. "After this you must keep watch of your pet. I guess there will be many gardens on our street this Summer, and no dogs will be allowed in them until after the things are well grown. So watch Roly-Poly."
Hal and Mab promised they would, and Mab said:
"Oh, that's a cute little boy next door. He has red hair."
"His name is Sammie," said Mr. Blake. "Now off to bed with you, toodlekins!" and he made believe Roly-Poly threw kisses from his paws to Hal and Mab.
Daddy Blake had to go away early the next morning, to be gone three days, so he did not have time to tell Hal and Mab why it was that seeds grew when planted in the ground. But before going to school on Monday the brother and sister saw to it that the glass covered box in which the tomato plants were soon to grow, was put in a sunny window.
On the way to school they looked in the big yard of Mr. Porter who lived next door. He was raking up some dried leaves and grass and a small, red-haired boy was watching him.
"Hello, little ones!" called Mr. Porter. "Have you got your garden started yet?"
"Not yet," answered Hal.
"But we got tomato seeds planted in the house," said Mab.
"Yes, and I must do that too. We'll see who'll have the finest garden," went on Mr. Porter. "How's your poodle dog?"
"Oh, we got him shut up so he can't hurt your garden," Hal said.
"Don't worry about that yet," went on the neighbor. "I haven't planted any seeds yet, and shall not until it gets warmer. So you may let your dog run loose."
"All right. I guess I will," cried Hal, running back to the house.
"You'll be late for school!" warned Mab.
"I'll run fast!" promised her brother. "Roly-Poly cried when I shut him up. I want to let him out."
Soon the little dog came running out of the barn where Hal had locked him. Over into Mr. Porter's yard ran Roly and Sammie laughed when he saw Hal's pet rolling around in the pile of dried leaves Mr. Porter had raked together.
"Roly, you be a good dog!" warned Mab, shaking her finger at him.
"I get him a cookie!" said Sammie with a laugh as he toddled toward the house. |
Daddy_takes_us_to_the_Garden_-_Howard_R._Garis | 17 | 16 | "Roly, you be a good dog!" warned Mab, shaking her finger at him.
"I get him a cookie!" said Sammie with a laugh as he toddled toward the house.
"Sammie likes dogs," said his father as Hal and Mab hurried on to school.
Mr. Blake was away longer than he thought he would be, and it was over a week before he came back home. Each day Hal and Mab had placed the box of tomato seeds in the warm sun before going to school, moving it when they came home at noon and in the afternoon they also changed it so that the soil would always be where the warm sun could shine on it. They sprinkled water in the box, as their father had told them to do.
Then, the day when Daddy Blake came back from his business trip, Hal, looking at the tomato box, cried:
"Oh, Mab! Look! There are a lot of little green leaves here."
"Yes, the tomatoes are beginning to grow," said Daddy Blake, when he had taken a look.
"What makes the seeds grow and green leaves come out?" asked Hal.
"Well, as I said, Mother Nature does it and no one can tell how," said Daddy Blake. "But somewhere inside this tiny little thing," and he held out in his hand a tomato seed, "somewhere there is hidden a spark of life. What it looks like we can not say. It is deep in the heart of the seed."
"Do seeds have hearts?" asked Mab.
"Well, no, not exactly," her father answered. "But we speak of the middle of a tree as it's heart and I suppose the middle of a seed, where its life is, is its heart. So this seed is really alive, though it doesn't seem so."
"It looks like a little yellow stone—the kind that comes in sand," spoke Hal.
"And yet it is alive," said his father. "It can not move about now, though when it is planted it begins to grow and it can move. It can push its leaves up from under the earth. Just now it is asleep, and has no life that we can see."
"What will bring it to life and make it wake up?" asked Hal. |
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