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Is that what he set me up for? Everything he's told me from the beginning? -- don't worry, don't -- | From the beginning I don't know why the he's messin with you. If he was me he'd know better. If he was even a city boy he'd know better. You're a Miss Daniel, that's the truth of it, right? Now somethin I'd like you to look at. |
From the beginning I don't know why the he's messin with you. If he was me he'd know better. If he was even a city boy he'd know better. You're a Miss Daniel, that's the truth of it, right? Now somethin I'd like you to look at. | I don't have to look at anything. I don't have -- |
I don't have to look at anything. I don't have -- | Here please. |
What's the matter? | What the do you think's the matter. I could wait for you someplace. |
What the do you think's the matter. I could wait for you someplace. | If Arlyn Page is living with Tom Grunemann -- |
If Arlyn Page is living with Tom Grunemann -- | -- Then you don't need me. |
-- Then you don't need me. | But if it's someone else I do. |
The next few weeks I would like to know where you are all the time. | Why? |
Why? | Just let me know when you are going out and where -- |
Just let me know when you are going out and where -- | What if i go out on tricks - you wanna come along? You could sit and read the National Geographic. |
What if i go out on tricks - you wanna come along? You could sit and read the National Geographic. | How can you do it to yourself? |
How can you do it to yourself? | I don't get you. |
I don't get you. | Ligourin: How could you do it? |
Ligourin: How could you do it? | I told you before, you wouldn't understand. |
I told you before, you wouldn't understand. | You're right, I don't understand. Explain it to me. You were scared. Arlyn Page, that scared you. Well it should; that's death. So what did you do, you ran straight for it, death. Ligourin kills women. |
You're right, I don't understand. Explain it to me. You were scared. Arlyn Page, that scared you. Well it should; that's death. So what did you do, you ran straight for it, death. Ligourin kills women. | No. |
No. | No, no you're right, I'm sorry. He uses women; he lets them themselves. Is that how you want it? |
No, no you're right, I'm sorry. He uses women; he lets them themselves. Is that how you want it? | Arlyn was a I'm not on junk! |
Arlyn was a I'm not on junk! | No, you can find some other way. Explain it to me. Bree, show me any sense to -- |
No, you can find some other way. Explain it to me. Bree, show me any sense to -- | You get the Christ out! You dumb you don't know anything, you square, you get out! I don't have to show you anything; you get out! |
-- Usual case history -- this isn't a medical confidence, it's all of them -- broken family, lonely, confused, crummy childhood, early promiscuity, formal prostitution beginning in her teens, income twenty-five to thirty thousand a year. Oh they don't keep the money: they get rid of it, they get pimps. Why? Why do you ... | I want to know how Tom Grunemann got mixed up in it. |
I want to know how Tom Grunemann got mixed up in it. | Not unusual. |
Not unusual. | Did she talk about him to you? |
Did she talk about him to you? | About his letters -- that's all she remembered. Quite violent material, I'd say, obsessive, a quite sick man. But that's not unusual either. |
About his letters -- that's all she remembered. Quite violent material, I'd say, obsessive, a quite sick man. But that's not unusual either. | Has she talked with you since prison? |
Has she talked with you since prison? | No. She had every good intention of it -- coming to me as a private patient, getting out of the life, devoting herself to an acting career. |
No. She had every good intention of it -- coming to me as a private patient, getting out of the life, devoting herself to an acting career. | I think she's trying that. |
I think she's trying that. | Oh sure they try. The idea of a better life. But they don't really know much about life: They get confused -- or scared or frustrated or bored -- they pop back to the one thing they can handle. The trick. The trick. Men in bed. Not men in general, not life, not love, not even real -- it avoids all that. Just the trick,... |
It's lucky you didn't have the dossier on Cable here. | Nobody's seen that. |
Nobody's seen that. | If we get anything from the lab, we'll have it by noon. And just think -- all he really had to do was write us a letter. |
Mr. Kramer, do you ever have in here with anyone? | Doctor, I attempt to conduct my social life discreetly. At the moment I am seeing no one. |
