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EXT. ROADSIDE - DUSK - PRESENT DAY
[FRL]: I gotta go.
[FRL]: jogs across the road. [MRL] sees traffic coming.
[MRL]: Goddamnit [FRL]!! Pay attention!!!
[FRL]: ...Hello? |
EXT. CENTRAL PARK -- DAY
[MRL]: You know, in this day and age it's not so outrageous a request. I mean, I don't know this kid. I don't know where he's been.
[FRL]: You're worried about where he's been? Give me a break! |
INT. BATHROOM - NIGHT
[FRL]: is drying her hands in the bar's bathroom, staring into the mirror. No smile now. We see into her mind for a second.
[FRL]: There you are.
[FRL]: We thought you wouldn't show. Why you sitting here?
[MRL]: I don't talk to a lot of people. Would you...?
[FRL]: I didn't have a chance to thank... |
INT. HOUSE
[MRL]: What's she talking about?
[EX5]: This is where other people get to call in and dump on what you said. |
EXT. [FRL] AND [EX]'S HOUSE - NIGHT
[EX22]: "Merry Christmas!" "Good luck at your dad's!" "See you at New Year's!"
[EX7]: approaches [MRL] in the doorway.
[MRL]: Have a good time at your mom's.
[EX7]: Thanks. And [MRL]... since you were born on Christmas Eve, I figure you don't get a lot of birthday presents. So, I th... |
EXT. FARMER'S MARKET - LATER
[FRL]: runs through the market looking for [MRL].
[FRL]: [MRL]!
[EX12]: turns around and sees [FRL] running. All belly and boobs bouncing towards him. Her gown starting falling off.
[EX12]: Whoa. I've had nightmares that started like this.
[FRL]: [MRL]!
[MRL]: turns.
[MRL]: [FRL]?
[FRL]: [... |
57 INT. HOSPITAL - NURSES' STATION - NIGHT
[EX10]: is helping Mrs. Hobbs dispense medication into paper cups when Dr. Hirsch approaches. He is still wearing his overcoat.
[EX10]: is not sure how to answer.
[FRL]: has walked up and overheard the last.
[FRL]: It's all right, Susan. Yes, Doctor, I have. |
INT. CLINIC - WAITING ROOM - DAY - PRESENT DAY
[FRL]: wearing scrubs, picks up the ringing phone.
[FRL]: Mediplex... You are going to need to come in... We're going to need to see him... I can't diagnose over the phone... About 20- 30 minutes... Okay? ...okay, bye...
[FRL]: hangs up. She holds a clipboard.
[FRL]: [EX1... |
INT. BEDROOM-- NIGHT
[FRL]: What is this MUSIC? |
INT. LOCKER ROOM - DUSK
[EX28]: Hell yeah.
[EX21]: looks at [FRL], standing in her shorts and sports bra.
[EX21]: Oh damn, Mon.
[FRL]: What?
[EX21]: I think ol' girl took out your chi-chis with that charge.
[FRL]: Kiss my ass.
[EX27]: I don't want to go play overseas.
[EX36]: I thought you were hyped about going to Po... |
EXT. SNOW COVERED FOREST - DAY |
AND EXTRAS. CU on the cookie plate. |
INT. TRIPLE DOOR - CONTINUOUS
[MRL]: slowly walks up to the stage. He stands there silently, looking at the audience. Then, finally...
[MRL]: Have you guys heard of this new drug cocktail called cheese? Like that's the name of it, it's called cheese. I saw all these news reports, and they were like, there's a new drug... |
EXT. TRAIN STATION - EVENING |
INT. OUTER OFFICE BLDG. AND LOAN � DAY
[EX7]: listening at the door. As [MRL] is about to enter his father's office, uncle Billy grabs him by the arm.
[MRL]: Got to see [EX17], [EX7].
[EX7]: Some other time, [MRL].
[MRL]: It's important.
[EX7]: There's a squall in there that's shapin' up into a storm.
