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And who the hell is that? | I have no idea. I've never heard of him. But I'm supposed to kill him in less than thirty-six hours. |
I have no idea. I've never heard of him. But I'm supposed to kill him in less than thirty-six hours. | All right, John, just take a breath, let's think about this... |
All right, John, just take a breath, let's think about this... | I'm out of breath! I'm a fucking fugitive! |
I'm out of breath! I'm a fucking fugitive! | Then come to my house. We'll talk -- |
Then come to my house. We'll talk -- | I can't. They're following me right now. They'll meet me there. They'll halo me. |
I can't. They're following me right now. They'll meet me there. They'll halo me. | How could Witwer have accessed the case file? |
How could Witwer have accessed the case file? | Can you fake the cerebral output? |
Can you fake the cerebral output? | We're years from that. John, I'm asking you: please, come in, we'll shut down the system until we get this thing figured out. |
We're years from that. John, I'm asking you: please, come in, we'll shut down the system until we get this thing figured out. | You know I can't do that. You can't do that... Lamar, I need you to talk to Wally, see if Witwer's gone inside the temple again. Then ask Jad for any off hour EYEdents into the analytical room -- |
You know I can't do that. You can't do that... Lamar, I need you to talk to Wally, see if Witwer's gone inside the temple again. Then ask Jad for any off hour EYEdents into the analytical room -- | John. Just tell me, who's Leo Crow? |
You guys are nodding your heads like you actually know what the hell he's talking about. | Come on, Chief, you think about it, the way we work -- changing destiny and all -- we're more like clergy than cops. |
Come on, Chief, you think about it, the way we work -- changing destiny and all -- we're more like clergy than cops. | Uh-huh. Jad? |
Uh-huh. Jad? | Sir? |
Sir? | Go back to work. All of you. |
Just go to the beginning! | Okay. Fine. Where the hell is that? |
Sean -- you're not real. | You gotta have faith, Dad. |
You gotta have faith, Dad. | It's a little late for that. |
It's a little late for that. | Wanna hear something funny? |
Wanna hear something funny? | What the hell. |
What the hell. | I lived for a year with a man who was pretending to be my father. He took me all over the world. |
Where've you got him? Is he all right? Tell me, you fuck -- WHERE IS HE?! | I put him in a barrel and sunk him in the bay. |
Look, I've put my family through enough misery. You gotta kill me! This way I can leave 'em something. | Crow. I'm not gonna kill you. |
Crow. I'm not gonna kill you. | Look, believe me, I know it's hard, but you gotta do it -- |
Look, believe me, I know it's hard, but you gotta do it -- | I'm asking you again, who made you do this? |
I'm asking you again, who made you do this? | I don't know -- I never saw his face. All I know is, the next day I was out, so the guy must've had juice somewhere. Look, man, you gotta go through with this. |
I don't know -- I never saw his face. All I know is, the next day I was out, so the guy must've had juice somewhere. Look, man, you gotta go through with this. | What the fuck is going on? |
He came to see you yesterday. Right before he got tagged. What did you talk about? | The Mets. John doesn't think they've got a deep enough pitching roster this year, and I'm inclined to agree. |
The Mets. John doesn't think they've got a deep enough pitching roster this year, and I'm inclined to agree. | Why are you protecting him? You knew he was doping, yet you did nothing about it. |
Why are you protecting him? You knew he was doping, yet you did nothing about it. | The man lost a child, for Christ's sake... |
The man lost a child, for Christ's sake... | Six years ago. What did you two talk about yesterday afternoon? |
Six years ago. What did you two talk about yesterday afternoon? | None of your damn business. |
None of your damn business. | Oh, it's all my damn business now, Lamar. Investigation of a supervising office for a capital crime falls under federal jurisdiction... so as to rule out any possibility of conspiracy. He's my suspect. |
Oh, it's all my damn business now, Lamar. Investigation of a supervising office for a capital crime falls under federal jurisdiction... so as to rule out any possibility of conspiracy. He's my suspect. | He's my subordinate! |
Uh, yeah, being concert master of the Philadelphia Symphony Orchestra is one of our most popular choices... | No, I wanna kill my boss! |
No, I wanna kill my boss! | Get the hell outta here. You sick bastard. |
That's why you asked to partner with me on this little sortie, isn't it? | I think you're swell company, Knott. |
I think you're swell company, Knott. | It's not at all that you don't trust me to be alone with the Chief. That you think I might, you know, fuck with him, if I had the chance... |
John Anderton was my friend! | You "friend's" a murderer and he ruined our perfect record. Six years, not one damn murder... |