Doctor, I attempt to conduct my social life discreetly. At the moment I am seeing no one. | Does that distress you? |
Does that distress you? | Not particularly. |
Not particularly. | What does? |
What does? | The prospect of losing my child. |
The prospect of losing my child. | Very well, I'd like to see him if I may. |
Mom, I mean dad... | Uh huh... |
Uh huh... | That's not the right soap. We use the kind in the green and yellow box. |
That's not the right soap. We use the kind in the green and yellow box. | C'mon, there's not much difference-- |
C'mon, there's not much difference-- | We use the green and yellow. |
I'm sorry. | Je-sus Christ! I catch all kind of at the office because I'm not pulling my weight because I'm busting my butt trying to be a decent father and-- |
Je-sus Christ! I catch all kind of at the office because I'm not pulling my weight because I'm busting my butt trying to be a decent father and-- | I'm sorry. |
I'm sorry. | That's terrific. That's really terrific, but I notice I'm the one that's cleaning up this-- Oh, I'll have to do this one over. |
That's terrific. That's really terrific, but I notice I'm the one that's cleaning up this-- Oh, I'll have to do this one over. | I'm sorry. |
There, okay? Now that's just plain old hamburger. | Some of the brown stuff is still there. |
Some of the brown stuff is still there. | Then eat around it. |
Then eat around it. | No. |
No. | Now listen to me, young man. Do you know what I had to go through to put this food on the table? |
Now listen to me, young man. Do you know what I had to go through to put this food on the table? | I don't care. I hate it. I want pizza. |
I don't care. I hate it. I want pizza. | Not on your life. That's it. I've had it with around this house. From now on, no more pizza! Get it? Starting right now you can eat real food like a normal human being! |
Not on your life. That's it. I've had it with around this house. From now on, no more pizza! Get it? Starting right now you can eat real food like a normal human being! | No! |
I want my...mm...ommy...I want mmmy...mommy... | Tough You're stuck with me. |
Joanna, go be a mother. Get married, have kids. Don't get married, have kids. Do whatever you want. I don't give a Just leave me out of it--and leave my baby out of it. | Ted, if you can't discuss this rationally-- |
Ted, if you can't discuss this rationally-- | Joanna, go yourself! |
Ted, when we got married it was because I was twenty-seven years old and I thought I should get married and...when I had Billy it was because I thought I should have a baby...and I guess all I did was mess up my life and your life and-- | Joanna, what the is-- |
Joanna, what the is-- | Please...Please don't stop me. This is the hardest thing I've ever had to do.. |
But...just in case...I mean, just on the off chance she doesn't. What are you going to do about the kid? | I don't know, Jim. This whole thing has happened so...Pow-- like that. |
I don't know, Jim. This whole thing has happened so...Pow-- like that. | Look, it's none of my business, so you can tell me to butt out, okay? But if you want my advice, you'll send Billy away to stay with relatives for a while. Just until you get yourself straightened out. |
Look, it's none of my business, so you can tell me to butt out, okay? But if you want my advice, you'll send Billy away to stay with relatives for a while. Just until you get yourself straightened out. | I don't know, Jim... |
I don't know, Jim... | Ted, this may sound a little rough, but we've just landed the biggest account in the history of this agency, right? And now it's up to us--that's you and me --to deliver the goods. Ted, you're my main man, and if I can't depend on you a hundred and ten percent, twenty-four hours a day, because you're worried about a ki... |
Ted, this may sound a little rough, but we've just landed the biggest account in the history of this agency, right? And now it's up to us--that's you and me --to deliver the goods. Ted, you're my main man, and if I can't depend on you a hundred and ten percent, twenty-four hours a day, because you're worried about a ki... | Jim, I appreciate what you're saying. I mean it, but I really think Joanna's coming back. |
What the is this? | Murray had some ideas about the Fire and Ice campaign and he had the art department make up a few roughs... I think they're kind of interesting. |
Murray had some ideas about the Fire and Ice campaign and he had the art department make up a few roughs... I think they're kind of interesting. | I don't. Jim, this isn't anything like what we talked about. It's not even close. |