[EX8]: [EX7]... ... |
INT. [EX2] MINTZ�S OFFICE - CONTINUOUS It�s [MRL]�s old office but you wouldn�t know it from the decor...lots of country pine, a fabric sofa, and a play pen where the bar used to be. [MRL] enters, immediately struck by the difference... [EX4] [EX2], this is [MRL] ...the one I was telling you about... Mintz, a confident... |
It is now WINTER. The TRACK TEAM jogs in formation, leaving tracks in the snow. Those bastards never stop running. |
INT. HALLWAY - WEST WING - DAY
[EX3]: He's got the whole White House Press Corps asking each other how to spell "erudite."
[EX3]: I know. Gotta rewrite the State of the Union.
[EX3]: goes off in one direction. A.J. heads towards the Oval Office. |
[FRL]: watches [MRL] drive away, perturbed by the exchange. She forces a smile and goes to greet the visitors. [EX5] sets up [EX4]'s wheelchair and [EX4] climbs into it as -
[FRL]: Come to visit your truck?
[EX5]: Looks good. You got that dent out.
[EX5]: shoots his father an irritated look, just as the POLICE CRUISER ... |
INT. REVEREND'S OFFICE
[MRL]: doesn't sit.
[MRL]: I'd like to take [FRL] to dinner on New Year's Eve.
[MRL]: I'm sorry I haven't always treated [FRL] the way -- I should have. She deserves better.
[MRL]: I care for her.
[MRL]: I wouldn't do that --
[MRL]: Ever again. |
EXT. DAY. THE FIELDS .
[MRL]: She's completely different.
[EX1]: How was she before? What's the story?...
[MRL]: There isn't one.
[EX1]: Come on.
[MRL]: Was nothing. Decade ago. Just a teenage thing. |
INT. KENWOOD HOUSE. GROUND FLOOR CORRIDORS - DAY.7 48 * [EX6] steps from the ladies' parlour - [FRL] from the drawing room, winded with emotion. As they fall into each other's arms, weeping... [EX6] I am sorry, [FRL]. So very sorry. |
INT. CLASSROOM - DAY
[FRL]: sits in class. [EX2] passes a note back to her.
[FRL]: She wrote me a note in first period.
[FRL]: reads it. It says: Hey girlie! You wanna hang out after school today? Kisses! [EX2]
[EX2]: looks back and [FRL] gives her the thumbs up. |
INT. [EX14]'S CAB � DAY
[EX14]: If either of you two see a stranger around here, it's me.
[EX14]: reaches over and hands [MRL] a bottle of champagne done up in gift wrappings.
[FRL]: Good old [EX15].
[EX14]: By the way, where are you two going on this here now honeymoon?
[MRL]: Where are we going? Look at this. There'... |
INT. DAY. HADDITON - THE MARQUEE.
[EX6]: It all runs very smoothly. I start a book in the summer, publish it the following spring. Bit of a factory, really. |
INT. LIVING ROOM -- NIGHT
[EX11]: Hi.
[MRL]: Hi [EX11]. |
INT. DISPATCH - NIGHT
[EX36]: sits at the mike. An Air Controller is standing next to him, but only his mid-section is in FRAME.
[EX36]: All right. It's obvious you remember me.
[EX36]: So what do you say you and I just forget about everything except what we have to do now?
[EX36]: You and I are going to bring this pl... |
INT. CHICAGO DISPATCH - NIGHT |
[EX2]: AND [MRL] WALK INTO THE ATTIC.
[MRL]: I looked in here, but this is all your sewing shit up here, for your sewing and everything. Did you put it up here?
[MRL]: STEPS TO AN OPEN CLOSET.
[EX2]: What about in your father's study? |
INT. HALLWAY - CONTINUOUS |
INT. O'SHEA APARTMENT BUILDING - LOBBY - DAY
[MRL]: lies sleeping on a sofa in the lobby. The [EX13] taps him awake.
[MRL]: What time is it?
[EX13]: Eight o'clock. You got to go.
[MRL]: Did she show up?
[EX13]: Nope.
[MRL]: Do you mind if I check upstairs?
[EX13]: I can't have you do that, nor can I have you hanging a... |
INT. [FRL]'S ROOM 84 Where [FRL] is frantically pulling the chord out of the back of her radio. [MRL] fades the phone out, the music up. [MRL] Don't be too proud of your five seconds of fame. More people would hear us if we shouted out the window. [FRL] My radio days are over, I'm now deaf. [MRL] Didn't I tell you not ... |
EXT. DANCING ELK SCHOOL - TRACK - MORNING
[FRL]: waddles toward the field. The guys on the track team, ridiculously arrayed as usual, are doing hurdler stretches. They stare at her quizzically. [MRL] spots [FRL] approaching and jogs up to the chainlink fence.