Martel's and coke. One ice cube. In a snifter this time. | Snifter are for warm drinks -- |
Snifter are for warm drinks -- | Yeah, snifters are for cognac -- |
Yeah, snifters are for cognac -- | When served warm -- |
When served warm -- | What's the matter? You ain't got no snifters in this motherfucker? |
What's the matter? You ain't got no snifters in this motherfucker? | We have snifters |
We have snifters | Then put my Martel's in a snifter. |
Now, Mr. Slade, you're in room 315. | Just give me the key. I'm gonna stay here. |
Just give me the key. I'm gonna stay here. | Yes, sir. |
Yes, sir. | Is it a good room? |
Is it a good room? | I can take you down there. |
I can take you down there. | Just tell me. Wait, here... Do you have change of a hundred? |
Just tell me. Wait, here... Do you have change of a hundred? | Not on me, sir. |
Not on me, sir. | Here. Take it. Bring me back eighty. |
Here. Take it. Bring me back eighty. | Are you sure? |
Are you sure? | Yeah. Take it. |
Yeah. Take it. | Thank you very much, sir. |
Thank you very much, sir. | So? |
So? | What, sir? |
What, sir? | Is it the good room? |
Is it the good room? | All the suites are about the same. |
All the suites are about the same. | Come on. Just tell me. It'll save all the trouble of you showing me all the rooms. |
Come on. Just tell me. It'll save all the trouble of you showing me all the rooms. | Honestly, the suites are all about the same. |
Honestly, the suites are all about the same. | What if I gave you forty? |
What if I gave you forty? | It's as good a suite as we have, unless you want two bedrooms. |
It's as good a suite as we have, unless you want two bedrooms. | No. That's cool. Bring me back eighty. |
No. That's cool. Bring me back eighty. | Thank you, sir. |
Thank you, sir. | Where's the place to go tonight? |
Where's the place to go tonight? | As far as...? |
As far as...? | Nightlife. Where's the hot ass? |
Nightlife. Where's the hot ass? | Women? |
Women? | Yeah 'women.' If I was a fag I could get laid in a subway. |
Yeah 'women.' If I was a fag I could get laid in a subway. | I don't know, Forum's pretty hot tonight. It might be hard to get in, though. |
I don't know, Forum's pretty hot tonight. It might be hard to get in, though. | Don't worry about me getting in. Just tell me where it is. |
Don't worry about me getting in. Just tell me where it is. | It's on West Broadway. |
It's on West Broadway. | See you later. |
I don't know about you guys, but I'm starting to feel a really sexual vibe here. | What happened? I thought we were playing Truth or Dare. |
What happened? I thought we were playing Truth or Dare. | Look at, ladies. I could sit here and take turns throwing skittles at your ass all night. But I feel what you guys are putting out there. I'm only a mirror reflecting what I'm getting from you. And I'm saying yes to it. I'm shaking hands with it. I see the road that you're pointing down and I'm saying I'll ride shotgun... |
Will you leave me alone, already...? No, Sean, it's over... I don't care... As a matter of fact, I am... Yeah. In his hotel room... | Holy shit. |
Holy shit. | I'm having fun, Sean. Can you handle that...? Yeah. He doesn't judge me. |
Is he cute? | He's okay. |
He's okay. | Should I fuck him? |
Should I fuck him? | I don't know. Do whatever you want. |
I don't know. Do whatever you want. | He's great, right. Is he great? |
He's great, right. Is he great? | He's alright. |
He's alright. | I know. |
I know. | But maybe that's okay. Maybe that's just what you need. |
What the fuck was that about? | You wanna get us busted? If Max found out you were turning tricks -- |
You wanna get us busted? If Max found out you were turning tricks -- | I got news for you, Bobby, he don't give a shit. |
I got news for you, Bobby, he don't give a shit. | Bullshit. |
Bullshit. | You think he don't know? I give him his cut of seventeen hundred, I think he knows I can't make that lap dancing. |
You think he don't know? I give him his cut of seventeen hundred, I think he knows I can't make that lap dancing. | No more. |
It's a poison arrow tree frog. | Will you paint the damn thing. Why do you gotta be such a baby. |
I never promised you anything. | How could you let her see this? |
How could you let her see this? | Goodbye, Bobby. |
Goodbye, Bobby. | Just so you know, I bought you out with Maxie. I suggest you leave while you can. |
Just so you know, I bought you out with Maxie. I suggest you leave while you can. | Don't you get it? I don't want to leave. This is who I am. |
Don't you get it? I don't want to leave. This is who I am. | Tell you the truth, I don't give a shit for me. But that little girl is so special, and you're gonna fuck her up. |
Whu -- | There's no touching. |
There's no touching. | But what about them? |
But what about them? | I don't give a shit. I work for her. No touching. |
It's already been a hell of a night. Where you been? | I had a fight up at Sportsman's. |
I had a fight up at Sportsman's. | Well, you look it. You win? |
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