All right, Jim. You said I was running this show, right? You said no decisions without my approval, right? Well what the is this? What's going on, Jim? | Well, ah...I thought it over and I decided we're doing it Murray's way. |
Well, ah...I thought it over and I decided we're doing it Murray's way. | Jim, this is garbage. This isn't anything like what we talked to Revlon about. None of it. You can't-- |
Jim, this is garbage. This isn't anything like what we talked to Revlon about. None of it. You can't-- | That's my decision, Ted and that's final. |
What? | Walk him over to Bethesda Fountain, buy him an ice. It'll twenty minutes. |
Walk him over to Bethesda Fountain, buy him an ice. It'll twenty minutes. | I've got a lot more than twenty minutes to |
I've got a lot more than twenty minutes to | Tough... ...I get off duty at five-thirty. How long you been divorced? |
Tough... ...I get off duty at five-thirty. How long you been divorced? | Three months. How can you tell? |
Three months. How can you tell? | You've got that look. My lady and I split two years ago in August and I'm an old pro at this First thing, stay away from the Children's Zoo. It's pure I never see another chicken, I'll be happy. I'm here, darling. Don't worry... |
That's if we win. If we lose, you could end up having to pay your wife's court costs as well. | Fine. |
Fine. | Good. You've hired yourself a of a lawyer, Mr. Kramer. How old is the child? |
Good. You've hired yourself a of a lawyer, Mr. Kramer. How old is the child? | Six. |
John? | Ted, I won't lie to you, we don't have a hope in of winning a custody hearing if you're out of work. |
Good Christ, Joanna, just get the out of my life. | Ted? Are you there? |
Ted? Are you there? | Yeah. |
Yeah. | Any prospects? |
Any prospects? | Don't worry. I plan to have something within twenty-four hours, John. |
Don't worry. I plan to have something within twenty-four hours, John. | How the are you going to do that? |
How the are you going to do that? | I don't know. |
Two. She is getting to be a real hermit or recluse or whatever it is you call it. Thelma, do you know where I could be in this business if I had a wife that entertained or went out socially-- | Oh for shit's sake, Ted, you are the most selfish human being I have ever met. No wonder she said you came first, then Billy, then, if there was anything left over, she got the scraps. |
Oh for shit's sake, Ted, you are the most selfish human being I have ever met. No wonder she said you came first, then Billy, then, if there was anything left over, she got the scraps. | Joanna said that? |
Y'know something Thelma--you are the typhoid Mary of divorce. I mean it. Joanna and I never had any trouble until you and Charley split up. | Ted, divorce is a terrible thing. I know, I went through it. You've got to believe I did everything I could to get Joanna to stay. But I'll tell you something. You may not want to hear it, but it took a lot of courage for Joanna to do what she just did. |
Ted, divorce is a terrible thing. I know, I went through it. You've got to believe I did everything I could to get Joanna to stay. But I'll tell you something. You may not want to hear it, but it took a lot of courage for Joanna to do what she just did. | I'd like to know what the kind of courage it takes to walk out on your husband and your child? |
Jesus Christ!! | What the are you doing?!! |
What the are you doing?!! | What are <u>you</u> doing?! |
What are <u>you</u> doing?! | You're crawling around like a-- |
You're crawling around like a-- | I'm laying a spring trap! |
I'm laying a spring trap! | A spring trap! |
A spring trap! | I keep telling you, they <u>can</u> come on land, I don't wanna wake up in the middle of the night-- |
I keep telling you, they <u>can</u> come on land, I don't wanna wake up in the middle of the night-- | I coulda shot you, you-- |
I coulda shot you, you-- | This could end up saving your life,-- |
I brought a pork chop, maybe we could hang it around your neck for luck. | No thank you, but maybe later you can chew the bark off my big log. |
Asia? How... how could he get here? | Obviously some in Hong Kong flushed him down a toilet. |
Maybe he doesn't play well with others. | Is everything a big joke to you? |
Is everything a big joke to you? | <u>Bite</u> <u>my</u> <u>bishop</u>. |
I can arrest you!! | Then do it!! |
Then do it!! | You probably <u>do</u> want to be killed by it, that was you trying to meet your maker. |
You probably <u>do</u> want to be killed by it, that was you trying to meet your maker. | So profound and |
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