[MRL]: Did you put like a hundred things of Tic Tacs in my ... |
INT/EXT. [MRL]'S CAR - LATER
[MRL]: drives in the middle of the night, empty streets.
[EX5]: She's still in the ER. Could you just go and sit with her? I was there for as long as I could, but it's a crazy time for all of us... |
EXT. STREET - AFTERNOON
[FRL]: walks down a little street in a quiet neighborhood. |
INT. [MRL]'S LIVING ROOM/CORRIDOR - EVENING
[MRL]: Thanks for your help on the glasses thing.
[EX1]: You're welcome. Did you find them?
[MRL]: Sort of. |
INT. [MRL]'S BEDROOM - DUSK
[MRL]: looks at the new bottle of prescription Wellbutrin. He puts a pill in his mouth and washes it down with RC cola. |
EXT. SIDEWALK - EVENING
[FRL]: WALKS DOWN THE STREET, ALONE.
[FRL]: LOOKS OVER HER SHOULDER, TAKES OFF RUNNING. [MRL] RUNS AFTER HER. They turn a corner. He is chasing her, a reverse of their previous runs together. HE GRABS HER ARM AND SHE
[MRL]: Wait a second!
[MRL]: I have one more letter for you to read, okay?
[MR... |
RECORDING OF HIM READING HOWL FADES UP AND OVER THE NEXT |
INT. [MRL]'S APARTMENT. KREUZ. DAY
[EX29]: I have no-one else to ask. If you don't take responsibility for her, then [FRL] has no future at all.
[MRL]: It's kind of you. Thank you for letting me know.
[MRL]: puts the phone down. He looks as if he has just been handed a sentence. He gets up and stares at the wall which... |
EXT. AIRPLANE - NIGHT |
They exit the car and stand in the street, looking up, scanning the dark buildings -- but the sound is hard to track, a FAINT BALLAD on a skillful HORN.
[FRL]: Wow.
[EX1]: Got 'im?
[FRL]: Look at that moon.
[EX1]: Full moon, man. Hey!
[EX5]: This guy's crazy!
BAT-[EX14]: This asshole side-swiped me!
[FRL]: Are you McG... |
EXT. NOTTING HILL GARDEN - NIGHT
[FRL]: What's in there?
[MRL]: Gardens. [EX28] these streets round here have these mysterious communal gardens in the middle of them. They're like little villages.
[FRL]: Let's go in.
[MRL]: Ah no -- that's the point -- they're private villages -- only the people who live round the edg... |
EXT. ROAD |
EXT. STREET - DUSK
[FRL]: Dungarees. |
IN THE KITCHEN: We see 10-year-old [MRL] watching his mother [EX5] and father kiss quickly, politely, and then his father leaves quickly. [EX2] remains in silhouette through the shot. DIFFERENT DAY, IN [MRL]'S BEDROOM: [MRL] watches [EX2] and [EX5] kiss, and [EX2] leave - more like a performance than anything real. DIF... |
EXT. STREET - DAY
[EX2]: Don't tou-... |
EXT. RANCH - DAY
[EX2]: waits in the truck as [MRL] leads [EX3] through the cows and cowshit, climbs up and hops over a wood fence. [EX3] follows suit -- not as gracefully -- and gets a splinter... |
INT. [MRL]'S LIVING ROOM - EVENING
[MRL]: in a towel rushes downstairs, having just had a shower. He shoots past [EX1].
[MRL]: Bollocks. This happens every time I go to the cinema. Average day, my glasses are everywhere -- everywhere I look, glasses. But the moment I need them they disappear. It's one of life's real c... |
INT. SHOWERS - DAY |
INTERCUT BETWEEN [FRL] AND THE COMPUTER SCREEN |
EXT. PASTURE - ANOTHER DAY |
INT. STATION WAGON. NIGHT
[EX8]: pans a spot-light back and forth in the darkness while he steers the car. The lamp has a short in it
[EX13]: How can we help her? She's got so many problems. It's getting worse.
[EX13]: looks strangely to [EX8]. He asks:
[EX13]: Whose fault is it?
[EX8]: I don't know, but just for the ... |
INT. CAFETERIA - DAY
[EX9]: You were right. She's still pissed.
[EX10]: Sweet love, renew thy force!
[EX9]: Man -- don't say shit like that to me. People can hear you.
[EX8]: You humiliated the woman! Sacrifice yourself on the altar of dignity and even the score.
[EX10]: Best case scenario, you're back on the payroll ... |
INT. CARTER KITCHEN - DAWN
[MRL]: quietly shuts the back door. Exhausted. Starts making coffee. [EX4] appears.
[EX4]: Your father called.
[EX4]: [FRL]'s a patient at his hospital. He's having a colleague look at her chart this morning.
[EX4]: I'm sorry. I didn't know.
[MRL]: I didn't know either. |
INT. PASSENGER CABIN - ANOTHER AREA - NIGHT
[EX25]: I happened to be passing, and I thought you might like some corfee.
[EX26]: That's very nice of you. Thank you.
[EX25]: Thank you. Cream?
[EX25]: Were you vacationing in Los Angeles?
[EX25]: No. I'm from Washington, D.C. I'm a lobbyist for the Small Businessmen's Ass... |
EXT. MRS. PORTER'S HOUSE - DAY [EX3] sits in a lawn chair in the back yard wearing a large straw hat and reading a book. [MRL] and [EX1] are repairing and painting the fence. [EX3] looks up from her book:
[EX3]: That board doesn't look straight, [EX1]. Come on, [MRL], you've been painting the same spot for the last fi... |
INT. CLUB FOYER - NIGHT
[EX9]: walks up to [EX22], who's frisking a badly mowhawked PIERCED EYEBROW [EX5]. [EX22] pulls a SWITCHBLADE out of the boy's inside pocket.
[EX22]: Next time, leave the Bic at home, [EX23].
[EX23]: It's a bottle opener.
[EX22]: pushes him inside the club, then sees [EX9].
[EX9]: Always a plea... |
INT. [MRL]'S LIVING ROOM - NIGHT
[FRL]: The thing that's so irritating is that now I'm so totally fierce when it comes to nudity clauses.
[MRL]: You actually have clauses in your contact about nudity?
[FRL]: Definitely. 'You may show the dent at the top of the artist's buttocks -- but neither cheek. In the event of a ... |
20 INT. HOSPITAL CORRIDOR - DAY
[FRL]: Has the patient in twenty-one gotten his tray yet?
[EX14]: The American? Yes, duck.
[FRL]: How did he look?
[EX14]: What do you mean, `how did he look'?
[FRL]: You know, did he seem depressed? Do you think he'll eat the food?
[EX14]: I'm an orderly, not a bleeding psychiatrist!... |
INT. DAY. WINNARDS FARM - [FRL]'S BEDROOM.
[EX2]: You are so fit I wanna shag you. Love from [EX14] pfwoor!!! [EX5] takes another swig with a wicked grin, she sits at [FRL]'s PC. We hear [EX2] knock three times on the back door. |
INT. [MRL]'S BEDROOM - CONTINUOUS ...impeccably decorated and obsessively neat. Close in on the bed where [MRL] , now 35, sans mustache and long hair, opens his eyes. A FLASH of bright morning light from the window. [MRL] shields his eyes, turning his head toward the bathroom where he sees... A WOMAN'S BACK...draped in... |
INT. BUCHANAN MANSION - [FRL]'S BEDROOM - CONTINUOUS |
EXT. SCHOOL PARKING LOT - SAME TIME |
INT. BEAUTY PARLOR - LATER
[MRL]: sits with a towel over his head as [EX6] blow-dries the back of his head. His back is to the mirror, his body faces [FRL]. [EX10] does her own nails as Mrs. Pressman scratches off lottery tickets. The dog, Sprout, sits in is basket.
[FRL]: In another one...
[MRL]: peeks out from under... |
INT. PUB - NIGHT |
EXT. [FRL]'S HOUSE - DAY
[FRL]: walks [EX1] to his cruiser. He wears a dark, ill- fitting funeral suit. At the car, [FRL] adjusts his tie --
[EX1]: Thanks for understanding, Bells. They wanted to keep the service small.
[FRL]: Don't worry about me. Are you gonna be okay?
[EX1]: Yeah... but Sue, and those kids -- Leah'... |
INT. APARTMENT BUILDING HALLYWAY - CONTINUOUS
[MRL]: So what did he say?
[FRL]: He's checking in again to see if you're ready to sign your divorce papers and he sounded very aggravated. Do you want me to read them to you?
[MRL]: seems lost in thought. We see the following images under the rest of the conversation: [MR... |
INT. [EX1]'S APARTMENT - BEDROOM - NIGHT
[EX2]: Where is my big hairy boy?
[EX1]: is alarmed. He stops breathing as his gay houseguest approaches.
[EX1]: breathes again. [EX2] enters the room.
[EX2]: Should I get it?
[EX1]: nods. [EX2] walks into the next room... several beats as he finds the phone. We hear him pick i... |
INT. CENTRAL PARK WENT APARTMENT - NIGHT |
INT. CONVENIENCE STORE - NIGHT On [MRL]...crouched down in an aisle of this local convenience store...checking out the bags of rock salt... He looks at the price tag on one of the bags... [MRL] Four ninety nine?! It�s just salt for god�s sake... On the entrance to the store...the door opens, a YOUNG GIRL, 17, enters, a... |
EXT. TEXACO STATION - THAT NIGHT
[MRL]: pulls the Plymouth up to the pumps. He's neatly dressed in a jacket and tie. [EX1] comes out of the office and leans in the car window.
[MRL]: Fill 'er up.
[EX1]: Nice tie.
[MRL]: Oh -- mind if I borrow it?
[EX1]: puts the nozzle in the car as [MRL] climbs out.
[EX1]: I thought ... |
EXT. CRONIN'S GRILL -- AFTERNOON
[MRL]: Gimme a second here... [EX21]... Arizona contract... new glass cabinet...
[EX16]: You okay?
[MRL]: I'm fine. What's up?
[EX16]: I came here to let you go.
[MRL]: Pardon me?
[EX16]: Came here to fire you, [MRL].
[EX16]: It's real, [MRL]. You... you should say something.
[MRL]: Aw... |
INT. [MRL]'S APARTMENT ELEVATOR - LATE AFTERNOON |
INT BATHROOM - 1994
[EX2]: Since the disintegration of her parents' marriage, she'd only loved two things. The first was her long blonde hair.
[EX2]: The second was how easily she could cut it off... And feel nothing. |
31 INT. HOSPITAL CORRIDOR - DAY
[FRL]: rushing down hospital corridor. |
INT CHINESE RESTAURANT - NIGHT
[MRL]: Check them out.
[FRL]: sees. She has no reaction.
[MRL]: That is hot.
[FRL]: keeps eating.
[MRL]: I am very turned on right now.
[FRL]: Sometimes you can be so judgmental.
[MRL]: Huh?
[FRL]: I mean, who are you? They're happy. Just mind your own business.
[FRL]: goes back to eatin... |
INT. TAXI - DAY
[EX3]: Why so nervous?
[MRL]: I've never done this before.
[EX3]: How have you dumped girls in the past?
[MRL]: Screening calls. Any suggestions?
[EX3]: I knew this guy last summer in the Hamptons. He and his girlfriend at the time were madly in love with each other. But she had this huge weight proble... |
INTERCUT: The phone RINGS, wakes up [MRL], he turns on the light, answers the phone. PRE-CANCER [EX2] talks excitedly.
[MRL]: Hello?
[EX2]: [MRL]?
[MRL]: Yeah.
[EX2]: I'm not sorry I woke you! I went to Akbar tonight.
[MRL]: You did? |
EXT. THE STADIUM PARKING LOT -- DAY
[FRL]: GREETS [EX24] -- They head for her Volvo..
[EX13]: STARTS ACROSS THE LOT on foot, dragging his luggage, when [EX5] pulls up in her car.
[EX13]: Have you accepted Jesus Christ as your personal savior?
[EX5]: No.
[EX13]: Can I give you my testimony?
[EX5]: You can do anything y... |
INT. FOSSIL FUEL WAR ROOM - DAY
[EX41]: [FRL] , the political strategist who accompanied President [MRL] to last week's state dinner, reportedly spent the night at the White House as a guest of-- |
EXT. STREET - NIGHT |
EXT. AIRPLANE |
EXT. ICHICAN SUSHI RESTAURANT - DAY
[FRL]: You can't get sushi anywhere in Japan after 2 o'clock. Did you know that? |
EXT. RUNWAY - NIGHT
[EX11]: The forklift? It's over there by the baggage loader. |
EXT. LATE AFTERNOON. EWEDOWN - BUS SHELTER.
[EX5]: They should let us in free.
[EX18]: Too right. They come here, drink our water, use our fields, they leave all their crap in our drains - [FRL]'s car sweeps past with the roof down. It is closely followed by a bright yellow Porsche. [EX14] is driving and his boxer dog... |
EXT. [MRL]'S TRUCK - TRAVELING |
EXT. SUBURBAN HOUSE - LATE AFTERNOON |
INT. CAR. DAY.
[MRL]: We got $98 and you're laughin'. |
EXT. WINDOW -- ESTABLISHING -- MORNING |
INT. A TAXICAB
[EX43]: What are you gonna do there, spit off the top?
[EX5]: No. I'm gonna meet... my mother. |
59 INT. DR. HIRSCH'S OFFICE - NIGHT
[FRL]: sits and Dr. Hirsch leans against his desk.
[FRL]: looks confused. Dr. Hirsch realizes the cause of her concern.
[FRL]: At my flat. I'm off at midnight and.... |
EXT. [MRL]'S CASTLE - FRONT GATES - DAY
[MRL]: I had the gates brought in from a castle in Normandy.
[MRL]: Do you like it?
[FRL]: I love it...! But how do you live here all alone?
[MRL]: I don't. I keep it always full of interesting, celebrated people...
[MRL]: My house looks well doesn't it? See how the whole front ... |
INT. THE POOL ROOM - NIGHT
[MRL]: Richard Reynolds' district office. She's thinking of running his campaign. Four in the corner.
[MRL]: gets down over the ball--
[MRL]: Hartford. The insurance capital of the world. Have a good time, Syd.
[MRL]: smacks the ball, BULL'S-EYE.
[MRL]: You handling me, A.J.?
[MRL]: Good. 14... |
INT. DANCING ELK SCHOOL - CAFETERIA - DAY
[FRL]: Almost eight. You wouldn't believe how weird I look naked.
[EX3]: I wish my funbags would get bigger.
[FRL]: Trust me, you don't. I actually have to wear a bra now. And I have to rub this nasty cocoa butter stuff all over myself or my skin could get stretched too far an... |
INT. CAR - NIGHT
[MRL]: in his parked car next to a fence surrounding a drive-in movie closed for the season. He weeps. The windows fog up until the outside is completely obscured. |
INT. HOSPITAL - PATIENT ROOM - ANOTHER AFTERNOON
[FRL]: [EX15]?
[EX15]: Hi.
[EX15]: comes in. [MRL] offers her the book. She takes it and keeps going from where [MRL] left off. Stumbling but reading. [FRL] grins.
[FRL]: Who's been working with you?
[EX15]: looks shyly at [MRL]. [FRL] shakes her head, amazed. [MRL] nod... |
INT. LOBBY/ATLANTIC HOTEL - DAY
[MRL]: has checked into the Atlantic Hotel. The clerk, [EX18], hands him his key. [MRL] asks about room service and the restaurant. An OLDER [EX3] asks him if he plays bridge as he goes up the stairs to his room. |
INT. EQUINOX STEAM ROOM - DAY
[FRL]: Tonight.
[EX2]: And then we'll have to do a paternity test. Is it the cheese farmer or the red-pubed bandit?
[FRL]: I'm not going to have sex with him tonight. It's too soon. I'm not a slut.
[FRL]: Very funny.
[EX2]: I'm not joking.
[FRL]: I'm really not a slut. |
INT. CAFE - DAY
[MRL]: ...so we didn't have those terrible, strained sentences, that seemed to characterized most of my relationships. And she liked me. She liked me. She liked me.
[EX17]: gives [MRL] a quick kiss and keeps talking... |
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